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Les Choristes [The Chorus] Full Movie HD

  • 0:41 - 0:42
    Yes?
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    Pierre, there's
    an urgent call from France.
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    After the concert.
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    It's about your mother.
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    Yes?
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    Do you remember me?
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    Fond de I'étang.
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    "My father is coming for me
    on Saturday."
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    Pépinot.
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    Of course.
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    Pépinot.
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    - How long has it been?
    - About 50 years.
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    Fond de I'étang.
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    You're the little guy in the front row.
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    And there you are.
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    Do you remember the prefect's name?
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    Clément Mathieu.
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    Clément Mathieu.
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    I wonder what happened to him.
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    Open it.
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    "Fond de I'étang.
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    1949."
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    Mathieu kept a journal
    while he worked at Fond de I'étang.
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    That's his story. Ours too.
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    He wanted you to have it.
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    I'd have preferred to deliver it
    under different circumstances, but...
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    "January 15, 1949.
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    After failing for so long
    in so many fields,
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    I was sure the worst was still to come."
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    It was a boarding school where
    troubled children were rehabilitated,
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    That's what the advertisement said,
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    Fond de I'étang,
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    Even the name seemed
    to fit me like a glove,
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    Hello.
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    You're all alone?
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    What are you doing there?
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    Waiting for Saturday.
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    Why?
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    My father is coming for me.
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    But it's not Saturday.
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    Pépinot.
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    Pépinot.
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    Hello. I'm Clément Mathieu,
    the new prefect.
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    Have you done this type of work before?
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    I taught some classes in private school.
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    - What did you teach?
    - Music.
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    You'll like Rachin, our headmaster.
    He used to play the trumpet.
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    - Hello, Pépinot.
    - Hello.
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    His daughters. He lives right there.
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    - You haven't met Mr. Rachin?
    - Not yet, no.
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    - Mrs. Boissemand recommended me.
    - Really?
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    That was old Maxence,
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    He told me on the spot
    that he was the school watchman,
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    as well as its nurse.
    storekeeper and glazier,
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    - What is he doing?
    - Serving detention for Mr. Rachin.
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    Fifteen days of community work.
    In other words, school drudge.
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    What kind of children are they, exactly?
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    - No one told you?
    - No.
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    My infirmary. I'll show you
    my vegetable garden later.
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    I'd like that.
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    - Damn it! What have they done now?
    - I'll help you.
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    Are you Clément Mathieu?
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    The headmaster...
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    Rachin, the school's headmaster.
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    Headmaster, I'm sorry...
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    - Yes, you're late.
    - I had the wrong bus schedule.
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    Punctuality is essential here.
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    Very well.
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    Headmaster.
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    Very well, Headmaster.
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    Come with me.
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    First you should study
    the school regulations,
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    then you can supervise
    the 4:00 study period before you...
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    What are you doing? Answer me.
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    - Take this.
    - It's my eye.
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    Another trap. You can appreciate
    our boarders' finer instincts.
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    Get him over there.
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    I'm blinded.
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    Don't make a fuss. Show me.
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    It's not pretty.
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    Ring the bell. School assembly.
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    - We should call a doctor.
    - Do you know how much they charge?
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    What did I say? Ring the assembly.
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    The bell?
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    Next to the door,
    right in front of you.
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    All right.
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    Assembly.
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    Assembly.
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    - Are they always like that?
    - Keep ringing the bell.
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    Two abreast.
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    Everybody in the schoolyard.
    Assembly.
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    Hurry up.
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    Move faster. Be silent.
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    - Chrome Dome.
    - Be silent.
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    - Chrome Dome.
    - Be silent.
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    Be silent.
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    - I didn't say anything.
    - Be silent.
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    I called this assembly
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    because of a despicable attempt
    against old Maxence.
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    Under our action-reaction rule,
    the culprit will be severely punished.
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    I want the culprit's name
    within the next three seconds,
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    or it's six hours of lock-up
    for each one of you.
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    Effective until he's betrayed
    or gives himself up.
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    Is that clear?
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    One...
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    Two...
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    Three.
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    No volunteers?
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    Of course. Come closer.
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    - Mathieu.
    - Me?
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    Come closer.
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    The school register, Mr. Chabert.
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    Thank you.
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    Mr. Mathieu, your new prefect,
    has been spared your acquaintance.
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    - Chrome Dome.
    - Be silent.
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    So he can choose
    who goes first without bias.
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    Be silent.
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    Pick a name.
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    At random?
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    - A word of advice...
    - Don't interfere. Go on.
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    Boniface.
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    Too bad. Chabert, get Boniface.
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    - Sir, I didn't do anything.
    - Shut up.
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    - It's lousy, I didn't do anything.
    - Watch your language.
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    Move.
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    - I won't go.
    - I'll kick your backside for you.
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    Be silent.
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    Furthermore,
    until I've found the culprit,
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    there will be no recess
    and no visitors.
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    I advise you to give him up quickly.
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    It's an encouragement to turn informer.
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    You're full of noble illusions
    like any new staff member.
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    Come see me in eight days.
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    You'll be replacing Mr. Régent.
    He'll explain your duties.
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    Clean sheets.
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    Thank you.
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    Why are you leaving?
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    Ten stitches.
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    Cut with scissors.
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    Just for confiscating
    Mouton's cigarettes.
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    - Mouton?
    - The boy's name is Mouton.
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    And Mouton's still here?
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    By the way, Le Querrec
    booby-trapped Maxence's door.
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    I heard him talking about it
    in the corridor.
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    - And you didn't say anything?
    - I didn't want to miss the bus.
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    Old Maxence punished him
    for breaking some glass panes.
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    Simple revenge. That's just his style.
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    Le Querrec.
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    Don't forget that name: Le Querrec.
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    - Morhange too.
    - Yes.
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    Morhange doesn't talk much,
    but keep an eye on him.
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    Looks like an angel,
    acts like the devil.
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    Action-reaction.
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    That's all they understand.
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    They're all yours.
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    - Good luck.
    - Thank you.
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    Our benefactresses.
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    The timetable's over there.
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    Classes were shared
    between the headmaster,
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    who taught French and History,
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    and Mr, Langlois.
    who taught every other subject,
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    Mr. Langlois, here's the new prefect.
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    Clément Mathieu.
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    - A prefect at your age?
    - Yes, but I used to teach.
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    Very well then.
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    And he's the funny one.
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    Take your study period. You're late.
    No need to show you the way.
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    Watch out. Chrome Dome's coming.
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    Gentlemen.
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    No smoking during class.
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    The rules apply to everyone.
    Even you, sir.
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    Give it back.
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    Be quiet.
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    Give it back.
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    Be silent.
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    Give it back.
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    An auspicious beginning.
    Congratulations, Mathieu.
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    Sit.
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    Of course.
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    You again.
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    What did he do?
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    Nothing, Headmaster.
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    What do you mean, "nothing?"
    You were about to punish him.
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    I asked him to go to the blackboard
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    and I was just telling them
    to be silent.
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    Not a minute too soon.
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    Don't make me come back.
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    Stand in the corner.
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    Very well.
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    Now that you've come to know me,
    we need to set things straight.
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    Right now,
    one of your classmates is in lock-up.
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    For no good reason.
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    I may not look like much
    but I'm no fool.
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    I know who did it.
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    He has 15 seconds to give himself up.
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    I'm waiting.
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    You'll regret it. Five seconds left.
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    Too late.
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    Le Querrec.
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    Who is Le Querrec?
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    I am, sir.
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    What a surprise.
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    - You hurt Mr. Maxence.
    - No, sir. I didn't do it.
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    - That wasn't a question.
    - I didn't do anything.
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    Between the two of us, I wonder
    who the headmaster will believe.
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    I need someone dependable
    to keep an eye on things while I'm gone.
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    According to my sixth sense,
    that dependable student must be...
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    ...Mr. Morhange.
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    Come on, come on.
    Who is Mr. Morhange?
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    That's me, sir.
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    So you're the angel.
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    Go down. You'll supervise
    the class while I'm gone.
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    Go on.
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    Nice. You could pull out
    your shirt a bit more.
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    I'm told the rebellious have
    strong leadership skills. Prove it.
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    Come to the headmaster's office.
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    - Have mercy, sir.
    - Mercy?
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    What about the boy who's taken
    your place? And old Maxence?
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    I didn't want to hurt him.
    It was just a joke.
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    A joke?
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    ...a little stint in lock-up.
    I've had enough of you.
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    But first, I'm going to give you
    the flogging of your life.
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    - Who is it?
    - Leclerc.
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    He's tried to run away three times.
    He's taking him to lock-up.
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    - So you won't be alone.
    - Don't.
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    Maybe we can come to an agreement.
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    You hurt Mr. Maxence. Badly.
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    I won't take you to the headmaster
    but I have to punish you.
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    Instead of fooling around during recess,
    you'll work in the infirmary.
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    You'll be old Maxence's nurse.
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    You'll look after him until he's cured.
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    All right?
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    Not bad.
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    What do you think?
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    But I can do better. Give me the chalk.
    Stand in profile.
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    Profile.
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    Let's see a smile for a change.
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    You can look now.
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    I almost forgot...
    Some color would be nice.
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    Much better. Get back to your seat.
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    Very well.
