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Hi. I'm going to talk to you
today about laughter,
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and I just want to start by thinking about
the first time I can ever remember
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noticing laughter.
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This is when I was a little girl.
I would've been about six,
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and I came across my parents
doing something unusual
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where they were laughing.
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They were laughing very, very hard.
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They were lying on the floor laughing.
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They were screaming with laughter.
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I did not know what they were laughing at,
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but I wanted in.
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I wanted to be part of that,
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and I kind of sat around
at the edge going , "Hoo hoo!"
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Now, incidentally,
what they were laughing at
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was a song which people used to sing
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which was based around
signs in toilets on trains
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telling you what you could
and could not do
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in toilets on trains.
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And the thing you have to remember
about the English is, of course,
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we do have an immensely
sophisticated sense of humor.
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(Laughter)
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At the time, though, I didn't
understand anything of that.
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I just cared about the laughter,
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and actually, as a neuroscientist,
I've come to care about it again.
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And it is a really weird thing to do.
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What I'm going to do now
is just play some examples
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of real human beings laughing,
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and I want you think about the sound
people make and how odd that can be,
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and in fact how primitive
laughter is as a sound.
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It's much more like an animal call
than it is like speech.
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So here we've got some laughter for you.
The first one is pretty joyful.
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(Video laughter)
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(Laughter)
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Now this next guy, I need him to breathe.
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There's a point in there
where I'm just, like,
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you've got to get some air in there, mate,
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because he just sounds
like he's breathing out.
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(Video laughter)
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This hasn't been edited, this is him.
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(Video laughter)
(Laughter)
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And finally we have this,
the human female laughing.
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And laughter can take us to some pretty
odd places in terms of making noises.
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(Video laughter)
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(Laughter)
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She actually says, "Oh my God,
what is that?" in French.
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We're all kind of with her.
I have no idea.
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Now, to understand laughter,
you have to look at a part of the body
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that psychologists and neuroscientists
don't normally spend very much time
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looking at, which is the ribcage,
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and it doesn't seem terribly exciting,
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but actually you're all
using your ribcage all the time.
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What you're all doing
at the moment with your ribcage,
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and don't stop doing it, is breathing.
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So you use the [??] muscles,
the muscles between your ribs,
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to bring air in and out of your lungs
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just by expanding
and contracting your ribcage,
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and if I was to put a strap
around the outside of your chest,
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it's called a breath belt,
and just look at that movement,
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you see a sort of rather gentle,
sinusoidal movement, so that's breathing.
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You're all doing it. Don't stop.
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As soon as you start talking,
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you start using your breathing
completely differently.
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So what I'm doing now is you see
something much more like this.
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In talking, you use a very fine
movement of the ribcage
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to squeeze the air out,
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and in fact, we're the only animals
that can do this.
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It's why we can talk at all.
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Now, both talking and breathing
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has a mortal enemy,
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and that enemy is laughter,
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because what happens when you laugh
is those same muscles
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start to contract very regularly,
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and you get this very marked
sort of zig-zagging,
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and that's just squeezing
the air out of you.
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It literally is that basic a way
of making a sound.
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You could be stamping on somebody.
It's having the same effect.
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You're just squeezing the air out.
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Each of those contractions
-- ha! -- gives you a sound.
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And now if the contractions run together,
you can get these spasms,
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and that's when you start getting
these "haaaaa" things happening.
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I'm brilliant at this. (Laughter)
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Now, in terms of the science of laughter,
there isn't very much,
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but it does turn out that pretty much
everything we think we know
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about laughter is wrong.
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So it's not at all unusual, for example,
to hear people to say,
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"Humans are the only animals that laugh."
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Nietzsche thought that humans
are the only animals that laugh.
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In fact, you find laughter
throughout the mammals.
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It's been well-described
and well-observed in primates,
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but you also see it in rats,
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and wherever you find it
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-- humans, primates, rats --
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you find it associated
with things like tickling.
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That's the same for humans.
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You find it associated with play,
and all mammals play.
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And wherever you find it,
it's associated with interactions.
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So Robert Provine, who has done
a lot of work on this, has pointed out
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that you are 30 times more likely to laugh
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if you are with somebody else
than if you're on your own,
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and where you find most laughter
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is in social interactions
like conversation.
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So if you ask human beings,
"When do you laugh?"
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they'll talk about comedy and they'll talk
about humor and they'll talk about jokes.
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If you look at when they laugh,
they're laughing with their friends.
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And when we laugh with people,
we're hardly ever actually
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laughing at jokes.
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You are laughing to show people
you understand them,
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that you agree with them, that you're
part of the same group as them.
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You're laughing to show
that you like them.
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You might even love them.
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You're doing all that at the same time
as talking to them, and in fact,
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the laughter is doing a lot
of that emotional work for you,
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something that Robert Provine
has pointed out, as you can see here,
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and in fact, the reason
why we were laughing
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when we heard those
funny laughs at the start,
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and why I was laughing
when I found my parents laughing,
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is that it's an enormously
behaviorally contagious effect.
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You can catch laughter from somebody else,
and you are more likely to catch laughter
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off somebody else if you know them.
