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Debunking MatPat's Hollow Knight Theory

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    [MOSSBAG] I am literally
    shaking and crying right now.
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    I can't believe MatPat has done this.
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    Is nothing in this world sacred anymore?
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    Is no work of art
    free from this man's grasp?
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    Oh god… I can't do this.
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    How could MatPat really say all
    those things about The Canterbury Tales?
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    What did Chaucer
    ever do to deserve this?
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    I mean, sure, that deathbed confession
    right at the end felt pretty contrived,
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    but The Wife of Bath's Tale has given us
    precious insight into the role of women
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    during the late middle ages.
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    He probably even thinks
    The Decameron is better written…
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    Pathetic.
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    Someone has to
    stand up against this monster.
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    Someone has to tear his fu--
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    oh shit…
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    he gave me a shout-out.
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    Um…
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    thanks!
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    So the Game Theorists have finally put out
    a Hollow Knight lore video,
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    and MatPat himself uttered my name with
    his own two lips.
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    The capitalization in the video is wrong:
    "MossBag" is supposed to be all lowercase.
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    I mean it's literally
    how I start every video… but that's okay.
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    I'm still cool with it.
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    Thanks to MatPat,
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    my original Hollow Knight lore video
    finally hit 1,000,000 views.
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    And more importantly, I
    gained over 1,000 new followers on Twitter
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    so now even more
    people can read my reviews of
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    each and every
    episode of King of the Hill.
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    It's also great to see a video about
    Hollow Knight trend on YouTube.
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    This community really has come a long way.
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    But, as cool as all that is,
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    MatPat's theory is… pretty bad.
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    Now, I may not have
    11,000,000 subscribers like MatPat does,
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    and no, I've never given
    a copy of Undertale to the Pope,
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    but I did sent the Dalai Lama
    a copy of my Rick and Morty spec script,
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    and I am something of a theorist myself,
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    so I think I am qualified
    to make a response to this new video.
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    And no, this isn't
    some sort of take down video.
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    I'm already mortal enemies
    with VaatiVidya and Indeimaus.
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    I don't need a third YouTuber coming after
    me,
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    even if MatPat has defiled the sanctity of
    our fandom with his
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    completely terrible and
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    abhorrently offensive
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    Fuck.
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    This isn't going well...
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    I should just restart the video.
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    Here's some context
    if you're just joining in:
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    The Hollow Knight community's
    reaction to this new video has been...
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    pretty negative.
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    Mainly because there are
    a lot of perceived flaws in the theory.
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    As a result, there are some people saying
    that the Hollow Knight fanbase is "toxic."
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    And yeah, maybe my initial reaction to
    MatPat's video could be perceived as...
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    ... rude?
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    But you have to understand that being an
    asshole is just part of my online schtick.
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    It's a completely original
    and clever concept, I know.
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    But in general,
    I don't think this community is too toxic.
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    Some of us are just a little defensive
    about the lore, that's all.
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    But it is important to remember that, at
    the end of the day,
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    MatPat is just a guy who wanted to talk
    about Hollow Knight,
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    and I've got nothing against that.
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    It just gives me an excuse to
    talk about this game even more.
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    That being said,
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    I reckon it's time to get out the propane
    and propane accessories, boys and girls...
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    because we're about to
    burn this theory to the ground.
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    So if you haven't seen the Game Theorists'
    video yet, I recommend you check it out.
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    I'm going to go
    through all of MatPat's arguments
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    but I'm not going
    to play his whole video through,
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    so you'll have to watch it
    yourself if you want the full context.
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    Then, you can watch this video
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    and come to your own
    conclusion about Hollow Knight's lore.
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    The issue on debate here has to do with
    the nature of the Knight
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    and the whereabouts of the Pale King.
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    MatPat's theory is that the Knight is
    actually the Pale King, reincarnated.
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    [MATPAT] We are supposedly just another
    one of those failed experiments,
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    except... I don't
    think that's the case here.
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    If you stop and dig through the
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    massive amounts of secret lore
    hidden throughout this game,
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    it's my belief that
    we're not just some random nobody.
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    We are, in fact, royalty.
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    A king.
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    The King, in fact.
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    It's my belief that in Hollow Knight,
    we're playing as the Pale King himself.
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    [MOSSBAG] This isn't a new theory.
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    It's been around for a while,
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    but I've never really talked
    about it here on this channel.
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    There are several
    problems with this theory,
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    the biggest one
    being the lack of evidence.
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    A lot of the evidence that
    MatPat will present in this video
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    can be interpreted in
    ways that make much more sense
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    when put in a different context.
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    Second; there are pieces of
    evidence that contradict this theory.
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    You can poke a lot of small
    holes into MatPat's timeline here,
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    and a few bigger ones as well...
    with the biggest hole being that
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    you literally see the Knight
    with the Pale King, in the same room.
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    But I'm getting ahead of myself.
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    Let's start with MatPat's first argument:
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    The higher being tablets in the King's
    Pass, which all begin with the phrase,
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    "Higher beings, these
    words are for you alone."
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    These tablets are very mysterious,
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    and I don't think that there is
    really a consensus on what they mean.
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    One theory I see a lot is that these
    tablets were left here for the vessels,
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    as a way to teach them how to focus SOUL.
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    But then why did the Pale King leave a
    lore tablet like this in the Ancient Basin
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    or the Howling Cliffs?
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    They don't contain information
    that would be pertinent to them,
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    and some of these tablets seem
    to predate the creation of the vessels.
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    Another theory is that
    the tablets are addressed to the bugs
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    that were granted higher thought
    through the Pale King's beacon.
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    The problem with that theory is that the
    tablets teach you how to focus SOUL,
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    which doesn't seem to be
    a thing that regular bugs can do.
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    At least, not easily.
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    Personally I believe this
    explanation is the correct one,
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    but my thoughts
    on it are super speculative.
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    I've linked a document
    below if you want to check it out.
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    So yeah, these tablets
    are quite mysterious indeed.
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    But for MatPat's argument,
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    all that really matters
    is the fact that the Knight can read them,
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    even though they are stated
    as being intended for only higher beings.
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    MatPat explains that
    higher beings are godlike creatures,
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    mentioning the Reddit AMA post
    and the Kingsoul charm description.
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    I agree with Matt here.
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    He then mentions that pretty much
    only higher beings can manipulate SOUL.
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    [MATPAT] The tablet even says, quote:
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    "You shall achieve feats
    of which others can only dream."
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    Again, setting apart SOUL-users
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    like our Knight
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    from pretty much every other creature
    that we encounter throughout this game.
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    Now, MatPat does say
    "pretty much every other creature,"
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    so I can't say he's wrong,
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    but there are examples of
    creatures that can manipulate SOUL
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    that aren't higher beings.
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    Two examples of this
    would be the snail shamans
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    and the scholars of the Soul Sanctum.
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    The snail shaman gives the
    Knight the Vengeful Spirit [spell],
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    and another SOUL spell can be found near
    another shaman in the Overgrown Mound.
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    The higher being tablet in the King's Pass
    teaches the Knight how to focus SOUL.
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    We see the word "focus"
    again in the Ancestral Mound,
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    where there is a whispering
    root that gives the Dream Nail dialogue,
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    "…Spiral focus…"
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    I think this is referring to how the
    shaman can focus SOUL to cast spells,
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    just like the Knight.
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    The word "spiral" probably
    refers to the spiral of the snail shell
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    the shaman is wearing.
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    Now, the nature of the
    snail shamans is a little sketchy,
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    seemingly tied to the void somehow,
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    but I don't think they are higher beings.
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    However, the bugs of the Soul
    Sanctum are definitely not higher beings.
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    They were able to learn how to manipulate
    SOUL through diligent practice and study,
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    but as a result their minds have begun
    to swell and ache…
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    so it's not really an ideal situation.
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    (YOU DON'T SAY)
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    In the Soul Sanctum,
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    there's a lore tablet that also mentions
    their desire to attain a "pure focus,"
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    and while they may not have been totally
    successful,
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    these bugs have proven that they were
    capable of manipulating SOUL.
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    And the specific focus ability that the
    Knight learns from the lore tablet
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    is not specific to just this vessel.
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    During the Pure Vessel fight,
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    the Hollow Knight uses a move that's
    described in the game's code
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    as being a focus ability.
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    So this ability doesn't appear to separate
    the Knight from the other vessels.
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    But ultimately, I don't think this really
    hurts the point MatPat is trying to make:
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    that being that
    the Knight is a higher being.
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    [MATPAT] So not only are we reading
    tablets reserved for higher beings,
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    but we're also using skills reserved for
    the godlike creatures of the world
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    on par with the Pale King.
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    Does it really sound like
    we'd just be some failed experiment
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    cast into the depths of this world?
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    [MOSSBAG] I think it's possible that the
    Knight is a higher being in some regard,
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    but that doesn't mean the Knight has to be
    a reincarnation of the Pale King.
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    The Knight, the Hollow Knight,
    and the other vessels
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    are the offspring of the Pale King and
    the White Lady.
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    There's a lot of evidence for this.
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    There's the White Lady, who literally
    calls the Knight her "spawn;"
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    the line "Born of God and Void," from
    the birthplace cutscene,
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    alludes to the vessels being born from
    the White Lady and the Pale King,
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    but then being corrupted by the Void;
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    and there's the fact that the Pale King
    and the White Lady had a quote-unquote…
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    "Union."
