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Les Choristes [The Chorus] Full Movie HD

  • 0:42 - 0:43
    Yes?
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    Pierre, there's
    an urgent call from France.
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    After the concert.
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    It's about your mother.
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    Yes?
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    Do you remember me?
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    Fond de I'étang.
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    "My father is coming for me
    on Saturday."
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    Pépinot.
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    Of course.
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    Pépinot.
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    - How long has it been?
    - About 50 years.
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    Fond de I'étang.
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    You're the little guy in the front row.
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    And there you are.
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    Do you remember the prefect's name?
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    Clément Mathieu.
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    Clément Mathieu.
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    I wonder what happened to him.
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    Open it.
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    "Fond de I'étang.
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    1949."
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    Mathieu kept a journal
    while he worked at Fond de I'étang.
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    That's his story. Ours too.
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    He wanted you to have it.
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    I'd have preferred to deliver it
    under different circumstances, but...
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    "January 15, 1949.
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    After failing for so long
    in so many fields,
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    I was sure the worst was still to come."
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    It was a boarding school where
    troubled children were rehabilitated,
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    That's what the advertisement said,
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    Fond de I'étang,
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    Even the name seemed
    to fit me like a glove,
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    Hello.
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    You're all alone?
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    What are you doing there?
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    Waiting for Saturday.
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    Why?
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    My father is coming for me.
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    But it's not Saturday.
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    Pépinot.
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    Pépinot.
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    Hello. I'm Clément Mathieu,
    the new prefect.
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    Have you done this type of work before?
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    I taught some classes in private school.
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    - What did you teach?
    - Music.
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    You'll like Rachin, our headmaster.
    He used to play the trumpet.
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    - Hello, Pépinot.
    - Hello.
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    His daughters. He lives right there.
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    - You haven't met Mr. Rachin?
    - Not yet, no.
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    - Mrs. Boissemand recommended me.
    - Really?
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    That was old Maxence,
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    He told me on the spot
    that he was the school watchman,
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    as well as its nurse.
    storekeeper and glazier,
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    - What is he doing?
    - Serving detention for Mr. Rachin.
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    Fifteen days of community work.
    In other words, school drudge.
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    What kind of children are they, exactly?
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    - No one told you?
    - No.
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    My infirmary. I'll show you
    my vegetable garden later.
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    I'd like that.
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    - Damn it! What have they done now?
    - I'll help you.
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    Are you Clément Mathieu?
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    The headmaster...
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    Rachin, the school's headmaster.
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    Headmaster, I'm sorry...
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    - Yes, you're late.
    - I had the wrong bus schedule.
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    Punctuality is essential here.
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    Very well.
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    Headmaster.
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    Very well, Headmaster.
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    Come with me.
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    First you should study
    the school regulations,
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    then you can supervise
    the 4:00 study period before you...
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    What are you doing? Answer me.
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    - Take this.
    - It's my eye.
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    Another trap. You can appreciate
    our boarders' finer instincts.
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    Get him over there.
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    I'm blinded.
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    Don't make a fuss. Show me.
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    It's not pretty.
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    Ring the bell. School assembly.
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    - We should call a doctor.
    - Do you know how much they charge?
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    What did I say? Ring the assembly.
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    The bell?
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    Next to the door,
    right in front of you.
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    All right.
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    Assembly.
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    Assembly.
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    - Are they always like that?
    - Keep ringing the bell.
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    Two abreast.
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    Everybody in the schoolyard.
    Assembly.
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    Hurry up.
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    Move faster. Be silent.
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    - Chrome Dome.
    - Be silent.
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    - Chrome Dome.
    - Be silent.
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    Be silent.
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    - I didn't say anything.
    - Be silent.
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    I called this assembly
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    because of a despicable attempt
    against old Maxence.
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    Under our action-reaction rule,
    the culprit will be severely punished.
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    I want the culprit's name
    within the next three seconds,
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    or it's six hours of lock-up
    for each one of you.
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    Effective until he's betrayed
    or gives himself up.
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    Is that clear?
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    One...
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    Two...
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    Three.
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    No volunteers?
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    Of course. Come closer.
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    - Mathieu.
    - Me?
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    Come closer.
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    The school register, Mr. Chabert.
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    Thank you.
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    Mr. Mathieu, your new prefect,
    has been spared your acquaintance.
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    - Chrome Dome.
    - Be silent.
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    So he can choose
    who goes first without bias.
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    Be silent.
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    Pick a name.
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    At random?
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    - A word of advice...
    - Don't interfere. Go on.
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    Boniface.
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    Too bad. Chabert, get Boniface.
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    - Sir, I didn't do anything.
    - Shut up.
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    - It's lousy, I didn't do anything.
    - Watch your language.
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    Move.
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    - I won't go.
    - I'll kick your backside for you.
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    Be silent.
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    Furthermore,
    until I've found the culprit,
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    there will be no recess
    and no visitors.
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    I advise you to give him up quickly.
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    It's an encouragement to turn informer.
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    You're full of noble illusions
    like any new staff member.
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    Come see me in eight days.
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    You'll be replacing Mr. Régent.
    He'll explain your duties.
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    Clean sheets.
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    Thank you.
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    Why are you leaving?
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    Ten stitches.
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    Cut with scissors.
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    Just for confiscating
    Mouton's cigarettes.
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    - Mouton?
    - The boy's name is Mouton.
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    And Mouton's still here?
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    By the way, Le Querrec
    booby-trapped Maxence's door.
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    I heard him talking about it
    in the corridor.
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    - And you didn't say anything?
    - I didn't want to miss the bus.
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    Old Maxence punished him
    for breaking some glass panes.
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    Simple revenge. That's just his style.
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    Le Querrec.
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    Don't forget that name: Le Querrec.
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    - Morhange too.
    - Yes.
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    Morhange doesn't talk much,
    but keep an eye on him.
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    Looks like an angel,
    acts like the devil.
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    Action-reaction.
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    That's all they understand.
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    They're all yours.
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    - Good luck.
    - Thank you.
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    Our benefactresses.
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    The timetable's over there.
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    Classes were shared
    between the headmaster,
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    who taught French and History,
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    and Mr, Langlois.
    who taught every other subject,
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    Mr. Langlois, here's the new prefect.
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    Clément Mathieu.
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    - A prefect at your age?
    - Yes, but I used to teach.
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    Very well then.
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    And he's the funny one.
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    Take your study period. You're late.
    No need to show you the way.
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    Watch out. Chrome Dome's coming.
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    Gentlemen.
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    No smoking during class.
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    The rules apply to everyone.
    Even you, sir.
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    Give it back.
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    Be quiet.
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    Give it back.
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    Be silent.
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    Give it back.
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    An auspicious beginning.
    Congratulations, Mathieu.
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    Sit.
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    Of course.
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    You again.
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    What did he do?
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    Nothing, Headmaster.
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    What do you mean, "nothing?"
    You were about to punish him.
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    I asked him to go to the blackboard
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    and I was just telling them
    to be silent.
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    Not a minute too soon.
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    Don't make me come back.
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    Stand in the corner.
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    Very well.
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    Now that you've come to know me,
    we need to set things straight.
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    Right now,
    one of your classmates is in lock-up.
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    For no good reason.
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    I may not look like much
    but I'm no fool.
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    I know who did it.
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    He has 15 seconds to give himself up.
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    I'm waiting.
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    You'll regret it. Five seconds left.
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    Too late.
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    Le Querrec.
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    Who is Le Querrec?
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    I am, sir.
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    What a surprise.
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    - You hurt Mr. Maxence.
    - No, sir. I didn't do it.
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    - That wasn't a question.
    - I didn't do anything.
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    Between the two of us, I wonder
    who the headmaster will believe.
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    I need someone dependable
    to keep an eye on things while I'm gone.
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    According to my sixth sense,
    that dependable student must be...
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    ...Mr. Morhange.
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    Come on, come on.
    Who is Mr. Morhange?
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    That's me, sir.
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    So you're the angel.
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    Go down. You'll supervise
    the class while I'm gone.
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    Go on.
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    Nice. You could pull out
    your shirt a bit more.
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    I'm told the rebellious have
    strong leadership skills. Prove it.
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    Come to the headmaster's office.
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    - Have mercy, sir.
    - Mercy?
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    What about the boy who's taken
    your place? And old Maxence?
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    I didn't want to hurt him.
    It was just a joke.
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    A joke?
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    ...a little stint in lock-up.
    I've had enough of you.
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    But first, I'm going to give you
    the flogging of your life.
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    - Who is it?
    - Leclerc.
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    He's tried to run away three times.
    He's taking him to lock-up.
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    - So you won't be alone.
    - Don't.
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    Maybe we can come to an agreement.
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    You hurt Mr. Maxence. Badly.
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    I won't take you to the headmaster
    but I have to punish you.
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    Instead of fooling around during recess,
    you'll work in the infirmary.
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    You'll be old Maxence's nurse.
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    You'll look after him until he's cured.
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    All right?
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    Not bad.
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    What do you think?
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    But I can do better. Give me the chalk.
    Stand in profile.
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    Profile.
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    Let's see a smile for a change.
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    You can look now.
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    I almost forgot...
