< Return to Video

Persona (1966) [Ingmar Bergman] with eng. subtitles

  • 6:30 - 6:32
    You wanted to see me, doctor?
  • 6:32 - 6:34
    Have you seen Mrs. Vogler,
    sister?
  • 6:34 - 6:35
    No, not yet.
  • 6:35 - 6:38
    Then I will let you know about
    the situation
  • 6:38 - 6:42
    and will explain to you why
    you must take care of her.
  • 6:42 - 6:45
    As you may know,
    Mrs. Vogler is an actress,
  • 6:45 - 6:48
    and was cast as Electra.
  • 6:48 - 6:51
    In the middle of the play
    she went silent
  • 6:51 - 6:52
    and looked around as if surprised.
  • 6:52 - 7:07
    She stayed silent for a minute.
  • 7:07 - 7:13
    Later she excused herself saying
    that she could not contain her laughter.
  • 7:13 - 7:15
    The next day the theater called
  • 7:15 - 7:18
    to ask if she had forgotten
    the rehearsal.
  • 7:18 - 7:19
    When the housekeeper went to
    see her,
  • 7:19 - 7:21
    she was still in bed.
  • 7:21 - 7:26
    She was awake, but did not respond
    to her questions and did not move.
  • 7:26 - 7:28
    She's been like that for three months
  • 7:28 - 7:31
    and they have done all tests imaginable.
  • 7:31 - 7:33
    The result is clear:
    she is totally sane,
  • 7:33 - 7:37
    physically as well as mentally.
  • 7:37 - 7:40
    This is not even about a hysterical
    reaction.
  • 7:40 - 7:43
    Any questions,
    Sister Alma?
  • 7:43 - 7:44
    No?
  • 7:44 - 7:54
    Well then, go with Mrs. Vogler.
  • 7:54 - 7:58
    Good day, Mrs. Vogler.
  • 7:58 - 8:00
    I am Sister Alma.
  • 8:00 - 8:06
    They have put me in charge of taking
    care of you for some time.
  • 8:06 - 8:08
    Maybe I should tell you about myself.
  • 8:08 - 8:11
    I am 25 years old and engaged.
  • 8:11 - 8:15
    I have been a nurse for two years now.
  • 8:15 - 8:18
    My parents have a farm.
  • 8:18 - 8:23
    My mother was a nurse before marrying.
  • 8:23 - 8:25
    I will go for the dinner plate.
  • 8:25 - 8:30
    Fried liver and a fruit salad.
    This looks very good.
  • 8:30 - 8:32
    Would you like to raise your head?
  • 8:32 - 8:40
    Are you fine like this?
  • 8:40 - 8:42
    Sister Alma.
  • 8:42 - 8:44
    What is your first impression?
  • 8:44 - 8:47
    I don't know what to say, doctor.
  • 8:47 - 8:50
    At first her face seemed sweet,
    almost infantile.
  • 8:50 - 8:53
    Then her eyes...
  • 8:53 - 8:57
    She has such a severe stare...
  • 8:57 - 8:58
    I don't know, maybe I should...
  • 8:58 - 9:01
    What are you thinking Sister Alma?
  • 9:01 - 9:03
    Maybe I should turn down this job.
  • 9:03 - 9:06
    Has something scared you?
  • 9:06 - 9:08
    No, but...
  • 9:08 - 9:12
    she should have an older and more
    experienced nurse.
  • 9:12 - 9:14
    Experienced in life.
  • 9:14 - 9:17
    It could be that I may not be able.
    To handle it. To resist?
  • 9:17 - 9:20
    Mentally.
    Mentally?
  • 9:20 - 9:24
    If the state of Mrs. Vogler is the
    result of a decision,
  • 9:24 - 9:26
    it should be strong like when she
    was well.
  • 9:26 - 9:27
    And?
  • 9:27 - 9:31
    It is a decision that shows great
    mental strength.
  • 9:31 - 9:35
    Maybe I am not up to it.
  • 9:35 - 9:37
    Maybe you would like to see the dusk,
    Mrs. Vogler.
  • 9:37 - 9:42
    I will close it later.
  • 9:42 - 9:45
    Would you like me to turn on the radio?
  • 9:45 - 9:48
    There is a radio soap, I think.
  • 9:48 - 9:51
    Excuse me, my dear.
  • 9:51 - 9:54
    Oh! You must forgive me!
  • 9:54 - 9:59
    There is nothing else I desire
    other than your forgiveness.
  • 9:59 - 10:04
    What are you laughing at, Mrs. Vogler?
    Is the actress,that one that's funny ?
  • 10:04 - 10:09
    What do you know about compasion?
    What do you know?
  • 10:09 - 10:16
    What do you know about compasion?
  • 10:16 - 10:20
    I don't understand those sort of
    things, Mrs. Vogler.
  • 10:20 - 10:25
    I like cinema and theatre,
    but I hardly go.
  • 10:25 - 10:28
    I feel a great admiration for
    artists.
  • 10:28 - 10:32
    I think art has a great importance
    in life.
  • 10:32 - 10:38
    Especially for those that have serious
    problems.
  • 10:38 - 10:43
    I should talk about those things.
    I'm skating on ice.
  • 10:43 - 10:46
    Let me see if I can find music.
  • 10:46 - 10:50
    Is it alright like this?
  • 10:50 - 12:39
    Good night, Mrs. Vogler.
    Sleep well.
  • 12:39 - 12:49
    Damn it!
  • 12:49 - 12:51
    It's strange.
  • 12:51 - 12:54
    One goes through life doing
    the same things.
  • 12:54 - 12:59
    Doing the same things.
  • 12:59 - 13:03
    I will marry Karl-Henrik and will
    have some children...
  • 13:03 - 13:06
    that I will raise.
  • 13:06 - 13:10
    All of this is decided.
    It is inside me.
  • 13:10 - 13:13
    There is nothing to think.
  • 13:13 - 13:16
    It is an enormous feeling of
    security.
  • 13:16 - 13:21
    I have a good job and I am happy
    with him.
  • 13:21 - 13:23
    That is also good,
  • 13:23 - 13:26
    but on the other hand.
