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Narrator: "Ancient Aliens" is an American
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television series which premiered on April
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20th, 2010 on the History Channel.
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The program presents the so-called
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"ancient astronaut" theory which is
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the idea that extraterrestrials
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visited the Earth in the ancient past
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and that historical texts, archaeological
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records, and various legends contain
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evidence of this contact. I used to
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believe that the ancient astronaut theory
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was true. I spent years learning about it
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from the popular authors, from video
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presentations and radio shows. I was an
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enthusiastic promoter of this idea to my
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friends and family. Although I no longer
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feel that way, I want you to know that I
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have no personal reasons to reject
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this theory. My current worldview could
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easily accommodate the existence
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of extraterrestrials. I hope you will come
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away from this film, even if you disagree
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with it, saying that I fairly reviewed the
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claims of "Ancient Aliens" without bias
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and with respect. I hope to show you that
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this is not a matter of "Ancient Aliens"
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getting a few details wrong here and
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there, and their main premise remaining
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true. That is not an option in my opinion.
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I hope to demonstrate to you, that they
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are wrong not on some, but on every single
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point where they assert an ancient
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astronaut theory to explain evidence and
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that often, they are using deceptive means
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to do this and sometimes even fabricating
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evidence to make their points, as we will
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see. I would also like the viewer to know
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that unlike many skeptics of the ancient
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astronaut theory, I actually concede that
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something out of the ordinary could have
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occurred in the ancient past, and that
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there are certain consistent themes in
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ancient mythologies and the like that
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require good explanations, but I think
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that you will quickly see that the ancient
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astronaut theories do not explain this
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evidence. You will notice a number that
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appears periodically on the bottom right-
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hand corner of the screen throughout this
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film. This number will appear when I am
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making a claim that requires a reference
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in order to back it up, and it will
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correspond to a number on the companion
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website, AncientAliensDebunked.com. This
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film is divided into three main sections,
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and each topic can be viewed independently
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at the website, if you choose. I will
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occasionally be joined by commentary from
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Dr. Michael Heiser, one of the few actual
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scholars who has been willing to interact
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with the ancient astronaut theory. Dr.
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Heiser has been one of the most articulate
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proponents of the skeptical viewpoint of
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this theory, and has written papers and
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books, as well as almost a dozen websites
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on the issues we will be covering in this
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film. We are happy to have him as part of
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this film, and we are happy to have you,
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the viewer, here as well. I encourage you
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to have an open mind, and enjoy the film.
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Brien Foerster: Pumapunku is so unique, in
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the way that it was constructed and shaped
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and positioned, that it is the most
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intriguing ancient site on the planet.
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Giorgio Tsoukalos: While the pyramids at
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Giza are incredible feat of achievement,
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compared to Pumapunku, the pyramids are
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childplay. In my opinion, the most
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significant piece of evidence that we have
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in this entire ancient astronaut puzzle,
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is Pumapunku in the highland of Bolivia.
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Narrator: Well, if Pumapunku is considered
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such good evidence for the ancient
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astronaut theory, we should probably
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start off by looking at it. After all,
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it's the one that they say was built
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directly by extraterrestrials.
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Tsoukalos: Pumapunku is the only site on
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planet Earth that, in my opinion, was
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built directly by extraterrestrials.
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Narrator: "Ancient Aliens" starts off with
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the false dilemma, by making people think
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that it was absolutely impossible for
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ancient people to construct Pumapunku,
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even to the point of making outright false
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claims.
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Tsoukalos: One of the most intriguing
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things there is that the stones that were
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used there aren't sandstone. They are
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granite and diorite. The only stone that's
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harder than diorite is diamond so the only
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way that this could have been achieved is
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if the tools were tipped with diamonds.
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Narrator: This is funny because it's totally
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wrong. The stones are not granite or
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diorite at Pumapunku. They are red
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sandstone and andesite. But this is also
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funny because of the way that he says it.
