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Зеркало (HD) / The Mirror

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    MOSFILM
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    Fourth Artists' Association
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    What is your first name,
    your last name?
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    My name is Yuri Zhary.
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    Where did you come from?
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    I came from Kharkov.
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    What school do you go to?
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    I go to a technical school.
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    Now we're going
    to have a seance.
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    You just look at me.
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    Look me in the eye.
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    Look in front of you.
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    Turn around, with your back to me.
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    Concentrate on my hand.
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    My hand is drawing you back.
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    Spread your hands.
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    Concentrate. All your tension
    is centered in your hands.
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    Your hands are strained!
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    Concentrate all of your
    will power,
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    your big desire to win,
    on your hands.
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    Your hands are getting
    more and more tense.
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    They're very tense.
    Still more tense.
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    Look at your fingers.
    Your fingers are tense.
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    From here the tension passes on
    to your fingers.
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    Look at your hands.
    Yura, concentrate!
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    On my count of three
    your hands will become immobile.
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    One, two, three!
    Your hands don't move.
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    You can't move them.
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    You're trying to move your hands,
    but they're fixed.
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    It's very hard for you
    to make a slightest movement.
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    Now I'm going to lift
    this transfixion,
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    and you'll be able to speak
    freely, easily and articulately.
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    From now on you will speak
    loudly and clearly.
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    Look at me.
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    I'm lifting the tension
    from your hands and your speech.
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    One, two, three!
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    Go ahead, say loudly and clearly:
    I can speak!
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    MIRROR
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    Margarita TEREKHOVA
    as Mother and Natalya
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    Written by Alexander MISHARIN
    and Andrei TARKOVSKY
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    Directed by Andrei TARKOVSKY
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    Director of Photography
    Georgy RERBERG
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    Production Designer
    Nikolai DVIGUBSKY
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    Music by Eduard ARTEMYEV
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    Sound by Semyon LITVINOV
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    English Subtitles by
    Tatiana KAMENEVA
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    Also starring
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    I. DANILTSEV
    L. TARKOVSKAYA, A. DEMIDOVA
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    A. SOLONITSYN
    N. GRINKO
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    T. OGORODNIKOVA
    Yu. NAZAROV, O. YANKOVSKY
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    F. YANKOVSKY
    Yu. SVENTIKOV, T. RESHETNIKOVA
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    Author's text narrated by
    I. SMOKTUNOVSKY
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    Verses by Arseny TARKOVSKY
    recited by the author
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    Playing in the film music by
    J.S. Bach, Pergolesi, Purcell
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    MIRROR
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    The road from the station
    passed through Ignatievo,
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    then swerved near the farm
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    we had lived on each summer
    before the war,
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    and through a dense oak forest
    went on as far as Tomshino.
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    Usually we spotted our people
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    as soon as they appeared from
    behind a bush in the mid-field.
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    If he turned from the bush
    towards our house, then it's father.
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    If not, it meant it was not father
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    and that father would never come.
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    Am I going the right way
    to Tomshino?
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    You shouldn't have taken a turn
    at the bush.
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    - And this... What's this?
    - What?
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    Why are you sitting here?
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    - I live here.
    - Where? On the fence?
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    Are you interested in the way to
    Tomshino or where I live?
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    I brought all the instruments,
    but forgot the key.
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    Do you happen to have a nail
    or a screw-driver?
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    I don't have any nails.
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    Why are you so nervous?
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    Give me your hand. I'm a doctor.
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    You're bothering me.
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    Do you want me to call my husband?
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    You haven't got any husband.
    There's no ring.
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    Though people don't wear rings
    nowadays. Maybe only old people.
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    May I have a cigarette?
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    Why do you look so sad?
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    And why do you look so happy?
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    It's a pleasure to fall down
    with an attractive woman.
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    You know, I fell and found
    strange things here - roots, bushes...
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    Has it ever occurred to you
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    that plants can feel, know,
    even comprehend...
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    The trees, this hazel-nut bush...
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    - This is the alder-tree.
    - It doesn't matter.
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    They don't run about.
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    Like us who are rushing, fussing,
    uttering banalities.
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    That's because we don't trust
    nature that is inside us.
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    Always this suspiciousness,
    haste,
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    and no time
    to stop and think.
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    Look, you seem to be a bit...
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    It's no problem for me.
    I'm a doctor.
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    And what about "Ward Number Six"?
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    Oh, Chekhov had made it all up!
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    Come to Tomshino sometime.
    We often have a good time there.
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    You've got blood!
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    - Where?
    - Behind your ear.
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    Each moment of our dates, not many,
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    We celebrated as an Epiphany.
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    Alone in the whole world.
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    More daring and lighter
    than a bird
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    Down the stairs, like a dizzy
    apparition,
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    You came to take me on your road,
    Through rain-soaked lilacs,
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    To your own possession,
    To the looking glass world.
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    As night descended
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    I was blessed with grace,
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    The altar gate opened up,
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    And in the darkness shining
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    And slowly reclining
    Was your body naked.