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    [♪ 'Let's Get It On' by Marvin Gaye ♪]
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    I don't think MatPat is arguing against
    this point,
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    but calling the
    Knight a "failed experiment"
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    could lead people
    to believe that the vessels
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    really aren't the
    Pale King's biological children.
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    Granted, Grimm does
    call the Knight a "craft,"
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    but this is possibly just referring to how
    the vessels are a combination
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    of the spawn of higher beings
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    mixed with the influence of Void.
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    Another big piece of
    evidence for this is the fact that
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    the achievement you get
    for defeating the Hollow Knight
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    with Hornet by your side
    is called "Sealed Siblings."
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    This confirms that the Knight and Hornet
    are siblings,
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    and we know that Hornet is the daughter of
    the Pale King
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    since the White Lady mentions that the
    Pale King had sex with Hera the Beast.
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    [♪ 'Let's Get It On" by Marvin Gaye ♪]
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    Not only does this strengthen the argument
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    that the vessels were the literal children
    of the Pale King,
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    but it also pretty much confirms that the
    Knight specifically
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    is a child of the Pale King.
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    Which, by the way, debunks MatPat's
    whole theory.
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    … So I guess we could end the video now.
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    [♪ 'Obstacle Course'
    Yoshi's Island SSBU Ver. ♪]
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    As I was saying,
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    being the literal children
    of two higher beings would suggest
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    that the Knight and all the other
    vessels are also higher beings as well.
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    This is hinted at for the Hollow Knight at
    least
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    in the hunters journal entry for the
    Pure Vessel,
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    which mentions that it has a "holy shell."
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    So I don't think this attribute separates
    the Knight as being unique
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    compared to the other vessels.
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    This is an argument you're going to hear
    me use a lot in this video.
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    A lot of the connections MatPat makes
    between the Knight and the Pale King
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    can be explained by remembering that the
    Knight is the Pale King's child.
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    The reason we should interpret it this way
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    is because the game explicitly tells us
    that the Knight is the Pale King's child,
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    while there really isn't anything telling
    us that they're the same person.
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    After this argument, MatPat brings up the
    very beginning of the game:
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    The "Elegy For Hallownest."
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    MatPat first mentions that the poem itself
    isn't about Hallownest
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    but is instead about the Pale King.
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    [MATPAT] You don't know it
    when you start the game,
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    but this poem is about the Pale King.
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    [MOSSBAG] So this poem is called "Elegy
    For Hallownest"
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    but the poem itself seems to be addressed
    to a person,
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    so it's not a stretch to think that the
    poem is
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    actually talking about the Pale King.
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    Hallownest is the Pale King's kingdom,
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    and everything that Hallownest offered to
    travellers was because of the Pale King.
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    The two are so closely entwined that the
    poem is pretty much saying the same thing
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    regardless of if its addressed to the
    personified version of Hallownest
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    or to the Pale King himself.
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    MatPat then goes into what the
    poem means when it says that the Pale King
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    "tamed savage souls
    and redeemed base instincts."
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    [MATPAT] In the beginning of the game's
    lore,
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    all bugs were basically a hivemind
    controlled by the moth god, Radiance.
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    The Pale King was the one who expanded
    the minds of bugs,
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    giving them individuality and sapience,
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    showing them, as the poem says,
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    "a world that they had never dreamed."
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    [MOSSBAG] There really isn't any evidence
    that the Radiance's control was widespread
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    before the Pale King's arrival.
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    I'm not saying it's impossible,
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    but another possibility is that the bugs
    didn't have individuality or sapience
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    because they were living in a wasteland
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    similar to what we
    see outside of Hallownest.
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    Those bugs don't have minds, as it would
    be a weakness out in the wild,
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    but when the Pale King showed up, he
    established a kingdom
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    and expanded the minds of these bugs.
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    He also drew the
    attention of the moth tribe,
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    who were at the
    time worshipping the Radiance
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    but ended up yeeting her out of their
    memory,
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    causing her to be sealed away.
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    The infection and the hivemind might have
    been the result
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    of the Radiance's imprisonment.
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    As the Moss Prophet explains, "To stifle
    that light is to suppress nature.
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    Nature suppressed distorts, plagues us."
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    This implies that the infection is a
    byproduct
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    of the Radiance being sealed away.
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    This makes more sense to me than the
    Radiance already having bugs
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    enslaved in a hivemind, and then the Pale
    King just strolled in and saved them.
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    I mean if you look at what is happening in
    this animation…
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    it doesn't really make sense, does it?
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    If the Pale King can
    just cure infection like this,
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    then what's the point of all the stuff
    that happens later with the vessels?
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    [MATPAT] It's important to note, too, that
    this isn't just a poem about the Pale King
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    but it's directed to the Pale King.
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    "Your name."
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    "You the challenge met."
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    And then what do we see appear on screen
    just moments later?
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    Our Knight.
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    It would be one thing if the poem was just
    about the Pale King,
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    but the fact that it's directed at him
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    just seconds before
    we actually see our character
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    makes it seem like the designers
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    are drawing a parallel between this king
    of legend
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    and our first appearance on screen.
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    We are the "you" in that poem.
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    [MOSSBAG] … Except there's a whole other
    cutscene in between this poem
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    and when we see the Knight.
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    By this logic, this means that the Hollow
    Knight
    is the Pale King.
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    I mean technically we do see Zote moments
    after this poem.
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    A few thousand moments, maybe… but the
    principle still applies.
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    But even if the intro cutscene with the
    Knight appeared right after the poem,
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    I still wouldn't find it very compelling.
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    I mean, we are entering Hallownest,
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    and the poem is talking about Hallownest
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    or at least the person who built it,
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    so why does the Knight have to be factored
    into this at all?
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    Let's move on to Elderbug.
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    There are a lot of places you can look to
    find information about the Pale King…
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    The Elderbug is not one of them.
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    As you'll see, I don't think MatPat's
    interpretations of Elderbug's dialogue
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    makes any sense.
  • 14:22 - 14:25
    MatPat argues that Elderbug's dialogue
    about dreams
  • 14:25 - 14:27
    hints at the Knight being the Pale King.
  • 14:27 - 14:31
    [MATPAT] The usage of the
    word "dreams" is important,
  • 14:31 - 14:34
    since at the beginning of the game, not
    knowing the lore of this world,
  • 14:34 - 14:39
    we all assume it's just our knight
    pursuing the dream of wealth or fame,
  • 14:39 - 14:41
    just like the Elderbug says.
  • 14:41 - 14:45
    But late in the game we get ourselves an
    item called the Dream Nail,
  • 14:45 - 14:47
    which is how we
    unlock memories of the past,
  • 14:47 - 14:50
    and ultimately defeat the Radiance inside
    the mind of Hollow Knight.
  • 14:50 - 14:54
    It's also the tool that allows us to find
    the Pale King's White Palace.
  • 14:54 - 14:58
    It is a place that is
    literally hidden in dreams.
  • 14:58 - 15:01
    So like Elderbug says, we are
    seeking our dreams
  • 15:01 - 15:04
    in perhaps a very literal sense,
  • 15:04 - 15:08
    which is especially true if we are playing
    as the Pale King.
  • 15:08 - 15:11
    [MOSSBAG] The Knight goes to a lot of
    different places in the dream world,
  • 15:11 - 15:14
    so I don't know what
    makes the White Palace so special.
  • 15:14 - 15:17
    This interpretation also ignores the rest
    of the Elderbug's dialogue.
  • 15:18 - 15:22
    Elderbug goes on to warn about the
    infection below, and finishes by saying,
  • 15:22 - 15:24
    "Perhaps dreams aren't
    such great things after all."
  • 15:25 - 15:27
    This dialogue makes sense if we link it
    back to the Radiance.
  • 15:28 - 15:31
    The Radiance's infection begins by
    plaguing the dreams of a bug
  • 15:31 - 15:33
    until their will becomes enslaved.
  • 15:33 - 15:37
    In fact, the achievement unlocked for
    beating the Radiance is called
  • 15:37 - 15:38
    "Dream No More."
  • 15:38 - 15:41
    So I think this line makes much more sense
    if we interpret it as being
  • 15:41 - 15:43
    a warning about the Radiance.
  • 15:43 - 15:46
    If we interpret those extra lines using
    MatPat's reading,
  • 15:46 - 15:50
    then the Elderbug is telling us not to go
    to the White Palace, I guess?
  • 15:50 - 15:53
    Now, it's worth noting that the Elderbug
    mentions dreams again,
  • 15:53 - 15:56
    when you dream nail him
    after giving him the Delicate Flower,
  • 15:56 - 16:00
    remarking, "Perhaps dreams
    aren't such bad things after all…"
  • 16:00 - 16:04
    I think this just shows how the Knight has
    restored hope in Elderbug,
  • 16:04 - 16:07
    similar to how it restores hope for
    Hallownest…
  • 16:07 - 16:08
    or something like that.
  • 16:09 - 16:11
    MatPat's next point has to do with the
    Elderbug's dialogue
  • 16:11 - 16:14
    if you initially ignore
    him at the start of the game,
  • 16:14 - 16:16
    and then come back.
  • 16:16 - 16:18
    He'll mention that
    he thought he saw a ghost.
  • 16:18 - 16:23
    [MATPAT] If we are indeed the Pale King
    returning to a land that we once abandoned
  • 16:23 - 16:26
    we would indeed be a ghost from the past.
  • 16:26 - 16:29
    It's another potentially really clever
    play on words that I appreciated.
