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El Barco 1x13

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    Previously ...
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    Indeed an accident during starting up
    the particle accelerator,
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    may have caused consequences
    of immeasurable proportions.
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    If so, surely the Earth now will be very different.
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    I think you will never see these images.
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    But to be safe, I want you to know...
    I love you.
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    And I will love you forever.
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    Yes, but I always find a few
    channels with the antenna.
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    - But after the storm... nothing.
    - Here it is.
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    Maybe we are not the only ones
    to have survived the storm.
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    What's up, Ricardo?
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    There must be someone.
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    It's a video camera.
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    - There, at the bottom.
    - What?
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    But who was filming?
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    And why didn't they respond to our signals?
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    And where did they go?
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    The device is a kind of transmitter.
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    Used to send a signal
    indicating our position.
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    It's sending a signal? To whom?
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    I don't know.
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    It not only sends signals
    at a great distance... it receives them too.
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    - Now what do you want me to do?
    - Forget it's existence.
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    And no matter what happens,
    not a word to the captain.
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    Look I just
    created the perfect woman.
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    - You didn't put anything of Vilma?
    - No, no.
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    Vilma didn't pass the fragmentation test.
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    Well, you lie continuously...
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    convincing yourself that you're not in love...
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    must be exhausting, no?
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    No. No, no, no. I am in love with Vilma?
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    What do you think?
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    - Female.
    - Female.
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    What should be here with you...
    Is Piti.
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    Piti no, Palomares. Forget Piti.
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    If things do not work with Piti...
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    I am no nurse,
    but father yes and I'll be here, okay?
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    - So, is the thing true the other day?
    - What thing?
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    - That you've always loved me.
    - Yes.
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    This watch was your grandfathers.
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    It's very important to me.
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    And I wish that for you it was.
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    If there was something wrong,
    you'd tell me... right?
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    Sure.
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    I have cancer?
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    Prostate cancer.
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    I... have seen just tumor markers.
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    I can only give you these.
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    Will you do me a favor, Doctor?
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    Don't tell anyone.
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    You like a girl and you let a
    scoundrel like Gamboa take her away.
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    Forget Ainhoa...
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    or one day you'll wake up in one
    of those boxes and while it sinks.
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    I don't think you care anything about Ainhoa.
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    You fight for other reasons.
    And you are not a professor.
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    Final lesson: for you, I'm nobody.
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    You're right when you say
    we don't know eachother.
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    Because nobody leaves me.
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    You are a fucking murderer
    and you will not go.
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    We're missing a lifeboat.
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    Why are you doing this? You could let
    me bleed to death, throw me into the sea...
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    and get rid of a problem.
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    So you can explain to Ainhoa
    why You spied on her months before boarding.
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    In the drawer under his bed
    there is a double bottom.
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    The photos are there.
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    We searched the cabin of Gamboa.
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    No sign of the photos.
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    Someone must have taken them.
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    What was that?
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    - Where is Gamboa?
    - We only found Ulises.
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    That's not possible.
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    - Who are you?
    - Why don't you ask Julia?
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    What does Julia have to do with all this?
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    By any chance do you know anything about her?
    Where she's from? Who she is?
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    I propose to call the election.
    I volunteer.
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    Maybe they're right.
    No one speaks to command the ship,
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    but only of civil life, every day things.
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    Who are you, Julia?
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    - How are you, Ramiro?
    - Murderer!
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    You killed Gamboa.
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    And you can pretend
    that nothing has happened, but I won't.
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    We demand that you judge Ulises
    for the murder of Gamboa.
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    Gamboa is gone and they want answers.
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    And I don't have any.
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    No matter what he says.
    I know my son is not a murderer.
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    I love you.
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    Will we ever be a normal couple?
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    Flowers when they come out of the pot.
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    Captain, we found Gamboa.
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    Subtitles downloaded from Podnapisi.NET
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    The cookies are gone.
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    Captain, we found Gamboa.
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    - What is it, Captain?
    - It's nothing.
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    Nobody go on deck!
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    - I think...
    - They found Gamboa.
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    - How?
    - Gamboa is alive?
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    - Ainhoa...
    - What?
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    Gamboa!
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    Let me through.
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    - Out of the way!
    - Come on!
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    Out of the way!
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    I don't feel his pulse.
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    One, two, three, four.
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    Since we are on this ship,
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    almost every day amazing things happen...
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    that are difficult to understand.
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    It's a miracle!
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    And when people don't know how
    to explain the things that happen...
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    they say it's a miracle.
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    Sometimes miracles are positive,
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    other times they are scary.
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    One, two, three, four.
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    One, two, three, four, five.
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    One, two, three, four, five.
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    Although some people do not believe in miracles.
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    - Careful!
    - As, for example, Uncle Julian.
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    Miracles do not exist.
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    Maybe they didn't exist
    before the world sank, Dad.
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    Come here.
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    But my uncle was wrong.
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    One, two, three, four, five.
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    One, two, three, four, five.
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    One, two, three, four, five.
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    One, two, three, four, five.
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    It was just a miracle
    to happen on the North Star.
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    What's going on?
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    - It a cell phone.
    - In fact, miracles would be two.
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    The second was that the bad man
    who knows all our secrets,
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    was to resurrect.
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    Relax. Relax.
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    My mom said that misfortunes never come singly.
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    - It's my phone.
    - How is that possible?
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    Maybe the same thing happens with miracles.
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    They begin to happen, and they never end.
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    I don't remember anything.
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    I don't know how I ended up in the sea.
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    I just know that I survived...
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    knowing that...
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    you'd be here waiting for me.
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    Ramiro, it can't be your cell phone!
    It's absurd!
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    Hello!
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    What are you doing?
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    Listening to the gentlemen on the radio.
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    Careful!
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    Gamboa! Hey!
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    - Message received.
    - Come on!
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    - What do you mean? What are you saying?
    - That's not true!
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    Gamboa! Gamboa! Gamboa!
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    Breathe!
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    Gamboa!
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    What's going on?
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    El Barco 1x13
    - Waiting for a miracle -
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    Captain, how is it that
    suddenly there is a signal?
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    How strange!
    We all have the same message.
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    - An SOS with numbers.
    - Not numbers, they are coordinates.
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    Someone is sending a request for help.
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    But how can they send out an SOS, Captain?
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    If there is no signal...
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    Sure, there's no land,
    so there are no antennas.
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    An antenna doesn't have to be on land.
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    It can fit on a ship, in a very large ship,
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    like a carrier, or ice-breaker,
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    with a huge relay to transmit over long distances.
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    We are at one night's journey from this place.
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    If we leave now, we arrive at dawn.
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    Captain, you're not thinking of going
    to the coordinates, right?
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    Oh yes.
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    Just as I went to look for you when you
    left in the boat during a storm.
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    We don't know why they ask help.
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    We don't know if they are on top of a volcano...
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    if they have an epidemic or what.
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    We don't know if it's a trap, fuck!
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    Enough!
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    Damn it! Listen.
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    Please.
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    What it takes, Ramiro?
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    The lack of red meat
    has clouded your brain?
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    Do you realize how important this is?
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    Don't you understand?
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    That message, which is for help or
    whatever, I don't care.
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    Someone sent it.
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    Yes.
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    Someone...
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    someone else who has survived
    the catastrophe, like all of us.
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    We are not alone in the world, man!
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    Come on!
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    We will celebrate with champagne, champagne!
    Let's celebrate!
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    All sailors on deck.
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    We raise the sails.
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    I want all the trimmings, master and mizzen,
    route to the north-west.
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    There are people alive, Salome.
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    - Beautiful.
    - All I want is you to be alive,
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    the rest I don't care.
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    Give me a kiss.
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    What are you doing, where are you looking?