    Some color would be nice.
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    Much better. Get back to your seat.
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    Very well.
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    I want to get to know you,
    so you're going to write your name,
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    your age and your dream job
    on a piece of paper.
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    I was astonished when
    they all did as they were told,
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    All except one,
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    You're not writing?
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    How long have you been here?
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    A long time?
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    I don't know.
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    Write, little fellow.
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    An exhausting first day,
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    I forgot why I came here
    in the first place,
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    Rachin scares me, the building
    scares me, even the children scare me,
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    I keep expecting them
    to slip into my recess and murder me,
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    My blanket.
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    - Got a cigarette?
    - Shut up.
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    Go to bed.
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    I read the assignments again,
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    They all had fabulous dreams,
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    Two firemen, three cowboys.
    one tiger tamer, one fighter pilot,
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    two spies, a general under Napoleon.
    one balloonist, three legionaries...
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    Not one school prefect,
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    It was nice of you
    to volunteer to be my nurse.
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    Doctor, the new prefect asked
    for a volunteer to take care of me.
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    And he raised his hand right away.
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    Proof that
    we should believe in miracles.
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    Come in.
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    Mr. Mathieu, the new prefect.
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    So?
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    It's pretty bad, Maxence.
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    If they've started attacking you,
    they're beyond help.
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    You're so patient with them.
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    I've got a thick skull.
    You shouldn't be feeling sorry for me.
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    I feel sorry for those poor kids.
    Don't forget one of them is dead.
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    Dead?
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    His name was Mouton.
    He jumped off the roof.
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    Good thing he was an orphan.
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    Look at him. Everyone says
    he's a lost cause. It's not true.
  • 20:18 - 20:21
    He's a good boy.
    You just have to know him.
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    Old Maxence is a nice guy.
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    I'm talking to you, Le Querrec.
    Don't you think he's nice?
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    No?
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    Yes.
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    - I didn't hear you.
    - Leave him alone. He's shy.
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    Like me.
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    One, two, three, four...
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    Faster.
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    Yes?
  • 20:50 - 20:52
    - I'd like a word, Headmaster.
    - Leaving us so soon?
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    - No, I'd like to try something.
    - You don't say.
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    About the accident.
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    - That was no accident.
    - Quite.
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    I need three things from you.
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    - Is that all?
    - One, cancel the group punishment,
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    two, let me deal with the culprit,
    and three, don't ask me for his name.
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    You'd have to know it first.
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    Naturally.
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    Your arrogance astounds me.
    Do you really think you'll find him?
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    Very well. If you succeed,
    I'll cancel the group punishment.
  • 21:25 - 21:29
    But you'll never get the culprit
    or I'm the biggest fool in nature.
  • 21:30 - 21:33
    I know who did it, Headmaster.
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    Congratulations.
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    Who is it?
  • 21:39 - 21:41
    You said I wouldn't have to tell you.
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    Fine. Very well then.
  • 21:46 - 21:48
    But I don't like your manners.
  • 21:48 - 21:51
    You'd better make sure
    your students behave.
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    - I've already got them under control.
    - That's what you think.
  • 21:55 - 21:57
    One, two, three, four... Go on.
  • 21:59 - 22:00
    Faster.
  • 22:14 - 22:18
    - There's no pictures of naked women.
    - I never said there were naked women.
  • 22:18 - 22:20
    What does yours say?
  • 22:20 - 22:24
    "Ave Maria for soprano
    by Clément Mathieu."
  • 22:24 - 22:27
    I've got, "String quartet...
  • 22:27 - 22:31
    - ...by Clément Mathieu."
    - Looks like music.
  • 22:31 - 22:33
    - What do you know about it?
    - Maybe it's Morse.
  • 22:33 - 22:36
    - Or some secret code.
    - Maybe he's no prefect.
  • 22:36 - 22:38
    Maybe he's an undercover spy.
  • 22:38 - 22:40
    Chrome Dome.
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    Give it back to me.
  • 22:52 - 22:55
    - What is it, sir?
    - None of your business.
  • 22:55 - 22:58
    Is there a problem, Mathieu?
  • 22:58 - 23:00
    No problem.
  • 23:00 - 23:02
    It's just music.
  • 23:02 - 23:04
    What for?
  • 23:05 - 23:07
    A chorus.
  • 23:08 - 23:10
    In the water closets?
  • 23:11 - 23:14
    Clear out, chorus.
  • 23:19 - 23:22
    - Not here, Mathieu.
    - What?
  • 23:22 - 23:25
    - Don't play the idiot.
    - You're not suggesting...?
  • 23:25 - 23:27
    I won't say anything this time.
  • 23:28 - 23:31
    - You really see evil everywhere.
    - In here? Yes.
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    Baldy, you are through
  • 23:41 - 23:44
    The rules won't be made by you
  • 23:44 - 23:46
    Baldy, you are through
  • 23:47 - 23:49
    The rules won't be made by you
  • 24:05 - 24:07
    The rules won't be made by you
  • 24:08 - 24:10
    Chickening out, guys?
  • 24:12 - 24:15
    - You're Corbin.
    - Yes, sir, but I didn't do anything.
  • 24:15 - 24:17
    - You were singing.
    - No, sir. I swear.
  • 24:17 - 24:21
    You were singing. Badly.
    And you couldn't even tell.
  • 24:21 - 24:23
    Go on. Sing.
  • 24:23 - 24:25
    I'm listening.
  • 24:25 - 24:29
    Would you prefer to sing
    for the headmaster? Go on.
  • 24:29 - 24:31
    Chrome Dome
    Prepare to meet your doom
  • 24:32 - 24:34
    Chrome Dome
    Prepare to meet your doom
  • 24:35 - 24:37
    You're not the boss of us
  • 24:37 - 24:39
    You're not the boss of us
  • 24:39 - 24:42
    No one ever told you
    you couldn't sing?
  • 24:42 - 24:45
    Sir? Is that really music
    in your satchel?
  • 24:45 - 24:47
    Mind your own business.
  • 24:49 - 24:53
    By the way, if I ever catch
    one of you messing with my things...
  • 24:55 - 24:57
    ...he'll be very sorry.
  • 24:57 - 25:00
    Now be quiet.
    Time to go to bed. Hurry up.
  • 25:00 - 25:01
    It's over.
  • 25:17 - 25:19
    Go to sleep.
  • 25:37 - 25:40
    I couldn't get their ditty
    out of my head,
  • 25:40 - 25:43
    They're not very good at it.
    but they are singing,
  • 25:44 - 25:46
    I even spotted a few good voices,
  • 25:48 - 25:51
    Are those kids really a lost cause?
  • 25:51 - 25:54
    And I had sworn never
    to touch my music again,
  • 25:56 - 25:58
    Never say never,
  • 25:59 - 26:02
    Nothing is ever truly lost,
  • 26:10 - 26:12
    January 23rd,
  • 26:12 - 26:16
    One week after his accident, old Maxence
    suddenly took a turn for the worse,
  • 26:16 - 26:19
    The doctor sent him to the hospital,
  • 26:24 - 26:27
    Is he going to die?
  • 26:28 - 26:30
    No, we'll save him.
  • 26:32 - 26:35
    The very same day.
    Pépinot got into trouble,
  • 26:35 - 26:38
    Mr. Pépinot, you're a dunce.
  • 26:38 - 26:43
    Final question. The last one.
    How did Marshal Ney die?
  • 26:52 - 26:54
    I'm waiting.
  • 27:04 - 27:06
    Hunting?
  • 27:08 - 27:09
    Zero.
  • 27:09 - 27:12
    One hundred lines by tomorrow:
    "Marshal Ney was shot."
  • 27:13 - 27:15
    Get out.
  • 27:23 - 27:25
    Boniface. Come here, boy.
  • 27:29 - 27:32
    Here, as a reward for your essay.
  • 27:32 - 27:34
    Give it to Mrs. Marie
    and you'll get a cookie.
  • 27:34 - 27:37
    You knew Ney had been shot, eh?
  • 27:37 - 27:39
    Of course, sir. Just like Napoleon.
  • 27:41 - 27:43
    Get out.
  • 27:44 - 27:46
    Hold on, Mr. Morhange.
  • 27:46 - 27:49
    I saw you taking notes during class.
  • 27:49 - 27:53
    This is a rare occurrence indeed.
    Bring me your notebook.
  • 28:10 - 28:11
    Charming.
  • 28:16 - 28:19
    Read it.
    Admire the spelling.
  • 28:25 - 28:28
    "Mr. Rachin eats shit by the bushel."
  • 28:28 - 28:30
    He wrote "Mr?"
  • 28:31 - 28:32
    No.
  • 28:32 - 28:35
    Action-reaction, Mr. Mathieu.
  • 28:35 - 28:37
    Lock-up.
  • 28:43 - 28:44
    Come on.
  • 29:06 - 29:09
    - Gentlemen, enjoy your meal.
    - Thank you.
  • 29:11 - 29:13
    Are you hungry, Pépinot?
  • 29:18 - 29:20
    Now you can eat.
  • 29:21 - 29:22
    Pépinot?
  • 29:22 - 29:23
    He's an orphan.
