How to Steal a Million 1966 Comedy / Crime Movies Full Movie
-
1:35 - 1:39Sold. $90,000 to this gentleman
in front of me just here. Thank you, sir. -
1:39 - 1:41And now, ladies and gentlemen...
-
1:42 - 1:45number 34 on the front cover
of your catalogues. -
1:45 - 1:47Color plate 16.
-
1:47 - 1:51Portrait of Madame de Nemours
by Cezanne. -
1:55 - 1:58Now, because of the interest
in this painting... -
1:58 - 2:02we are keeping telephone lines open
to our buyers in London and New York. -
2:02 - 2:06This great painting is from
the world-famous Bonnet collection... -
2:06 - 2:08sold by order
of the present head of the family... -
2:08 - 2:12Monsieur Charles Bonnet.
-
2:15 - 2:17Now ladies and gentlemen...
-
2:17 - 2:20who will start this superb
Postimpressionist masterpiece... -
2:20 - 2:21at $200,000?
-
2:23 - 2:28$210,000. $220,000!
-
2:28 - 2:29$230,000. Thank you.
-
2:30 - 2:33Now who says $240,000?
-
2:33 - 2:35Thank you very much.
-
2:36 - 2:38Who says $240,000?
-
2:39 - 2:41Thank you. $240,000
-
2:43 - 2:45$260,000.
-
2:46 - 2:47$270,000.
-
2:56 - 2:58...equal this record
in the coming three months. -
2:58 - 3:00And now, in the world of art...
-
3:00 - 3:03in an auction
of notable lmpressionist masterpieces... -
3:03 - 3:06the highest price paid
was for a Cezanne portrait... -
3:06 - 3:08from the great private collection
of Charles Bonnet... -
3:09 - 3:13sold after spirited bidding for $515,000.
-
3:13 - 3:16The buyer,
himself a notable art collector.... -
3:37 - 3:40-Good evening, Marcel.
-Evening, mademoiselle. -
3:40 - 3:42-ls my father home?
-He is upstairs. -
3:42 - 3:44-Shall l tell him?
-No, thank you. l'll go up. -
3:50 - 3:50Papa!
-
4:10 - 4:13Hello, my darling!
- Hello, Papa. -
4:14 - 4:17-Careful. l'm covered with paint.
-And with money. -
4:17 - 4:20l heard all about the auction on the radio.
-
4:20 - 4:22We've got to have a long, serious talk.
-
4:22 - 4:24My dear angel, it was a triumph.
-
4:24 - 4:25l could have sold
a dozen Cézannes on the spot. -
4:25 - 4:28When is enough more than enough?
This has got to stop. -
4:28 - 4:29One moment.
-
4:33 - 4:35How kind of van Gogh
to use only his first name. -
4:37 - 4:39l can sign him in half the time.
-
4:39 - 4:41There. Perfect!
-
4:41 - 4:44Not again, Papa? So soon?
-
4:44 - 4:48This long-lost masterpiece
will not be for sale for a long time. -
4:48 - 4:51We'll hang it. lt'll be admired. Who knows?
ln time, some legendary tycoon... -
4:51 - 4:53may be able to persuade me
to part with it. -
4:53 - 4:56-You're such a scoundrel.
-Thank you, my child. -
4:56 - 4:58Nicole! My dirt.
-
4:58 - 5:01This is not ordinary dirt.
lt is van Gogh dirt. -
5:01 - 5:04l mean dirt from his own neighborhood.
-
5:04 - 5:07l scraped it myself
off these old 19th-century canvases. -
5:07 - 5:08Like this.
-
5:09 - 5:10lt took me weeks.
-
5:11 - 5:12A nice touch of authenticity,
don't you think? -
5:13 - 5:17l doubt if van Gogh himself would've gone
to such pains with his works. -
5:17 - 5:19He didn't have to. He was van Gogh.
-
5:19 - 5:23But you know that in his whole lifetime,
he only sold one painting. -
5:23 - 5:26Whereas l, in loving memory
of his great tragic genius... -
5:26 - 5:28have already sold two.
-
5:28 - 5:30Papa, l keep telling you...
-
5:30 - 5:33when you sell a fake masterpiece,
that is a crime. -
5:33 - 5:35l don't sell to the poor.
-
5:35 - 5:38l only sell them to millionaires
and they get great paintings like this one. -
5:57 - 5:58Papa! Police!
-
5:58 - 6:00Police!?
-
6:13 - 6:15What a shock you gave me.
-
6:15 - 6:17lt's the director
of the Kl饕er-Lafayette Museum. -
6:17 - 6:19Come about our Cellini Venus.
-
6:19 - 6:21What about the Venus?
-
6:21 - 6:24Our Cellini Venus
is to be the outstanding feature... -
6:24 - 6:26of a great loan exhibition,
Masterpieces of French Collections. -
6:27 - 6:29Not in public, Papa!
-
6:29 - 6:31-Yes. Come along.
-No! -
6:35 - 6:37Wait a minute.
You can't let it out of the house. -
6:38 - 6:39Don't fuss.
-
6:40 - 6:43But, Papa, this is insane.
-
6:46 - 6:48l'm coming, Monsieur Grammont.
-Take your time. -
6:50 - 6:53-l beg you. Listen to me.
-Do you see any paint anywhere? -
6:53 - 6:54Do l smell of paint?
-
6:54 - 6:58l beg of you, will you listen to me?
The Cellini Venus is a fake. -
6:58 - 7:02-That's a word we don't use in this house.
-lt's too dangerous. l can't let you do this. -
7:02 - 7:04Papa, will you listen to me?
-
7:04 - 7:07Stop spraying and.... All right.
-
7:07 - 7:09Come along, you'll like
Monsieur Grammont. -
7:09 - 7:11He's impeccably honest
and extremely dull. -
7:17 - 7:19My dear Grammont.
How kind of you to come in person. -
7:19 - 7:21-Good evening, Bonnet.
-My pleasure, l can assure you. -
7:23 - 7:27Marcel, the doors.
Allow me to present my daughter, Nicole. -
7:31 - 7:33-Delighted, mademoiselle.
-Good evening. -
7:37 - 7:38There she is.
-
7:45 - 7:46Allow me.
-
7:53 - 7:57l remember it as a work of art,
but it is more. -
7:58 - 8:02My friend, l express my own
and the museum's gratitude... -
8:02 - 8:05for your generous loan,
and l thank you on behalf of France itself... -
8:05 - 8:07for never letting this treasure
leave the country. -
8:07 - 8:11l know of the offers you must have had
and how tempting they must have been. -
8:11 - 8:13One is, after all, always a Frenchman.
-
8:18 - 8:20-l'll get it for you.
-No. -
8:23 - 8:25Look, Papa, let me help you.
-
8:26 - 8:28lnto your hands...
-
8:28 - 8:29-my dear Grammont...
-Me? -
8:29 - 8:31...l give this, our ultimate treasure.
-
9:12 - 9:13Papa, what have you done?
-
9:13 - 9:15The room doesn't look
the same without her. -
9:27 - 9:29- Papa
- What have l done? -
9:29 - 9:33l'm giving the world an opportunity
of studying and viewing the Cellini Venus. -
9:33 - 9:34Which is not by Cellini.
-
9:34 - 9:37Labels! lt's working with the Americans...
-
9:37 - 9:39that's given you this obsession
with labels and brand names. -
9:39 - 9:41l wish you'd give up that ridiculous job.
-
9:41 - 9:45Don't you know you can't fake
sculpture anymore? lt's not like painting. -
9:45 - 9:48l know about their so-called tests.
-
9:48 - 9:50Papa, they are not so-called. They are!
-
9:51 - 9:55One quick whiff of something
called potassium argon... -
9:55 - 9:59and they can tell the age of the stone,
where it was quarried, when it was cut... -
9:59 - 10:02and the name and address
of the man who did it. -
10:02 - 10:03Why do you suppose l haven't sold it?
-
10:03 - 10:06l was offered recently....
lt gives me a twinge when l think of it. -
10:06 - 10:09l was offered $1,000,000.
But l won't sell it. -
10:09 - 10:11l don't even charge rent.
So, why should they test it? -
10:11 - 10:15Did you hear Grammont say
100,000 souvenir postcards! -
10:15 - 10:17They'll be mailed all over the world.
Our Venus! -
10:17 - 10:20Don't you feel
a kind of thrilling glow in that? -
10:20 - 10:22Chills run up and down my spine.
-
10:22 - 10:24The basic trouble with you
is that you're honest. -
10:25 - 10:27l don't say that to hurt your feelings.
-
10:28 - 10:30l get dizzy spells
when we have these conversations, Papa. -
10:31 - 10:32What you need is a brandy.
-
10:34 - 10:38My darling, what you must understand
is that l am pleased and proud... -
10:38 - 10:41that our Cellini Venus is a forgery.
lf it were genuine, what would it be? -
10:41 - 10:45A piece of sculpture made
centuries ago by some over-sexed ltalian. -
10:45 - 10:48But our Cellini Venus is really our own.
So, be proud of it. -
10:48 - 10:51Your own grandfather made it,
and your own grandmother posed for it. -
10:51 - 10:53For months she stood
without moving a muscle... -
10:53 - 10:55while your grandfather
perpetuated her in marble. -
10:55 - 10:58That was, naturally, before she
started eating those enormous lunches. -
12:08 - 12:11-Back to the hotel, please.
-Yes, Mr. Leland. -
12:13 - 12:15Miss Treadwell, type this up immediately.
