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a very pleased to be here today talking
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with Jonathan Tropper about his new
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novel one last thing before I go
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Jonathan thank you for coming to talk to
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us thank you for having me I'm glad to
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be here so tell me a little bit about
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this novel this is your sixth novel yes
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and I've you know I've heard some of
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your earlier books I think this one is
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very was different for me it had a
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gravity to it that that was that's
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different from some of your earlier
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books so how did you arrive at the
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subject here and this particular
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character the gravity kind of took me by
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surprise I generally set out you know to
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write novels that are you know that do
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deal with pretty heavy issues generally
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death and relationships family dynamics
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and I but I do try to do it in a
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light-hearted way and that that was my
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intention when I started writing this
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book but gradually as I got into the
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head of this character who really had
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had so much regret in his life and so
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many things he couldn't so many mistakes
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that he could not correct I had never
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really written about someone who so past
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the point of redemption most of my
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characters things go terribly wrong but
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the book is about them correcting that
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and and this guy we were meeting him at
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a later point in his life where those
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mistakes had been made years ago and he
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couldn't correct them and I guess once I
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got into his head I started feeling that
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kind of regret and so it became a deeper
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and more textured study of this kind of
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character so you know while there's
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still a lot of comedy in the book his
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journey is definitely a darker journey
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and and I think that's what I used the
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book with a little more gravity than the
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others and it's very interesting
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portrait of a man sort of at that
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midlife point who's very you know he's
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very honest with himself and honest
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about what he how he's feeling and where
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he's at and I think it makes him very
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real and in spite of the fact that you
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know the sort of the burden of his of
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his past and his choices so weighs so
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heavily upon him I think that
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he he stands up to it in a way that I I
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think makes the novel very interesting
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you're one of the things that I found
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appealing about writing this character
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of silver is that he's reached a point
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where he doesn't even have pretensions
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anymore it's so clear if you just look
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at him and you know there's this crappy
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apartment he lives in this the the fact
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that he was lunch uh you know something
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of a rock star now he plays in a
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third-rate wedding band the fact that
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he's estranged from his daughter he's
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estranged from his ex-wife he's he's
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lost touch with his family even it's he
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really has nothing and when you reach
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that point there's no longer any denial
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there's no longer any posing and trying
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to seem like you have more than you have
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he he's just he's one of the lonely
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people and that's who he is and that's
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how he identifies himself so there's no
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there's no there's no delusions and you
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know how do you know when we meet him at
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that point where he's you know he's just
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sort of it at the baseline he has in
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fact a life-or-death decision yeah
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before him and he he he goes against the
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grain did you see that happening with
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him I mean is that that was always the
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plan of the book was you know it's
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always just assumed you know that you're
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going to fight for your life whatever
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whether it's cancer whether it's a heart
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defect whether it's a bullet you know
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whatever it is that no matter what's
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going on in your life you're going to
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just fight to keep living which to me is
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is a very human train and it's both an
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instinct and it has to do I think with
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hope that you know we all no matter
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what's going on in our lives we all
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believe our lives are worth living and I
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wanted to deal with a guy who actually
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may not believe that and none of his
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family and none of his friends can
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believe that he really doesn't believe
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that but here's a guy who really isn't
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sure he wants to save his own life and
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the idea that he makes this decision not
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to have the life-saving operation and
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nobody else can understand it but but
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we're in his head and we do understand
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that he might be ready to check out now
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rather than
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continue living this empty life and what
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do you think about that I mean is he is
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it brave to you or is it is it I don't
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thank for it well I don't think it's
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brave because the brave thing is to you
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know to keep going and to try to fix
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your life and try to do better to me I
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think what it is is he's giving himself
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a deadline he's saying these are the
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things I've done wrong these are the
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things i need to be better at and if I
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die before I get them done and I don't
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deserve to live and if I get them done
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then maybe I'll consider the operation
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but he's basically saying you know this
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is my wake-up call and I'm going to look
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death in the eye while I try to fix
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these things how do you kind of process
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how that decision impacts the people
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around him the people that you that he
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feels sort of a drift from that he's
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that he's people he failed in his life
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his wife and his daughter like that
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decision kind of lights a fire under
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them and it in a unique way yeah I mean
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and that that's the whole thing is no
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matter how a strange you are from
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somebody we all kind of throw all of our
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our personal issues aside when it gets
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to life and death I mean there's very
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few family members who won't show up for
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you in a time of crisis regardless of of
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what you've been through so they do show
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up for him because they feel connected
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to him but they're also deeply
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frustrated by his behavior over the last
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seven years and now his refusal to to
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sort of save his own life and so it's
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this weird tension that exists in this
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family where they've all come together
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to try to help him but he's not
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interested in being helped and they're