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    I want to get to know you,
    so you're going to write your name,
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    your age and your dream job
    on a piece of paper.
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    I was astonished when
    they all did as they were told,
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    All except one,
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    You're not writing?
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    How long have you been here?
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    A long time?
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    I don't know.
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    Write, little fellow.
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    An exhausting first day,
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    I forgot why I came here
    in the first place,
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    Rachin scares me, the building
    scares me, even the children scare me,
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    I keep expecting them
    to slip into my recess and murder me,
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    My blanket.
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    - Got a cigarette?
    - Shut up.
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    Go to bed.
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    I read the assignments again,
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    They all had fabulous dreams,
  • 19:14 - 19:18
    Two firemen, three cowboys.
    one tiger tamer, one fighter pilot,
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    two spies, a general under Napoleon.
    one balloonist, three legionaries...
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    Not one school prefect,
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    It was nice of you
    to volunteer to be my nurse.
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    Doctor, the new prefect asked
    for a volunteer to take care of me.
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    And he raised his hand right away.
  • 19:39 - 19:42
    Proof that
    we should believe in miracles.
  • 19:42 - 19:44
    Come in.
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    Mr. Mathieu, the new prefect.
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    So?
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    It's pretty bad, Maxence.
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    If they've started attacking you,
    they're beyond help.
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    You're so patient with them.
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    I've got a thick skull.
    You shouldn't be feeling sorry for me.
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    I feel sorry for those poor kids.
    Don't forget one of them is dead.
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    Dead?
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    His name was Mouton.
    He jumped off the roof.
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    Good thing he was an orphan.
  • 20:13 - 20:17
    Look at him. Everyone says
    he's a lost cause. It's not true.
  • 20:17 - 20:20
    He's a good boy.
    You just have to know him.
  • 20:20 - 20:22
    Old Maxence is a nice guy.
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    I'm talking to you, Le Querrec.
    Don't you think he's nice?
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    No?
  • 20:31 - 20:32
    Yes.
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    - I didn't hear you.
    - Leave him alone. He's shy.
  • 20:35 - 20:37
    Like me.
  • 20:38 - 20:40
    One, two, three, four...
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    Faster.
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    Yes?
  • 20:48 - 20:51
    - I'd like a word, Headmaster.
    - Leaving us so soon?
  • 20:51 - 20:55
    - No, I'd like to try something.
    - You don't say.
  • 20:55 - 20:58
    About the accident.
  • 20:58 - 21:00
    - That was no accident.
    - Quite.
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    I need three things from you.
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    - Is that all?
    - One, cancel the group punishment,
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    two, let me deal with the culprit,
    and three, don't ask me for his name.
  • 21:12 - 21:14
    You'd have to know it first.
  • 21:14 - 21:16
    Naturally.
  • 21:16 - 21:20
    Your arrogance astounds me.
    Do you really think you'll find him?
  • 21:20 - 21:24
    Very well. If you succeed,
    I'll cancel the group punishment.
  • 21:24 - 21:27
    But you'll never get the culprit
    or I'm the biggest fool in nature.
  • 21:29 - 21:32
    I know who did it, Headmaster.
  • 21:33 - 21:35
    Congratulations.
  • 21:36 - 21:38
    Who is it?
  • 21:38 - 21:40
    You said I wouldn't have to tell you.
  • 21:42 - 21:45
    Fine. Very well then.
  • 21:45 - 21:47
    But I don't like your manners.
  • 21:47 - 21:50
    You'd better make sure
    your students behave.
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    - I've already got them under control.
    - That's what you think.
  • 21:53 - 21:56
    One, two, three, four... Go on.
  • 21:57 - 21:59
    Faster.
  • 22:13 - 22:17
    - There's no pictures of naked women.
    - I never said there were naked women.
  • 22:17 - 22:19
    What does yours say?
  • 22:19 - 22:23
    "Ave Maria for soprano
    by Clément Mathieu."
  • 22:23 - 22:26
    I've got, "String quartet...
  • 22:26 - 22:29
    - ...by Clément Mathieu."
    - Looks like music.
  • 22:30 - 22:32
    - What do you know about it?
    - Maybe it's Morse.
  • 22:32 - 22:35
    - Or some secret code.
    - Maybe he's no prefect.
  • 22:35 - 22:37
    Maybe he's an undercover spy.
  • 22:37 - 22:38
    Chrome Dome.
  • 22:49 - 22:51
    Give it back to me.
  • 22:51 - 22:54
    - What is it, sir?
    - None of your business.
  • 22:54 - 22:57
    Is there a problem, Mathieu?
  • 22:57 - 22:59
    No problem.
  • 22:59 - 23:01
    It's just music.
  • 23:01 - 23:03
    What for?
  • 23:04 - 23:05
    A chorus.
  • 23:06 - 23:08
    In the water closets?
  • 23:10 - 23:13
    Clear out, chorus.
  • 23:18 - 23:21
    - Not here, Mathieu.
    - What?
  • 23:21 - 23:23
    - Don't play the idiot.
    - You're not suggesting...?
  • 23:24 - 23:26
    I won't say anything this time.
  • 23:27 - 23:30
    - You really see evil everywhere.
    - In here? Yes.
  • 23:38 - 23:40
    Baldy, you are through
  • 23:40 - 23:43
    The rules won't be made by you
  • 23:43 - 23:45
    Baldy, you are through
  • 23:45 - 23:48
    The rules won't be made by you
  • 24:04 - 24:06
    The rules won't be made by you
  • 24:06 - 24:09
    Chickening out, guys?
  • 24:11 - 24:14
    - You're Corbin.
    - Yes, sir, but I didn't do anything.
  • 24:14 - 24:16
    - You were singing.
    - No, sir. I swear.
  • 24:16 - 24:20
    You were singing. Badly.
    And you couldn't even tell.
  • 24:20 - 24:22
    Go on. Sing.
  • 24:22 - 24:24
    I'm listening.
  • 24:24 - 24:28
    Would you prefer to sing
    for the headmaster? Go on.
  • 24:28 - 24:30
    Chrome Dome
    Prepare to meet your doom
  • 24:31 - 24:33
    Chrome Dome
    Prepare to meet your doom
  • 24:33 - 24:36
    You're not the boss of us
  • 24:36 - 24:38
    You're not the boss of us
  • 24:38 - 24:41
    No one ever told you
    you couldn't sing?
  • 24:41 - 24:44
    Sir? Is that really music
    in your satchel?
  • 24:44 - 24:46
    Mind your own business.
  • 24:48 - 24:52
    By the way, if I ever catch
    one of you messing with my things...
  • 24:54 - 24:56
    ...he'll be very sorry.
  • 24:56 - 24:59
    Now be quiet.
    Time to go to bed. Hurry up.
  • 24:59 - 25:00
    It's over.
  • 25:15 - 25:17
    Go to sleep.
  • 25:36 - 25:39
    I couldn't get their ditty
    out of my head,
  • 25:39 - 25:42
    They're not very good at it.
    but they are singing,
  • 25:42 - 25:45
    I even spotted a few good voices,
  • 25:46 - 25:50
    Are those kids really a lost cause?
  • 25:50 - 25:53
    And I had sworn never
    to touch my music again,
  • 25:55 - 25:57
    Never say never,
  • 25:58 - 26:01
    Nothing is ever truly lost,
  • 26:09 - 26:11
    January 23rd,
  • 26:11 - 26:15
    One week after his accident, old Maxence
    suddenly took a turn for the worse,
  • 26:15 - 26:18
    The doctor sent him to the hospital,
  • 26:23 - 26:26
    Is he going to die?
  • 26:27 - 26:29
    No, we'll save him.
  • 26:31 - 26:34
    The very same day.
    Pépinot got into trouble,
  • 26:34 - 26:37
    Mr. Pépinot, you're a dunce.
  • 26:37 - 26:42
    Final question. The last one.
    How did Marshal Ney die?
  • 26:51 - 26:52
    I'm waiting.
  • 27:03 - 27:04
    Hunting?
  • 27:07 - 27:07
    Zero.
  • 27:08 - 27:11
    One hundred lines by tomorrow:
    "Marshal Ney was shot."
  • 27:12 - 27:14
    Get out.
  • 27:22 - 27:24
    Boniface. Come here, boy.
  • 27:28 - 27:31
    Here, as a reward for your essay.
  • 27:31 - 27:33
    Give it to Mrs. Marie
    and you'll get a cookie.
  • 27:33 - 27:36
    You knew Ney had been shot, eh?
  • 27:36 - 27:38
    Of course, sir. Just like Napoleon.
  • 27:40 - 27:42
    Get out.
  • 27:43 - 27:45
    Hold on, Mr. Morhange.
  • 27:45 - 27:47
    I saw you taking notes during class.
  • 27:48 - 27:52
    This is a rare occurrence indeed.
    Bring me your notebook.
  • 28:09 - 28:10
    Charming.
  • 28:14 - 28:18
    Read it.
    Admire the spelling.
  • 28:24 - 28:27
    "Mr. Rachin eats shit by the bushel."
  • 28:27 - 28:29
    He wrote "Mr?"
  • 28:30 - 28:31
    No.
  • 28:31 - 28:34
    Action-reaction, Mr. Mathieu.