  • 16:29 - 16:31
    Am I reading too much into this?
  • 16:31 - 16:35
    Maybe, but again this is clearly a team
    who has themselves a literary flair,
  • 16:35 - 16:39
    and who like to make you really think
    about the words that they're using.
  • 16:39 - 16:41
    [MOSSBAG] So MatPat's reading too much
    into this.
  • 16:42 - 16:45
    Now, to be fair, the word "ghost" might
    actually be hinting at
  • 16:45 - 16:46
    the Knight's true nature.
  • 16:47 - 16:50
    The word ghost is only used nine other
    times in the game,
  • 16:50 - 16:53
    all of which are from Hornet when talking
    to the Knight.
  • 16:53 - 16:56
    Hornet calls the Knight a "ghost" because
    it is the dead shell
  • 16:56 - 16:58
    of a child of the Pale King and
    White Lady
  • 16:58 - 17:01
    that has been
    hollowed out and animated by Void.
  • 17:01 - 17:04
    So maybe Elderbug's dialogue is alluding
    to that,
  • 17:04 - 17:08
    but I still think this is just a common
    expression the Elderbug is using.
  • 17:08 - 17:12
    The next part of MatPat's video has to do
    with how the Knight is recognized
  • 17:12 - 17:15
    by a few different people as being
    related to the King.
  • 17:15 - 17:17
    First up is the White Lady:
  • 17:17 - 17:19
    [MATPAT] During one of your interactions
    with the White Lady,
  • 17:19 - 17:20
    AKA the Queen,
  • 17:20 - 17:22
    she outright says to the Knight,
  • 17:22 - 17:24
    "Is it more than just a vessel?
  • 17:24 - 17:28
    I feel like once again I am
    in the presence of my beloved Wyrm."
  • 17:28 - 17:30
    Wyrm being another name for the Pale King.
  • 17:30 - 17:33
    [MOSSBAG] This dialogue only appears
    within a certain context
  • 17:33 - 17:35
    that MatPat fails to mention.
  • 17:35 - 17:39
    This dialogue is triggered after
    the Knight collects the Kingsoul charm.
  • 17:39 - 17:43
    This charm is described as symbolizing a
    union between two higher beings,
  • 17:43 - 17:46
    and pieces of this charm can be found in
    the possession of both the White Lady
  • 17:46 - 17:48
    and the Pale King's corpse.
  • 17:48 - 17:51
    So part of this charm literally came from
    the Pale King,
  • 17:52 - 17:54
    which means it's no surprise that the
    White Lady thinks of him
  • 17:54 - 17:57
    when the Knight has it, and only
    when the Knight has it.
  • 17:58 - 18:01
    Also, when talking to the White Lady with
    the Grimmchild charm fully upgraded,
  • 18:01 - 18:02
    she says this:
  • 18:03 - 18:07
    "Success then for the scarlet heart, and
    irony to use my spawn to grow its own."
  • 18:08 - 18:10
    She literally calls the Knight her "spawn"
  • 18:10 - 18:13
    so I don't think the Knight
    is supposed to be her husband.
  • 18:13 - 18:16
    Now don't get me wrong, I'm into some
    kinky shit,
  • 18:16 - 18:19
    but even I think that's too much, man.
  • 18:19 - 18:21
    [MATPAT] And she's not the only one who
    gets
  • 18:21 - 18:23
    kingly vibes from the Player Character.
  • 18:23 - 18:24
    The White Defender,
  • 18:24 - 18:26
    one of the Pale King's five main knights,
  • 18:26 - 18:29
    also has interesting dialogue. Quote:
  • 18:29 - 18:32
    "Your noble bearing
    reminds me of our dear King."
  • 18:32 - 18:35
    So that's two of the King's closest
    relations
  • 18:35 - 18:38
    being reminded of their dearly departed
    when they interact with us.
  • 18:38 - 18:41
    [MOSSBAG] You don't need to have the
    Kingsoul to fight the White Defender,
  • 18:41 - 18:45
    but notice how toned down this line is
    from what the White Lady said.
  • 18:45 - 18:49
    The White Defender says the Knight reminds
    him of the Pale King, which makes sense,
  • 18:49 - 18:53
    considering the fact that
    the Knight is the child of the Pale King.
  • 18:53 - 18:57
    Matt then mentions the royal retainers,
    and how they bow to the Knight.
  • 18:57 - 19:00
    [MATPAT] Ten out of ten royal retainers
    can't be wrong:
  • 19:00 - 19:03
    you are royalty, plain and simple.
  • 19:03 - 19:05
    [MOSSBAG] Now some
    people in the comments section
  • 19:05 - 19:08
    were arguing that they only bow if the
    Knight has the King's Brand,
  • 19:09 - 19:10
    but that's not true.
  • 19:10 - 19:11
    They bow regardless.
  • 19:12 - 19:15
    This is an argument I've seen a lot from
    the people who disagree with MatPat:
  • 19:15 - 19:18
    That most of the characters being reminded
    of the Pale King
  • 19:18 - 19:19
    when looking at the Knight
  • 19:19 - 19:21
    can be explained via the King's Brand.
  • 19:21 - 19:23
    But you can reach the White Defender
  • 19:23 - 19:24
    and the White Palace
  • 19:24 - 19:26
    without the King's Brand.
  • 19:26 - 19:28
    To my knowledge, the only character
  • 19:28 - 19:30
    confirmed to explicitly mistake the Knight
  • 19:30 - 19:32
    for the Pale King due to the King's Brand
  • 19:32 - 19:34
    is Eternal Emelitia.
  • 19:34 - 19:37
    But it doesn't really matter that the
    Knight doesn't have the King's Brand,
  • 19:37 - 19:40
    because you can still argue that the
    royal retainers are bowing
  • 19:40 - 19:42
    because the Knight
    is related to the Pale King.
  • 19:43 - 19:46
    There are statues of the Hollow Knight in
    the White Palace, after all.
  • 19:46 - 19:50
    Which could mean that they revered the
    vessels as well as the Pale King,
  • 19:50 - 19:53
    but there are a lot of questions
    surrounding the royal retainers.
  • 19:53 - 19:55
    If you dream nail them,
  • 19:55 - 19:57
    they appear to be
    talking to the Pale King.
  • 19:57 - 20:00
    They mention things like,
    "… We will wait… King…"
  • 20:00 - 20:03
    and, "…King… Your troubles… Let us…"
  • 20:03 - 20:07
    Another detail worth mentioning is that
    the royal retainers explode into essence
  • 20:07 - 20:08
    when they are killed,
  • 20:08 - 20:09
    leaving no corpse behind.
  • 20:09 - 20:11
    So what should we make of this?
  • 20:11 - 20:13
    It seems to me like these bugs are unaware
  • 20:13 - 20:15
    that the Pale King is dead,
  • 20:15 - 20:17
    and are awaiting him to take some sort of
    action,
  • 20:17 - 20:19
    but are worried about his state of mind.
  • 20:19 - 20:23
    The dream nail dialogue doesn't imply that
    they recognize the Knight as the Pale King
  • 20:23 - 20:25
    who has finally returned,
  • 20:25 - 20:28
    but again there's something weird going
    on with these guys.
  • 20:29 - 20:31
    They seem to be living in the past,
  • 20:31 - 20:33
    and are not really
    in a lucid state of mind.
  • 20:33 - 20:37
    So yeah, I think there's a lot of
    mystery surrounding these guys,
  • 20:37 - 20:39
    but to sum this section up:
  • 20:39 - 20:41
    I still agree with MatPat's point here,
  • 20:41 - 20:43
    that being that the Knight is royalty.
  • 20:44 - 20:47
    But again, that doesn't help prove this
    reincarnation theory,
  • 20:47 - 20:49
    because we know that the Knight is royalty
  • 20:49 - 20:51
    through it being the Pale King's child.
  • 20:52 - 20:53
    MatPat then goes into a discussion
  • 20:53 - 20:56
    about how the Pale
    King went from his first Wyrm form
  • 20:56 - 20:58
    into his second bug form.
  • 20:58 - 21:00
    This occurred at Kingdom's Edge,
  • 21:00 - 21:02
    where the Wyrm's
    corpse can still be found.
  • 21:02 - 21:06
    A fat-ass caterpillar named Bardoon
    explains that when Wyrms die,
  • 21:06 - 21:07
    they don't just die
  • 21:07 - 21:09
    but actually transform
    into something else.
  • 21:10 - 21:13
    [MATPAT] So Bardoon knows the Pale King
    spawned out of the Wyrm,
  • 21:13 - 21:15
    he clearly says that
    the kingdom is his doing,
  • 21:15 - 21:18
    but this line of "more transformation"
  • 21:18 - 21:20
    seems to imply that the Pale King's death
  • 21:20 - 21:23
    would only lead to yet another form.
  • 21:23 - 21:26
    Do we think that Team Cherry put this line
    in here for no reason?
  • 21:26 - 21:28
    I THINK NOT.
  • 21:28 - 21:31
    [MOSSBAG] Bardoon isn't saying
    "more transformation"
  • 21:31 - 21:33
    as in there'll be another transformation.
  • 21:33 - 21:35
    He's saying that death, for a Wyrm,
  • 21:35 - 21:37
    is more like a transformation.
  • 21:37 - 21:40
    Now is there anything in the game
    that says the Pale King can or cannot
  • 21:40 - 21:42
    transform a second time?
