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Miranda July in "Friends & Strangers" - Season 11 | Art21

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    ♪ethereal ambient music♪
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    [lock clicking]
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    [heels clacking]
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    [car engine revving]
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    ♪♪♪
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    [Miranda VO] Risk, in general for me, is
    really such a comfort zone.
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    I was the kind of kid who was just like,
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    "Dare me to do something."
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    I loved the high of that.
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    ♪♪♪
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    (plastic rustling)
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    (mellow music)
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    I am remembering when I was
    maybe seven or something
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    playing at the park, and there was...
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    You know those really
    intense basketball games
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    with men playing, and
    they're just shouting,
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    and like, "I'm open, I'm open!"
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    You know, like,
    [chuckling] um...
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    And my friends dared me to join the game.
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    (mellow music)
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    [Miranda] Do you mind holding that for a sec?
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    You can let go whenever
    you need to let go.
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    Thank you.
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    [Miranda VO] And I just jumped right in,
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    and just was like, "I'm open, I'm open!"
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    You know, just, like, doing
    the [chuckling] stuff I saw them doing,
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    and I was,
    like, floating on air,
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    you know, because I'd
    done it and I'd survived.
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    [Miranda] Do you mind just holding this?
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    You can let go whenever
    you need to let go.
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    [Miranda VO] I guess I learned if you're not afraid --
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    and why
    should you really be afraid? --
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    then it's like you can fly
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    You have this superpower.
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    ♪curious electronic music♪
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    Now, I usually say I'm a
    writer, filmmaker, and artist.
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    So within that,
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    I perform
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    and I work in these different mediums.
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    ♪♪♪
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    - Some things are hidden for a reason,
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    and if you see them,
    you'll be changed forever.
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    But I wanted to be changed forever.
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    ♪♪♪
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    [Miranda VO] It feels like there's
    a million sub-genres
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    of all those things,
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    Like, "filmmaker"
    -- you know,
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    that, to me, includes feature films.
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    [Miranda] And, cut!
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    And things you might make really quickly
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    and in an afternoon.
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    So I'm not really a purist.
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    ♪lush ethereal music♪
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    I started so young.
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    I started when I was 16
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    writing and directing my first play.
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    [heels clacking]
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    I had started a correspondence
    with a man in prison.
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    There used to be lists of prison pen pals
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    in the back of magazines,
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    and I really just chose him at random.
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    It wasn't romantic
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    because I was, thank
    God, a hardcore feminist,
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    but it was very intimate
    once that boundary was set.
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    Dear friend, this is legal paper.
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    I wish it was the opposite.
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    How has your day been so far?
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    You make me wish we could meet.
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    Perhaps we can someday.
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    [Miranda VO] I think he and I were in it
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    for similar reasons in that
    we loved the attention.
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    What teenage girl doesn't love...
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    Like, literally, I was
    the only person --
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    like, free person
    -- in his life.
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    Like, he hadn't gotten
    a letter in 12 years.
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    And, like, I became alienated
    from my friends
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    and high school ''cause I couldn't
    get this across.
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    And so I wrote a play.
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    [man VO] You see, you're making me remember,
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    but I'm not remembering who I was,
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    I'm remembering who I wanted to be,
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    [whispering] and there's a difference.
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    - I shouldn't be able to
    know you as well as I do
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    because I know-
    - I mean I guess one reason
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    I do these projects with people
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    who are so far out of my world
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    is that I am thrown out
    of my own assumptions
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    about how things work or what things mean.
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    Even just very basic things,
    like even friendship, like:
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    Is this a friendship?
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    My parents are writers.
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    So from them, I learned how
    to be intimate with my work.
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    And I guess my great hope
    was that through my work,
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    I could have intimacy with other people.
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    Based on what I saw growing up,
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    I wasn't sure how else to connect.
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    I don't know, the idea of the...
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    you know, the...
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    the found family or the...
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    or the friend that kind of saves you, like, I...
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    those are sometimes in my
    work, and it's-- you know,
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    and I know it's a kind of common theme,
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    but I can't-- you know, it...
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    [chuckling] never gets old!
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    [panting] How
    about this, right?
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    You think that was the big one?
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    -I don't think that--
    -It was.
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    That was it. [laughs]
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    Thank you.
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    [typing]
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    - I dropped out of college,
    and did wanna make movies,
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    and was surrounded by women in bands.
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    And we started a recording
    studio in our basement,
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    and there was very much the sense
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    that you could just
    figure it out yourself.
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    So I started this thing first
    called "Big Miss Moviola"
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    and then Moviola tried to sue me.
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    Welcome to "Big Miss Moviola."
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    My name is Miranda July
    and I'll be your host.
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    [Miranda VO] The premise was, if
    you send me your movie,
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    I'll put it on a VHS tape
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    with nine other movies
    made by nine other women...
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    -Hi, Vanessa!
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    [Miranda VO] And send the tape back to you,
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    so we can all see each other's work.
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    I was providing a service that I needed
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    in order to conceive of
    myself as a filmmaker.
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    And I did that for 10 years.
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    I did it until...