-
12:15 - 12:17Do it yourself
and send it to all parties concerned. -
12:17 - 12:20Cancel all travel arrangements
and business meetings Near and Far East. -
12:20 - 12:23Remaining in Paris on urgent business
regarding my art foundation. -
12:23 - 12:25Further instructions
will be issued as needed. -
12:26 - 12:28Paris office:
Do a run-down on Charles Bonnet... -
12:28 - 12:30this city, all members of his family,
his art collection... -
12:30 - 12:33and particularly the Cellini Venus,
which is now on exhibition. -
12:33 - 12:36Have all this information
at my hotel in the morning. -
12:36 - 12:38This is urgent, repeat, urgent.
-
12:38 - 12:40And confidential.
-
14:45 - 14:46Don't move.
-
14:49 - 14:50Put down that painting.
-
14:52 - 14:54Put it down!
-
15:07 - 15:10-Miss Bonnet, please....
-Stay where you are! -
15:20 - 15:23Why did you choose
that particular painting? -
15:23 - 15:25It was the handiest.
-
15:26 - 15:29Look, don't call the police.
Give me another chance. -
15:29 - 15:33You see, I was only taking one painting
and you've got so many. -
15:34 - 15:37The chances were
you wouldn't have missed it. -
15:39 - 15:40I'll put it back.
-
15:53 - 15:55It's beautiful. A pity.
-
15:58 - 16:01You knew my father
and the servants were out. How? -
16:01 - 16:03It's my business to know things like that.
-
16:03 - 16:05Look, if I frightened you,
I'm really terribly sorry. -
16:05 - 16:09I thought you'd be at the opening
with your father. -
16:11 - 16:12Big event like that..
-
16:14 - 16:18Anyway, you frightened me,
so we're even. -
16:19 - 16:20Don't be impudent.
-
16:21 - 16:24That thing isn't loaded, is it?
-
16:24 - 16:25Of course it is.
-
16:33 - 16:36- Are you armed?
- Wait. -
16:36 - 16:37Do you have a gun?
-
16:38 - 16:39Good God, no!
-
16:46 - 16:49Well...I'm going to let you go.
-
16:50 - 16:51I don't know why, but...
-
17:36 - 17:38I'm the one that's bleeding.
-
17:44 - 17:46- What's that?
- Iodine. -
17:46 - 17:48Will it hurt?
-
17:48 - 17:50For a burglar, you're not very brave,
are you? -
17:50 - 17:53I'm a society burglar. I don't expect people
to rush about shooting me. -
17:54 - 17:56Take your hand away
so I can put this stuff on. -
17:57 - 17:58Ouch!
-
18:00 - 18:01That hurt.
-
18:01 - 18:04Don't be such a baby.
It's only a flesh wound. -
18:04 - 18:05It happens to be my flesh.
-
18:05 - 18:07You have to expect
some occupational hazards. -
18:08 - 18:09You broke in here to steal!
-
18:09 - 18:11Could we keep personalities
out of this conversation? -
18:12 - 18:15Fine. A thing like this
could keep me out of action for a week. -
18:15 - 18:17Temporarily, you'll have to go straight.
-
18:17 - 18:20Look, it's late and I'm tired,
and I have to work in the morning. -
18:20 - 18:21You work?
-
18:22 - 18:24Some people do, you know.
-
18:24 - 18:25All right. I'm going.
-
18:30 - 18:33How do I get home?
I can't drive. -
18:34 - 18:38I feel weak from shock and loss of blood.
-
18:38 - 18:40Dear heaven!
-
18:41 - 18:45I'll call you a taxi. And pay for it.
Is that all right? -
18:45 - 18:47As far as I'm concerned, fine, but...
-
18:48 - 18:51if the police found my car
outside your house... -
18:52 - 18:55it would mean questions,
and I'm wanted, you know. -
18:55 - 18:56I'm really thinking of you.
-
18:59 - 19:02Thank you very much.
-
19:02 - 19:06- I'll drive you home. Is that okay?
- Fine, thank you. -
19:15 - 19:17You don't happen
to have a cigarette, do you? -
19:22 - 19:23Here.
-
19:49 - 19:52Pretty, isn't she?
She'll do more than 150 miles an hour. -
19:52 - 19:54Useful for getaways, you see.
-
19:58 - 20:00The robbery business
must be pretty good. -
20:01 - 20:02It's stolen.
-
20:03 - 20:04I can't drive a stolen car!
-
20:05 - 20:07Same principle.
Four gears forward, one reverse. -
20:07 - 20:10This is crazy. You should be in jail,
and I should be in bed. -
20:13 - 20:15All right. Where to?
-
20:15 - 20:16The Ritz.
-
20:17 - 20:18The what?
-
20:19 - 20:21The Hotel Ritz in the Place Vendome.
-
20:21 - 20:25I know where it is.
You're a very chic burglar, aren't you? -
20:50 - 20:52Your arm is much better.
-
20:52 - 20:54No. It hurts.
-
20:54 - 20:56It's the other arm.
-
20:56 - 20:58The infection is spreading.
-
21:08 - 21:10We got here alive. Thank you.
-
21:10 - 21:12- If ever I can return the favor...
- Hardly likely to happen, is it? -
21:14 - 21:16Now how do I get home?
-
21:16 - 21:19You see, you never can tell
when you might need a friend. -
21:23 - 21:25Good evening, Mr. Dermott.
-
21:25 - 21:26Armand, I want a taxi.
-
21:26 - 21:27Yes, Mr. Dermott. Right away.
-
21:29 - 21:30Transportation laid on.
-
21:31 - 21:32Taxi.
-
21:34 - 21:37Gave myself away there.
Now you know my name. Can't be helped. -
21:37 - 21:40Besides, I have a funny feeling,
believe me, it's rare in my profession -
21:40 - 21:41that you're completely trustworthy.
-
21:47 - 21:49Just one more tiny favor:
-
21:49 - 21:52Like an idiot, I forgot to wear gloves.
I may have left fingerprints. -
21:52 - 21:53Be an angel. Before you go to bed
-
21:53 - 21:56give the frame of the painting
a little wipe with a clean cloth, okay? -
21:58 - 22:00Certainly. Anything else?
-
22:00 - 22:03You wouldn't like a forged passport
or some counterfeit money or -
22:04 - 22:08You're mad, utterly mad.
I suppose you want to kiss me good night. -
22:08 - 22:10I don't usually,
not on the first acquaintance -
22:10 - 22:11but you've been such a good sport.
-
22:30 - 22:3338, rue Parmentier.
Drive carefully. -
22:33 - 22:34Get a good night's sleep.
-
23:21 - 23:25Nicole, my darling,
what a pity you missed the opening. -
23:25 - 23:28Our Cellini Venus
was a tremendous success. -
23:28 - 23:29You should have seen the crowds.
-
23:29 - 23:30- Thousands of them.
-I want to... -
23:30 - 23:32- Photographers from all nationalities
- Papa. -
23:32 - 23:35with our Cellini Venus
the center of the whole attraction. -
23:35 - 23:37Papa, I caught a burglar.
-
23:37 - 23:39Of course you did.
-
23:39 - 23:41But you must promise me
to go there and see for yourself. -
23:42 - 23:43A burglar?
-
23:44 - 23:46What? Here in this house?
-
23:47 - 23:48Good Lord.
-
23:49 - 23:53Here, take a sip of this
and just tell me all about it. -
23:54 - 23:57It was pitch dark and there he was.
-
23:58 - 24:02Tall, blue eyes, slim, quite good-looking
-
24:03 - 24:06in a brutal, mean way.
Papa, a terrible man. -
24:06 - 24:09Arrogant, ruthless,
no sense of guilt or shame... -
24:09 - 24:11or anything.
-
24:12 - 24:15So you discussed all that, did you?
-
24:15 - 24:17That was later,
when I was driving him home. -
24:20 - 24:24I had to, Papa, I shot him in the arm
with your old pistol. -
24:24 - 24:26but it was an accident, I think.
-
24:26 - 24:27My darling.
-
24:27 - 24:33supposing you start all over again
and tell me what happened in detail. -
24:33 - 24:35I caught him in the act of stealing.
-
24:36 - 24:37I kept him back with the pistol.
-
24:37 - 24:40and I was telephoning the police
when I saw what he was stealing. -
24:40 - 24:43- The van Gogh, your van Gogh.
- What? -
24:43 - 24:44And I didn't know what to do.
-
24:44 - 24:47I was afraid if he was arrested
it might mean publicity. -
24:47 - 24:50Of course. A police investigation,
that might have been very awkward. -
24:50 - 24:52- That's what I thought. So I let him go.
- Good! -
24:52 - 24:55- I did the right thing, didn't I?
- Of course. Maybe he was a first offender. -
24:55 - 24:58If you'd have seen how he was carrying on
when I was dressing his wound. -
25:00 - 25:03He might have got an infection.
The whole thing was too awful, Papa. -
25:04 - 25:06Good night, Papa.
-
25:06 - 25:07Good night, my darling.
-
25:25 - 25:27Good night, Papa.
-
25:30 - 25:32Good night, my darling.
-
25:32 - 25:33Have a good sleep.
-
25:36 - 25:36Nicole.
-
25:38 - 25:41This tall, good-looking ruffian
with blue eyes -
25:41 - 25:44he didn't molest you in any way, did he?
-
25:47 - 25:48Did he?
