Зеркало (HD) / The Mirror
-
0:01 - 0:04MOSFILM
-
0:05 - 0:07Fourth Artists' Association
-
0:17 - 0:20What is your first name,
your last name? -
0:24 - 0:29My name is Yuri Zhary.
-
0:35 - 0:37Where did you come from?
-
0:38 - 0:43I came from Kharkov.
-
0:55 - 0:57What school do you go to?
-
0:57 - 1:03I go to a technical school.
-
1:06 - 1:10Now we're going
to have a seance. -
1:10 - 1:13You just look at me.
-
1:17 - 1:19Look me in the eye.
-
1:22 - 1:23Look in front of you.
-
1:36 - 1:38Turn around, with your back to me.
-
1:41 - 1:43Concentrate on my hand.
-
1:44 - 1:46My hand is drawing you back.
-
2:02 - 2:04Spread your hands.
-
2:08 - 2:14Concentrate. All your tension
is centered in your hands. -
2:18 - 2:21Your hands are strained!
-
2:22 - 2:26Concentrate all of your
will power, -
2:26 - 2:28your big desire to win,
on your hands. -
2:29 - 2:34Your hands are getting
more and more tense. -
2:34 - 2:36They're very tense.
Still more tense. -
2:37 - 2:43Look at your fingers.
Your fingers are tense. -
2:44 - 2:48From here the tension passes on
to your fingers. -
2:48 - 2:53Look at your hands.
Yura, concentrate! -
2:55 - 2:59On my count of three
your hands will become immobile. -
3:00 - 3:07One, two, three!
Your hands don't move. -
3:08 - 3:10You can't move them.
-
3:10 - 3:13You're trying to move your hands,
but they're fixed. -
3:14 - 3:18It's very hard for you
to make a slightest movement. -
3:19 - 3:21Now I'm going to lift
this transfixion, -
3:21 - 3:27and you'll be able to speak
freely, easily and articulately. -
3:28 - 3:35From now on you will speak
loudly and clearly. -
3:37 - 3:38Look at me.
-
3:39 - 3:44I'm lifting the tension
from your hands and your speech. -
3:46 - 3:50One, two, three!
-
3:51 - 3:55Go ahead, say loudly and clearly:
I can speak! -
3:56 - 4:01MIRROR
-
4:01 - 4:07Margarita TEREKHOVA
as Mother and Natalya -
4:07 - 4:12Written by Alexander MISHARIN
and Andrei TARKOVSKY -
4:12 - 4:17Directed by Andrei TARKOVSKY
-
4:17 - 4:22Director of Photography
Georgy RERBERG -
4:22 - 4:25Production Designer
Nikolai DVIGUBSKY -
4:26 - 4:29Music by Eduard ARTEMYEV
-
4:29 - 4:33Sound by Semyon LITVINOV
-
4:33 - 4:36English Subtitles by
Tatiana KAMENEVA -
4:48 - 4:49Also starring
-
4:49 - 4:52I. DANILTSEV
L. TARKOVSKAYA, A. DEMIDOVA -
4:52 - 4:54A. SOLONITSYN
N. GRINKO -
4:54 - 4:56T. OGORODNIKOVA
Yu. NAZAROV, O. YANKOVSKY -
4:57 - 4:59F. YANKOVSKY
Yu. SVENTIKOV, T. RESHETNIKOVA -
5:05 - 5:09Author's text narrated by
I. SMOKTUNOVSKY -
5:09 - 5:15Verses by Arseny TARKOVSKY
recited by the author -
5:15 - 5:20Playing in the film music by
J.S. Bach, Pergolesi, Purcell -
5:28 - 5:32MIRROR
-
5:59 - 6:02The road from the station
passed through Ignatievo, -
6:02 - 6:06then swerved near the farm
-
6:07 - 6:09we had lived on each summer
before the war, -
6:10 - 6:13and through a dense oak forest
went on as far as Tomshino. -
6:16 - 6:18Usually we spotted our people
-
6:18 - 6:22as soon as they appeared from
behind a bush in the mid-field. -
6:23 - 6:27If he turned from the bush
towards our house, then it's father. -
6:29 - 6:32If not, it meant it was not father
-
6:32 - 6:35and that father would never come.
-
6:49 - 6:52Am I going the right way
to Tomshino? -
6:52 - 6:55You shouldn't have taken a turn
at the bush. -
6:57 - 6:59- And this... What's this?
- What? -
7:01 - 7:03Why are you sitting here?
-
7:03 - 7:06- I live here.
- Where? On the fence? -
7:07 - 7:11Are you interested in the way to
Tomshino or where I live? -
7:11 - 7:18I brought all the instruments,
but forgot the key. -
7:19 - 7:23Do you happen to have a nail
or a screw-driver? -
7:24 - 7:26I don't have any nails.
-
7:27 - 7:29Why are you so nervous?
-
7:29 - 7:32Give me your hand. I'm a doctor.
-
7:37 - 7:39You're bothering me.
-
7:39 - 7:41Do you want me to call my husband?
-
7:41 - 7:48You haven't got any husband.
There's no ring. -
7:53 - 7:57Though people don't wear rings
nowadays. Maybe only old people. -
8:03 - 8:06May I have a cigarette?
-
8:23 - 8:24Why do you look so sad?
-
8:34 - 8:36And why do you look so happy?
