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Living from air: Lalo Mir at TEDxRíodelaPlata

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    [Ideas that transform]
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    (Music)
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    (Applause)
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    Thank you. You are very kind.
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    I'm not that techie.
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    I don't have a tablet, yet.
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    This being said, I'll call to my tech side
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    and present you my notebook.
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    (Laughter)
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    This notebook has been with me
    for many, many trips
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    and... this is the pen
    to touch the notebook's screen.
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    It's wireless, as you can see, very updated.
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    When I was proposed
    to speak in front of you,
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    besides being glad
    and flattered with the idea, I told them:
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    "What should I speak about?
    It's about sharing experiences, right?"
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    And then, an interview
    that Bacanal magazine
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    did with me recently crossed my mind.
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    It's a magazine about bon vivants,
    about drinking expensive wines,
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    and eating in opulent restaurants.
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    The reporter titled the interview
    "Living From Air".
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    And I was really surprised,
    because I suddenly understood that,
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    everything I did during my life,
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    or at least in the last
    40 years, was to live from air.
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    Right? Literally living from air,
    because everything I do, is air.
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    It doesn't exist.
    Can't be seen, can't be touched.
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    It's an idea, and an idea
    is like the air, right?
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    When we think, our ideas are not
    in any specific place,
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    they are "over there", in our minds.
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    That's the imagination.
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    It's the imagination of the others
    and the words,
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    which carry the idea through the air.
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    What I do in radio can't be touched,
    can't be seen, but still,
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    you end up seeing it in the mind,
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    in the imagination of those
    who are listening to the radio.
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    This is why I always compare
    the radio with literature,
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    because a book is the same,
    even though it is not air.
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    It's paper, and it's ink.
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    But we all read the same book.
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    For instance, that novel which
    may be written in another language,
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    but the words are the same,
    from the same author,
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    black ink over white paper.
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    Identical, equal, similar.
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    However, the image that is being
    formed while reading that novel
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    is completely different
    in each one of the heads reading it.
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    It's full of subjetivity.
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    It's about our experiences,
    it's about our hard drive,
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    it's about what happened in our lives.
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    So we imagine the same
    in a personal way, in a different way.
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    And that's radio, right?
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    It's words, is air.
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    Words that travel through the air,
    sounds that travel through the air.
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    And depending on who we are,
    our background,
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    the way we live and the culture we have
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    and what we've learned
    and the parents we had...
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    we are going to handle it differently,
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    and we are going to include different images.
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    small or big differences, but different.
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    So I think: "Wow!
    This guy could summarize
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    with the words "living from air"",
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    what I've done all my life, right?
    Which is, living from air.
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    Living from this that can't be touched.
    The radio is air, is imagination,
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    is ideas.
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    If I remove the people from the radio,
    only antennas, transistors, disc players,
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    mics would be left.
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    But nothing would happen.
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    We must put humanity in it,
    we need to put people,
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    we need to put ideas and imagination,
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    and there in the air, the images
    take shape and the speeches appear.
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    Everything we listen to everyday appears.
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    So then, I also think that the idea is air.
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    I mean, radio is a concept, is ideas.
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    It is someone who's thinking
    and saying things,
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    or playing a guitar, or singing songs.
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    And that's it.
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    Radio is just that. It's pure sound.
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    We can't add color,
    we can't add odour.
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    It is just people speaking,
    people thinking, people with ideas,
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    and I thought that the idea
    is also a bit similar to air.
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    And what gets the radio going,
    which is the idea and the imagination,
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    is also what keeps our lives going.
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    Let me propose this exercise now:
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    I've been 40 years on radio now,
    so I'm a well-known professional,
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    more or less respected... sometimes.
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    So why am I on radio?
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    What exploded inside my head
    in order for me to spend more than 40...?
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    Did I want to work on the radio or not?
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    I ended up on radio because one day,
    Fernando Bravo
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    came back to San Pedro
    with a brand new salmon-colored Peugeot.
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    (Laughter)
    (Applause)
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    That's the original idea.
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    (Applause)
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    That's the first idea, and
    I later painted it carrot-color.
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    Right? Because it's just like
    the carrot and stick.
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    The car was that.
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    It took me a long time
    before I could buy a new car.
