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The Twilight Zone S01E07 The Lonely + Intro [Sub Español]

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    There is a fifth dimension
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    beyond that which is known
    to man.
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    It is a dimension as vast as space
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    and as timeless as infinity.
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    It is the middle ground
    between light and shadow,
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    between science and superstition,
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    and it lies between
    the pit of man's fears
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    and the summit of his knowledge.
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    This is the dimension
    of imagination.
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    It is an area which we call
    the twilight zone.
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    Witness, if you will, a dungeon
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    made out of mountains,
    salt flats and sand
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    that stretch to infinity.
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    The dungeon has an inmate--
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    [car horn honks]
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    James A. Corry--
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    and this is his residence:
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    metal shack.
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    an old touring car that squats
    in the sun and goes nowhere,
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    for there is nowhere to go.
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    For the record, let it be known
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    that James A. Corry
    is a convicted criminal
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    placed in solitary confinement.
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    Confinement, in this case,
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    stretches as far as the eye can see
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    because this particular dungeon
    is on an asteroid
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    nine million miles from the earth.
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    Now witness, if you will,
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    a man's mind and body
    shriveling in the sun--
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    a man dying of loneliness.
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    Entry, 15th day, sixth month, the
    year four.
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    and all the days and the months
    and the years are the same.
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    There'll be a supply ship
    coming in soon, I think.
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    They're either due or overdue.
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    and I hope it's Allenby's ship
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    because he's a decent man
    and he brings things for me.
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    like he brought in the parts
    for that antique automobile.
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    I was a year putting that
    thing together,
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    such as it is.
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    A whole year putting an
    old car together.
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    but thank god for that car,
    and for the hours I used up,
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    and the days and the weeks.
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    I can look at it out there,
    and I know that it's real.
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    reality is what I need.
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    because what is there
    left that i can believe in?
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    the desert and the wind?
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    the silence?
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    or myself?
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    CanIi believe in myself anymore?
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    [laughs and hoots with joy]
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    Allenby?
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    Allenby!
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    Allenby!
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    Allenby!
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    How are you, Corry?
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    All right. You?
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    Quite a place you've got here.
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    Glad you like it.
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    I didn't say I liked it.
    I think it stinks.
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    Well, you don't have to live here.
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    No, but I have to come back here
    four times a year.
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    That's eight months out of twelve, Cory,
    away from earth.
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    Sometimes my kids don't even
    recognize me when I come home.
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    But you, you've got it made here, haven't you, Cory?
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    Yeah, this makes for simple living,
    doesn't it?
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    6,000 miles from north to south,
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    4,000 from east to west,
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    and all of it just like this.
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    All right, Adams, cut it out.
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    Now, we've only got
    a 15-minute layover this time.
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    No one's checking on your schedule
    way out here.
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    We can play a couple of games
    of cards or something huh?
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    I'm sorry, Corry. If we delay
    our time of departure
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    any longer than 15 minutes,
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    it just places us in a different
    orbital position.
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    We'll never make it back to earth.
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    No, e would have to stay
    here at least--
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    at least 14 days before it's
    in position again.
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    Oh, 14 days! Hey look, I got some
    beer saved.
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    we could play some cards.
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    I wish we could but, like I said,
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    we've only got 15 minutes.
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    What's a few minutes?
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    Hey look, we could play chess.
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    I built a chess set
    and everything.
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    Let's go in.
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    Allenby, only two minutes
    are gone.
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    two minutes have passed already.
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    we've only got 13 left.
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    Now look, I don't want to foul up
    your schedule,
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    but how about one game of cards?
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    we just don't have the time.
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    we've been here
    two minutes already,
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    and he hasn't asked
    about the pardon.
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    How about it, Allenby?
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    You're out of luck,
    the sentence reads 50 years,
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    and they're not even reviewing
    cases of homicide.
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    You've been here
    four years now,
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    so that makes 46 more to go,
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    so make yourself
    comfortable, huh?