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    until I made "Me and You
    and Everyone We Know."
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    Man: What are you doing in my car?
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    [laughs]
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    I don't know you
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    and you certainly don't
    know anything about me.
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    I mean, what if I'm a killer of children?
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    -Woman: [chuckling] Yeah, well, that
    would put a damper on things,
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    wouldn't it?
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    Miranda: I remember actually
    after that movie came out,
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    and I remember performing
    and realizing, like,
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    "They just wanna see the
    girl from that movie."
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    That actually was a bit
    of a crisis at first.
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    And that was actually the point
    when I started making pieces
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    that asked a lot of the audience.
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    [Miranda] When I signal you,
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    if you could just walk
    towards me very, very slowly.
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    ♪tender piano playing♪
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    I noticed her immediately
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    when I walked out on
    stage that first night.
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    [laughter]
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    She seemed to radiate light.
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    ♪tender piano playing♪
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    I've been in two relationships
    with women before, but...
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    they were more...butch.
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    [laughter]
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    [ambient music]
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    [Miranda VO] So right now, I am finishing a book,
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    a kind of long novel...
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    [footsteps thudding]
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    about the second half of a woman's life.
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    And it's a romance.
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    There's also dance in my book.
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    So, this is my novel.
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    [chuckling] No one's
    supposed to see this ever,
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    but, um, so don't
    maybe get too close but...
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    Or it's fine, whatever, who cares?
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    This is the first half of it.
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    This is the second half.
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    When I can't write anymore --
    like it's diminishing returns --
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    then I come to this rack.
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    It's, like, [chuckling]
    costumes to dance in?
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    Or...
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    just to make things in if I want
    to become aware of my body in a
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    different way.
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    And then I'd be like,
    "Well, this was a costume,
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    but-- but who is
    this," you know?
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    ♪cool percussive
    music playing♪
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    And I started actually buying things
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    that make no sense in real life,
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    but are great for this sort of thing.
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    Like, what is...
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    what is this?
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    ♪chipper triangle music♪
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    [Miranda VO] For me, it's always about energy,
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    and excitement, and mystery.
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    And one way it exists is in these mediums,
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    like, simply working in a form
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    with materials you haven't used before
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    is novelty and mystery
    in a quite physical sense
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    and sometimes in a collaborative sense.
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    [typing]
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    So day one of the pandemic,
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    the phone rings and it's
    an unfamiliar number,
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    and I answer it, and it's
    clearly like a solicitor.
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    [dogs barking]
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    - Miranda's phone number
    was assigned to me
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    but she wasn't a typical customer
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    that will immediately hang up
    the phone or drop the call.
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    - Maybe I'd somehow ended up on a list
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    for self-published authors, which I'm not,
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    and so I answered all their
    questions and then I said,
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    "Can I ask you some questions?"
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    Where they were, they
    were in the Philippines.
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    How old they were, 27.
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    I couldn't tell what gender they were.
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    They were a trans woman.
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    [Jay VO] Here in the Philippines,
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    most of the religion is Roman Catholic.
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    It's very hard for you to be accepted,
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    to belong in a community.
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    So I started to share my background
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    and she thought of a project
    that we can collaborate.
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    This is the edition --
    the limited edition --
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    that I made
    out of the project with Jay.
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    - She said that she's gonna
    be sending me assignment
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    and then I'm going to
    respond it in pictures.
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    This is the first assignment
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    where Miranda asked me to bow to something
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    that is also important to
    me, which is money and a bed,
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    because I love to sleep.
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    So, in this picture, this is
    where all my suffering happens.
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    - The best feeling is when
    you throw down a challenge
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    and then the person comes back
    with something much bolder.
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    I mean, that is what really
    makes it a collaboration,
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    and that happened so regularly with Jay.
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    ♪calm ethereal music♪
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    [Jay VO] This is me.
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    So sharing that to Miranda
    was really kind of risky,
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    but at the same time happy
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    because I was able to express everything.
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    Like, every pain,
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    every truth that happened to
    my life is all in this project.
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    ♪♪♪
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    - I mean, I'm full of my own...
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    trust, abandonment issues,
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    like all kinds of things that make it hard
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    to get close to people.
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    So it's a real miracle
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    when something like that
    connection can happen.
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    It becomes very beautiful,
    and emotional, and light,
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    which is so, so incredible
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    because it's not very light inside me.
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    [chuckles]
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    ♪♪♪
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    I think that's part of the risk thing
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    is literally anything is
    possible in the moment.
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    ♪♪♪
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    It's kind of like being
    in a dream or something.
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    ♪♪♪
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    But a shared dream, not a
    lonely in-my-head dream.
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    ♪♪♪
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    And the reward of working this way
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    is creative freedom
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    on every level.
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    ♪♪♪
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    ♪ethereal ambient music♪
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    ♪♪♪
Title:
Miranda July in "Friends & Strangers" - Season 11 | Art21
Description:

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Video Language:
English
Team:
Art21
Project:
"Art in the Twenty-First Century" broadcast series
Duration:
14:21

English subtitles

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