-
25:52 - 25:53Not much.
-
26:44 - 26:46Sorry. Oh.
-
26:46 - 26:47Good morning.
-
26:47 - 26:50We meet only under
the most artistic circumstances. -
26:52 - 26:53Beautiful!
-
26:54 - 26:55You wouldn't dare.
-
26:56 - 26:58Fear nothing, I'm off duty.
-
27:00 - 27:01Miss Bonnet. A pleasure to have you here.
-
27:01 - 27:02Mr. Grammont.
-
27:04 - 27:06Mr. Grammont,
the Director of the Museum, and... -
27:06 - 27:09- Delighted.
- How do you do. -
27:09 - 27:11We are old friends.
We used to shoot together. -
27:11 - 27:13Wonderful exhibition.
So many beautiful things. -
27:13 - 27:15-And so valuable!
-Yes. -
27:15 - 27:18And observe, please,
the security precautions -
27:18 - 27:20protecting your great sculpture.
-
27:20 - 27:23-Are you interested in art, Mr. Dermott?
-Indeed I am. -
27:23 - 27:26-And in security.
-Splendid. Let me show you, please. -
27:28 - 27:32Excuse me.
You see those tiny blue beams. -
27:32 - 27:34They are infrared circuits.
-
27:34 - 27:36-I have to go.
-Go on. I find it fascinating. -
27:36 - 27:37Be careful.
-
27:37 - 27:40Because those beams create
a circuit around the Venus -
27:40 - 27:43and anything that breaks the circuit,
instant alarm! -
27:43 - 27:45Bravo! Thank you
-
27:45 - 27:47It's the Electric Eye Detection
and Alarm System. -
27:47 - 27:49We call it the E.D.A.S.
-
27:49 - 27:50-Very clever.
-Nice. -
27:50 - 27:52I know the question you're going to ask:
-
27:52 - 27:55"What if a burglar got to it
and turned off the alarm?" -
27:55 - 27:56No. The thought never entered my mind.
-
27:56 - 27:59Funny, I was going to ask that very thing.
-
27:59 - 28:01Good question. The answer is, he cannot.
-
28:01 - 28:05You see, it operates like the door
to a vault, and only two trusted guards -
28:05 - 28:07and myself of course,
know the combination. -
28:07 - 28:09-Let me show you・
-I have an appointment. Goodbye. -
28:09 - 28:12-You're coming with me. Aren't you?
-All right. If you insist. Bye-bye. -
28:15 - 28:18Now go away or I'll call a policeman.
-
28:18 - 28:20Yours is a capricious nature.
-
28:20 - 28:23Do you always blow hot
and cold like this? Say! -
28:23 - 28:26Listen. I have something
very important to say to you. -
28:26 - 28:27Now don't go away.
-
28:38 - 28:39Well, finally!
-
28:39 - 28:42I waited at the Ritz for you last night.
I thought you'd been caught. -
28:42 - 28:43-No.
-What happened? -
28:43 - 28:46I'm only a part-time burglar,
and it's hard work. -
28:46 - 28:47Did you find the van Gogh?
-
28:47 - 28:49-Easily.
-And? -
28:52 - 28:54It disturbs you, doesn't it?
-
28:54 - 28:55Not a bit.
-
28:56 - 28:58It's a great van Gogh.
-
28:58 - 29:00Of course it is, but who painted it?
-
29:00 - 29:04My dear Bernard, Bonnet has
a Cellini sculpture on exhibition -
29:04 - 29:07right now which is worth $1,000,000.
He doesn't need to forge paintings. -
29:08 - 29:10-Do you think that's a forgery, too?
-No, not that! -
29:10 - 29:14For one thing, it was first exhibited in 1910
when Bonnet was eight years old. -
29:14 - 29:18Besides, Bonnet never studied sculpture.
But he did study painting. -
29:18 - 29:20If he has $1,000,000 lying around loose
-
29:20 - 29:23why does he forge paintings?
What's his motive? -
29:23 - 29:25Ego, vanity,
hoodwinking the whole world -
29:25 - 29:27and having a wonderful time doing it.
-
29:27 - 29:29Simon, imagine Bonnet
as a young painter. -
29:29 - 29:32Like many others he copies
the masters to learn their secrets. -
29:32 - 29:34It is his hobby.
-
29:34 - 29:35But over the years,
it becomes an obsession. -
29:35 - 29:39He learned every nuance of light,
of color, of shade, of form. -
29:39 - 29:41He identifies with them completely.
-
29:41 - 29:44When he paints a van Gogh,
he is van Gogh. -
29:44 - 29:48He's Lautrec, Cezanne, he's any painter
he chooses to be, and that is his motive -
29:48 - 29:49and also his profit.
-
29:50 - 29:53-What about Bonnet's daughter?
-Nicole? What about her? -
29:53 - 29:56-Do you think she's in it with him?
-In what? -
29:56 - 29:57According to you, there is nothing.
-
29:57 - 30:00-That's right.
-You're wrong. And you'll see. -
30:02 - 30:02Come in.
-
30:04 - 30:06-Hello, Papa.
-Good evening, my dear. -
30:06 - 30:08Marcel tells me you're dining out.
-
30:08 - 30:10With an American tycoon
I met today. -
30:10 - 30:13-He makes computers.
-What? -
30:13 - 30:16Well, that might be the basis
of an enduring friendship. -
30:17 - 30:20And there he is.
Right on the executive button. -
30:20 - 30:22An enormous Cadillac.
Does that sound right? -
30:23 - 30:25-What's his name?
-Davis Leland. -
30:25 - 30:28-Davis Leland? Are you sure?
-Do you know him? -
30:28 - 30:30No, but I'd very much like to meet him.
-
30:30 - 30:33Yes, he is one of the most open-handed
art collectors in the whole of America. -
30:33 - 30:35I'll go and keep him company.
-
30:35 - 30:37He didn't say a word about a collection.
-
30:37 - 30:39Didn't he tell you that
he's got the great Toulouse-Lautrec・ -
30:39 - 30:41from the Bonnet collection?
-
30:42 - 30:45Your Lautrec or Lautrec's Lautrec?
-
30:45 - 30:46Mine, naturally.
-
30:46 - 30:47Oh, no.
-
30:48 - 30:51Are you implying that my Lautrec
is in any way inferior? -
30:51 - 30:52Listen, Papa.
-
30:52 - 30:55He mentioned your name
as though it were only vaguely familiar. -
30:55 - 30:57Not only didn't he mention anything
about a collection -
30:57 - 30:59he said he didn't like art at all.
-
31:00 - 31:01He suspects something.
-
31:02 - 31:04He must have arranged to meet me.
-
31:05 - 31:06I find that rather intriguing.
-
31:07 - 31:08I'll go and meet him.
-
31:22 - 31:26A lovely dinner. Marvelous wine.
How did you know how to choose it? -
31:26 - 31:27I own a vineyard.
-
31:28 - 31:29Well, what fun!
-
31:29 - 31:33-It's a subsidiary of Eastern Coal and Coke.
-Eastern Coal and Coke? -
31:33 - 31:35That's a subsidiary
of Western Wool and Flax. -
31:35 - 31:38Fascinating. What's your growth factor?
-
31:39 - 31:42Say! You're marvelous. You're wonderful.
-
31:42 - 31:44You know, usually I have trouble
talking with girls -
31:44 - 31:48but with you, it's as though
you were a member of the Board. -
31:48 - 31:51That's very nice of you, Mr. Leland.
-
31:51 - 31:54But I wish I didn't have this feeling that
there's a subject you're trying to avoid. -
31:57 - 31:59There is something, isn't there?
-
31:59 - 32:01Yes. I hate to say this.
-
32:03 - 32:04Yes?
-
32:04 - 32:06But you see, it has to do with your father.
-
32:07 - 32:09and the Bonnet collection.
-
32:09 - 32:12Yes. You see,
Damn it, this is hard for me to say. -
32:13 - 32:14-Mr. Davis Leland?
-Yes. -
32:14 - 32:16Long-distance call, Mr. Leland.
United States. California. -
32:17 - 32:19How the devil did they track me
down here? -
32:19 - 32:21Please excuse me. I'll cut it short.
-
32:40 - 32:43-Oh, no!
-Not a very cordial greeting. -
32:43 - 32:46I went to considerable trouble to arrange
these few precious moments alone. -
32:46 - 32:48-Leave the table.
-It's National Crime Prevention Week. -
32:48 - 32:52-Take a Burglar to Dinner.
-My escort has a very ugly temper. -
32:52 - 32:54Now go and call off
that fake telephone call. -
32:54 - 32:56There's something I must tell you.
-
32:56 - 32:58-How I'd like to take another shot at you!
-It's important! -
32:58 - 33:00Quittez pas! What is that?
-
33:01 - 33:03I'm going to quittez pas right now.
-
33:03 - 33:06Either you leave this table
or I start screaming. -
33:06 - 33:07-Yes, I'll go.
-Choose! -
33:07 - 33:09Just tell me where and when we can meet.
-
33:09 - 33:10Choose! And make it fast!
-
33:12 - 33:17Remember, Simon Dermott.
Room 136, the Ritz. It's urgent. -
33:22 - 33:23The Ritz!
-
33:27 - 33:29Now, where were we?
-
33:29 - 33:31With my father and his collection.
-
33:31 - 33:32Oh, yes.
-
33:33 - 33:35I hate to have
to tell you this, Miss Bonnet. -
33:37 - 33:39-I arranged our meeting.
