WEBVTT 00:00:10.220 --> 00:00:18.770 a very pleased to be here today talking 00:00:17.030 --> 00:00:20.689 with Jonathan Tropper about his new 00:00:18.770 --> 00:00:22.760 novel one last thing before I go 00:00:20.689 --> 00:00:24.260 Jonathan thank you for coming to talk to 00:00:22.760 --> 00:00:26.150 us thank you for having me I'm glad to 00:00:24.260 --> 00:00:28.279 be here so tell me a little bit about 00:00:26.150 --> 00:00:30.980 this novel this is your sixth novel yes 00:00:28.279 --> 00:00:32.419 and I've you know I've heard some of 00:00:30.980 --> 00:00:36.400 your earlier books I think this one is 00:00:32.419 --> 00:00:36.400 very was different for me it had a 00:00:36.430 --> 00:00:40.970 gravity to it that that was that's 00:00:39.530 --> 00:00:43.640 different from some of your earlier 00:00:40.970 --> 00:00:44.990 books so how did you arrive at the 00:00:43.640 --> 00:00:47.150 subject here and this particular 00:00:44.990 --> 00:00:50.630 character the gravity kind of took me by 00:00:47.150 --> 00:00:52.910 surprise I generally set out you know to 00:00:50.630 --> 00:00:54.350 write novels that are you know that do 00:00:52.910 --> 00:00:58.430 deal with pretty heavy issues generally 00:00:54.350 --> 00:00:59.870 death and relationships family dynamics 00:00:58.430 --> 00:01:02.450 and I but I do try to do it in a 00:00:59.870 --> 00:01:03.770 light-hearted way and that that was my 00:01:02.450 --> 00:01:05.960 intention when I started writing this 00:01:03.770 --> 00:01:07.430 book but gradually as I got into the 00:01:05.960 --> 00:01:09.979 head of this character who really had 00:01:07.430 --> 00:01:11.900 had so much regret in his life and so 00:01:09.979 --> 00:01:14.930 many things he couldn't so many mistakes 00:01:11.900 --> 00:01:17.450 that he could not correct I had never 00:01:14.930 --> 00:01:20.510 really written about someone who so past 00:01:17.450 --> 00:01:22.610 the point of redemption most of my 00:01:20.510 --> 00:01:25.430 characters things go terribly wrong but 00:01:22.610 --> 00:01:28.070 the book is about them correcting that 00:01:25.430 --> 00:01:29.750 and and this guy we were meeting him at 00:01:28.070 --> 00:01:32.870 a later point in his life where those 00:01:29.750 --> 00:01:34.370 mistakes had been made years ago and he 00:01:32.870 --> 00:01:37.880 couldn't correct them and I guess once I 00:01:34.370 --> 00:01:40.490 got into his head I started feeling that 00:01:37.880 --> 00:01:42.920 kind of regret and so it became a deeper 00:01:40.490 --> 00:01:44.750 and more textured study of this kind of 00:01:42.920 --> 00:01:47.690 character so you know while there's 00:01:44.750 --> 00:01:50.270 still a lot of comedy in the book his 00:01:47.690 --> 00:01:52.340 journey is definitely a darker journey 00:01:50.270 --> 00:01:54.409 and and I think that's what I used the 00:01:52.340 --> 00:01:56.450 book with a little more gravity than the 00:01:54.409 --> 00:01:58.220 others and it's very interesting 00:01:56.450 --> 00:02:00.799 portrait of a man sort of at that 00:01:58.220 --> 00:02:03.710 midlife point who's very you know he's 00:02:00.799 --> 00:02:05.659 very honest with himself and honest 00:02:03.710 --> 00:02:07.850 about what he how he's feeling and where 00:02:05.659 --> 00:02:10.819 he's at and I think it makes him very 00:02:07.850 --> 00:02:13.340 real and in spite of the fact that you 00:02:10.819 --> 00:02:15.769 know the sort of the burden of his of 00:02:13.340 --> 00:02:17.670 his past and his choices so weighs so 00:02:15.769 --> 00:02:21.690 heavily upon him I think that 00:02:17.670 --> 00:02:24.599 he he stands up to it in a way that I I 00:02:21.690 --> 00:02:26.489 think makes the novel very interesting 00:02:24.599 --> 00:02:28.890 you're one of the things that I found 00:02:26.489 --> 00:02:32.220 appealing about writing this character 00:02:28.890 --> 00:02:33.870 of silver is that he's reached a point 00:02:32.220 --> 00:02:36.720 where he doesn't even have pretensions 00:02:33.870 --> 00:02:38.940 anymore it's so clear if you