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    Me?
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    I don't know.
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    I'm distracted.
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    - With the noise...
    - Yeah.
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    Since when do you kiss your
    girlfriend with your eyes open?
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    You have been standing there like an owl.
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    Salome.
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    Leave me.
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    Hello.
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    He's been unconscious for two hours.
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    And he...
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    appears so suddenly, half dead and I don't...
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    - it's... all very strange because I don't...
    - Okay. Ainhoa...
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    I'd be back rowing, swimming,
    or surfing in the wake of the ship,
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    - If I was your boyfriend.
    - Yes, yes, but he's not my boyfriend.
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    Okay? Because we broke up shortly before
    he disappeared, but now he doesn't remember and...
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    - I don't know how to tell him to go again.
    - Relax, relax.
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    Is anyone there?
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    - Hello.
    - What did you say?
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    I would have been
    all my life locked in the hold.
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    And, thanks to the return of Gamboa,
    I am free, Ainhoa.
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    What you wanted to kiss with your boyfriend
    still in the mortuary? Don't do it.
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    - Idiot.
    - You can't make your own.
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    Listen.
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    Take the time you need.
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    But if at midnight you
    talked to him, I'll be here...
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    for a walk on the deck.
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    However, if you come...
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    you must bring a flower.
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    Why?
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    It's a surprise.
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    Alright.
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    Come in.
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    Ricardo.
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    The wind blows from the stern.
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    We'll get to the coordinates ahead of schedule.
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    It's a miracle that Gamboa has come
    so far in this inflatable boat.
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    Seven days ago Gamboa threw the boat
    into the sea to leave the North Star.
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    Ulises tried to stop him.
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    Accidentally shot him in the shoulder blade.
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    Then they both fell into the water.
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    The toxic gases almost killed us,
    including Gamboa and Ulises.
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    In the end, thanks to Burbuja, we
    found Ulises floating in water.
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    But there was no trace of the boat, nor Gamboa.
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    Until today.
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    Around 250 miles from where he disappeared...
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    and in front of the star.
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    It took us a week to make that journey,
    with a brig of 75 meters...
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    sailing upwind and in a straight line.
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    Honestly...
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    it doesn't make much sense that
    we found him in front of us.
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    I think he should give us much explanation.
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    And he's not the only one.
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    I say that.
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    Because who knows how to explain,
    Ainhoa and Ulises...
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    they are together.
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    Hell, Ricardo.
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    If this works...
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    we will be in-laws!
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    You and me.
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    His eyes were like an owl.
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    "I'm distracted," he says.
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    But, for me, when I kiss him
    it's as if the world stopped.
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    Okay, forget about it, Salome.
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    There are only anchovies?
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    Really there is nothing more sweet?
    Please.
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    You have to give me a real
    kiss with your eyes closed.
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    If you give with your eyes open
    it's because you're hiding a lie.
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    My grandmother, Avelina, always told me that.
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    - I love you.
    - Me too.
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    So you know, right?
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    What?
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    No, I didn't want to come to know...
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    that there is another, but...
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    Yes, with that of 2 ° B, you think?
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    You're stupid, you're stupid or are you stupid?
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    Salome, come on, that De La Cuadra was
    in love with you for 20 years, please!
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    Maybe...
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    Instead of thinking ill,
    you could do something romantic, right?
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    Don't you think?
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    Me? Romantic?
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    What do I do romantic?
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    Want me to show you something?
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    Okay.
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    For three days I find ducks paper.
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    In a cabinet, on the bed, between the books...
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    seems like a stupid thing, but I don't know,
    somebody is leaving them for me.
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    For me.
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    Piti, for sure.
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    I'll tell you one thing, Salo.
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    Romance is not dead.
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    Have you been to heaven?
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    I heard you on the radio.
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    Ah, yes?
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    Before I heard the voice of my mother,
    and then I heard you.
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    Well, it wasn't me.
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    Leave me your doll?
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    No.
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    Why?
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    Because I don't like you.
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    That seratina.
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    You are playing dice with food?
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    You are crazy.
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    - Come on, bring it back to the kitchen.
    - This is our food, Palomares.
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    We put away a little at a time.
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    We are free to gamble, okay?
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    Well, free, free.
    Some are not at all. Right, father?
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    It's just that in the world of the priesthood,
    There are many prohibitions.
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    A priest, for example, can not play dice.
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    Nor have...
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    impure thoughts.
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    Nor wet dreams.
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    But most of all...
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    a priest can not kiss his friends.
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    But yes you can play games, win
    and put the food in the kitchen.
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    Certainly.
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    If you have something to gamble away.
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    So, Ricardo...
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    I tell you that we become relatives
    and you start to do the math?
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    What the hell is wrong with you?
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    Do you like the kids together?
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    Well, no.
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    What is it?
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    My son...
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    is not good enough?
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    No.
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    Julian.
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    Ulises is how he is. He's a wind vane.
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    Today he is with Julia and
    tomorrow with my daughter.
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    But Ricardo, it's not like that.
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    My son liked Ainhoa from day one.
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    Ah, even worse.
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    What was Julia? A hobby?
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    He hurt her on a whim,
    nothing more than that.
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    I'm sorry.
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    But if we are talking about tantrums, I think
    you're the one that wins your daughter, fuck.
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    Who goes to live with Gamboa,
    and meanwhile gets together with my son.
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    And I haven't even seen her in mourning,
    when she learned that he was dead.
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    Are you calling my daughter a slut?
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    And are you calling my son... an asshole?
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    The captain lies.
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    You can choose to stay
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    But I will not accept more lies.
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    Why does he have three passports?
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    He's got three different identities.
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    In Gamboa's cabin I also found a folder,
  • 24:58 - 25:02
    with photos of Ainhoa,
  • 25:02 - 25:05
    We searched the cabin of Gamboa.
  • 25:05 - 25:09
    The photos were there.
    Someone must have taken them.
  • 25:40 - 25:43
    The scale loses to the color, and we go three shots.
  • 25:44 - 25:46
    Palomares, if you bet with those,
    what will you give with communion?
  • 25:46 - 25:50
    With clams, Estela. With clams. Don't worry.
  • 25:50 - 25:52
    Fuck, Father.
  • 25:52 - 25:55
    A priest who plays the body of Christ.
  • 25:56 - 25:58
    Since you touched the flesh...
  • 25:59 - 26:01
    you've unleashed a lot, huh?
  • 26:02 - 26:03
    Right, sir?
  • 26:32 - 26:34
    How is he?
  • 26:38 - 26:39
    Stable.
  • 26:41 - 26:44
    He was a week adrift. Many days.
  • 26:45 - 26:48
    It's likely that he recovered a little.
  • 26:56 - 26:59
    I left him before...
    he disappeared and he can't remember.
  • 27:04 - 27:06
    Do you think he might have amnesia?
  • 27:07 - 27:08
    Yes.
  • 27:09 - 27:11
    It's possible that he has amnesia.
  • 27:11 - 27:13
    It's called psychogenic fugue...
  • 27:13 - 27:14
    or dissociative fugue.
  • 27:18 - 27:21
    But don't worry, the re-establishment
    is a matter of time.
  • 27:21 - 27:23
    How... how long?
  • 27:23 - 27:25
    I need to talk to him.
  • 27:28 - 27:30
    Well, look, I don't know how long.
  • 27:32 - 27:36
    At this time it is important not to alter it.
    Because it is dangerous for his recovery.
  • 27:40 - 27:43
    You'll probably have to wait
    to leave him again. Will you excuse me?
  • 27:43 - 27:44
    Yes.
  • 28:38 - 28:39
    Ulises.
  • 28:40 - 28:44
    The cookies for you. After one week
    in the hold, you look thin.