  • 29:23 - 29:26
    His parents died
    during the Occupation.
  • 29:27 - 29:29
    - How did they die?
    - I don't know.
  • 29:29 - 29:32
    The kid thinks his father
    will come for him on a Saturday.
  • 29:34 - 29:36
    No one ever comes on Saturday.
  • 29:36 - 29:39
    So we tell him he'll come
    next Saturday, and so on.
  • 29:39 - 29:41
    It'd be easier to tell him the truth.
  • 29:41 - 29:44
    We must have told him 100 times.
    He won't listen.
  • 29:45 - 29:49
    Now we let him wait by the gate.
    Let him enjoy himself.
  • 29:51 - 29:53
    Be quiet!
  • 29:54 - 29:57
    Did you see that? Action-reaction.
  • 29:57 - 29:59
    Meaning?
  • 29:59 - 30:01
    Action.
  • 30:01 - 30:02
    Reaction.
  • 30:02 - 30:05
    There's a visitor for young Morhange.
  • 30:05 - 30:07
    Morhange is in lock-up.
  • 30:07 - 30:10
    No visitors for the punished.
    You know the rules.
  • 30:10 - 30:13
    Go tell his visitor then.
  • 30:38 - 30:40
    Good day, madame,
  • 30:40 - 30:41
    Good day.
  • 30:41 - 30:44
    I'm the new prefect.
  • 30:44 - 30:46
    I'm Pierre Morhange's mother.
  • 30:46 - 30:48
    Clément Mathieu.
  • 30:48 - 30:52
    I know this isn't the right day,
    but it's the only time I could...
  • 30:53 - 30:56
    - No, that's not the problem.
    - Has he been punished again?
  • 30:56 - 30:59
    No, nothing like that...
  • 30:59 - 31:01
    ...but he's not here.
  • 31:01 - 31:03
    What do you mean?
  • 31:03 - 31:07
    They took him to the dentist.
    He had a toothache.
  • 31:07 - 31:08
    A toothache?
  • 31:09 - 31:12
    Yes, but nothing serious.
    He'll be back tonight.
  • 31:13 - 31:17
    I can't wait.
    I'm going back to work at 5.
  • 31:18 - 31:20
    Can I leave something for him?
  • 31:20 - 31:22
    Of course.
  • 31:25 - 31:29
    Her name is Violette.
    Violette Morhange,
  • 31:29 - 31:32
    A single mother at her wits' end
    about her son,
  • 31:32 - 31:37
    a thieving introvert expelled from
    school because he kept running away,
  • 31:37 - 31:42
    When Pierre was sent to Fond de
    I'étang against his mother's wishes,
  • 31:42 - 31:47
    she told the judge, "At least
    he'll get a hot meal twice a day,"
  • 31:49 - 31:51
    January 30th, The experience begins,
  • 31:51 - 31:55
    In Brittany, the hats are...
  • 31:55 - 31:58
    In Brittany, the hats are round
  • 31:59 - 32:02
    That's why I'm Brittany bound
  • 32:02 - 32:05
    Soprano. Go left.
  • 32:05 - 32:07
    Leclerc.
  • 32:09 - 32:14
    He is born, the Holy Child
    Let us greet His coming
  • 32:14 - 32:16
    Almost in tune.
    Alto, go left.
  • 32:17 - 32:19
    Delaire.
  • 32:21 - 32:25
    Three miles on foot
    What does it use?
  • 32:25 - 32:28
    Three miles on foot
    eats up your shoes
  • 32:28 - 32:29
    Do it again.
  • 32:29 - 32:32
    Four miles on foot
    What does it use?
  • 32:32 - 32:35
    Four miles on foot
    eats up your shoes
  • 32:35 - 32:38
    I was right. Bass, go right.
  • 32:38 - 32:40
    Ricoeur.
  • 32:42 - 32:46
    I've got tobacco in my pouch
  • 32:46 - 32:48
    I'll give it away, not today
  • 32:49 - 32:52
    Smoking is strictly forbidden.
    Alto, left.
  • 32:53 - 32:54
    Illouz.
  • 32:57 - 33:00
    Love is a gypsy child
  • 33:00 - 33:03
    That obeys no one's laws
  • 33:03 - 33:07
    Soprano, of course. Left.
  • 33:07 - 33:09
    Very well. Pépinot.
  • 33:13 - 33:15
    I don't know any songs.
  • 33:15 - 33:17
    That's fine. I'll teach you some.
  • 33:19 - 33:23
    In the meantime,
    you can be Assistant Chorus Master.
  • 33:25 - 33:27
    Over there.
  • 33:30 - 33:32
    Boniface.
  • 33:34 - 33:37
    Marshal Pétain, here we are
  • 33:37 - 33:41
    - Who taught you that?
    - My grandfather.
  • 33:41 - 33:43
    A little old-fashioned. Left.
  • 33:44 - 33:45
    Clément.
  • 33:48 - 33:51
    Citizens to arms
    Display your charms
  • 33:51 - 33:53
    Enough. Right.
  • 33:53 - 33:55
    My camp counselor's a jerk
  • 33:55 - 33:58
    He doesn't do any work
  • 33:58 - 33:59
    Go left.
  • 33:59 - 34:02
    Cuckoo, booboo
    Cuckoo, booboo
  • 34:06 - 34:07
    Good. Alto.
  • 34:18 - 34:20
    Strong beat.
  • 34:20 - 34:22
    Strong beat.
  • 34:36 - 34:37
    Show me, Corbin.
  • 34:45 - 34:48
    Sorry, there's no such note.
    Come here.
  • 34:49 - 34:52
    Mr. Pépinot, hand me the score.
  • 34:52 - 34:55
    Thank you. Open your hands.
  • 34:55 - 34:58
    Hold them like this.
  • 34:58 - 35:00
    Good. You can be our lectern.
  • 35:02 - 35:03
    Baton, Mr. Pépinot.
  • 35:04 - 35:06
    Thank you.
  • 35:08 - 35:10
    Get ready. On three...
  • 35:18 - 35:19
    Again.
  • 35:23 - 35:24
    That's it.
  • 35:24 - 35:26
    One, two, three, four.
  • 35:26 - 35:29
    Le Querrec's on bread and water...
  • 35:30 - 35:33
    Every night, I make them practice
    a simple tune of my own,
  • 35:33 - 35:36
    Carpentier has lost his way
  • 35:36 - 35:40
    Fond de I'Etang is where
    we're stuck, just our luck
  • 35:40 - 35:44
    Fond de I'Etang is where we'll be
    for all eternity
  • 35:53 - 35:54
    Not bad.
  • 35:54 - 35:57
    It wasn't Mozart.
    but I had their attention now,
  • 35:57 - 36:01
    From now on, I would need
    the support of my superiors,
  • 36:01 - 36:04
    What?
  • 36:04 - 36:06
    A chorus?
  • 36:06 - 36:07
    Yes.
  • 36:07 - 36:11
    My poor man, you've completely lost it.
  • 36:11 - 36:15
    A chorus. You won't get a single note
    from them or I'm the biggest fool...
  • 36:15 - 36:18
    Please, Headmaster,
    don't finish your sentence.
  • 36:18 - 36:19
    Why not?
  • 36:20 - 36:21
    They're singing already.
  • 36:22 - 36:23
    Really?
  • 36:23 - 36:25
    Just a few notes.
  • 36:25 - 36:28
    Why ask my permission
    if you're already doing it?
  • 36:28 - 36:30
    I don't like your manners.
  • 36:30 - 36:33
    - Headmaster...
    - You're annoying me.
  • 36:33 - 36:35
    I have other things on my mind.
  • 36:35 - 36:39
    Very well. I enjoy a good laugh.
  • 36:39 - 36:41
    Make them sing.
  • 36:41 - 36:44
    But if everything goes sour,
    you'll lose your job.
  • 36:47 - 36:50
    Thank you for your support, Headmaster.
  • 36:55 - 36:57
    February 8th,
  • 36:57 - 37:00
    As we begin rehearsals.
    Rachin starts on Morhange,
  • 37:00 - 37:03
    As soon as he's out of lock-up.
    he lowers the axe:
  • 37:03 - 37:05
    one month of community work,
  • 37:05 - 37:08
    From the beginning. Get ready.
  • 37:30 - 37:32
    Hey, skivvy. Don't forget my bed.
  • 38:08 - 38:10
    February 15th,
  • 38:10 - 38:12
    We're visited by Dr, Dervaux.
    a psychiatrist,
  • 38:12 - 38:15
    He brought us a gift,
  • 38:15 - 38:19
    We've decided to take this boy
    out of St. Féréol Reformatory
  • 38:19 - 38:25
    to study his capacity to adapt
    to a... more liberal environment.
  • 38:25 - 38:27
    Unlike most of his classmates,
  • 38:27 - 38:30
    Pascal Mondain has begun
    to read and write.
  • 38:30 - 38:33
    At any rate, he can speak
    more or less normally.
  • 38:33 - 38:36
    We assessed his potential
    with the Binet-Simon Test.
  • 38:36 - 38:38
    The Binet-Simon.
  • 38:38 - 38:41
    We also administered
    the Rorschach and Drüss Fables.
  • 38:41 - 38:44
    - Excellent.