  • 28:34 - 28:36
    Lock-up.
  • 28:42 - 28:43
    Come on.
  • 29:05 - 29:08
    - Gentlemen, enjoy your meal.
    - Thank you.
  • 29:09 - 29:12
    Are you hungry, Pépinot?
  • 29:17 - 29:19
    Now you can eat.
  • 29:19 - 29:21
    Pépinot?
  • 29:21 - 29:22
    He's an orphan.
  • 29:22 - 29:25
    His parents died
    during the Occupation.
  • 29:26 - 29:28
    - How did they die?
    - I don't know.
  • 29:28 - 29:31
    The kid thinks his father
    will come for him on a Saturday.
  • 29:33 - 29:35
    No one ever comes on Saturday.
  • 29:35 - 29:38
    So we tell him he'll come
    next Saturday, and so on.
  • 29:38 - 29:40
    It'd be easier to tell him the truth.
  • 29:40 - 29:43
    We must have told him 100 times.
    He won't listen.
  • 29:43 - 29:48
    Now we let him wait by the gate.
    Let him enjoy himself.
  • 29:50 - 29:52
    Be quiet!
  • 29:53 - 29:56
    Did you see that? Action-reaction.
  • 29:56 - 29:58
    Meaning?
  • 29:58 - 29:59
    Action.
  • 30:00 - 30:01
    Reaction.
  • 30:01 - 30:04
    There's a visitor for young Morhange.
  • 30:04 - 30:06
    Morhange is in lock-up.
  • 30:06 - 30:08
    No visitors for the punished.
    You know the rules.
  • 30:09 - 30:12
    Go tell his visitor then.
  • 30:37 - 30:39
    Good day, madame,
  • 30:39 - 30:40
    Good day.
  • 30:40 - 30:43
    I'm the new prefect.
  • 30:43 - 30:45
    I'm Pierre Morhange's mother.
  • 30:45 - 30:47
    Clément Mathieu.
  • 30:47 - 30:51
    I know this isn't the right day,
    but it's the only time I could...
  • 30:51 - 30:55
    - No, that's not the problem.
    - Has he been punished again?
  • 30:55 - 30:57
    No, nothing like that...
  • 30:58 - 31:00
    ...but he's not here.
  • 31:00 - 31:02
    What do you mean?
  • 31:02 - 31:06
    They took him to the dentist.
    He had a toothache.
  • 31:06 - 31:07
    A toothache?
  • 31:07 - 31:11
    Yes, but nothing serious.
    He'll be back tonight.
  • 31:12 - 31:16
    I can't wait.
    I'm going back to work at 5.
  • 31:17 - 31:19
    Can I leave something for him?
  • 31:19 - 31:21
    Of course.
  • 31:24 - 31:28
    Her name is Violette.
    Violette Morhange,
  • 31:28 - 31:31
    A single mother at her wits' end
    about her son,
  • 31:31 - 31:36
    a thieving introvert expelled from
    school because he kept running away,
  • 31:36 - 31:40
    When Pierre was sent to Fond de
    I'étang against his mother's wishes,
  • 31:41 - 31:45
    she told the judge, "At least
    he'll get a hot meal twice a day,"
  • 31:48 - 31:50
    January 30th, The experience begins,
  • 31:50 - 31:53
    In Brittany, the hats are...
  • 31:54 - 31:57
    In Brittany, the hats are round
  • 31:57 - 32:01
    That's why I'm Brittany bound
  • 32:01 - 32:04
    Soprano. Go left.
  • 32:04 - 32:06
    Leclerc.
  • 32:08 - 32:13
    He is born, the Holy Child
    Let us greet His coming
  • 32:13 - 32:15
    Almost in tune.
    Alto, go left.
  • 32:16 - 32:18
    Delaire.
  • 32:20 - 32:24
    Three miles on foot
    What does it use?
  • 32:24 - 32:26
    Three miles on foot
    eats up your shoes
  • 32:27 - 32:28
    Do it again.
  • 32:28 - 32:31
    Four miles on foot
    What does it use?
  • 32:31 - 32:34
    Four miles on foot
    eats up your shoes
  • 32:34 - 32:37
    I was right. Bass, go right.
  • 32:37 - 32:39
    Ricoeur.
  • 32:41 - 32:45
    I've got tobacco in my pouch
  • 32:45 - 32:47
    I'll give it away, not today
  • 32:47 - 32:50
    Smoking is strictly forbidden.
    Alto, left.
  • 32:51 - 32:53
    Illouz.
  • 32:56 - 32:59
    Love is a gypsy child
  • 32:59 - 33:02
    That obeys no one's laws
  • 33:02 - 33:06
    Soprano, of course. Left.
  • 33:06 - 33:08
    Very well. Pépinot.
  • 33:12 - 33:14
    I don't know any songs.
  • 33:14 - 33:16
    That's fine. I'll teach you some.
  • 33:18 - 33:22
    In the meantime,
    you can be Assistant Chorus Master.
  • 33:24 - 33:26
    Over there.
  • 33:28 - 33:31
    Boniface.
  • 33:33 - 33:36
    Marshal Pétain, here we are
  • 33:36 - 33:40
    - Who taught you that?
    - My grandfather.
  • 33:40 - 33:42
    A little old-fashioned. Left.
  • 33:43 - 33:44
    Clément.
  • 33:47 - 33:50
    Citizens to arms
    Display your charms
  • 33:50 - 33:52
    Enough. Right.
  • 33:52 - 33:54
    My camp counselor's a jerk
  • 33:54 - 33:57
    He doesn't do any work
  • 33:57 - 33:58
    Go left.
  • 33:58 - 34:01
    Cuckoo, booboo
    Cuckoo, booboo
  • 34:05 - 34:06
    Good. Alto.
  • 34:17 - 34:19
    Strong beat.
  • 34:19 - 34:21
    Strong beat.
  • 34:34 - 34:36
    Show me, Corbin.
  • 34:44 - 34:47
    Sorry, there's no such note.
    Come here.
  • 34:48 - 34:50
    Mr. Pépinot, hand me the score.
  • 34:51 - 34:54
    Thank you. Open your hands.
  • 34:54 - 34:56
    Hold them like this.
  • 34:57 - 34:59
    Good. You can be our lectern.
  • 35:01 - 35:02
    Baton, Mr. Pépinot.
  • 35:03 - 35:05
    Thank you.
  • 35:07 - 35:09
    Get ready. On three...
  • 35:17 - 35:18
    Again.
  • 35:22 - 35:23
    That's it.
  • 35:23 - 35:25
    One, two, three, four.
  • 35:25 - 35:28
    Le Querrec's on bread and water...
  • 35:28 - 35:32
    Every night, I make them practice
    a simple tune of my own,
  • 35:32 - 35:35
    Carpentier has lost his way
  • 35:35 - 35:39
    Fond de I'Etang is where
    we're stuck, just our luck
  • 35:39 - 35:43
    Fond de I'Etang is where we'll be
    for all eternity
  • 35:51 - 35:53
    Not bad.
  • 35:53 - 35:56
    It wasn't Mozart.
    but I had their attention now,
  • 35:56 - 36:00
    From now on, I would need
    the support of my superiors,
  • 36:00 - 36:03
    What?
  • 36:03 - 36:05
    A chorus?
  • 36:05 - 36:06
    Yes.
  • 36:06 - 36:10
    My poor man, you've completely lost it.
  • 36:10 - 36:14
    A chorus. You won't get a single note
    from them or I'm the biggest fool...
  • 36:14 - 36:17
    Please, Headmaster,
    don't finish your sentence.
  • 36:17 - 36:18
    Why not?
  • 36:18 - 36:20
    They're singing already.
  • 36:20 - 36:22
    Really?
  • 36:22 - 36:23
    Just a few notes.
  • 36:24 - 36:27
    Why ask my permission
    if you're already doing it?
  • 36:27 - 36:29
    I don't like your manners.
  • 36:29 - 36:32
    - Headmaster...
    - You're annoying me.
  • 36:32 - 36:34
    I have other things on my mind.
  • 36:34 - 36:38
    Very well. I enjoy a good laugh.
  • 36:38 - 36:40
    Make them sing.
  • 36:40 - 36:43
    But if everything goes sour,
    you'll lose your job.
  • 36:46 - 36:49
    Thank you for your support, Headmaster.
  • 36:54 - 36:56
    February 8th,
  • 36:56 - 36:59
    As we begin rehearsals.
    Rachin starts on Morhange,
  • 36:59 - 37:02
    As soon as he's out of lock-up.
    he lowers the axe:
  • 37:02 - 37:04
    one month of community work,
  • 37:04 - 37:06
    From the beginning. Get ready.
  • 37:29 - 37:31
    Hey, skivvy. Don't forget my bed.
  • 38:07 - 38:08
    February 15th,
  • 38:08 - 38:11
    We're visited by Dr, Dervaux.
    a psychiatrist,
  • 38:11 - 38:14
    He brought us a gift,
  • 38:14 - 38:18
    We've decided to take this boy
    out of St. Féréol Reformatory
  • 38:18 - 38:24
    to study his capacity to adapt
    to a... more liberal environment.
  • 38:24 - 38:26
    Unlike most of his classmates,
  • 38:26 - 38:29
    Pascal Mondain has begun
    to read and write.