  • 28:44 - 28:45
    Thank you very much.
  • 28:49 - 28:51
    You have no idea what to give to your father?
  • 28:51 - 28:54
    He gave me the ring of "forever",
    I do nothing for him.
  • 28:55 - 28:57
    I don't know, honestly.
  • 28:57 - 28:58
    Well...
  • 28:58 - 29:01
    yesterday he gave me his fathers the watch.
  • 29:01 - 29:05
    Maybe you could go to the mall
    and buy one.
  • 29:05 - 29:06
    A nice one.
  • 29:07 - 29:09
    That's stupid, right?
  • 29:10 - 29:12
    What can I give him,
    in the middle of the end of the world?
  • 29:12 - 29:14
    There's not nothing left.
  • 29:16 - 29:17
    Salome!
  • 29:20 - 29:22
    There's one thing we could give him.
  • 29:23 - 29:26
    My father always says that eating no bread,
  • 29:26 - 29:29
    stuff is stupid, you know how he is.
  • 29:30 - 29:32
    The bread is finished by day.
  • 29:38 - 29:41
    You're looking at me as if you had seen a ghost.
  • 29:41 - 29:43
    Am I dead, by chance, Doctor?
  • 29:43 - 29:45
    The gunshot wound.
  • 29:47 - 29:49
    It has healed perfectly.
  • 29:49 - 29:52
    There is no pus, there is no infection...
  • 29:53 - 29:55
    What do you mean by that?
  • 29:55 - 29:59
    Well, either you're a superhero or you got...
  • 30:00 - 30:02
    antibiotics of the latest generation.
  • 30:02 - 30:06
    The first-aid kit on the lifeboat works miracles.
  • 30:07 - 30:10
    you don't even show signs of dehydration.
  • 30:11 - 30:13
    You don't have dry skin...
  • 30:14 - 30:15
    nor mucous...
  • 30:15 - 30:18
    - nor sunken eyes...
    - Doctor...
  • 30:18 - 30:20
    I have a strong metabolism.
  • 30:29 - 30:31
    Insulin?
  • 30:36 - 30:39
    In your medical history It
    didn't say you were diabetic.
  • 30:43 - 30:46
    An insulin injection ten minutes
    before you boarded the ship
  • 30:46 - 30:48
    may cause a sudden hypoglycemic shock.
  • 30:56 - 30:58
    We all have our secrets.
  • 30:58 - 31:00
    You have yours...
  • 31:00 - 31:02
    I have mine.
  • 31:02 - 31:04
    And neither of us...
  • 31:04 - 31:07
    will tell the captain.
  • 32:16 - 32:19
    Medical degree.
  • 32:19 - 32:23
    Expert in biochemistry and
    physics at the Sorbonne.
  • 32:23 - 32:26
    You are fluent in French and English.
  • 32:26 - 32:29
    You have an excellent resume.
  • 32:30 - 32:33
    We had no doubt as to your incorporation
  • 32:33 - 32:37
    to Protocol B
    the particle accelerator.
  • 32:38 - 32:41
    In fact, we granted you the freedom...
  • 32:41 - 32:44
    to draw your contract.
  • 33:08 - 33:11
    I don't know if it's a mistake...
  • 33:12 - 33:14
    there are too many zeros in my salary...
  • 33:18 - 33:21
    Welcome to the ECND,
  • 33:21 - 33:23
    Miss Wilson.
  • 33:25 - 33:28
    You'll have to find an apartment in Geneva.
  • 34:03 - 34:05
    What are you doing?
  • 34:05 - 34:07
    I'm watching a movie.
  • 34:07 - 34:08
    "It's a wonderful life."
  • 34:20 - 34:23
    It's not a DVD, it's TV.
  • 34:23 - 34:25
    The TV is back!
  • 34:28 - 34:30
    It's not possible, Burbuja.
  • 34:31 - 34:33
    Yes it is possible.
  • 34:33 - 34:38
    Because I tuned in and it had already begun.
  • 34:38 - 34:40
    I've seen it twice.
  • 34:40 - 34:42
    When it finishes, it starts again.
  • 34:44 - 34:48
    Look, here comes Uncle Billy
    with a basket full of money.
  • 34:50 - 34:52
    Look how much money.
  • 34:57 - 34:59
    How is Gamboa?
  • 34:59 - 35:01
    Keep going, keep going.
  • 35:01 - 35:02
    I can wait.
  • 35:02 - 35:04
    Well, if you have personal things...
  • 35:05 - 35:06
    I come back later.
  • 35:06 - 35:08
    It's not personal, it's professional.
  • 35:08 - 35:11
    Ah, I have a professional matter.
  • 35:11 - 35:13
    How is Gamboa?
  • 35:15 - 35:17
    - Stable.
    - Julia...
  • 35:17 - 35:19
    it's impossible for the boat to exceed the ship.
  • 35:19 - 35:22
    - I need to talk to him.
    - No.
  • 35:23 - 35:25
    He just had a hypoglycemic shock.
  • 35:26 - 35:27
    - He's very weak.
    - Weak?
  • 35:27 - 35:30
    But he is well, look at him.
  • 35:30 - 35:32
    He would have suffered a week of bad weather.
  • 35:32 - 35:33
    He hasn't even lost weight.
  • 35:33 - 35:36
    - To me he seems the same as before.
    - Gamboa is of stocky build.
  • 35:36 - 35:39
    I'm not talking about size.
  • 35:39 - 35:41
    I'm telling you that he disappeared
    in strange circumstances
  • 35:41 - 35:43
    and reappeared in circumstances even more strange.
  • 35:43 - 35:45
    At 400 km,
  • 35:45 - 35:48
    just when the ship received an SOS.
  • 35:48 - 35:51
    - Julia, we need answers.
    - Gamboa is suffering from amnesia
  • 35:51 - 35:54
    due to a deficiency of glucose and sodium.
  • 35:54 - 35:57
    He has an iron deficiency and
    is in advanced dehydration.
  • 35:58 - 36:01
    If you go in there, you
    won't get anything from him.
  • 36:01 - 36:03
    He's my patient, Captain.
  • 36:03 - 36:06
    And as long as he is in the infirmary,
    he will not talk to anyone.
  • 36:15 - 36:17
    Captain...
  • 36:19 - 36:21
    can you go to the club immediately, please?
  • 36:21 - 36:24
    Roger that, be right there.
  • 36:43 - 36:46
    No, no, please.
  • 36:52 - 36:53
    No.
  • 37:02 - 37:05
    And the dealer wins again, yes!
  • 37:05 - 37:08
    They tell me that Estela leaves
    the game for lack of credit.
  • 37:08 - 37:13
    Gentlemen, let's be honest, the important
    thing is not to participate, it's to win.
  • 37:13 - 37:16
    Come on, Piti, that food was not mine...
  • 37:16 - 37:18
    It was the girls.
  • 37:18 - 37:21
    I wanted to surprise them.
  • 37:21 - 37:24
    Now I can't go back to them and tell
    them that I gambled it all in dice.
  • 37:24 - 37:26
    Sure.
  • 37:26 - 37:29
    I don't know, Estela...
  • 37:29 - 37:30
    ask for a loan.
  • 37:30 - 37:33
    Or for a promissory note.
  • 37:33 - 37:36
    But if you can't bet, you can go cry on deck.
  • 37:37 - 37:40
    So, gentlemen, anyone
    want to accompany her on deck?
  • 37:41 - 37:43
    To me it is pretty good, I guess.
  • 37:43 - 37:46
    - Do you accept clothes?
    - Estela...
  • 37:47 - 37:50
    - Don't do it, come on.
    - No, wait.
  • 37:50 - 37:52
    I accept them, I accept them.
  • 37:52 - 37:55
    But I don't know if the priest...