-Why? -
33:39 - 33:42It's this ridiculous obsession.
It devours me. -
33:42 - 33:45From the minute I first laid eyes on it,
I was lost, helpless -
33:45 - 33:48completely caught up
in this awful compulsion. -
33:49 - 33:51Laid eyes on what?
-
33:51 - 33:54The Cellini Venus, of course.
I saw it last night. It haunted me. -
33:54 - 33:57I can't think of anything else.
I haven't slept a wink all night. -
33:57 - 33:59This morning, when I learned
your father wouldn't sell it -
33:59 - 34:01I started pulling strings to meet you
-
34:01 - 34:03hoping somehow to use you
to get the Venus. -
34:04 - 34:06Well, that's it.
-
34:06 - 34:09-You poor, dear man!
-No! -
34:09 - 34:10Don't spare my feelings.
-
34:10 - 34:13I'm sorry you fell in love with the Venus.
She's not for sale. -
34:13 - 34:15Believe me, if she were mine,
she'd be on your doorstep in the morning. -
34:15 - 34:18That's your consolation prize.
-
34:19 - 34:21-Well, you kissed me!
-Yes. -
34:21 - 34:23And that's for emphasis.
-
34:27 - 34:30-Shall we dance?
-Oh, yes! -
34:34 - 34:35Good morning, my dear.
-
34:35 - 34:38I'll call Marcel.
No, thank you. I'm late. -
34:39 - 34:41I just have to tell you about Davis Leland.
-
34:41 - 34:43Everything's fine.
-
34:43 - 34:46As far as Davis Leland is concerned,
you can go on faking masterpieces -
34:46 - 34:48as long as you can hold a brush.
-
34:48 - 34:51He cooked up a big plot to meet me
just to get to you through me -
34:51 - 34:53hoping that way he'd get the Cellini.
-
34:53 - 34:56Really? American millionaires
must be all quite mad. -
34:56 - 34:58Perhaps it's something they put
in the ink when they print the money. -
35:00 - 35:01A gentleman to see you, sir.
-
35:01 - 35:04On behalf of the director
of the Kleber-Lafayette Museum, sir. -
35:04 - 35:07So early? Show him in, Marcel.
-
35:07 - 35:09Must be a very enterprising young fellow.
-
35:15 - 35:18Good morning, sir.
I'm sorry to disturb you. -
35:18 - 35:22Just a technicality on the insurance
of your loan of one statue: -
35:22 - 35:26"Twenty-nine inches,
in marble, entitled Venus, by -
35:26 - 35:29"Benvenuto Cellini."
-
35:29 - 35:31Insurance, on that?
-
35:31 - 35:35-It's never been insured. It's beyond price!
-Yes. We were aware of that, sir. -
35:35 - 35:38So special cover was taken over
for its transportation and exhibition. -
35:39 - 35:41But by an unfortunate error, sir
-
35:41 - 35:43your signature was not obtained
on the document. -
35:43 - 35:47There is, of course,
no expense to yourself, sir. -
35:47 - 35:51A mere formality,
for once you've signed this document -
35:51 - 35:56the work of art is covered until
it's returned to this house in good order. -
35:57 - 36:00I just have to sign? And then it's...
-
36:01 - 36:03Insured for $1,000,000 against all risks
-
36:03 - 36:06including flood, earthquake, thunderbolt,
falling aircraft, loot, sack, pillage, -
36:06 - 36:10military or civil commotion,
fire, structural collapse of buildings -
36:10 - 36:11and, of course, larceny or theft.
-
36:16 - 36:18Thank you, sir.
-
36:20 - 36:23By the way, sir,
would you like to be present -
36:23 - 36:25at the technical examination?
-
36:27 - 36:29Technical examination?
-
36:29 - 36:33Yes, they always require it and you,
of course, have just authorized it. -
36:33 - 36:34A mere formality.
-
36:35 - 36:39I believe they have a Prof. Bauer
flying in from Zurich on Friday. -
36:39 - 36:42Well, thank you, sir. And good day.
-
36:43 - 36:44Wait.
-
37:01 - 37:03Papa, this Prof. Bauer.
-
37:04 - 37:06Does he know all the tests?
-
37:06 - 37:07He invented them.
-
37:08 - 37:12-It's not as if we're trying to sell it.
-My dear, at the first breath of suspicion -
37:12 - 37:16the entire myth
of the Bonnet collection explodes. Bomb! -
37:16 - 37:19Everything I've done will be examined
and re-examined with X-rays -
37:19 - 37:21fluoroscopes, microscopes,
shadowgraphs -
37:21 - 37:24smelly chemicals and all sorts of...
-
37:25 - 37:28We live in a crass, commercial world,
with no faith or trust. -
37:41 - 37:44We must keep Prof. Bauer
from examining the Venus. -
37:44 - 37:46But how? I've just given my permission.
-
37:46 - 37:47I've not only put my head
into the guillotine -
37:47 - 37:50I've unloosened my collar and tie
so that they can chop it off. -
37:52 - 37:54At least I can keep you out of this.
Leave Paris. -
37:54 - 37:57I want you to go to America.
No, go to the Orient or somewhere. -
37:57 - 37:59Please, it will be easier for me,
I promise you. -
37:59 - 38:01I'm not going to leave you
and that's final. -
38:01 - 38:03-Sir?
-Yes? -
38:03 - 38:05-A senor Paravideo to see you, sir.
-Who? -
38:05 - 38:07A South American gentleman,
I believe, sir. -
38:07 - 38:09Of an excitable nature.
-
38:09 - 38:11-Who's he?
-I don't know. -
38:11 - 38:13Oh, my God!
-
38:13 - 38:15Mademoiselle, monsieur. I must apo...
-
38:16 - 38:17Here it is!
-
38:20 - 38:21Just as you said
-
38:22 - 38:23only greater by far!
-
38:23 - 38:28I must apologize. I had an urgent call.
A revolution in my country. -
38:28 - 38:31Also, some of my mines are flooded.
I must go back soon. -
38:31 - 38:35I couldn't bear to leave Paris
without consulting you about this. -
38:37 - 38:41-Senor, it is not for sale.
-But you said you might. -
38:41 - 38:43It is not for sale!
-
38:43 - 38:45-Goodbye.
-I can see the hand of a master! -
38:46 - 38:48Goodbye. Adios.
-
38:51 - 38:53Preposterous little man!
-
38:53 - 38:55I met him at the auction
when my Cezanne -
38:55 - 38:57fetched such a stunning price.
-
38:58 - 39:01Why not? It was worth a stunning price.
Even more! -
39:01 - 39:04This will not be a scandal, but a triumph!
Let the experts come pouring in! -
39:04 - 39:06Let them bring their X-rays,
their microscopes -
39:06 - 39:09even their nuclear weapons if they like.
-
39:12 - 39:14Remember what happened
with van Meegeren -
39:14 - 39:17and all those forged Vermeers?
He drove the experts crazy. -
39:17 - 39:20He won every round, fought them,
and then emerged the victor. -
39:20 - 39:23He finally painted one last Vermeer
and even that was a triumph. -
39:23 - 39:25The guards marveled at the brilliance
of his brushwork. -
39:25 - 39:28Even his fellow inmates
couldn't believe their eyes. -
39:28 - 39:31And the governor of the prison, he...
-
39:47 - 39:49What's the number of the Hotel Ritz?
-
39:50 - 39:51Opera 2830.
-
41:12 - 41:15I didn't recognize you.
You look, somehow, different. -
41:18 - 41:21-Scotch.
-Likewise. -
41:22 - 41:26I was surprised to hear
from you. Surprised and pleased, Miss B... -
41:26 - 41:28Please, no names.
-
41:29 - 41:33If it's all that private,
I've got a bottle in my room upstairs. -
41:34 - 41:35This is a business meeting.
-
41:36 - 41:41I find I have need of someone
with your talents and experience, Mr.... -
41:41 - 41:42Please, no names!
-
41:44 - 41:46You interested in a big-time caper?
-
41:46 - 41:48-A what?
-A heist. -
41:48 - 41:51A heist. You mean a burglary.
-
41:59 - 42:01What's the score, baby?
-
42:03 - 42:05Won't be easy.
-
42:05 - 42:07That's okay. What's the job? I'm in.
-
42:07 - 42:10-The Kleber-Lafayette Museum.
-I'm out! -
42:11 - 42:14Why that particular spot?
-
42:15 - 42:17The Cellini Venus.
-
42:17 - 42:20Your...Your Cellini Venus?
-
42:20 - 42:22Well, it's not mine exactly.
It's sort of in the family. -
42:22 - 42:24Anyway, that should be
no concern of yours. -
42:25 - 42:27You want to steal it?
-
42:28 - 42:29Why?
-
42:31 - 42:32Is it a publicity stunt?
-
42:32 - 42:36Lord, no! It's very valuable.
It's worth $1,000,000! -
42:36 - 42:38I know. There are also
1,000,000 policemen prowling around it. -
42:38 - 42:41That's about a dollar a policeman.
I don't like the rate of exchange. -
42:42 - 42:45-You mean you won't do it?
-No. -
42:45 - 42:47-Are you sure?
-Quite sure. -
42:47 - 42:48I'm sorry.
-
42:48 - 42:50Thank you for thinking of me.
-
42:51 - 42:53Look, finish your drink.
-
42:53 - 42:54I have to go.
-
42:54 - 42:56Are you really serious?