  • 38:29 - 38:32
    At any rate, he can speak
    more or less normally.
  • 38:32 - 38:35
    We assessed his potential
    with the Binet-Simon Test.
  • 38:35 - 38:37
    The Binet-Simon.
  • 38:37 - 38:40
    We also administered
    the Rorschach and Drüss Fables.
  • 38:40 - 38:43
    - Excellent.
    - As you know, this test...
  • 38:43 - 38:46
    That test sorted children
    into seven different categories:
  • 38:46 - 38:47
    normal, adequate,
  • 38:47 - 38:51
    borderline, mildly.
    moderately or severely retarded,
  • 38:51 - 38:53
    And finally, imbeciles.
  • 38:53 - 38:58
    Mondain scored
    within the borderline zone.
  • 38:58 - 39:01
    He isn't actually mad,
    but I should warn you...
  • 39:02 - 39:06
    According to his profile,
    he's a gregarious pervert.
  • 39:08 - 39:10
    Interesting.
  • 39:10 - 39:11
    And what does that mean?
  • 39:12 - 39:14
    Well...
  • 39:14 - 39:17
    - Doctor?
    - A tendency to be cruel, parasitic,
  • 39:17 - 39:22
    destructive and above all...
    Above all, a mythomaniac.
  • 39:22 - 39:25
    - There you go.
    - The place is full of them.
  • 39:25 - 39:28
    Here the children face
    non-specialized methods of discipline.
  • 39:28 - 39:31
    Mondain's integration will provide
    a good case study.
  • 39:33 - 39:35
    Happy to oblige.
  • 39:35 - 39:38
    We'll try to meet
    your scientific requirements.
  • 39:38 - 39:40
    Gentleman, this fellow is in your hands.
  • 39:40 - 39:42
    - Will you stay for lunch?
    - Gladly.
  • 39:42 - 39:44
    Take good care of him.
  • 39:44 - 39:46
    Action-reaction.
  • 39:56 - 39:58
    You're not allowed to smoke.
  • 39:58 - 40:03
    For the experience to succeed.
    I had to get the upper hand,
  • 40:08 - 40:11
    You really look like an idiot.
  • 40:12 - 40:14
    You'd better behave
    or you'll get what's coming to you.
  • 40:16 - 40:17
    All right.
  • 40:22 - 40:24
    What's coming?
  • 40:30 - 40:32
    You probably know a song, right?
  • 40:33 - 40:35
    Yeah, but...
  • 40:35 - 40:37
    But?
  • 40:37 - 40:39
    You won't like it.
  • 40:40 - 40:43
    Why don't you try me? Come here.
  • 40:43 - 40:44
    Come on.
  • 40:50 - 40:52
    I'm listening.
  • 40:53 - 40:55
    One summer day
    I took out my knob
  • 40:55 - 40:58
    To give myself a nice hand job
  • 40:58 - 41:00
    - All right.
    - Up yours I go
  • 41:00 - 41:01
    All right.
  • 41:02 - 41:05
    Told you so.
  • 41:05 - 41:06
    Not bad.
  • 41:07 - 41:09
    You'll need to practice,
    but you have a good baritone.
  • 41:09 - 41:10
    What?
  • 41:10 - 41:13
    Baritone. It's not an insult.
  • 41:13 - 41:16
    When you sing,
    your voice is low-pitched.
  • 41:16 - 41:18
    Go to the back with the basses.
  • 41:20 - 41:23
    - Fuck.
    - And forget about the fucking.
  • 41:23 - 41:25
    Next one to laugh gets punched out.
  • 41:25 - 41:28
    Whenever you're ready, Mondain.
  • 41:31 - 41:33
    He's allowed back in class.
  • 41:33 - 41:36
    And here's Pépinot.
    You forgot him by the gate.
  • 41:37 - 41:39
    What's wrong, Pépinot?
    It's not Saturday.
  • 41:41 - 41:43
    By the way,
  • 41:43 - 41:46
    when you write to your family...
  • 41:46 - 41:48
    I don't have any.
  • 41:48 - 41:50
    Well, for those who do,
  • 41:50 - 41:54
    remind them that visits are on the
    first and third Thursday of the month.
  • 41:54 - 41:56
    Morhange, you're not paying attention.
  • 41:56 - 42:00
    - What did I just say?
    - I don't know.
  • 42:00 - 42:03
    I said, you could write your mother
    telling her that she can see you
  • 42:03 - 42:07
    on the first or third Thursday
    of the month. Or even both days.
  • 42:07 - 42:10
    Understood? But the punished
    can't have visitors, so be careful.
  • 42:10 - 42:12
    I don't want to see the old goats.
  • 42:12 - 42:14
    Maybe Morhange
    wants to see his mother.
  • 42:14 - 42:16
    Maybe he's not the only one.
  • 42:19 - 42:22
    See, Morhange?
    We have a real chorus.
  • 42:22 - 42:24
    - I don't care.
    - Why don't you care?
  • 42:24 - 42:27
    Let's hear your voice.
    Sing for me. Do...
  • 42:28 - 42:30
    Go ahead.
  • 42:30 - 42:33
    You want to go back?
    Your range, quickly.
  • 42:39 - 42:42
    Coarseness doesn't suit you, kid.
  • 42:42 - 42:44
    We can't all be like Mondain.
  • 42:44 - 42:47
    All right.
    From the top.
  • 42:49 - 42:51
    - Where are you going?
    - I need to pee.
  • 42:51 - 42:53
    Mondain, wait.
  • 42:54 - 42:56
    - Corbin.
    - Can I go pee too, sir?
  • 42:58 - 43:00
    Fine, everyone out.
  • 43:11 - 43:14
    And be quiet. Quiet.
  • 43:35 - 43:38
    You have a nice voice, beautiful.
  • 43:40 - 43:42
    Want a drag?
  • 43:43 - 43:45
    They left you all alone?
  • 43:45 - 43:47
    I'll protect you.
  • 43:49 - 43:50
    Wait for me.
  • 43:50 - 43:52
    We're the same.
  • 43:52 - 43:55
    My parents are a couple of buggers.
  • 43:56 - 43:58
    Your mother's the same.
  • 43:58 - 44:01
    She got rid of you to have some fun.
  • 44:01 - 44:02
    No, she's working.
  • 44:02 - 44:06
    - So the others are telling the truth?
    - What?
  • 44:07 - 44:09
    They say she's a whore.
  • 44:12 - 44:13
    I'll rearrange your face.
  • 44:13 - 44:15
    Get out.
  • 44:17 - 44:19
    You're a dead man.
  • 44:20 - 44:21
    Really?
  • 44:32 - 44:36
    That day, Morhange
    missed the 3:00 roll call,
  • 45:15 - 45:18
    No one ever knew where he went.
    but he'd come back,
  • 45:18 - 45:21
    That was the important part,
  • 45:23 - 45:25
    What are you doing there?
  • 45:30 - 45:33
    I can't go up.
  • 45:33 - 45:36
    What do you mean,
    you can't go up?
  • 45:37 - 45:39
    Why not?
  • 45:39 - 45:41
    I have no money.
  • 45:41 - 45:44
    You need money to sleep?
    That doesn't make sense.
  • 45:45 - 45:47
    It's Mondain.
  • 45:47 - 45:51
    He won't let me come up
    unless I give him money.
  • 45:56 - 45:58
    We have to be careful.
  • 46:02 - 46:04
    At my last place,
    the prefect caught me.
  • 46:04 - 46:07
    - So I had to take care of him.
    - How?
  • 46:07 - 46:11
    With a bayonet. He bled like a pig.
  • 46:11 - 46:13
    - You killed him?
    - Kind of, yeah.
  • 46:13 - 46:17
    It's no different here.
    Chrome Dome had better watch out.
  • 46:17 - 46:19
    - Mathieu isn't so bad.
    - Yeah, right.
  • 46:19 - 46:23
    They sing you a lullaby and when
    you're asleep, they start pawing you.
  • 46:23 - 46:25
    We've got to kill their kind.
  • 46:27 - 46:29
    Good evening, gentlemen.
  • 46:33 - 46:36
    - Enjoy your meal.
    - Sir, I swear I didn't do anything.
  • 46:36 - 46:39
    You keep good company, Corbin.
  • 46:41 - 46:43
    Get out.
  • 46:50 - 46:52
    Forget about the feast.
  • 46:52 - 46:55
    I won't tell on you. A gift.
  • 46:55 - 46:59
    But I'm warning you:
    don't speak to Pépinot again.
  • 46:59 - 47:03
    Don't go near him.
    Don't even look at him.
  • 47:03 - 47:05
    Do you understand?
  • 47:06 - 47:11
    One look in his direction, and
    your life will turn into a nightmare.
  • 47:17 - 47:20
    See on your way
  • 47:20 - 47:23
    Forgotten kids who've strayed
  • 47:23 - 47:25
    Give them a helping hand
  • 47:25 - 47:30
    Lead them to new horizons
    Help them understand
  • 47:30 - 47:35
    Feel, in the depths of despair
  • 47:36 - 47:39
    A surging wave of hope
  • 47:39 - 47:43
    The fervor of life
  • 47:43 - 47:45
    The glorious path
  • 47:48 - 47:50
    What are you doing, Morhange?