  • 37:55 - 37:57
    will agree because...
  • 37:57 - 38:00
    He is a bit sensitive to the call of the flesh.
  • 38:00 - 38:01
    You know?
  • 38:02 - 38:06
    - Then, father, you retire or...
    - We accept clothes.
  • 38:06 - 38:08
    Don't make a fuss and continue.
  • 38:22 - 38:25
    - What is this?
    - "It's a wonderful life."
  • 38:25 - 38:28
    With James Stewart and Donna Reed,
  • 38:28 - 38:30
    directed by Frank Capra
  • 38:30 - 38:33
    in 1946.
  • 38:33 - 38:35
    It's about a miracle.
  • 38:35 - 38:37
    And there are angels.
  • 38:38 - 38:40
    It's been repeating for three hours.
  • 38:40 - 38:42
    When it finishes, it starts again.
  • 38:42 - 38:44
    Maybe it is from the ship
    to where we're going, right?
  • 38:44 - 38:46
    That is, a ship-cinema?
  • 38:46 - 38:51
    - Makes no sense.
    - Maybe they're sending a signal, Dad.
  • 38:57 - 38:59
    Look, now he jumps into the river.
  • 38:59 - 39:01
    And an angel saves him.
  • 39:26 - 39:29
    Well, whatever it is, we
    wait until tomorrow morning to see this.
  • 39:29 - 39:31
    So, come on, everyone to sleep.
  • 39:31 - 39:34
    Up to the cabins.
  • 39:34 - 39:38
    Captain, can we stop a little to watch TV?
  • 39:38 - 39:41
    And it's been so long since we felt well,
  • 39:42 - 39:43
    at home.
  • 39:48 - 39:49
    Alright.
  • 40:06 - 40:08
    Three, I won.
  • 40:09 - 40:13
    Gentlemen, I think we'll see the
    first full nudity of the evening.
  • 40:14 - 40:18
    You must remove the sacred shroud, Father.
  • 40:37 - 40:40
    Well, girls food doesn't
    matter girls, the game is over.
  • 40:40 - 40:43
    You want to admit once and for all
    you have a crisis of faith?
  • 40:45 - 40:46
    It doesn't matter.
  • 40:47 - 40:49
    You are a priest and Pope at the same time.
  • 40:50 - 40:52
    You can put an end to
    celibacy even now, if you want.
  • 40:52 - 40:53
    - Piti.
    - Do you?
  • 40:53 - 40:55
    Piti, it is not funny.
  • 40:55 - 40:58
    Well, yes, maybe I'm going through
    a crisis of faith.
  • 40:59 - 41:02
    And may be it is not
    up to me to light the path of anyone.
  • 41:03 - 41:06
    But a fool who gambles the
    food at a time like this.
  • 41:07 - 41:08
    Piti,
  • 41:08 - 41:11
    you do not deserve to be the
    father of child Vilma's child.
  • 41:13 - 41:15
    So let's do this.
  • 41:25 - 41:27
    I gamble the collar.
  • 41:34 - 41:35
    If I lose...
  • 41:35 - 41:37
    I give up being a priest.
  • 41:39 - 41:40
    But if I win...
  • 41:43 - 41:47
    you give up being the father of Vilma's
    child and I'll take care of it.
  • 41:58 - 41:59
    I agree.
  • 42:03 - 42:04
    Estela...
  • 42:05 - 42:07
    the nuts.
  • 42:25 - 42:26
    Get it up.
  • 42:30 - 42:33
    Come on, I want to know who won.
  • 43:53 - 43:55
    Burbuja. Burbuja, come.
  • 43:56 - 43:57
    Come here.
  • 43:59 - 44:02
    Listen, go to the captain
    and tell him something on my part.
  • 44:02 - 44:05
    - Now?
    - Yes, now.
  • 44:05 - 44:08
    - Go and tell him... listen!
    - Yes.
  • 44:08 - 44:13
    Tell him that his daughter is the
    one that clings to my son.
  • 44:13 - 44:16
    Got it? Tell him to come here, so he sees it.
  • 44:16 - 44:19
    Let's see if he has the courage
    to continue to piss me off.
  • 44:19 - 44:21
    Come on, that's an order.
  • 44:28 - 44:29
    Captain...
  • 44:29 - 44:33
    the first officer wants you to go to the club,
  • 44:33 - 44:36
    we are looking at the film of the miracle.
  • 44:36 - 44:38
    So what?
  • 44:39 - 44:41
    And Ainhoa is there...
  • 44:41 - 44:45
    and that she is clinging to Ulises.
  • 44:48 - 44:49
    Burbuja, now go...
  • 44:49 - 44:53
    and tell him that clung a nice punch,
  • 44:53 - 44:56
    and that will serve him for a miracle
    to make up for all that he said.
  • 44:56 - 44:59
    Go on, tell him.
  • 44:59 - 45:01
    The captain says that...
  • 45:01 - 45:02
    What?
  • 45:03 - 45:07
    Well, he thought about what you said...
  • 45:07 - 45:08
    - And?
    - And...
  • 45:08 - 45:12
    - Go ahead, fuck.
    - Well, he's sad.
  • 45:13 - 45:16
    And if there is more brandy.
  • 45:17 - 45:18
    Is there still some cognac?
  • 45:18 - 45:19
    Yes.
  • 45:19 - 45:22
    Where are you going? You don't want to drink now?
  • 45:22 - 45:23
    Tell him...
  • 45:24 - 45:26
    that even if he pulls back now,
  • 45:26 - 45:27
    nothing changes.
  • 45:27 - 45:29
    It is not enough Berci above
    to erase the disappointment.
  • 45:31 - 45:32
    He says that...
  • 45:32 - 45:36
    that the miracle is to have you as a captain.
  • 45:40 - 45:44
    He says he is happy
    that the world no longer exists,
  • 45:44 - 45:49
    to continue to sail with
    you another thousand years.
  • 45:49 - 45:54
    And no one will change the fact
    that you are the last family in the world.
  • 45:54 - 45:57
    And that Ulises is like a son to him.
  • 45:57 - 46:01
    And Ainhoa is like a daughter to him.
  • 46:03 - 46:05
    Can I go watch the movie now?
  • 46:05 - 46:07
    Yes, go.
  • 46:07 - 46:08
    - Thank you.
    - Your welcome.
  • 46:16 - 46:18
    - Honey...
    - Hello.
  • 46:18 - 46:21
    - I stay to watch the movie.
    - Yes, go, go.
  • 47:05 - 47:06
    Ricardo, fuck.
  • 47:23 - 47:24
    So what? Will you help me?
  • 47:24 - 47:27
    Okay, I'll do a shot...
  • 47:28 - 47:29
    and off with the lifeboat, right?
  • 47:29 - 47:31
    Okay, come on.
  • 47:46 - 47:48
    I'm sorry, it's late, I must go.
  • 47:51 - 47:56
    I stay to watch the movie,
    because they are made really well.
  • 47:56 - 47:58
    - It's moving.
    - Alright.
  • 48:03 - 48:05
    I'm sorry.
  • 48:24 - 48:25
    Pardon me.
  • 48:49 - 48:51
    CONTAINS MEDICINE
  • 49:08 - 49:10
    How many bags of water does the lifeboat have?
  • 49:14 - 49:15
    Twenty.
  • 49:18 - 49:19
    Ricardo...
  • 49:20 - 49:22
    Julia is lying to us.
  • 49:24 - 49:26
    But why?
  • 49:26 - 49:28
    I don't know, but you have to talk to her.
  • 49:29 - 49:30
    I don't like this at all.
  • 50:16 - 50:18
    There they are.
  • 50:27 - 50:29
    I can not sleep.
  • 50:29 - 50:31
    Why?