  • 21:42 - 21:43
    … Well, no.
  • 21:43 - 21:46
    But we don't really have any proof that
    the Pale King did transform
  • 21:46 - 21:48
    into a third form.
  • 21:48 - 21:49
    Let's look at the egg that the Pale King
  • 21:49 - 21:51
    hatched out of from the Wyrm.
  • 21:51 - 21:56
    Page 111 of the Wanderer's
    Journal discusses this transition:
  • 21:56 - 21:59
    "What happened to the Wyrm from there
    is a mystery;
  • 21:59 - 22:01
    "it doesn't appear to have died there,
  • 22:01 - 22:03
    "so perhaps it shed its gargantuan form
  • 22:03 - 22:06
    "and became something entirely different.
  • 22:06 - 22:07
    "Deep within the maw of the carcass,
  • 22:07 - 22:11
    a pale, broken egg of some sort hints at
    such a rebirth."
  • 22:11 - 22:13
    This implies that the Pale King hatched
    out of the egg
  • 22:13 - 22:15
    inside the cast-off shell of the Wyrm.
  • 22:16 - 22:19
    So how exactly does the Pale King's third
    form materialize?
  • 22:19 - 22:21
    We find his corpse on the throne,
  • 22:21 - 22:24
    but we can't go inside of him to check if
    there's another egg in there somewhere.
  • 22:24 - 22:27
    There's the egg on the right hand side of
    the room,
  • 22:27 - 22:30
    but that doesn't really seem like
    something a creature would hatch from.
  • 22:30 - 22:34
    It was probably even made before the Pale
    King's second form died,
  • 22:34 - 22:36
    since it appears to be written from his
    perspective.
  • 22:36 - 22:39
    But MatPat has his own theory about all
    this,
  • 22:39 - 22:41
    so let's table this discussion for now.
  • 22:41 - 22:44
    After talking about how the Pale King
    might have a third form,
  • 22:44 - 22:47
    MatPat begins to explain what Void is,
  • 22:47 - 22:48
    where it's found, and how it works.
  • 22:49 - 22:52
    He draws our attention to the lore
    tablet found in the Pale King's workshop.
  • 22:52 - 22:55
    This tablet explains that the Void is
    opposed to the Pale King,
  • 22:55 - 22:58
    but that Void contains a power to deny
    time itself.
  • 22:58 - 23:00
    [MATPAT] This quote is interesting.
  • 23:00 - 23:02
    Based on the clues in that workroom,
  • 23:02 - 23:03
    as well as the game's bestiary,
  • 23:03 - 23:07
    we know that the Pale King was using void
    to create soldiers:
  • 23:07 - 23:10
    the Kingsmoulds and Wingmoulds that
    populate his White Palace.
  • 23:10 - 23:12
    We also know that he was using Void to
    create
  • 23:12 - 23:15
    the vessels intended
    to trap the infection.
  • 23:15 - 23:16
    Vessels like the Hollow Knight,
  • 23:16 - 23:18
    which would also include our character.
  • 23:18 - 23:22
    But this quote is referencing him using
    the Void for yet another purpose.
  • 23:22 - 23:23
    A third purpose;
  • 23:23 - 23:24
    not fighting the Radiance;
  • 23:24 - 23:26
    not protecting his castle;
  • 23:26 - 23:29
    but instead fighting time itself.
  • 23:29 - 23:33
    He wants to use the Void to achieve
    eternal life.
  • 23:33 - 23:33
    For himself?
  • 23:33 - 23:34
    For his kingdom?
  • 23:34 - 23:35
    It's unclear,
  • 23:35 - 23:38
    but it once again gives credence to the
    idea that,
  • 23:38 - 23:39
    in his next life,
  • 23:39 - 23:43
    he would choose to rebirth himself as a
    Void-based creature.
  • 23:43 - 23:46
    One not bound by the restrictions of time.
  • 23:46 - 23:48
    One just like our Knight.
  • 23:48 - 23:50
    [MOSSBAG] I kind of agree with a little
    bit of this…
  • 23:50 - 23:52
    but not really.
  • 23:52 - 23:55
    I think the purpose of "denying time"
    refers to the Radiance,
  • 23:55 - 23:57
    who the Pale King is trying to stop
  • 23:57 - 23:59
    in order to keep his kingdom lasting
    eternally.
  • 24:00 - 24:02
    There are several bits of dialogue to look
    over here.
  • 24:02 - 24:07
    Both Hornet and the Hive Queen Vespa refer
    to Hallownest as being in "perpetuation."
  • 24:07 - 24:09
    Or, in other words, "frozen in time."
  • 24:10 - 24:13
    Monomon calls Hallownest
    "a world forever unchanging."
  • 24:13 - 24:17
    Both Hornet and the Mask Maker mention
    that the kingdom is in stasis.
  • 24:17 - 24:20
    And then we have the dialogue directly
    connecting all this to the Hollow Knight.
  • 24:21 - 24:23
    The monuments to the Hollow Knight and
    the Dreamers
  • 24:23 - 24:25
    mention that through their actions
  • 24:25 - 24:26
    Hallownest lasts eternal.
  • 24:27 - 24:29
    The lore tablet in the White Palace
    throne room reads,
  • 24:29 - 24:33
    "Eternity in promise and charge in progeny
    cursed."
  • 24:33 - 24:35
    This line is likely referring to how the
    Pale King
  • 24:35 - 24:37
    planned to keep his kingdom lasting
    eternally
  • 24:37 - 24:40
    by somehow cursing his descendants.
  • 24:40 - 24:41
    And that's exactly what he did:
  • 24:41 - 24:43
    the Hollow Knight is described by Hornet
  • 24:43 - 24:45
    as being "our birth-cursed sibling,"
  • 24:45 - 24:49
    and Hornet has dream nail dialogue during
    the Greenpath fight that reads,
  • 24:49 - 24:52
    "Only pity for your cursed kind."
  • 24:52 - 24:54
    All of this is done to hold back the
    Radiance.
  • 24:54 - 24:58
    The Radiance is alluded to as being a
    force of nature by Bardoon,
  • 24:58 - 24:59
    the Moss Prophet,
  • 24:59 - 25:00
    and Hive Queen Vespa.
  • 25:00 - 25:03
    The Radiance is the inevitable dawn
  • 25:03 - 25:05
    that will eventually
    break over the horizon.
  • 25:05 - 25:07
    Now dev notes aren't necessarily canon,
  • 25:07 - 25:10
    but there are also dev notes explaining
    that the kingdom is in stasis,
  • 25:10 - 25:14
    and that the events of Hollow Knight take
    place over one long night.
  • 25:14 - 25:15
    So to recap:
  • 25:15 - 25:19
    the "deny time" line from the
    tablet in the Pale King's workshop
  • 25:19 - 25:22
    is probably referring to how the Pale King
    planned to create a Vessel
  • 25:22 - 25:25
    that could be used
    to deny the arrival of the Radiance,
  • 25:25 - 25:28
    placing all of Hallownest
    in some kind of stasis.
  • 25:28 - 25:31
    Nothing implies that the Pale King was
    doing this to himself.
  • 25:31 - 25:35
    I would argue that Void could never give
    the Pale King eternal life;
  • 25:35 - 25:36
    the Void is the power opposed,
  • 25:36 - 25:39
    so it would probably kill him if he tried
    to fuse with it.
  • 25:40 - 25:43
    After all, we know that the vessels were
    killed by the Void,
  • 25:43 - 25:45
    since the White Lady mentions that the
    Knight died
  • 25:45 - 25:47
    in the birthplace where it was born.
  • 25:47 - 25:50
    [MATPAT] Making this connection even more
    interesting
  • 25:50 - 25:51
    are the eggs.
  • 25:51 - 25:53
    Just outside the
    Pale King's throne room
  • 25:53 - 25:55
    is a lore tablet
    housed inside of a black egg.
  • 25:55 - 25:58
    A tablet that speaks of the ancient Wyrm
  • 25:58 - 26:00
    becoming the Pale King.
  • 26:00 - 26:04
    It seems to suggest that this egg here is
    where version 1.0 of the Pale King
  • 26:04 - 26:07
    hatched into its
    upgraded form… as it were.
  • 26:07 - 26:11
    And now look at the birthplace of our
    Knight down in the Abyss:
  • 26:11 - 26:12
    a similar black egg.
  • 26:12 - 26:15
    Could it be where version 2.0 transformed
    yet again?
  • 26:16 - 26:19
    [MOSSBAG] I don't believe the
    phrase "The Wyrm becomes beacon"
  • 26:19 - 26:21
    is talking about
    the Pale King's transformation.
  • 26:21 - 26:25
    I think this sentence is about how the
    Pale King expanded the minds of bugs.
  • 26:25 - 26:29
    Basically, the Pale King was able to grant
    bugs sapience through his beacon,
  • 26:29 - 26:31
    but we don't really
    have a lot of information on this.
  • 26:31 - 26:35
    If I had to guess, I'd say it might be
    some sort of metaphysical power.
  • 26:36 - 26:39
    The word beacon is used only
    one other time in the whole game,
  • 26:39 - 26:41
    and it's by the Godseeker.
  • 26:41 - 26:43
    She says, "Even long departed,
  • 26:43 - 26:46
    "we feel the afterglow of
    the God-power that sat this throne…
  • 26:46 - 26:48
    "It lays heavy upon this kingdom.
  • 26:48 - 26:52
    "That lingering power alone was
    beacon enough to draw Us to Hallownest.
