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Gays React To Queerbaiting feat. Calum McSwiggan

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    - Hey, it's Rowan, and
    today I'm here with Calum.
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    Calum is, as he's just
    said for me to say to you,
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    a gay YouTube boy, and today,
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    we're basically going to be
    reacting to queerbaiting.
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    The first clip is from
    show called Teen Wolf.
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    We're gonna watch a couple
    of quite infamous scenes.
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    - Okay.
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    (upbeat techno music)
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    - I thought you liked girls.
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    - I do like girls.
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    Do you?
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    - Absolutely.
    - Great.
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    - Do you also like boys?
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    - Absolutely.
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    Do you?
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    ♪ I said I love you ♪
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    - So then, 'cause I thought
    the queerbaiting there
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    was on the girl.
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    - No, so she was confirmed
    to have a girlfriend
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    in one of the earlier
    episodes of the season,
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    and then made out with
    him and then basically
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    came out as sort of
    bisexual there quite openly.
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    And then he has that realisation moment.
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    - And it leaves, is it
    leaving it open-ended
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    whether he likes boys or not?
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    - Mm-hmm, but so here's
    the interesting thing.
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    In the rest of that scene,
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    he sort of also seems to
    be having a realisation
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    about the case that
    they're solving, whatever,
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    but they've placed that
    realisation moment--
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    - There, deliberately.
    - Immediately after.
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    So they have plausible deniability.
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    - That genuinely, I've
    never ever seen that before,
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    and that genuinely really annoys me,
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    because they're doing that thing
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    where it makes it so they get to appeal
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    to the gay audience, but they
    also don't get to annoy--
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    - Or like alienate.
    - The homophobic people,
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    like alienate people.
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    - It's such, and the funny
    thing about Teen Wolf
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    is that Teen Wolf has had
    a couple of gay characters
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    and they use it all
    the time in their press
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    to kind of talk about and hype up
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    how LGBT friendly they are.
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    Ooh, it's one of the
    classic queerbaiting shows.
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    So there's actually another scene.
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    - I'm a virgin, okay?
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    And you know what that means?
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    It means that my lack of sexual experience
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    is now literally a threat to my life.
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    I need to have sex, like right now.
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    Someone needs to have sex with me today.
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    Like someone needs to sex me right now.
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    - All right, I'll do it.
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    - Whoa!
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    What?
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    - How 'bout my place at 9:00?
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    Plan to stay the night?
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    I like to cuddle.
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    (soft music)
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    - That was so sweet.
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    Are you kidding?
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    - Yes, I'm kidding.
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    - You know, you don't
    toy with a guy's emotions
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    like that, Danny.
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    It's not attractive, all right?
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    - [Tyler] You know who else is a virgin?
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    - So Danny is a character
    who's gay in the show.
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    - But the other one, again.
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    - But this one of the
    main characters, Stiles,
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    who apparently is straight,
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    or who has not, there's never
    been anything confirming
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    he's anything other than straight.
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    - So why do they keep
    teasing us in this way?
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    Why do they keep giving us
    these little breadcrumbs?
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    That, it's not even fun.
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    That's just, it's like
    borderline offensive.
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    - Mm-hmm, yep.
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    - Or just flat out offensive.
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    - Yeah, I'm like, I'm
    not even arguing that,
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    because this is, it's the kind of scene
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    that's such fanservice, but they'll,
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    I think there are a lot of
    shows that argue that it's like,
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    well, don't you wanna see
    strong male friendships
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    that's healthy and heterosexual?
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    Don't you think that
    men deserve friendships?
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    Why are you having to romanticise it?
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    And I think it's such a
    weird gaslighting thing
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    to do to someone--
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    - Absolutely.
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    - Like have scenes like
    this, and then be like,
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    why can't men just be comfortable
    enough in their sexuality,
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    and I'm like, comfortable
    enough in their sexuality
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    to want to sleep with other men?
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    There's one more clip I
    wanna show you of this.
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    So this was a promotional
    piece that came out.