  • 50:31 - 50:34
    The radio will not stop playing.
  • 50:46 - 50:49
    It is good to know that friends
    when leaving the ship,
  • 50:49 - 50:52
    continues to be so when you come back from the dead.
  • 50:54 - 50:56
    It was a good idea to take you into my team.
  • 50:57 - 50:58
    Team?
  • 50:58 - 51:00
    What team?
  • 51:00 - 51:03
    You used me and lied from the very beginning.
  • 51:05 - 51:07
    What is this?
  • 51:08 - 51:11
    When you're gone I have saved your things.
  • 51:11 - 51:14
    I thought Ulises killed you
    and I wanted him to be condemned.
  • 51:14 - 51:17
    So I hid these so he couldn't defend himself.
  • 51:17 - 51:18
    But you're alive!
  • 51:18 - 51:21
    So now you tell me who you are.
  • 51:21 - 51:24
    And why you had this among your things.
  • 51:25 - 51:26
    It's true.
  • 51:27 - 51:29
    I spied on Ainhoa.
  • 51:29 - 51:32
    I started to follow her when I discovered
    that she would be traveling on this ship.
  • 51:33 - 51:34
    Why?
  • 51:36 - 51:37
    Because she was the daughter of the captain.
  • 51:40 - 51:43
    I told you I wouldn't have lied, Ramiro.
  • 51:44 - 51:46
    But there are things I can not tell you...
  • 51:47 - 51:49
    for now.
  • 51:51 - 51:53
    You can go,
  • 51:54 - 51:57
    but if you want to be at my side,
    you have to play by my rules.
  • 52:12 - 52:14
    The fruit was finished weeks ago
  • 52:14 - 52:16
    from where did you get this apple?
  • 52:19 - 52:21
    I told you that there are things
    I can not tell you...
  • 52:24 - 52:25
    for now.
  • 52:26 - 52:28
    Take it as a gift.
  • 52:28 - 52:30
    It's a way to thank you.
  • 52:58 - 53:00
    If you're interested...
  • 53:01 - 53:04
    Ainhoa is with Ulises.
  • 53:06 - 53:07
    I think they're together.
  • 53:43 - 53:45
    Look, I'm sorry, but...
  • 53:45 - 53:47
    I have a date.
  • 53:48 - 53:50
    Yes, I have a date too.
  • 53:50 - 53:52
    Oh, yeah?
  • 53:53 - 53:55
    Mine would have come with a flower in her hair.
  • 53:59 - 54:01
    Are you my date?
  • 54:02 - 54:05
    - Nice to meet you, Ulises.
    - It's a pleasure.
  • 54:17 - 54:19
    I could not talk to Gamboa.
  • 54:22 - 54:23
    But you know what?
  • 54:26 - 54:28
    I'm not interested in him.
  • 54:32 - 54:34
    Really, I don't care.
  • 54:50 - 54:52
    Alright, and what? Where are you taking me?
  • 54:57 - 54:58
    Let's take a dip?
  • 54:58 - 55:00
    What do you mean?
  • 55:00 - 55:02
    Let me do it.
  • 55:02 - 55:03
    - Let me do it!
    - No, no, huh?
  • 55:03 - 55:05
    Look over there, see?
  • 55:05 - 55:07
    No, no, no, no.
  • 55:08 - 55:09
    I do not want to swim.
  • 55:09 - 55:12
    They told me another place to project a film.
  • 55:12 - 55:14
    I think it's better than what they have on TV.
  • 55:14 - 55:17
    But it's late, surely it will have already begun.
  • 55:17 - 55:19
    Don't worry.
  • 55:19 - 55:21
    It broadcasts continuously.
  • 55:23 - 55:25
    No, no, no, no!
  • 55:56 - 55:57
    Doctor!
  • 55:58 - 56:00
    I want an explanation.
  • 56:00 - 56:02
    - I don't know what you mean.
    - Yes, you do.
  • 56:02 - 56:05
    You know that Gamboa was
    adrift for seven days.
  • 56:05 - 56:09
    And has consumed only one of the twenty
    bags of water he was carrying.
  • 56:09 - 56:13
    Not even a liter in seven days. You also know
    that he had a wound in the shoulder blade.
  • 56:13 - 56:16
    And he didn't even opened an
    antibiotic that was on the boat.
  • 56:16 - 56:19
    Look, I was not there on that boat.
  • 56:19 - 56:20
    When Gamboa will recover, you may ask him.
  • 56:20 - 56:22
    I'm not an idiot, Doctor.
  • 56:22 - 56:26
    He is deceiving us all,
    and you are covering for him.
  • 56:26 - 56:29
    You know that it is impossible to have
    remained on that lifeboat for seven days.
  • 56:29 - 56:31
    So tell me now what's going on.
  • 56:31 - 56:33
    - I order you, doctor.
    - I don't know!
  • 56:33 - 56:36
    I can't tell you, because I don't know.
  • 56:46 - 56:48
    Why are you giving me two phones?
  • 56:48 - 56:51
    You will report back on everything
    related to this investigation
  • 56:51 - 56:54
    for two different departments.
  • 56:54 - 56:58
    You will have two passwords to speak
    with each of your supervisors.
  • 56:59 - 57:03
    Do not make any personal phone call,
    and do not give anyone these numbers.
  • 57:03 - 57:05
    Comprende-vous?
  • 57:05 - 57:06
    Oui, monsieur.
  • 57:07 - 57:10
    And these are the terms of discretion.
  • 57:37 - 57:39
    There are 125 clauses.
  • 57:39 - 57:41
    Why?
  • 57:42 - 57:46
    You have been admitted to a
    maximum-security project, Miss Wilson.
  • 57:46 - 57:50
    More than thirteen countries
    involved in the project Alexandria.
  • 57:50 - 57:53
    And for reasons of national security,
    we must be sure
  • 57:53 - 57:56
    that no one can put it at risk.
  • 58:48 - 58:50
    I told you ...
  • 58:50 - 58:52
    my film is much better
    than that of the TV.
  • 59:07 - 59:10
    The incident will also have destroyed the world,
  • 59:12 - 59:15
    but some good things have not gone away.
  • 59:17 - 59:18
    Such as...
  • 59:21 - 59:23
    Such as?
  • 59:26 - 59:28
    Such as what?
  • 59:31 - 59:33
    Such as kisses.
  • 59:37 - 59:39
    What?
  • 59:39 - 59:42
    where are you going, snitch?
  • 59:52 - 59:54
    Kisses are the best thing in the world.
  • 59:56 - 59:58
    Has it ever happened that...
  • 59:58 - 60:02
    you love a person so much that you
    could spend your entire life kissing them?
  • 60:06 - 60:07
    Only kisses.
  • 60:10 - 60:14
    And suddenly a thrill runs through your neck.
  • 60:18 - 60:21
    And you can't stop kissing them.
  • 60:22 - 60:25
    Until your jaw starts to hurt.
  • 60:29 - 60:31
    Close your eyes.
  • 60:32 - 60:33
    No.
  • 60:36 - 60:38
    What if I don't like it?
  • 60:42 - 60:45
    I don't know, if you kiss me and it doesn't work...
  • 60:47 - 60:49
    What if..
  • 62:49 - 62:51
    What?
  • 62:54 - 62:55
    Nothing.
  • 62:56 - 62:57
    Are you sure that these are the coordinates?
  • 62:57 - 63:01
    23 degrees, 0 first, north,
    102 degrees, 0 first, ext.
  • 63:01 - 63:03
    It's here.
  • 63:07 - 63:09
    - The doctor say anything?
    - That she doesn't know anything.
  • 63:09 - 63:12
    Of course, if she doesn't know anything,
    I'm Paul Newman.