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    On waking up I said:
    God bless you!
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    Although I knew how daring
    and undue
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    My blessing was: You were fast
    asleep,
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    Your closed eyelids
    with the universal blue
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    The lilac on the table
    so strained to sweep.
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    Touched by the blue, your lids
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    Were quite serene, your hand was
    warm.
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    And rivers pulsed in crystal slits,
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    Mountains smoked, and oceans
    swarmed.
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    You held a sphere in your palm,
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    Of crystal; on your throne
    you were sleeping calm.
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    And, oh my God! -
    Belonging only to me,
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    You woke and at once transformed
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    The language humans speak and think.
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    Speech rushed up sonorously formed,
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    With the word "you" so much
    reformed
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    As to evolve a new sense meaning
    king.
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    And suddenly all changed,
    like in a trance,
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    Even trivial things,
    so often used and tried,
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    When standing 'tween us,
    guarding us,
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    Was water, solid, stratified.
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    It carried us I don't know where.
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    Retreating before us, like some
    mirage,
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    Were cities, miraculously fair.
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    Under our feet the mint grass spread,
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    The birds were following our tread,
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    The fishes came to a river bend,
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    And to our eyes the sky was open.
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    Behind us our fate was groping,
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    Like an insane man with a razor
    in his hand.
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    Oh, good heavens! Dounya!
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    What is it, Pasha?!
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    A fire! But be quiet.
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    He'll get it coming to him!
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    And what if Vitya is in there?
    What if he's burned?
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    Where's Klanya?
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    What?
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    Dad!
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    - Alexei?
    - Hello, ma!
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    What's wrong with your voice?
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    Nothing serious.
    I guess it's just a sore throat.
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    I haven't spoken to anyone
    for three days.
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    I even liked it. I think it's good
    to keep silent for a while.
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    Words can't express everything
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    a person feels.
    Words are flaccid.
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    I just dreamed of you in my sleep.
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    As though I were still a child...
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    By the way, what year was it
    when dad left us?
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    1935. Why?
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    And the fire? Remember the hay-Ioft
    that burned down at the farm?
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    That was in '35 too.
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    All right, stop pulling the wool
    over my eyes.
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    You know... Lisa died.
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    The one I worked in the printing
    house with.
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    - Oh God... When?
    - This morning, at 7.
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    And what time is it now?
    What is now?
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    - Almost six.
    - In the morning?
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    What's the matter with you?
    In the evening.
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    Mom, why do we have to fight
    all the time?
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    I'm sorry if I did anything wrong.
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    Printing-house.
    Next stop: Serpukhovskaya.
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    What's the rush?
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    Hello.
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    Where're the proofs
    I've been reading?
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    I don't know. Just a minute.
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    Yelizaveta Pavlovna is here.
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    Marousia, what's wrong?
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    Something in yesterday's proofs?
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    In the Goslit edition?
    Don't be so nervous!
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    We should look in the typesetting
    case.
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    Nothing terrible has happened.
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    It's such an important edition!
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    Although misprints have no place
    in any edition.
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    Shut up, you idiot.
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    - What happened?
    - Nothing serious.
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    I just want to check something.
    I may be wrong...
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    Let's start from the beginning.
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    I'd rather do it myself.
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    Everybody's rushing,
    no one's got any time!
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    You think I'm afraid?
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    No, let other people
    be afraid.
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    Some people should work,
    and others should be afraid.
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    Well, nothing awful has happened.
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    If it happened, it happened.
    We've been printing all night...
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    I waited for you since yesterday's
    morning.
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    That you won't come they probably
    guessed.
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    Remember what a beautiful weather
    it was?
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    A holiday weather!
    And I walked coatless.
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    Today you're here, and they have
    arranged
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    An utterly gloomy and cloudy day,
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    It rains, and it's getting unusually
    late,
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    The rain drops run down the cold
    terrain,
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    Unsoothable by word, unwipable
    by hand...
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    You see, it wasn't there, was it?
    Everything is all right.
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    It wasn't...
    That would've been a horrid mistake.
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    Why are you crying then?
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    I even saw that word typeset.
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    What word?
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    Great!
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    This is pure alcohol.
    Not much, but it might help.
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    You've got all drenched up.
    You look like a scarecrow!
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    Really, I'm all wet.
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    I guess I'll go and take a shower.
    Where's my comb?
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    You know who you resemble now?
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    - Who?
    - Maria Timofeyevna.
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    What Maria Timofeyevna?
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    Here. You've been looking for
    your comb, haven't you?
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    Tell me, who's Maria Timofeyevna?
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    There was such a woman,
    Captain Lebyadkin's sister.
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    You're the spitting image
    of Lebyadkina.
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    In what way do I resemble her?
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    Yes, Fyodor Mikhailovich was...
    Whatever you may say...
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    What?
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    Lebyadkin, bring some water!
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    The difference is her brother would
    not bring her water, but beat her.