  • 26:52 - 26:55
    How bright it must have been to mortal
    bug stood before it."
  • 26:55 - 26:58
    So the afterglow of
    the Pale King's God-power
  • 26:58 - 27:00
    acted as a beacon for the Godseekers.
  • 27:00 - 27:04
    Is this the same concept as the beacon
    mentioned in the lore tablet?
  • 27:04 - 27:06
    MatPat appears to think "beacon"
  • 27:06 - 27:09
    is another name
    for the Pale King's smaller form,
  • 27:09 - 27:11
    which I guess is possible,
  • 27:11 - 27:13
    but it's kind of a weird name.
  • 27:13 - 27:15
    When I see this,
  • 27:15 - 27:16
    I don't really think of this.
  • 27:17 - 27:19
    I'm a little
    confused by MatPat's next point.
  • 27:19 - 27:20
    Like I said earlier,
  • 27:20 - 27:23
    there's evidence to suggest that the egg
    the Pale King was hatched from
  • 27:23 - 27:25
    is found in the cast-off shell
  • 27:25 - 27:26
    in Kingdom's Edge.
  • 27:27 - 27:30
    Here, MatPat is arguing that the egg in
    the throne room
  • 27:30 - 27:32
    is what the Pale King hatched from.
  • 27:32 - 27:33
    What's confusing to me is that
  • 27:33 - 27:36
    earlier in the video, it's implied that
    the cast-off shell egg
  • 27:36 - 27:38
    was what the Pale King hatched from.
  • 27:38 - 27:40
    [MATPAT] It is clearly established in the
    lore
  • 27:40 - 27:43
    that the King has
    the ability to transform.
  • 27:43 - 27:47
    In fact, the Pale King form is actually
    his version 2.0.
  • 27:47 - 27:49
    [MOSSBAG] I don't know if there was some
    miscommunication
  • 27:49 - 27:51
    between MatPat and one of his editors,
  • 27:51 - 27:53
    or if there was
    a script change or something,
  • 27:53 - 27:56
    but I figured I'd point this out because…
  • 27:56 - 27:57
    It's…
  • 27:57 - 27:57
    weird.
  • 27:58 - 27:59
    The video gets it right initially,
  • 27:59 - 28:02
    but then contradicts itself a few minutes
    later.
  • 28:02 - 28:05
    So it seems unlikely that the Pale King
    was hatched
  • 28:05 - 28:06
    from the egg in the throne room,
  • 28:06 - 28:08
    so what exactly is going on with this egg?
  • 28:09 - 28:10
    Honestly, I don't know.
  • 28:10 - 28:12
    There are a few other eggs in the game
  • 28:12 - 28:14
    that appear to store information similar
    to this one.
  • 28:14 - 28:16
    The egg-looking things
    found in the King's Pass,
  • 28:16 - 28:19
    Ancient Basin, and Black Egg are all lore
    tablets.
  • 28:19 - 28:23
    We also know that the arcane eggs were
    used to store information somehow.
  • 28:23 - 28:26
    Is this egg similar to those eggs in its
    creation and design?
  • 28:27 - 28:28
    On the other hand,
  • 28:28 - 28:31
    the floor here is similar
    to the floor found in the Black Egg
  • 28:31 - 28:33
    so maybe it's related to that.
  • 28:33 - 28:33
    Regardless,
  • 28:33 - 28:37
    it seems pretty unlikely that
    the Pale King was born from this egg,
  • 28:37 - 28:40
    given that the Wanderer's Journal
    does everything short of flat-out
  • 28:40 - 28:43
    saying he hatched from the egg in the
    cast-off shell.
  • 28:43 - 28:47
    Finally, MatPat questions whether or not
    the Pale King's third form was born out of
  • 28:47 - 28:49
    this egg in the Abyss;
  • 28:49 - 28:51
    the one our Knight was presumably born
    from.
  • 28:51 - 28:54
    This is where things go really
    off the rails.
  • 28:54 - 28:56
    Remember how I mentioned before that
    the Knight
  • 28:56 - 28:59
    and the Pale King show up in the same room
    at one point?
  • 28:59 - 29:01
    Well that happens in a cutscene that can
    be triggered
  • 29:01 - 29:04
    after the Knight strikes its own
    reflection on this egg
  • 29:04 - 29:05
    with the Dream Nail.
  • 29:05 - 29:07
    In this sequence,
  • 29:07 - 29:09
    the Knight climbs to the top of the Abyss.
  • 29:09 - 29:10
    When they get there,
  • 29:10 - 29:11
    they see the Pale King leaving
  • 29:11 - 29:14
    alongside a younger version of the Hollow
    Knight
  • 29:14 - 29:17
    that looks back before the Knight
    plunges back into the darkness.
  • 29:17 - 29:19
    After this cutscene
  • 29:19 - 29:21
    the Kingsoul charm turns into the
    Void Heart,
  • 29:21 - 29:24
    a charm required to unlock the four
    alternate endings to the game.
  • 29:24 - 29:28
    This cutscene is arguably one of the most
    important moments in the game,
  • 29:28 - 29:31
    showing the Pale King at one of his lowest
    points
  • 29:31 - 29:34
    choosing to sacrifice his children to the
    Void
  • 29:34 - 29:36
    in order to create a pure vessel.
  • 29:36 - 29:40
    There's a lot of dialogue and symbolism
    surrounding this event,
  • 29:40 - 29:42
    and none of it hints at the Pale King
    becoming the Knight.
  • 29:43 - 29:44
    Let's look at the Kingsoul again.
  • 29:44 - 29:48
    This charm symbolizes the union between
    two higher beings.
  • 29:48 - 29:49
    In other words,
  • 29:49 - 29:52
    this charm represents the children of the
    Pale King.
  • 29:52 - 29:54
    When talking to the White Lady with this
    charm,
  • 29:54 - 29:57
    she will tell the Knight to visit that
    place where it was born,
  • 29:57 - 29:58
    where it died,
  • 29:58 - 29:59
    where it all began.
  • 30:00 - 30:02
    She's referring to an area in the Abyss
  • 30:02 - 30:04
    described as a birthplace by the Kingsoul
    charm.
  • 30:04 - 30:06
    In this location,
  • 30:06 - 30:07
    the Knight finds its birthplace:
  • 30:07 - 30:10
    an egg, connected to Void tendrils.
  • 30:10 - 30:12
    After experiencing the birthplace
    cutscene,
  • 30:12 - 30:14
    the Kingsoul turns into the Void Heart.
  • 30:14 - 30:17
    This is symbolic of the children of the
    Pale King and White Lady
  • 30:17 - 30:20
    becoming corrupted by the Void itself.
  • 30:20 - 30:22
    That's what the Pale King means when he
    says
  • 30:22 - 30:25
    "…Soul of Wyrm. Soul of Root.
    Heart of Void…"
  • 30:25 - 30:28
    The Knight acquiring the Void Heart
  • 30:28 - 30:30
    symbolizes how it has come to terms
    with its past.
  • 30:31 - 30:34
    In fact, the achievement you get after
    this cutscene
  • 30:34 - 30:36
    strongly implies it's
    a scene from the past.
  • 30:36 - 30:38
    The Void achievement reads,
  • 30:38 - 30:41
    "Remember the past and unite the Abyss."
  • 30:41 - 30:43
    The White Lady also
    remarks on this, saying,
  • 30:43 - 30:46
    "Truly, it has been transformed by the
    revelations it found."
  • 30:47 - 30:48
    In summary,
  • 30:48 - 30:50
    this scene is showing
    a memory from the Knight
  • 30:50 - 30:52
    when it was discarded into the Abyss
  • 30:52 - 30:53
    by the Pale King.
  • 30:53 - 30:54
    So in other words,
  • 30:54 - 30:56
    it's completely impossible
  • 30:56 - 30:58
    for the Pale King to hatch out of this egg
  • 30:58 - 31:00
    if what we see here is a memory.
  • 31:00 - 31:02
    And like the achievement said,
  • 31:02 - 31:05
    the cutscene allows the Knight to remember
    its past.
  • 31:05 - 31:09
    Now, MatPat didn't mention this cutscene
    at all in his video;
  • 31:09 - 31:11
    however, he did leave a pinned comment
    addressing the issue.
  • 31:12 - 31:16
    He says that he cut the part talking about
    this scene from the video for both time
  • 31:16 - 31:20
    and because it was "too complicated for
    the tone he was looking for in the video."
  • 31:20 - 31:21
    For his first point,
  • 31:21 - 31:24
    videos on YouTube can be much longer
    than 20 minutes
  • 31:24 - 31:26
    so that's no excuse, in my opinion.
  • 31:27 - 31:30
    I get that The Game Theorists is a big
    channel with employees;
  • 31:30 - 31:31
    schedules;
  • 31:31 - 31:34
    semi-annual office blood rituals;
  • 31:34 - 31:35
    overhead;
  • 31:35 - 31:36
    low toner;
  • 31:36 - 31:38
    shit that I mostly
    don't have to worry about.
  • 31:39 - 31:41
    But if your format is forcing you to cut
  • 31:41 - 31:43
    crucial information out of your videos,
  • 31:43 - 31:46
    which are trying to provide persuasive
    arguments,
  • 31:46 - 31:48
    then you need to do some retooling.
  • 31:48 - 31:50
    As for his second point, I agree.
  • 31:50 - 31:52
    It does complicate things,
  • 31:52 - 31:56
    especially considering it debunks his
    entire video if he can't counter it.