  • 13:26 - 13:31
    But it is good...
  • 13:31 - 13:40
    It's good.
  • 13:40 - 13:46
    I ask myself what will really
    happen?
  • 13:46 - 13:50
    Elisabeth Vogler...
  • 13:50 - 13:53
    Elisabeth...
  • 13:53 - 13:56
    .... today, between the American
    artillery and the South Vietnamese
  • 13:56 - 13:58
    and the desperate guerrilla of
    Vietcong
  • 13:58 - 14:00
    that attacked the vital coastal base.
  • 14:00 - 14:03
    Marine planes and the American
    airfoce in Quang
  • 14:03 - 14:07
    are bombing positions of the
    Vietcong army in Tay Ninh.
  • 14:07 - 14:11
    Today planes have left on more
    than 48 bombing missions.
  • 14:11 - 14:14
    And in other fronts, various American
    troop batalions,
  • 14:14 - 14:21
    landed yesterday in the coast near...
  • 14:21 - 14:24
    In this zone more than 2.000 vietcongs
    were captured
  • 14:24 - 14:27
    in the largest operation in the
    last three months.
  • 14:27 - 14:31
    Today the street disturbances...
  • 14:31 - 15:25
    .... that have sent more than 141 Vietcongs
    to the tribunals...
  • 15:25 - 15:34
    Would you like me to open the
    letter, Mrs. Vogler?
  • 15:34 - 15:42
    Should I read it?
  • 15:42 - 15:52
    Would you like me to read it?
  • 15:52 - 15:57
    "Dear Elisabeth: Since they don't
    permit me to see you, I am writing you.
  • 15:57 - 16:03
    If you do not want to read my letter,
    then you can ignore it.
  • 16:03 - 16:08
    I can not stop looking for contact
    with you,
  • 16:08 - 16:11
    since I am tormented constantly by
    one question:
  • 16:11 - 16:17
    Have I hurt you in any way?
    Have I hurt you without knowing?
  • 16:17 - 16:27
    Is there a terrible misunderstanding
    between us?"
  • 16:27 - 16:37
    Do you think I should keep reading this?
  • 16:37 - 16:41
    "Lately we were happy;
    as far I thought.
  • 16:41 - 16:47
    We'd had never been so close
    to each other.
  • 16:47 - 16:49
    Do you remember when you'd say:
  • 16:49 - 16:54
    "Now I understand marriage"?
  • 16:54 - 16:57
    You have shown me..."
  • 16:57 - 17:01
    I do not understand...
  • 17:01 - 17:09
    Yes. "... that we should see each
    other like two anxious children,
  • 17:09 - 17:13
    Full of good will and
    the best intentions,
  • 17:13 - 17:17
    but gov...
  • 17:17 - 17:22
    But govern by forces that we
    only parcially control.
  • 17:22 - 17:26
    Do you remember saying all this?
  • 17:26 - 17:28
    We walked through the woods
  • 17:28 - 17:39
    and you stopped me holding from my
    belt..."
  • 17:39 - 17:43
    There is also a picture with the
    letter.
  • 17:43 - 17:47
    It is a picture of your son...
    I don't know if...
  • 17:47 - 17:51
    Would you like to see it, Mrs. Vogler?
  • 17:51 - 18:24
    He looks like such a sweet child.
  • 18:24 - 18:26
    I have been thinking, Elisabeth,
  • 18:26 - 18:29
    and I don't think you should still
    be in the hospital.
  • 18:29 - 18:32
    I think it is for the worse.
  • 18:32 - 18:35
    Since you don't want to return home,
    you and Sister Alma
  • 18:35 - 18:40
    can go my house on the coast, eh?
  • 18:40 - 18:43
    You think I don't understand?
  • 18:43 - 18:45
    The impossible dream.
  • 18:45 - 18:50
    Not of seeming, but of being.
  • 18:50 - 18:55
    Conscious every moment.
    Vigilant.
  • 18:55 - 18:56
    At the same time,
  • 18:56 - 19:00
    the abiss between what you are for
    others and for yourself,
  • 19:00 - 19:03
    the feeling of vertigo and the
    constant desire
  • 19:03 - 19:07
    at least, of being exposed,
  • 19:07 - 19:11
    of being analalized, dissected,
  • 19:11 - 19:14
    maybe even annihilated.
  • 19:14 - 19:18
    Every word a lie,
    every gesture a falsehood,
  • 19:18 - 19:20
    every smile a grimace.
  • 19:20 - 19:23
    Suicide?
  • 19:23 - 19:27
    ¡Oh, no! That is horrible.
  • 19:27 - 19:29
    You would not do such a thing.
  • 19:29 - 19:32
    But you can stay immobile and in
    silence.
  • 19:32 - 19:34
    At least that way you don't lie.
  • 19:34 - 19:38
    You can close within yourself.
    alienate yourself?
  • 19:38 - 19:40
    This way you will not have to
    act roles,
  • 19:40 - 19:43
    and not put on false gestures.
  • 19:43 - 19:46
    You think.
  • 19:46 - 19:48
    But, do you see? Reality is in the way,
  • 19:48 - 19:51
    your hiding place is not impenetrable.
  • 19:51 - 19:57
    Life sweeps in through everywhere.
  • 19:57 - 20:00
    And you are obliged to react.
  • 20:00 - 20:04
    No one asks if it is real or unreal,
    if you are true or false.
  • 20:04 - 20:09
    The question is only important
    in theatre.
  • 20:09 - 20:12
    And almost not even there.
  • 20:12 - 20:15
    I understand you, Elisabeth.
  • 20:15 - 20:18
    I understand that you are in silence,
    that you are immobile,
  • 20:18 - 20:23
    that you have placed this lack of will
    in such a fantastic system.
  • 20:23 - 20:26
    I understand you and admire you.
  • 20:26 - 20:31
    I think you should maintain this role
    until it ends,
  • 20:31 - 20:33
    until it stops being interesting.
  • 20:33 - 20:35
    The you can leave it.
  • 20:35 - 20:44
    The same way that you left little by little
    the others.