just look 00:02:36.720 --> 00:02:41.190 at him and you know there's this crappy 00:02:38.940 --> 00:02:43.680 apartment he lives in this the the fact 00:02:41.190 --> 00:02:45.720 that he was lunch uh you know something 00:02:43.680 --> 00:02:47.370 of a rock star now he plays in a 00:02:45.720 --> 00:02:49.410 third-rate wedding band the fact that 00:02:47.370 --> 00:02:51.930 he's estranged from his daughter he's 00:02:49.410 --> 00:02:55.950 estranged from his ex-wife he's he's 00:02:51.930 --> 00:02:57.569 lost touch with his family even it's he 00:02:55.950 --> 00:03:00.959 really has nothing and when you reach 00:02:57.569 --> 00:03:03.330 that point there's no longer any denial 00:03:00.959 --> 00:03:04.830 there's no longer any posing and trying 00:03:03.330 --> 00:03:07.200 to seem like you have more than you have 00:03:04.830 --> 00:03:10.350 he he's just he's one of the lonely 00:03:07.200 --> 00:03:12.170 people and that's who he is and that's 00:03:10.350 --> 00:03:16.590 how he identifies himself so there's no 00:03:12.170 --> 00:03:18.540 there's no there's no delusions and you 00:03:16.590 --> 00:03:20.610 know how do you know when we meet him at 00:03:18.540 --> 00:03:23.220 that point where he's you know he's just 00:03:20.610 --> 00:03:25.950 sort of it at the baseline he has in 00:03:23.220 --> 00:03:29.609 fact a life-or-death decision yeah 00:03:25.950 --> 00:03:31.680 before him and he he he goes against the 00:03:29.609 --> 00:03:33.900 grain did you see that happening with 00:03:31.680 --> 00:03:36.239 him I mean is that that was always the 00:03:33.900 --> 00:03:38.700 plan of the book was you know it's 00:03:36.239 --> 00:03:40.709 always just assumed you know that you're 00:03:38.700 --> 00:03:42.690 going to fight for your life whatever 00:03:40.709 --> 00:03:44.400 whether it's cancer whether it's a heart 00:03:42.690 --> 00:03:46.500 defect whether it's a bullet you know 00:03:44.400 --> 00:03:47.700 whatever it is that no matter what's 00:03:46.500 --> 00:03:50.910 going on in your life you're going to 00:03:47.700 --> 00:03:52.950 just fight to keep living which to me is 00:03:50.910 --> 00:03:54.900 is a very human train and it's both an 00:03:52.950 --> 00:03:56.790 instinct and it has to do I think with 00:03:54.900 --> 00:03:58.049 hope that you know we all no matter 00:03:56.790 --> 00:04:00.810 what's going on in our lives we all 00:03:58.049 --> 00:04:02.430 believe our lives are worth living and I 00:04:00.810 --> 00:04:04.950 wanted to deal with a guy who actually 00:04:02.430 --> 00:04:06.450 may not believe that and none of his 00:04:04.950 --> 00:04:08.400 family and none of his friends can 00:04:06.450 --> 00:04:10.620 believe that he really doesn't believe 00:04:08.400 --> 00:04:13.220 that but here's a guy who really isn't 00:04:10.620 --> 00:04:15.810 sure he wants to save his own life and 00:04:13.220 --> 00:04:17.940 the idea that he makes this decision not 00:04:15.810 --> 00:04:20.459 to have the life-saving operation and 00:04:17.940 --> 00:04:22.049 nobody else can understand it but but 00:04:20.459 --> 00:04:24.479 we're in his head and we do understand 00:04:22.049 --> 00:04:25.050 that he might be ready to check out now 00:04:24.479 --> 00:04:27.750 rather than 00:04:25.050 --> 00:04:29.460 continue living this empty life and what 00:04:27.750 --> 00:04:33.720 do you think about that I mean is he is 00:04:29.460 --> 00:04:35.280 it brave to you or is it is it I don't 00:04:33.720 --> 00:04:39.120 thank for it well I don't think it's 00:04:35.280 --> 00:04:41.099 brave because the brave thing is to you 00:04:39.120 --> 00:04:44.580 know to keep going and to try to fix 00:04:41.099 --> 00:04:46.379 your life and try to do better to me I 00:04:44.580 --> 00:04:50.370 think what it is is he's giving himself 00:04:46.379 --> 00:04:51.599 a deadline he's saying these are the 00:04:50.370 --> 00:04:54.720 things I've done wrong these are the 00:04:51.599 --> 00:04:56.370 things i need to be better at and if I 00:04:54.720 --> 00:04:58.139 die before I get them