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    Corry, we don't make the rules.
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    All we do is deliver supplies
    and pass on information.
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    I told you last time there's been pressure back home
    about this kind of punishment.
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    A lot people think it's
    unnecessarily cruel.
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    they may change their minds
    and alter the law,
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    and imprison you on earth
    like the old days.
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    but--
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    Who knows what the next couple
    of years may bring?
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    Years?
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    Every morning, when I get up,
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    I tell myself this is
    my last day of sanity.
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    I can't stand this loneliness
    one more day.
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    not one more day!
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    By noon, when I can't
    keep my fingers still,
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    and the inside of my mouth
    feels like gunpowder and burnt copper,
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    down deep inside my gut
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    I get an ache that's
    just pulling everything out.
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    Then I force myself to hold on
    for one more day.
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    just one more day!
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    but I can't do that
    for another 46 years.
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    I'll go right out of my mind.
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    You're breaking my heart.
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    Adams, you and Carstairs go get
    the supplies.
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    Mr. Corry got a broken leg
    or something?
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    You go ahead and do what I tell ya.
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    Now.
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    That big crate?
    you know, the big one?
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    You treat that one gently.
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    Brought you some paperback books.
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    Thanks.
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    Corry, I brought you
    something else too.
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    It'd mean my job if they ever suspect.
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    It'd be my neck if they found out for sure.
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    Look, Allelnby.
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    I don't want any gifts.
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    I don't want tidbits.
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    It makes me feel like an animal in a cage
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    with an old lady out there
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    who wants to throw peanuts at me
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    A pardon, Allenby.
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    That's the only gift I want.
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    I'm not a murderer.
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    I killed in self-defence.
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    There are still a lot of people who believe me
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    and it happens to be the truth! I killed in self-defence!
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    I know. I know all about it.
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    and I doubt if this would be of any cosolation to you, but--
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    this is not an easy assignment to handle--
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    stopping here four times a year
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    and having to look at a man's agony.
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    You're right, Allenby
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    It's very little consolation.
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    Well I can't bring you freedom.
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    All I can do is try to bring you things
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    that help keep your sanity.
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    something to--well anything so you can just fight loneliness.
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    (Adams)
    Hey Captain!
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    You wanna open up this big crate?
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    Naw. Not yet.
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    Uh stay out there.
    I'll be right out.
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    We got to go now.
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    We'll be back in three months.
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    Look, when you open up that crate
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    there's nothing you have to do
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    the item has been vacuum-packed
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    You'll need no activator of any kind.
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    The air will do that.
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    I left you a booklet inside
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    that will answer any of your questions.
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    Corry.
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    uh they don't know what it is that I've brought
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    so I'd appreciate your waiting until we get out of sight.
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    Have a good trip back.
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    Give my regards to broadway.
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    Sure, Corry.
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    I'll see you in three months.
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    Allenby?
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    I don't much care what's in it.
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    but for the thought--
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    for the decency--
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    thank you.
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    Quite welcome, Corry.
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    Hey Captain.
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    Captain?
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    Captain what's in the big crate, ah?
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    I'm not quite sure, really.
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    Maybe it's just an illusion.
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    maybe it's salvation.
    I don't know.
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    Let's go.
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    "You are now the proud possessor
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    "of a robot built
    in the form of a woman.
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    "to all intent and purpose,
    this creature is a woman.
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    "physiologically
    and psychologically,
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    "she is a human being
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    "with a set of emotions
    and a memory track,
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    "the ability to reason,
    to think and to speak.
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    "she is beyond illness and,
    under normal circumstances,
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    "should have a lifespan
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    "similar to that
    of a normal human being.
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    Her name is Alicia."
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    My name's Alicia.
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    What's your name?
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    Get out of here.
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    Get out of here!
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    I don't need no machine.
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    Go on! Get out of here!
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    My name's Alicia.