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Tsoukalos: The stones that were used there
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aren't sandstone. They are granite and
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diorite.
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Narrator: Well, actually it is sandstone.
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You can't blame him, though. It becomes
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obvious that throughout the series, he
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often just repeats things he's heard in
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Erich von Däniken's books. Von Däniken's
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books are what the Ancient Aliens series
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is based on. Later, we see Erich von
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Däniken himself make the exact same
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totally wrong claim.
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Erich von Däniken: Of course made of
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stones found on Earth because you don't
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transport granite or diorite from another
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solar system.
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Narrator: Von Däniken continues building
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up this false dilemma.
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Däniken: One of these platforms is 800
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tons.
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Narrator: This is very incorrect. The
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heaviest block at Pumapunku is 130 tons
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and most of the stones are much smaller
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than that so he's off by a whopping 670
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tons! Unfortunately, we will come to
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expect this kind of thing from von Däniken
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as we progress. "Ancient Aliens" spends
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quite a lot of time pointing out the
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various features in the stonemasonry at
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Pumapunku and then declaring it impossible
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to do without power tools.
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David Hatcher Childress: Each of these
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small drill holes are basically evenly
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spaced along this routered groove.
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To me it's clear power tools have been
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used on this unusual block of stone here.
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Foerster: Well exactly. This surface is as
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smooth as a table top, like in your
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kitchen. There's no wave to it or
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anything. This was machined.
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Narrator: The sandstone and andesite
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stones at Pumapunku would have been easily
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worked with the most basis stoneworking
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tools. The idea that diamond-tipped power
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saws were needed is ridiculous. The red
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sandstone was relatively soft and easy to
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work with and even though andesite is
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pretty hard, because of the way it cooled,
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it could easily be flaked-off using stones
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as soft as 5.5 on the Mohs scale. Such
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pounding stones where found all over the
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andesite quarries in the area. Contrary to
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"Ancient Aliens" claims that
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archaeologists are baffled by Pumapunku,
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archaeologists know the basics about how
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Pumapunku's stones were cut and shaped.
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This is partly because there is evidence
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for this all over the site itself. They
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actually used a method that almost all
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ancient stoneworkers used. They used hard
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pounding stones to pound-out troughs-like
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depressions. Later on, they used flat
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stones and sand to grind the stone to make
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a polished surface. We will see later on
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that this also how the Egyptians thousands
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of years before this made their flat
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surfaced granite monuments like obelisks.
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Sand, as we will see later when we look at
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Egypt, has extremely hard particles in it
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and if placed between a flat surface and
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a rock, can polish even the hardest stones
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known to man. In fact, the harder the
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stone is, the better it can be polished
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using sand. We will also see how sand can
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turn a piece of copper into a very
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efficient granite saw or granite drill, a
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method which the Egyptians utilized quite
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well. Some stones as Pumapunku that
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"Ancient Aliens" would never show the
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cameras are the ones that are in the
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middle of this process. They show that at
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same time a stone was being pounded with
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stone hammers, which created these trough-
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like depressions, the grinding and
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polishing was taking place on the other
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end of the stone. Unfinished stones like
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this one clearly show how they were shaped
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and it wasn't with lasers. There is also
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unmistakable evidence of stone hammers
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having been used in places that were never
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meant to be visible, like where certain
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stones would be connected with one another
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And because of that, it's hard for me to
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believe Erich von Däniken in this next
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clip because it would mean that the alien
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toolbox had a laser gun right next to a
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stone hammer.
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Däniken: Extraterrestrials arrive, the
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spaceship stands in orbit. Only a smaller
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space vehicle comes down like a space
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shuttle. So, just to protect the
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instruments, they make overnight, with
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their technology, what we call a "base
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camp." Of course made out of stones found
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on Earth, because you don't transport
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granite or diorite from another solar
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system. And then they disappeared, but the
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wall of their base camp is still there.