    - As you know, this test...
  • 38:44 - 38:47
    That test sorted children
    into seven different categories:
  • 38:47 - 38:48
    normal, adequate,
  • 38:48 - 38:52
    borderline, mildly.
    moderately or severely retarded,
  • 38:52 - 38:54
    And finally, imbeciles.
  • 38:54 - 38:59
    Mondain scored
    within the borderline zone.
  • 38:59 - 39:02
    He isn't actually mad,
    but I should warn you...
  • 39:03 - 39:07
    According to his profile,
    he's a gregarious pervert.
  • 39:09 - 39:11
    Interesting.
  • 39:11 - 39:12
    And what does that mean?
  • 39:13 - 39:15
    Well...
  • 39:15 - 39:18
    - Doctor?
    - A tendency to be cruel, parasitic,
  • 39:18 - 39:23
    destructive and above all...
    Above all, a mythomaniac.
  • 39:23 - 39:26
    - There you go.
    - The place is full of them.
  • 39:26 - 39:29
    Here the children face
    non-specialized methods of discipline.
  • 39:29 - 39:32
    Mondain's integration will provide
    a good case study.
  • 39:34 - 39:36
    Happy to oblige.
  • 39:36 - 39:39
    We'll try to meet
    your scientific requirements.
  • 39:39 - 39:41
    Gentleman, this fellow is in your hands.
  • 39:41 - 39:43
    - Will you stay for lunch?
    - Gladly.
  • 39:43 - 39:45
    Take good care of him.
  • 39:45 - 39:47
    Action-reaction.
  • 39:57 - 39:59
    You're not allowed to smoke.
  • 39:59 - 40:04
    For the experience to succeed.
    I had to get the upper hand,
  • 40:09 - 40:12
    You really look like an idiot.
  • 40:13 - 40:15
    You'd better behave
    or you'll get what's coming to you.
  • 40:17 - 40:18
    All right.
  • 40:24 - 40:25
    What's coming?
  • 40:31 - 40:33
    You probably know a song, right?
  • 40:34 - 40:36
    Yeah, but...
  • 40:36 - 40:38
    But?
  • 40:38 - 40:40
    You won't like it.
  • 40:41 - 40:44
    Why don't you try me? Come here.
  • 40:44 - 40:45
    Come on.
  • 40:51 - 40:53
    I'm listening.
  • 40:54 - 40:56
    One summer day
    I took out my knob
  • 40:57 - 40:59
    To give myself a nice hand job
  • 40:59 - 41:01
    - All right.
    - Up yours I go
  • 41:01 - 41:02
    All right.
  • 41:03 - 41:06
    Told you so.
  • 41:06 - 41:08
    Not bad.
  • 41:08 - 41:10
    You'll need to practice,
    but you have a good baritone.
  • 41:10 - 41:11
    What?
  • 41:12 - 41:14
    Baritone. It's not an insult.
  • 41:14 - 41:17
    When you sing,
    your voice is low-pitched.
  • 41:17 - 41:19
    Go to the back with the basses.
  • 41:21 - 41:25
    - Fuck.
    - And forget about the fucking.
  • 41:25 - 41:26
    Next one to laugh gets punched out.
  • 41:27 - 41:29
    Whenever you're ready, Mondain.
  • 41:32 - 41:34
    He's allowed back in class.
  • 41:34 - 41:37
    And here's Pépinot.
    You forgot him by the gate.
  • 41:38 - 41:41
    What's wrong, Pépinot?
    It's not Saturday.
  • 41:42 - 41:44
    By the way,
  • 41:44 - 41:47
    when you write to your family...
  • 41:47 - 41:49
    I don't have any.
  • 41:49 - 41:51
    Well, for those who do,
  • 41:51 - 41:55
    remind them that visits are on the
    first and third Thursday of the month.
  • 41:55 - 41:57
    Morhange, you're not paying attention.
  • 41:57 - 42:01
    - What did I just say?
    - I don't know.
  • 42:01 - 42:04
    I said, you could write your mother
    telling her that she can see you
  • 42:04 - 42:08
    on the first or third Thursday
    of the month. Or even both days.
  • 42:08 - 42:11
    Understood? But the punished
    can't have visitors, so be careful.
  • 42:11 - 42:13
    I don't want to see the old goats.
  • 42:13 - 42:15
    Maybe Morhange
    wants to see his mother.
  • 42:15 - 42:18
    Maybe he's not the only one.
  • 42:20 - 42:23
    See, Morhange?
    We have a real chorus.
  • 42:23 - 42:25
    - I don't care.
    - Why don't you care?
  • 42:26 - 42:28
    Let's hear your voice.
    Sing for me. Do...
  • 42:30 - 42:31
    Go ahead.
  • 42:31 - 42:34
    You want to go back?
    Your range, quickly.
  • 42:40 - 42:43
    Coarseness doesn't suit you, kid.
  • 42:43 - 42:45
    We can't all be like Mondain.
  • 42:45 - 42:48
    All right.
    From the top.
  • 42:50 - 42:52
    - Where are you going?
    - I need to pee.
  • 42:52 - 42:54
    Mondain, wait.
  • 42:55 - 42:57
    - Corbin.
    - Can I go pee too, sir?
  • 42:59 - 43:01
    Fine, everyone out.
  • 43:12 - 43:15
    And be quiet. Quiet.
  • 43:36 - 43:39
    You have a nice voice, beautiful.
  • 43:41 - 43:43
    Want a drag?
  • 43:44 - 43:46
    They left you all alone?
  • 43:46 - 43:48
    I'll protect you.
  • 43:50 - 43:51
    Wait for me.
  • 43:52 - 43:53
    We're the same.
  • 43:53 - 43:56
    My parents are a couple of buggers.
  • 43:57 - 43:59
    Your mother's the same.
  • 44:00 - 44:02
    She got rid of you to have some fun.
  • 44:02 - 44:03
    No, she's working.
  • 44:04 - 44:07
    - So the others are telling the truth?
    - What?
  • 44:08 - 44:10
    They say she's a whore.
  • 44:13 - 44:14
    I'll rearrange your face.
  • 44:14 - 44:16
    Get out.
  • 44:19 - 44:21
    You're a dead man.
  • 44:21 - 44:22
    Really?
  • 44:33 - 44:37
    That day, Morhange
    missed the 3:00 roll call,
  • 45:16 - 45:19
    No one ever knew where he went.
    but he'd come back,
  • 45:19 - 45:22
    That was the important part,
  • 45:24 - 45:27
    What are you doing there?
  • 45:32 - 45:34
    I can't go up.
  • 45:34 - 45:37
    What do you mean,
    you can't go up?
  • 45:38 - 45:40
    Why not?
  • 45:40 - 45:42
    I have no money.
  • 45:42 - 45:45
    You need money to sleep?
    That doesn't make sense.
  • 45:46 - 45:48
    It's Mondain.
  • 45:48 - 45:52
    He won't let me come up
    unless I give him money.
  • 45:57 - 45:59
    We have to be careful.
  • 46:03 - 46:05
    At my last place,
    the prefect caught me.
  • 46:05 - 46:08
    - So I had to take care of him.
    - How?
  • 46:08 - 46:12
    With a bayonet. He bled like a pig.
  • 46:12 - 46:14
    - You killed him?
    - Kind of, yeah.
  • 46:14 - 46:18
    It's no different here.
    Chrome Dome had better watch out.
  • 46:18 - 46:20
    - Mathieu isn't so bad.
    - Yeah, right.
  • 46:20 - 46:24
    They sing you a lullaby and when
    you're asleep, they start pawing you.
  • 46:24 - 46:26
    We've got to kill their kind.
  • 46:28 - 46:30
    Good evening, gentlemen.
  • 46:34 - 46:37
    - Enjoy your meal.
    - Sir, I swear I didn't do anything.
  • 46:37 - 46:40
    You keep good company, Corbin.
  • 46:42 - 46:44
    Get out.
  • 46:51 - 46:53
    Forget about the feast.
  • 46:54 - 46:56
    I won't tell on you. A gift.
  • 46:56 - 47:00
    But I'm warning you:
    don't speak to Pépinot again.
  • 47:00 - 47:04
    Don't go near him.
    Don't even look at him.
  • 47:04 - 47:06
    Do you understand?
  • 47:07 - 47:12
    One look in his direction, and
    your life will turn into a nightmare.
  • 47:18 - 47:21
    See on your way
  • 47:21 - 47:24
    Forgotten kids who've strayed
  • 47:24 - 47:26
    Give them a helping hand
  • 47:26 - 47:32
    Lead them to new horizons
    Help them understand
  • 47:32 - 47:36
    Feel, in the depths of despair
  • 47:38 - 47:40
    A surging wave of hope
  • 47:40 - 47:44
    The fervor of life
  • 47:44 - 47:47
    The glorious path
  • 47:49 - 47:51
    What are you doing, Morhange?
  • 47:51 - 47:53
    Nothing, sir.
  • 47:53 - 47:57
    So I heard voices?
    I must be tired.
  • 47:59 - 48:01
    Section 8 of the interior rules:
  • 48:01 - 48:04
    Students will not enter
    a classroom without supervision.