  • 31:56 - 31:57
    But it's not that big of a deal
  • 31:57 - 31:59
    since MatPat tackled the counterargument
  • 31:59 - 32:01
    in this pinned comment.
  • 32:01 - 32:02
    So let's see what he's got.
  • 32:02 - 32:05
    First he says that the Pale King is
    "transparent" in this scene,
  • 32:05 - 32:08
    which might hint at him not really being
    there.
  • 32:08 - 32:11
    I have no idea what MatPat is talking
    about here.
  • 32:11 - 32:14
    The Pale King does have a glow around him
    in this scene,
  • 32:14 - 32:16
    but the Pale King has been described as
    being a light
  • 32:16 - 32:18
    or giving off a light by Seer,
  • 32:18 - 32:19
    the Archive tablets,
  • 32:19 - 32:21
    the Throne Room tablets,
  • 32:21 - 32:22
    the Last Stag,
  • 32:22 - 32:23
    and Eternal Emelitia.
  • 32:23 - 32:27
    So the transparency argument is debunked
    by…
  • 32:27 - 32:28
    having eyes.
  • 32:29 - 32:33
    Then MatPat says that because the
    birthplace cutscene is a dream sequence,
  • 32:33 - 32:35
    technically anything is possible.
  • 32:35 - 32:36
    Which…
  • 32:36 - 32:37
    …um…
  • 32:37 - 32:39
    [JUSTIN] I give it to
    you, you got me there.
  • 32:40 - 32:41
    [MOSSBAG] I mean, sure,
  • 32:41 - 32:42
    anything is possible.
  • 32:43 - 32:45
    Hell, maybe Ronald McDonald
    was there too,
  • 32:45 - 32:47
    but the Knight suppressed that memory
  • 32:47 - 32:49
    so much that we just can't see him.
  • 32:49 - 32:51
    There are a lot of different ways to
    interpret something,
  • 32:51 - 32:52
    but the best interpretations
  • 32:52 - 32:54
    are the ones that
    line up with what we know
  • 32:54 - 32:55
    about the rest of the game's lore.
  • 32:56 - 32:59
    If we just assume that this is the Knight
    remembering its own past,
  • 32:59 - 33:02
    like the achievement message strongly
    implies,
  • 33:02 - 33:04
    then there aren't really any problems with
    this cutscene.
  • 33:04 - 33:07
    But if we think the Pale King later turns
    into the Knight,
  • 33:07 - 33:10
    then this whole scene becomes a complete
    mess.
  • 33:10 - 33:14
    This is the moment the Knight has a huge
    revelation about its true nature.
  • 33:14 - 33:16
    How exactly is this scene revealing to the
    Knight
  • 33:16 - 33:18
    that it is the Pale King?
  • 33:18 - 33:21
    You'd think that this moment would at
    least hint at it,
  • 33:21 - 33:23
    and not completely contradict it.
  • 33:23 - 33:25
    Why does this scene exist at all?
  • 33:25 - 33:27
    What's the point of it?
  • 33:27 - 33:30
    The weight of this entire scene is
    neutered by MatPat's theory.
  • 33:30 - 33:33
    It no longer becomes an emotional moment
  • 33:33 - 33:34
    showing how the Knight was discarded
  • 33:34 - 33:37
    just like the other thousands of vessels,
  • 33:37 - 33:39
    but instead this scene becomes an eyesore;
  • 33:39 - 33:42
    a loose end to a theory that sounds cool
    on the surface,
  • 33:42 - 33:45
    but doesn't resonate with what we see in
    the game.
  • 33:45 - 33:48
    But I've been talking for way too long.
  • 33:48 - 33:49
    Let's get back to MatPat.
  • 33:50 - 33:52
    He then mentions how the nursery song in
    the White Palace
  • 33:52 - 33:55
    is the same song we hear when the Knight
    is next to its shade.
  • 33:56 - 33:58
    He then mentions the journal entry for the
    shade.
  • 33:59 - 34:01
    [MATPAT] The description of these shadows
    reads,
  • 34:01 - 34:02
    "Echo of a previous life.
  • 34:02 - 34:05
    "Each of us leaves an imprint of something
    when we die.
  • 34:05 - 34:07
    A stain on the world."
  • 34:07 - 34:11
    So the sound that accompanies our
    Knight's past life
  • 34:11 - 34:13
    coincides with the same sound
  • 34:13 - 34:16
    from a nursery housed inside the Pale
    King's palace?
  • 34:16 - 34:20
    The existence of a connection between our
    Knight and the Pale King
  • 34:20 - 34:21
    seems undeniable.
  • 34:21 - 34:24
    [MOSSBAG] I think there's a much
    better interpretation for this.
  • 34:24 - 34:27
    After the Pale King chose the Hollow
    Knight as the Vessel,
  • 34:27 - 34:30
    the Hollow Knight likely lived in the
    White Palace.
  • 34:30 - 34:33
    We even see that this is the case in the
    Path of Pain cutscene.
  • 34:33 - 34:37
    So chances are the Hollow Knight was kept
    in this crib.
  • 34:37 - 34:39
    The Hollow Knight is, of course, similar
    to the Knight
  • 34:39 - 34:42
    in that it is a child of the Pale King and
    the White Lady,
  • 34:42 - 34:45
    and it also has a shade similar to the
    Knight.
  • 34:45 - 34:47
    Connecting this nursery song to the Pale
    King
  • 34:47 - 34:49
    to say he became a Void creature
  • 34:49 - 34:51
    is a much bigger leap.
  • 34:51 - 34:54
    And it also has another
    problem that I will get into shortly.
  • 34:54 - 34:55
    But first,
  • 34:55 - 34:57
    let me play another
    section of MatPat's video.
  • 34:57 - 35:00
    [MATPAT] It's almost as if the King laid
    the groundwork
  • 35:00 - 35:02
    for him to be reborn as Void,
  • 35:02 - 35:02
    died,
  • 35:02 - 35:05
    was hatched of Void from the black egg
    in the Abyss,
  • 35:05 - 35:08
    was taken back to the Palace to be raised
  • 35:08 - 35:09
    and was eventually sent away from the
    kingdom
  • 35:09 - 35:11
    to avoid succumbing to the infection,
  • 35:11 - 35:14
    only to be called back when he was older
  • 35:14 - 35:16
    and when the Hollow Knight started losing
    control.
  • 35:16 - 35:17
    [MOSSBAG] Okay,
  • 35:17 - 35:19
    let's take this piece by piece.
  • 35:19 - 35:22
    First, MatPat says that the King
    "laid the groundwork
  • 35:22 - 35:24
    for him to be reborn as Void."
  • 35:24 - 35:26
    There is no evidence for this.
  • 35:26 - 35:28
    I'm guessing MatPat is basing this off of
  • 35:28 - 35:31
    the "deny time" section of the workshop
    tablet,
  • 35:31 - 35:33
    but again I don't
    think the tablet is referring
  • 35:33 - 35:37
    to the Pale King's desire to become
    a Void creature, at all.
  • 35:37 - 35:39
    Next, he says that the Pale King died.
  • 35:40 - 35:43
    [♪ 'For The Damaged Coda' by
    Blonde Redhead ♪]
  • 35:43 - 35:43
    (RIP glowing fork man)
  • 35:43 - 35:44
    Damn.
  • 35:44 - 35:47
    I actually completely agree with MatPat on
    this one.
  • 35:47 - 35:49
    This calls for a celebration.
  • 35:49 - 35:53
    [♪ 'Celebration' by Kool & The Gang ♪]
  • 35:53 - 35:54
    He then says the Pale King was
  • 35:54 - 35:57
    "hatched of Void from the black egg
    in the Abyss."
  • 35:57 - 35:59
    I don't think that is the case.
  • 35:59 - 36:02
    We see that the first transformation of
    the Pale King
  • 36:02 - 36:04
    was from an egg inside the Wyrm corpse,
  • 36:04 - 36:06
    but for his second transformation
  • 36:06 - 36:08
    he somehow died in the White Palace
  • 36:08 - 36:11
    and turned into an egg larger than his
    own body,
  • 36:11 - 36:14
    and then the egg was somehow transported
    to the Abyss
  • 36:14 - 36:17
    despite the fact that the gateway to the
    Abyss was sealed.
  • 36:17 - 36:19
    Now, in his pinned comment
  • 36:19 - 36:22
    MatPat pointed out an issue that I think
    is valid.
  • 36:22 - 36:24
    He asked how exactly were the vessels even
    able
  • 36:24 - 36:26
    to escape the Abyss in the first place.
  • 36:27 - 36:30
    This has been a pretty big question in the
    lore for a while now.
  • 36:31 - 36:32
    In a Reddit AMA,
  • 36:32 - 36:35
    Team Cherry mentioned that they weren't
    sure how it happened.
  • 36:35 - 36:37
    So yeah, they're pretty much useless as
    usual.
  • 36:38 - 36:40
    This issue can kinda counter my argument
    here;
  • 36:40 - 36:43
    if there are multiple entrances to the
    Abyss
  • 36:43 - 36:46
    then of course they could get the egg back
    down there.
  • 36:46 - 36:48
    I still don't buy that explanation
  • 36:48 - 36:51
    but I do have a theory about how the
    vessels escaped.