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Narrator: It is true that stone tools
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would not be enough to construct Pumapunku
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especially for some of the finer points.
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For that, they would need metal chisels
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and the equivalent of a carpenter's square
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Entire studies have been done detailing
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how these cuts were made, and nothing
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spectacular is required except some metal
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tools like chisels. The arguments against
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this are usually either that a particular
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culture did not yet know how to cast
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metals, or that copper chisels would have
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been too weak. On the first point, we know
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that the pre-Incan Andean culture was very
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skilled at fashioning metals and creating
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metal alloys. In fact, the people who
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built Pumapunku were even pouring copper
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alloys into molds right on site, showing
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that they had more than enough capability
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to form all kinds of metal tools. But the
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question is, what about the tools'
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strength? Well, even if they were pouring
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pure copper into a mold, it would still
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work, but it would need sharpening often.
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But because archaeologists actually found
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a few of these metal cramps used by them
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on site, we now know they were using a
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very strong copper-arsenic-nickel alloy,
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which made a much stronger final product.
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Arsenic acts as a deoxidant, preventing
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the metal from becoming too brittle, and
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nickel was used in copper alloys,
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specifically to make strong chisels.
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Once you understand that they had the
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ability to make strong metal tools in a
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huge variety of shapes, there is no part
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of Pumapunku's stonework that would have
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been too difficult for them. Well, what
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about these 90 degree right angles that
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"Ancient Aliens" makes so much about?
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Childress: One of the amazing things here
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at Pumapunku is the precision of the
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blocks. You can see with this block of
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granite, that it's really been cut at very
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accurate right angles.
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Narrator: To make flat surfaces with right
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angles, you don't need alien technology.
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You only need a square or a simple
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equivalent. It's important to keep in mind
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that Pumapunku would have been built
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thousands of years after the Egyptians,
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who had all kinds of squares and
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plumb-bobs and levels and so on. It's a
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pretty basic stoneworking tool. That being
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said, despite what "Ancient Aliens" says,
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Pumapunku is not all perfect right angles.
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You can even see this, ironically enough,
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as the "Ancient Aliens" crew goes around
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with carpenter's squares. You can see that
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some of them are simply not square. Also,
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they make claims like "all the H-blocks
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are the same dimensions," which they say
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suggests that they were made by a big
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machine. But not only would that not be
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the only conclusion if it were true. It's
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not even true. The dimensions of the
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H-blocks are not all the same, though they
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are close. It's probably the case that
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they were made using the same plans.
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Speaking of plans,
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Tsoukalos: Mainstream archaeologists say
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that Pumapunku was built by the Aymara
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Indians, and we would all have to agree
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that in order to build something like
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Pumapunku, you need writing, you need
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planning, and you need some sort of a idea
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where which piece goes and how it
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ultimately all fits together. But there is
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one thing that all the mainstream
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archaeologists agree upon, that the Aymara
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didn't have any writing. So how is it
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possible that they built all of this
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without plans?
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Narrator: The builders of Pumapunku may
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not have had an alphabet, but they did use
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the common iconography or artwork of their
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culture called "Yaya-Mama." All the icons
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on the site are Yaya-Mama, not secret
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alien code, and this is but one of the
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many indications of the culture and time
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that it was built. But my point is, that
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like many cultures, they used pictures
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instead of an alphabet and most building
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plans are done through pictures like
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blueprints, for example. So saying that no
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alphabet means no planning is pretty
-
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ridiculous in my opinion. Well, what about
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moving the stones and lifting them into
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place? Surely that would have required
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levitation.
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Childress: How these massive blocks of
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granite were moved from their quarries
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and brought here to Pumapunku would have
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required some kind of super technology:
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levitation and anti-gravity, huge lifting
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vehicles, something that ancient aliens
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would have had.