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So it's still modulated
by this social context.
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You have to put humor to one side,
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and think about
the social meaning of laughter,
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because that's where its origins lie.
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Now, something I've got very interested in
is different kinds of laughter,
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and we have some neurobiological evidence
about how human beings vocalize
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that suggests there might be
two kinds of laughs that we have.
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So it seems possible that the neurobiology
for helpless, involuntary laughter,
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like my parents lying on the floor
screaming about a silly song,
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might have a different basis to it
than some of that more polite
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social laughter that you encounter,
which isn't horrible laughter,
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but it's behavior somebody is doing
as part of their communicative act to you,
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part of their interaction with you.
They are choosing to do this.
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In our evolution, we have developed
two different ways of vocalizing.
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involuntary vocalizations
are part of an older system
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than the more voluntary vocalizations
like the speech I'm doing now.
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So we might imagine that laughter
might actually have two different roots.
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So I've been looking at this
in more detail.
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To do this, we've had to make
recordings of people laughing,
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and we've just had to do whatever it takes
to make people laugh,
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and we got those same people
to produce more posed, social laughter.
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So imagine your friend told a joke, and
you're laughing 'cos you like your friend,
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but not really because
the joke's all that.
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So I'm going to play you
a couple of those.
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I want you to tell me if you think
this laughter is real laughter,
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or if you think it's posed.
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So is this involuntary laughter
or more voluntary laughter?
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(Audio laughter)
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What does that sound like to you?
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Posed? Posed.
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How about this one?
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(Audio laughter)
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(Laughter)
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I'm the best.
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(Laughter) (Applause)
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Not really.
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No, that was helpless laughter,
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and in fact, to record that,
all they had to do was record me
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watching one of my friends listening
to something I knew she wants to laugh at,
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and I just started doing this.
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Now, what you find is that people
are good at telling the difference
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between real and posed laughter.
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They seem to be different things to us.
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Interestingly, you see something
quite similar with chimpanzees.
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Chimpanzees laugh differently
if they're being tickled
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than if they're playing with each other,
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and we might be seeing
something like that here,
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these sort of involuntary laughter,
tickling laughter,
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being different from social laughter.
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They're acoustically very different.
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The real laughs are longer.
They're higher in pitch.
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When you start laughing hard,
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you start squeezing air out
from your lungs
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under much higher pressures
than you could ever produce voluntarily.
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So for example, I could never
pitch my voice that high to sing.
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And also, as I stay, you start to get
these sort of contractions
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and weird whistling sounds,
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all of which mean that real laughter
is extremely easy,
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or feels extremely easy to spot.
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In contrast, posed laughter,
we might think it sounds a bit fake.
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Actually, it's not. It's actually
an important social cue.
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We use it a lot, we're choosing
to laugh in a lot of situations,
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and it seems to be its own thing.
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So, for example, you find
nasality in posed laughter,
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that kind of "ha ha ha ha ha" sound
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that you never get, you could not do,
if you were laughing involuntarily.
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So they do seem to be genuinely
these two different sorts of things.
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We took it into the scanner
to see how brains respond
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when you hear laughter.
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And when you do this,
this is a really boring experiment.
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We just played people
real and posed laughs.
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We didn't tell them
it was a study on laughter.
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We put other sounds in there
so to distract them,
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and all they're doing
is listening to sounds.
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We don't tell them to do anything.
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Nonetheless, when you hear real laughter
and when you hear posed laughter,
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the brains are responding
completely differently,
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significantly differently.
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What you see in the regions in blue,
which lies in auditory cortex,
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are the brain areas that respond
more to the real laughs,
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and what seems to be the case,
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when you hear somebody
laughing involuntarily,
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you hear sounds you would never
hear in any other context.
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It's very unambiguous,
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and it seems to be associated
with greater auditory processing
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of these novel sounds.
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In contrast, when you hear somebody
laughing in a posed way,
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what you see are the regions in pink,
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which are occupying brain areas
associated with mentalizing,
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thinking about what
somebody else is thinking.
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And I think what that means is,
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even if you're having your brain scanned,
which is completely boring
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and not very interesting,
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when you hear somebody going,
"A ha ha ha ha ha,"
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you're trying to work out
why they're laughing.
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Laughter is always meaningful.
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You are always trying
to understand it in context,
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even if, as far as you are concerned,
at that point in time,
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it has not necessarily
anything to do with you,
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you still want to know
why those people are laughing.
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Now, we've had the opportunity to look at
how people hear real and posed laughter
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across the age range.
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So this is an online experiment
we ran with the Royal Society,
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and here we just
asked people two questions.
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First of all, they heard some laughs,
and they had to say
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how real or posed do these laughs sound?
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The real laughs are shown in red,
and the posed laughs are shown in blue.
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What you see is there is a rapid onset.
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As you get older, you get better
and better and better
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at spotting real laughter.
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So six year olds are at chance.
They can't really hear the difference.
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By the time you are older, you get better,
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but interestingly, you do not hit
peak performance in this dataset
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until you are in your
late 30s and early 40s.
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You don't understand laughter fully
by the time you hit puberty.