  • 63:13 - 63:15
    Your father.
  • 63:15 - 63:16
    Here, look.
  • 63:18 - 63:20
    - How are you two lovebirds?
    - Good morning.
  • 63:20 - 63:21
    Hello.
  • 63:25 - 63:26
    How are you?
  • 63:27 - 63:28
    What is it, Captain?
  • 63:29 - 63:32
    The ship that launched the SOS.
    Theres no trace.
  • 63:46 - 63:48
    What the fuck is this?
  • 63:48 - 63:49
    Ricardo...
  • 63:49 - 63:52
    Ricardo, come here, please.
  • 63:57 - 63:59
    I don't see anything.
  • 64:00 - 64:01
    What's up?
  • 64:02 - 64:04
    Come on, guys.
  • 64:29 - 64:31
    We can't see anything.
  • 64:31 - 64:32
    There is no ship.
  • 64:33 - 64:35
    But it makes no sense.
  • 64:35 - 64:37
    No one sends an SOS and then disappear.
  • 64:38 - 64:39
    Unless it's a trap.
  • 64:54 - 64:57
    I'm trying to pick up a signal.
  • 64:58 - 65:00
    Because if they sent an SOS,
  • 65:00 - 65:02
    and later the film...
  • 65:02 - 65:06
    Maybe we're being hailed by radio,
  • 65:06 - 65:09
    but we must have a lot of TV and radio,
  • 65:09 - 65:15
    to search through all frequencies
    in medium wave and short wave.
  • 65:16 - 65:17
    Captain...
  • 65:18 - 65:19
    The radar doesn't detect anything.
  • 65:26 - 65:28
    Maybe it sank.
  • 65:29 - 65:32
    It sank after sending an SOS.
  • 65:34 - 65:36
    We need to go down.
  • 65:36 - 65:41
    We need to know if it sank or what.
    The depth is 49 meters.
  • 65:41 - 65:43
    It's dive simple. I can go myself.
  • 65:45 - 65:48
    Okay, but you will get
    immersed tied to a rope.
  • 65:48 - 65:50
    We don't know what happened here,
  • 65:50 - 65:52
    nor do we know where those signals come from,
    or who sent them.
  • 65:52 - 65:55
    Make one decompression of 7 minutes
    at 20 meters and get back.
  • 65:55 - 65:57
    I want you back here in fifteen minutes. Got it?
  • 65:57 - 65:59
    - Yeah.
    - Good.
  • 66:28 - 66:29
    Vilma...
  • 66:30 - 66:31
    forgive me.
  • 66:32 - 66:36
    I was... I don't know, I was furious.
  • 66:36 - 66:39
    I saw you kissing Palomares
    and I ended the mood.
  • 66:39 - 66:40
    - Alright.
    - I'm sorry.
  • 66:40 - 66:43
    When I asked you
    to act as a father I knew...
  • 66:44 - 66:46
    that, in short, you're the type of
    person who avoids problems.
  • 66:48 - 66:49
    Always remains afloat...
  • 66:50 - 66:53
    However, you are able to gamble away
    the paternity of my child for nuts.
  • 66:53 - 66:55
    - No.
    - It doesn't matter. Really.
  • 66:55 - 67:00
    It could have happened today,
    once we touched land, or when you'd find a girl.
  • 67:04 - 67:07
    No, wait, wait, wait.
    I want this baby, I swear.
  • 67:07 - 67:08
    I swear.
  • 67:09 - 67:12
    Vilma, Vilma, wait, please.
  • 67:12 - 67:16
    Listen, I lost the bet and then?
    It doesn't matter, it's bullshit.
  • 67:17 - 67:19
    - I want to be the father, please.
    - Why, Piti?
  • 67:19 - 67:22
    - Because it is yours, Vilma.
    - But why?
  • 67:22 - 67:24
    Knock it off.
  • 67:24 - 67:25
    Vilma.
  • 67:25 - 67:26
    Because I love you.
  • 67:28 - 67:29
    Fuck.
  • 67:37 - 67:39
    If I do the first day,
    I do the fourth.
  • 67:42 - 67:47
    I... I didn't put any of your
    parts in the perfect woman...
  • 67:47 - 67:51
    just because...
    because for me, you're already so perfect.
  • 67:54 - 67:59
    And I was a jerk and I challenged
    Palomares in the game, it was for this.
  • 68:00 - 68:01
    Because I'm in love with you, Vilma.
  • 68:05 - 68:06
    I'm in love with you.
  • 68:09 - 68:10
    What?
  • 68:14 - 68:15
    What? What?
  • 68:15 - 68:17
    Nothing. Because you have the innate ability...
  • 68:17 - 68:20
    - To ruin things?
    - I don't know, Vilma. I don't know.
  • 68:20 - 68:21
    I don't know.
  • 68:21 - 68:24
    Why the bet? I don't understand.
  • 68:25 - 68:27
    You're already doing well with the the ducks.
  • 68:28 - 68:30
    What ducks?
  • 68:32 - 68:33
    What ducks, Vilma?
  • 68:46 - 68:52
    Here, tie it tight to lampara
    I want a knot as God intended, okay snitch?
  • 68:53 - 68:55
    Prove you are the captains daughter.
  • 68:56 - 68:59
    Ulises, if you see a ship,
    don't go in, okay?
  • 69:00 - 69:04
    If there are problems tug three
    times and we'll pull you out.
  • 69:05 - 69:06
    Alright.
  • 69:07 - 69:09
    Bring me some nice gift?
  • 69:11 - 69:12
    Yes.
  • 69:26 - 69:27
    See you soon, snitch.
  • 69:28 - 69:30
    Be careful, okay?
  • 69:51 - 69:53
    So what?
  • 69:54 - 69:57
    Are they or aren't they a good couple?
  • 69:58 - 69:59
    They are, Julian, they are.
  • 70:01 - 70:03
    The couple of the year.
  • 70:21 - 70:22
    It 's the fax.
  • 70:23 - 70:26
    Someone is sending a message.
  • 70:30 - 70:32
    - The other family has disappeared.
    - How do disappear?
  • 70:32 - 70:34
    - Disappeared. They were not there.
    - Julia.
  • 70:34 - 70:35
    - Julia.
    - Ask her.
  • 70:35 - 70:38
    Julia. Julia, why is Ulises diving?
  • 70:38 - 70:40
    Where is the ship we had to help?
  • 70:40 - 70:43
    I know nothing, for now.
  • 70:43 - 70:46
    Doctor tell us what's going on.
    No one says anything.
  • 70:46 - 70:50
    Relax. Listen to me.
    The captain will have an explanation. Relax.
  • 71:05 - 71:07
    The same SOS to the same coordinates.
  • 71:09 - 71:11
    What's going on?
  • 71:47 - 71:49
    Daddy, daddy...
  • 71:49 - 71:54
    I no longer hear the gentlemen on the radio.
    Now there's music.
  • 71:59 - 72:00
    It's that music.
  • 72:02 - 72:03
    What's going on?
  • 72:07 - 72:09
    The same song.
  • 72:09 - 72:12
    That was on the yacht when the family disappeared.
  • 72:41 - 72:46
    There's a lot of signals.
    It's bombing the ship signals.
  • 73:00 - 73:03
    - Do they want to tell us something?
    - Are they going to take us?
  • 73:09 - 73:11
    Let's get out of here.
  • 73:11 - 73:15
    Retrieve Ulises. I'll take away Valeria
    and control the others.
  • 73:28 - 73:29
    He has not yet ascended?
  • 73:32 - 73:34
    Come on, honey.
  • 73:36 - 73:38
    Burbuja, all off, let's go.
  • 73:40 - 73:42
    Captain, what is this music?
    What's happening?