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Narrator: If they did know how to levitate
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these stones, then they put far too much
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effort into creating places in the stones
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to attach ropes to. Many stones at
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Pumapunku have grooves several
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centimeters in width and depth on two
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adjacent faces for holding ropes. They
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even had special places cut into the
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stones that Pumapunku scholars call
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"hoisting grips," all very strange things
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to do if they could simply levitate these
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blocks. And to make matters worse for the
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ancient astronaut theory here, according
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to archaeologist Jean-Pierre Protzen, who
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is an expert on Pumapunku, there is almost
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no stone at the Pumapunku site that does
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not have what he calls "drag marks" on
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one of its faces where it has been, well,
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dragged to the site. "Ancient Aliens"
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throws up another false dilemma here.
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Tsoukalos: What nobody talks about here
-
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is the irrefutable fact that we are at an
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altitude of 12,800 feet which means we are
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above the natural tree line. No trees ever
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grew in that area, meaning no trees were
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cut down in order to use wooden rollers.
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The wooden roller theory falls by the
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wayside.
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Narrator: This is like saying that there
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is not way the Egyptians used wood because
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trees didn't grow in Egypt, which is true.
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The difference is is that while the
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Egyptians had to import wood from places
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like Lebanon, it would have been far
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easier for those at Pumapunku to solve
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this problem. All they would have had to
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do is simply walk down the hill a little
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bit. OK, well what about this claim:
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Tsoukalos: Logic does not exist at
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Pumapunku because there, we have
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megalithic structures which just lie about
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this entire site as if ripped apart by
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some sort of a great force.
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Narrator: I propose that logic still
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exists at Pumapunku and that the scattered
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state of the complex can easily be
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explained. Quoting from archaeologist
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Alexei Vranich "the high quality of the
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stones made it attractive building
-
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material for houses, churches, plazas,
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bridges, even railways." In other words,
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the stones were pulled down and hauled off
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by locals for building material. In fact,
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we have the 400 year old writings of a
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visitor to Pumapunku who said that the
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looting was in full swing even back then.
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He wrote that if the site was closer to
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town, he didn't think that there would
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have been any stones left at all.
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"Ancient Aliens" says that Pumapunku is
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17,000 years old. This is what Vranich
-
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said of this claim: "The idea that
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Tiwanaku is 14,000 years old is based on
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a rather faulty study done in 1926. Since
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then, there has been a huge quantity of
-
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work both on the archaeology and geology
-
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of the area and all data indicates that
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Tiwanaku existed from around A.D. 300 to
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500." For more information on the faulty
-
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study he is referring to here, I will
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quote at length from Jason Colavito,
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who has been debunking ancient astronaut
-
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theories for years in his books and blogs.
-
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He said the following about this claim:
-
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"Tiwanaku is not 17,000 years old. This
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date derives from the work of Arthur
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Posnansky, who tried to apply
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archaeolastronomy to the site but did so
-
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in ways that modern scholars do not
-
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recognize as legitimate. Posnansky
-
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proposed a date of 15,000 B.P. (before
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present, i.e. 13,000 BCE), which the
-
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geniuses on "Ancient Aliens" misread as
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15,000 BCE, adding an extra 2,000 years
-
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onto Posnansky's already flawed dates.
-
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Here's what he did wrong. Posnansky
-
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assumed that the Kalasasaya temple at
-
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Tiwanaku was laid out with perfect
-
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accuracy to align to the equinoxes and
-
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solstices that he felt (but could not
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prove) were important to the Tiwanaku
-
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people. Thus, on a certain day the sun was
-
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supposed to rise above one rock at the
-
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temple and set behind another. (Ah, but
-
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which rock should we choose?) Since the
-
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current ruins do not align with these
-
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celestial events accurately, he concluded
-
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that the ruins must have been built at a
-
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time when they would have aligned with
-
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that event. Since the sun and sky change
-
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positions at a predictable rate due to the
-
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gradual changes in the angle of the
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Earth's axis, he concluded that the
-
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Kalasasaya temple was built in 13,000 BCE
-
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as a solar observatory, despite no other
-
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evidence of solar astronomy at the site.