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You don't understand laughter fully
by the time your brain is matured
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at the end of your teens.
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You're learning about laughter
throughout your entire early adult life.
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If we turn the question around and now say
not what does the laughter sound like
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in terms of being real
or posed, but we say,
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"How much does this laughter
make you want to laugh?
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How contagious is this laughter to you?"
we see a different profile.
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And here, the younger you are,
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the more you want to join in
when you hear laughter.
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Remember me laughing with my parents
when I had no idea what was going on.
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You really can see this.
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Now everybody, young and old,
finds the real laughs
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more contagious than the posed laughs,
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but as you get older,
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it all becomes less contagious to you.
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Now either we're all just becoming
really grumpy as we get older,
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or it may mean that as you
understand laughter better,
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and you are getting better at doing that,
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you need more than just
hearing people laugh to want to laugh.
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You need the social stuff there.
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So we've got a very interesting behavior
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about which a lot of our
lay assumptions are incorrect,
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but I'm coming to see that actually
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there's even more to laughter
than it's an important social emotion
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we should look at, because it turns out
people are phenomenally nuanced
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in terms of how we use laughter.
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There's a really lovely set of studies
coming out from Robert Levenson's lab
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in California, where he's doing
a longitudinal study with couples.
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He gets married couples, men and women,
into the lab, and he gives them
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stressful conversations to have
while he wires them up to a polygraph
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so he can see them becoming stressed.
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So you've got the two of them in there,
and he'll say to the husband,
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"Tell me something that your wife does
that irritates you."
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And what you see is immediately
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-- just run that one through your head
briefly, you and your partner --
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you can imagine everybody gets a bit
more stressed as soon as that starts.
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You can see physically,
people become more stressed.
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What he finds is that the couples
who manage that feeling of stress
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with laughter,
positive emotions like laughter,
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not only immediately become less stressed,
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they can see them
physically feeling better,
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they're dealing with this
unpleasant situation better together,
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they are also the couples that report
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high levels of satisfaction
in their relationship
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and they stay together for longer.
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So in fact, when you look
at close relationships,
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laughter is a phenomenally useful index
of how people are regulating
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their emotions together.
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We're not just emitting at each other
to show that we like each other,
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we're making ourselves
feel better together.
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Now, I don't think this is going
to be limited to romantic relationships.
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I think this is probably
going to be a characteristic
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of close emotional relationships
such as you might have with friends,
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which explains my next clip,
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which is of a YouTube video of some
young men in the former East Germany
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on making a video to promote
their heavy metal band,
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and it's extremely macho,
and the mood is very serious,
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and I want to notice what happens
in terms of laughter
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when things go wrong
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and how quickly that happens,
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and how that changes the mood.
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He's cold. He's about to get wet.
He's got swimming trunks on,
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got a towel.
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Ice.
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What might possibly happen?
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Video starts.
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Serious mood.
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And his friends are already laughing.
They are already laughing, hard.
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He's not laughing yet.
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(Laughter)
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He's starting to go now.
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And now they're all off.
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(Laughter)
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They're on the floor.
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(Laughter)
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The thing I really like about that
is it's all very kind of serious
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until he jumps onto the ice, and
as soon as he doesn't go through the ice,
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but also there isn't blood
and bone everywhere,
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his friends start laughing,
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and imagine that hadn't played him out
with him standing there, saying,
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"No seriously, Heinrich,
I think this is broken,"
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we wouldn't enjoy watching that.
That would be stressful.
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Or if he was running around
with a visibly broken leg laughing,
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and his friends are going, "Heinrich, I
think we need to go to the hospital now,"
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again, that also wouldn't be funny.
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The fact that the laughter works,
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it gets him from a painful,
embarrassing, difficult situation
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into a funny situation,
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into what we're actually enjoying there,
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and I think that's
a really interesting use,
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and it's actually happening all the time.
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So for example, I can remember now
something very much like this happening
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at my father's funeral.
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We weren't jumping round
on the ice in our underpants.
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We're not Canadian.
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But -- (Laughter) (Applause)
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These events are always difficult. I had
a relative who was being a bit difficult.
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My mum was not in a good place,
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and I can remember finding myself
just before the whole thing started
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telling this story about something
that happened in a 1970s sitcom,
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and I just though,
I don't know why I'm doing this,
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and what I realized I was doing
was I was coming up with something
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from somewhere I could use
to make her laugh together with me.
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It was a very basic reaction
to shine some reason we can do this.
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We can laugh together.
We're going to get through this.
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We're going to be okay.
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And in fact, all of us
are doing this all the time.
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You do it so often,
you don't even notice it.
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Everybody underestimates
how often they laugh,
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and you're doing something,
when you laugh with people,
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that's actually letting you access
a really ancient evolutionary system
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that mammals have evolved
to make and maintain social bonds,
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and clearly to regulate emotions,
to make ourselves feel better.
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It's not something specific to humans.
It's a really ancient behavior
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which really helps us regulate how we feel
and makes us feel better.
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In other words, when it comes to laughter,
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you and me, baby,
ain't nothing but mammals.
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Thank you.
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Thank you. (Applause)