  • 36:51 - 36:53
    In the bottom right corner of Deepnest,
  • 36:53 - 36:56
    there's an area that has clearly been
    influenced by the Void
  • 36:56 - 36:58
    and not far from there
  • 36:58 - 37:02
    we can see that several vessels have
    been captured by Nosk in its lair.
  • 37:02 - 37:04
    So there might be some hidden passage
  • 37:04 - 37:06
    between the Abyss and Deepnest
  • 37:06 - 37:08
    that the vessels were able to navigate
    through.
  • 37:08 - 37:09
    Next
  • 37:09 - 37:10
    MatPat says that the Pale King was
  • 37:10 - 37:13
    "taken back to the White Palace to be
    raised."
  • 37:13 - 37:15
    So who exactly raised the Pale King?
  • 37:15 - 37:17
    Was it the White Lady then?
  • 37:17 - 37:20
    That's likely her silhouette on the chair,
    right?
  • 37:20 - 37:23
    Does this mean the White Lady is in on
    the plan too?
  • 37:23 - 37:24
    Because if that's the case,
  • 37:24 - 37:25
    I have a few issues.
  • 37:26 - 37:26
    First of all,
  • 37:26 - 37:31
    why doesn't she recognize the Pale King
    immediately if she literally raised him?
  • 37:31 - 37:32
    Why does she call the Knight her spawn?
  • 37:32 - 37:34
    But my bigger issue here
  • 37:34 - 37:37
    is what the White Lady says when the
    Knight first meets her.
  • 37:37 - 37:38
    She says,
  • 37:38 - 37:40
    "One arrives.
  • 37:40 - 37:41
    "Far it walks to find me.
  • 37:41 - 37:43
    "Did it seek my aid?
  • 37:43 - 37:46
    "Or did the path carry it by chance to so
    pertinent a place?
  • 37:46 - 37:47
    "It is true.
  • 37:47 - 37:49
    "True, that you were awaited.
  • 37:49 - 37:51
    "No. Perhaps that is inaccurate.
  • 37:51 - 37:54
    True one like you was awaited."
  • 37:54 - 37:56
    Pay attention to how she talks.
  • 37:56 - 37:59
    The White Lady is indeed waiting for a
    vessel to come find her,
  • 37:59 - 38:02
    but not any one vessel in particular.
  • 38:02 - 38:05
    She says "one like you was awaited."
  • 38:05 - 38:07
    She is looking for any vessel,
  • 38:07 - 38:09
    not a specific one.
  • 38:09 - 38:11
    If she was in on the Pale King's plan,
  • 38:11 - 38:14
    then why wouldn't she be looking for him
    specifically?
  • 38:14 - 38:16
    And if she isn't in on the plan,
  • 38:16 - 38:19
    what's the deal with her silhouette on the
    chair?
  • 38:19 - 38:22
    MatPat finishes by saying that the Pale
    King was sent away
  • 38:22 - 38:24
    to avoid succumbing to the infection,
  • 38:24 - 38:26
    and then was brought back when he was
    older.
  • 38:26 - 38:29
    I don't really have any issues with this
    section
  • 38:29 - 38:32
    but I do have a broader issue with the
    theory that I'd like to talk about.
  • 38:32 - 38:34
    According to the Hollow Knight game manual
  • 38:34 - 38:38
    the Pale King went into hiding as his
    kingdom fell to ruin.
  • 38:38 - 38:40
    Relic Seeker Lemm mentions that the Pale
    King's palace
  • 38:40 - 38:43
    disappeared without any sign of struggle,
  • 38:43 - 38:44
    and in the Wanderer's Journal
  • 38:44 - 38:48
    Ellina mentions that it appears as though
    the Pale King took the White Palace
  • 38:48 - 38:50
    and his court with him when he fled.
  • 38:50 - 38:52
    So if MatPat's theory is true,
  • 38:52 - 38:55
    then how does this information fit with
    the lore?
  • 38:55 - 38:58
    Is the game manual just completely wrong,
  • 38:58 - 39:00
    and what's the deal with the White Palace
    disappearing?
  • 39:00 - 39:03
    If the Pale King didn't use it to hide in,
  • 39:03 - 39:05
    then why is it even in the dream world?
  • 39:05 - 39:07
    How exactly did the Pale King get out of
    the White Palace
  • 39:07 - 39:09
    if it had a seal on it?
  • 39:09 - 39:11
    MatPat doesn't really address any of this,
  • 39:11 - 39:15
    even though it's probably the most
    relevant pieces of information related
  • 39:15 - 39:17
    to what actually happened to the Pale King
  • 39:17 - 39:19
    after the Hollow Knight was sealed.
  • 39:19 - 39:20
    Moving on,
  • 39:20 - 39:22
    MatPat explains how the line
  • 39:22 - 39:23
    "No cost too great"
  • 39:23 - 39:26
    that the Pale King says when you dream
    nail him
  • 39:26 - 39:29
    could be referring to how he sacrificed
    himself to become the Knight
  • 39:29 - 39:31
    and take on the infection himself.
  • 39:31 - 39:34
    The line is also used at the beginning of
    the birthplace memory,
  • 39:34 - 39:36
    so the first time the Pale King says it,
  • 39:36 - 39:39
    it's definitely referring to the creation
    of the vessels.
  • 39:39 - 39:43
    But I'm not against the phrase being
    recontextualized to mean something else,
  • 39:43 - 39:46
    I just don't think there's enough evidence
    to really prove that.
  • 39:46 - 39:51
    MatPat then gives more evidence for why
    the Knight being a reincarnated Pale King
  • 39:51 - 39:52
    makes sense.
  • 39:52 - 39:54
    [MATPAT] The Knight being a reincarnated
    Pale King
  • 39:54 - 39:57
    would explain how a nameless, faceless
    knight
  • 39:57 - 40:00
    is so easily able to accept the
    King's Brand item
  • 40:00 - 40:02
    which outright marks him as a king.
  • 40:02 - 40:04
    [MOSSBAG] I don't think that's the case.
  • 40:04 - 40:06
    The King's Brand is guarded by Hornet,
  • 40:06 - 40:10
    which makes me think that getting the
    brand itself isn't hard,
  • 40:10 - 40:12
    but Hornet doesn't want others getting to
    it
  • 40:12 - 40:15
    unless they can prove their strength
    like the Knight did.
  • 40:15 - 40:16
    We also have Hornet saying this
  • 40:16 - 40:19
    when she hints for the player
    to go to the Kingdom's Edge:
  • 40:19 - 40:21
    "Seek the Grave in Ash
  • 40:21 - 40:23
    and the mark it would grant one like you."
  • 40:23 - 40:26
    "One like you" implies that vessels in
    general
  • 40:26 - 40:28
    are able to receive the mark,
  • 40:28 - 40:29
    and that makes sense.
  • 40:29 - 40:31
    Midwife also calls the King's Brand
  • 40:31 - 40:33
    a "bright mark of relationship,"
  • 40:33 - 40:35
    which I interpret as saying that the
    mark's bearer
  • 40:35 - 40:37
    is a relation to the Pale King.
  • 40:37 - 40:38
    On top of that,
  • 40:38 - 40:41
    the vessels are the children of the
    Pale King
  • 40:41 - 40:42
    so, since he's dead,
  • 40:42 - 40:45
    any one of them should
    be able to become the next king.
  • 40:45 - 40:50
    Also MatPat keeps referring to the Knight
    and the Hollow Knight using male pronouns
  • 40:50 - 40:52
    but in game they are never given genders.
  • 40:52 - 40:55
    In fact, Hornet is
    called "the gendered child"
  • 40:55 - 40:58
    just to signify how the rest of the Pale
    King's children lack genders.
  • 40:59 - 41:02
    I assume MatPat is just using male
    pronouns for convenience,
  • 41:02 - 41:06
    but that's no excuse to misgender these
    poor bugs.
  • 41:06 - 41:07
    They have it hard enough.
  • 41:07 - 41:08
    [MATPAT] It would explain how,
  • 41:08 - 41:12
    just like the Pale King snapped the bugs
    out of their collective stupor
  • 41:12 - 41:13
    during his lifetime,
  • 41:13 - 41:15
    our Knight, as you go through the game,
  • 41:15 - 41:17
    is doing exactly the same thing;
  • 41:17 - 41:19
    waking up bugs from the infection
  • 41:19 - 41:21
    and getting them to return to a life in
    Dirtmouth.
  • 41:21 - 41:23
    [MOSSBAG] To be fair,
  • 41:23 - 41:25
    the Knight only saves two bugs from
    the infection:
  • 41:25 - 41:27
    Sly and Bretta,
  • 41:27 - 41:29
    and these two are very rare exceptions.
  • 41:29 - 41:33
    The Knight isn't able to cure any of the
    other infected bugs we see.
  • 41:33 - 41:35
    You'd think that would be easier than
    fighting them off.
  • 41:36 - 41:38
    And of course we can't forget
  • 41:38 - 41:42
    if the Knight really can snap bugs out
    of the infection so easily,
  • 41:42 - 41:43
    why can't we save Myla?
  • 41:44 - 41:46
    Did we really fail her that much?
  • 41:46 - 41:48
    She really deserved better.
  • 41:48 - 41:50
    [♪ 'For The Damaged Coda' ♪]
  • 41:50 - 41:50
    (POV: You discover that
    mossbag can read your mind--)
  • 41:50 - 41:51
    On top of that,
  • 41:51 - 41:54
    the Pale King couldn't snap bugs out of
    the infection either.