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not really interested in being there
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it's just it's it's just weird dynamic
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where they were all sort of thrown
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together by this you know this sort of
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radical decision he's made to to not
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save his life and to me I mean at
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certain points and I think some of the
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humor of the story helps drive this home
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for me
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he is on this he's done this weird sort
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of George Bailey trip like he thought
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George Bailey but he's in that crisis of
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you know what if I you're the second
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person who said George going to be an
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end I'd never occurred to me I mean he's
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not that's why I mean it's sort of a
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slant connection right because he's not
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he's not that guy but in certain moments
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and certainly in the desperation of that
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he's staring down the barrel of it but
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the way that you treat his journey is
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really clever and I think that it raises
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the him up from where we first meet him
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and you know when I started reading a
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psycho my goodness like how are we gonna
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come out of this and he really he really
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does have an interesting path well
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there's an honesty to him that I enjoyed
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writing that you know he's like like I
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said before he's reached this point
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where you know we all lie to ourselves
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we all tell ourselves if I can just do
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this things will get better if I could
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just do that things will go better and
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he's just past the point of lying to
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himself and he's just he knows this is
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what his life is and then as he starts
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having these mini strokes because of his
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heart situation that forces him to be
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not just honest with himself but honest
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with other people and and it creates
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this dynamic where this is what happens
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when we actually tell the truth to each
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other which we don't generally do so I
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was interested in that what do you think
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he was like you know at 24 like where
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did he go wrong like well I think where
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he went wrong in this particular case
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was you know he was a drummer he was a
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rock star and he he tasted Fame I mean
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his band had this one hit that made them
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superstars and then the whole thing fell
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apart really quickly and once you've
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been there nothing else seems good
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enough again and and he just always
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believed he was going to get back there
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but of course he never did and so his
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whole regular life where he had so many
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things to appreciate he just stopped
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appreciating them because he had once
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been a rocket and and he never recovered
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from that it's like the thing that he
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can't let go up yeah and it's it's just
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like yeah he just he lost the ability to
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appreciate things like a wife and a
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daughter and
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and a family and it was all about being
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a superstar and he was a superstar so
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briefly was just like one second but
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that one second colored everything
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afterwards how do you think that male
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readers will react to true and the way
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that he I think they'll appreciate the
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reins I think they'll appreciate some of
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the stuff he says I mean he's really
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sort of I was uncomfortable writing some
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of the stuff he says I mean he says this
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stuff many men sometimes think without
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saying and you know the way he assesses
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those college girls who hang out at the
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swimming pool the way he assesses his
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own sexuality the way he assesses his uh
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his place on the flick on the dating
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food chain and you know he's he's
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brutally honest with himself but he's
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also brutally honest about the women and
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about the people around him and and
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there's something really fun about being
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with somebody who has no filter and I
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has absolutely no filter so you've done
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I just wanted to switch topic just
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quickly you've done some writing for for
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TV and film and you're just developing a
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news a new series yeah we're shooting it
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actually it's it's developed its
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developed so tell me tell me a little
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bit more about that our television show
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is for HBO cinemax it's called banshee
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and it's very different from my books
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and say it's a one-hour drama very much
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in the spirit of david cronenberg er the
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Coen brothers uh Bob's you know a lot of
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a lot of violence a lot of sexuality
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gangsters that kind of thing set in
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modern-day Pennsylvania and that's
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something we're shooting 10 episodes now
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for Cinemax produced by HBO and just
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using a different muscle there's a lot
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of fun and I recently finished adapting
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my last book this is where I leave you
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for Warner Brothers and that's actually
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scheduled to start shooting this
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September in New York and I'm very
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excited about that how was that
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experience writing for screen versus oh
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it's just a different like I said it's a
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way to diversify your mind creatively
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it's a very different kind of writing
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this book one last thing before I go is
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just an option by paramount and I'll be
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writing the screenplay for that as well
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and
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it's a way to kind of take the story
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you've written as a novel and tell a new
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story on film it's a it's different and
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it's just it's if you just sit and write
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prose all day at least I I'll just I'll
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burn out from that it's fun to be able
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to put that aside and then open up final
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draft and start writing scenes yeah do
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you get to write more female characters
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like it when you're working in this new
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shower yeah we have it we have a really
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strong female lead and yeah i mean my
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books do tend to generally have a male
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protagonist only because that that's
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what comes naturally but but i do try to
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spend a lot of time on the female
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characters in the book and make sure
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that they're that they're real humans
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and not just there to be the female
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character and right you know I've been
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told sometimes I've been really
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successful I didn't i've been told
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sometimes I haven't been and you know
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you just keep trying right in 601 some
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people yeah get it some people tell you
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how you just keep going well thank you
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for being here today I'm sorry good cock
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thank you for having me