  • 20:44 - 20:47
    Mrs. Vogler and the sister
    left for the the doctor's house
  • 20:47 - 20:49
    at the end of the summer.
  • 20:49 - 20:54
    Being close to the sea produced
    a favorable effect on the actress.
  • 20:54 - 20:58
    The apathy that had crippled her
    was left behind for long walks,
  • 20:58 - 21:00
    fishing, cooking,
  • 21:00 - 21:03
    writing letters
    and other entertainments.
  • 21:03 - 21:06
    Sister Alma enjoyed her rural
    reclusion
  • 21:06 - 21:49
    and her patient.
  • 21:49 - 22:10
    Don't you know that it's bad luck
    compare hands?
  • 22:10 - 22:12
    Elisabeth,
  • 22:12 - 22:15
    may I read you something from
    my book?
  • 22:15 - 22:18
    Oh, am I bothering you?
    It starts like this:
  • 22:18 - 22:21
    "All the anxiety that we carry
    with us,
  • 22:21 - 22:25
    our frustrated dreams,
    the incomprehensible cruelty,
  • 22:25 - 22:27
    our fear of extinction,
  • 22:27 - 22:31
    the interior painful view of
    our terrestrial condition,
  • 22:31 - 22:34
    have slowly eroded our hope
  • 22:34 - 22:37
    and any other salvation.
  • 22:37 - 22:41
    The bellow of our faith and
    doubt against darkness and silence
  • 22:41 - 22:45
    it is one of our most terrible tests
    of our abandonment
  • 22:45 - 22:50
    and of our terrified and indescribable
    knowledge."
  • 22:50 - 22:56
    Do you think it is like this?
  • 22:56 - 23:00
    I don't believe it.
  • 23:00 - 23:01
    Change...
  • 23:01 - 23:06
    My worst defect is laziness and later
    I feel guilty.
  • 23:06 - 23:08
    Karl-Henrik fights with me
    because of my lack of ambition.
  • 23:08 - 23:10
    He says I go about like a zombie.
  • 23:10 - 23:12
    I think that's unfair.
  • 23:12 - 23:15
    In exams I was the best from
    my group.
  • 23:15 - 23:20
    But it's certain that he refers
    to something else.
  • 23:20 - 23:21
    You know?
  • 23:21 - 23:25
    Sorry.
    Do you know what I sometimes think?
  • 23:25 - 23:28
    In the hospital where I was examined
  • 23:28 - 23:30
    there is a home for elderly nurses.
  • 23:30 - 23:36
    Those that always lived for
    their work. Always in uniform.
  • 23:36 - 23:38
    They live in their small rooms.
  • 23:38 - 23:42
    Imagine all your life dedicated
    to something.
  • 23:42 - 23:46
    I mean to say, believing in something,
    carrying out,
  • 23:46 - 23:49
    believing that your life
    has a purpose.
  • 23:49 - 23:51
    I like things that way.
  • 23:51 - 23:54
    Clinging to one thing intensely,
    and nothing else matters.
  • 23:54 - 23:56
    It should be done.
  • 23:56 - 23:59
    Meaning something to the rest.
  • 23:59 - 24:05
    You don't think the same?
  • 24:05 - 24:09
    I know it seems childish,
    but I believe in it.
  • 24:09 - 24:13
    OH my god!, look at the rain!
  • 24:13 - 24:15
    Ah, yes!
  • 24:15 - 24:16
    He was married.
  • 24:16 - 24:18
    We had a relationship for
    five years.
  • 24:18 - 24:21
    Then he was tired, ofcourse.
  • 24:21 - 24:25
    I was so much in love,
    that's for sure, and he was
    the first.
  • 24:25 - 24:30
    I remember everything like a
    long torment.
  • 24:30 - 24:34
    Long periods of pain and
    later short periods of...
  • 24:34 - 24:37
    It as if you teach me to
    smoke.
  • 24:37 - 24:40
    He used to smoke a lot.
  • 24:40 - 24:42
    Thinking about it now,
    it is really common,
  • 24:42 - 24:46
    cheap fiction.
  • 24:46 - 24:51
    In a certain way, it was never
    real.
  • 24:51 - 24:54
    I don't know how to describe it.
  • 24:54 - 24:57
    At least,
    I was never real for him.
  • 24:57 - 25:02
    My pain was real, that's certain.
  • 25:02 - 25:05
    It seems that I was part
    of it,
  • 25:05 - 25:07
    but in a disagreable manner,
  • 25:07 - 25:10
    like it had to that way.
  • 25:10 - 25:20
    Including the things we said to
    each other...
  • 25:20 - 25:23
    Many people have told me that
    that I am a good listerner.
  • 25:23 - 25:25
    Funny, eh?
  • 25:25 - 25:28
    But no one has bothered to listen
    to me.
  • 25:28 - 25:31
    Like you are doing now.
    You are listening.
  • 25:31 - 25:34
    I think you are the first person
    to have listened to me.
  • 25:34 - 25:39
    It can't be that interesting.
    I think it might be better to
    read a book.
  • 25:39 - 25:42
    God!, and I continue.
    Am I bothering you?
  • 25:42 - 25:44
    It is so nice to talk.
  • 25:44 - 25:46
    one feels so warm and well.
  • 25:46 - 25:51
    I have never felt this way in
    my life.
  • 25:51 - 25:53
    I always wanted a sister
  • 25:53 - 25:56
    and I only have a bunch of
    brothers. Seven.
  • 25:56 - 25:58
    Funny, eh?
    And then I arrived.
  • 25:58 - 26:02
    All of my life has been sorrounded
    by boys.
  • 26:02 - 26:05
    I like boys,
  • 26:05 - 26:10
    but you should know that with
    all of your acting experience.
  • 26:10 - 26:13
    I really like Karl-Henrik .
  • 26:13 - 26:16
    But, as you know,
    you only love one time.
  • 26:16 - 26:18
    I am faithful to him.
  • 26:18 - 26:25
    In my profession there are opportunities,
    I am telling you.
  • 26:25 - 26:29
    Karl-Henrik and I had rented a
    house next to the sea.