  • 41:54 - 41:56
    That was the whole point of the Vessel,
  • 41:56 - 41:59
    it was the only way the Pale King could
    deal with the infection.
  • 41:59 - 42:02
    [MATPAT] It would explain how
    only you and the Pale King
  • 42:02 - 42:04
    are seen to use the Monarch Wings item.
  • 42:04 - 42:06
    [MOSSBAG] That's true,
  • 42:06 - 42:09
    but the Monarch Wings could
    probably be worn by any vessel
  • 42:09 - 42:12
    as long as they had a cape for
    the Monarch Flies to morph into.
  • 42:12 - 42:16
    [MATPAT] And if all of that wasn't
    enough to convince you,
  • 42:16 - 42:19
    in cut dialogue that
    was datamined from the game,
  • 42:19 - 42:22
    if you dream nail the final boss,
  • 42:22 - 42:23
    the Hollow Knight himself,
  • 42:23 - 42:24
    it will say this:
  • 42:24 - 42:25
    "…Father?…"
  • 42:25 - 42:27
    Doesn't get much more explicit than that.
  • 42:27 - 42:28
    [MOSSBAG] Okay, so first of all,
  • 42:28 - 42:32
    this is cut dialogue so it really
    should be taken with a grain of salt.
  • 42:32 - 42:35
    Now I am guilty of doing this a lot myself
  • 42:35 - 42:37
    and it's a bad habit
    that I do need to break.
  • 42:37 - 42:38
    Second,
  • 42:38 - 42:41
    just because the Hollow Knight is thinking
    about its father,
  • 42:41 - 42:44
    that doesn't mean it
    thinks that the Knight is its father.
  • 42:44 - 42:49
    Love for its father would probably be the
    only thought the Hollow Knight could have,
  • 42:49 - 42:53
    so it would probably think
    that even if the Knight wasn't there.
  • 42:53 - 42:55
    Look at the jellyfish in the Fog Canyon,
  • 42:55 - 42:58
    or the flukes in the Royal Waterways.
  • 42:58 - 43:01
    They think about
    Monomon and the Flukemarm respectively,
  • 43:01 - 43:03
    without being in the same room as them.
  • 43:03 - 43:06
    The rest of the video
    is just recapping the theory,
  • 43:06 - 43:10
    with one additional section discussing why
    the Pale King left Hallownest.
  • 43:10 - 43:11
    [MATPAT] He studies the Void
  • 43:11 - 43:14
    so that he's eventually
    able to be reborn with its power,
  • 43:14 - 43:16
    hatching down in the Abyss,
  • 43:16 - 43:18
    getting cared for in
    the safety of the White Palace,
  • 43:18 - 43:21
    and then being released
    out into the lands beyond Dirtmouth,
  • 43:21 - 43:24
    a place where canonically bugs lose all
    of their memories.
  • 43:25 - 43:28
    This self-exile for a period of years is
    probably for two reasons;
  • 43:28 - 43:30
    One, his own protection from the Radiance;
  • 43:30 - 43:34
    and two, losing his memory
    helps make him purely hollow.
  • 43:34 - 43:35
    No memory,
  • 43:35 - 43:35
    no desire,
  • 43:35 - 43:37
    no past life.
  • 43:37 - 43:38
    He's now an empty vessel
  • 43:38 - 43:40
    so that should it come down to it
  • 43:40 - 43:43
    he can now be the one
    to take on the Hollow Knight's place.
  • 43:43 - 43:45
    [MOSSBAG] I don't really have any
    problems with this section
  • 43:45 - 43:47
    that I haven't brought up already,
  • 43:47 - 43:49
    other than that it begs the question of
  • 43:49 - 43:51
    how exactly the
    Void Heart fits into all this.
  • 43:52 - 43:55
    Hornet mentions multiple times that the
    Knight needs to pursue the deeper truth,
  • 43:55 - 43:58
    and learn of the
    tragedy of its own conception.
  • 43:58 - 44:01
    She then commends the Knight
    on accepting the Void inside itself.
  • 44:01 - 44:03
    There's nothing about coming to terms with
  • 44:03 - 44:05
    being the next
    reincarnation of the Pale King.
  • 44:06 - 44:08
    Why is such an important part of the story
  • 44:08 - 44:10
    completely glossed over
    for a different theme
  • 44:10 - 44:13
    about the Knight coming to
    terms with the Void inside itself?
  • 44:13 - 44:16
    And that's really my biggest problem with
    this theory:
  • 44:16 - 44:19
    it just doesn't congeal with
    the lore you see in the game.
  • 44:19 - 44:20
    Sure,
  • 44:20 - 44:23
    you could argue that the
    Elderbug refers to the Knight as a ghost
  • 44:23 - 44:26
    because the Knight is literally
    the Pale King returning to Hallownest
  • 44:26 - 44:27
    after years of self-exile.
  • 44:28 - 44:29
    You could argue
    that the Pale King was planning
  • 44:29 - 44:33
    to turn himself into a Void Creature in
    an attempt to deny time and live forever.
  • 44:33 - 44:36
    And you could probably even find
    a way to interpret the birthplace cutscene
  • 44:36 - 44:39
    so that it doesn't
    debunk the entire theory.
  • 44:39 - 44:39
    (lol)
  • 44:39 - 44:42
    But do all of these things really feel
    like what the game is saying?
  • 44:42 - 44:46
    Or do they feel like someone is looking
    too hard to justify their own theory
  • 44:46 - 44:47
    despite what evidence,
  • 44:47 - 44:49
    or lack thereof,
  • 44:49 - 44:50
    they find in the game.
  • 44:51 - 44:52
    Now I'd like to reiterate:
  • 44:52 - 44:55
    my intention with
    this video isn't to attack MatPat.
  • 44:56 - 44:58
    Remember that pinned
    comment I mentioned earlier?
  • 44:58 - 45:00
    Well, since I first wrote this script,
  • 45:00 - 45:03
    MatPat has replaced
    that comment with another one
  • 45:03 - 45:05
    providing a detailed
    critique of his arguments
  • 45:05 - 45:07
    originally written by Sumwan.
  • 45:07 - 45:09
    If you don't know who Sumwan is,
  • 45:09 - 45:11
    she's done a lot for this community
  • 45:11 - 45:15
    helping update the Wiki to include
    detailed and sourced lore sections,
  • 45:15 - 45:17
    and she's also helped me with my videos
  • 45:17 - 45:19
    by proofreading my scripts,
  • 45:19 - 45:21
    so she definitely has a
    strong understanding of the lore.
  • 45:21 - 45:21
    (Sumwan has big chad energy, ngl.)
  • 45:22 - 45:25
    Seeing MatPat display her detailed
    rebuttal in a pinned comment
  • 45:25 - 45:26
    is really cool,
  • 45:26 - 45:29
    and it shows that MatPat is
    open to criticism about his theories.
  • 45:30 - 45:33
    So yeah, those are just a few of
    the thoughts I had on MatPat's video.
  • 45:34 - 45:35
    If you're a fan of MatPat,
  • 45:35 - 45:38
    and didn't really know the lore of
    Hollow Knight going into this video,
  • 45:38 - 45:42
    then hopefully you can see why
    our community got a little upset.
  • 45:42 - 45:44
    This theory really is beyond saving.
  • 45:44 - 45:46
    Even the Pope couldn't resurrect it.
  • 45:46 - 45:47
    ...
  • 45:47 - 45:48
    That's what the Pope does,
  • 45:48 - 45:49
    right?
  • 45:49 - 45:50
    If you're a fan of me,
  • 45:50 - 45:52
    or just Hollow Knight in general,
  • 45:52 - 45:55
    then hopefully you can see that MatPat
    isn't trying to disrespect this game
  • 45:55 - 45:57
    or mislead people.
  • 45:57 - 45:59
    He's been very receptive to the criticism
  • 45:59 - 46:02
    and you can tell this video
    clearly has a lot of love put into it.
  • 46:02 - 46:03
    I mean, fuck,
  • 46:03 - 46:06
    I wish my videos
    looked half as good as this.
  • 46:06 - 46:10
    I just now figured out how to use overlays
    in Sony Vegas.
  • 46:10 - 46:11
    Look at this:
  • 46:13 - 46:14
    … Pretty cool, huh?
  • 46:14 - 46:16
    If you're not a fan of me,
  • 46:16 - 46:17
    or Hollow Knight,
  • 46:17 - 46:18
    or MatPat…
  • 46:18 - 46:19
    Then what the fuck are you doing here?
  • 46:19 - 46:21
    Why'd you just watch
    this whole fucking video???
  • 46:22 - 46:24
    All in all, no harm no foul,
  • 46:24 - 46:26
    and I'm sure that the animation
  • 46:26 - 46:29
    showing that Hornet
    was made of Void was just an accident.
  • 46:29 - 46:32
    Otherwise I take everything back.
  • 46:32 - 46:34
    So in conclusion,
  • 46:34 - 46:37
    I guess this is a really
    roundabout way of saying this,
  • 46:37 - 46:39
    but I suppose the whole point I'm trying
    to make here
  • 46:39 - 46:41
    is that VaatiVidya and
    Indeimaus are a couple of
  • 46:41 - 46:42
    bitch
  • 46:42 - 46:42
    ass
  • 46:42 - 46:42
    mother
  • 46:42 - 46:43
    FUCKERS--
Title:
Debunking MatPat's Hollow Knight Theory
Description:

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Video Language:
English
Duration:
46:43

English subtitles

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