-
(空間音楽)
2
00:00:20,220 --> 00:00:21,770
- [ハイディ] 時折、私が何をすべきか
3
00:00:21,770 --> 00:00:23,183
土が語りかけている気がします
4
00:00:24,410 --> 00:00:27,791
私にはこの無慈悲な貴婦人に従うしかありません
5
00:00:27,791 --> 00:00:30,791
(怪しげな音楽)
6
00:00:33,940 --> 00:00:36,523
私は媒介だと思い知らされます
7
00:00:37,500 --> 00:00:42,283
何かが私や私の手を通って直接土へいくのです
8
00:00:44,170 --> 00:00:46,550
私が彫刻しているというより
9
00:00:46,550 --> 00:00:48,209
私が作り直されているようです
10
00:00:48,209 --> 00:00:50,459
(ハイディが笑う)
11
00:00:51,600 --> 00:00:54,843
魂の水路のようなものです
12
00:00:57,300 --> 00:01:00,150
私の名前はハイディ・ルウ
彫刻家です
13
00:01:00,150 --> 00:01:02,363
土を主に扱っています
14
00:01:03,854 --> 00:01:06,604
(鳥のさえずり)
15
00:01:30,780 --> 00:01:34,170
本当にやさしく土を触っている時
16
00:01:34,170 --> 00:01:37,833
土の中に潜り込んでいきます
17
00:01:39,710 --> 00:01:43,943
層を作っていく作業の連続です
18
00:01:46,070 --> 00:01:49,820
全て独学です
私のしていることはただ
19
00:01:51,810 --> 00:01:55,910
土を形作って、液状粘土をつけ
20
00:01:55,910 --> 00:01:57,383
それを作品にくっ付ける
それだけです
21
00:02:00,640 --> 00:02:02,488
手が
22
00:02:02,488 --> 00:02:03,510
(ハイディの笑い声)
23
00:02:03,510 --> 00:02:05,950
最も長い間私の作品に登場する
24
00:02:05,950 --> 00:02:07,083
題材でしょう
25
00:02:08,290 --> 00:02:11,069
現実的な手を配置したことはありません
26
00:02:11,069 --> 00:02:13,320
私の作る手は、幽霊のような
27
00:02:13,320 --> 00:02:15,363
細長いものです
28
00:02:16,240 --> 00:02:19,123
この世界のものではないと示しているんです
29
00:02:20,410 --> 00:02:22,710
これはカタコンベでのプロジェクトの
30
00:02:22,710 --> 00:02:24,380
準備用のスケッチです
31
00:02:24,380 --> 00:02:26,120
これはアーチです
32
00:02:26,120 --> 00:02:29,045
作品は天窓から吊るします
33
00:02:29,045 --> 00:02:31,462
(穏やかな音楽)
34
00:02:36,480 --> 00:02:39,590
布を被った骨壷を沢山飾ります
35
00:02:39,590 --> 00:02:42,170
悲嘆の象徴です
36
00:02:42,170 --> 00:02:44,698
念願でした
37
00:02:44,698 --> 00:02:47,115
(落ち着いた音楽)
38
00:02:48,940 --> 00:02:50,500
マカオで育ちました
39
00:02:50,500 --> 00:02:53,180
中国的な厳しい育児のもと
一方では家事を投げ出して冒険へ行く
40
00:02:53,180 --> 00:02:56,390
-
ポルトガルの植民地時代の廃墟が沢山あったんです
子供の頃はその繰り返しでした
42
00:03:01,720 --> 00:03:06,513
-
The Portuguese has built
a lot of cathedrals
-
and there are a lot of
colonial style houses.
-
I would spend a lot of time
wandering into the structures.
-
I'm trying to capture that essence
-
of structures you could get lost into.
-
(soft music)
-
(bell ringing)
-
(car hoots)
-
- Hi
-
- [Heidi] Wing on Wo is a ceramic store
-
in Chinatown and it's actually one
-
of the oldest running
business in all Manhattan.
-
I became friends with the
owner Mei, five years ago.
-
As soon as I stepped into the store,
-
it just felt so familiar to me
-
'cause I had grew up in a
very similar environment.
-
I see Chinese diaspora quite similar
-
to the way I see how Mei runs her store.
-
Rethinking how ceramics
could be interpreted,
-
or reintroduced to contemporary times.
-
If I could close my eyes,
-
I could even see like the books
my grandpa had on the shelf
-
like his garden.
-
While it's looking in the past,
-
it's also kind of like,
gives me a lot of like energy
-
to create work both
for now and the future.
-
And that's why I want to
bring you this to like
-
'cause I want the actual
elements to kind of reference.
-
(calm music)
-
I started thinking about using clay
-
to make a burial garment
after my mom passed away.
-
As a way to grieve,
-
I began to look at a lot of burial objects
-
from Han and Qin dynasty
-
and also watching a lot
of Chinese zombie movies.
-
(Heidi laughs)
-
(suspenseful music)
-
It feels right to grieve with my hands
-
doing this very labor
intensive, almost the most
-
impractical thing you can
think of to do with clay.
-
The labor of it equals grieving.
-
(calm music)
-
(birds chirping)
-
I started taking very long
walks during the residency
-
and that's kind of how the project
-
at the catacomb
started taking shape slowly
-
through this aimless, meditative walks.
-
It's a daily exercise for myself to empty
-
out my own ego when I am
able to get to that state
-
at the time that I could
access this ancestral plane
-
and find my way on the other side.
-
(calm music)
-
(chains clink)
-
- Got it.
-
(coins clink)
-
- I see my work kind of as,
-
touch points between very opposing ideas
-
between human and spiritual unknown.
-
(calm upbeat music)
-
I feel like at the core
-
of me making work about
grief is putting emotion
-
into clay and really listening to it.
-
It becomes something
familiar, something beautiful.
-
(calm upbeat music)
Art21