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Hi. I'm going to talk to you
today about laughter,
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and I just want to start by thinking about
the first time I can ever remember
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noticing laughter.
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This is when I was a little girl.
I would've been about six,
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and I came across my parents
doing something unusual
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where they were laughing.
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They were laughing very, very hard.
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They were lying on the floor laughing.
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They were screaming with laughter.
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I did not know what they were laughing at,
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but I wanted in.
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I wanted to be part of that,
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and I kind of sat around
at the edge going , "Hoo hoo!"
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Now, incidentally,
what they were laughing at
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was a song which people used to sing
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which was based around
signs in toilets on trains
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telling you what you could
and could not do
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in toilets on trains.
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And the thing you have to remember
about the English is, of course,
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we do have an immensely
sophisticated sense of humor.
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(Laughter)
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At the time, though, I didn't
understand anything of that.
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I just cared about the laughter,
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and actually, as a neuroscientist,
I've come to care about it again.
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And it is a really weird thing to do.
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What I'm going to do now
is just play some examples
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of real human beings laughing,
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and I want you think about the sound
people make and how odd that can be,
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and in fact how primitive
laughter is as a sound.
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It's much more like an animal call
than it is like speech.
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So here we've got some laughter for you.
The first one is pretty joyful.
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(Video laughter)
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(Laughter)
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Now this next guy, I need him to breathe.
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There's a point in there
where I'm just, like,
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you've got to get some air in there, mate,
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because he just sounds
like he's breathing out.
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(Video laughter)
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This hasn't been edited, this is him.
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(Video laughter)
(Laughter)
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And finally we have this,
the human female laughing.
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And laughter can take us to some pretty
odd places in terms of making noises.
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(Video laughter)
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(Laughter)
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She actually says, "Oh my God,
what is that?" in French.
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We're all kind of with her.
I have no idea.
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Now, to understand laughter,
you have to look at a part of the body
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that psychologists and neuroscientists
don't normally spend very much time
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looking at, which is the ribcage,
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and it doesn't seem terribly exciting,
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but actually you're all
using your ribcage all the time.
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What you're all doing
at the moment with your ribcage,
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and don't stop doing it, is breathing.
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So you use the [??] muscles,
the muscles between your ribs,
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to bring air in and out of your lungs
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just by expanding
and contracting your ribcage,
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and if I was to put a strap
around the outside of your chest,
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it's called a breath belt,
and just look at that movement,
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you see a sort of rather gentle,
sinusoidal movement, so that's breathing.
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You're all doing it. Don't stop.
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As soon as you start talking,
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you start using your breathing
completely differently.
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So what I'm doing now is you see
something much more like this.
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In talking, you use a very fine
movement of the ribcage
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to squeeze the air out,
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and in fact, we're the only animals
that can do this.
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It's why we can talk at all.
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Now, both talking and breathing
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has a mortal enemy,
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and that enemy is laughter,
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because what happens when you laugh
is those same muscles
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start to contract very regularly,
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and you get this very marked
sort of zig-zagging,
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and that's just squeezing
the air out of you.
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It literally is that basic a way
of making a sound.
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You could be stamping on somebody.
It's having the same effect.
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You're just squeezing the air out.
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Each of those contractions
-- ha! -- gives you a sound.
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And now if the contractions run together,
you can get these spasms,
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and that's when you start getting
these "haaaaa" things happening.
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I'm brilliant at this. (Laughter)
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Now, in terms of the science of laughter,
there isn't very much,
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but it does turn out that pretty much
everything we think we know
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about laughter is wrong.
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So it's not at all unusual, for example,
to hear people to say,
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"Humans are the only animals that laugh."
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Nietzsche thought that humans
are the only animals that laugh.
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In fact, you find laughter
throughout the mammals.
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It's been well-described
and well-observed in primates,
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but you also see it in rats,
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and wherever you find it
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-- humans, primates, rats --
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you find it associated
with things like tickling.
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That's the same for humans.
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You find it associated with play,
and all mammals play.
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And wherever you find it,
it's associated with interactions.
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So Robert Provine, who has done
a lot of work on this, has pointed out
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that you are 30 times more likely to laugh
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if you are with somebody else
than if you're on your own,
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and where you find most laughter
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is in social interactions
like conversation.
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So if you ask human beings,
"When do you laugh?"