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    What's your name?
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    I brought you some water.
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    Put it over there.
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    It'll get warm
    just sitting there.
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    How would you know?
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    I can feel thirst.
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    Yeah? What else can you feel?
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    I don't understand.
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    Can you feel heat?
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    Yes.
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    and cold?
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    yes.
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    and hunger?
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    How about pain?
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    Can you feel pain?
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    That, too.
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    How?
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    You're a machine, aren't you?
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    Yes.
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    Why would--
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    why didn't they build you
    to look like a machine?
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    Why didn't they build
    you out of metal
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    with bolts and wires
    and electrodes
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    and things like that?
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    Why'd they turn you into a lie--
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    cover you with something
    that looks like flesh--
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    give you a face?
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    a face that if I--
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    if I look at long enough, makes
    me think--
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    makes me believe that--
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    it's a lie!
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    Corry?
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    Corry.
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    You mock me, you know that?
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    When you look at me, when you
    talk to me, I'm being mocked.
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    I'm sorry.
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    You hurt me, Corry.
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    Hurt you?
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    How can I hurt you?
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    This isn't real flesh.
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    There aren't any nerves
    under there.
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    There aren't any muscles
    or tendons.
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    You're just like this heap--
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    a hunk of metal with arms and
    legs instead of wheels.
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    But this heap doesn't mock me
    the way you do.
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    It doesn't look at me
    with make-believe eyes,
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    or talk to me with
    a make-believe voice.
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    well, I'm sick of being mocked by
    the memory of women.
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    and that's all you are--
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    a reminder to me
    that I'm so lonely
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    I'm about to lose my mind.
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    I can feel loneliness, too.
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    Oh, Alicia, I'm sorry.
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    Alicia's been with
    me now for 11 months.
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    It's difficult to write down
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    what has been the sum total
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    of this very strange
    and bizarre relationship.
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    Is it man and woman?
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    Or man and machine?
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    I don't really know myself.
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    but there are times
    when I do know
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    that Alicia is simply
    an extension of me.
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    I hear my words coming from her,
    my emotions,
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    the things that she
    has learned to love
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    are those things that I've loved.
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    I'm not lonely anymore.
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    each day can now be lived with,
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    and I love Alicia.
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    Nothing else matters.
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    and that's the star Betelgeuse
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    that's in the constellation
    of Orion
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    and there's the Great Bear.
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    see it with it's pointer stars
    in line with the Northern Star?
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    and there's the
    constellation Hercules.
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    God's beauty.
  • 17:41 - 17:44
    That's right, Alicia.
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    God's beauty.
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    That star, Corry.
    What's that star?
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    That's not a star,
    that's a ship.
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    A ship? But it can't be a ship.
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    There isn't one due
    here for three months.
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    You said after the last time,
    not for another three months.
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    It must be Allenby's ship.
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    He's the only one that ever
    comes close.
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    They stop at the other asteroids,
    then they come here.
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    That means we'll see them
    in the morning.
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    We'd better get back to
    the house then.
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    No.
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    Corry!
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    Corry!
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    Corry!
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    Corry, we've got
    good news for you.
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    All the sentences
    have been reviewed.
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    You've been given a pardon!
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    We're taking you back home
    on this ship,
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    But we've got to take off
    from here in exactly
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    in 20 minutes and we can't
    wait longer.
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    We've been dodging
    meteor storms all the way out,
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    and we're almost out of fuel.
  • 19:04 - 19:05
    Any longer than 20 minutes,
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    and we'll have passed
    the point of departure,
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    and I don't think
    we'd ever make it back.
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    Allenby, what did you say?
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    A pardon!
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    Corry, they've granted you
    a pardon!
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    But it won't do any of us any good
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    Unless you get your stuff together and get ready
    to move out, Corry.
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    We picked up seven other
    men off asteroids.
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    We only have room for about 15 pounds
    of stuff.