  • 48:04 - 48:07
    Mr. Rachin would make you do
    100 lines by tomorrow morning.
  • 48:07 - 48:10
    And who knows
    what he'd tell your mother.
  • 48:10 - 48:12
    I don't give a damn about my mother.
  • 48:12 - 48:15
    - Why? Tell me.
    - I'll tell you nothing.
  • 48:15 - 48:17
    Wait. I'm not through.
    That's a little too easy.
  • 48:17 - 48:20
    You pay for everything here.
    Ask Pépinot.
  • 48:21 - 48:25
    Morhange, strangely enough,
    the things you do don't resemble you.
  • 48:25 - 48:28
    Running away, fighting,
    pretending to be a hoodlum.
  • 48:28 - 48:32
    Your classmates may laugh,
    but I won't. I'm not playing along.
  • 48:32 - 48:36
    Starting tomorrow, you will attend
    every chorus practice
  • 48:36 - 48:40
    and take a music lesson every day.
    Go to bed now.
  • 48:41 - 48:42
    Go on.
  • 48:44 - 48:46
    March 3rd,
  • 48:46 - 48:49
    He can't possibly know, but I do.
    His voice is a miracle,
  • 48:49 - 48:52
    The rare promise of an exceptional gift,
  • 48:52 - 48:54
    Please go out quietly.
  • 48:57 - 48:59
    I said quietly.
  • 49:00 - 49:03
    Gradually, as my chorus takes shape,
  • 49:03 - 49:05
    I bring my new singer
    out of his shell,
  • 49:23 - 49:25
    Childish delights
  • 49:25 - 49:28
    Too soon forgotten and erased
  • 49:28 - 49:31
    A golden light that burns forever
  • 49:31 - 49:34
    At the end of the path
  • 49:41 - 49:44
    Feel, in the depths of despair
  • 49:44 - 49:46
    A surging wave of hope
  • 49:46 - 49:49
    The fervor of life
  • 49:49 - 49:52
    The glorious path
  • 50:29 - 50:31
    Get your arithmetic notebooks.
  • 50:35 - 50:39
    You're the one making them sing?
  • 50:39 - 50:40
    Yes, sir.
  • 50:40 - 50:43
    - Is that a criticism?
    - Of course not.
  • 50:43 - 50:47
    I adore music.
    Occasionally I even sing a little.
  • 50:47 - 50:48
    Really?
  • 50:48 - 50:51
    Why are we waiting?
    Let's get happy
  • 50:51 - 50:54
    Why are we waiting?
    Let's have a ball
  • 50:59 - 51:02
    - Have a nice day.
    - You too, dear colleague.
  • 51:03 - 51:06
    Arithmetic. Page 27.
  • 51:39 - 51:41
    Good day.
  • 51:42 - 51:43
    Good day, madame,
  • 51:44 - 51:46
    - Pierre has been told. He's coming.
    - Is something wrong?
  • 51:46 - 51:49
    Everything's fine.
  • 51:49 - 51:52
    - What about his teeth?
    - Not a problem anymore.
  • 51:52 - 51:55
    Did you tell him I came for a visit?
  • 51:55 - 51:56
    No.
  • 51:56 - 51:58
    Why not?
  • 51:58 - 52:03
    I thought I'd better not.
    Pierre is very sensitive...
  • 52:03 - 52:04
    ...and gifted.
  • 52:04 - 52:06
    At acting like an idiot, yes.
  • 52:07 - 52:12
    Not exclusively. By the way,
    I need to talk to you.
  • 52:13 - 52:15
    Singing? No one taught him.
  • 52:15 - 52:18
    It's a gift.
    We have to do something.
  • 52:20 - 52:22
    Hello.
  • 52:23 - 52:27
    I'll leave you two alone.
    Visit him whenever you like.
  • 52:30 - 52:33
    I told her you went
    to the dentist last time.
  • 52:33 - 52:35
    Don't give me away.
  • 52:59 - 53:02
    - So you're a good singer?
    - Yeah.
  • 53:06 - 53:09
    That man seems
    to think you're doing well.
  • 53:09 - 53:11
    Is he nice to you?
  • 53:11 - 53:13
    He's all right.
  • 53:16 - 53:18
    I brought you some clean clothes
  • 53:19 - 53:21
    and I made your chocolate cake.
  • 53:22 - 53:24
    Are you happy?
  • 53:34 - 53:37
    April, Those children inspire me,
  • 53:37 - 53:41
    I knew that one day.
    someone would play my music,
  • 53:41 - 53:42
    My name is Clément Mathieu,
  • 53:43 - 53:46
    I'm a musician and each night.
    I compose for them,
  • 54:26 - 54:32
    Like a caress on the ocean
  • 54:33 - 54:39
    Lightly lands the gull
  • 54:40 - 54:46
    On the rocks of a sunken isle
  • 54:49 - 54:55
    Ephemeral winter breeze
  • 54:56 - 55:02
    At last your cold breath fades away
  • 55:03 - 55:08
    Far into the mountains high
  • 55:08 - 55:11
    Face the wind
    and spread your wings
  • 55:11 - 55:14
    In the gray eastern dawn
  • 55:14 - 55:16
    Find a path to the rainbow
  • 55:16 - 55:20
    And spring will reveal
    itself to you
  • 55:20 - 55:23
    Calmly
  • 55:23 - 55:29
    On the ocean
  • 55:34 - 55:36
    No good, sir?
  • 55:36 - 55:39
    It was nice.
  • 55:39 - 55:40
    Very nice.
  • 55:40 - 55:43
    Move, you swine.
  • 55:43 - 55:44
    Little shit. Move.
  • 55:44 - 55:46
    Move.
  • 55:46 - 55:49
    - What did he do?
    - He stole my watch.
  • 55:49 - 55:52
    I caught him in my bedroom.
    So I brought him to Rachin.
  • 55:52 - 55:53
    Action-reaction.
  • 55:53 - 55:56
    - Where are you taking him?
    - Lock-up. Fifteen days. Move.
  • 55:56 - 55:58
    - Wait.
    - Wait for what?
  • 55:59 - 56:01
    He's my only baritone.
  • 56:07 - 56:08
    Yes, Headmaster?
  • 56:08 - 56:10
    I found more graffiti in the...
  • 56:14 - 56:17
    Forgive them, Headmaster.
    It's just a wild ball.
  • 56:19 - 56:20
    Make way.
  • 56:21 - 56:24
    Mathieu, Chabert...
  • 56:26 - 56:28
    ...you're with me.
  • 56:30 - 56:35
    May, With each passing week.
    I take in new victories,
  • 56:35 - 56:37
    Wake-up time. Get up.
  • 56:46 - 56:47
    - Leclerc.
    - Yeah?
  • 56:47 - 56:49
    - We're still friends?
    - Yeah, why?
  • 56:49 - 56:51
    Five and three add up to what?
  • 56:51 - 56:53
    - Fifty-three.
    - Are you sure?
  • 56:53 - 56:55
    - Yeah.
    - Thanks.
  • 57:15 - 57:17
    Perhaps it's an illusion,
  • 57:17 - 57:21
    but even our headmaster
    seems to be changing,
  • 58:04 - 58:05
    Five.
  • 58:09 - 58:12
    Look, it's old Maxence.
  • 58:22 - 58:24
    Nobody move.
  • 58:25 - 58:27
    Smile.
  • 58:32 - 58:35
    Come on. Come out, Mondain.
  • 58:45 - 58:48
    It's over, kid.
  • 58:56 - 58:59
    Come on. One, two...
  • 59:05 - 59:09
    Chabert, I just told Mr. Rachin
    that Mathieu's chorus is sensational.
  • 59:09 - 59:11
    Hurry up.
  • 59:11 - 59:14
    - I'm tired.
    - You're always tired. 29.
  • 59:14 - 59:17
    - What did he say?
    - "Get lost." That's it.
  • 59:18 - 59:20
    Where's Mondain?
  • 59:22 - 59:25
    You didn't notice
    he was gone before the run?
  • 59:25 - 59:28
    He attended roll call this morning,
    Headmaster. He left later.
  • 59:28 - 59:30
    No one goes out
    for the rest of the year.
  • 59:31 - 59:33
    - How much did he take?
    - Almost 200,000 francs.
  • 59:34 - 59:36
    How will I pay our suppliers?
  • 59:36 - 59:38
    I should never have taken him.
  • 59:39 - 59:42
    All for the sake of an experience.
    Experience my...
  • 59:42 - 59:44
    Just like your music.
  • 59:48 - 59:50
    I won't order coal
    for the boiler until next week.
  • 59:50 - 59:53
    In the meantime, I'm calling the police.
  • 59:54 - 59:56
    When Rachin in his coffin lay
  • 59:56 - 59:58
    His cock was hard, they say
  • 59:58 - 60:01
    His cock was his last bid
    to lift up the coffin lid
  • 60:02 - 60:05
    Yes, indeed, he's a funny breed
  • 60:15 - 60:17
    Singing is really developing
    their minds, Mathieu.
  • 60:17 - 60:19
    Very impressive.
  • 60:19 - 60:22
    They've spent three weeks
    without hot water.