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    Explain it. I don't understand.
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    All your life is just that
    "bring some water!"
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    Just an appearance of independence.
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    If something doesn't suit you,
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    you pretend
    it doesn't exist.
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    What nonsense you're talking!
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    I'm amazed at the patience
    of your ex-husband.
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    He should have run away
    much sooner.
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    What do you want from me?
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    Have you ever admitted
    you were wrong? Never!
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    You just made up
    this whole situation!
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    As long as you haven't succeeded
    in elevating your dear husband
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    to this nonsensical emancipated
    condition of yours,
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    then you can be sure
    he has been saved just in time.
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    As for your children, you will
    definitely make them miserable.
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    Stop this idiocy!
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    Come on now, Masha!
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    Leave me alone!
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    My earthly life traversed but
    by a half,
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    I found myself lost in a twilight
    forest...
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    I always said
    that you resemble my mother.
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    Apparently, that's the reason
    we divorced.
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    I notice with horror how much
    Ignat is becoming like you.
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    Why with horror?
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    We two could never talk
    like normal human beings.
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    When I recall my childhood
    and my mother,
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    somehow she always has your face.
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    I know why though.
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    I pity you both,
    you and her.
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    Why?
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    Ignat, put the glass down!
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    You won't be able to live
    a normal life with anyone.
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    Probably.
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    Don't feel offended.
    You seem to be convinced
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    that the very fact
    of your existence close by
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    will make everybody happy.
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    You only know how to demand.
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    That's because I was brought up
    by women.
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    If you don't want Ignat
    to become like that,
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    get married as soon as possible.
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    - Get married to whom?
    - This I don't know.
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    Or give Ignat to me.
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    Why didn't you make it up with
    your mother? It was your fault.
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    What fault?
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    She's convinced herself she knows
    better than I how I should live.
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    That she can make me happy.
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    As far as mother is concerned,
    I can feel it better than you.
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    What can you feel better?
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    That we're getting more and more
    distant,
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    and I can't do anything
    about it.
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    Natalya, try to distract him.
    He's talking of Spain again.
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    It will end up in a scandal.
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    I wanted to ask you for a favor...
    We're redecorating now.
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    Ignat wants to live with you
    for a week.
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    I will be very happy.
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    What does he say?
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    He's showing the great matador
    Palomo Linares.
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    Most of all he was excited
    by the farewell he was given.
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    The whole town came to see him off.
    People sang and danced.
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    His mother couldn't come,
    she was sick.
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    And his father stood aside,
    sad and silent.
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    He knew they were thinking
    the same thing:
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    That they probably will never
    see each other again.
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    Are you mocking at us or what?
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    We taught you and taught
    and it was no use.
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    Now it turns out you can!
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    He went to Spain and didn't
    understand anything.
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    Did you ever want
    to go back to Spain?
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    I can't go, I've got a Russian
    husband.
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    And Russian children.
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    I'll talk to her myself!
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    Ignat!
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    Come here. I'm leaving.
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    Always in a hurry...
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    Don't put it together, just give it
    to me like that.
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    - Oh, I felt an electric shock.
    - What shock?
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    As if it had already happened...
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    But I've never been here before.
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    Come on, give me the money
    and stop dreaming.
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    Clean up a bit,
    make the place tidy.
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    Don't touch anything here.
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    If Maria Nikolaevna comes
    tell her to wait for me.
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    Come in. How are you?
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    May we have another cup
    for the young man?
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    Take the notebook from the third
    shelf in the bookcase, will you?
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    Read from the page that is marked
    with a ribbon.
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    "To the question how sciences
    and arts affect
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    people's morals, Rousseau answered:
    Negatively'."
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    Read only what is underlined
    with the red pencil.
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    "Notwithstanding the..."
    Oh no!
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    "The division of churches
    separated us from Europe.
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    We remained excluded
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    from every great event
    that had shaken it.
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    However, we had our own,
    special destiny.
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    Russia, with her immense territory,
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    had swallowed up the Mongol
    invasion.
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    The Tartars didn't dare
    crossing our western borders.
  • 46:27 - 46:29
    They retreated to their wilderness
  • 46:30 - 46:33
    and Christian civilization
    had been saved.
  • 46:34 - 46:38
    To attain that goal
    we had to lead
  • 46:39 - 46:43
    a special kind of life
    which, while leaving us Christians,
  • 46:44 - 46:48
    had made us alien
    to the Christian world.
  • 46:50 - 46:53
    As for our historic
    insignificance,
  • 46:53 - 46:56
    I cannot agree with you on that.
  • 46:56 - 47:00
    Don't you find
    anything significant at all
  • 47:01 - 47:03
    in today's situation in Russia
  • 47:03 - 47:06
    that would strike
    a future historian?
  • 47:08 - 47:11
    Although I'm heartily attached
    to our sovereign,
  • 47:12 - 47:17
    I'm not at all delighted with
    everything I see around me.