  • 26:29 - 26:33
    It was June and we were alone.
  • 26:33 - 26:38
    One day, Karl-Henrik had to go
    to the city, and I went to the
    beach alone.
  • 26:38 - 26:42
    It was trully great.
  • 26:42 - 26:45
    There was also another girl.
  • 26:45 - 26:48
    She lived in a nearby island,
    but had come to our beach
  • 26:48 - 26:53
    because it was facing the south
    and much more protected.
  • 26:53 - 26:57
    And we layed down to sunbathed
    completely naked.
  • 26:57 - 27:02
    We slept a little,
    and then we rubbed suntan oil.
  • 27:02 - 27:07
    We had on those cheap straw hats...
  • 27:07 - 27:12
    Mine had a blue ribbon.
  • 27:12 - 27:15
    I was laying and looking from
    underneath it.
  • 27:15 - 27:19
    I contemplated the view,
    the sea and the sun.
  • 27:19 - 27:27
    It was so very strange.
  • 27:27 - 27:33
    Suddenly I saw two figures
    jumping from the rocks and on
    top of us.
  • 27:33 - 27:37
    They would hide and then spy
    after us.
  • 27:37 - 27:39
    "There are two boys looking
    at us", I said to her.
  • 27:39 - 27:42
    She was called Katarina.
  • 27:42 - 27:48
    "Well then, let them look", she said.
    And then she turned around.
  • 27:48 - 27:51
    It was a very strange sensation.
  • 27:51 - 27:55
    I wanted to hide and dress,
    but I just stayed still
  • 27:55 - 27:58
    face down,
    with my ass on the air,
  • 27:58 - 28:04
    totally ashamed,
    totally quiet.
  • 28:04 - 28:07
    The whole time I had Katarina
    next to me,
  • 28:07 - 28:10
    with her thick chest and thighs.
  • 28:10 - 28:17
    She was there, laying,
    laughing a little to herself.
  • 28:17 - 28:20
    Suddendly I saw the two boys
    getting close and looking.
  • 28:20 - 28:23
    I saw that they were extremely
    young.
  • 28:23 - 28:27
    Then , one of them,
  • 28:27 - 28:29
    the bolder one,
  • 28:29 - 28:31
    got right close to us
  • 28:31 - 28:35
    and then he started crouching
    next to Katarina.
  • 28:35 - 28:43
    He pretended to be holding his foot
    and he seated to touch his toes.
  • 28:43 - 28:47
    I was feeling totally strange.
  • 28:47 - 28:51
    Then unexpectedly Katarina said:
  • 28:51 - 28:54
    "Well aren't going to get on top?"
  • 28:54 - 28:59
    And then she touched his hand
    and helped him get undressed.
  • 28:59 - 29:02
    Suddenly he was on top of her,
  • 29:02 - 29:06
    and she was helping
    and was holding his behind.
  • 29:06 - 29:11
    The other boy simply sat and
    observed.
  • 29:11 - 29:15
    I heard Katarina whisper
    on his ear and laugh.
  • 29:15 - 29:19
    I had his face directly in
    front of mine.
  • 29:19 - 29:24
    It was all red and swollen.
  • 29:24 - 29:30
    Suddenly I turned around and
    said: Aren't you going to come
    with me?"
  • 29:30 - 29:33
    Katarina said: "Now go with her".
  • 29:33 - 29:38
    And he left her and landed on
    me, completely hard.
  • 29:38 - 29:44
    He grabbed one of my breasts.
    God, how it hurt!
  • 29:44 - 29:49
    And in some way I was ready
    and I came immediately...
  • 29:49 - 29:54
    I was going to tell him:
    "Be careful so I won't
    be pregnant",
  • 29:54 - 29:57
    when he came. I felt...
  • 29:57 - 30:03
    I felt , for the first time in
    my life, how he poured inside me.
  • 30:03 - 30:06
    He grabbed me by the shoulders
    and arched backwards.
  • 30:06 - 30:12
    I came again and again.
  • 30:12 - 30:19
    Katarina was now on his side,
    looking at him, and held him
    from behind.
  • 30:19 - 30:25
    When he came, she hugged him
    and grabbed his hand to
    masterbate with.
  • 30:25 - 30:36
    When she came,she cried so much.
  • 30:36 - 30:38
    Then we all three started to
    laugh.
  • 30:38 - 30:41
    We called the other boy that was
    seating.
  • 30:41 - 30:48
    His name was Peter.
  • 30:48 - 30:55
    He was confused, and with the
    aspect of being completly frozen
    in the sun.
  • 30:55 - 30:56
    Katarina unbuttoned his pants
  • 30:56 - 30:59
    and started to play with him.
  • 30:59 - 31:04
    He came in her mouth.
  • 31:04 - 31:07
    He bent forward and started
    to kiss her on her back.
  • 31:07 - 31:10
    She turned around, grabbed his
    head with both hands
  • 31:10 - 31:11
    and offered her breast.
  • 31:11 - 31:13
    The other boy was so excited ,
  • 31:13 - 31:17
    that we both started again.
  • 31:17 - 31:21
    It was as good as the first time.
  • 31:21 - 31:24
    Then we swamp
    and said good bye.
  • 31:24 - 31:30
    When I returned home, Karl-Henrik
    had was home.
  • 31:30 - 31:36
    We dined together and drank
    the red wine he had brought.
  • 31:36 - 31:39
    Then we slept together.
  • 31:39 - 31:43
    Never had it been that good,
    not before or after.
  • 31:43 - 31:45
    Can you understand?
  • 31:45 - 31:49
    I ended up pregnant,
    but ofcourse.
  • 31:49 - 31:55
    Karl-Henrik, which was studying
    medicine, took me to a friend and
    had it aborted.
  • 31:55 - 31:59
    We were both happy.
    We did not want children.
  • 31:59 - 32:08
    Well at least for the moment.
  • 32:08 - 32:11
    It didn't make sense.
  • 32:11 - 32:14
    Him and I did not fit.
  • 32:14 - 32:17
    Later one has a bad conscience
    for the little things,
  • 32:17 - 32:19
    Do you understand?