  • 60:22 - 60:24
    Cold water activates
    the circulation. Get out.
  • 60:27 - 60:29
    By the way, Mathieu,
    forget the chorus.
  • 60:32 - 60:35
    - But, Headmaster...
    - Thank you, Mr. Mathieu.
  • 60:35 - 60:37
    Give me the police.
  • 60:46 - 60:47
    I don't know what to do
    about the chorus,
  • 60:48 - 60:51
    but for the kids,
    we can use wood.
  • 60:51 - 60:53
    We're out of wood.
  • 60:58 - 61:00
    Here.
  • 61:00 - 61:03
    The headmaster's private stock.
  • 61:03 - 61:05
    Chabert. Action-reaction.
  • 61:05 - 61:07
    Chabert surprised me,
  • 61:07 - 61:09
    I used to think he was
    Rachin's zealous double,
  • 61:09 - 61:12
    but I discovered
    that he was a nice guy
  • 61:12 - 61:16
    for whom sports and music were
    the key elements of national unity,
  • 61:16 - 61:18
    Le Querrec, are you invisible?
  • 61:18 - 61:21
    With his help.
    I'm organizing the resistance,
  • 61:22 - 61:24
    Our chorus is going underground,
  • 61:49 - 61:52
    You tend to lower your pitch
    at the end of a verse.
  • 61:52 - 61:54
    For the last time,
    please detach every single note.
  • 61:55 - 61:57
    It's late. Let's stop.
  • 61:57 - 62:00
    Sir, what about the second part?
  • 62:00 - 62:02
    - I didn't teach you the solo.
    - I learned it.
  • 62:02 - 62:04
    How could you learn it?
  • 62:08 - 62:10
    All right. Second part.
  • 62:52 - 62:54
    Get out.
  • 62:55 - 63:00
    On May 13, just after 3:00.
    Mondain came back,
  • 63:13 - 63:15
    - Where's the money?
    - I don't know.
  • 63:15 - 63:17
    - So who stole it?
    - It wasn't me.
  • 63:19 - 63:21
    Do you want more?
  • 63:21 - 63:22
    So?
  • 63:24 - 63:26
    - He's been hitting him?
    - For half an hour.
  • 63:26 - 63:29
    - He's crazy.
    - And he's wasting his time.
  • 63:29 - 63:31
    The boy won't talk.
  • 63:33 - 63:35
    Very well.
  • 63:35 - 63:38
    Let's start from the beginning.
  • 63:38 - 63:41
    Where's the money?
  • 63:41 - 63:42
    Speak!
  • 63:44 - 63:46
    Where's the money?
  • 63:49 - 63:51
    Let him go!
  • 63:52 - 63:53
    Let him go.
  • 63:56 - 63:58
    Calm down.
  • 63:58 - 64:00
    Calm down!
  • 64:01 - 64:04
    The boy just confessed. Excellent.
    I'm calling the police.
  • 64:05 - 64:08
    You're going to see
    new horizons, my boy.
  • 64:08 - 64:11
    With new guards and brand-new bars.
  • 64:30 - 64:33
    In order to spare
    the children's fragile trust,
  • 64:33 - 64:36
    we hid Mondain's fate from them,
  • 64:38 - 64:41
    Officially, he had gone back
    to his old school,
  • 64:42 - 64:45
    One hen
  • 64:45 - 64:48
    produces an average...
  • 64:49 - 64:53
    ...of 84 eggs a year.
  • 64:55 - 64:57
    Well-fed...
  • 64:59 - 65:02
    - ...and kept...
    - I saw Rachin's daughters today.
  • 65:02 - 65:03
    Naked?
  • 65:03 - 65:05
    - No.
    - ...inside a well-ventilated...
  • 65:05 - 65:10
    ...and clean henhouse,
    the same hen will lay 150 eggs.
  • 65:11 - 65:17
    Under such conditions,
    how many more eggs could...
  • 65:17 - 65:23
    ...a farmer get...
  • 65:23 - 65:25
    ...out of her nine hens?
  • 65:40 - 65:42
    Nice day.
  • 65:43 - 65:46
    It's nice to feel the sun.
    Summer will soon be here.
  • 65:50 - 65:53
    Pierre is a constant source
    of surprise to me.
  • 65:54 - 65:57
    I wanted to thank you for helping him.
  • 65:57 - 66:00
    I'm doing it for you too.
  • 66:00 - 66:03
    I mean, if Pierre is doing well,
    you're doing well, so...
  • 66:07 - 66:09
    - Let me.
    - It's nothing.
  • 66:11 - 66:12
    It's only ink.
  • 66:12 - 66:16
    - Why are you such an ass?
    - You want to send us to lock-up?
  • 66:16 - 66:19
    What's going on?
  • 66:20 - 66:23
    Why are you hitting him?
  • 66:24 - 66:25
    Tell me, Bébert.
  • 66:25 - 66:28
    Because Morhange threw the ink.
  • 66:28 - 66:32
    You couldn't just shut up?
  • 66:32 - 66:34
    I'm ashamed of you, Pierre.
  • 66:37 - 66:39
    Wait.
  • 66:39 - 66:41
    It doesn't matter. It's only ink.
  • 66:42 - 66:45
    It's just pride
    because you're beautiful.
  • 66:45 - 66:46
    Beautiful?
  • 66:46 - 66:50
    You're nothing like
    the other mothers who come here.
  • 66:50 - 66:52
    Because I live alone?
  • 66:52 - 66:54
    So do I.
  • 66:54 - 66:56
    - But you have no children.
    - No.
  • 66:56 - 66:58
    In fact, I've got 60 kids.
  • 66:58 - 67:02
    When you come here,
    they see the woman of their dreams.
  • 67:02 - 67:05
    Well, the mother
    they've all imagined.
  • 67:05 - 67:07
    It's different for Pierre.
    You are his mother.
  • 67:07 - 67:11
    Like any other child,
    he doesn't like to share.
  • 67:11 - 67:13
    We have to get him out of there.
  • 67:13 - 67:18
    - He should go to music school.
    - I want him to learn a good trade.
  • 67:18 - 67:21
    Music is a good trade,
    as long as you've been well taught.
  • 67:22 - 67:24
    He could go to the Conservatory in Lyon.
  • 67:24 - 67:26
    I'd follow his progress
    to prevent any bad habits.
  • 67:26 - 67:29
    Even there, he could meet
    mediocre teachers.
  • 67:29 - 67:31
    And later?
  • 67:31 - 67:33
    He'll become who he should be.
  • 67:35 - 67:40
    Pierre is special, and I'll do anything
    to help him achieve his dreams.
  • 67:40 - 67:42
    I need your help too.
  • 67:42 - 67:44
    I understand.
  • 67:44 - 67:45
    Thank you.
  • 68:10 - 68:11
    No, it's all wrong.
  • 68:12 - 68:14
    What's the matter?
    Are you asleep?
  • 68:14 - 68:16
    Boniface, your posture.
  • 68:16 - 68:19
    How can you sing that way?
    Stand up straight.
  • 68:20 - 68:23
    From "Such a sweet concert",
  • 68:57 - 68:59
    What about my solo?
  • 68:59 - 69:01
    What solo?
  • 69:01 - 69:02
    My solo.
  • 69:02 - 69:05
    Your solo, right. It's gone.
  • 69:05 - 69:08
    Your voice isn't bad,
    but nobody's indispensable.
  • 69:08 - 69:12
    I don't care if you sing or not.
    We can do it without you. Listen.
  • 69:13 - 69:15
    Start from...
  • 69:18 - 69:21
    Let's start from O night,
  • 69:22 - 69:25
    O Night
  • 69:25 - 69:30
    Bring to
  • 69:30 - 69:33
    The Earth
  • 69:33 - 69:37
    The enchanting calm
  • 69:38 - 69:41
    Of your mystery
  • 69:41 - 69:44
    Mathieu.
  • 69:44 - 69:47
    - You're going to get it, sir.
    - Mr. Chabert said he was in town.
  • 69:47 - 69:49
    Thank you, children.
    You can go outside.
  • 69:58 - 70:01
    You do know that you're
    annoying me?
  • 70:01 - 70:04
    Headmaster, I assure you,
    all their homework is done.
  • 70:04 - 70:07
    Our lady benefactresses
    heard about your chorus.
  • 70:07 - 70:11
    A personal letter from the Countess.
    She's coming on Sunday, with friends.
  • 70:11 - 70:13
    - They want to hear this.
    - Wonderful.
  • 70:13 - 70:15
    Well, it's nice.
  • 70:15 - 70:18
    I can imagine the scene.
    Airs and graces, music.
  • 70:18 - 70:20
    Some pastries perhaps?
  • 70:20 - 70:23
    I have to bear the brunt
    of your idiocies.
  • 70:24 - 70:28
    Headmaster, you have to admit music
    doesn't interfere with discipline.
  • 70:29 - 70:31
    - We've had fewer problems lately.
    - Chance.
  • 70:31 - 70:34
    - I don't believe in chance, Headmaster.
    - I realize that.
  • 70:34 - 70:37
    Who else could have told
    the Foundation?
  • 70:37 - 70:39
    I did.
  • 70:41 - 70:43
    You can write?
