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(空間音楽)[br]2[br]00:00:20,220 --> 00:00:21,770[br]- [ハイディ] 時折、私が何をすべきか[br]3[br]00:00:21,770 --> 00:00:23,183[br]土が語りかけている気がします[br]4[br]00:00:24,410 --> 00:00:27,791[br]私にはこの無慈悲な貴婦人に従うしかありません[br]5[br]00:00:27,791 --> 00:00:30,791[br](怪しげな音楽)[br]6[br]00:00:33,940 --> 00:00:36,523[br]私は媒介だと思い知らされます[br]7[br]00:00:37,500 --> 00:00:42,283[br]何かが私や私の手を通って直接土へいくのです[br]8[br]00:00:44,170 --> 00:00:46,550[br]私が彫刻しているというより[br]9[br]00:00:46,550 --> 00:00:48,209[br]私が作り直されているようです[br]10[br]00:00:48,209 --> 00:00:50,459[br](ハイディが笑う)[br]11[br]00:00:51,600 --> 00:00:54,843[br]魂の水路のようなものです[br]12[br]00:00:57,300 --> 00:01:00,150[br]私の名前はハイディ・ルウ[br]彫刻家です[br]13[br]00:01:00,150 --> 00:01:02,363[br]土を主に扱っています[br]14[br]00:01:03,854 --> 00:01:06,604[br](鳥のさえずり)[br]15[br]00:01:30,780 --> 00:01:34,170[br]本当にやさしく土を触っている時[br]16[br]00:01:34,170 --> 00:01:37,833[br]土の中に潜り込んでいきます[br]17[br]00:01:39,710 --> 00:01:43,943[br]層を作っていく作業の連続です[br]18[br]00:01:46,070 --> 00:01:49,820[br]全て独学です[br]私のしていることはただ[br]19[br]00:01:51,810 --> 00:01:55,910[br]土を形作って、液状粘土をつけ[br]20[br]00:01:55,910 --> 00:01:57,383[br]それを作品にくっ付ける[br]それだけです[br]21[br]00:02:00,640 --> 00:02:02,488[br]手が[br]22[br]00:02:02,488 --> 00:02:03,510[br](ハイディの笑い声)[br]23[br]00:02:03,510 --> 00:02:05,950[br]最も長い間私の作品に登場する[br]24[br]00:02:05,950 --> 00:02:07,083[br]題材でしょう[br]25[br]00:02:08,290 --> 00:02:11,069[br]現実的な手を配置したことはありません[br]26[br]00:02:11,069 --> 00:02:13,320[br]私の作る手は、幽霊のような[br]27[br]00:02:13,320 --> 00:02:15,363[br]細長いものです[br]28[br]00:02:16,240 --> 00:02:19,123[br]この世界のものではないと示しているんです[br]29[br]00:02:20,410 --> 00:02:22,710[br]これはカタコンベでのプロジェクトの[br]30[br]00:02:22,710 --> 00:02:24,380[br]準備用のスケッチです[br]31[br]00:02:24,380 --> 00:02:26,120[br]これはアーチです[br]32[br]00:02:26,120 --> 00:02:29,045[br]作品は天窓から吊るします[br]33[br]00:02:29,045 --> 00:02:31,462[br](穏やかな音楽)[br]34[br]00:02:36,480 --> 00:02:39,590[br]布を被った骨壷を沢山飾ります[br]35[br]00:02:39,590 --> 00:02:42,170[br]悲嘆の象徴です[br]36[br]00:02:42,170 --> 00:02:44,698[br]念願でした[br]37[br]00:02:44,698 --> 00:02:47,115[br](落ち着いた音楽)[br]38[br]00:02:48,940 --> 00:02:50,500[br]マカオで育ちました[br]39[br]00:02:50,500 --> 00:02:53,180[br]中国的な厳しい育児のもと[br]一方では家事を投げ出して冒険へ行く[br]40[br]00:02:53,180 --> 00:02:56,390

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ポルトガルの植民地時代の廃墟が沢山あったんです[br]子供の頃はその繰り返しでした[br]42[br]00:03:01,720 --> 00:03:06,513

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The Portuguese has built[br]a lot of cathedrals

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and there are a lot of[br]colonial style houses.

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I would spend a lot of time[br]wandering into the structures.

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I'm trying to capture that essence

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of structures you could get lost into.

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(soft music)

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(bell ringing)

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(car hoots)

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- Hi

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- [Heidi] Wing on Wo is a ceramic store

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in Chinatown and it's actually one

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of the oldest running[br]business in all Manhattan.

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I became friends with the[br]owner Mei, five years ago.

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As soon as I stepped into the store,

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it just felt so familiar to me

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'cause I had grew up in a[br]very similar environment.

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I see Chinese diaspora quite similar

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to the way I see how Mei runs her store.

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Rethinking how ceramics[br]could be interpreted,

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or reintroduced to contemporary times.

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If I could close my eyes,

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I could even see like the books[br]my grandpa had on the shelf

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like his garden.

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While it's looking in the past,

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it's also kind of like,[br]gives me a lot of like energy

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to create work both[br]for now and the future.

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And that's why I want to[br]bring you this to like

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'cause I want the actual[br]elements to kind of reference.

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(calm music)

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I started thinking about using clay

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to make a burial garment[br]after my mom passed away.

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As a way to grieve,

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I began to look at a lot of burial objects

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from Han and Qin dynasty

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and also watching a lot[br]of Chinese zombie movies.

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(Heidi laughs)

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(suspenseful music)

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It feels right to grieve with my hands

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doing this very labor[br]intensive, almost the most

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impractical thing you can[br]think of to do with clay.

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The labor of it equals grieving.

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(calm music)

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(birds chirping)

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I started taking very long[br]walks during the residency

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and that's kind of how the project

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at the catacomb[br]started taking shape slowly

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through this aimless, meditative walks.

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It's a daily exercise for myself to empty

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out my own ego when I am[br]able to get to that state

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at the time that I could[br]access this ancestral plane

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and find my way on the other side.

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(calm music)

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(chains clink)

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- Got it.

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(coins clink)

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- I see my work kind of as,

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touch points between very opposing ideas

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between human and spiritual unknown.

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(calm upbeat music)

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I feel like at the core

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of me making work about[br]grief is putting emotion

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into clay and really listening to it.

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It becomes something[br]familiar, something beautiful.

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(calm upbeat music)