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    - Okay.
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    - So this is a video
    that Teen Wolf produced.
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    - So it's not part of the show--
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    - Not part of the show.
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    This is a video that was
    produced by Teen Wolf,
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    in order to encourage
    people to vote for them.
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    - Oh no, I know I'm
    gonna hate this already.
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    (water rippling)
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    - Tyler.
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    - Yeah?
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    - Wake up.
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    - No.
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    - We're on a ship.
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    Pun intended.
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    - Whoa.
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    Hey, man.
    - Hey buddy.
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    - Oh, hey, guys.
    - Oh, hey, guys.
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    - Whoa, there's like a whole
    bunch of people right there.
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    - Ah, didn't see the audience.
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    We should--
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    - Oh, we were supposed
    to tell them something.
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    - We wanna ask if you guys could vote
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    for Teen Wolf for the Teen Choice Awards.
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    - For Choice Summer Show, right?
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    - Best Choice Summer Show, yep.
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    Can you please do it, 'cause we need you.
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    - Please?
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    - Ah, that's all that needs to be said.
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    - We'll take more naps.
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    I'm still tired.
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    - Let's go back to sleep.
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    - Like they're literally queerbaiting
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    and not even hiding it.
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    - Mm-hmm.
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    - They're going, hey,
    we want votes from you,
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    so we're gonna pretend that we're gay,
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    but we're never gonna actually confirm it.
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    - Mm-hmm.
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    - We're just gonna tease you with it.
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    - Yep.
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    - And that, and I get it,
    like they're trying to be cute
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    and they're trying to do it,
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    and I'm sure that some
    of the people behind this
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    weren't doing it with malicious intent
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    or maybe didn't even
    realise it was problematic,
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    but just give us proper representation,
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    and don't, like we're not,
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    representation is so
    important to LGBT+ people,
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    and I feel like using as it as something
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    to dangle in front of us--
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    - Yeah.
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    - As that, ooh, maybe this is a thing.
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    - Maybe it'll happen.
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    - But then never actually confirm it,
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    it's frustrating beyond belief.
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    - I think, yeah.
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    - And a little bit of teasing is okay,
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    like if you're planning to
    make an LGBT+ character,
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    and maybe you want to build up to that,
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    that's different but I
    mean, how many seasons
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    has this show been going?
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    - Like six or seven now.
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    - And they've never confirmed this?
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    - No, I mean, it's finished now.
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    It's finished, the show's finished,
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    and it's never been confirmed.
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    The next one is for a
    show called Riverdale.
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    This is something that
    someone sent me on Twitter.
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    - Oh, no, I love Riverdale.
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    - And I just watched this and I was like,
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    what the fuck did I just watch?
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    - No.
    - Okay.
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    - [Girls] And fight the fight.
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    - Whoo, go Bulldogs!
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    - Hmm.
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    Ladies, where's the heat?
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    Where's the sizzle?
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    - Well, you haven't
    seen our big finish yet.
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    Don't freak out, just trust me.
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    (upbeat music)
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    - Okay, so this, watching this now
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    this really really annoys
    me and it was the music
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    that really, because the way,
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    they almost romanticised that moment.
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    - And then swells up,
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    and it's the kind of music
    that you would expect
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    for a first kiss from
    a teen drama like this,
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    if it was a straight couple
    kissing for the first time
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    in an actual relationship.
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    - But this wasn't that.
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    This was just two girls,
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    and both of these characters are straight,
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    and they never come out
    as gay or otherwise.
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    - It's just 'cause, and I think, as well,
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    the two girls versus the two boys thing,
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    I don't, I think it's unlikely
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    that they would have two boys kissing
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    in the same way.
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    - Yes.
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    - Because I think that
    the way that lesbians
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    are sexualized in a way
    that's for people to view,
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    and so it's really
    interesting how queerbaiting,
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    depending on the gender
    of the people involved
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    can have these really different
    reasonings behind them,
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    so this was kind of titillation
    for straight audiences.
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    - Yeah, absolutely.