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    And it wasn't
    salmon-colored, but carrot-colored,
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    because it took me
    to the radio and I felt in love with it.
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    With this radio that can't be seen,
    this radio where everything is possible.
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    Where any story is possible.
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    Where I can make a
    Spielberg movie with no dollars.
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    Because special effects are sounds
    and we can even make them with the mouth.
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    So I fell in love with this radio,
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    this radio that you can't see,
    because of that idea of the new Peugeot,
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    because we, who worked
    in San Pedro's radio, thought:
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    "If he can, we can, too."
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    So the idea transports you,
    the first blow,
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    when you think about pursuing it.
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    That is was we need to do,
    we must not lose it.
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    Get hold of the idea, and go after it.
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    The radio is a display
    of one senseless idea after another.
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    Marconi didn't invent the radio
    in order to make the radio we know today,
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    Marconi wanted to send
    wireless telegrams
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    that could reach the ships,
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    because the navy, the war,
    the armies needed it.
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    Just two points joining:
    "beep, beep, beep, beep",
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    and they were sending Morse.
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    They wanted to take the wire off,
    so they racked their brains
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    to find a system to transmit the sound,
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    "beep, beep, beep, beep", and
    then they decoded the morse code,
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    and they listened wirelessly, unplugged,
    for instance,
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    off the shores in the deep sea,
    on the ships.
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    The first guy who transmited voice
    over the radio that made "beep, beep"
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    was a radio operator who was
    at the NYC port, just messing around.
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    There were mics already.
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    This device existed, too,
    so the guy thought:
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    "What if I connect the mic
    to the beeper, to the beeper wires,
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    and instead of going "beep, beep", I speak?"
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    So he said: "Hello!"
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    Can you imagine the shock
    every radio operator on the ships got?
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    (Laughter) (Applause)
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    Nobody had ever talked to them
    through the radio; radio didn't exist yet!
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    And all of a sudden, not only did he
    speak and read the Bible, (Laughter)
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    but he played the violin
    and really shocked everybody.
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    It would be long before the radio turned
    into the kind of radio that feeds me
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    from the air, and this thing
    that I live from air.
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    Many times kids come to me and ask:
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    "Has tech, Internet and PCs
    changed the radio much?"
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    The truth is they haven't.
    Radio is still the same:
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    a mic and some moron saying stupid things.
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    Or in many cases,
    saying serious things, OK.
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    But I mean, the greatest evolution
    in the radio, the greatest change
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    was the transistor radio. Why?
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    Another idea,
    that had nothing to do with it.
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    The guy who invented the transistor
    didn't know that it was going to trigger
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    the making of a really small radio
    that we could carry in our pockets
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    with a set of headphones
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    and that we could listen to
    the match at school, or at work.
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    In 1930, the transistors were created
    and all that
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    but it was only in the '50s
    when the transistor radios appeared.
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    In other words, just the same way
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    Fernando Bravo's car was a carrot,
    an idea,
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    an idea that gets inside of you,
    and you search and look for it
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    until the idea is fully developed
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    and someone can make it possible.
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    Nowadays, we listen to music
    on our smartphones or MP3 players,
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    for me it is the same concept
    of a transistor radio, nothing changed.
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    The really cool thing was that
    it wasn't plugged to a power supply,
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    because it had a small battery
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    and you could carry it in your pocket.
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    Then the walkman appeared.
    A copy of the transistor radio.
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    And then the MP3,
    a copy of the walkman.
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    And now the smartphone,
    which is all that together but....
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    what is that, really?
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    A small device that sounds in your ears.
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    For me, the biggest challenge, maybe,
    technologically speaking,
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    in that thing of the ideas,
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    might be the rebirth of the cell phone.
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    The cell phone is
    the most democratic thing on Earth.
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    I've just heard a woman
    complaining on the radio, saying:
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    "Hey, the poor people take the money
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    and the first thing they buy
    is a cell phone."
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    I understood the real democracy
    of the cell phone
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    on a my way to dinner with friends,
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    when I went by a group of poor guys
    collecting paper,
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    and one of them was talking
    on a cellphone:
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    "(beep, beep) I'm loading the stuff,
    please send me the truck."
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    And I said to myself:
    "This is huge.
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    They had no way
    to communicate before."
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    The cell phone is absolutelly amazing
    and yet we haven't found a use for it.