done and I don't 00:04:56.370 --> 00:04:59.849 deserve to live and if I get them done 00:04:58.139 --> 00:05:02.310 then maybe I'll consider the operation 00:04:59.849 --> 00:05:05.400 but he's basically saying you know this 00:05:02.310 --> 00:05:06.990 is my wake-up call and I'm going to look 00:05:05.400 --> 00:05:09.509 death in the eye while I try to fix 00:05:06.990 --> 00:05:11.430 these things how do you kind of process 00:05:09.509 --> 00:05:12.990 how that decision impacts the people 00:05:11.430 --> 00:05:15.539 around him the people that you that he 00:05:12.990 --> 00:05:18.060 feels sort of a drift from that he's 00:05:15.539 --> 00:05:19.680 that he's people he failed in his life 00:05:18.060 --> 00:05:23.430 his wife and his daughter like that 00:05:19.680 --> 00:05:26.159 decision kind of lights a fire under 00:05:23.430 --> 00:05:27.569 them and it in a unique way yeah I mean 00:05:26.159 --> 00:05:28.949 and that that's the whole thing is no 00:05:27.569 --> 00:05:31.529 matter how a strange you are from 00:05:28.949 --> 00:05:34.229 somebody we all kind of throw all of our 00:05:31.529 --> 00:05:35.759 our personal issues aside when it gets 00:05:34.229 --> 00:05:39.509 to life and death I mean there's very 00:05:35.759 --> 00:05:43.409 few family members who won't show up for 00:05:39.509 --> 00:05:46.259 you in a time of crisis regardless of of 00:05:43.409 --> 00:05:47.729 what you've been through so they do show 00:05:46.259 --> 00:05:48.930 up for him because they feel connected 00:05:47.729 --> 00:05:51.539 to him but they're also deeply 00:05:48.930 --> 00:05:55.620 frustrated by his behavior over the last 00:05:51.539 --> 00:05:57.719 seven years and now his refusal to to 00:05:55.620 --> 00:06:00.360 sort of save his own life and so it's 00:05:57.719 --> 00:06:02.190 this weird tension that exists in this 00:06:00.360 --> 00:06:03.779 family where they've all come together 00:06:02.190 --> 00:06:06.360 to try to help him but he's not 00:06:03.779 --> 00:06:08.250 interested in being helped and they're 00:06:06.360 --> 00:06:10.860 not really interested in being there 00:06:08.250 --> 00:06:11.789 it's just it's it's just weird dynamic 00:06:10.860 --> 00:06:13.710 where they were all sort of thrown 00:06:11.789 --> 00:06:16.199 together by this you know this sort of 00:06:13.710 --> 00:06:18.539 radical decision he's made to to not 00:06:16.199 --> 00:06:20.099 save his life and to me I mean at 00:06:18.539 --> 00:06:23.669 certain points and I think some of the 00:06:20.099 --> 00:06:24.650 humor of the story helps drive this home 00:06:23.669 --> 00:06:26.509 for me 00:06:24.650 --> 00:06:28.520 he is on this he's done this weird sort 00:06:26.509 --> 00:06:30.440 of George Bailey trip like he thought 00:06:28.520 --> 00:06:32.960 George Bailey but he's in that crisis of 00:06:30.440 --> 00:06:34.789 you know what if I you're the second 00:06:32.960 --> 00:06:36.979 person who said George going to be an 00:06:34.789 --> 00:06:38.509 end I'd never occurred to me I mean he's 00:06:36.979 --> 00:06:41.350 not that's why I mean it's sort of a 00:06:38.509 --> 00:06:44.840 slant connection right because he's not 00:06:41.350 --> 00:06:47.360 he's not that guy but in certain moments 00:06:44.840 --> 00:06:50.300 and certainly in the desperation of that 00:06:47.360 --> 00:06:51.620 he's staring down the barrel of it but 00:06:50.300 --> 00:06:54.110 the way that you treat his journey is 00:06:51.620 --> 00:06:55.940 really clever and I think that it raises 00:06:54.110 --> 00:06:58.010 the him up from where we first meet him 00:06:55.940 --> 00:07:01.370 and you know when I started reading a 00:06:58.010 --> 00:07:03.500 psycho my goodness like how are we gonna 00:07:01.370 --> 00:07:07.039 come out of this and he really he really 00:07:03.500 --> 00:07:09.080 does have an interesting path well 00:07:07.039 --> 00:07:10.850 there's an honesty to him that I enjoyed 00:07:09.080 --> 00:07:12.080 writing that you know he's like like I 00:07:10.850 --> 00:07:13.910 said before he's reached