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The long and the short of it is that
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Posnansky assumed celestial alignments and
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assumed flawless construction and then
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used his assumptions to "prove" that his
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assumptions were correct." Colavito also
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has this picture of the site with the
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caption, "Pick a rock, any rock. One of
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them must align with something." This
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site has been dated using a huge variety
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of methods, things like carbon dating,
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the type of metals they used, the debris
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found in certain places, the type of
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iconography they used. Literally every
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kind of dating method applied comes to the
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same conclusion. It was constructed in the
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early Middle Ages. Before we conclude this
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section on Pumapunku, there are two other
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claims I wanted to address.
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Däniken: The Spanish conqueror asked the
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Inca, the people living there, including
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the king of the Inca, 'What is this
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Pumapunku?' And they all said 'It's not
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us. Its not our forefather who make this.
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This were made by the gods in one single
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night.' Usually a king is proud about
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what his people did, about the precision
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and so on. In that case, the chief of the
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people said 'No, it was not us. It was
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the gods who made it.'
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Narrator: If you understand a little about
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the Incan imperial system and religion,
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you will understand why the Incans didn't
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claim the site, and even why they claimed
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that it had a supernatural origin. Part
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of the Incan state religion was that the
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Incan empire was the first civilization
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and it was created by God Himself. It was
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a very convenient idea for bolstering the
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Incan case for the right to rule everyone
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else. When the Incans arrived at
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Pumapunku, the site had already been
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abandoned for at least a hundred years.
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Admitting that there was a pre-Incan
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culture at all, let alone one with more
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skill than them, would have been
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detrimental to the whole scheme. So they
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slightly modified their already existing
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mythology to include Pumapunku. So instead
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of Viracocha creating the Incan capital,
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he also created Pumapunku. And just like
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that, the Incans were still the oldest and
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greatest civilization, even though
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everyone probably knew it wasn't true.
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And finally, "Ancient Aliens" says the
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following about what the ancient local
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people believed regarding who constructed
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Pumapunku:
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"Ancient Aliens" Narrator: Local legends
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suggest that Tiwanaku was built as a site
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of religious pilgrimage to celebrate the
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arrival of sky gods.
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Narrator: But this is a total lie.
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Viracocha came from the sea, not from the
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sky. This is a very sneaky move by
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"Ancient Aliens" in my opinion.
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So in conclusion, the stones are not made
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of granite and diorite, the stones were
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easily workable with the tools available
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to the Andean culture, tools which we
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know included high-quality metal alloy
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chisels. These tools would have been more
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than sufficient to make the angles seen at
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Pumapunku. The faces of the rocks have
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been finished using a polishing technique
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after being rough cut using stone hammers
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evidenced by the unfinished stones and
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hidden areas of the finished stones. The
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moving of the stones was not as difficult
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as "Ancient Aliens" makes it seem,
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especially when you take into account that
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they are telling people that the stones
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weigh 600 tons more that they actually do.
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The stones have telltale drag marks and
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hoisting holes for ropes, all showing that
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they were not levitated as "Ancient Aliens
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would have us believe. We know the culture
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which built this monument and all the
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iconography and sculptures are consistent
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with that culture. And the various methods
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of dating that scientists use all point
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to the same time period. The idea that
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Pumapunku was from Atlantean times we
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now know is based on a very transparently
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flawed presupposition.
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AA Narrator: Perhaps the most familiar
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and most mysterious megalithic structure
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in all the world is the Great Pyramid of
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Giza. The enormous size and weight of the
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stones, multiplied by the sheer number of
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them, makes one thing certain: the
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construction of the Great Pyramid remains
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one of the greatest marvels and mysteries
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of architectural engineering.
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Narrator: The Pyramids at Giza are marvels
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of engineering, and there are many
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theories about how they were constructed,
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from the mundane to the fantastic.