  • 47:50 - 47:52
    Nothing, sir.
  • 47:52 - 47:56
    So I heard voices?
    I must be tired.
  • 47:58 - 48:00
    Section 8 of the interior rules:
  • 48:00 - 48:03
    Students will not enter
    a classroom without supervision.
  • 48:03 - 48:06
    Mr. Rachin would make you do
    100 lines by tomorrow morning.
  • 48:06 - 48:09
    And who knows
    what he'd tell your mother.
  • 48:09 - 48:11
    I don't give a damn about my mother.
  • 48:11 - 48:13
    - Why? Tell me.
    - I'll tell you nothing.
  • 48:14 - 48:16
    Wait. I'm not through.
    That's a little too easy.
  • 48:16 - 48:19
    You pay for everything here.
    Ask Pépinot.
  • 48:20 - 48:24
    Morhange, strangely enough,
    the things you do don't resemble you.
  • 48:24 - 48:27
    Running away, fighting,
    pretending to be a hoodlum.
  • 48:27 - 48:31
    Your classmates may laugh,
    but I won't. I'm not playing along.
  • 48:31 - 48:35
    Starting tomorrow, you will attend
    every chorus practice
  • 48:35 - 48:39
    and take a music lesson every day.
    Go to bed now.
  • 48:40 - 48:41
    Go on.
  • 48:43 - 48:44
    March 3rd,
  • 48:45 - 48:48
    He can't possibly know, but I do.
    His voice is a miracle,
  • 48:48 - 48:51
    The rare promise of an exceptional gift,
  • 48:51 - 48:53
    Please go out quietly.
  • 48:56 - 48:58
    I said quietly.
  • 48:59 - 49:02
    Gradually, as my chorus takes shape,
  • 49:02 - 49:04
    I bring my new singer
    out of his shell,
  • 49:22 - 49:24
    Childish delights
  • 49:24 - 49:27
    Too soon forgotten and erased
  • 49:27 - 49:30
    A golden light that burns forever
  • 49:30 - 49:33
    At the end of the path
  • 49:40 - 49:43
    Feel, in the depths of despair
  • 49:43 - 49:45
    A surging wave of hope
  • 49:45 - 49:48
    The fervor of life
  • 49:48 - 49:51
    The glorious path
  • 50:28 - 50:30
    Get your arithmetic notebooks.
  • 50:34 - 50:38
    You're the one making them sing?
  • 50:38 - 50:39
    Yes, sir.
  • 50:39 - 50:42
    - Is that a criticism?
    - Of course not.
  • 50:42 - 50:46
    I adore music.
    Occasionally I even sing a little.
  • 50:46 - 50:47
    Really?
  • 50:47 - 50:50
    Why are we waiting?
    Let's get happy
  • 50:50 - 50:53
    Why are we waiting?
    Let's have a ball
  • 50:58 - 51:01
    - Have a nice day.
    - You too, dear colleague.
  • 51:02 - 51:05
    Arithmetic. Page 27.
  • 51:38 - 51:40
    Good day.
  • 51:40 - 51:42
    Good day, madame,
  • 51:42 - 51:45
    - Pierre has been told. He's coming.
    - Is something wrong?
  • 51:45 - 51:47
    Everything's fine.
  • 51:48 - 51:51
    - What about his teeth?
    - Not a problem anymore.
  • 51:51 - 51:54
    Did you tell him I came for a visit?
  • 51:54 - 51:55
    No.
  • 51:55 - 51:57
    Why not?
  • 51:57 - 52:01
    I thought I'd better not.
    Pierre is very sensitive...
  • 52:02 - 52:03
    ...and gifted.
  • 52:03 - 52:05
    At acting like an idiot, yes.
  • 52:05 - 52:11
    Not exclusively. By the way,
    I need to talk to you.
  • 52:11 - 52:14
    Singing? No one taught him.
  • 52:14 - 52:17
    It's a gift.
    We have to do something.
  • 52:19 - 52:21
    Hello.
  • 52:22 - 52:26
    I'll leave you two alone.
    Visit him whenever you like.
  • 52:29 - 52:32
    I told her you went
    to the dentist last time.
  • 52:32 - 52:34
    Don't give me away.
  • 52:58 - 53:00
    - So you're a good singer?
    - Yeah.
  • 53:04 - 53:07
    That man seems
    to think you're doing well.
  • 53:08 - 53:10
    Is he nice to you?
  • 53:10 - 53:12
    He's all right.
  • 53:15 - 53:17
    I brought you some clean clothes
  • 53:17 - 53:20
    and I made your chocolate cake.
  • 53:21 - 53:23
    Are you happy?
  • 53:33 - 53:36
    April, Those children inspire me,
  • 53:36 - 53:39
    I knew that one day.
    someone would play my music,
  • 53:39 - 53:41
    My name is Clément Mathieu,
  • 53:41 - 53:45
    I'm a musician and each night.
    I compose for them,
  • 54:25 - 54:31
    Like a caress on the ocean
  • 54:32 - 54:38
    Lightly lands the gull
  • 54:39 - 54:45
    On the rocks of a sunken isle
  • 54:48 - 54:54
    Ephemeral winter breeze
  • 54:55 - 55:01
    At last your cold breath fades away
  • 55:02 - 55:07
    Far into the mountains high
  • 55:07 - 55:10
    Face the wind
    and spread your wings
  • 55:10 - 55:12
    In the gray eastern dawn
  • 55:13 - 55:15
    Find a path to the rainbow
  • 55:15 - 55:19
    And spring will reveal
    itself to you
  • 55:19 - 55:22
    Calmly
  • 55:22 - 55:28
    On the ocean
  • 55:33 - 55:35
    No good, sir?
  • 55:35 - 55:37
    It was nice.
  • 55:38 - 55:39
    Very nice.
  • 55:39 - 55:41
    Move, you swine.
  • 55:42 - 55:43
    Little shit. Move.
  • 55:43 - 55:45
    Move.
  • 55:45 - 55:48
    - What did he do?
    - He stole my watch.
  • 55:48 - 55:51
    I caught him in my bedroom.
    So I brought him to Rachin.
  • 55:51 - 55:52
    Action-reaction.
  • 55:52 - 55:55
    - Where are you taking him?
    - Lock-up. Fifteen days. Move.
  • 55:55 - 55:57
    - Wait.
    - Wait for what?
  • 55:58 - 56:00
    He's my only baritone.
  • 56:06 - 56:07
    Yes, Headmaster?
  • 56:07 - 56:09
    I found more graffiti in the...
  • 56:13 - 56:16
    Forgive them, Headmaster.
    It's just a wild ball.
  • 56:18 - 56:19
    Make way.
  • 56:20 - 56:23
    Mathieu, Chabert...
  • 56:25 - 56:27
    ...you're with me.
  • 56:29 - 56:34
    May, With each passing week.
    I take in new victories,
  • 56:34 - 56:36
    Wake-up time. Get up.
  • 56:45 - 56:46
    - Leclerc.
    - Yeah?
  • 56:46 - 56:48
    - We're still friends?
    - Yeah, why?
  • 56:48 - 56:50
    Five and three add up to what?
  • 56:50 - 56:52
    - Fifty-three.
    - Are you sure?
  • 56:52 - 56:54
    - Yeah.
    - Thanks.
  • 57:14 - 57:16
    Perhaps it's an illusion,
  • 57:16 - 57:20
    but even our headmaster
    seems to be changing,
  • 58:03 - 58:04
    Five.
  • 58:08 - 58:10
    Look, it's old Maxence.
  • 58:21 - 58:22
    Nobody move.
  • 58:24 - 58:26
    Smile.
  • 58:31 - 58:34
    Come on. Come out, Mondain.
  • 58:44 - 58:47
    It's over, kid.
  • 58:55 - 58:57
    Come on. One, two...
  • 59:04 - 59:08
    Chabert, I just told Mr. Rachin
    that Mathieu's chorus is sensational.
  • 59:08 - 59:10
    Hurry up.
  • 59:10 - 59:13
    - I'm tired.
    - You're always tired. 29.
  • 59:13 - 59:16
    - What did he say?
    - "Get lost." That's it.
  • 59:17 - 59:19
    Where's Mondain?
  • 59:21 - 59:24
    You didn't notice
    he was gone before the run?
  • 59:24 - 59:27
    He attended roll call this morning,
    Headmaster. He left later.
  • 59:27 - 59:29
    No one goes out
    for the rest of the year.
  • 59:29 - 59:32
    - How much did he take?
    - Almost 200,000 francs.
  • 59:32 - 59:35
    How will I pay our suppliers?
  • 59:35 - 59:37
    I should never have taken him.
  • 59:37 - 59:40
    All for the sake of an experience.
    Experience my...
  • 59:41 - 59:43
    Just like your music.
  • 59:46 - 59:49
    I won't order coal
    for the boiler until next week.
  • 59:49 - 59:52
    In the meantime, I'm calling the police.
  • 59:53 - 59:54
    When Rachin in his coffin lay
  • 59:55 - 59:57
    His cock was hard, they say
  • 59:57 - 60:00
    His cock was his last bid
    to lift up the coffin lid
  • 60:00 - 60:04
    Yes, indeed, he's a funny breed
  • 60:13 - 60:16
    Singing is really developing
    their minds, Mathieu.