  • 73:42 - 73:44
    There's no trace of the ship.
  • 73:44 - 73:48
    The ticker went crazy and all
    frequencies have this music. You don't know why?
  • 73:48 - 73:50
    You don't know whats happening?
  • 73:56 - 73:57
    Nor do you know where we are?
  • 73:57 - 74:01
    Or because someone sends us a message
    and then disappears. Don't you know that?
  • 74:53 - 74:54
    What do you want?
  • 74:55 - 74:56
    Julia, what are you doing?
  • 74:56 - 75:00
    You can't give up.
    You can't leave work now.
  • 75:01 - 75:02
    I made my decision.
  • 75:03 - 75:05
    You can't, Julia.
  • 75:05 - 75:07
    You signed, you understand?
  • 75:08 - 75:11
    Do you really think they'll let you go,
    with all that you know?
  • 75:11 - 75:12
    What can they do to me?
  • 75:13 - 75:14
    Kill me?
  • 75:28 - 75:29
    Philippe. Philippe.
  • 75:30 - 75:31
    Philippe...
  • 76:15 - 76:17
    It's been more than 8 minutes, Uncle Julian.
  • 76:17 - 76:19
    He's had plenty of time
    for decompression.
  • 76:20 - 76:23
    Fuck it all. Pull him up.
  • 76:23 - 76:24
    Alright.
  • 76:28 - 76:29
    What the fuck?
  • 76:39 - 76:40
    Shit.
  • 76:42 - 76:44
    Relax. I'll dive.
  • 76:57 - 76:59
    You didn't come to see me lastnight.
  • 77:18 - 77:21
    Listen Palomares,
    I want to give you some advice.
  • 77:22 - 77:25
    Never try to earn a living with dice.
  • 77:27 - 77:30
    The priesthood and the game do not get along.
  • 77:30 - 77:31
    Yes.
  • 77:32 - 77:34
    There are many things that do not go together
    with the priesthood.
  • 77:36 - 77:39
    - Problems with faith?
    - No.
  • 77:40 - 77:46
    It's not that. it's because the world is over
    and now I have doubts about God
  • 77:47 - 77:48
    And that...
  • 77:51 - 77:52
    Yesterday I kissed you.
  • 77:52 - 77:53
    And now...
  • 77:54 - 77:56
    I have doubts about myself.
  • 78:07 - 78:08
    Look.
  • 78:09 - 78:13
    Maybe for you it is strange,
    because you're a priest...
  • 78:14 - 78:17
    but people kiss all the time
    and nothing happens.
  • 78:19 - 78:23
    It was a stupid, innocent kiss.
  • 78:23 - 78:26
    It's not that important, really.
  • 78:29 - 78:30
    Really?
  • 78:33 - 78:34
    That's really what you think?
  • 78:36 - 78:37
    No.
  • 78:38 - 78:40
    No. I...
  • 78:40 - 78:44
    doesn't answer that, it's true.
    You're right, it's...
  • 78:45 - 78:47
    it's true, yes.
  • 78:48 - 78:51
    Maybe because I'm not used to...
    that... that doesn't...
  • 78:52 - 78:54
    I don't feel... What is it?
  • 78:58 - 79:01
    Are you the one with the ducks?
  • 79:05 - 79:06
    Why?
  • 79:12 - 79:13
    Well...
  • 79:16 - 79:18
    I like to see you smile.
  • 79:20 - 79:22
    That's it.
  • 79:22 - 79:23
    Bye.
  • 79:28 - 79:31
    Before I finished we left you in the sea, Gamboa.
  • 79:31 - 79:32
    No.
  • 79:32 - 79:34
    They didn't leave me.
  • 79:35 - 79:36
    You left me.
  • 79:37 - 79:40
    And I told you that no one leaves me.
  • 79:47 - 79:51
    See? In the end there are things
    you never forget.
  • 80:00 - 80:04
    I had in my hands the lives of Ulises three times.
  • 80:05 - 80:11
    It's amazing what a bit of co2 can do when it's
    injected into the cylinder valve for divers.
  • 80:14 - 80:15
    Ulises.
  • 80:18 - 80:20
    - Dad...
    - Ainhoa.
  • 80:20 - 80:24
    If you don't want to be with me,
    I respect your decision.
  • 80:25 - 80:30
    But you won't be with anyone else.
  • 80:45 - 80:47
    Hello.
  • 80:51 - 80:53
    Ainhoa, I'm here.
  • 80:54 - 80:55
    Ainhoa.
  • 80:57 - 80:58
    There will be a fourth time.
  • 80:59 - 81:00
    The next time...
  • 81:01 - 81:02
    I'll kill him.
  • 81:03 - 81:05
    And then your father.
  • 81:05 - 81:08
    And, of course, your little sister.
  • 81:09 - 81:12
    You have three lives in your hands.
  • 81:17 - 81:19
    And Valeria is the last child of the world.
  • 81:21 - 81:22
    It would be a sin.
  • 81:26 - 81:28
    And you know I would.
  • 81:36 - 81:38
    - Are you sure?
    - Yes.
  • 82:10 - 82:13
    Here the ship-school North Star.
  • 82:14 - 82:18
    ID number 100855.
  • 82:18 - 82:20
    Spanish flag.
  • 82:20 - 82:26
    0034 1677 654 886.
  • 82:28 - 82:30
    We find ourselves at the coordinates.
  • 82:31 - 82:33
    Can you hear me?
  • 82:37 - 82:40
    Here ship-school North Star.
  • 82:42 - 82:43
    Captain.
  • 82:44 - 82:45
    What does this music mean?
  • 82:45 - 82:47
    Sorry guys, but I don't know.
  • 82:48 - 82:50
    And I don't even know what had the messages.
  • 82:50 - 82:52
    But it's clear that there's nothing here.
  • 82:52 - 82:54
    So I order you to stay together,
  • 82:54 - 82:56
    as we prepare to weigh anchor.
  • 82:57 - 82:58
    Ricardo, Ricardo.
  • 82:58 - 83:00
    Can you come on deck? Now.
  • 83:01 - 83:02
    Calm down. We're leaving now.
  • 83:02 - 83:04
    But at least give us an answer.
  • 83:13 - 83:14
    What happened?
  • 83:14 - 83:16
    There was nothing down there, Captain.
  • 83:16 - 83:18
    No trace of the wreck.
  • 83:18 - 83:21
    But there was this floating adrift.
  • 83:22 - 83:24
    Look.
  • 83:24 - 83:26
    The paper is perfectly glued.
  • 83:26 - 83:28
    Therefore it couldn't have
    been in the water for long.
  • 83:28 - 83:30
    Not to mention the iron in the sea,
  • 83:30 - 83:33
    begins to oxidize after four hours or so.
  • 83:33 - 83:35
    So someone was here less than four hours ago.
  • 83:40 - 83:42
    Can I go for a moment?
  • 83:43 - 83:44
    Alright.
  • 83:48 - 83:50
    We're getting out of here now ourselves.
  • 83:51 - 83:53
    - Are you okay?
    - Yes.
  • 83:54 - 83:55
    A little tired.
  • 83:55 - 83:56
    - Are you sure?
    - Yes.
  • 83:57 - 83:58
    - Come on, go to sleep.
    - No, I'm fine.
  • 83:58 - 84:00
    Julian, it's an order.
  • 84:03 - 84:06
    Here ship-school North Star.
  • 84:06 - 84:08
    16776.
  • 84:08 - 84:10
    Here ship-school North Star.
  • 84:10 - 84:15
    65488...
    ship-to-school North Star.
  • 84:15 - 84:20
    Ship-school North Star,... 855...
    Spanish flag.
  • 84:20 - 84:22
    Here ship-school North Star.
  • 84:22 - 84:24
    Is someone there?