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    Maybe, that idea, the one
    that transforms, like the transistor,
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    like the guy messing around
    who connected the mic to the wire.
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    Maybe that is the idea missing if we want
    the cell phone to stop being the device
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    with which the companies get
    their revenue, and start being that device
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    that helps fill the holes in our society,
    sometimes far away, sometimes close,
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    here, in Argentina.
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    Education, for instance,
    and many, many other things.
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    Living from air,
    is the demonstration that,
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    to listen to the radio,
    we don't even need an antenna,
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    we don't even need the transmiter,
    we don't even need the idea.
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    In 1980, I traveled to Marocco.
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    In Marrackech, at Jamaa el Fna square,
    I saw some guys standing on the benches
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    and they were speaking to groups of people.
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    One speaking to 10 people,
    another to 5, and then,
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    one guy speaking to a group
    of 80 or 90 people.
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    (Imitating Arabic)
    They spoke and people listened,
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    and every now and then,
    the people dropped a coin and left.
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    My guide was an Italian
    who spoke some Spanish, so I asked him:
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    "What is he speaking about?"
    So he says:
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    "The guy is broadcasting the news,
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    because almost everyone here
    is an analphabet.
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    So he listens to the news on the radio,
    retells it publicly and gets a few coins.
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    And then I understood the term "rating".
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    One had 5, the other had 100,
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    and I asked myself why, if they
    must have listened to the same station
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    and were telling the same things.
    So the guide said:
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    "Yes, but the one with 80 people
    listening to him
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    also tells jokes and gossips."
    (Laughter)
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    So, radio is so much living from air,
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    that you can make radio
    without a radio, just with people.
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    I found it totally wonderful.
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    I'm not denying technology,
    the hardware,
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    I'm not denying everything
    we get from it everyday.
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    Absolutely not.
    I was one of the first PC fans.
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    When the first Commodore 64
    appeared, they made us learn
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    not just how to use it,
    but also how to program it.
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    I started with Basic, then they wanted
    to make me learn Cobol,
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    which was impossible to understand.
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    And then, when the first sound editors
    appeared, the first digital editors,
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    I was among the first ones
    uploading the tapes
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    and starting with PCs,
    I kind of got addicted to PCs.
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    And then I said: "OK, this is enough,
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    I'll use them just for work,
    and the rest of my life
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    can be written in this notebook,
    which might not be a tablet,
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    but is a nice composition notebook.
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    It can keep all my ideas,
    and in case of a blackout,
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    I'll be able to read it with a candle.
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    But, going back to living from air,
    and our talk this afternoon,
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    we need to keep in mind that ideas rule.
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    We might have computers,
    but what is going to lead our lives
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    is our ideas and our own imagination.
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    Ideas rule.
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    They always did, they do now,
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    and they will rule
    in every machine in the world
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    which will join together to kick our asses.
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    The idea of a lone thinking man,
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    the idea of a man thinking
    when lights go out,
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    a man thinking when nothing's left.
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    The idea is the real thing,
    the idea makes us different.
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    The idea is ours, and the idea is nothing.
    It's in the air, is pure imagination.
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    It's like a cosmic nonsense in our heads,
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    and if we use it right,
    it will get us that job
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    that 10 other people already applied for.
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    Who are they going to hire?
    The one who thinks better.
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    Or, in any other aspect of life:
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    Who is going to get there?
    The one with the best idea.
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    Now, if you have good ideas,
    if you exercise your imagination,
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    if you work hard, everything that is
    just going around in the air
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    with curiosity, willing to play,
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    and, on top of that,
    you have a few computers...
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    Then, you are ramping up your speed.
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    I could say that nothing will stop you,
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    but, if the computer takes over you
    and you let it do it...
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    you'd be in trouble.
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    Because the day the computer
    takes over, it turns your brain off.
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    I've learned that living from air.
    Thank you very much.
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    (Applause)
Title:
Living from air: Lalo Mir at TEDxRíodelaPlata
Description:

Lalo Mir has been a radio speaker for more than 45 years and has a main role in the history of Argentinian radio. In this talk, he shares his experience on living from air.

more » « less
Video Language:
Spanish
Team:
closed TED
Project:
TEDxTalks
Duration:
15:08
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