a very pleased to be here today talking with Jonathan Tropper about his new novel one last thing before I go Jonathan thank you for coming to talk to us thank you for having me I'm glad to be here so tell me a little bit about this novel this is your sixth novel yes and I've you know I've heard some of your earlier books I think this one is very was different for me it had a gravity to it that that was that's different from some of your earlier books so how did you arrive at the subject here and this particular character the gravity kind of took me by surprise I generally set out you know to write novels that are you know that do deal with pretty heavy issues generally death and relationships family dynamics and I but I do try to do it in a light-hearted way and that that was my intention when I started writing this book but gradually as I got into the head of this character who really had had so much regret in his life and so many things he couldn't so many mistakes that he could not correct I had never really written about someone who so past the point of redemption most of my characters things go terribly wrong but the book is about them correcting that and and this guy we were meeting him at a later point in his life where those mistakes had been made years ago and he couldn't correct them and I guess once I got into his head I started feeling that kind of regret and so it became a deeper and more textured study of this kind of character so you know while there's still a lot of comedy in the book his journey is definitely a darker journey and and I think that's what I used the book with a little more gravity than the others and it's very interesting portrait of a man sort of at that midlife point who's very you know he's very honest with himself and honest about what he how he's feeling and where he's at and I think it makes him very real and in spite of the fact that you know the sort of the burden of his of his past and his choices so weighs so heavily upon him I think that he he stands up to it in a way that I I think makes the novel very interesting you're one of the things that I found appealing about writing this character of silver is that he's reached a point where he doesn't even have pretensions anymore it's so clear if you just look at him and you know there's this crappy apartment he lives in this the the fact that he was lunch uh you know something of a rock star now he plays in a third-rate wedding band the fact that he's estranged from his daughter he's estranged from his ex-wife he's he's lost touch with his family even it's he really has nothing and when you reach that point there's no longer any denial there's no longer any posing and trying to seem like you have more than you have he he's just he's one of the lonely people and that's who he is and that's how he identifies himself so there's no there's no there's no delusions and you know how do you know when we meet him at that point where he's you know he's just sort of it at the baseline he has in fact a life-or-death decision yeah before him and he he he goes against the grain did you see that happening with him I mean is that that was always the plan of the book was you know it's always just assumed you know that you're going to fight for your life whatever whether it's cancer whether it's a heart defect whether it's a bullet you know whatever it is that no matter what's going on in your life you're going to just fight to keep living which to me is is a very human train and it's both an instinct and it has to do I think with hope that you know we all no matter what's going on in our lives we all believe our lives are worth living and I wanted to deal with a guy who actually may not believe that and none of his family and none of his friends can believe that he really doesn't believe that but here's a guy who really isn't sure he wants to save his own life and the idea that he makes this decision not to have the life-saving operation and nobody else can understand it but but we're in his head and we do understand that he might be ready to check out now rather than continue living this empty life and what do you think about that I mean is he is it brave to you or is it is it I don't thank for it well I don't think it's brave because the brave thing is to you know to keep going and to try to fix your life and try to do better to me I think what it is is he's giving himself a deadline he's saying these are the things I've done wrong these are the things i need to be better at and if I die before I get them done and I don't deserve to live and if I get them done then maybe I'll consider the operation but he's basically saying you know this is my wake-up call and I'm going to look death in the eye while I try to fix these things how do you kind of process how that decision impacts the people around him the people that you that he feels sort of a drift from that he's that he's people he failed in his life his wife and his daughter like that decision kind of lights a fire under them and it in a unique way yeah I mean and that that's the whole thing is no matter how a strange you are from somebody we all kind of throw all of our our personal issues aside when it gets to life and death I mean there's very few family members who won't show up for you in a time of crisis regardless of of what you've been through so they do show up for him because they feel connected to him but they're also deeply frustrated by his behavior over the last seven years and now his refusal to to sort of save his own life and so it's this weird tension that exists in this family where they've all come together to try to help him but he's not interested in being