-
8:36 - 8:40It's a pleasure to fall down
with an attractive woman. -
8:48 - 8:56You know, I fell and found
strange things here - roots, bushes... -
8:57 - 9:00Has it ever occurred to you
-
9:02 - 9:08that plants can feel, know,
even comprehend... -
9:10 - 9:13The trees, this hazel-nut bush...
-
9:14 - 9:16- This is the alder-tree.
- It doesn't matter. -
9:18 - 9:19They don't run about.
-
9:20 - 9:25Like us who are rushing, fussing,
uttering banalities. -
9:31 - 9:36That's because we don't trust
nature that is inside us. -
9:38 - 9:42Always this suspiciousness,
haste, -
9:43 - 9:45and no time
to stop and think. -
9:47 - 9:49Look, you seem to be a bit...
-
9:50 - 9:54It's no problem for me.
I'm a doctor. -
9:57 - 9:59And what about "Ward Number Six"?
-
10:00 - 10:03Oh, Chekhov had made it all up!
-
10:05 - 10:12Come to Tomshino sometime.
We often have a good time there. -
10:12 - 10:14You've got blood!
-
10:15 - 10:18- Where?
- Behind your ear. -
11:16 - 11:19Each moment of our dates, not many,
-
11:19 - 11:22We celebrated as an Epiphany.
-
11:22 - 11:25Alone in the whole world.
-
11:26 - 11:31More daring and lighter
than a bird -
11:31 - 11:34Down the stairs, like a dizzy
apparition, -
11:34 - 11:37You came to take me on your road,
Through rain-soaked lilacs, -
11:37 - 11:40To your own possession,
To the looking glass world. -
11:41 - 11:43As night descended
-
11:43 - 11:45I was blessed with grace,
-
11:45 - 11:47The altar gate opened up,
-
11:47 - 11:50And in the darkness shining
-
11:50 - 11:53And slowly reclining
Was your body naked. -
11:53 - 11:56On waking up I said:
God bless you! -
11:56 - 12:00Although I knew how daring
and undue -
12:00 - 12:02My blessing was: You were fast
asleep, -
12:02 - 12:05Your closed eyelids
with the universal blue -
12:05 - 12:07The lilac on the table
so strained to sweep. -
12:08 - 12:10Touched by the blue, your lids
-
12:10 - 12:14Were quite serene, your hand was
warm. -
12:15 - 12:18And rivers pulsed in crystal slits,
-
12:18 - 12:21Mountains smoked, and oceans
swarmed. -
12:21 - 12:24You held a sphere in your palm,
-
12:24 - 12:27Of crystal; on your throne
you were sleeping calm. -
12:27 - 12:30And, oh my God! -
Belonging only to me, -
12:31 - 12:33You woke and at once transformed
-
12:33 - 12:36The language humans speak and think.
-
12:36 - 12:39Speech rushed up sonorously formed,
-
12:39 - 12:43With the word "you" so much
reformed -
12:43 - 12:47As to evolve a new sense meaning
king. -
12:47 - 12:49And suddenly all changed,
like in a trance, -
12:50 - 12:53Even trivial things,
so often used and tried, -
12:53 - 12:55When standing 'tween us,
guarding us, -
12:56 - 12:58Was water, solid, stratified.
-
12:59 - 13:01It carried us I don't know where.
-
13:01 - 13:04Retreating before us, like some
mirage, -
13:04 - 13:06Were cities, miraculously fair.
-
13:07 - 13:09Under our feet the mint grass spread,
-
13:10 - 13:12The birds were following our tread,
-
13:12 - 13:15The fishes came to a river bend,
-
13:15 - 13:18And to our eyes the sky was open.
-
13:18 - 13:21Behind us our fate was groping,
-
13:22 - 13:25Like an insane man with a razor
in his hand. -
13:33 - 13:36Oh, good heavens! Dounya!
-
13:38 - 13:41What is it, Pasha?!
-
13:54 - 13:56A fire! But be quiet.
-
14:11 - 14:12He'll get it coming to him!
-
14:12 - 14:17And what if Vitya is in there?
What if he's burned? -
14:18 - 14:20Where's Klanya?
-
14:25 - 14:26What?
-
16:24 - 16:25Dad!
-
19:26 - 19:28- Alexei?
- Hello, ma! -
19:29 - 19:31What's wrong with your voice?
-
19:31 - 19:34Nothing serious.
I guess it's just a sore throat. -
19:36 - 19:38I haven't spoken to anyone
for three days. -
19:39 - 19:42I even liked it. I think it's good
to keep silent for a while. -
19:43 - 19:45Words can't express everything
-
19:45 - 19:49a person feels.
Words are flaccid. -
19:52 - 19:55I just dreamed of you in my sleep.
-
19:55 - 19:57As though I were still a child...
-
19:57 - 20:02By the way, what year was it
when dad left us? -
20:04 - 20:081935. Why?
-
20:10 - 20:14And the fire? Remember the hay-Ioft
that burned down at the farm? -
20:15 - 20:17That was in '35 too.
-
20:18 - 20:22All right, stop pulling the wool
over my eyes. -
20:22 - 20:25You know... Lisa died.
-
20:28 - 20:35The one I worked in the printing
house with. -
20:36 - 20:41- Oh God... When?
- This morning, at 7. -
20:43 - 20:47And what time is it now?