-
42:56 - 42:59You've seen the way
your statue is protected. -
42:59 - 43:00The Electric Eye, the guards
-
43:00 - 43:03Well, I was hoping to leave
those details to you. -
43:05 - 43:07I'll sleep on it and...
-
43:08 - 43:09It's too late, the museum's closed.
-
43:09 - 43:11We'll look over the premises
in the morning. -
43:11 - 43:13What we call in the trade
"casing the joint." -
43:16 - 43:17Thank you very much.
-
43:17 - 43:20Look, it's early.
Why don't I show you the real Paris. -
43:20 - 43:22I...That's very kind of you.
-
43:22 - 43:25I live here. I was born in Paris.
-
43:25 - 43:27I forgot. Why don't you
show me the real Paris? -
43:27 - 43:30-I only have two inches left of this bench.
-I'm terribly sorry. -
43:31 - 43:33Where and what time tomorrow?
-
43:33 - 43:37I find that the most successful jobs
of this kind are planned -
43:37 - 43:41when everyone is relaxed. So let's meet
and have a nice, long, cozy lunch. -
43:43 - 43:45Corner of avenue Gabriel,
avenue Marigny, 10:00 a.m. -
43:45 - 43:47-Right?
-Right. -
44:10 - 44:12Is it those police that worry you so?
-
44:12 - 44:13Yes. And these.
-
44:14 - 44:17But that's the Ministry of the Interior.
It's always guarded. -
44:18 - 44:20What about them?
-
44:21 - 44:24They have nothing to do with us.
They're guarding government buildings. -
44:26 - 44:28That's where the President lives.
-
44:28 - 44:29I know.
-
44:32 - 44:34The museum
you want to stick up is right here. -
44:34 - 44:36Very handy!
-
44:36 - 44:38I can practically taste
the bread and water! -
45:22 - 45:24-It can't be!
-What? -
45:24 - 45:27Well, for a moment,
I thought I saw a resemblance. -
45:28 - 45:30Resemblance to what?
-
45:30 - 45:31You and...
-
45:32 - 45:34That's silly!
She's at least 400 years old. -
45:34 - 45:36I know, but...
-
45:39 - 45:40Sorry.
-
45:42 - 45:45Where exactly were you
in the early part of the 16th century? -
45:45 - 45:47I don't know,
but that's not how I was dressed. -
47:40 - 47:41Who's in charge here?
-
47:41 - 47:43Sir! At your service!
-
47:43 - 47:47Dubois, Assistant Deputy Chairman,
Commissioner of Tourism. -
47:47 - 47:49Isn't this place cleaned regularly?
-
47:49 - 47:52Look at this sleeve,
just from brushing against the woodwork. -
47:52 - 47:54I'm sorry, but we have
a complete staff of cleaning women. -
47:54 - 47:56Once a month, I suppose.
-
47:56 - 47:58No, sir, every night,
from midnight until 4:00 a.m. -
48:00 - 48:03See they do their jobs properly,
or I'll make a report. -
48:03 - 48:04Yes, sir.
-
48:04 - 48:06-Carry on.
-Thank you, sir. -
48:07 - 48:08Sir!
-
48:09 - 48:11-This way.
-Really? -
48:41 - 48:45Don't you think it's being a bit pushy,
starting with a million-dollar robbery? -
48:45 - 48:47I mean, we've got to walk
before we can run, you know. -
48:47 - 48:49I know a little gallery
we could knock over -
48:49 - 48:51just to get our feet wet
so to speak and then -
48:51 - 48:54gathering confidence as we go,
we could move into the big time. -
48:56 - 48:58-No good?
-No good at all. -
49:00 - 49:02Next question.
-
49:03 - 49:05Why must it be this particular work of art?
-
49:06 - 49:09Well, you don't think I'd steal something
that didn't belong to me, do you? -
49:11 - 49:12Excuse me, I spoke without thinking.
-
49:13 - 49:17Why not wait until you get it back home
and steal it then? -
49:17 - 49:20No muss, no fuss, a nice, clean inside job.
-
49:20 - 49:23-I'll be delighted to offer my services.
-This is not a prank or a whim. -
49:23 - 49:25It's something I must do because...
-
49:26 - 49:28-because I must do it.
-I see. -
49:37 - 49:40We must look at the facts impartially.
-
49:40 - 49:42We can't get past the alarm. That's out.
-
49:42 - 49:44We can't tamper with it. That's out.
-
49:44 - 49:46-We can't turn it off.
-That's out. -
49:46 - 49:48You're some burglar, you are.
-
49:59 - 50:01This is how you normally work,
by the mile? -
50:02 - 50:05I'm thinking.
Look at my forehead, all wrinkled. -
50:05 - 50:08What we need
is at precisely the right moment -
50:08 - 50:10some trusted member
of the museum staff -
50:10 - 50:12has to obligingly switch off
the alarm system. -
50:12 - 50:14-Couldn't we bribe someone?
-Excellent idea! -
50:14 - 50:16-No.
-Why not? -
50:16 - 50:19Because I don't know
which guard knows how to do it. -
50:19 - 50:21Do you want to see it again?
Here we go. -
50:21 - 50:25It always circles around and comes back.
Just like that. -
50:26 - 50:28Not now, please!
-
50:28 - 50:30There you are, sonny.
It's all ready. Thank you very much. -
50:31 - 50:34-You, sir. How many do you want?
-Excuse me, gentlemen. I was here first. -
50:34 - 50:37Excuse me, sir. Ever seen the boomerang?
Two? Blue or red? -
50:37 - 50:40Don't forget what I told the children.
Don't forget to throw it at the right angle. -
50:40 - 50:42That's the idea.
-
50:48 - 50:50Great fun! Try it.
-
50:51 - 50:54If you'll tell me
what you're doing and why. -
50:54 - 50:57I'll buy you a cowboy suit
and a set of trains. -
50:57 - 51:01I want you to take a long last look
at the blue sky, the green grass -
51:01 - 51:03the trees and the river,
all of which I loathe personally -
51:03 - 51:06which is why a juicy stretch
in a cozy French prison -
51:06 - 51:07doesn't bother me at all.
-
51:08 - 51:10You think you have a scheme
that might work? -
51:14 - 51:17You really are the smuggest
and most hateful man. -
51:17 - 51:20If you frequent criminal circles,
you can't be choosey. -
51:22 - 51:25How do you like
being a gangster's moll, baby? -
51:26 - 51:27Now where are we going?
-
51:28 - 51:30My apartment.
-
51:31 - 51:35I'd like to remind you, Mr. Dermott,
ours is a business relationship. -
51:35 - 51:39I am aware of that. I'm also aware
of the social gulf between us. -
51:39 - 51:42You are an aristocrat,
and I am a humble burglar. -
51:56 - 51:58Right. There's the bathroom.
Take off your clothes. -
51:59 - 52:01Are we planning the same sort of crime?
-
52:01 - 52:03You are quite safe.
It's dress-rehearsal time. -
52:03 - 52:05That's why we bought
all this lovely junk. Come on. -
52:05 - 52:08If it's a necessary part of the plan
-
52:09 - 52:10Are you sure?
-
52:10 - 52:13Chatter, chatter, chatter.
Do as you're told! -
53:01 - 53:03That's nice.
-
53:03 - 53:06Yes, that's really nice.
-
53:06 - 53:09It just needs one more little touch.
-
53:12 - 53:15Now turn around for me,
would you? Go on. -
53:16 - 53:18Yes, that's fine. That does it.
-
53:18 - 53:19Does what?
-
53:19 - 53:23For one thing,
it gives Givenchy a night off. Now -
53:28 - 53:28Down!
-
53:29 - 53:30Down!
-
53:33 - 53:35Scrub the floor. Scrub.
-
53:35 - 53:36Crime doesn't pay, does it.
-
53:36 - 53:40Elbow grease! Scrub! And don't sulk.
-
53:40 - 53:43At 11:57 p.m.,
all hell will break loose in the museum. -
53:43 - 53:45And at midnight,
the scrubwomen come trooping in. -
53:45 - 53:47And whatever happens,
hang onto your bucket. -
53:48 - 53:50You do have a plan, don't you?
-
53:50 - 53:53Of course I have.
Now listen very carefully. -
53:53 - 53:56My plan is, on the night of the crime
-
53:56 - 53:59my plan and I will be curled up
in that bed with a good book. -
54:02 - 54:05-Why?
-You asked me why? I ask you why. -
54:05 - 54:07Why are we breaking
into a heavily guarded museum -
54:07 - 54:09to steal a precious statue
which belongs to you? Why? -
54:09 - 54:13But I told you why I couldn't tell you why.
-
54:14 - 54:15Not good enough.
-
54:16 - 54:20You're perfectly right.
In your place, I'd feel the same way. -
54:20 - 54:22I'm in this awful trouble.
-
54:22 - 54:24But it's nothing to do with you.
-
54:24 - 54:26I just can't explain so I'm stuck.
-
54:26 - 54:28I'll get out of these clothes.
-
54:28 - 54:31-Don't you dare cry!
-I have something in my eye. -
54:31 - 54:34Nothing's wrong with it.
You're crying to soften me up. -
54:34 - 54:37-It's not true.
-It won't work! I'm too tough. -
54:37 - 54:39I know. I'm going.
-
54:40 - 54:41Hurry up!
-
54:42 - 54:45Go on. Hurry up Go.