  • 84:53 - 84:55
    - Hello.
    - I have a surprise for you.
  • 85:01 - 85:05
    I spent a sleepless night,
    shaking sacks of flour,
  • 85:05 - 85:08
    and scraping the bottom of the drawers.
  • 85:09 - 85:12
    It's a little dull.
  • 85:13 - 85:15
    But it is bread.
  • 85:19 - 85:21
    You did it for me?
  • 85:23 - 85:24
    And why?
  • 85:26 - 85:28
    I don't know what to say.
  • 85:32 - 85:34
    Not even I knew what to say,
  • 85:34 - 85:37
    when you asked me to become your wife.
  • 85:38 - 85:40
    Now I don't want anything more out of life.
  • 85:44 - 85:46
    That's good.
  • 85:51 - 85:55
    Thinking of staying with someone forever
    gave me vertigo.
  • 85:56 - 85:58
    But now "forever"
  • 85:58 - 86:00
    it seems to me a very short time.
  • 86:03 - 86:05
    I love you.
  • 86:05 - 86:07
    Me too.
  • 86:12 - 86:13
    What is it?
  • 86:16 - 86:18
    My legs are trembling.
  • 86:18 - 86:21
    For the dizziness that you say.
  • 86:25 - 86:27
    We're getting married.
  • 86:27 - 86:30
    - Immediately.
    - How?
  • 86:33 - 86:34
    What do you say?
  • 86:37 - 86:39
    Do you want to be my wife?
  • 86:41 - 86:44
    - Now?
    - Now.
  • 86:44 - 86:47
    Didn't you just say "forever"
    seemed to you a short time?
  • 86:49 - 86:51
    You want me?
  • 86:53 - 86:54
    Yes.
  • 87:12 - 87:14
    Then I I hereby declare...
  • 87:15 - 87:17
    husband and wife.
  • 87:18 - 87:20
    Then I will kiss the groom.
  • 87:50 - 87:52
    Since the project began,
  • 87:52 - 87:56
    everyone involved are working
    with someone on their side.
  • 87:58 - 88:00
    A kind of facilitator.
  • 88:03 - 88:06
    A facilitator? For what?
  • 88:08 - 88:11
    So that work becomes easy.
  • 88:12 - 88:17
    But above all, to ensure that,
    if things go wrong,
  • 88:17 - 88:19
    everything ends for the best.
  • 88:22 - 88:25
    And they have my same information?
  • 88:27 - 88:28
    No.
  • 88:29 - 88:31
    Different.
  • 88:31 - 88:34
    But remember that you are in the project together.
  • 88:45 - 88:49
    I want you to meet Mr. Gamboa.
  • 88:56 - 88:58
    Pleasure.
  • 89:25 - 89:27
    I can't take anymore.
  • 89:31 - 89:32
    What are you doing here?
  • 89:33 - 89:35
    Why did you come back?
  • 89:35 - 89:37
    Don't ask what you already know, Julia.
  • 89:37 - 89:39
    Do your duty.
  • 89:40 - 89:43
    I will not continue to go out there
    and lie to the captain.
  • 89:43 - 89:45
    He's breathing down my neck.
  • 89:46 - 89:47
    He knows that there is
    something strange and I don't...
  • 89:47 - 89:49
    not able...
  • 89:51 - 89:52
    Ernesto.
  • 89:54 - 89:55
    - Tell me.
    - No.
  • 89:55 - 89:56
    - Please.
    - No.
  • 89:56 - 89:59
    - Please, tell me everything.
    - Julia, no.
  • 90:01 - 90:03
    It is certain that I can.
  • 90:03 - 90:05
    Remember?
  • 90:05 - 90:08
    This is your mission on the ship.
  • 90:25 - 90:27
    Relax.
  • 90:27 - 90:29
    I am here to help.
  • 91:02 - 91:04
    Yes, please tell me.
  • 91:19 - 91:22
    Down there they don't grow a lot of flowers,
    but I brought you this.
  • 91:22 - 91:25
    I had to untie
    the rope to get it, you know?
  • 91:39 - 91:41
    It's a very special coral.
  • 91:42 - 91:44
    It's called elk horn.
  • 91:45 - 91:46
    It also has a high enough value.
  • 91:47 - 91:50
    Although I imagine that it does not matter much, no?
  • 92:05 - 92:07
    Ulises.
  • 92:09 - 92:10
    I was wrong.
  • 92:16 - 92:19
    Gamboa's back and...
  • 92:27 - 92:29
    Forgive me.
  • 92:42 - 92:44
    What's the matter?
  • 92:45 - 92:48
    We just slept together, Ainhoa.
  • 93:06 - 93:08
    I don't love you, Ulises.
  • 93:12 - 93:14
    I don't love you.
  • 93:39 - 93:41
    All the sails.
  • 93:41 - 93:45
    Flakes hauled in tight,
    and mizzen sails well armed.
  • 93:45 - 93:47
    We are leaving.
  • 93:47 - 93:49
    Captain.
  • 93:49 - 93:50
    Everyone.
  • 93:50 - 93:52
    Go up to the bridge.
  • 93:52 - 93:54
    We have a call on the phone.
  • 93:55 - 93:58
    We have a call on the phone.
  • 93:59 - 94:01
    We have a call on the phone.
  • 94:02 - 94:04
    Come on, go up.
  • 94:07 - 94:09
    One minute.
  • 94:14 - 94:17
    Captain, I was right.
  • 94:19 - 94:23
    They wanted to call the satellite telephone.
  • 94:23 - 94:25
    But, of course, they didn't have the number.
  • 94:25 - 94:31
    The number is 0034 1677 654 886.
  • 94:33 - 94:35
    There's a call for you.
  • 94:52 - 94:53
    Yes?
  • 94:55 - 94:56
    cap... tan...
  • 94:58 - 95:00
    cap...
  • 95:01 - 95:03
    cap... tan
  • 95:05 - 95:06
    Captain.
  • 95:08 - 95:10
    Captain.
  • 95:11 - 95:13
    I hear you.
  • 95:14 - 95:16
    Thank God
  • 95:17 - 95:20
    speaking commander Hopkins.
  • 95:22 - 95:25
    We need your help, Captain.
  • 95:26 - 95:29
    We have four hours of life.
  • 95:55 - 95:56
    # Feel #
  • 95:56 - 96:01
    # That there is something new, it's magic. #
  • 96:03 - 96:05
    # To feel that there is something #
  • 96:05 - 96:10
    # That's worth a try. #
  • 96:14 - 96:19
    # Do you think there are days
    yet to arrive. #
  • 96:19 - 96:24
    # Do you think there are songs
    you've never heard. #
  • 96:24 - 96:25
    # Think #
  • 96:26 - 96:30
    # What you still need to do. #
  • 96:34 - 96:39
    # Do you think there are stories
    that no one told you. #
  • 96:39 - 96:44
    # Do you think there are places
    that no one has shown you. #
  • 96:44 - 96:45
    # Think #
  • 96:46 - 96:51
    # What you still need to do. #
  • 96:51 - 96:56
    # In what is still to do. #
  • 96:56 - 97:01
    # In what is still to do. #
  • 97:05 - 97:10
    # Do you think there are stories
    that no one told you. #
  • 97:10 - 97:14
    # Do you think there are places
    that no one has shown you. #
  • 97:14 - 97:16
    # Think #
  • 97:16 - 97:20
    # What you still need to do. #
  • 97:22 - 97:25
    # In what is still to do. #
  • 97:27 - 97:30
    # In what is still to do. #
  • 97:32 - 97:37
    # In what is still to do. #
Title:
El Barco 1x13
Video Language:
Spanish
Duration:
01:37:44

English subtitles

Revisions