  • 47:18 - 47:24
    As a man of letters,
    I'm being annoyed, insulted,
  • 47:24 - 47:29
    but I swear that for nothing
    in the world would have made me
  • 47:30 - 47:33
    change my home country
    or have any other history
  • 47:33 - 47:35
    than the history of our forbears,
  • 47:35 - 47:38
    such as it was given us by God."
  • 47:38 - 47:44
    From Pushkin's letter to Chaadayev.
    October 19, 1836.
  • 47:50 - 47:52
    Go, open up.
  • 48:08 - 48:11
    I'm afraid I've got the wrong
    address.
  • 49:12 - 49:15
    Ignat, how are you doing?
  • 49:17 - 49:19
    Did Maria Nikolaevna come?
  • 49:19 - 49:24
    No. Though some woman came,
    but she's got the wrong apartment.
  • 49:24 - 49:31
    Find something to do
    or invite somebody.
  • 49:31 - 49:34
    Do you know any girls?
  • 49:34 - 49:37
    You mean from my class?
    Oh no!
  • 49:37 - 49:42
    At your age I was already in love...
    During the war...
  • 49:43 - 49:48
    With a redhead...
    Her lips were always blistered.
  • 49:49 - 49:51
    Our military instructor was chasing
    after her, he was shell-shocked.
  • 49:53 - 49:55
    Are you listening to me?
  • 50:57 - 51:02
    What did you fire at?
    You think I didn't see it?
  • 51:05 - 51:08
    You were firing up!
  • 51:08 - 51:12
    What's wrong with that?
    There's no one there.
  • 51:12 - 51:14
    And what if somebody was there?
  • 51:15 - 51:17
    There're only trees there.
  • 51:17 - 51:19
    And what if somebody climbed a tree?
  • 51:22 - 51:28
    About face! I commanded
    "about face"!
  • 51:29 - 51:33
    Put down your rifle.
  • 51:33 - 51:35
    That's what I did.
  • 51:36 - 51:40
    Did you learn drill regulations?
  • 51:43 - 51:48
    About face in Russian means
    exactly what I did.
  • 51:49 - 51:56
    About face means a turn of
    360 degrees.
  • 51:57 - 52:02
    What degrees? About face!
  • 52:12 - 52:15
    To the firing position
    forward march!
  • 52:21 - 52:23
    I'm going to send you
    for your parents.
  • 52:24 - 52:26
    What parents?
  • 52:28 - 52:30
    You'll know very soon
    what parents.
  • 52:34 - 52:37
    What is the firing position?
  • 52:37 - 52:39
    Down on the floor mat!
  • 52:40 - 52:42
    His parents died during the siege.
  • 52:48 - 52:53
    The firing position is...
    a firing position.
  • 52:58 - 53:00
    - Markov!
    - Yes, sir!
  • 53:02 - 53:04
    Name the basic elements of...
  • 53:09 - 53:11
    The rifle.
  • 53:27 - 53:28
    The butt.
  • 53:32 - 53:35
    - The muzzle.
    - It's you who's a muzzle.
  • 53:47 - 53:49
    What is the muzzle then?
  • 54:16 - 54:19
    Guys! A grenade!
  • 54:26 - 54:29
    It's a hand grenade!
  • 54:41 - 54:43
    Don't do it!
  • 54:43 - 54:45
    Down on the ground!
  • 54:45 - 54:47
    You'll be killed!
  • 55:24 - 55:26
    It's only a dummy grenade.
  • 55:46 - 55:50
    And you say you're from Leningrad
    and been under the siege...
  • 58:42 - 58:46
    I don't believe in premonitions.
  • 58:46 - 58:50
    I have no trust in superstitions.
  • 58:50 - 58:53
    I don't run from slander or venom.
  • 58:53 - 58:55
    There's no death on earth.
  • 58:55 - 58:58
    All are immortal,
    Everything's immortal.
  • 58:58 - 59:01
    Don't be afraid of death
    at seventeen,
  • 59:01 - 59:05
    At seventy as well...
    There's just reality and light.
  • 59:05 - 59:08
    There's neither death nor darkness
    in this world.
  • 59:08 - 59:11
    At last we all have reached the shore,
  • 59:11 - 59:14
    And I'm the one who casts a fishing
    rod
  • 59:14 - 59:16
    When immortality is coming
    in a shoal.
  • 59:17 - 59:20
    Live in a house, and it'll never
    fall.
  • 59:20 - 59:23
    To any of the centuries I'd nod
  • 59:23 - 59:26
    And enter it, a house I'd install.
  • 59:26 - 59:29
    That's why with me your children
    share board,
  • 59:29 - 59:31
    Your wives join me at my table,
    and all.
  • 59:32 - 59:35
    One table serves both granddad and
    grandchild:
  • 59:35 - 59:38
    The future's being made right now.
  • 59:38 - 59:40
    Whenever I'm to raise my hand
    in tide,
  • 59:41 - 59:43
    I all five rays of it on you bestow.