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    So you'd better pick up what you need
    in a hurry and leave the rest of it behind.
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    15 pounds?
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    15 pounds?
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    I don't have 15 pounds of stuff.
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    All I have is a shirt,
    a ledger book, a pencil
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    and a pair of shoes.
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    That car they can keep.
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    That'll be for the next
    poor devil.
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    Aw, there won't be
    any "next poor devil."
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    Good.
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    Good. I'm glad of that.
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    Alicia and I will climb
    into that ship of yours,
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    and we'll look out the port,
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    and we'll give it all a big
    kiss goodbye.
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    Who, Corry?
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    Oh, my dear god, I forgot her.
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    He's out of his mind.
    Who's Alicia?
  • 20:21 - 20:22
    a robot
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    She's a woman.
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    Corry, she's a robot.
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    She's a woman!
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    She's gentle and kind.
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    Allenby, she kept me alive.
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    Why, if it wasn't for her,
    I'd have been finished.
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    I'd have given up.
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    That's what you wouldn't let us look at, heh? The big crate.
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    We can't let this be a problem.
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    Problem? There's
    no more problems.
  • 20:49 - 20:52
    There's no more problems on
    heaven and earth.
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    We'll just climb in that ship
    of yours
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    and when we hit that
    big, beautiful green earth--
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    15 pounds.
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    Oh, wait a minute.
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    Oh wait a minute. You'll have to throw out
    some equipment.
  • 21:09 - 21:12
    Alicia--she weighs more
    than 15 pounds.
  • 21:12 - 21:14
    That's exactly the point, now, Corry.
  • 21:14 - 21:16
    Our ship is stripped right now.
  • 21:16 - 21:18
    We only have room for you
    and that ledger and the pencil of yours.
  • 21:18 - 21:20
    You're going to have to leave that robot behind.
  • 21:20 - 21:22
    She's not a robot!
  • 21:22 - 21:24
    She's a woman!
  • 21:24 - 21:26
    - You don't understand. You leave her behind, that's murder!
    - Corry, Corry
  • 21:26 - 21:28
    Corry, wait a minute.
  • 21:28 - 21:30
    I haven't got any
    choice. Don't you understand?
  • 21:30 - 21:33
    No, you don't understand!
    She's not a robot!
  • 21:33 - 21:35
    She's a woman!
  • 21:35 - 21:37
    Alicia! Alicia!
  • 21:37 - 21:38
    Corry!
  • 21:39 - 21:42
    Alicia! Alicia!
  • 21:42 - 21:43
    Alicia?
  • 21:43 - 21:44
    Alicia!
  • 21:45 - 21:46
    Come on, Corry.
  • 21:46 - 21:48
    We just want you to
    get your gear packed
  • 21:48 - 21:48
    and get out of here.
    We've got about 15 minutes, Captain.
  • 21:50 - 21:53
    Look, I'm not leaving without her, you understand!
  • 21:53 - 21:55
    Corry!
  • 22:01 - 22:02
    Alicia!
  • 22:03 - 22:04
    Alicia!
  • 22:05 - 22:07
    Alicia! Alicia, show them!
  • 22:07 - 22:09
    Talk to them! show them!
  • 22:09 - 22:11
    Talk to them, Alicia!
  • 22:11 - 22:13
    Show them!
  • 22:13 - 22:15
    Alicia, show them!
  • 22:15 - 22:18
    I don't have any choice, Corry.
  • 22:18 - 22:21
    I have no choice at all.
  • 22:21 - 22:22
    Corry?
  • 22:22 - 22:23
    Corry?
  • 22:23 - 22:23
    No! No!
  • 22:23 - 22:24
    No! No!!
  • 22:24 - 22:27
    (Il Robot Alicia) Corry. Corry.
  • 22:27 - 22:30
    (Alicia, robot-like)
    Corry. Corry.
  • 22:29 - 22:31
    [scaricandosi] Corry. Corry.