What is now? -
20:48 - 20:50- Almost six.
- In the morning? -
20:51 - 20:53What's the matter with you?
In the evening. -
20:54 - 20:58Mom, why do we have to fight
all the time? -
20:59 - 21:02I'm sorry if I did anything wrong.
-
21:25 - 21:28Printing-house.
Next stop: Serpukhovskaya. -
22:03 - 22:05What's the rush?
-
22:56 - 22:59Hello.
-
23:00 - 23:03Where're the proofs
I've been reading? -
23:03 - 23:08I don't know. Just a minute.
-
23:12 - 23:14Yelizaveta Pavlovna is here.
-
23:22 - 23:24Marousia, what's wrong?
-
23:28 - 23:30Something in yesterday's proofs?
-
23:31 - 23:34In the Goslit edition?
Don't be so nervous! -
23:35 - 23:37We should look in the typesetting
case. -
23:39 - 23:41Nothing terrible has happened.
-
23:51 - 23:56It's such an important edition!
-
24:01 - 24:03Although misprints have no place
in any edition. -
24:04 - 24:06Shut up, you idiot.
-
25:06 - 25:09- What happened?
- Nothing serious. -
25:09 - 25:14I just want to check something.
I may be wrong... -
25:15 - 25:17Let's start from the beginning.
-
25:18 - 25:20I'd rather do it myself.
-
25:20 - 25:23Everybody's rushing,
no one's got any time! -
25:30 - 25:32You think I'm afraid?
-
25:32 - 25:34No, let other people
be afraid. -
25:35 - 25:38Some people should work,
and others should be afraid. -
25:56 - 25:58Well, nothing awful has happened.
-
25:58 - 26:01If it happened, it happened.
We've been printing all night... -
27:13 - 27:16I waited for you since yesterday's
morning. -
27:16 - 27:19That you won't come they probably
guessed. -
27:19 - 27:21Remember what a beautiful weather
it was? -
27:22 - 27:25A holiday weather!
And I walked coatless. -
27:25 - 27:28Today you're here, and they have
arranged -
27:28 - 27:31An utterly gloomy and cloudy day,
-
27:31 - 27:34It rains, and it's getting unusually
late, -
27:35 - 27:38The rain drops run down the cold
terrain, -
27:39 - 27:43Unsoothable by word, unwipable
by hand... -
28:05 - 28:12You see, it wasn't there, was it?
Everything is all right. -
28:12 - 28:17It wasn't...
That would've been a horrid mistake. -
28:17 - 28:19Why are you crying then?
-
28:20 - 28:25I even saw that word typeset.
-
28:26 - 28:27What word?
-
28:45 - 28:47Great!
-
28:52 - 28:56This is pure alcohol.
Not much, but it might help. -
28:58 - 29:01You've got all drenched up.
You look like a scarecrow! -
29:01 - 29:05Really, I'm all wet.
-
29:05 - 29:12I guess I'll go and take a shower.
Where's my comb? -
29:13 - 29:16You know who you resemble now?
-
29:18 - 29:20- Who?
- Maria Timofeyevna. -
29:21 - 29:22What Maria Timofeyevna?
-
29:25 - 29:28Here. You've been looking for
your comb, haven't you? -
29:31 - 29:34Tell me, who's Maria Timofeyevna?
-
29:35 - 29:42There was such a woman,
Captain Lebyadkin's sister. -
29:44 - 29:47You're the spitting image
of Lebyadkina. -
29:48 - 29:52In what way do I resemble her?
-
29:54 - 29:58Yes, Fyodor Mikhailovich was...
Whatever you may say... -
29:58 - 30:00What?
-
30:00 - 30:03Lebyadkin, bring some water!
-
30:03 - 30:10The difference is her brother would
not bring her water, but beat her. -
30:10 - 30:13Explain it. I don't understand.
-
30:14 - 30:18All your life is just that
"bring some water!" -
30:20 - 30:22Just an appearance of independence.
-
30:22 - 30:24If something doesn't suit you,
-
30:24 - 30:28you pretend
it doesn't exist. -
30:29 - 30:31What nonsense you're talking!
-
30:31 - 30:34I'm amazed at the patience
of your ex-husband. -
30:34 - 30:38He should have run away
much sooner. -
30:38 - 30:40What do you want from me?
-
30:40 - 30:44Have you ever admitted
you were wrong? Never! -
30:44 - 30:48You just made up
this whole situation! -
30:50 - 30:55As long as you haven't succeeded
in elevating your dear husband -
30:55 - 30:59to this nonsensical emancipated
condition of yours, -
31:00 - 31:02then you can be sure
he has been saved just in time. -
31:03 - 31:07As for your children, you will
definitely make them miserable. -
31:17 - 31:19Stop this idiocy!
-
31:51 - 31:55Come on now, Masha!
-
31:59 - 32:01Leave me alone!
-
32:06 - 32:09My earthly life traversed but
by a half, -
32:10 - 32:12I found myself lost in a twilight
forest... -
33:14 - 33:19I always said
that you resemble my mother. -
33:19 - 33:21Apparently, that's the reason
we divorced. -
33:23 - 33:26I notice with horror how much
Ignat is becoming like you. -
33:27 - 33:30Why with horror?