  • 59:44 - 59:47
    With collarbones, as if with
    timber work,
  • 59:47 - 59:49
    I propped up every day of past age.
  • 59:50 - 59:53
    I measured time by a world-wide
    walk,
  • 59:53 - 59:55
    I passed through it like through
    the Urals range.
  • 59:56 - 59:58
    I chose the age up to my own measure.
  • 59:58 - 60:02
    We headed south, with dust flying
    away,
  • 60:02 - 60:05
    The weeds smoked up, and at his own
    leisure,
  • 60:05 - 60:07
    His feeler on the horseshoe,
    the grasshopper forecast...
  • 60:08 - 60:11
    He prophesied me death, as if
    he were a monk.
  • 60:11 - 60:14
    But with my fate strapped to my
    saddle fast,
  • 60:14 - 60:16
    I'm riding now in the time to come
  • 60:17 - 60:19
    And surging on the stirrups to my
    own drum.
  • 60:19 - 60:22
    My immortality is quite enough
    for me.
  • 60:22 - 60:25
    For my own blood to flow ages
    through,
  • 60:26 - 60:28
    For steady warmth and a haven
    safe and true
  • 60:28 - 60:31
    I'd give my life self-willingly and
    freely,
  • 60:31 - 60:34
    Had not its volatile, needle-like
    sword
  • 60:34 - 60:37
    Been leading me, like a thread,
    throughout the world.
  • 63:44 - 63:48
    Marousia? And the children?
  • 63:51 - 63:52
    Where are the children?
  • 63:56 - 63:59
    I'm going to tell everybody
    that you've stolen the book.
  • 64:01 - 64:05
    - What?
    - I will, you'll see.
  • 64:08 - 64:14
    - Now stop it!
    - Go on, tell everybody!
  • 64:14 - 64:17
    I will, anyway!
  • 64:22 - 64:24
    Marina!
  • 65:44 - 65:47
    You could have come more often.
    You know that he's missing you.
  • 65:50 - 65:57
    Let Ignat live with me.
  • 66:01 - 66:03
    Are you serious?
  • 66:03 - 66:07
    You said yourself
    that he would like to.
  • 66:09 - 66:11
    With you it's better to keep one's
    mouth shut.
  • 66:11 - 66:15
    You mean I'm inventing this
    for my own pleasure?
  • 66:16 - 66:20
    Let's ask him.
    Whatever he decides...
  • 66:20 - 66:22
    Besides, it will make your life
    much easier.
  • 66:24 - 66:26
    Why would this make it easier for me?
  • 66:31 - 66:32
    Have you collected your books?
  • 66:35 - 66:37
    Go say goodbye to your father.
  • 66:39 - 66:44
    Your mother and I would like
    to ask you...
  • 66:45 - 66:46
    What?
  • 66:50 - 66:52
    Wouldn't it be better if you lived
    with me?
  • 66:52 - 66:54
    How?
  • 66:55 - 67:00
    You and I will live together.
    Haven't you said so to your mother?
  • 67:01 - 67:06
    Said what? When?
    No, please.
  • 67:38 - 67:41
    We really look alike,
    don't we?
  • 67:41 - 67:43
    Not at all!
  • 68:01 - 68:04
    What do you want from your mother?
    What kind of relationship?
  • 68:10 - 68:13
    The kind of relationship you had
    in your childhood is impossible.
  • 68:22 - 68:27
    You speak of some feeling of
    guilt,
  • 68:27 - 68:29
    of her life being ruined because of
    you...
  • 68:31 - 68:33
    Well, you can't get away from it.
  • 68:35 - 68:39
    And what she needs is for you
    to become a baby again,
  • 68:39 - 68:43
    for her to be able to carry you
    and protect you.
  • 68:46 - 68:50
    Why on earth am I meddling in it?
  • 68:52 - 68:53
    It's always like this...
  • 69:04 - 69:07
    Why are you whimpering?
    Explain it.
  • 69:10 - 69:12
    Should I marry him or not?
  • 69:19 - 69:24
    - Do I know him?
    - No...
  • 69:25 - 69:26
    Is he Ukrainian?
  • 69:27 - 69:29
    Does it matter?
  • 69:30 - 69:35
    - What is he doing?
    - He is a writer.
  • 69:37 - 69:40
    Doesn't his name happen to be
    Dostoyevsky?
  • 69:40 - 69:41
    Yes, Dostoyevsky.
  • 69:43 - 69:47
    He hasn't written anything
    worthwhile. Nobody knows him.
  • 69:47 - 69:50
    He must be about 40, isn't he?
    Apparently he's got no talent?
  • 69:54 - 69:57
    You've changed so much.
  • 70:00 - 70:03
    So, he has no talent, he doesn't write
    anything.
  • 70:03 - 70:05
    He does write, but they don't
    publish him.
  • 70:08 - 70:12
    Look, our precious flunk
    has put something on fire.
  • 70:16 - 70:18
    No need to be so ironic about
    his flunking.