  • 32:19 - 32:22
    What happens with everything
    you believe in?
  • 32:22 - 32:27
    Isn't it needed?
  • 32:27 - 32:31
    Can you be one and the same
    person in a time?
  • 32:31 - 32:33
    I mean to say,
    I was two people?
  • 32:33 - 32:37
    God, I am so dumb!
  • 32:37 - 32:41
    In any case, I don't have any
    reason for whining.
  • 32:41 - 33:04
    Wait, I am going to go get a
    tissue.
  • 33:04 - 33:06
    It is almost daylight
  • 33:06 - 33:15
    and it keeps on raining.
  • 33:15 - 33:18
    Imagine, I have been talking
    without stoping.
  • 33:18 - 33:20
    I have been speaking and you
    have been listening.
  • 33:20 - 33:22
    What a bore it must be for you!
  • 33:22 - 33:25
    What interest can be my life
    be to you?
  • 33:25 - 33:30
    One should be like you.
  • 33:30 - 33:33
    You know what I saw when I say
    your movie last night?
  • 33:33 - 33:40
    When I got home, I saw myself
    in the mirror and thought:
    "we are the same."
  • 33:40 - 33:41
    Don't misunderstande me,
    you are much more better
    looking,
  • 33:41 - 33:43
    but we are similar.
  • 33:43 - 33:48
    I think I could become you,
    if I made a real effort.
  • 33:48 - 33:52
    I mean from the inside.
  • 33:52 - 33:56
    You could become me like this,
    with nothing else.
  • 33:56 - 33:58
    Although your soul would be
    much bigger.
  • 33:58 - 34:04
    I would overflow all over.
  • 34:04 - 34:22
    You should sleep, if not,
    you will sleep on the table.
  • 34:22 - 34:27
    No, I should sleep,
    If not, I will sleep on the table
  • 34:27 - 34:33
    and that would be a bit
    uncomfortable.
  • 34:33 - 37:28
    Good night.
  • 37:28 - 37:32
    Listen, Elisabeth...
  • 37:32 - 38:04
    Did you call me last night?
  • 38:04 - 38:48
    Last night, were you in my
    bedroom?
  • 38:48 - 38:51
    Do you also want me to take
    your mail.
  • 38:51 - 38:55
    Can you give me a sip?
  • 38:55 - 40:00
    Good bye.
  • 40:00 - 40:03
    "Dear doctor: I always wanted
    to live this way.
  • 40:03 - 40:05
    This silence, to live isolated,
  • 40:05 - 40:08
    feeling how the maltreated soul
  • 40:08 - 40:15
    started to finally heal.
  • 40:15 - 40:20
    Alma is spoiling me in the most
    moving manner.
  • 40:20 - 40:23
    I think, by the way,
    that she is enjoying it
  • 40:23 - 40:25
    and that she likes me a lot,
  • 40:25 - 40:29
    she is even excited in a
    delicious and unconscious way.
  • 40:29 - 40:40
    It is fun to study her.
  • 40:40 - 40:42
    Sometimes she cries for
    past sins,
  • 40:42 - 40:45
    like an orgiastic episode
    with an unknown guy.
  • 40:45 - 40:47
    Followed by an abortion.
  • 40:47 - 40:49
    Complains that her life's concepts
  • 40:49 - 46:22
    dont agree with her actions. "
  • 46:22 - 46:25
    I see that you are reading theatre.
  • 46:25 - 46:31
    That is a good sign.
    I will tell the doctor.
  • 46:31 - 46:33
    Don't you think we should
    leave soon?
  • 46:33 - 46:53
    I am starting to miss the city.
    Don't you?
  • 46:53 - 46:56
    Would you really like to
    make me happy?
  • 46:56 - 47:01
    I know it is a sacrifice, but
    Ineed your help right now.
  • 47:01 - 47:05
    It is nothing dangerous.
    I want you to talk to me.
  • 47:05 - 47:08
    It doesn't have to be anything
    special. Anything.
  • 47:08 - 47:11
    What are we having for dinner
  • 47:11 - 47:13
    or if you think that the water
    is cold after a storm
  • 47:13 - 47:16
    or too cold to go swimming.
  • 47:16 - 47:19
    We should only need to speak
    a few minutes.
  • 47:19 - 47:22
    One minuto.
    You could read it from your book.
  • 47:22 - 47:26
    Only some words.
  • 47:26 - 47:30
    I must not try to get upset.
    You stay in silence, that is yours.
  • 47:30 - 47:35
    But I now need you to speak to me.
  • 47:35 - 47:41
    Mi dear wife, can't you say
    not even a simple word?
  • 47:41 - 47:44
    I knew you would oppose.
  • 47:44 - 47:48
    You can not know how I feel.
  • 47:48 - 47:51
    I always thought that the
    great artist felt
  • 47:51 - 47:54
    great compasion for the rest,
  • 47:54 - 47:57
    that he created from a great
    understanding of sympathy
  • 47:57 - 47:59
    and the necessity to help.
  • 47:59 - 48:04
    Stupid me.
  • 48:04 - 48:06
    You have used me!
  • 48:06 - 48:11
    Now that you don't need me
    you throw me without more!
  • 48:11 - 48:14
    Yes, I hear very well how it
    sounds!, how false it sounds!
  • 48:14 - 48:17
    You have used me
    and now you get rid of me!
  • 48:17 - 48:28
    Every word!
    And then, this glasses!
  • 48:28 - 48:31
    You have really hurt me.
  • 48:31 - 48:36
    You have laughed behind my back.
  • 48:36 - 48:39
    I read the letter you sent the
    doctor, it wasn't sealed.
  • 48:39 - 48:44
    And I read it all!
  • 48:44 - 48:46
    You made me talk!
  • 48:46 - 48:48
    You made me say things that I
    would never have told anyone.
  • 48:48 - 48:51
    And you tell them!
    A study, eh?
  • 48:51 - 48:53
    ¡You aren't...!
  • 48:53 - 48:57
    Well now you are going to talk,
    if you have something to say!