-
33:30 - 33:34We two could never talk
like normal human beings. -
33:37 - 33:41When I recall my childhood
and my mother, -
33:42 - 33:46somehow she always has your face.
-
33:48 - 33:50I know why though.
-
33:51 - 33:55I pity you both,
you and her. -
33:55 - 33:57Why?
-
33:58 - 34:00Ignat, put the glass down!
-
34:07 - 34:09You won't be able to live
a normal life with anyone. -
34:10 - 34:11Probably.
-
34:12 - 34:17Don't feel offended.
You seem to be convinced -
34:18 - 34:21that the very fact
of your existence close by -
34:22 - 34:24will make everybody happy.
-
34:24 - 34:25You only know how to demand.
-
34:26 - 34:30That's because I was brought up
by women. -
34:30 - 34:33If you don't want Ignat
to become like that, -
34:33 - 34:35get married as soon as possible.
-
34:37 - 34:40- Get married to whom?
- This I don't know. -
34:41 - 34:43Or give Ignat to me.
-
34:48 - 34:52Why didn't you make it up with
your mother? It was your fault. -
34:52 - 34:56What fault?
-
34:57 - 35:00She's convinced herself she knows
better than I how I should live. -
35:00 - 35:03That she can make me happy.
-
35:05 - 35:11As far as mother is concerned,
I can feel it better than you. -
35:12 - 35:14What can you feel better?
-
35:14 - 35:17That we're getting more and more
distant, -
35:18 - 35:20and I can't do anything
about it. -
35:40 - 35:45Natalya, try to distract him.
He's talking of Spain again. -
35:45 - 35:47It will end up in a scandal.
-
35:52 - 35:56I wanted to ask you for a favor...
We're redecorating now. -
35:57 - 36:02Ignat wants to live with you
for a week. -
36:02 - 36:05I will be very happy.
-
36:42 - 36:44What does he say?
-
36:44 - 36:47He's showing the great matador
Palomo Linares. -
37:17 - 37:19Most of all he was excited
by the farewell he was given. -
37:22 - 37:24The whole town came to see him off.
People sang and danced. -
37:25 - 37:27His mother couldn't come,
she was sick. -
37:28 - 37:34And his father stood aside,
sad and silent. -
37:35 - 37:39He knew they were thinking
the same thing: -
37:40 - 37:42That they probably will never
see each other again. -
38:00 - 38:02Are you mocking at us or what?
-
38:03 - 38:06We taught you and taught
and it was no use. -
38:06 - 38:08Now it turns out you can!
-
38:11 - 38:15He went to Spain and didn't
understand anything. -
38:16 - 38:21Did you ever want
to go back to Spain? -
38:22 - 38:26I can't go, I've got a Russian
husband. -
38:27 - 38:28And Russian children.
-
38:38 - 38:42I'll talk to her myself!
-
42:30 - 42:31Ignat!
-
42:35 - 42:37Come here. I'm leaving.
-
42:56 - 42:58Always in a hurry...
-
42:59 - 43:01Don't put it together, just give it
to me like that. -
43:12 - 43:17- Oh, I felt an electric shock.
- What shock? -
43:22 - 43:25As if it had already happened...
-
43:33 - 43:35But I've never been here before.
-
43:42 - 43:45Come on, give me the money
and stop dreaming. -
43:50 - 43:55Clean up a bit,
make the place tidy. -
44:18 - 44:21Don't touch anything here.
-
44:22 - 44:26If Maria Nikolaevna comes
tell her to wait for me. -
44:39 - 44:42Come in. How are you?
-
44:47 - 44:50May we have another cup
for the young man? -
45:10 - 45:15Take the notebook from the third
shelf in the bookcase, will you? -
45:23 - 45:26Read from the page that is marked
with a ribbon. -
45:33 - 45:39"To the question how sciences
and arts affect -
45:39 - 45:42people's morals, Rousseau answered:
Negatively'." -
45:42 - 45:47Read only what is underlined
with the red pencil. -
45:48 - 45:52"Notwithstanding the..."
Oh no! -
45:53 - 45:58"The division of churches
separated us from Europe. -
45:58 - 46:00We remained excluded
-
46:00 - 46:07from every great event
that had shaken it. -
46:07 - 46:12However, we had our own,
special destiny. -
46:13 - 46:16Russia, with her immense territory,
-
46:17 - 46:19had swallowed up the Mongol
invasion. -
46:19 - 46:26The Tartars didn't dare
crossing our western borders. -
46:27 - 46:29They retreated to their wilderness
-
46:30 - 46:33and Christian civilization
had been saved. -
46:34 - 46:38To attain that goal
we had to lead -
46:39 - 46:43a special kind of life
which, while leaving us Christians, -
46:44 - 46:48had made us alien
to the Christian world. -
46:50 - 46:53As for our historic
insignificance, -
46:53 - 46:56I cannot agree with you on that.
-
46:56 - 47:00Don't you find
anything significant at all -
47:01 - 47:03in today's situation in Russia
-
47:03 - 47:06that would strike
a future historian? -
47:08 - 47:11Although I'm heartily attached
to our sovereign, -
47:12 - 47:17I'm not at all delighted with
everything I see around me. -
47:18 - 47:24As a man of letters,
I'm being annoyed, insulted, -
47:24 - 47:29but I swear that for nothing
in the world would have made me -
47:30 - 47:33change my home country
or have any other history -
47:33 - 47:35than the history of our forbears,
-
47:35 - 47:38such as it was given us by God."