  • 70:18 - 70:21
    If he doesn't finish school,
    he'll end up being drafted.
  • 70:21 - 70:24
    And you will go begging
    to have him exempted from the army.
  • 70:27 - 70:29
    This is all the result of your
    indulging him.
  • 70:29 - 70:33
    By the way, the army would be
    good for him.
  • 70:33 - 70:35
    Why don't you call your mother?
  • 70:35 - 70:38
    After Aunt Lisa's death she stayed
    in bed for three days.
  • 70:38 - 70:44
    Wasn't she supposed to come here
    at five?
  • 70:47 - 70:49
    Is it so difficult
    to make the first move?
  • 70:50 - 70:52
    We were talking about Ignat.
  • 70:56 - 70:58
    It may be my fault, too.
  • 71:01 - 71:04
    Or is it because we got so bourgeois?
  • 71:05 - 71:12
    And our embourgeoisement is
    so dense, so Asian.
  • 71:12 - 71:15
    With private ownership nonexistent,
    our well-being is on the rise.
  • 71:15 - 71:17
    Nothing makes any sense anymore.
  • 71:17 - 71:19
    Why do you get so irritated?
  • 71:20 - 71:23
    I know a family
    whose 15-year-old son said:
  • 71:23 - 71:25
    "I'm leaving you.
    It disgusts me to see
  • 71:26 - 71:28
    how you weasel around
    trying to please everybody."
  • 71:28 - 71:31
    Good boy.
    Not like our booby.
  • 71:34 - 71:36
    Unfortunately, our boy would never
    say such a thing.
  • 71:36 - 71:38
    I can imagine that family of yours!
  • 71:39 - 71:44
    They're no worse than we are.
    He works for a newspaper.
  • 71:44 - 71:47
    And thinks he's a writer, too.
  • 71:53 - 71:54
    Though he's unable to understand
  • 71:54 - 71:57
    that a book is not a way of making
    money but a statement.
  • 71:59 - 72:02
    A poet is called upon
    to provoke a spiritual jolt
  • 72:02 - 72:04
    and not to cultivate idolaters.
  • 72:12 - 72:15
    What am I going to do?
  • 72:16 - 72:18
    You're going to get married.
  • 72:19 - 72:23
    Do you happen to remember
    who was it who saw a bush on fire?
  • 72:24 - 72:25
    I mean the angel as a bush?
  • 72:26 - 72:30
    I don't remember.
    In any case, it was not Ignat.
  • 72:31 - 72:34
    Maybe we should send him
    to a cadet school?
  • 72:35 - 72:41
    An angel as a flame coming from
    a bush appeared to Prophet Moses.
  • 72:42 - 72:44
    He led his people out across the sea.
  • 72:45 - 72:48
    Why has nothing like that
    ever appeared to me?
  • 73:00 - 73:05
    With an amazing regularity
    I keep seeing one and the same dream.
  • 73:07 - 73:11
    It seems to make me return
  • 73:13 - 73:15
    to the place, poignantly dear to my
    heart,
  • 73:15 - 73:17
    where my grandfather's house
    used to be,
  • 73:19 - 73:26
    in which I was born 40 years ago
    right on the dinner table.
  • 73:28 - 73:32
    Each time I try to enter it, something
    prevents me from doing that.
  • 73:35 - 73:38
    I see this dream again and again.
  • 73:42 - 73:47
    And when I see those walls made of
    logs and the dark entrance,
  • 73:48 - 73:51
    even in my dream I become aware
    that I'm only dreaming it.
  • 73:52 - 73:59
    And the overwhelming joy is clouded
    by anticipation of awakening.
  • 74:02 - 74:05
    At times something happens
    and I stop dreaming
  • 74:06 - 74:09
    of the house and the pine trees
    of my childhood around it.
  • 74:11 - 74:14
    Then I get depressed.
  • 74:16 - 74:19
    And I can't wait to see
    this dream
  • 74:21 - 74:23
    in which I'll be a child again
  • 74:25 - 74:27
    and feel happy again
  • 74:28 - 74:34
    because everything will be still
    ahead, everything will be possible...
  • 75:22 - 75:23
    Mommy!
  • 77:31 - 77:34
    - Mom, they opened up!
    - What's the matter with you?
  • 77:41 - 77:42
    Hello.
  • 77:46 - 77:47
    Hello.
  • 77:56 - 78:00
    - Are you Nadezhda Petrovna?
    - I don't think I...
  • 78:00 - 78:03
    I'm Matvey Ivanov's stepdaughter.
  • 78:05 - 78:07
    He was a friend of your husband.
  • 78:08 - 78:11
    What Matvey?
  • 78:11 - 78:15
    The doctor. He used to live here.
  • 78:15 - 78:20
    Then he moved to Yurievets
    and became a legal expert.
  • 78:23 - 78:26
    Are you from town?
  • 78:26 - 78:29
    We're from Moscow,
    but we have a room in Yurievets.
  • 78:35 - 78:38
    We were evacuated last fall.