-
54:50 - 54:53And meet me at the museum
at 5:30 p.m., sharp. -
54:57 - 55:00And don't ask me why,
or I'll hit you with a bucket! -
55:00 - 55:03Yes, sir. Thank you, sir!
-
55:12 - 55:15I won't be in for dinner, Marcel,
and I may be out quite late, in fact. -
55:16 - 55:17If anybody calls, anyone at all
-
55:17 - 55:19you don't know where I am,
or how to reach me. -
55:19 - 55:21Yes, mademoiselle.
-
55:27 - 55:29Good afternoon.
-
55:29 - 55:31Just tell Miss Bonnet
that I'm here, please? -
55:31 - 55:33I'm sorry, sir. Miss Bonnet has gone out.
-
55:33 - 55:36Out? Are you sure?
Her car is in the courtyard. -
55:36 - 55:38Quite sure, sir. She took a taxi.
-
55:39 - 55:41Well, I'll wait.
-
55:50 - 55:53Why, hello
-
55:53 - 55:55What a nice surprise!
-
55:55 - 55:58I did go out. I forgot something,
so I came in again. -
55:58 - 55:59The servants' entrance.
-
55:59 - 56:01I'm rushing out again.
Thank you. I'll let Mr. Leland out. -
56:02 - 56:05No. I'm all rehearsed, made up,
and ready to go on. -
56:05 - 56:06Luckily it's only a short speech.
-
56:06 - 56:08I must fly. I have a business appointment.
I can't be late -
56:08 - 56:11Business! That's all you French girls
ever think about. -
56:11 - 56:14-Well, a minute, a second, really.
-You're in a rush. -
56:14 - 56:17You want action?
Fine! That's my mood, too. -
56:17 - 56:18Here. Catch.
-
56:21 - 56:23-Oh, Davis!
-Please, no speeches. -
56:23 - 56:24But why?
-
56:24 - 56:27Why? That's the silliest question
I ever heard of. -
56:27 - 56:29It's wild. We don't even know each other.
-
56:29 - 56:32-Please come back tomorrow?
-No. Made up my mind. Man of action! -
56:32 - 56:35Snap judgment.
I bought a fleet of tankers that way. -
56:35 - 56:37-One of the best deals I ever made.
-But I'm not a fleet of tankers. -
56:37 - 56:40I'm not getting engaged
to a man I barely know. -
56:40 - 56:43You'll get to know me. Look me up
in Who's Who, Dun & Bradstreet -
56:43 - 56:45There. That's it. It's a deal?
-
56:45 - 56:47Yes. But, no! I'm a little dizzy.
-
56:47 - 56:51And this thing is just blinding me!
I really have to run. -
56:51 - 56:52-No. Relax.
-I do. -
56:52 - 56:55I've never been engaged
to such a fidgety girl in all my life. -
56:55 - 56:57The kiss.
-
57:14 - 57:17-Where have you been?
-I was getting engaged. -
57:18 - 57:19Come on.
-
57:20 - 57:22This fellow came when I was leaving.
He wants to marry me. -
57:22 - 57:24I didn't want to keep you waiting,
so I got engaged to him. -
57:24 - 57:26-Is it all right? Am I on time?
-Fine. -
57:26 - 57:28In fact, we have 10 more minutes.
-
57:28 - 57:30-If you'd like to go back and marry him...
-Come on -
57:38 - 57:40Would you check your parcel, please?
-
58:07 - 58:08Thank you.
-
58:26 - 58:28Just checking on the accommodations.
-
58:46 - 58:48Don't start that. Not again.
-
58:48 - 58:50I could swear that
-
58:56 - 58:58Well, we have a few moments
for cultural improvement. -
59:00 - 59:02How do we get past the alarm?
-
59:02 - 59:03Like this gentlemen here
-
59:03 - 59:06I'm depending on normal human reactions.
-
59:07 - 59:08Blue period?
-
59:11 - 59:13Regard the subtle harmony of color.
-
59:13 - 59:16Now, the nice thing about
complicated mechanical devices is -
59:16 - 59:18if they do suddenly go haywire
-
59:20 - 59:22Yes. What's after haywire?
-
59:22 - 59:25The people in charge
have a tendency to panic -
59:25 - 59:29and to run around in confused circles,
and at that moment we strike. -
59:29 - 59:31A superb Rembrandt.
-
59:33 - 59:36Now, this is, to coin a phrase,
the point of no return. -
59:36 - 59:39In precisely one minute,
the closing bell will ring. -
59:39 - 59:43We can leave with the others
and have a quiet dinner, or we stay. -
59:43 - 59:45Then we're committed
to go through with it. -
59:46 - 59:47Do you really want it
-
59:48 - 59:49that much?
-
59:50 - 59:50More!
-
59:57 - 59:59Okay. You're the boss.
Just do as I tell you. -
60:14 - 60:16Stand by for the countdown.
-
60:16 - 60:20Six, five, four
-
60:20 - 60:23three, two, one
-
60:25 - 60:26Now!
-
61:03 - 61:06Watch for normal human reactions.
-
62:13 - 62:14Comfy?
-
62:15 - 62:19I hadn't counted on there being
quite so much togetherness. -
62:19 - 62:22It's the height of the tourist season.
Everything was booked. -
62:22 - 62:24This was the best I could do.
-
63:19 - 63:21He locked the door. He's locked us in.
-
63:21 - 63:24It's challenging, I admit,
but doesn't that make it more interesting? -
63:26 - 63:29-I'm going to faint.
-Don't. There's no room. -
64:00 - 64:02All right, boys.
-
64:06 - 64:08Didn't you hear me?
-
65:44 - 65:468:01 on the nose.
-
65:46 - 65:48Now we have a fix
on when they make their rounds. -
65:48 - 65:50Exactly every hour.
-
65:52 - 65:55We're still locked in. How
about that, mastermind? -
66:55 - 66:56Hold that.
-
67:55 - 67:56Brilliant!
-
68:04 - 68:08- It doesn't open from the inside.
- Blast! -
68:08 - 68:11However, by a strange
coincidence... -
68:11 - 68:13I just happen to have....
-
69:49 - 69:50Now.
-
69:54 - 69:55Marvelous.
-
69:56 - 69:57No applause, please.
-
69:57 - 70:00Wait till you see what
I do for an encore. -
70:56 - 70:58What are you doing?
-
70:58 - 70:59Give it to me. Here.
-
71:06 - 71:08Put those on. Get cracking.
-
71:21 - 71:23Turn around.
-
71:23 - 71:25What for?
-
71:26 - 71:29They go on over the clothes.
-
71:35 - 71:37There. Thank you.
-
71:45 - 71:47Congratulations! You look terrible.
-
71:47 - 71:49Can we steal that statue soon?
-
71:49 - 71:52- I hate to complain but really...
- Have patience. We will. -
71:52 - 71:55When? And how?
-
71:55 - 71:58Now look, if you were a guard...
-
71:58 - 72:01and had to sit night after night
guarding junk you couldn't afford... -
72:01 - 72:03and didn't particularly
like, how would you feel? -
72:03 - 72:04Irritable.
-
72:10 - 72:12Oh, no!
-
72:12 - 72:15- It's psychological warfare.
- With that? -
73:06 - 73:09Turn on the lights. Follow me!
-
73:10 - 73:12"Ring out, wild bells!"
-
73:19 - 73:22Look around! You spread out!
Come with me. -
74:32 - 74:34Everything is in order.
-
74:34 - 74:37- Nothing is missing.
- I checked. It isn't a short circuit. -
74:37 - 74:38Scientists!
-
74:38 - 74:42A burglar alarm especially
designed to give me heartburn. -
74:45 - 74:46- Sorry, sir.
- Thank you. -
75:02 - 75:05Kler-Lafayette Museum.
Senior Guard speaking. -
75:07 - 75:10I regret very much if the Minister
and the Madam Minister... -
75:10 - 75:11have been disturbed.
-
75:13 - 75:15Yes, I know it's a very loud alarm.
-
75:16 - 75:17We don't know why it went off.
-
75:17 - 75:19We checked everything, and
so did the police. But.... -
75:20 - 75:23No, sir, nothing is missing,
and the alarms are set again. -
75:24 - 75:26I'm sorry, sir. Good night, sir.
-
75:26 - 75:28The Prefecture of Police.
-
75:28 - 75:30The alarm bells woke up the
Minister of the Interior. -
75:31 - 75:32Good!
-
75:45 - 75:46I'm so scared.
-
75:46 - 75:48My heart's thumping.
-
75:48 - 75:49I just feel terrible.
-
75:49 - 75:54I'd send for a doctor but I honestly
don't think he'd fit in the closet. -
75:54 - 75:57I'm so scared for you, too. I had
no right to involve you in this. -
75:57 - 75:59And if you want to
call it off, I.... -
75:59 - 76:02Well, that's a kind thought and
I appreciate it, but then.... -
76:04 - 76:05What about Prof. Bauer?
-
76:06 - 76:10What happens tomorrow when he turns
up to test your million-dollar baby? -
76:12 - 76:15It's a fake, isn't it?
-
76:17 - 76:19No long, involved stories
at this time of night. -
76:19 - 76:21Just nod your head, yes or no.
-
76:27 - 76:28Who carved it?
-
76:32 - 76:35- My grandfather.
- Who posed for it? -
76:37 - 76:38My grandmother.
-
76:40 - 76:44- You're the first to notice a resemblance.