-
47:38 - 47:44From Pushkin's letter to Chaadayev.
October 19, 1836. -
47:50 - 47:52Go, open up.
-
48:08 - 48:11I'm afraid I've got the wrong
address. -
49:12 - 49:15Ignat, how are you doing?
-
49:17 - 49:19Did Maria Nikolaevna come?
-
49:19 - 49:24No. Though some woman came,
but she's got the wrong apartment. -
49:24 - 49:31Find something to do
or invite somebody. -
49:31 - 49:34Do you know any girls?
-
49:34 - 49:37You mean from my class?
Oh no! -
49:37 - 49:42At your age I was already in love...
During the war... -
49:43 - 49:48With a redhead...
Her lips were always blistered. -
49:49 - 49:51Our military instructor was chasing
after her, he was shell-shocked. -
49:53 - 49:55Are you listening to me?
-
50:57 - 51:02What did you fire at?
You think I didn't see it? -
51:05 - 51:08You were firing up!
-
51:08 - 51:12What's wrong with that?
There's no one there. -
51:12 - 51:14And what if somebody was there?
-
51:15 - 51:17There're only trees there.
-
51:17 - 51:19And what if somebody climbed a tree?
-
51:22 - 51:28About face! I commanded
"about face"! -
51:29 - 51:33Put down your rifle.
-
51:33 - 51:35That's what I did.
-
51:36 - 51:40Did you learn drill regulations?
-
51:43 - 51:48About face in Russian means
exactly what I did. -
51:49 - 51:56About face means a turn of
360 degrees. -
51:57 - 52:02What degrees? About face!
-
52:12 - 52:15To the firing position
forward march! -
52:21 - 52:23I'm going to send you
for your parents. -
52:24 - 52:26What parents?
-
52:28 - 52:30You'll know very soon
what parents. -
52:34 - 52:37What is the firing position?
-
52:37 - 52:39Down on the floor mat!
-
52:40 - 52:42His parents died during the siege.
-
52:48 - 52:53The firing position is...
a firing position. -
52:58 - 53:00- Markov!
- Yes, sir! -
53:02 - 53:04Name the basic elements of...
-
53:09 - 53:11The rifle.
-
53:27 - 53:28The butt.
-
53:32 - 53:35- The muzzle.
- It's you who's a muzzle. -
53:47 - 53:49What is the muzzle then?
-
54:16 - 54:19Guys! A grenade!
-
54:26 - 54:29It's a hand grenade!
-
54:41 - 54:43Don't do it!
-
54:43 - 54:45Down on the ground!
-
54:45 - 54:47You'll be killed!
-
55:24 - 55:26It's only a dummy grenade.
-
55:46 - 55:50And you say you're from Leningrad
and been under the siege... -
58:42 - 58:46I don't believe in premonitions.
-
58:46 - 58:50I have no trust in superstitions.
-
58:50 - 58:53I don't run from slander or venom.
-
58:53 - 58:55There's no death on earth.
-
58:55 - 58:58All are immortal,
Everything's immortal. -
58:58 - 59:01Don't be afraid of death
at seventeen, -
59:01 - 59:05At seventy as well...
There's just reality and light. -
59:05 - 59:08There's neither death nor darkness
in this world. -
59:08 - 59:11At last we all have reached the shore,
-
59:11 - 59:14And I'm the one who casts a fishing
rod -
59:14 - 59:16When immortality is coming
in a shoal. -
59:17 - 59:20Live in a house, and it'll never
fall. -
59:20 - 59:23To any of the centuries I'd nod
-
59:23 - 59:26And enter it, a house I'd install.
-
59:26 - 59:29That's why with me your children
share board, -
59:29 - 59:31Your wives join me at my table,
and all. -
59:32 - 59:35One table serves both granddad and
grandchild: -
59:35 - 59:38The future's being made right now.
-
59:38 - 59:40Whenever I'm to raise my hand
in tide, -
59:41 - 59:43I all five rays of it on you bestow.
-
59:44 - 59:47With collarbones, as if with
timber work, -
59:47 - 59:49I propped up every day of past age.
-
59:50 - 59:53I measured time by a world-wide
walk, -
59:53 - 59:55I passed through it like through
the Urals range. -
59:56 - 59:58I chose the age up to my own measure.
-
59:58 - 60:02We headed south, with dust flying
away, -
60:02 - 60:05The weeds smoked up, and at his own
leisure, -
60:05 - 60:07His feeler on the horseshoe,
the grasshopper forecast... -
60:08 - 60:11He prophesied me death, as if
he were a monk. -
60:11 - 60:14But with my fate strapped to my
saddle fast, -
60:14 - 60:16I'm riding now in the time to come
-
60:17 - 60:19And surging on the stirrups to my
own drum. -
60:19 - 60:22My immortality is quite enough
for me. -
60:22 - 60:25For my own blood to flow ages
through, -
60:26 - 60:28For steady warmth and a haven
safe and true -
60:28 - 60:31I'd give my life self-willingly and
freely, -
60:31 - 60:34Had not its volatile, needle-like
sword -
60:34 - 60:37Been leading me, like a thread,
throughout the world. -
63:44 - 63:48Marousia? And the children?
-
63:51 - 63:52Where are the children?