  • 70:43 - 70:46
    - Mr. Maxence acted for the best...
    - Spare me your comments.
  • 70:46 - 70:48
    I don't like your manners, Mathieu.
  • 70:48 - 70:50
    You don't like anything, Headmaster.
  • 70:51 - 70:54
    Mr. Rachin. You're wanted
    in the visiting room.
  • 70:56 - 70:57
    Later.
  • 71:01 - 71:03
    This is for you.
  • 71:03 - 71:06
    Sometimes I think we should have
    let Mondain strangle him.
  • 71:10 - 71:13
    Violette was thanking me
    for helping her son,
  • 71:13 - 71:18
    She wanted to speak to me privately
    to share some important news
  • 71:18 - 71:22
    at the Café de la Place.
    on the 20th, at 4:00,
  • 71:23 - 71:27
    I wrote to the Conservatory in Lyon.
    I'm acquainted with the director.
  • 71:27 - 71:30
    He was very nice about it.
    He'll be happy to give him an audition
  • 71:30 - 71:34
    and if he's admitted, he'll try
    very hard to get him a scholarship.
  • 71:36 - 71:39
    I believe things are about to change
    for the better.
  • 71:39 - 71:41
    Really?
  • 71:41 - 71:44
    Since I met you,
  • 71:44 - 71:48
    I... well...
  • 71:48 - 71:50
    ...my life has... How can I say it?
  • 71:51 - 71:53
    Changed dramatically?
  • 71:53 - 71:54
    Yes.
  • 71:55 - 71:58
    Thanks to you.
  • 71:58 - 72:01
    - It's such a surprise.
    - I'd lost faith too.
  • 72:03 - 72:06
    Maybe I shouldn't get my hopes up yet.
  • 72:07 - 72:09
    You can trust me.
  • 72:10 - 72:13
    You did bring me luck.
  • 72:13 - 72:14
    Luck?
  • 72:19 - 72:20
    I met someone.
  • 72:22 - 72:25
    He's an engineer.
    From Lyon, of all things.
  • 72:25 - 72:30
    I met him at the café.
    He's building a bridge in the area.
  • 72:37 - 72:39
    Are you all right?
  • 72:39 - 72:43
    I'm fine. It's a great opportunity
    for you and for Pierre.
  • 72:46 - 72:49
    Don't be upset, but I have to go.
  • 72:49 - 72:52
    I'd like the three of us
    to have lunch someday.
  • 72:54 - 72:57
    You can tell him all about Pierre.
    Will you do it?
  • 72:57 - 72:59
    Why not?
  • 73:01 - 73:02
    Goodbye.
  • 73:04 - 73:05
    Goodbye.
  • 73:09 - 73:11
    Thank you for everything.
  • 73:14 - 73:15
    I almost forgot.
  • 73:15 - 73:18
    Don't tell Pierre right away.
  • 73:32 - 73:34
    Excuse me. May I take the chair?
  • 73:34 - 73:36
    - Yes, of course.
    - Thank you.
  • 75:02 - 75:05
    Countess, a few flowers.
  • 75:05 - 75:09
    I didn't understand everything,
    but I got the feelings.
  • 75:09 - 75:10
    Thank you, child.
  • 75:11 - 75:12
    Take these.
  • 75:13 - 75:17
    Countess, let me introduce
    Mr. Mathieu, our prefect,
  • 75:17 - 75:19
    who's in charge of the chorus.
  • 75:19 - 75:21
    - Countess.
    - Well done, sir.
  • 75:21 - 75:26
    Mr. Rachin's humane teaching style
    is of great interest to us,
  • 75:26 - 75:29
    and we thank you for your support.
  • 75:29 - 75:32
    By the way, who decided
    to form a chorus?
  • 75:32 - 75:35
    - Well...
    - I did, Countess.
  • 75:35 - 75:36
    I did.
  • 75:36 - 75:39
    Indeed, Countess,
  • 75:39 - 75:42
    I'm very happy to help
    such an understanding headmaster.
  • 75:42 - 75:44
    Well, let them sing.
  • 75:47 - 75:49
    He's too modest
    to enjoy compliments.
  • 75:50 - 75:54
    - Very true.
    - What are they going to sing for us?
  • 75:54 - 75:57
    Rameau's Hymn to Night.
    Countess.
  • 75:57 - 75:59
    It must be marvelous.
  • 76:02 - 76:04
    Excuse me?
  • 76:04 - 76:07
    Who's the little boy standing aside?
    Has he been punished?
  • 76:07 - 76:09
    - That one?
    - Yes.
  • 76:10 - 76:12
    He's a special case.
  • 76:12 - 76:14
    May I?
  • 76:26 - 76:30
    O Night
  • 76:30 - 76:34
    Bring to
  • 76:34 - 76:37
    The Earth
  • 76:37 - 76:42
    The enchanting calm
  • 76:42 - 76:48
    Of your mystery
  • 76:48 - 76:52
    The shadow which follows you
  • 76:52 - 76:55
    Is so sweet
  • 76:55 - 77:00
    It is such a sweet concert
  • 77:00 - 77:06
    Your voices chanting hope
  • 77:07 - 77:11
    Your power is so great
  • 77:11 - 77:15
    Transforming all into a dream
  • 77:38 - 77:42
    O Night
  • 77:43 - 77:47
    O leave still
  • 77:47 - 77:51
    To the Earth
  • 77:51 - 77:55
    The enchanting calm
  • 77:55 - 78:01
    Of your mystery
  • 78:02 - 78:07
    The shadow which follows you
  • 78:07 - 78:09
    Is so sweet
  • 78:09 - 78:14
    Is there anything more beautiful
  • 78:14 - 78:20
    Than a dream?
  • 78:20 - 78:24
    Is there any truth
  • 78:24 - 78:27
    Sweeter
  • 78:28 - 78:33
    Than hope?
  • 78:49 - 78:52
    Morhange's eyes followed my tempo,
  • 78:52 - 78:55
    and in them.
    I suddenly read many things:
  • 78:55 - 78:58
    pride and
    the joy of my forgiveness,
  • 78:58 - 79:01
    but also something quite new to him,
  • 79:01 - 79:03
    A feeling of gratitude,
  • 79:05 - 79:07
    First day of summer,
  • 79:08 - 79:10
    Our chorus has a new member,
  • 79:15 - 79:18
    I'm sorry, I missed the reprise.
    My fault. Go on.
  • 79:18 - 79:20
    All right. Again.
  • 79:45 - 79:49
    In their eyes.
    I can see the desire to flee,
  • 79:49 - 79:52
    to build a hut way up in the sky,
  • 79:52 - 79:54
    This fine weather makes them sad,
  • 80:14 - 80:17
    You have to see this. It's important.
  • 80:20 - 80:23
    While I was cleaning graffiti
    off the toilet walls,
  • 80:23 - 80:25
    I lifted a stone and found this.
  • 80:26 - 80:28
    - That's Corbin's harmonica.
    - And that.
  • 80:28 - 80:30
    It's 200,000 or more.
  • 80:40 - 80:42
    No one knew about your hideaway.
  • 80:44 - 80:47
    So don't tell me
    it was there by chance.
  • 80:47 - 80:50
    You know they expelled Mondain
    because of the theft.
  • 80:50 - 80:52
    I didn't know.
  • 80:52 - 80:55
    That's true. You didn't know.
  • 80:55 - 80:57
    Now you know.
  • 80:57 - 81:00
    Why? What did you want to do with it?
  • 81:01 - 81:04
    If I tell you,
    will you tell anyone else?
  • 81:04 - 81:06
    No one.
  • 81:06 - 81:08
    I swear.
  • 81:10 - 81:12
    I wanted to buy...
  • 81:12 - 81:14
    To buy what?
  • 81:15 - 81:17
    A hot air balloon.
  • 81:18 - 81:21
    I don't know who took it,
    but it proves Mondain's innocence.
  • 81:21 - 81:24
    He'd never have left without the money.
  • 81:24 - 81:26
    I'll investigate when I come back.
  • 81:26 - 81:28
    But don't worry about it, Mathieu.
  • 81:28 - 81:32
    Even if Mondain was innocent,
    it won't last. We can't help his type.
  • 81:33 - 81:36
    - What about justice?
    - Let her take care of him.
  • 81:36 - 81:38
    Headmaster, wait for me.
    Wait for me.
  • 81:38 - 81:40
    Are you leaving too?
  • 81:40 - 81:43
    I'm getting a lift. I'm spending
    the holidays with relatives.
  • 81:43 - 81:45
    At my sister's house.
  • 81:46 - 81:48
    They have a piano.
  • 81:58 - 82:00
    Do you know why Rachin
    went to Lyon?
  • 82:00 - 82:04
    I think he's supposed to discuss
    the balance sheet with the committee.
  • 82:05 - 82:06
    - No?
    - Yes.
  • 82:07 - 82:10
    But he's mostly going to run
    after a promotion and a medal.
  • 82:11 - 82:14
    Do you think he'll get them?
  • 82:14 - 82:18
    He's really smart. He's going
    to present an impeccable report
  • 82:18 - 82:21
    without saying a word
    about all the horrible things.