this point 00:07:12.080 --> 00:07:16.280 where you know we all lie to ourselves 00:07:13.910 --> 00:07:17.449 we all tell ourselves if I can just do 00:07:16.280 --> 00:07:18.770 this things will get better if I could 00:07:17.449 --> 00:07:20.840 just do that things will go better and 00:07:18.770 --> 00:07:23.570 he's just past the point of lying to 00:07:20.840 --> 00:07:25.729 himself and he's just he knows this is 00:07:23.570 --> 00:07:27.740 what his life is and then as he starts 00:07:25.729 --> 00:07:30.229 having these mini strokes because of his 00:07:27.740 --> 00:07:32.180 heart situation that forces him to be 00:07:30.229 --> 00:07:33.740 not just honest with himself but honest 00:07:32.180 --> 00:07:35.780 with other people and and it creates 00:07:33.740 --> 00:07:37.220 this dynamic where this is what happens 00:07:35.780 --> 00:07:39.620 when we actually tell the truth to each 00:07:37.220 --> 00:07:41.870 other which we don't generally do so I 00:07:39.620 --> 00:07:46.190 was interested in that what do you think 00:07:41.870 --> 00:07:48.470 he was like you know at 24 like where 00:07:46.190 --> 00:07:49.970 did he go wrong like well I think where 00:07:48.470 --> 00:07:51.470 he went wrong in this particular case 00:07:49.970 --> 00:07:54.889 was you know he was a drummer he was a 00:07:51.470 --> 00:07:56.630 rock star and he he tasted Fame I mean 00:07:54.889 --> 00:07:59.389 his band had this one hit that made them 00:07:56.630 --> 00:08:03.080 superstars and then the whole thing fell 00:07:59.389 --> 00:08:04.789 apart really quickly and once you've 00:08:03.080 --> 00:08:06.590 been there nothing else seems good 00:08:04.789 --> 00:08:08.780 enough again and and he just always 00:08:06.590 --> 00:08:11.210 believed he was going to get back there 00:08:08.780 --> 00:08:12.889 but of course he never did and so his 00:08:11.210 --> 00:08:15.260 whole regular life where he had so many 00:08:12.889 --> 00:08:16.699 things to appreciate he just stopped 00:08:15.260 --> 00:08:19.580 appreciating them because he had once 00:08:16.699 --> 00:08:21.860 been a rocket and and he never recovered 00:08:19.580 --> 00:08:23.900 from that it's like the thing that he 00:08:21.860 --> 00:08:26.599 can't let go up yeah and it's it's just 00:08:23.900 --> 00:08:28.340 like yeah he just he lost the ability to 00:08:26.599 --> 00:08:29.330 appreciate things like a wife and a 00:08:28.340 --> 00:08:31.789 daughter and 00:08:29.330 --> 00:08:33.950 and a family and it was all about being 00:08:31.789 --> 00:08:35.839 a superstar and he was a superstar so 00:08:33.950 --> 00:08:37.339 briefly was just like one second but 00:08:35.839 --> 00:08:39.200 that one second colored everything 00:08:37.339 --> 00:08:42.500 afterwards how do you think that male 00:08:39.200 --> 00:08:44.029 readers will react to true and the way 00:08:42.500 --> 00:08:46.399 that he I think they'll appreciate the 00:08:44.029 --> 00:08:48.019 reins I think they'll appreciate some of 00:08:46.399 --> 00:08:50.510 the stuff he says I mean he's really 00:08:48.019 --> 00:08:53.269 sort of I was uncomfortable writing some 00:08:50.510 --> 00:08:56.540 of the stuff he says I mean he says this 00:08:53.269 --> 00:08:58.640 stuff many men sometimes think without 00:08:56.540 --> 00:09:00.380 saying and you know the way he assesses 00:08:58.640 --> 00:09:01.940 those college girls who hang out at the 00:09:00.380 --> 00:09:05.089 swimming pool the way he assesses his 00:09:01.940 --> 00:09:08.390 own sexuality the way he assesses his uh 00:09:05.089 --> 00:09:10.550 his place on the flick on the dating 00:09:08.390 --> 00:09:12.019 food chain and you know he's he's 00:09:10.550 --> 00:09:14.300 brutally honest with himself but he's 00:09:12.019 --> 00:09:15.920 also brutally honest about the women and 00:09:14.300 --> 00:09:18.050 about the people around him and and 00:09:15.920 --> 00:09:19.790 there's something really fun about being 00:09:18.050 --> 00:09:23.149 with somebody who has no filter and I 00:09:19.790 --> 00:09:24.680 has absolutely