  • 78:40 - 78:44
    The air raids on Moscow began
    and I have two kids.
  • 78:44 - 78:47
    My mother has some old connections
    here...
  • 78:52 - 78:55
    My husband is not here,
    he's in town.
  • 79:00 - 79:03
    Stop scratching yourself!
  • 79:03 - 79:07
    Actually I came to see you.
    It's a ladies' little secret.
  • 79:13 - 79:17
    Come on in.
    Don't stand there...
  • 79:23 - 79:27
    Wipe your feet.
    Masha's just washed the floor.
  • 79:51 - 79:56
    Sit here for a while.
    We won't be long.
  • 83:59 - 84:03
    Why are you sitting in the dark?
    Did it go out?
  • 84:05 - 84:07
    You should've called us.
  • 84:10 - 84:12
    - What's your name?
    - Alyosha.
  • 84:16 - 84:19
    I've got a son, too.
    Not so big as you, of course.
  • 84:19 - 84:23
    It's not easy having kids now,
    with the war going.
  • 84:23 - 84:26
    I wish I had a girl too.
  • 84:26 - 84:29
    Want to have a look? He's asleep.
  • 84:30 - 84:32
    We'll be quiet.
    He's such a darling.
  • 85:17 - 85:19
    The other day he asked his father:
  • 85:20 - 85:24
    "Why is 5 kopecks bigger
    than 10 kopecks?"
  • 85:24 - 85:29
    I was just dumfounded, and
    his father didn't know what to say.
  • 85:31 - 85:36
    He always wanted a daughter.
    He even thought of a girl's name.
  • 85:37 - 85:42
    And I prepared a pink layette.
  • 85:43 - 85:45
    Then I had to make everything anew.
  • 85:45 - 85:50
    He put us up to a lot of trouble,
    little rascal.
  • 85:52 - 85:55
    We woke you up, didn't we?
  • 85:55 - 85:59
    That's your mommy's fault,
    she just can't stop talking.
  • 85:59 - 86:04
    See, we've got company.
    Some strangers, aren't they?
  • 86:04 - 86:09
    You just wouldn't wake up,
    would you?
  • 86:10 - 86:14
    All right, honey, go back to sleep.
  • 86:24 - 86:28
    Do they become me? And the ring?
  • 86:29 - 86:33
    - What's wrong?
    - I just felt queasy.
  • 86:34 - 86:38
    Of course, you've made a long trip.
    I should have known better.
  • 86:38 - 86:41
    Have a drink. It will warm you up.
  • 86:44 - 86:49
    I just talk and talk
    when I ought to make supper.
  • 86:49 - 86:52
    Oh please, you don't have to do it.
  • 86:52 - 86:58
    - But I can't let you go like that.
    - We had a meal before leaving.
  • 86:58 - 87:01
    I don't like his cough!
  • 87:03 - 87:05
    Well, he runs wild...
  • 87:05 - 87:09
    We must have my husband
    examine him.
  • 87:10 - 87:14
    We can't wait, we have a two-hour
    walk to make.
  • 87:14 - 87:18
    And what about the earrings?
    My husband's got the money.
  • 87:18 - 87:22
    We're going to have a cock
    slaughtered. Only may I ask you...
  • 87:23 - 87:27
    I'm three months pregnant
    and having fits of sickness.
  • 87:27 - 87:30
    Even when I'm milking a cow,
    it gets so bad...
  • 87:31 - 87:35
    As for the cock...
    Could you?
  • 87:37 - 87:39
    Well, I myself...
  • 87:41 - 87:42
    What, you too?
  • 87:42 - 87:46
    No, but I've never done it before.
  • 87:47 - 87:51
    Oh, it's nothing. Sure, in Moscow
    you ate them already slaughtered.
  • 87:54 - 87:57
    I usually do it right here,
    on this little log.
  • 87:58 - 88:01
    Here's the axe. My husband
    has sharpened it this morning.
  • 88:02 - 88:05
    - You mean, right in the room?
    - We'll put a basin under.
  • 88:05 - 88:10
    And tomorrow you'll take
    a chicken with you.
  • 88:10 - 88:12
    No, I can't.
  • 88:12 - 88:17
    Maybe we'll ask Alyosha to do that?
    After all, he's a man.
  • 88:19 - 88:21
    Why Alyosha?
  • 88:21 - 88:27
    All right, hold it tight. If it breaks
    loose, it'll smash the dishes.
  • 88:39 - 88:42
    Oh no, I don't feel... Well?
  • 89:30 - 89:34
    Calm down. Everything will be
    all right.
  • 89:36 - 89:37
    I wish I could see you
  • 89:38 - 89:40
    not only when I feel too bad.
  • 89:42 - 89:44
    - Do you hear me?
    - Yes.
  • 89:51 - 89:53
    At last I soared up.
  • 89:53 - 89:56
    What's wrong, Marousia?
    You feel bad?
  • 89:56 - 90:02
    Don't be surprised.