  • 82:21 - 82:24
    He'll even claim the success
    of the chorus for himself.
  • 82:24 - 82:25
    Success?
  • 82:25 - 82:28
    Certainly. I heard them.
    They're good.
  • 82:29 - 82:32
    Sir, is it true that
    Langlois left with the head?
  • 82:32 - 82:35
    Yes. Chabert and Carpentier
    have taken two weeks' holidays.
  • 82:35 - 82:38
    - We're in charge.
    - There's no class today?
  • 82:40 - 82:41
    No.
  • 82:42 - 82:44
    - What are we going to do?
    - Take a nap.
  • 82:44 - 82:47
    I have a better idea.
  • 82:51 - 82:53
    Thank you.
  • 82:53 - 82:56
    I don't want to...
  • 82:56 - 82:58
    - Your rosette?
    - Yes.
  • 83:00 - 83:03
    The bird is in the nest, Mr. Rachin.
  • 83:04 - 83:06
    I can't thank you enough.
  • 83:09 - 83:12
    I'm sorry, Headmaster.
    You're wanted on the telephone.
  • 83:18 - 83:19
    I'm sorry.
  • 83:37 - 83:39
    Headmaster!
  • 83:40 - 83:42
    - Do something. My son is up there.
    - Let me through.
  • 83:43 - 83:45
    The fire had caught under the eaves,
  • 83:45 - 83:49
    The dormitories, where the children
    had last been seen, were in flames,
  • 83:49 - 83:51
    Sixty unfortunate children,
  • 83:51 - 83:53
    caught in a snare,
  • 83:53 - 83:56
    Rachin saw his promotion
    and his rosette
  • 83:56 - 83:58
    destroyed before his very eyes,
  • 83:58 - 84:00
    But, suddenly...
  • 84:49 - 84:54
    After breakfast, we used the door
    leading out of the vegetable patch
  • 84:54 - 84:57
    to avoid old Marie and the villagers.
  • 84:57 - 84:59
    We went to the forest of Lignan.
  • 84:59 - 85:01
    For what purpose?
  • 85:01 - 85:05
    A treasure hunt.
    They were so happy.
  • 85:08 - 85:12
    I don't need to tell you
    how disappointed I am, Mr. Maxence.
  • 85:12 - 85:15
    This was entirely my idea, Headmaster.
  • 85:15 - 85:19
    Mr. Maxence never stopped
    trying to dissuade me.
  • 85:19 - 85:21
    Not very convincing.
  • 85:21 - 85:25
    We could also consider the fact
    that we saved the children's lives.
  • 85:25 - 85:29
    If you hadn't left the school,
    it wouldn't have caught fire.
  • 85:29 - 85:31
    I don't even know
    why I'm listening to you.
  • 85:31 - 85:36
    Mr. Maxence, owing to your long years
    of service, I'll just suspend you.
  • 85:37 - 85:40
    As for you, Mr. Mathieu, you're fired.
  • 85:40 - 85:42
    For breaking the rules.
  • 85:42 - 85:44
    Then you should fire me too.
  • 85:44 - 85:46
    You don't get to decide.
  • 85:46 - 85:50
    It's nice of you, Mr. Maxence,
    but you're needed here.
  • 85:51 - 85:54
    Think about the children,
    since this gentleman never does.
  • 85:57 - 86:00
    I've settled up with you. Here.
  • 86:00 - 86:03
    You're leaving right now,
    on the 6:00 bus.
  • 86:03 - 86:06
    You're allowed no contact
    with your former students. None.
  • 86:06 - 86:09
    - What?
    - Mr. Maxence, see to it.
  • 86:09 - 86:11
    Get out.
  • 86:15 - 86:20
    Headmaster, before I go,
    I'll tell you what I think of you.
  • 86:20 - 86:23
    - I already know, Mathieu.
    - You're an incompetent,
  • 86:23 - 86:26
    - truly evil man.
    - What about them?
  • 86:26 - 86:28
    They're not here by choice.
  • 86:28 - 86:30
    Neither am I.
    I never wanted to be a teacher.
  • 86:30 - 86:33
    Don't tell me you wanted to come
    to that miserable place.
  • 86:33 - 86:36
    - You had other ambitions? So did I.
    - Don't take it out on them.
  • 86:36 - 86:39
    Do you think I like being a warden?
  • 86:39 - 86:41
    Someone has to do it.
  • 86:41 - 86:44
    Pack up your bags and go to Paris.
    Make the Ministry rounds.
  • 86:44 - 86:46
    Knock-knock.
    "Hello. My name is Mathieu.
  • 86:46 - 86:49
    We need real teachers
    instead of washouts."
  • 86:49 - 86:51
    Fight for the cause
    if you believe in it, Mathieu.
  • 86:51 - 86:54
    Saint Mathieu.
  • 86:54 - 86:56
    You're nothing but a failed musician.
  • 86:56 - 86:59
    A prefect. A small prefect.
    Small, small, small.
  • 87:00 - 87:03
    "What do you do, Mr. Mathieu?"
    "I'm a prefect."
  • 87:03 - 87:05
    Small. Small. Small.
  • 87:06 - 87:08
    You're crazy.
  • 87:08 - 87:09
    I'm tired.
  • 87:09 - 87:11
    Go to the devil.
  • 87:11 - 87:14
    No, I'm leaving him behind.
  • 87:27 - 87:31
    I had hoped a few students
    would break the rules to say goodbye,
  • 87:31 - 87:33
    I saw no one,
  • 87:33 - 87:37
    The wisdom of these children
    came across as indifference,
  • 87:37 - 87:40
    And Morhange...
  • 87:40 - 87:42
    Enough,
  • 88:00 - 88:02
    "See you soon, Mr. Mathieu."
  • 88:02 - 88:04
    "Goodbye, Chrome Dome."
  • 88:13 - 88:16
    On the first note, I recognized
    Boniface's careful script,
  • 88:16 - 88:21
    The spelling mistakes
    were Pépinot's, of course,
  • 88:21 - 88:24
    This one, filled with music notes.
    came from Morhange,
  • 88:25 - 88:27
    And this one...
  • 88:28 - 88:29
    And that one...
  • 88:54 - 88:56
    Be silent! Make them stop!
  • 88:56 - 88:58
    The door's locked.
  • 88:58 - 89:00
    Open up!
  • 89:01 - 89:04
    Right then I felt a sudden burst
    of joy and optimism,
  • 89:04 - 89:07
    I wanted to share it
    with the entire world,
  • 89:07 - 89:09
    But who would have listened?
  • 89:09 - 89:11
    No one even knew I was alive,
  • 89:12 - 89:15
    The great artist would soon
    give way to the ordinary man,
  • 89:16 - 89:19
    I'm Clément Mathieu,
  • 89:19 - 89:22
    a failed musician.
    an unemployed prefect,
  • 89:22 - 89:24
    "I'm Clément Mathieu,
  • 89:24 - 89:28
    a failed musician,
    an unemployed prefect."
  • 89:42 - 89:44
    What happened next?
  • 89:44 - 89:47
    He never finished his journal.
  • 89:50 - 89:52
    But I can tell you the story.
  • 89:54 - 89:57
    Pépinot answered my questions,
  • 89:57 - 90:02
    The following day, on the way back.
    my childhood caught me by the throat,
  • 90:04 - 90:07
    When Mathieu was fired.
    my mother took me back home,
  • 90:07 - 90:11
    We left for Lyon, where
    I was admitted to the Conservatory,
  • 90:12 - 90:15
    The engineer tried
    to send me to boarding school,
  • 90:15 - 90:18
    She refused, He left us,
  • 90:18 - 90:24
    Chabert, Langlois and old Maxence
    joined forces to expose Rachin's abuse,
  • 90:24 - 90:28
    The children were questioned
    and Rachin was fired,
  • 90:33 - 90:37
    Clément Mathieu gave music lessons
    for the rest of his life,
  • 90:37 - 90:40
    without courting notoriety,
  • 90:40 - 90:43
    Everything he did, he kept for himself,
  • 90:44 - 90:47
    For himself? No, not quite,
  • 90:47 - 90:49
    Mr. Mathieu.
  • 90:51 - 90:53
    Mr. Mathieu.
  • 90:55 - 90:57
    Wait a bit.
  • 91:00 - 91:02
    Mr. Mathieu.
  • 91:08 - 91:09
    What are you doing?
  • 91:09 - 91:12
    Can you take me with you?
  • 91:12 - 91:13
    Sir.
  • 91:13 - 91:17
    I can't do that. You have to go back
    to school. They'll punish you.
  • 91:17 - 91:18
    Please?
  • 91:19 - 91:21
    - Can we go now?
    - Coming.
  • 91:21 - 91:24
    It's forbidden.
    I can't take you with me.
  • 91:24 - 91:26
    Go back.
  • 91:26 - 91:28
    Go on.
  • 91:28 - 91:30
    Go on.
  • 91:55 - 91:58
    Pépinot had been right all along,
  • 91:58 - 92:00
    Mathieu was fired on a Saturday,
Title:
Les Choristes [The Chorus] Full Movie HD
Description:

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Video Language:
French
Team:
Film & TV
Duration:
01:36:18

English subtitles

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