-
63:56 - 63:59I'm going to tell everybody
that you've stolen the book. -
64:01 - 64:05- What?
- I will, you'll see. -
64:08 - 64:14- Now stop it!
- Go on, tell everybody! -
64:14 - 64:17I will, anyway!
-
64:22 - 64:24Marina!
-
65:44 - 65:47You could have come more often.
You know that he's missing you. -
65:50 - 65:57Let Ignat live with me.
-
66:01 - 66:03Are you serious?
-
66:03 - 66:07You said yourself
that he would like to. -
66:09 - 66:11With you it's better to keep one's
mouth shut. -
66:11 - 66:15You mean I'm inventing this
for my own pleasure? -
66:16 - 66:20Let's ask him.
Whatever he decides... -
66:20 - 66:22Besides, it will make your life
much easier. -
66:24 - 66:26Why would this make it easier for me?
-
66:31 - 66:32Have you collected your books?
-
66:35 - 66:37Go say goodbye to your father.
-
66:39 - 66:44Your mother and I would like
to ask you... -
66:45 - 66:46What?
-
66:50 - 66:52Wouldn't it be better if you lived
with me? -
66:52 - 66:54How?
-
66:55 - 67:00You and I will live together.
Haven't you said so to your mother? -
67:01 - 67:06Said what? When?
No, please. -
67:38 - 67:41We really look alike,
don't we? -
67:41 - 67:43Not at all!
-
68:01 - 68:04What do you want from your mother?
What kind of relationship? -
68:10 - 68:13The kind of relationship you had
in your childhood is impossible. -
68:22 - 68:27You speak of some feeling of
guilt, -
68:27 - 68:29of her life being ruined because of
you... -
68:31 - 68:33Well, you can't get away from it.
-
68:35 - 68:39And what she needs is for you
to become a baby again, -
68:39 - 68:43for her to be able to carry you
and protect you. -
68:46 - 68:50Why on earth am I meddling in it?
-
68:52 - 68:53It's always like this...
-
69:04 - 69:07Why are you whimpering?
Explain it. -
69:10 - 69:12Should I marry him or not?
-
69:19 - 69:24- Do I know him?
- No... -
69:25 - 69:26Is he Ukrainian?
-
69:27 - 69:29Does it matter?
-
69:30 - 69:35- What is he doing?
- He is a writer. -
69:37 - 69:40Doesn't his name happen to be
Dostoyevsky? -
69:40 - 69:41Yes, Dostoyevsky.
-
69:43 - 69:47He hasn't written anything
worthwhile. Nobody knows him. -
69:47 - 69:50He must be about 40, isn't he?
Apparently he's got no talent? -
69:54 - 69:57You've changed so much.
-
70:00 - 70:03So, he has no talent, he doesn't write
anything. -
70:03 - 70:05He does write, but they don't
publish him. -
70:08 - 70:12Look, our precious flunk
has put something on fire. -
70:16 - 70:18No need to be so ironic about
his flunking. -
70:18 - 70:21If he doesn't finish school,
he'll end up being drafted. -
70:21 - 70:24And you will go begging
to have him exempted from the army. -
70:27 - 70:29This is all the result of your
indulging him. -
70:29 - 70:33By the way, the army would be
good for him. -
70:33 - 70:35Why don't you call your mother?
-
70:35 - 70:38After Aunt Lisa's death she stayed
in bed for three days. -
70:38 - 70:44Wasn't she supposed to come here
at five? -
70:47 - 70:49Is it so difficult
to make the first move? -
70:50 - 70:52We were talking about Ignat.
-
70:56 - 70:58It may be my fault, too.
-
71:01 - 71:04Or is it because we got so bourgeois?
-
71:05 - 71:12And our embourgeoisement is
so dense, so Asian. -
71:12 - 71:15With private ownership nonexistent,
our well-being is on the rise. -
71:15 - 71:17Nothing makes any sense anymore.
-
71:17 - 71:19Why do you get so irritated?
-
71:20 - 71:23I know a family
whose 15-year-old son said: -
71:23 - 71:25"I'm leaving you.
It disgusts me to see -
71:26 - 71:28how you weasel around
trying to please everybody." -
71:28 - 71:31Good boy.
Not like our booby. -
71:34 - 71:36Unfortunately, our boy would never
say such a thing. -
71:36 - 71:38I can imagine that family of yours!
-
71:39 - 71:44They're no worse than we are.
He works for a newspaper. -
71:44 - 71:47And thinks he's a writer, too.
-
71:53 - 71:54Though he's unable to understand
-
71:54 - 71:57that a book is not a way of making
money but a statement. -
71:59 - 72:02A poet is called upon
to provoke a spiritual jolt -
72:02 - 72:04and not to cultivate idolaters.
-
72:12 - 72:15What am I going to do?
-
72:16 - 72:18You're going to get married.
-
72:19 - 72:23Do you happen to remember
who was it who saw a bush on fire? -
72:24 - 72:25I mean the angel as a bush?
-
72:26 - 72:30I don't remember.
In any case, it was not Ignat. -
72:31 - 72:34Maybe we should send him
to a cadet school? -
72:35 - 72:41An angel as a flame coming from
a bush appeared to Prophet Moses. -
72:42 - 72:44He led his people out across the sea.