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George Noory: There are all kinds of
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theories on how the Great Pyramid of Giza
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was built. So many theories, you just sit
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back and shake your head. And that
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includes E.T. visitations, levitating the
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blocks with some kind of sound system.
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Narrator: One place we can learn a lot
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about Egyptian stone cutting methods is
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from the so-called "unfinished obelisk."
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Here we have a 1,000 ton obelisk made of
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granite, which was abandoned midway
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through the project because of a crack
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that developed. This stone, because it is
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unfinished, gives us direct insight into
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how they cut and shaped granite, as well
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as other stones. On the sides we can see
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how these stones were separated from the
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quarry. A team of workers would line up
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side-by-side and pound their sections
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with a diorite pounding stone. Such
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pounding stones can be found all over this
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and other quarries in Egypt. This pounding
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only broke off millimeters of granite at a
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time, but eventually these trough-like
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sections emerged at each worker's station.
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After that, they would do the same thing
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on the bottom of the block, until it was
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supported only by a thin spine in the
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middle. Then it would be snapped off using
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levers. The people who created the Moai
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statues at Easter Island used very similar
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methods for quarrying stone, as did many
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other groups around the world, as we will
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see. After the stones had been roughly
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shaped using pounding stones, they would
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then begin to polish them with grinders.
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There have been many types of stone
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grinders or polishers found in ancient
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Egypt. They usually had a handle with a
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flat surface, which they would use to rub
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against the stone with sand as the
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abrasive. They were, well, sanding the
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stone. The various mineral particles found
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in sand are hard enough not only to polish
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hard stones like granite, but also to do
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what "Ancient Aliens" tries to make people
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think is utterly impossible. That is, to
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cut granite. The Egyptians had a variety
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of ways to cut granite, mostly involving
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copper and sand. There are plenty of saw
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marks on granite stones in Egypt. At the
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granite quarries, of course, as well as
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certain notable ones like the famous
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granite sarcophagus in the Great Pyramid.
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The person who is doing the sawing on the
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sarcophagus sawed for a while at the wrong
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angle before realizing his mistake and
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going in the right direction, which left
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a pretty big mark for us to study. These
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copper saws came in three basic styles.
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One was a two-person saw, like an old-time
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lumber saw. Another type was a small hand-
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held saw with a wooden handle. And finally
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there was a tubular saw for making holes
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in granite and other stones. These saws
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are depicted in several Egyptian reliefs.
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Interestingly, they didn't require saw
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teeth to work. They only required sand to
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be placed between the saw and the stones.
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The sand was what did the cutting. This
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particular method of stone cutting has
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been tested by ancient Egyptian tool
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experts, and not only was it done, but it
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was apparently quite easy to do. However,
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sawing granite with copper was expensive
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because the copper would wear out somewhat
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quickly. Therefore, you mostly see granite
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in ancient Egypt being worked with
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pounding stones, finished with grinders
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and chisels. The saw work was reserved
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primarily for royal projects like that of
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the sarcophagus. All of this really makes
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"Ancient Aliens" lose credibility because
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all throughout the series, they make it
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sound like working with granite was only
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possible using diamond-tipped alien power
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tools. But, as all this related to the
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Great Pyramid's construction, it's
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important to remember that almost none of
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the pyramid is made from granite, except
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for a few things like the roof supports
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for the King's Chamber. Most of the stone
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was sandstone and limestone. About 85%
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of the stone used in the construction of
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the pyramids was relatively soft sandstone
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which was quarried right on site. That's
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right, the Great Pyramid was built right
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in the middle of a massive sandstone
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quarry, which was no doubt at least one
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factor in choosing the location to build
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it. The other 15% of the stones, like that
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of limestone and granite, would have to be
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brought in from a slightly further away
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location. So, this raises another question
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What about moving these stones? Surely,
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the only way is by levitation, as "Ancient
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Aliens" claims.