no filter so you've done 00:09:23.149 --> 00:09:27.529 I just wanted to switch topic just 00:09:24.680 --> 00:09:29.660 quickly you've done some writing for for 00:09:27.529 --> 00:09:32.029 TV and film and you're just developing a 00:09:29.660 --> 00:09:33.680 news a new series yeah we're shooting it 00:09:32.029 --> 00:09:35.839 actually it's it's developed its 00:09:33.680 --> 00:09:38.060 developed so tell me tell me a little 00:09:35.839 --> 00:09:40.339 bit more about that our television show 00:09:38.060 --> 00:09:42.019 is for HBO cinemax it's called banshee 00:09:40.339 --> 00:09:44.630 and it's very different from my books 00:09:42.019 --> 00:09:46.370 and say it's a one-hour drama very much 00:09:44.630 --> 00:09:49.399 in the spirit of david cronenberg er the 00:09:46.370 --> 00:09:52.089 Coen brothers uh Bob's you know a lot of 00:09:49.399 --> 00:09:54.769 a lot of violence a lot of sexuality 00:09:52.089 --> 00:09:58.040 gangsters that kind of thing set in 00:09:54.769 --> 00:09:59.360 modern-day Pennsylvania and that's 00:09:58.040 --> 00:10:02.990 something we're shooting 10 episodes now 00:09:59.360 --> 00:10:04.550 for Cinemax produced by HBO and just 00:10:02.990 --> 00:10:07.519 using a different muscle there's a lot 00:10:04.550 --> 00:10:09.199 of fun and I recently finished adapting 00:10:07.519 --> 00:10:10.970 my last book this is where I leave you 00:10:09.199 --> 00:10:12.230 for Warner Brothers and that's actually 00:10:10.970 --> 00:10:15.589 scheduled to start shooting this 00:10:12.230 --> 00:10:17.060 September in New York and I'm very 00:10:15.589 --> 00:10:19.510 excited about that how was that 00:10:17.060 --> 00:10:22.130 experience writing for screen versus oh 00:10:19.510 --> 00:10:23.930 it's just a different like I said it's a 00:10:22.130 --> 00:10:25.540 way to diversify your mind creatively 00:10:23.930 --> 00:10:28.130 it's a very different kind of writing 00:10:25.540 --> 00:10:30.050 this book one last thing before I go is 00:10:28.130 --> 00:10:31.430 just an option by paramount and I'll be 00:10:30.050 --> 00:10:32.880 writing the screenplay for that as well 00:10:31.430 --> 00:10:35.200 and 00:10:32.880 --> 00:10:37.510 it's a way to kind of take the story 00:10:35.200 --> 00:10:41.410 you've written as a novel and tell a new 00:10:37.510 --> 00:10:44.350 story on film it's a it's different and 00:10:41.410 --> 00:10:46.990 it's just it's if you just sit and write 00:10:44.350 --> 00:10:49.630 prose all day at least I I'll just I'll 00:10:46.990 --> 00:10:51.460 burn out from that it's fun to be able 00:10:49.630 --> 00:10:55.150 to put that aside and then open up final 00:10:51.460 --> 00:10:57.370 draft and start writing scenes yeah do 00:10:55.150 --> 00:10:59.530 you get to write more female characters 00:10:57.370 --> 00:11:01.810 like it when you're working in this new 00:10:59.530 --> 00:11:06.520 shower yeah we have it we have a really 00:11:01.810 --> 00:11:08.560 strong female lead and yeah i mean my 00:11:06.520 --> 00:11:11.920 books do tend to generally have a male 00:11:08.560 --> 00:11:13.870 protagonist only because that that's 00:11:11.920 --> 00:11:15.160 what comes naturally but but i do try to 00:11:13.870 --> 00:11:16.540 spend a lot of time on the female 00:11:15.160 --> 00:11:18.610 characters in the book and make sure 00:11:16.540 --> 00:11:20.440 that they're that they're real humans 00:11:18.610 --> 00:11:22.270 and not just there to be the female 00:11:20.440 --> 00:11:23.590 character and right you know I've been 00:11:22.270 --> 00:11:24.880 told sometimes I've been really 00:11:23.590 --> 00:11:26.530 successful I didn't i've been told 00:11:24.880 --> 00:11:28.480 sometimes I haven't been and you know 00:11:26.530 --> 00:11:31.090 you just keep trying right in 601 some 00:11:28.480 --> 00:11:33.580 people yeah get it some people tell you 00:11:31.090 --> 00:11:35.050 how you just keep going well thank you 00:11:33.580 --> 00:11:37.950 for being here today I'm sorry good cock 00:11:35.050 --> 00:11:37.950 thank you for having me