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You hear the gentle lap of waves,
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the distant cawing of a seagull.
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But then an annoying whine
interrupts the peace,
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getting closer, and closer, and closer.
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Until...whack!
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You dispatch the offending mosquito,
and calm is restored.
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How did you detect that noise from afar
and target its maker with such precision?
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The ability to recognize sounds
and identify their location
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is possible thanks to the auditory system.
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That’s comprised of two main parts:
the ear and the brain.
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The ear’s task is to convert sound energy
into neural signals;
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the brain’s is to receive and process
the information those signals contain.
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To understand how that works,
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we can follow a sound
on its journey into the ear.
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The source of a sound creates vibrations
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that travel as waves of pressure
through particles in air,
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liquids,
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or solids.
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But our inner ear, called the cochlea,
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is actually filled
with saltwater-like fluids.
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So, the first problem to solve
is how to convert those sound waves,
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wherever they’re coming from,
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into waves in the fluid.
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The solution is the eardrum,
or tympanic membrane,
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and the tiny bones of the middle ear.
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Those convert the large movements
of the eardrum
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into pressure waves
in the fluid of the cochlea.
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When sound enters the ear canal,
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it hits the eardrum and makes it vibrate
like the head of a drum.
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The vibrating eardrum jerks a bone
called the hammer,
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which hits the anvil and
moves the third bone called the stapes.
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Its motion pushes the fluid
within the long chambers of the cochlea.
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Once there,
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the sound vibrations have finally
been converted into vibrations of a fluid,
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and they travel like a wave
from one end of the cochlea to the other.
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A surface called the basilar membrane
runs the length of the cochlea.
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It’s lined with hair cells that have
specialized components
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called stereocillia,
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which move with the vibrations of the
cochlear fluid and the basilar membrane.
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This movement triggers a signal
that travels through the hair cell,
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into the auditory nerve,
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then onward to the brain,
which interprets it as a specific sound.
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When a sound makes
the basilar membrane vibrate,
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not every hair cell moves -
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only selected ones,
depending on the frequency of the sound.
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This comes down to some fine engineering.
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At one end,
the basilar membrane is stiff,
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vibrating only in response to short
wavelength, high-frequency sounds.
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The other is more flexible,
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vibrating only in the presence of longer
wavelength, low-frequency sounds.
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So, the noises made by the seagull
and mosquito
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vibrate different locations
on the basilar membrane,
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like playing different keys on a piano.
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But that’s not all that’s going on.
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The brain still has another
important task to fulfill:
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identifying where a sound is coming from.
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For that, it compares the sounds
coming into the two ears
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to locate the source in space.
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A sound from directly in front of you will
reach both your ears at the same time.
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You’ll also hear it at the same intensity
in each ear.
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However, a low-frequency sound
coming from one side
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will reach the near ear microseconds
before the far one.
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And high-frequency sounds will sound
more intense to the near ear
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because they’re blocked
from the far ear by your head.
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These strands of information
reach special parts of the brainstem
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that analyze time and
intensity differences between your ears.
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They send the results of their
analysis up to the auditory cortex.
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Now, the brain has
all the information it needs:
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the patterns of activity
that tell us what the sound is,
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and information about
where it is in space.
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Not everyone has normal hearing.
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Hearing loss is the third most common
chronic disease in the world.
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Exposure to loud noises
and some drugs can kill hair cells,
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preventing signals from traveling
from the ear to the brain.
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Diseases like osteosclerosis freeze
the tiny bones in the ear
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so they no longer vibrate.
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And with tinnitus,
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the brain does strange things
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to make us think there’s a sound
when there isn’t one.
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But when it does work,
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our hearing is an incredible,
elegant system.
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Our ears enclose a fine-tuned piece
of biological machinery
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that converts the cacophony of vibrations
in the air around us
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into precisely tuned electrical impulses
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that distinguish claps, taps,
sighs, and flies.