- I'm very sensitive and perceptive. -
76:45 - 76:48How long have you known
about her, and me, and.... -
76:48 - 76:50Since you first asked
me to steal it. -
76:52 - 76:55But then if you knew the
Venus was worthless... -
76:55 - 76:56why did you....
-
77:05 - 77:06That's why.
-
77:08 - 77:10I'm so stupid.
-
77:13 - 77:15Explain it to me again.
-
77:31 - 77:35Funny how roomy it's
suddenly become in here. -
77:35 - 77:37We're adjusting to our environment.
-
77:38 - 77:39What is it?
-
77:39 - 77:42I'm sorry. It's my engagement
ring. I forgot about it. -
77:42 - 77:44So did I. Congratulations.
-
77:44 - 77:47May I kiss the bride?
-
77:50 - 77:53For one thing,
whose bride am I kissing? -
77:53 - 77:57I don't know. Some American.
His name's Leland Davis. -
77:58 - 78:00Or Davis Leland?
-
78:00 - 78:02They're lucky fellows,
both of them. -
78:03 - 78:05Second round coming up.
-
78:06 - 78:08Just marking my place.
-
78:09 - 78:10Don't go away.
-
78:47 - 78:49Find him! Look around.
-
79:26 - 79:29Pretty soon, someone's going to
get awfully tired of this racket. -
79:32 - 79:34Normal human reaction.
-
80:05 - 80:09Jacquart speaking, Senior Guard
at the Kler-Lafayette Museum. -
80:11 - 80:13At your service, Excellency!
-
80:15 - 80:17Yes, sir, I know it makes a
terrible noise, Excellency. -
80:17 - 80:19It was installed for
just that purpose. -
80:20 - 80:23No, Excellency,
I didn't install it. -
80:24 - 80:26Yes, sir, I know it is
the second time tonight. -
80:26 - 80:30It will be rectified right away.
Good night, Excellency. -
80:32 - 80:35Now guess who we woke up?
-
80:39 - 80:40Switch off the lights.
-
80:41 - 80:43I'm going to turn it off!
-
80:43 - 80:45Permanently!
-
80:57 - 80:59It worked.
-
80:59 - 81:02What do you know.
They've turned off the A-B.... -
81:04 - 81:07- It worked!
- Didn't you expect it to? -
81:08 - 81:13- Pull yourself together. You're a genius.
- I know. It's a funny feeling. -
81:14 - 81:18Look, wait until the moment
of maximum confusion... -
81:18 - 81:22and then start scrubbing like mad in
the direction of the guards' room. -
81:22 - 81:24- Guards' room?
- That's right. -
81:24 - 81:25But the guards!
-
81:25 - 81:28When they see that the Venus is gone
there will be guards everywhere... -
81:28 - 81:30except the guards' room.
-
81:32 - 81:34- Shall we?
- Thank you. -
81:55 - 81:56Come here.
-
82:04 - 82:06Hang on to your bucket.
-
82:12 - 82:13Stay here.
-
82:50 - 82:51You there, Nicole?
-
82:52 - 82:53Get back there.
-
83:04 - 83:07You know, Grandpa was pretty good.
-
83:07 - 83:09To say nothing of Grandma.
-
83:14 - 83:17Now, in the chimney with you,
till the scrubwomen come. -
83:22 - 83:23Good luck.
-
84:52 - 84:54What a night we've had!
-
84:54 - 84:56One alarm after another. And
telephone calls from everybody. -
84:57 - 84:59Who do you think called
from across the street? -
85:26 - 85:29Don't just stand there gaping.
Get to your post, man! -
85:30 - 85:32And don't hesitate
when I give an order! -
85:44 - 85:46Alarm!
-
85:51 - 85:53Robbers! Crooks!
-
85:59 - 86:01Alarm!
-
87:29 - 87:31Get this silly bottle out of here!
-
88:11 - 88:14Can you give us a brief history
of the Venus, Mr. Bonnet? -
88:14 - 88:15Have the police reported
any progress yet? -
88:15 - 88:17Did you turn down
$1,000,000 for it? -
88:17 - 88:18How did you learn
about the robbery? -
88:18 - 88:21I woke up in the night
with a sudden premonition. -
88:21 - 88:23I thought it was
something I'd eaten. -
88:23 - 88:25But Mr. Grammont,
the director of the museum... -
88:25 - 88:27he called and I believe
he's on his way here. -
88:27 - 88:29Are you offering a reward
for the return of the Venus? -
88:29 - 88:31No! What I mean to say is...
-
88:31 - 88:35that it seems so commercial
to think of money at a time like this. -
88:36 - 88:40I just heard the news. I can't
believe my ears or my eyes. -
88:40 - 88:43Absolutely fantastic!
To pull off a thing like that! -
88:43 - 88:45I guarantee that the
police are investigating. -
88:45 - 88:48The police? Man, where's your spirit?
If we wait for the police... -
88:48 - 88:51the Venus will be out of the country!
We'll never set eyes on it again. -
88:51 - 88:55De Solnay, I'm still vitally interested
in the Cellini Venus, hot or cold. -
88:55 - 88:56Do you know what I mean by that?
-
88:57 - 89:00Leland! Do you know what you're saying?
You're compounding a felony. -
89:01 - 89:04Offering to become a
receiver of stolen goods. -
89:04 - 89:05I'm an art lover.
-
89:06 - 89:10As a public service, I want to make an
independent inquiry to help the police. -
89:10 - 89:11Is that a crime?
-
89:11 - 89:13And if you find it, a
step ahead of the police? -
89:13 - 89:15You let me worry about that.
-
89:15 - 89:18- No, I'm an art dealer, not a fence.
- A fence? -
89:19 - 89:22I'll do it entirely on my own.
All I need is an opening contact. -
89:23 - 89:25- De Solnay? All right.
- Wait! -
89:26 - 89:29There happens to be a man
in Paris at the moment... -
89:29 - 89:31who specializes in
matters of fine art. -
89:31 - 89:35His name is.... No, Leland, please!
Think of what you're trying to do. -
89:35 - 89:38- What about Nicole Bonnet?
- I want both. Nicole and the Venus. -
89:38 - 89:40Leland, remember? I sold
you your first painting. -
89:40 - 89:42I made you a collector.
I thought it'd help you relax. -
89:42 - 89:45It's great! I've never been
so relaxed in all my life! -
89:45 - 89:48- Yes, I can see that.
- All right. The name! -
89:48 - 89:50The name is Simon Dermott.
He is staying at the Ritz. -
89:50 - 89:53Night Fighter calling Dawn Patrol.
-
89:53 - 89:56Our telephone may be tapped, so we will
conduct this conversation in Swahili. -
89:56 - 89:57How are you?
-
89:57 - 89:59Did you sleep well?
-
89:59 - 90:02Simon, isn't it too awful?
I slept beautifully! -
90:02 - 90:05And I've just eaten an enormous
breakfast. Isn't it ghastly? -
90:05 - 90:07It's your tainted blood.
-
90:07 - 90:09Who? What?
-
90:09 - 90:13She's fine. She's wrapped up in one
of my old shirts, just as snug as can be. -
90:13 - 90:15I rocked her to sleep
in my arms last night. -
90:15 - 90:17It's the first time I ever
did that with a grandmother -
90:33 - 90:35Simon, do you think we
should be seen together? -
90:39 - 90:42All right. In an hour
at the Ritz bar. -
90:45 - 90:47The Cellini Venus was uninsured.
-
90:47 - 90:49- Uninsured?
- Yes. -
90:49 - 90:52But I vaguely recollect signing
something for insurance. -
90:52 - 90:55But the policy was
not yet in force. -
90:55 - 90:58Not until the technical
examination had been made. -
90:58 - 91:01Yes, the technical examination.
-
91:01 - 91:03Well, $1,000,000 more,
$1,000,000 less. -
91:03 - 91:06I believe my father did buy it
at a bargain price. -
91:06 - 91:08My dear sir, you are a prince.
-
91:08 - 91:12I wish I could express
properly what I feel. -
91:12 - 91:15Prof. Bauer, I dare say,
will be greatly disappointed. -
91:15 - 91:18Yes, and I must meet him now.
-
91:18 - 91:22Give him my regards, and say I'm sorry to
have been unable to see him on this trip. -
91:22 - 91:25Now cheer up, my dear fellow. It's
not the end of the world, you know. -
91:31 - 91:33Marcel, champagne!
-
91:36 - 91:39- Where are you?
- I'm here. We're saved! -
91:39 - 91:41- Isn't it marvelous?
- My darling! -
91:41 - 91:44- Thank heaven for the criminal class.
- I'm so happy. -
91:44 - 91:47You don't have to go to jail. I don't have
to go to America. It's beautiful! -
91:47 - 91:49We must celebrate! Marcel,
take it into the library. -
91:49 - 91:53We'll have a lunch and again tonight,
fireworks, cocktails, a magnificent dinner! -
91:53 - 91:56But not right away. I have a very
important appointment at the Ritz. -
91:56 - 91:59- But I'll be right back, I promise.
- That's good. -
91:59 - 92:01I'll start by myself.
-
92:03 - 92:06The Ritz? Again?
-
92:19 - 92:23You realize what you're asking is
extremely difficult and dangerous? -
92:23 - 92:26- Yes, I know that, Mr. Dermott.
- Please, no names. -
92:26 - 92:28We may be up against some
very desperate characters. -
92:29 - 92:31- Them?
- Those. -
92:31 - 92:34Fortunately, I've a few contacts.