  • 60:16 - 60:18
    Very impressive.
  • 60:18 - 60:21
    They've spent three weeks
    without hot water.
  • 60:21 - 60:23
    Cold water activates
    the circulation. Get out.
  • 60:26 - 60:28
    By the way, Mathieu,
    forget the chorus.
  • 60:31 - 60:34
    - But, Headmaster...
    - Thank you, Mr. Mathieu.
  • 60:34 - 60:36
    Give me the police.
  • 60:45 - 60:46
    I don't know what to do
    about the chorus,
  • 60:46 - 60:50
    but for the kids,
    we can use wood.
  • 60:50 - 60:52
    We're out of wood.
  • 60:57 - 60:59
    Here.
  • 60:59 - 61:02
    The headmaster's private stock.
  • 61:02 - 61:04
    Chabert. Action-reaction.
  • 61:04 - 61:06
    Chabert surprised me,
  • 61:06 - 61:08
    I used to think he was
    Rachin's zealous double,
  • 61:08 - 61:11
    but I discovered
    that he was a nice guy
  • 61:11 - 61:15
    for whom sports and music were
    the key elements of national unity,
  • 61:15 - 61:16
    Le Querrec, are you invisible?
  • 61:16 - 61:20
    With his help.
    I'm organizing the resistance,
  • 61:21 - 61:23
    Our chorus is going underground,
  • 61:48 - 61:51
    You tend to lower your pitch
    at the end of a verse.
  • 61:51 - 61:53
    For the last time,
    please detach every single note.
  • 61:54 - 61:56
    It's late. Let's stop.
  • 61:56 - 61:59
    Sir, what about the second part?
  • 61:59 - 62:01
    - I didn't teach you the solo.
    - I learned it.
  • 62:01 - 62:03
    How could you learn it?
  • 62:07 - 62:09
    All right. Second part.
  • 62:51 - 62:53
    Get out.
  • 62:54 - 62:59
    On May 13, just after 3:00.
    Mondain came back,
  • 63:12 - 63:14
    - Where's the money?
    - I don't know.
  • 63:14 - 63:16
    - So who stole it?
    - It wasn't me.
  • 63:18 - 63:20
    Do you want more?
  • 63:20 - 63:21
    So?
  • 63:22 - 63:25
    - He's been hitting him?
    - For half an hour.
  • 63:25 - 63:28
    - He's crazy.
    - And he's wasting his time.
  • 63:28 - 63:30
    The boy won't talk.
  • 63:32 - 63:34
    Very well.
  • 63:34 - 63:37
    Let's start from the beginning.
  • 63:37 - 63:39
    Where's the money?
  • 63:39 - 63:41
    Speak!
  • 63:43 - 63:45
    Where's the money?
  • 63:48 - 63:50
    Let him go!
  • 63:51 - 63:52
    Let him go.
  • 63:55 - 63:57
    Calm down.
  • 63:57 - 63:59
    Calm down!
  • 64:00 - 64:03
    The boy just confessed. Excellent.
    I'm calling the police.
  • 64:04 - 64:07
    You're going to see
    new horizons, my boy.
  • 64:07 - 64:10
    With new guards and brand-new bars.
  • 64:29 - 64:32
    In order to spare
    the children's fragile trust,
  • 64:32 - 64:35
    we hid Mondain's fate from them,
  • 64:37 - 64:40
    Officially, he had gone back
    to his old school,
  • 64:41 - 64:44
    One hen
  • 64:44 - 64:46
    produces an average...
  • 64:48 - 64:52
    ...of 84 eggs a year.
  • 64:54 - 64:56
    Well-fed...
  • 64:58 - 65:01
    - ...and kept...
    - I saw Rachin's daughters today.
  • 65:01 - 65:02
    Naked?
  • 65:02 - 65:04
    - No.
    - ...inside a well-ventilated...
  • 65:04 - 65:09
    ...and clean henhouse,
    the same hen will lay 150 eggs.
  • 65:10 - 65:16
    Under such conditions,
    how many more eggs could...
  • 65:16 - 65:21
    ...a farmer get...
  • 65:22 - 65:24
    ...out of her nine hens?
  • 65:39 - 65:40
    Nice day.
  • 65:42 - 65:45
    It's nice to feel the sun.
    Summer will soon be here.
  • 65:49 - 65:52
    Pierre is a constant source
    of surprise to me.
  • 65:52 - 65:56
    I wanted to thank you for helping him.
  • 65:56 - 65:59
    I'm doing it for you too.
  • 65:59 - 66:02
    I mean, if Pierre is doing well,
    you're doing well, so...
  • 66:06 - 66:08
    - Let me.
    - It's nothing.
  • 66:10 - 66:11
    It's only ink.
  • 66:11 - 66:15
    - Why are you such an ass?
    - You want to send us to lock-up?
  • 66:15 - 66:18
    What's going on?
  • 66:19 - 66:21
    Why are you hitting him?
  • 66:22 - 66:24
    Tell me, Bébert.
  • 66:24 - 66:27
    Because Morhange threw the ink.
  • 66:27 - 66:30
    You couldn't just shut up?
  • 66:31 - 66:33
    I'm ashamed of you, Pierre.
  • 66:35 - 66:37
    Wait.
  • 66:38 - 66:40
    It doesn't matter. It's only ink.
  • 66:41 - 66:44
    It's just pride
    because you're beautiful.
  • 66:44 - 66:45
    Beautiful?
  • 66:45 - 66:49
    You're nothing like
    the other mothers who come here.
  • 66:49 - 66:51
    Because I live alone?
  • 66:51 - 66:53
    So do I.
  • 66:53 - 66:55
    - But you have no children.
    - No.
  • 66:55 - 66:57
    In fact, I've got 60 kids.
  • 66:57 - 67:00
    When you come here,
    they see the woman of their dreams.
  • 67:00 - 67:04
    Well, the mother
    they've all imagined.
  • 67:04 - 67:06
    It's different for Pierre.
    You are his mother.
  • 67:06 - 67:10
    Like any other child,
    he doesn't like to share.
  • 67:10 - 67:12
    We have to get him out of there.
  • 67:12 - 67:17
    - He should go to music school.
    - I want him to learn a good trade.
  • 67:17 - 67:20
    Music is a good trade,
    as long as you've been well taught.
  • 67:20 - 67:23
    He could go to the Conservatory in Lyon.
  • 67:23 - 67:25
    I'd follow his progress
    to prevent any bad habits.
  • 67:25 - 67:28
    Even there, he could meet
    mediocre teachers.
  • 67:28 - 67:29
    And later?
  • 67:29 - 67:32
    He'll become who he should be.
  • 67:34 - 67:38
    Pierre is special, and I'll do anything
    to help him achieve his dreams.
  • 67:38 - 67:40
    I need your help too.
  • 67:41 - 67:43
    I understand.
  • 67:43 - 67:44
    Thank you.
  • 68:09 - 68:10
    No, it's all wrong.
  • 68:10 - 68:13
    What's the matter?
    Are you asleep?
  • 68:13 - 68:15
    Boniface, your posture.
  • 68:15 - 68:18
    How can you sing that way?
    Stand up straight.
  • 68:19 - 68:21
    From "Such a sweet concert",
  • 68:56 - 68:58
    What about my solo?
  • 68:58 - 69:00
    What solo?
  • 69:00 - 69:01
    My solo.
  • 69:01 - 69:04
    Your solo, right. It's gone.
  • 69:04 - 69:07
    Your voice isn't bad,
    but nobody's indispensable.
  • 69:07 - 69:10
    I don't care if you sing or not.
    We can do it without you. Listen.
  • 69:12 - 69:14
    Start from...
  • 69:17 - 69:20
    Let's start from O night,
  • 69:21 - 69:24
    O Night
  • 69:24 - 69:28
    Bring to
  • 69:29 - 69:31
    The Earth
  • 69:32 - 69:36
    The enchanting calm
  • 69:36 - 69:40
    Of your mystery
  • 69:40 - 69:42
    Mathieu.
  • 69:42 - 69:46
    - You're going to get it, sir.
    - Mr. Chabert said he was in town.
  • 69:46 - 69:48
    Thank you, children.
    You can go outside.
  • 69:57 - 70:00
    You do know that you're
    annoying me?
  • 70:00 - 70:03
    Headmaster, I assure you,
    all their homework is done.
  • 70:03 - 70:06
    Our lady benefactresses
    heard about your chorus.
  • 70:06 - 70:10
    A personal letter from the Countess.
    She's coming on Sunday, with friends.
  • 70:10 - 70:12
    - They want to hear this.
    - Wonderful.
  • 70:12 - 70:14
    Well, it's nice.
  • 70:14 - 70:17
    I can imagine the scene.
    Airs and graces, music.
  • 70:17 - 70:19
    Some pastries perhaps?
  • 70:19 - 70:22
    I have to bear the brunt
    of your idiocies.
  • 70:23 - 70:27
    Headmaster, you have to admit music
    doesn't interfere with discipline.
  • 70:27 - 70:30
    - We've had fewer problems lately.
    - Chance.
  • 70:30 - 70:33
    - I don't believe in chance, Headmaster.
    - I realize that.