-
72:45 - 72:48Why has nothing like that
ever appeared to me? -
73:00 - 73:05With an amazing regularity
I keep seeing one and the same dream. -
73:07 - 73:11It seems to make me return
-
73:13 - 73:15to the place, poignantly dear to my
heart, -
73:15 - 73:17where my grandfather's house
used to be, -
73:19 - 73:26in which I was born 40 years ago
right on the dinner table. -
73:28 - 73:32Each time I try to enter it, something
prevents me from doing that. -
73:35 - 73:38I see this dream again and again.
-
73:42 - 73:47And when I see those walls made of
logs and the dark entrance, -
73:48 - 73:51even in my dream I become aware
that I'm only dreaming it. -
73:52 - 73:59And the overwhelming joy is clouded
by anticipation of awakening. -
74:02 - 74:05At times something happens
and I stop dreaming -
74:06 - 74:09of the house and the pine trees
of my childhood around it. -
74:11 - 74:14Then I get depressed.
-
74:16 - 74:19And I can't wait to see
this dream -
74:21 - 74:23in which I'll be a child again
-
74:25 - 74:27and feel happy again
-
74:28 - 74:34because everything will be still
ahead, everything will be possible... -
75:22 - 75:23Mommy!
-
77:31 - 77:34- Mom, they opened up!
- What's the matter with you? -
77:41 - 77:42Hello.
-
77:46 - 77:47Hello.
-
77:56 - 78:00- Are you Nadezhda Petrovna?
- I don't think I... -
78:00 - 78:03I'm Matvey Ivanov's stepdaughter.
-
78:05 - 78:07He was a friend of your husband.
-
78:08 - 78:11What Matvey?
-
78:11 - 78:15The doctor. He used to live here.
-
78:15 - 78:20Then he moved to Yurievets
and became a legal expert. -
78:23 - 78:26Are you from town?
-
78:26 - 78:29We're from Moscow,
but we have a room in Yurievets. -
78:35 - 78:38We were evacuated last fall.
-
78:40 - 78:44The air raids on Moscow began
and I have two kids. -
78:44 - 78:47My mother has some old connections
here... -
78:52 - 78:55My husband is not here,
he's in town. -
79:00 - 79:03Stop scratching yourself!
-
79:03 - 79:07Actually I came to see you.
It's a ladies' little secret. -
79:13 - 79:17Come on in.
Don't stand there... -
79:23 - 79:27Wipe your feet.
Masha's just washed the floor. -
79:51 - 79:56Sit here for a while.
We won't be long. -
83:59 - 84:03Why are you sitting in the dark?
Did it go out? -
84:05 - 84:07You should've called us.
-
84:10 - 84:12- What's your name?
- Alyosha. -
84:16 - 84:19I've got a son, too.
Not so big as you, of course. -
84:19 - 84:23It's not easy having kids now,
with the war going. -
84:23 - 84:26I wish I had a girl too.
-
84:26 - 84:29Want to have a look? He's asleep.
-
84:30 - 84:32We'll be quiet.
He's such a darling. -
85:17 - 85:19The other day he asked his father:
-
85:20 - 85:24"Why is 5 kopecks bigger
than 10 kopecks?" -
85:24 - 85:29I was just dumfounded, and
his father didn't know what to say. -
85:31 - 85:36He always wanted a daughter.
He even thought of a girl's name. -
85:37 - 85:42And I prepared a pink layette.
-
85:43 - 85:45Then I had to make everything anew.
-
85:45 - 85:50He put us up to a lot of trouble,
little rascal. -
85:52 - 85:55We woke you up, didn't we?
-
85:55 - 85:59That's your mommy's fault,
she just can't stop talking. -
85:59 - 86:04See, we've got company.
Some strangers, aren't they? -
86:04 - 86:09You just wouldn't wake up,
would you? -
86:10 - 86:14All right, honey, go back to sleep.
-
86:24 - 86:28Do they become me? And the ring?
-
86:29 - 86:33- What's wrong?
- I just felt queasy. -
86:34 - 86:38Of course, you've made a long trip.
I should have known better. -
86:38 - 86:41Have a drink. It will warm you up.
-
86:44 - 86:49I just talk and talk
when I ought to make supper. -
86:49 - 86:52Oh please, you don't have to do it.
-
86:52 - 86:58- But I can't let you go like that.
- We had a meal before leaving. -
86:58 - 87:01I don't like his cough!
-
87:03 - 87:05Well, he runs wild...
-
87:05 - 87:09We must have my husband
examine him. -
87:10 - 87:14We can't wait, we have a two-hour
walk to make. -
87:14 - 87:18And what about the earrings?
My husband's got the money. -
87:18 - 87:22We're going to have a cock
slaughtered. Only may I ask you... -
87:23 - 87:27I'm three months pregnant
and having fits of sickness. -
87:27 - 87:30Even when I'm milking a cow,
it gets so bad... -
87:31 - 87:35As for the cock...
Could you? -
87:37 - 87:39Well, I myself...
-
87:41 - 87:42What, you too?
-
87:42 - 87:46No, but I've never done it before.
-
87:47 - 87:51Oh, it's nothing. Sure, in Moscow
you ate them already slaughtered. -
87:54 - 87:57I usually do it right here,
on this little log. -
87:58 - 88:01Here's the axe. My husband
has sharpened it this morning. -
88:02 - 88:05- You mean, right in the room?