    I love you.
  • 90:03 - 90:08
    Are you leaving already? And the
    earrings? My husband'll be right here.
  • 90:08 - 90:12
    - He's got the money.
    - We changed our mind.
  • 90:12 - 90:16
    It's fifteen versts to the town.
    It's going to be dark soon.
  • 90:16 - 90:18
    That's all right, don't worry.
  • 90:31 - 90:34
    A man has but one body,
    Like a single cell.
  • 90:34 - 90:38
    The soul is sick and tired
    Of its too solid shell,
  • 90:38 - 90:41
    With ears, mouth, eyes
    The size of a nickel coin
  • 90:41 - 90:45
    And skin all scarred and diced,
    Spread over a skeleton.
  • 90:46 - 90:49
    Through cornea it wings
    To a heavenly spring,
  • 90:49 - 90:53
    To ice-laden slings,
    To a chariot birds bring.
  • 90:53 - 90:57
    It hears through the grating
    Of its living prison pen
  • 90:57 - 91:01
    The fields' and forests' rattling,
    The Seven Seas' refrain.
  • 91:02 - 91:06
    Without body a soul's nude,
    As a body's nude without a shirt:
  • 91:06 - 91:11
    No thought's forthcoming, no good,
    No idea's born and no word.
  • 91:11 - 91:15
    A question that has no answer:
    Whoever can come back
  • 91:16 - 91:20
    From the floor where no dancer
    Was ever to leave track?
  • 91:20 - 91:25
    I dream of another soul,
    In quite a different garb:
  • 91:25 - 91:28
    While shifting between dole
    And hope, it burns up,
  • 91:29 - 91:32
    Like alcohol, and goes
    Away, casts no shadow
  • 91:33 - 91:37
    And just leaves as mementoes
    The lilacs smelling of meadow.
  • 91:37 - 91:42
    Run on, my child, do not lament
    The fate of poor Eurydice,
  • 91:42 - 91:46
    Just keep on driving to globe's end
    Your copper hoop for all to see.
  • 91:46 - 91:50
    As long as answering to your step,
    However slight might be a tone,
  • 91:51 - 91:55
    The earth sends signals gay and pep
    To every energetic bone.
  • 94:33 - 94:37
    Mom, the kerosene stove is smoking.
  • 94:38 - 94:39
    What?
  • 94:57 - 94:59
    Everything will depend on him.
  • 95:00 - 95:02
    Do you think a sore throat could
    have such an after-effect?
  • 95:06 - 95:08
    A sore throat has nothing to do
    with it.
  • 95:12 - 95:14
    - This is a common case.
    - Common?
  • 95:21 - 95:28
    A mother dies suddenly,
    then the man's wife and child...
  • 95:30 - 95:34
    A few days and the man is no more,
    though he was quite healthy.
  • 95:34 - 95:36
    But no one died in his family.
  • 95:38 - 95:44
    There're such things as conscience...
    memories...
  • 95:45 - 95:46
    What memories have to do it with it?
  • 95:56 - 96:00
    - You think he's guilty of something?
    - He thinks so.
  • 96:00 - 96:02
    Leave me alone.
  • 96:06 - 96:12
    - Did you say something?
    - Leave me alone!
  • 96:14 - 96:17
    I just wanted to be happy.
  • 96:19 - 96:22
    And what's going to happen to your
    mother if you don't get up?
  • 96:28 - 96:32
    It's nothing, everything will be
    all right...
  • 96:34 - 96:35
    Everything will be...
  • 97:48 - 97:52
    Would you rather have a boy
    or a girl?
  • 101:47 - 101:51
    The End
Title:
Зеркало (HD) / The Mirror
Description:

Смотрите и скачивайте наши фильмы в
App Store - https://itunes.apple.com/ru/app/mosfil-m/id463145701?mt=8
Google Play - https://play.google.com/store/apps/details?id=ru.mosfilm

«Зеркало» - классика мирового кинематографа, фильм-воспоминание, фильм-размышление, фильм-загадка, потрясающий зрителя до глубины души.
Этот фильм о поиске, детских впечатлениях, внезапно врывающихся в жизнь взрослого человека, мистике повседневности и попытках вспомнить самое главное, потерявшееся за каждодневными заботами и обыденностью.

Режиссёр: Андрей Тарковский. Сценарий: Александр Мишарин, Андрей Тарковский. Оператор: Георгий Рерберг. Композитор: Эдуард Артемьев.

В ролях: Маргарита Терехова, Олег Янковский, Филипп Янковский, Игнат Данильцев, Николай Гринько, Алла Демидова, Юрий Назаров, Анатолий Солоницын, Лариса Тарковская, Тамара Огородникова, Тамара Решетникова.

- Диплом участия на МКФ в Мельбурне (Австралия) (1980)
- Приз «Давид ди Донателло» за лучший иностранный фильм, показанный в Италии (1980)

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Video Language:
Russian

Spanish subtitles

Revisions