  • 70:33 - 70:36
    Who else could have told
    the Foundation?
  • 70:36 - 70:38
    I did.
  • 70:40 - 70:42
    You can write?
  • 70:42 - 70:45
    - Mr. Maxence acted for the best...
    - Spare me your comments.
  • 70:45 - 70:47
    I don't like your manners, Mathieu.
  • 70:47 - 70:49
    You don't like anything, Headmaster.
  • 70:49 - 70:52
    Mr. Rachin. You're wanted
    in the visiting room.
  • 70:55 - 70:56
    Later.
  • 71:00 - 71:02
    This is for you.
  • 71:02 - 71:05
    Sometimes I think we should have
    let Mondain strangle him.
  • 71:09 - 71:12
    Violette was thanking me
    for helping her son,
  • 71:12 - 71:17
    She wanted to speak to me privately
    to share some important news
  • 71:17 - 71:21
    at the Café de la Place.
    on the 20th, at 4:00,
  • 71:21 - 71:26
    I wrote to the Conservatory in Lyon.
    I'm acquainted with the director.
  • 71:26 - 71:29
    He was very nice about it.
    He'll be happy to give him an audition
  • 71:29 - 71:33
    and if he's admitted, he'll try
    very hard to get him a scholarship.
  • 71:35 - 71:38
    I believe things are about to change
    for the better.
  • 71:38 - 71:40
    Really?
  • 71:40 - 71:43
    Since I met you,
  • 71:43 - 71:47
    I... well...
  • 71:47 - 71:49
    ...my life has... How can I say it?
  • 71:50 - 71:52
    Changed dramatically?
  • 71:52 - 71:53
    Yes.
  • 71:54 - 71:57
    Thanks to you.
  • 71:57 - 72:00
    - It's such a surprise.
    - I'd lost faith too.
  • 72:02 - 72:05
    Maybe I shouldn't get my hopes up yet.
  • 72:05 - 72:08
    You can trust me.
  • 72:09 - 72:12
    You did bring me luck.
  • 72:12 - 72:13
    Luck?
  • 72:18 - 72:19
    I met someone.
  • 72:21 - 72:24
    He's an engineer.
    From Lyon, of all things.
  • 72:24 - 72:29
    I met him at the café.
    He's building a bridge in the area.
  • 72:36 - 72:38
    Are you all right?
  • 72:38 - 72:42
    I'm fine. It's a great opportunity
    for you and for Pierre.
  • 72:45 - 72:48
    Don't be upset, but I have to go.
  • 72:48 - 72:51
    I'd like the three of us
    to have lunch someday.
  • 72:52 - 72:56
    You can tell him all about Pierre.
    Will you do it?
  • 72:56 - 72:58
    Why not?
  • 73:00 - 73:01
    Goodbye.
  • 73:02 - 73:04
    Goodbye.
  • 73:07 - 73:09
    Thank you for everything.
  • 73:13 - 73:14
    I almost forgot.
  • 73:14 - 73:16
    Don't tell Pierre right away.
  • 73:31 - 73:33
    Excuse me. May I take the chair?
  • 73:33 - 73:35
    - Yes, of course.
    - Thank you.
  • 75:01 - 75:04
    Countess, a few flowers.
  • 75:04 - 75:08
    I didn't understand everything,
    but I got the feelings.
  • 75:08 - 75:09
    Thank you, child.
  • 75:10 - 75:11
    Take these.
  • 75:11 - 75:16
    Countess, let me introduce
    Mr. Mathieu, our prefect,
  • 75:16 - 75:18
    who's in charge of the chorus.
  • 75:18 - 75:20
    - Countess.
    - Well done, sir.
  • 75:20 - 75:25
    Mr. Rachin's humane teaching style
    is of great interest to us,
  • 75:25 - 75:28
    and we thank you for your support.
  • 75:28 - 75:31
    By the way, who decided
    to form a chorus?
  • 75:31 - 75:34
    - Well...
    - I did, Countess.
  • 75:34 - 75:35
    I did.
  • 75:35 - 75:38
    Indeed, Countess,
  • 75:38 - 75:41
    I'm very happy to help
    such an understanding headmaster.
  • 75:41 - 75:43
    Well, let them sing.
  • 75:46 - 75:48
    He's too modest
    to enjoy compliments.
  • 75:48 - 75:53
    - Very true.
    - What are they going to sing for us?
  • 75:53 - 75:56
    Rameau's Hymn to Night.
    Countess.
  • 75:56 - 75:58
    It must be marvelous.
  • 76:01 - 76:02
    Excuse me?
  • 76:03 - 76:06
    Who's the little boy standing aside?
    Has he been punished?
  • 76:06 - 76:08
    - That one?
    - Yes.
  • 76:08 - 76:11
    He's a special case.
  • 76:11 - 76:12
    May I?
  • 76:25 - 76:28
    O Night
  • 76:29 - 76:33
    Bring to
  • 76:33 - 76:36
    The Earth
  • 76:36 - 76:41
    The enchanting calm
  • 76:41 - 76:47
    Of your mystery
  • 76:47 - 76:51
    The shadow which follows you
  • 76:51 - 76:54
    Is so sweet
  • 76:54 - 76:59
    It is such a sweet concert
  • 76:59 - 77:05
    Your voices chanting hope
  • 77:05 - 77:10
    Your power is so great
  • 77:10 - 77:14
    Transforming all into a dream
  • 77:37 - 77:41
    O Night
  • 77:42 - 77:46
    O leave still
  • 77:46 - 77:50
    To the Earth
  • 77:50 - 77:54
    The enchanting calm
  • 77:54 - 78:00
    Of your mystery
  • 78:01 - 78:06
    The shadow which follows you
  • 78:06 - 78:08
    Is so sweet
  • 78:08 - 78:13
    Is there anything more beautiful
  • 78:13 - 78:19
    Than a dream?
  • 78:19 - 78:23
    Is there any truth
  • 78:23 - 78:26
    Sweeter
  • 78:26 - 78:32
    Than hope?
  • 78:48 - 78:51
    Morhange's eyes followed my tempo,
  • 78:51 - 78:54
    and in them.
    I suddenly read many things:
  • 78:54 - 78:57
    pride and
    the joy of my forgiveness,
  • 78:57 - 79:00
    but also something quite new to him,
  • 79:00 - 79:02
    A feeling of gratitude,
  • 79:04 - 79:06
    First day of summer,
  • 79:06 - 79:09
    Our chorus has a new member,
  • 79:14 - 79:17
    I'm sorry, I missed the reprise.
    My fault. Go on.
  • 79:17 - 79:19
    All right. Again.
  • 79:44 - 79:48
    In their eyes.
    I can see the desire to flee,
  • 79:48 - 79:51
    to build a hut way up in the sky,
  • 79:51 - 79:53
    This fine weather makes them sad,
  • 80:13 - 80:16
    You have to see this. It's important.
  • 80:19 - 80:22
    While I was cleaning graffiti
    off the toilet walls,
  • 80:22 - 80:24
    I lifted a stone and found this.
  • 80:25 - 80:27
    - That's Corbin's harmonica.
    - And that.
  • 80:27 - 80:29
    It's 200,000 or more.
  • 80:39 - 80:41
    No one knew about your hideaway.
  • 80:43 - 80:46
    So don't tell me
    it was there by chance.
  • 80:46 - 80:49
    You know they expelled Mondain
    because of the theft.
  • 80:49 - 80:51
    I didn't know.
  • 80:51 - 80:54
    That's true. You didn't know.
  • 80:54 - 80:56
    Now you know.
  • 80:56 - 80:59
    Why? What did you want to do with it?
  • 81:00 - 81:03
    If I tell you,
    will you tell anyone else?
  • 81:03 - 81:04
    No one.
  • 81:05 - 81:07
    I swear.
  • 81:09 - 81:11
    I wanted to buy...
  • 81:11 - 81:13
    To buy what?
  • 81:13 - 81:16
    A hot air balloon.
  • 81:17 - 81:20
    I don't know who took it,
    but it proves Mondain's innocence.
  • 81:20 - 81:23
    He'd never have left without the money.
  • 81:23 - 81:25
    I'll investigate when I come back.
  • 81:25 - 81:27
    But don't worry about it, Mathieu.
  • 81:27 - 81:31
    Even if Mondain was innocent,
    it won't last. We can't help his type.
  • 81:31 - 81:35
    - What about justice?
    - Let her take care of him.
  • 81:35 - 81:37
    Headmaster, wait for me.
    Wait for me.
  • 81:37 - 81:39
    Are you leaving too?
  • 81:39 - 81:42
    I'm getting a lift. I'm spending
    the holidays with relatives.
  • 81:42 - 81:44
    At my sister's house.
  • 81:45 - 81:47
    They have a piano.
  • 81:57 - 81:59
    Do you know why Rachin
    went to Lyon?
  • 81:59 - 82:03
    I think he's supposed to discuss
    the balance sheet with the committee.
  • 82:04 - 82:05
    - No?
    - Yes.
  • 82:05 - 82:09
    But he's mostly going to run
    after a promotion and a medal.
  • 82:10 - 82:13
    Do you think he'll get them?
  • 82:13 - 82:17
    He's really smart. He's going
    to present an impeccable report
  • 82:17 - 82:20
    without saying a word
    about all the horrible things.
