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♪ (music) ♪
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(narrator) These days,
you hear music all the time.
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It wakes us up, motivates our workouts,
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keeps us company on our commutes.
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It doesn't matter
what kind of music it is,
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music itself has the ability
to affect our moods and our bodies
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in all sorts of ways.
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We nod our heads, we sway, dance.
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Music can give us chills,
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even make us cry.
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Music activates every area
of the brain that we have so far mapped.
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In fact, there's no area
of the brain we know about
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that music doesn't touch in some way.
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But what's behind all that?
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What exactly does music do to us?
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To find out, I went to a whole series of tests
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designed to measure my responses to music.
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I met some kids whose brains
may actually be changing,
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thanks to those hours
of learning, practice, and performing.
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I spoke with a therapist who used music
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to help former congresswoman
Gabrielle Giffords
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learn to speak again,
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and got a glimpse inside the brain
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of a two-time winning artist
while he played...
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( )
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...all to find out how music affects us.
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♪ (music) ♪
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So what's going on
when we listen to music?
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We visited the USC Brain
and Creativity Institute,
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where I had my head examined, literally,
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to try to figure it out.
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I'm going to go into this [FMRI] machine,
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a tiny tube will surround me.
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We'll get a baseline reading of my brain,
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and then I'm going to listen
to some music.
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We're going to see how my brain responds.
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Just close your eyes, relax,
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and try and get into the music
as best you can, okay?
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♪ (music) ♪
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And here's what we saw.
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These are scans of my brain.
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The areas in red are where
my activity is above average;
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in blue, below average.
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As you can see,
there is red activity all over my brain,
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not just in one specific area.
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Twenty-five years ago,
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the idea was that language
is on the left side of the brain
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and music is in
the right side of the brain.
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But now that we've got
better quality tools,
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higher resolution neuro-imaging
and better experimental methods,
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we've discovered that's not at all right.
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How does that play out
in different regions of the brain?
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When music enters
and then gets shuttled off
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to different parts of the brain,
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it stops at specialized processing units
in auditory cortex,
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they track loudness and pitch and rhythm
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and [tambour] and things like that.
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There's visual cortex activation
when you're reading music as a musician
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or watching music,
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motor cortex
when you're tapping your feet,
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snapping your fingers, clapping you hands;
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and cerebellum which mediates
the emotional responses;
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the memory and the hippocampus,
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hearing a familiar passage,
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finding it somewhere in your memory banks.
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Music is going on
in both halves of your brain,
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the left and the right,
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the front and the back,
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the inside and the outside.
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♪ (music) ♪
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So what about a musicians's brain?
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To play a piece of music
engages so many things:
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motor systems, timing systems,
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memory systems, hearing systems.
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There's all sorts
of brain activity happening.
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It's a very robust thing to play music.
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♪ (music) ♪
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I'm Alex Jacob Robertson.
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I'm Nathan Glenn Robertson.
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We asked these 11-year old musicians
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to tell us what's going through
their minds when they play.
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Some of the most important things
are I think good postures,
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getting the note right,
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legato, staccato.
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[violin playing]
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For the violin, you need to hold
your hand at the right place,
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and you need to be in tune,
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and then you also have to have
not only the right intonation
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but the right sound,
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and then you also need
to have great vibrato.
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There's lot of things to think about.
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[violin playing]
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(narrator) Back at USC,
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researchers have been studying kids
who play music over the past five years
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to see how it affects their development.
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The multi-tasking areas of their brains
understandable lit up,
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but they've seen other results too.
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Music training
over the course of five years
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has had benefits in cognitive skills
and decision making,
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also had some benefits in social behavior,
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and we've also seen changes
in the associated brain structures.
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(narrator) Did you hear that?
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Changes in brain structures!
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They found that the brains of children
who have studied music
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have stronger connections
between the left and right hemispheres,
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and that can make them better,
more creative problem solvers.
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And then there's emotion.
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[emotional music]
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When you hear a piece like this,
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it's easy to understand why emotions
play such a big part in music.
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This song by Camille Saint-Saëns is known
as the music for the dying swan in ballet.
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While it might move ballerinas to dance,
it inspires different reactions in others.
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( )
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Some people get goosebumps, chills.
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That weird tingly sensation that you get
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when a great piece of music
just hits you in the right way?
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It's called frisson,
and not everyone gets it,
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but it turns out I do.
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Now we're going to have you listen
to some pieces of music.
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Okay.
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When you experience a chill, if you do,
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I want you to just press this space bar
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so we have an indication
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of when those peak moments
of enjoyment are happening.
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Okay.
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Matt Sachs, a PhD candidate at USC,
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wired me up to measure
my physiological response.
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So when I'm feeling
that emotional connection
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that has a physical manifestation,
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we'll see what my body is actually doing?
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Exactly.
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[dramatic music]
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Alright, how was that?
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That was-- that had a lot of them.
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We got them all.
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Now full disclosure:
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Back in the day, I played the cello,
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which might have something to do
with why that particular song affected me.
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Nice hair!
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But it turns out the brain
is at work here too.
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We processed the difference
between this pathway
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that connects the auditory regions
is on the side of the brain here,
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to the emotional regions,
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and we showed that the tract
actually that connects those two regions
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is stronger,
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there's more fibers in that region
in the people who get chills.
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(narrator) Which means
that some people's brains
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might have better communication
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between what they hear and how they feel.
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The music itself also plays
a role in frisson.
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Sachs uses different songs in his lectures
to see if students get it.
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I'll say raise your hand
when you get a chill
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and I'll play a piece of music,
a classical piece,
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and maybe half the people will get it.
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(narrator) Then he plays this..
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( )
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Rolling Stone's Give me Shelter.
