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My name is Safia Elhillo,
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and this poem is called
"to make use of water."
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dilute
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i forget the arabic word for economy
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i forget the english word for عسل
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forget the arabic word for incense
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& english word for مسكين
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arabic word for sandwich
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english for صيدلية & مطعم & وله
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/stupid girl, atlantic got your tongue/
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blur
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back home we are plagued by
a politeness so dense
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even the doctors cannot call
things what they are
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my grandfather’s left eye
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swirled thick with smoke
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what my new mouth can call glaucoma
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while the arabic still translates to
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the white water
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swim
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i want to go home
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dissolve
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i want to go home
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drown
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half don’t even make it out or across
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you get to be ungrateful
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you get to be homesick
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from safe inside your blue
american passport
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do you even understand
what was lost to bring you here.
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My name is Safia Elhillo,
and the title of my poem is
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“To Make Use of Water”.
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Around the time of writing this poem,
I’d made the decision that I wanted
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to try and get closer in my writing
to how language functions in my head.
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In any moment that I am
speaking entirely in English
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or entirely in Arabic,
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there’s always a part
of me that’s translating.
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If I write the word in the
language it occurs to me in,
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then what’s that
going to look like?
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What’s that going to feel like?
How can I make that work?
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I was sitting down to write
this poem about water,
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and this idea of being diluted
was one of the first things
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that presented itself to me.
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There’ve been a lot of questions
about dilution throughout my life.
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About my identity being dilute,
my fluency being diluted,
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my ‘Sudaneseness’ being diluted,
my ‘Americanness’ being diluted.
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And then I was thinking a lot
about the body in water.
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So the idea of swimming as,
sort of, a voluntary way
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to get to and from somewhere,
whereas something like dissolving
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is more of a surrender,
more of a release.
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“Blue” by Carl Phillips,
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which I think is the poem that gave
me permission to use obsession
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as my primary tool in my writing.
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Also it’s just a really beautiful
poem. I love it.