helped and they're not really interested in being there it's just it's it's just weird dynamic where they were all sort of thrown together by this you know this sort of radical decision he's made to to not save his life and to me I mean at certain points and I think some of the humor of the story helps drive this home for me he is on this he's done this weird sort of George Bailey trip like he thought George Bailey but he's in that crisis of you know what if I you're the second person who said George going to be an end I'd never occurred to me I mean he's not that's why I mean it's sort of a slant connection right because he's not he's not that guy but in certain moments and certainly in the desperation of that he's staring down the barrel of it but the way that you treat his journey is really clever and I think that it raises the him up from where we first meet him and you know when I started reading a psycho my goodness like how are we gonna come out of this and he really he really does have an interesting path well there's an honesty to him that I enjoyed writing that you know he's like like I said before he's reached this point where you know we all lie to ourselves we all tell ourselves if I can just do this things will get better if I could just do that things will go better and he's just past the point of lying to himself and he's just he knows this is what his life is and then as he starts having these mini strokes because of his heart situation that forces him to be not just honest with himself but honest with other people and and it creates this dynamic where this is what happens when we actually tell the truth to each other which we don't generally do so I was interested in that what do you think he was like you know at 24 like where did he go wrong like well I think where he went wrong in this particular case was you know he was a drummer he was a rock star and he he tasted Fame I mean his band had this one hit that made them superstars and then the whole thing fell apart really quickly and once you've been there nothing else seems good enough again and and he just always believed he was going to get back there but of course he never did and so his whole regular life where he had so many things to appreciate he just stopped appreciating them because he had once been a rocket and and he never recovered from that it's like the thing that he can't let go up yeah and it's it's just like yeah he just he lost the ability to appreciate things like a wife and a daughter and and a family and it was all about being a superstar and he was a superstar so briefly was just like one second but that one second colored everything afterwards how do you think that male readers will react to true and the way that he I think they'll appreciate the reins I think they'll appreciate some of the stuff he says I mean he's really sort of I was uncomfortable writing some of the stuff he says I mean he says this stuff many men sometimes think without saying and you know the way he assesses those college girls who hang out at the swimming pool the way he assesses his own sexuality the way he assesses his uh his place on the flick on the dating food chain and you know he's he's brutally honest with himself but he's also brutally honest about the women and about the people around him and and there's something really fun about being with somebody who has no filter and I has absolutely no filter so you've done I just wanted to switch topic just quickly you've done some writing for for TV and film and you're just developing a news a new series yeah we're shooting it actually it's it's developed its developed so tell me tell me a little bit more about that our television show is for HBO cinemax it's called banshee and it's very different from my books and say it's a one-hour drama very much in the spirit of david cronenberg er the Coen brothers uh Bob's you know a lot of a lot of violence a lot of sexuality gangsters that kind of thing set in modern-day Pennsylvania and that's something we're shooting 10 episodes now for Cinemax produced by HBO and just using a different muscle there's a lot of fun and I recently finished adapting my last book this is where I leave you for Warner Brothers and that's actually scheduled to start shooting this September in New York and I'm very excited about that how was that experience writing for screen versus oh it's just a different like I said it's a way to diversify your mind creatively it's a very different kind of writing this book one last thing before I go is just an option by paramount and I'll be writing the screenplay for that as well and it's a way to kind of take the story you've written as a novel and tell a new story on film it's a it's different and it's just it's if you just sit and write prose all day at least I I'll just I'll burn out from that it's fun to be able to put that aside and then open up final draft and start writing scenes yeah do you get to write more female characters like it when you're working in this new shower yeah we have it we have a really strong female lead and yeah i mean my books do tend to generally have a male protagonist only because that that's what comes naturally but but i do try to spend a lot of time on the female characters in the book and make sure that they're that they're real humans and not just there to be the female character and right you know I've been told sometimes I've been really successful I didn't i've been told sometimes I haven't been and you know you just keep trying right in 601 some people yeah get it some people tell you how you just keep going well thank you for being here today I'm sorry good cock thank you for having me