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Have you ever seen the movie
20 Feet from Stardom?
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The documentary about back up singers?
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Yeah.
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There's a part where they isolate
the vocals from Give me Shelter.
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♪ ( ) ♪
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And I play that,
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and 90% of the people experience chills,
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sort of independent of where I go.
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I have to tell you, bringing that up
made me think about it
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and I got that little kind of thing
at the back of my neck.
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(narrator) But why would that happen?
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The high pitched notes that she hit
almost sounds like a scream
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and it's very important ancestrally for us
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to be able to pay attention to a scream,
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figure out what's going on,
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and either run or fight,
whatever we need to do.
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(narrator) So how come
that manifests as pleasure?
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Well it's because our pre-frontal cortex,
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the more rational, thinking part
of the brain kicks in.
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So you realize very quickly,
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after you have
this really quick startle reflex,
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that there's nothing actually threatening
about the piece of music,
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that you're sitting in a safe space
with your headphones on,
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and it's in that reappraisal
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that we tend to think
of the pleasure responses emerging.
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And whether you find listening to music
so pleasurable you get chills
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or you absolutely despise a song,
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it can produce absolutely
fascinating effects in the brain.
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According to [Levitan], music we enjoy
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triggers the brain's
internal opioid system,
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yes, opioid system.
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And just like the opioids
that come in pill form
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these chemicals make you feel good
and help relive pain.
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And music you don't like?
Well, that releases cortisol,
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the notorious stress hormone.
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But that's not even the half of what music
can do in the brain.
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The high pitched notes that she hits
almost sounds like a scream and
it's very important ancestrally for us
to be able to pay attention
to a scream, figure out what's going on
and either run or fight, whatever we need to do.
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[Narrator] So how come
that manifests as pleasure?
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Well it's because our pre-frontal cortex
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the more rational, thinking part of the brain kicks in.
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So you realize very quickly after you have
this really quick startle reflex
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that there's nothing actually threatening
about the piece of music
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that you're sitting in a safe space
with your headphones on
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and it's in that reappraisal that we tend to think
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of the pleasure responses emerging.
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And whether you find listening to music
so pleasurable that you get chills
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or you absolutely despise a song
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it can produce absolutely fascinating
effects in the brain.
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According to Levitan music we enjoy triggers
the brain's internal opiod system, yes, opiod system.
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And just like the opioids that come in pill form
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these chemicals make you feel good and help relive pain.
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And music you don't like well that releases cortisol,
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the notorious stress hormone.
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But that's not even the half of what music
can do in the brain.
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Can you turn on the lights?
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[Narrator] When former Congresswomen Gabrielle Giffords
was shot in 2011
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the left side of her brain
was severely damaged
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leaving her struggling to speak,
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a condition called aphasia.
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Gabby are you frustrated?
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[Narrator] But to get an idea
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of just how powerful
music's effect on the brain can be
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watch this video.
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You ready?
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[Together] This little light of mine
I'm gonna let it shine.
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That words that she'd been
struggling to say, light,
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can easily be in song.
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Why would she be able to sing a word
when she's unable to say it?
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What we know about the brain
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is that the left hemisphere controls language
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and there are many other parts of the brain
that have music access.
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Music therapist Maegan Morrow's job
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is to help patients use those other
pathways to regain language.
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Sometimes I compare it to being in traffic
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and you can't move any further
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but you might need to exit
and take the feeder road
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to get you to your destination.
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So music is basically like that feeder road
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to the new destination.
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Like a detour, so we know that music
can help us relearn things like speech
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by accessing alternative pathways in the brain
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and that learning to play music can help
strengthen brain connections.
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But what about making music?
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To make music is like,
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it's the language of humanity,
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no matter where I go in the world,
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if I'm playing something,
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it doesn't matter if
someone can't speak the language,
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if they're into it they're into it.
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[Narrator] This is Xavier Dphrepaulezz better known as Fantastic Negrito.
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We brought him to UCSF to meet Charles Limb
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a neuroscientist who studies musical creativity.
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The Duffler's up next.
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[Narrator] To understand how Fantastic Negrito's brain works when making music
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Dr. Limb had him play on of his songs
while going through the fMRI.
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[Fantastic Negrito singing]
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so how did his brain respond?
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The areas that process sensory and motor skills
along with sounds lit up,
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you can see them here.
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Red and yellow, makes sense right?
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But here's the really interesting part,
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Limb asked him to improvise
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to see what happens when he's creating
something totally original.
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[Fantastic Negrito singing]
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now watch what happens to his brain.
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The areas that were active before
the ones that deal with motor skills and sounds
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are even more active.
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And see how there's way more blue
in the front of his brain?
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That's the pre-frontal cortex
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and it's associated with effortful planning
and conscience self-monitoring
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and it's blue because it's less active.
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We see that the pre-frontal cortex
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appears to be really shutting down
in these moments of high creativity
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kind of like letting of of these conscious
self-censoring or self-monitoring areas
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that normally are there to help control our output.
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[Narrator] And Limb says
it's about more than just letting go.
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You view it from perspective of survival
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if human beings only could do memorized route responses,
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we'd be long gone.
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It is not just the thing that happens
in clubs and in jazz bars,
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it's actually maybe
the most fundamental form
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of what it means to be human
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to come up with new ideas.
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[singing]
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[Narrator] So music is so much more
than notes on a page,
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it can change the way we think and speak and feel
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but is there a limit to what science can tell us about music?
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Just when I discover the answer to one thing
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five new questions pop up that are more
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interesting than the first and I've gained
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an appreciation for how complex the music making
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and music listening system is.
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It's not demystified to me at all.
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It's more mysterious than ever.
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[signing]
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[clapping]