In fact, this morning... -
92:34 - 92:38I made a few inquiries, you know, put
out a few feelers. Just idle curiosity. -
92:38 - 92:40- You've got a lead?
- Too early for anything concrete. -
92:40 - 92:42Let's just say I suspect
who was involved. -
92:42 - 92:46Ls it, you know, what we're talking
about, is it still in France? -
92:46 - 92:50I think so. I think I can definitely
state it's still in France. -
92:51 - 92:54You realize you might be paying
a great deal of money... -
92:54 - 92:57for something you could never exhibit,
acknowledge, or even display... -
92:57 - 92:59- not even in your house?
- Yes, I know. I want it! -
92:59 - 93:03I just want to take it out of the vault,
all alone, just look at it now and then. -
93:03 - 93:07Know that it's mine, that I
own it, that I can touch it. -
93:09 - 93:10One more thing.
-
93:10 - 93:13Do you happen to know the owners,
any member of the Bonnet family? -
93:13 - 93:16I've met Bonnet.
I know his daughter, too. -
93:16 - 93:18As a matter of fact, I'm
going to see her tonight. -
93:18 - 93:22Drop her! Don't see her. Don't
even telephone her. That's vital! -
93:22 - 93:24Any contact with any member of the
Bonnet family would be fatal. -
93:24 - 93:27- The criminals would suspect a trap.
- But we're engaged. -
93:28 - 93:33You know, you're a lucky fellow. From
what I hear, she's an enchanting girl. -
93:34 - 93:36What the hell! The world's full
of statues. Forget the Venus. -
93:36 - 93:37No! Listen!
-
93:37 - 93:40I'll do anything you say.
I'll give you my word. -
93:44 - 93:48- I'll call you later in the day.
- All right. You'll contact me. Thanks. -
93:48 - 93:51- Sit tight. Wait for the call.
- Right. -
94:45 - 94:48- Do I look all right?
- Fine. Why? -
94:49 - 94:53I just met this fellow, and he treated
me like I was a leper or something. -
94:53 - 94:55I just wanted to
give him back this. -
94:55 - 94:57Really? Have a drink.
Good for morale. -
94:57 - 94:59Let's have some
champagne to celebrate. -
95:00 - 95:02You can't celebrate a crime.
That's immoral. -
95:02 - 95:05- You handle it. It's too confusing.
- A bottle of Dom Perignon, please. -
95:05 - 95:07It's all right. You're
at the awkward age. -
95:07 - 95:10Too old to be a juvenile delinquent,
too young to be a hardened criminal. -
95:10 - 95:14We did it! Did you see the papers and
the television? Did you hear the radio? -
95:14 - 95:18It's the crime of the century,
practically. And we did it! -
95:18 - 95:22You were the brain behind it, but
I was of some help, wasn't I? -
95:22 - 95:25I mean, we worked well together,
considering it was our first job. -
95:25 - 95:27- Calm down.
- I know I shouldn't carry on so... -
95:27 - 95:29it's all in a day's work for
you, but it's my first burglary. -
95:29 - 95:33- And mine, too.
- Bringing it off the way we....did -
95:36 - 95:37What?
-
95:38 - 95:41My first burglary.
-
95:47 - 95:49Then what were you doing
in our house that night? -
95:49 - 95:51You're sure you want to know?
-
95:57 - 96:01I'm a private detective, specializing
in stolen works of art... -
96:01 - 96:05and in tracing, detecting,
and exposing forgeries. -
96:06 - 96:08I am also an authority
on museum security... -
96:08 - 96:10being a special consultant
to principal museums... -
96:10 - 96:13in London, New York, Chicago,
Madrid. Even Leningrad. -
96:13 - 96:15I have degrees
in history of art and chemistry... -
96:15 - 96:19and a London University diploma, with
distinction, in advanced criminology. -
96:25 - 96:27You're all of that?
-
96:29 - 96:31Then you're not a burglar?
-
96:32 - 96:35I was chipping a piece of your
father's paint from that van Gogh... -
96:35 - 96:38when you loomed up in your
nighty and shot me in the arm. -
96:46 - 96:48- Bring another glass.
- Yes, sir. -
96:50 - 96:52I don't believe we've met.
My name is Charles Bonnet. -
96:52 - 96:55- May I please join you?
- Simon Dermott. By all means. -
96:55 - 96:59Papa, this is a friend of mine. He's a....
I mean, he was telling me.... -
96:59 - 97:03Yes. Blue eyes, tall,
quite good-looking. -
97:03 - 97:04A terrible man!
-
97:05 - 97:08I believe we have some
interests in common. -
97:08 - 97:11You have two gorgeous girls
in your family, Mr. Bonnet. -
97:12 - 97:16The other is upstairs, wrapped
in a shirt, in my room. -
97:20 - 97:23And which, may I ask,
do you intend to keep? -
97:23 - 97:25The real one.
-
97:25 - 97:29- A very sound choice, if I may say so.
- I think so. -
97:29 - 97:31And the other?
-
97:31 - 97:33I have plans for her, too.
I think you'll be pleased. -
97:33 - 97:34Really?
-
97:34 - 97:36In fact I have to attend to her right
now, so if you'll both excuse me? -
97:39 - 97:42Extraordinary!
Is he always so abrupt? -
97:43 - 97:44Not in a closet.
-
98:12 - 98:13Key!
-
98:14 - 98:18You've done a wonderful job!
You sure you don't want any money? -
98:21 - 98:24You will be contacted.
-
98:24 - 98:27Don't worry if it's not
in the near future. -
98:27 - 98:28Right!
-
98:28 - 98:32The code word will
be "togetherness." -
98:33 - 98:36"Togetherness." I got it.
-
98:36 - 98:38- Happy landings!
- The same to you! -
99:38 - 99:39My dear boy, what a coup!
-
99:39 - 99:42And he's the only collector
who'd never dare have it tested. -
99:42 - 99:46How much did you say
he was paying for the Venus, my son? -
99:46 - 99:49I didn't say, Papa.
-
99:49 - 99:51But I'm sure you picked
a nice, round figure. -
99:51 - 99:53I have.
-
99:53 - 99:56$0.00
-
99:56 - 99:59Gift from Charles
Bonnet to Davis Leland. -
99:59 - 100:02- But this...
- Sit down, Mr. Bonnet. -
100:06 - 100:08You happen to be a forger.
-
100:08 - 100:10My business happens to be
catching forgers... -
100:10 - 100:12and putting them in prison.
-
100:12 - 100:15Yes, that could be very awkward.
-
100:16 - 100:18One of us has to retire.
-
100:18 - 100:21Fair enough! Shall we
toss a coin for it? -
100:23 - 100:25I've already tossed
one on the way here. -
100:25 - 100:29- And?
- You lost. -
100:30 - 100:32Come on. You had a great
run, and you were the best. -
100:32 - 100:35Hang up your brushes and paints,
and retire while you're on top. -
100:36 - 100:38What do you say, champ?
-
100:41 - 100:44Here is my answer.
-
100:47 - 100:50Indian wrestling at
a time like this? -
100:50 - 100:51Nicole, my darling child.
-
100:52 - 100:54You tell her. I'm too moved.
-
100:54 - 100:56Papa has seen the light.
He's going straight. -
100:57 - 101:00- Papa, will you be all right?
- He'll survive. -
101:00 - 101:02If we miss our plane, we may
be getting married in prison. -
101:02 - 101:04This is a most
remarkable young man. -
101:04 - 101:07The way he explained things,
the path of righteousness... -
101:07 - 101:09became clearly defined.
-
101:09 - 101:12Now hurry, my children, before
I break down completely. -
101:32 - 101:33The van Gogh?
-
101:37 - 101:40Welcome! Come in....
-
101:45 - 101:47Who's that?
-
101:50 - 101:52Papa's cousin.
-
101:53 - 101:55From South America.
-
101:56 - 101:58Go! Go!
-
102:02 - 102:05For someone who started
lying just recently... -
102:05 - 102:08you're showing a real flair.
-
102:09 - 102:11Thank you.
- Title:
- How to Steal a Million 1966 Comedy / Crime Movies Full Movie
- Description:
-
How to Steal a Million
1966
Comedy / Crime
Nicole's father, a legendary art collector, lends his prized Cellini Venus to a prestigious Paris museum. Unfortunately, the Venus was *not* sculpted by Cellini but by Nicole's grandfather. (Her father is a forger as well, but his specialty is paintings.) Before tests can be done which would prove the Venus a fake, Nicole enlists the services of "society burglar" Simon Demott to steal the million dollar statue. - Video Language:
- English
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Retired user edited English subtitles for How to Steal a Million 1966 Comedy / Crime Movies Full Movie | |
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Retired user edited English subtitles for How to Steal a Million 1966 Comedy / Crime Movies Full Movie | |
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Retired user edited English subtitles for How to Steal a Million 1966 Comedy / Crime Movies Full Movie | |
![]() |
Retired user edited English subtitles for How to Steal a Million 1966 Comedy / Crime Movies Full Movie | |
![]() |
Retired user edited English subtitles for How to Steal a Million 1966 Comedy / Crime Movies Full Movie | |
![]() |
Retired user edited English subtitles for How to Steal a Million 1966 Comedy / Crime Movies Full Movie | |
![]() |
Retired user edited English subtitles for How to Steal a Million 1966 Comedy / Crime Movies Full Movie | |
![]() |
Retired user edited English subtitles for How to Steal a Million 1966 Comedy / Crime Movies Full Movie |