  • 48:57 - 49:11
    You are a rotten...!
  • 49:11 - 49:24
    ¡No, still!
  • 49:24 - 49:28
    You were really scared, eh?
  • 49:28 - 49:33
    For one second you have really
    been afraid, no?
  • 49:33 - 49:36
    a real fear of death, eh?
  • 49:36 - 49:38
    You thought that Alma had become
    crazy.
  • 49:38 - 49:42
    What kind of person are really?
  • 49:42 - 49:45
    Or do you think like this:
    "I will always remember that face,
  • 49:45 - 49:48
    that tone of voice, that expression."
  • 49:48 - 50:11
    I will give something that you
    will not forget!
  • 50:11 - 50:15
    You like, right?
  • 50:15 - 50:18
    For me it is not that simple...
  • 50:18 - 50:20
    nor that funny.
  • 50:20 - 51:45
    But you always had your smile.
  • 51:45 - 51:49
    It must be like that?
  • 51:49 - 51:52
    Is it really important not to
    lie?
  • 51:52 - 51:56
    to speak with a truthful tone?
  • 51:56 - 52:00
    Can one live without
    speaking freely?
  • 52:00 - 52:05
    To Lie, flee and avoid things.
  • 52:05 - 52:12
    Isn't it better let oneself and be
    lazy and forgetful, false?
  • 52:12 - 52:20
    Maybe you would be better if you
    allowed yourself to be what you are.
  • 52:20 - 52:23
    No, you don't understand.
  • 52:23 - 52:27
    You don't understand what I am saying.
    YOu are inaccessible.
  • 52:27 - 52:31
    They said you were mentally sane,
    but your crazyness is the worst.
  • 52:31 - 52:32
    You act as if you were sane.
  • 52:32 - 52:35
    You do it so well
    that all believe you.
  • 52:35 - 52:45
    All except for me,
    because I know how rotten you are.
  • 52:45 - 52:47
    What am I doing?
  • 52:47 - 52:49
    ¡Elisabeth!
  • 52:49 - 52:51
    ¡Elisabeth, forgive me!
  • 52:51 - 52:55
    I have behaved like an idiot,
    I don't know what's happened to me.
  • 52:55 - 53:00
    I am here to help you, but
    when I saw that horrible letter...
  • 53:00 - 53:06
    I felt very betrayed.
    You asked me to talk about myself.
  • 53:06 - 53:08
    It was nice,
    you seemed to compassionate.
  • 53:08 - 53:10
    I had drank to much...
  • 53:10 - 53:13
    It was so nice to be able to
    talk about that.
  • 53:13 - 53:19
    I was also flattered because
    a great actress was listening.
  • 53:19 - 53:24
    I thought it would be alright
    to tell it, if it would help you.
  • 53:24 - 53:28
    But that is terrible, really?
    Total exhibitioniscm!
  • 53:28 - 53:31
    Elisabeth, I want you to forgive me.
  • 53:31 - 53:34
    I value you very much, you mean
    so much to me.
  • 53:34 - 54:00
    I have learned so much from you,
    I don't want us to separate like
    enemies.
  • 54:00 - 54:03
    Don't you want to forgive me!
    You have to much pride!
  • 54:03 - 54:07
    You are not humiliating yourself,
    because you don't have to do it.
  • 54:07 - 58:06
    I will not do it! I will not do it!
  • 58:06 - 58:08
    We don't speak,
  • 58:08 - 58:14
    we don't listen, we don't understand...
  • 58:14 - 58:16
    Elisabeth?
  • 58:16 - 59:02
    What does it mean to be able...?
  • 59:02 - 59:07
    When you sleep your face is
    flaccid.
  • 59:07 - 59:13
    The face is swollen and ugly.
  • 59:13 - 59:23
    You have an ugly wrinkle on the
    face.
  • 59:23 - 59:30
    You smell of sleep and tears .
  • 59:30 - 59:33
    I see your pulse beat
    on your throat.
  • 59:33 - 59:36
    You have a scar that you
    normally cover with makeup.
  • 59:36 - 59:39
    ¡Elisabeth!
  • 59:39 - 59:42
    ¡Elisabeth!
  • 59:42 - 59:46
    Is calling again.
  • 59:46 - 59:49
    I will find out what they want
    from us.
  • 59:49 - 60:14
    Here, far, in our solitude.
  • 60:14 - 60:16
    ¡Elisabeth!
  • 60:16 - 60:18
    Elisabeth?
  • 60:18 - 60:21
    Sorry if I have frightened you.
  • 60:21 - 60:23
    I am not Elisabeth.
  • 60:23 - 60:26
    I don't come here asking you
    for anything.
  • 60:26 - 60:28
    I didn't want to bother you.
  • 60:28 - 60:30
    You think I don't understand?
  • 60:30 - 60:34
    The doctor explained things.
  • 60:34 - 60:38
    The most difficult is explaining
    to the child.
  • 60:38 - 60:42
    I do what I can.
  • 60:42 - 60:47
    There something that lies deep
    that is difficult to see.
  • 60:47 - 60:51
    You love someone; to be exact,
    you say you love someone.
  • 60:51 - 60:56
    It is incomprehensible. Intangible,
    like words, that's it.
  • 60:56 - 61:00
    Mrs. Vogler, I am not your wife.
  • 61:00 - 61:02
    YOu are also loved.
  • 61:02 - 61:04
    You have created a small
    sisterhood.
  • 61:04 - 61:07
    It generates security.
  • 61:07 - 61:12
    Do you see the posibility of it lasting,
    isn't it like that?
  • 61:12 - 61:16
    How can I say everything that I have
    thought without loosing myself,
  • 61:16 - 61:26
    without borring you?
  • 61:26 - 61:36
    I love you,
    just as I had loved you before.
  • 61:36 - 61:39
    No, don't be so anxious,
    my loved one.
  • 61:39 - 61:41
    We have each other.
  • 61:41 - 61:44
    We have faith, we know our
    mutual thoughts.
  • 61:44 - 61:48
    We love another.
    It is true, right?
  • 61:48 - 61:55
    The most important thing is the
    effort, not what we obtain, right?