  • 82:20 - 82:23
    He'll even claim the success
    of the chorus for himself.
  • 82:23 - 82:24
    Success?
  • 82:24 - 82:27
    Certainly. I heard them.
    They're good.
  • 82:28 - 82:31
    Sir, is it true that
    Langlois left with the head?
  • 82:31 - 82:34
    Yes. Chabert and Carpentier
    have taken two weeks' holidays.
  • 82:34 - 82:37
    - We're in charge.
    - There's no class today?
  • 82:39 - 82:40
    No.
  • 82:40 - 82:43
    - What are we going to do?
    - Take a nap.
  • 82:43 - 82:46
    I have a better idea.
  • 82:50 - 82:52
    Thank you.
  • 82:52 - 82:55
    I don't want to...
  • 82:55 - 82:57
    - Your rosette?
    - Yes.
  • 82:59 - 83:02
    The bird is in the nest, Mr. Rachin.
  • 83:03 - 83:05
    I can't thank you enough.
  • 83:08 - 83:11
    I'm sorry, Headmaster.
    You're wanted on the telephone.
  • 83:17 - 83:18
    I'm sorry.
  • 83:36 - 83:37
    Headmaster!
  • 83:38 - 83:41
    - Do something. My son is up there.
    - Let me through.
  • 83:42 - 83:44
    The fire had caught under the eaves,
  • 83:44 - 83:48
    The dormitories, where the children
    had last been seen, were in flames,
  • 83:48 - 83:50
    Sixty unfortunate children,
  • 83:50 - 83:52
    caught in a snare,
  • 83:52 - 83:55
    Rachin saw his promotion
    and his rosette
  • 83:55 - 83:57
    destroyed before his very eyes,
  • 83:57 - 83:59
    But, suddenly...
  • 84:48 - 84:53
    After breakfast, we used the door
    leading out of the vegetable patch
  • 84:53 - 84:56
    to avoid old Marie and the villagers.
  • 84:56 - 84:58
    We went to the forest of Lignan.
  • 84:58 - 85:00
    For what purpose?
  • 85:00 - 85:04
    A treasure hunt.
    They were so happy.
  • 85:07 - 85:11
    I don't need to tell you
    how disappointed I am, Mr. Maxence.
  • 85:11 - 85:14
    This was entirely my idea, Headmaster.
  • 85:14 - 85:18
    Mr. Maxence never stopped
    trying to dissuade me.
  • 85:18 - 85:20
    Not very convincing.
  • 85:20 - 85:24
    We could also consider the fact
    that we saved the children's lives.
  • 85:24 - 85:27
    If you hadn't left the school,
    it wouldn't have caught fire.
  • 85:28 - 85:30
    I don't even know
    why I'm listening to you.
  • 85:30 - 85:35
    Mr. Maxence, owing to your long years
    of service, I'll just suspend you.
  • 85:36 - 85:39
    As for you, Mr. Mathieu, you're fired.
  • 85:39 - 85:41
    For breaking the rules.
  • 85:41 - 85:43
    Then you should fire me too.
  • 85:43 - 85:45
    You don't get to decide.
  • 85:45 - 85:49
    It's nice of you, Mr. Maxence,
    but you're needed here.
  • 85:49 - 85:53
    Think about the children,
    since this gentleman never does.
  • 85:56 - 85:58
    I've settled up with you. Here.
  • 85:59 - 86:02
    You're leaving right now,
    on the 6:00 bus.
  • 86:02 - 86:05
    You're allowed no contact
    with your former students. None.
  • 86:05 - 86:08
    - What?
    - Mr. Maxence, see to it.
  • 86:08 - 86:09
    Get out.
  • 86:14 - 86:19
    Headmaster, before I go,
    I'll tell you what I think of you.
  • 86:19 - 86:22
    - I already know, Mathieu.
    - You're an incompetent,
  • 86:22 - 86:24
    - truly evil man.
    - What about them?
  • 86:25 - 86:26
    They're not here by choice.
  • 86:27 - 86:29
    Neither am I.
    I never wanted to be a teacher.
  • 86:29 - 86:32
    Don't tell me you wanted to come
    to that miserable place.
  • 86:32 - 86:35
    - You had other ambitions? So did I.
    - Don't take it out on them.
  • 86:35 - 86:38
    Do you think I like being a warden?
  • 86:38 - 86:40
    Someone has to do it.
  • 86:40 - 86:43
    Pack up your bags and go to Paris.
    Make the Ministry rounds.
  • 86:43 - 86:45
    Knock-knock.
    "Hello. My name is Mathieu.
  • 86:45 - 86:48
    We need real teachers
    instead of washouts."
  • 86:48 - 86:50
    Fight for the cause
    if you believe in it, Mathieu.
  • 86:50 - 86:52
    Saint Mathieu.
  • 86:53 - 86:55
    You're nothing but a failed musician.
  • 86:55 - 86:58
    A prefect. A small prefect.
    Small, small, small.
  • 86:59 - 87:01
    "What do you do, Mr. Mathieu?"
    "I'm a prefect."
  • 87:01 - 87:04
    Small. Small. Small.
  • 87:05 - 87:07
    You're crazy.
  • 87:07 - 87:08
    I'm tired.
  • 87:08 - 87:10
    Go to the devil.
  • 87:10 - 87:13
    No, I'm leaving him behind.
  • 87:26 - 87:30
    I had hoped a few students
    would break the rules to say goodbye,
  • 87:30 - 87:32
    I saw no one,
  • 87:32 - 87:35
    The wisdom of these children
    came across as indifference,
  • 87:36 - 87:39
    And Morhange...
  • 87:39 - 87:40
    Enough,
  • 87:59 - 88:01
    "See you soon, Mr. Mathieu."
  • 88:01 - 88:03
    "Goodbye, Chrome Dome."
  • 88:12 - 88:15
    On the first note, I recognized
    Boniface's careful script,
  • 88:15 - 88:19
    The spelling mistakes
    were Pépinot's, of course,
  • 88:20 - 88:23
    This one, filled with music notes.
    came from Morhange,
  • 88:24 - 88:26
    And this one...
  • 88:26 - 88:28
    And that one...
  • 88:53 - 88:55
    Be silent! Make them stop!
  • 88:55 - 88:57
    The door's locked.
  • 88:57 - 88:59
    Open up!
  • 88:59 - 89:03
    Right then I felt a sudden burst
    of joy and optimism,
  • 89:03 - 89:05
    I wanted to share it
    with the entire world,
  • 89:06 - 89:08
    But who would have listened?
  • 89:08 - 89:10
    No one even knew I was alive,
  • 89:11 - 89:14
    The great artist would soon
    give way to the ordinary man,
  • 89:15 - 89:17
    I'm Clément Mathieu,
  • 89:18 - 89:20
    a failed musician.
    an unemployed prefect,
  • 89:21 - 89:23
    "I'm Clément Mathieu,
  • 89:23 - 89:27
    a failed musician,
    an unemployed prefect."
  • 89:41 - 89:43
    What happened next?
  • 89:43 - 89:46
    He never finished his journal.
  • 89:48 - 89:51
    But I can tell you the story.
  • 89:53 - 89:56
    Pépinot answered my questions,
  • 89:56 - 90:01
    The following day, on the way back.
    my childhood caught me by the throat,
  • 90:03 - 90:06
    When Mathieu was fired.
    my mother took me back home,
  • 90:06 - 90:09
    We left for Lyon, where
    I was admitted to the Conservatory,
  • 90:11 - 90:14
    The engineer tried
    to send me to boarding school,
  • 90:14 - 90:16
    She refused, He left us,
  • 90:17 - 90:23
    Chabert, Langlois and old Maxence
    joined forces to expose Rachin's abuse,
  • 90:23 - 90:27
    The children were questioned
    and Rachin was fired,
  • 90:32 - 90:36
    Clément Mathieu gave music lessons
    for the rest of his life,
  • 90:36 - 90:39
    without courting notoriety,
  • 90:39 - 90:42
    Everything he did, he kept for himself,
  • 90:43 - 90:46
    For himself? No, not quite,
  • 90:46 - 90:48
    Mr. Mathieu.
  • 90:50 - 90:52
    Mr. Mathieu.
  • 90:54 - 90:56
    Wait a bit.
  • 90:59 - 91:01
    Mr. Mathieu.
  • 91:07 - 91:08
    What are you doing?
  • 91:08 - 91:11
    Can you take me with you?
  • 91:11 - 91:12
    Sir.
  • 91:12 - 91:16
    I can't do that. You have to go back
    to school. They'll punish you.
  • 91:16 - 91:17
    Please?
  • 91:17 - 91:20
    - Can we go now?
    - Coming.
  • 91:20 - 91:23
    It's forbidden.
    I can't take you with me.
  • 91:23 - 91:25
    Go back.
  • 91:25 - 91:26
    Go on.
  • 91:27 - 91:28
    Go on.
  • 91:54 - 91:57
    Pépinot had been right all along,
  • 91:57 - 91:59
    Mathieu was fired on a Saturday,
Title:
Les Choristes [The Chorus] Full Movie HD
Description:

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Video Language:
French
Team:
Film & TV
Duration:
01:36:18

English subtitles

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