- We'll put a basin under. -
88:05 - 88:10And tomorrow you'll take
a chicken with you. -
88:10 - 88:12No, I can't.
-
88:12 - 88:17Maybe we'll ask Alyosha to do that?
After all, he's a man. -
88:19 - 88:21Why Alyosha?
-
88:21 - 88:27All right, hold it tight. If it breaks
loose, it'll smash the dishes. -
88:39 - 88:42Oh no, I don't feel... Well?
-
89:30 - 89:34Calm down. Everything will be
all right. -
89:36 - 89:37I wish I could see you
-
89:38 - 89:40not only when I feel too bad.
-
89:42 - 89:44- Do you hear me?
- Yes. -
89:51 - 89:53At last I soared up.
-
89:53 - 89:56What's wrong, Marousia?
You feel bad? -
89:56 - 90:02Don't be surprised.
I love you. -
90:03 - 90:08Are you leaving already? And the
earrings? My husband'll be right here. -
90:08 - 90:12- He's got the money.
- We changed our mind. -
90:12 - 90:16It's fifteen versts to the town.
It's going to be dark soon. -
90:16 - 90:18That's all right, don't worry.
-
90:31 - 90:34A man has but one body,
Like a single cell. -
90:34 - 90:38The soul is sick and tired
Of its too solid shell, -
90:38 - 90:41With ears, mouth, eyes
The size of a nickel coin -
90:41 - 90:45And skin all scarred and diced,
Spread over a skeleton. -
90:46 - 90:49Through cornea it wings
To a heavenly spring, -
90:49 - 90:53To ice-laden slings,
To a chariot birds bring. -
90:53 - 90:57It hears through the grating
Of its living prison pen -
90:57 - 91:01The fields' and forests' rattling,
The Seven Seas' refrain. -
91:02 - 91:06Without body a soul's nude,
As a body's nude without a shirt: -
91:06 - 91:11No thought's forthcoming, no good,
No idea's born and no word. -
91:11 - 91:15A question that has no answer:
Whoever can come back -
91:16 - 91:20From the floor where no dancer
Was ever to leave track? -
91:20 - 91:25I dream of another soul,
In quite a different garb: -
91:25 - 91:28While shifting between dole
And hope, it burns up, -
91:29 - 91:32Like alcohol, and goes
Away, casts no shadow -
91:33 - 91:37And just leaves as mementoes
The lilacs smelling of meadow. -
91:37 - 91:42Run on, my child, do not lament
The fate of poor Eurydice, -
91:42 - 91:46Just keep on driving to globe's end
Your copper hoop for all to see. -
91:46 - 91:50As long as answering to your step,
However slight might be a tone, -
91:51 - 91:55The earth sends signals gay and pep
To every energetic bone. -
94:33 - 94:37Mom, the kerosene stove is smoking.
-
94:38 - 94:39What?
-
94:57 - 94:59Everything will depend on him.
-
95:00 - 95:02Do you think a sore throat could
have such an after-effect? -
95:06 - 95:08A sore throat has nothing to do
with it. -
95:12 - 95:14- This is a common case.
- Common? -
95:21 - 95:28A mother dies suddenly,
then the man's wife and child... -
95:30 - 95:34A few days and the man is no more,
though he was quite healthy. -
95:34 - 95:36But no one died in his family.
-
95:38 - 95:44There're such things as conscience...
memories... -
95:45 - 95:46What memories have to do it with it?
-
95:56 - 96:00- You think he's guilty of something?
- He thinks so. -
96:00 - 96:02Leave me alone.
-
96:06 - 96:12- Did you say something?
- Leave me alone! -
96:14 - 96:17I just wanted to be happy.
-
96:19 - 96:22And what's going to happen to your
mother if you don't get up? -
96:28 - 96:32It's nothing, everything will be
all right... -
96:34 - 96:35Everything will be...
-
97:48 - 97:52Would you rather have a boy
or a girl? -
101:47 - 101:51The End
- Title:
- Зеркало (HD) / The Mirror
- Description:
-
Смотрите и скачивайте наши фильмы в
App Store - https://itunes.apple.com/ru/app/mosfil-m/id463145701?mt=8
Google Play - https://play.google.com/store/apps/details?id=ru.mosfilm«Зеркало» - классика мирового кинематографа, фильм-воспоминание, фильм-размышление, фильм-загадка, потрясающий зрителя до глубины души.
Этот фильм о поиске, детских впечатлениях, внезапно врывающихся в жизнь взрослого человека, мистике повседневности и попытках вспомнить самое главное, потерявшееся за каждодневными заботами и обыденностью.Режиссёр: Андрей Тарковский. Сценарий: Александр Мишарин, Андрей Тарковский. Оператор: Георгий Рерберг. Композитор: Эдуард Артемьев.
В ролях: Маргарита Терехова, Олег Янковский, Филипп Янковский, Игнат Данильцев, Николай Гринько, Алла Демидова, Юрий Назаров, Анатолий Солоницын, Лариса Тарковская, Тамара Огородникова, Тамара Решетникова.
- Диплом участия на МКФ в Мельбурне (Австралия) (1980)
- Приз «Давид ди Донателло» за лучший иностранный фильм, показанный в Италии (1980) - Video Language:
- Russian
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jpmezart edited Spanish subtitles for Зеркало (HD) / The Mirror |