  • 61:55 - 62:00
    See each other like children.
    Defenceless, tormented, alone...
  • 62:00 - 62:02
    Elisabeth...
  • 62:02 - 62:05
    Tell the boy that I will go soon.
  • 62:05 - 62:09
    That mom has been sick,
  • 62:09 - 62:12
    but that she has been longing
    to see her little one.
  • 62:12 - 62:15
    Remember to buy him a gift
    from mommy.
  • 62:15 - 62:21
    You know that I have so much
    tenderness for you...
  • 62:21 - 62:24
    It is almost dificult to bear.
  • 62:24 - 62:29
    I don't know what to do with
    my tenderness.
  • 62:29 - 62:33
    I live of from kindness.
  • 62:33 - 62:36
    Elisabeth, do you like being
    with me?
  • 62:36 - 62:40
    is it nice?
  • 62:40 - 62:44
    You are a wonderful lover,
    you know that.
  • 62:44 - 62:47
    and I love you...
  • 62:47 - 62:49
    Curse me! Please leave me !
  • 62:49 - 62:54
    ¡No, I can't!
    I can't endure it anymore!
  • 62:54 - 62:58
    Leave me in peace! It is a shame!
    Everything is a shame!
  • 62:58 - 63:00
    Leave me in peace!
  • 63:00 - 63:03
    ¡Estoy fría, podrida e indiferente!
  • 63:03 - 63:13
    Everything is a lie or imitations!
    Everything!
  • 63:13 - 63:15
    Elisabeth,
  • 63:15 - 63:17
    What do you have there?
  • 63:17 - 63:24
    What are you hiding under your hand?
    Let me see.
  • 63:24 - 63:29
    It the picture of your boy,
    the one you had torn.
  • 63:29 - 63:38
    We should talk about it.
  • 63:38 - 63:42
    Tell me about it, Elisabeth.
  • 63:42 - 63:45
    Then I will do it.
  • 63:45 - 63:48
    It was one night at a party,
    right?
  • 63:48 - 63:52
    It was late and very loud.
  • 63:52 - 63:55
    The dawn was approaching,
    and someone in the group said:
  • 63:55 - 63:58
    "Elisabeth, like a woman and an
    artist you have it...
  • 63:58 - 64:00
    practically everything under
    your belt,
  • 64:00 - 64:04
    but you lack motherly
    feelings."
  • 64:04 - 64:08
    You laughed becuase you thought
    that it was nonsense.
  • 64:08 - 64:13
    After a while, you started to
    think about what he said.
  • 64:13 - 64:16
    It worried you more and more.
  • 64:16 - 64:19
    You let your husband impregnate
    you.
  • 64:19 - 64:22
    You wanted to be a mother.
  • 64:22 - 64:26
    When you found out that it
    was true, you became afraid.
  • 64:26 - 64:31
    The responsibility frightened you,
    to be tied, to leave the theatre.
  • 64:31 - 64:34
    The pain scared you, death,
  • 64:34 - 64:38
    that your body would swell.
  • 64:38 - 64:40
    But you acted out the role.
  • 64:40 - 64:45
    The role of a future young
    and happy mother.
  • 64:45 - 64:47
    The whole world said:
    "She is so beautiful."
  • 64:47 - 64:52
    "She has never been so beautiful"
  • 64:52 - 64:57
    Mean while, you tried to abort
    several times.
  • 64:57 - 64:59
    But you failed.
  • 64:59 - 65:01
    When you saw that it was
    irreversible,
  • 65:01 - 65:10
    you started to hate the baby
    and wanted a still birth.
  • 65:10 - 65:15
    You wished that the baby was
    dead.
  • 65:15 - 65:22
    You wanted a dead baby.
  • 65:22 - 65:25
    It was a long and difficult birth.
  • 65:25 - 65:28
    You were in pain for several
    days.
  • 65:28 - 65:31
    Finally, the baby was born using
    forceps.
  • 65:31 - 65:35
    You saw with disgust and terror
    your crying child and murmurred:
  • 65:35 - 65:40
    "Can't you die soon?"
    "Can you die?"
  • 65:40 - 65:44
    But he survived.
  • 65:44 - 65:49
    The boy cried day and night.
  • 65:49 - 65:52
    And you hated him.
  • 65:52 - 65:57
    You were afraid and felt guilty.
  • 65:57 - 66:02
    Finally relatives and a sitter
    took care of the baby.
  • 66:02 - 66:08
    You could now get up from bed
    and return to theatre.
  • 66:08 - 66:12
    But your pain had not ended.
  • 66:12 - 66:17
    The boy saw himself trapped by
    an inmeasurable love for his mother.
  • 66:17 - 66:19
    You defend yourself.
  • 66:19 - 66:21
    You defend yourself desperately.
  • 66:21 - 66:24
    You feel that you can't
    correspond.
  • 66:24 - 66:28
    And you try and keep trying,
  • 66:28 - 66:31
    but between you there is only
    cruel and rough encounters.
  • 66:31 - 66:36
    You can't do it.
    You are cold and indifferent.
  • 66:36 - 66:38
    He looks at you.
  • 66:38 - 66:41
    He loves you and he is so
    tender...
  • 66:41 - 66:46
    You want to hit him,
    because he doesn't live you alone.
  • 66:46 - 66:50
    You think he is repulsive, with
    his thick lips and ulgy body ,
  • 66:50 - 66:52
    with his wet and begging eyes.
  • 66:52 - 66:56
    He is repulsive and you are
    afraid.
  • 66:56 - 67:01
    What are you hiding under
    your hand?
  • 67:01 - 67:07
    Let me see.
  • 67:07 - 67:10
    It is the picture of your boy,
    the one you tore.
  • 67:10 - 67:21
    We should talk about it.
  • 67:21 - 67:26
    Tell me about it, Elisabeth.
  • 67:26 - 67:30
    Then I will do it.
  • 67:30 - 67:34
    It was a night at a party,
    right?
  • 67:34 - 67:38
    It was late and loud.