  • 22:31 - 22:33
    [winding down]
    Corry. Corry.
  • 22:34 - 22:35
    [In tono sempre più basso] Corry... Corry...
  • 22:35 - 22:36
    [lower in pitch]
    Corry...Corry...
  • 22:36 - 22:42
    Capitano, dobbiamo andare.
  • 22:42 - 22:43
    We've got to go now, Captain.
  • 22:43 - 22:45
    Adesso andiamo.
  • 22:45 - 22:46
    We will go now.
  • 22:46 - 22:47
    Forza Corry.
  • 22:47 - 22:48
    Come on, Corry.
  • 22:48 - 22:50
    E' tempo di tornare a casa.
  • 22:50 - 22:51
    Time to go home.
  • 22:51 - 22:53
    E' tutto passato adesso, Corry.
  • 22:53 - 22:55
    It's all behind you now, Corry.
  • 22:54 - 22:56
    E' tutto passato.
  • 22:56 - 22:57
    It's all behind you.
  • 22:57 - 22:58
    Come un brutto sogno...
  • 22:58 - 22:59
    It's like a bad dream--
  • 22:59 - 23:00
    Un incubo.
  • 23:00 - 23:02
    a nightmare.
  • 23:02 - 23:03
    Quando ti sveglierai sarai nuovamente sulla terra.
  • 23:03 - 23:04
    When you wake up,
    you'll be back on Earth.
  • 23:04 - 23:06
    Sarai a casa.
  • 23:06 - 23:07
    You'll be home.
  • 23:07 - 23:07
    Casa?
  • 23:07 - 23:09
    Home?
  • 23:09 - 23:10
    Esatto.
  • 23:10 - 23:12
    That's right.
  • 23:12 - 23:15
    Tutto ciò che ti lasci alle spalle è la solitudine.
  • 23:15 - 23:17
    All you're leaving behind
    is loneliness.
  • 23:17 - 23:18
    Devo ricordarmelo.
  • 23:18 - 23:20
    I must remember that.
  • 23:20 - 23:24
    Devo ricordarmi di tenerlo a mente.
  • 23:24 - 23:26
    I must remember to keep that
    in mind.
  • 23:26 - 23:40
    Un microscopico granulo di sabbia che flutta per lo spazio
  • 23:40 - 23:43
    On a microscopic piece of
    sand that floats through space
  • 23:43 - 23:45
    è un frammento di vita umana, lasciato ad arruginire
  • 23:45 - 23:48
    is a fragment of a man's life,
    left to rust
  • 23:48 - 23:50
    come il luogo dove ha vissuto, e la macchina che ha usato.
  • 23:50 - 23:51
    as the place he lived in, and
    the machines he used.
  • 23:51 - 23:53
    senza più utilità, verranno disintegrati.
  • 23:53 - 23:54
    Without use,
    they will disintegrate
  • 23:54 - 23:56
    dal vento alla sabbia e dagli anni che passeranno...
  • 23:56 - 23:57
    from the wind and the sand
    and the years that act upon them--
  • 23:57 - 23:59
    Tutte le macchine del Signor Corry,
  • 23:59 - 24:00
    All of Mr. Corry's machines,
  • 24:00 - 24:02
    inclusa quella fatta a sua immagine,
  • 24:02 - 24:03
    including the one made in his image,
  • 24:03 - 24:05
    tenuta in vita dall'amore
  • 24:05 - 24:07
    kept alive by love
  • 24:07 - 24:09
    ma ora obsoleta nella Zona del Crepuscolo.
  • 24:09 - 24:11
    but now obsolete
    in the Twilight Zone.
Title:
The Twilight Zone S01E07 The Lonely + Intro [Sub Español]
Description:

James A. Corry es un recluso condenado a confinamiento solitario en un planeta desértico.

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Video Language:
English
Team:
Film & TV
Duration:
25:08

English subtitles

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