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Childress: In order to really move massive
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amounts of stone like that, they would
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have had to been levitated. Somehow made
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weightless and then just moved through the
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air by some kind of device, perhaps even a
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hand-held kind of device, like some beam
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weapon.
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Narrator: If levitation was the way that
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the ancient Egyptians moved stones, they
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had a funny way of showing it because
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there are plenty of depictions of them
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using wooden sleds to move everything from
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blocks the size and shape of the ones used
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for the pyramid, to massive 1,000 ton
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monuments and obelisks, all using wooden
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sleds. They even had a hieroglyph for the
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word "sled," which they used often. In
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fact, three such sleds have been found
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intact by archaeologists and they have all
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kinds of places to attach ropes to.
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Speaking of ropes, ropes made out of
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papyrus and other materials have been
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found in Egypt, some of them with a
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massive circumference, suggesting they
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were used for extremely heavy objects.
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Boats were used for stones that needed
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to be imported. In fact, a channel was
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dug from the Nile to the construction site
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so no stone had to be dragged very far
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anyway. So, what about the construction
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of the pyramids, how exactly was it done?
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Part of the reason the "Ancient Aliens"
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perspective is attractive is because some
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of the other popular theories concerning
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the pyramid's construction have problems,
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such as the single ramp theory, which
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would have had to extend out more than a
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mile and would have had to have more
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stones in it than the pyramid itself.
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Another one is the spiral ramp theory.
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This one is problematic because some of
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the ledges only had about 2 feet or less
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to work with, certainly not enough to hold
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a ledge that would carry workers and
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stones the size of the ones used. Also,
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a structure like the pyramid would have
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had to have been constantly monitored for
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geometric accuracy as it progressed
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upwards, because being even a few inches
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off on a lower level could cause the top
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to be off by a huge amount, and a spiral
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ramp would have made it impossible to
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survey the geometric accuracy of the
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pyramid as it progressed. Add to this that
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there is no actual evidence for either of
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those theories, and you can see why people
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are looking for alternative. While doing
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research for this documentary, I came
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across a new theory about the pyramid's
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construction that I had not heard before.
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At first I planned to mention it only
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briefly, but the more I heard of this
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theory, the more convinced I became of
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its validity. It was proposed not by an
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Egyptologist, but by an eccentric French
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architect named Jean-Pierre Houdin, and if
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Jean-Pierre is correct, knowing how the
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blocks were raised in the pyramid also
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happens to explain some of the other
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mysteries, like the purpose for the odd
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shaped Grand Gallery, as well as the
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purpose of the granite blocks above the
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King's Chamber, and why there were 3
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burial chambers cut at different levels
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in the pyramid, 2 of which were unused.
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I will very briefly explain this theory
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but I highly encourage you to visit the
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links at the website on your screen
-
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because the specifics of this theory are
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something that any pyramid enthusiast
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should be very familiar with, in my
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opinion. The basic idea is that there was
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an internal ramp in the Great Pyramid and
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workers dragged the blocks through it
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until they reached the corners, at which
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point the the block was repositioned for
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another team to pull it up the next ramp.
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Also, the exterior limestone blocks with
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the polished finish would have been
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positioned and aligned first to ensure
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geometric accuracy and then the sandstone
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blocks would have been positioned behind
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them as filler. This would mean that all
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the internal chambers like the Queen and
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King's Chamber were built as the pyramid
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progressed upward in the light of day.
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This internal ramp theory, unlike some of
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the others, is actually supported quite a
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lot of physical evidence. For example,
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in the 1980's, a French team looking for
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hidden chambers conducted a full-scale
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gravimetric survey of the Great Pyramid,
-
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kind of like a giant x-ray map of the
-
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entire pyramid. They actually found
-
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evidence of this internal ramp through
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their study, but they had no idea what to
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think of the spiral pattern they saw at
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the time, so they