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they'll talk about comedy and they'll talk
about humor and they'll talk about jokes.
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If you look at when they laugh,
they're laughing with their friends.
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And when we laugh with people,
we're hardly ever actually
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laughing at jokes.
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You are laughing to show people
you understand them,
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that you agree with them, that you're
part of the same group as them.
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You're laughing to show
that you like them.
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You might even love them.
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You're doing all that at the same time
as talking to them, and in fact,
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the laughter is doing a lot
of that emotional work for you,
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something that Robert Provine
has pointed out, as you can see here,
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and in fact, the reason
why we were laughing
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when we heard those
funny laughs at the start,
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and why I was laughing
when I found my parents laughing,
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is that it's an enormously
behaviorally contagious effect.
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You can catch laughter from somebody else,
and you are more likely to catch laughter
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off somebody else if you know them.
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So it's still modulated
by this social context.
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You have to put humor to one side,
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and think about
the social meaning of laughter,
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because that's where its origins lie.
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Now, something I've got very interested in
is different kinds of laughter,
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and we have some neurobiological evidence
about how human beings vocalize
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that suggests there might be
two kinds of laughs that we have.
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So it seems possible that the neurobiology
for helpless, involuntary laughter,
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like my parents lying on the floor
screaming about a silly song,
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might have a different basis to it
than some of that more polite
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social laughter that you encounter,
which isn't horrible laughter,
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but it's behavior somebody is doing
as part of their communicative act to you,
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part of their interaction with you.
They are choosing to do this.
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In our evolution, we have developed
two different ways of vocalizing.
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involuntary vocalizations
are part of an older system
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than the more voluntary vocalizations
like the speech I'm doing now.
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So we might imagine that laughter
might actually have two different roots.
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So I've been looking at this
in more detail.
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To do this, we've had to make
recordings of people laughing,
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and we've just had to do whatever it takes
to make people laugh,
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and we got those same people
to produce more posed, social laughter.
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So imagine your friend told a joke, and
you're laughing 'cos you like your friend,
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but not really because
the joke's all that.
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So I'm going to play you
a couple of those.
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I want you to tell me if you think
this laughter is real laughter,
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or if you think it's posed.
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So is this involuntary laughter
or more voluntary laughter?
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(Audio laughter)
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What does that sound like to you?
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Posed? Posed.
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How about this one?
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(Audio laughter)
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(Laughter)
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I'm the best.
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(Laughter) (Applause)
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Not really.
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No, that was helpless laughter,
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and in fact, to record that,
all they had to do was record me
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watching one of my friends listening
to something I knew she wants to laugh at,
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and I just started doing this.
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Now, what you find is that people
are good at telling the difference
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between real and posed laughter.
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They seem to be different things to us.
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Interestingly, you see something
quite similar with chimpanzees.
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Chimpanzees laugh differently
if they're being tickled
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than if they're playing with each other,
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and we might be seeing
something like that here,
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these sort of involuntary laughter,
tickling laughter,
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being different from social laughter.
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They're acoustically very different.
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The real laughs are longer.
They're higher in pitch.
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When you start laughing hard,
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you start squeezing air out
from your lungs
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under much higher pressures
than you could ever produce voluntarily.
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So for example, I could never
pitch my voice that high to sing.
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And also, as I stay, you start to get
these sort of contractions
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and weird whistling sounds,
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all of which mean that real laughter
is extremely easy,
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or feels extremely easy to spot.
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In contrast, posed laughter,
we might think it sounds a bit fake.
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Actually, it's not. It's actually
an important social cue.
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We use it a lot, we're choosing
to laugh in a lot of situations,
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and it seems to be its own thing.
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So, for example, you find
nasality in posed laughter,
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that kind of "ha ha ha ha ha" sound
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that you never get, you could not do,
if you were laughing involuntarily.
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So they do seem to be genuinely
these two different sorts of things.
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We took it into the scanner
to see how brains respond
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when you hear laughter.
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And when you do this,
this is a really boring experiment.
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We just played people
real and posed laughs.
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We didn't tell them
it was a study on laughter.
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We put other sounds in there
so to distract them,
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and all they're doing
is listening to sounds.
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We don't tell them to do anything.
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Nonetheless, when you hear real laughter
and when you hear posed laughter,
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the brains are responding
completely differently,
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significantly differently.
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What you see in the regions in blue,
which lies in auditory cortex.