  • 67:38 - 67:42
    Dawn was approaching and
    someone from the group said:
  • 67:42 - 67:44
    "Elisabeth, like a woman and
    and artist you have it
  • 67:44 - 67:47
    practically everything under
    your belt,
  • 67:47 - 67:51
    but you lack motherly feelings."
  • 67:51 - 67:55
    You laughed because you thought
    it was nonsense.
  • 67:55 - 67:59
    After a while, you started
    to think about what he said.
  • 67:59 - 68:02
    It worried you more and more.
  • 68:02 - 68:06
    You let your husband impregnate
    you.
  • 68:06 - 68:11
    You wanted to be a mother.
  • 68:11 - 68:15
    When you found out that it was
    true, you became afraid.
  • 68:15 - 68:17
    The responsibility frightened you,
  • 68:17 - 68:22
    to be tied, to leave the
    theatre.
  • 68:22 - 68:24
    The pain scare you, death,
  • 68:24 - 68:29
    that your body would swell.
  • 68:29 - 68:32
    But you played the role.
  • 68:32 - 68:36
    The role of a future young and
    happy mother.
  • 68:36 - 68:39
    The whole world said:
    "You are so beautiful.
  • 68:39 - 68:42
    You've never been so beautiful."
  • 68:42 - 68:46
    Mean while, you tried to abort
    several times.
  • 68:46 - 68:50
    But you failed.
  • 68:50 - 68:53
    When you saw that it was irreversible
  • 68:53 - 68:58
    You started to hate the baby
  • 68:58 - 69:04
    and you wished a still birth.
  • 69:04 - 69:10
    You wished that the baby
    would die.
  • 69:10 - 69:17
    You wanted a dead baby.
  • 69:17 - 69:21
    It was a long and difficult
    birth.
  • 69:21 - 69:24
    You were in pain for several
    days.
  • 69:24 - 69:27
    Finally, the baby was born
    using forceps.
  • 69:27 - 69:31
    You was with disgust and terror
    your crying child and murmurred:
  • 69:31 - 69:36
    "Can't you die soon?"
    "Can you die?"
  • 69:36 - 69:38
    The day cried day and night
  • 69:38 - 69:41
    and you hated him.
  • 69:41 - 69:47
    You were afraid and felt guilty.
  • 69:47 - 69:51
    Finally some relatives and a sitter
    took care of the baby.
  • 69:51 - 69:57
    You could now get up from bed
    and return to theatre.
  • 69:57 - 70:01
    But the suffering did not end.
  • 70:01 - 70:06
    The boy was trapped with an
    inmeasurable love for his mother.
  • 70:06 - 70:09
    You defend desperately.
  • 70:09 - 70:12
    You feel that you can't correspond.
  • 70:12 - 70:15
    And you try and keep trying,
  • 70:15 - 70:19
    but between you there is only
    cruel and rough encounters.
  • 70:19 - 70:22
    You can't do it.
  • 70:22 - 70:25
    You are cold and indifferent.
  • 70:25 - 70:27
    He looks at you.
  • 70:27 - 70:30
    He loves us and is tender...
  • 70:30 - 70:34
    You want to hit him because
    he doesn't leave you in peace.
  • 70:34 - 70:38
    You think he is repulsive, with
    his thick mouth and ugly body,
  • 70:38 - 70:41
    with his wet and begging eyes.
  • 70:41 - 70:51
    He is repulsive and you are afraid.
  • 70:51 - 70:54
    No!
  • 70:54 - 70:56
    I am not like you.
  • 70:56 - 70:59
    I do not feel like you.
  • 70:59 - 71:03
    I am Sister Alma,
    I am only here to help you.
  • 71:03 - 71:05
    I am not Elisabeth Vogler!
  • 71:05 - 71:07
    You are Elisabeth Vogler!
  • 71:07 - 71:10
    I would like to have...!
  • 71:10 - 71:14
    I adore...!
  • 71:14 - 71:49
    I don't have...
  • 71:49 - 72:05
    I've learnt so much.
  • 72:05 - 72:13
    We'll see how long I can last.
  • 72:13 - 72:17
    I will never be like you, never.
    I change all the time.
  • 72:17 - 72:53
    You can do whatever you like,
    it won't affect me.
  • 72:53 - 72:55
    Talking is useless.
  • 72:55 - 72:57
    Put out the candle.
  • 72:57 - 72:59
    It is like being another.
  • 72:59 - 73:03
    Now no, no. No, no.
  • 73:03 - 73:07
    Cautious and outside time.
    Unforseen.
  • 73:07 - 73:11
    When it was supossed to occur,
    it didn't, and therefore, failed.
  • 73:11 - 73:15
    Stay where you are!
    But I should do it.
  • 73:15 - 73:19
    Not inward, no...
    Get ready and tell the others...
  • 73:19 - 73:27
    The inconsolable and, maybe...
  • 73:27 - 73:28
    Here, yes...
  • 73:28 - 73:31
    But, what is closer...?
  • 73:31 - 73:33
    What do you call it...?
  • 73:33 - 73:35
    No, no, no...
  • 73:35 - 73:38
    Us, our, you, me...
  • 73:38 - 75:12
    Many words and such nausea...
    Incomprehensible pain.
  • 75:12 - 75:21
    Now listen to me.
    Repeat after me.
  • 75:21 - 75:26
    Nothing...
  • 75:26 - 75:29
    Nothing.
  • 75:29 - 75:37
    No, nothing...
  • 75:37 - 75:40
    Nothing.
  • 75:40 - 75:42
    That's it.
  • 75:42 - 75:44
    That's good.
  • 75:44 -
    That's how it should be.
Title:
Persona (1966) [Ingmar Bergman] with eng. subtitles
Description:

Watch Persona (1966) full movie with English subtitles.Stars: Bibi Andersson, Liv Ullmann and Margaretha Krook . Director: Ingmar Bergman.visit http://www.hatkecinema.blogspot.in/

more » « less
Video Language:
Swedish
Duration:
01:19:04
Amara Bot edited English subtitles for Persona (1966) [Ingmar Bergman] with eng. subtitles
Amara Bot added a translation

English subtitles

Revisions