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    - As well as for lesbians
    who wanted to see
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    some kind of representation,
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    and this was in the first episode, right?
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    So this is like, in the first seasons.
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    So this is queerbaiting
    from the very start,
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    getting them hooked on the first episode.
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    - I feel like, as well,
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    I feel like 99% of lesbian representation
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    is always sexualization of lesbian women
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    for a straight audience,
    like you were saying.
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    - Okay, so this next one is from a show,
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    forgive me if I'm pronouncing this wrong,
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    Rizzoli & Isles, which
    is one I only ever see
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    because of how much people talk
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    about how queerbaited the two leads are.
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    - Okay, yeah.
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    - And this is just one clip.
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    People sent me so many
    clips from this show
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    to demonstrate this.
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    This is just one of them.
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    - Listen, I don't wanna stand in the way
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    of a great romance, okay?
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    - What do you mean?
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    - You and Tommy.
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    I mean, clearly, opposites attract.
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    - It's an evolutionary strategy
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    to ensure healthy reproduction.
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    - Okay, why do you gotta
    go straight to breeding?
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    All right, with my brother.
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    - Look, I like Tommy a lot.
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    But I love you, and I
    hate it when you hate me,
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    so I don't wanna do anything
    to compromise our friendship.
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    Good, 'cause I hate it
    when I have to hate you.
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    (laughing)
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    - Sip it slowly.
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    - That's the gayest shit
    I've ever seen in my life.
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    - That is, 'cause like,
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    what is a bit upsetting is
    that as that scene was opening,
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    and unfolding, I could feel
    my heart almost swelling,
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    but to know that presumably,
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    these characters aren't lesbians
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    and they never become
    lesbians is really sad,
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    and again, like with one of the
    other clips that we watched,
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    the music, it's this romantic music
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    that comes in to cue romance.
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    - Yeah, in your head.
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    - And that's not an accident.
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    That's not--
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    - And saying like, if that had been a guy,
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    and he'd have been like, I
    don't wanna get in the way
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    of your relationship with my brother,
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    and then they'd have been like,
    I like him, but I love you,
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    that would've been like all the people,
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    it would've been like,
    ah, this is the start
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    of the new ship on the show.
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    - Yeah, yeah, yeah, yeah.
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    - This is them getting together
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    by the end of the season.
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    There's also an episode of this which is,
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    that someone sent me,
    as well, where one of,
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    basically, they have to
    go undercover as lesbians.
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    - Oh, for God's sake.
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    - And I think one of the difficult things
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    with queerbaiting is we don't
    know where the buck stops.
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    We don't know who is actually responsible,
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    so it's very easy to be annoyed
    at the writers, I think,
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    because you're like,
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    well, you're the one who's writing this.
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    - Yeah.
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    - But I can see that there are some shows,
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    like Korrasami in Legend
    of Korra was a kids' show,
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    and so the writers were explicitly told,
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    you can't include this relationship
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    in there specifically, but
    they did as much as they could
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    within the script to show--
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    - To include that.
    - What was happening,
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    and then, at the end, they basically walk
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    into the sunset together, hand in hand.
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    - So it's suggested.
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    - So it's suggested as much they could do,
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    and so it's, there's
    no point in being angry
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    with the writers then because the writers
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    were doing everything they could,
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    but we only know that because they were,
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    have been so open since the show ended
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    about exactly what they were
    and weren't allowed to do,
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    whereas most of these things
    that are still on the air,
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    the writers can't come out and be like,
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    the producers are dickheads.
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    - Yes, absolutely.
  • 9:55 - 9:56
    - Because it's like, they want a job.
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    But similarly, there
    might be actors that say
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    that they refuse to do
    it if it get brought up,
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    they could have agents of actors that say,
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    my client doesn't wanna
    take that kind of role.
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    There's so many options that it could be
  • 10:07 - 10:09
    and we don't know and for each one,
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    it could be an individual situation,
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    and I think that's what's
    the most frustrating.
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    - We don't know whose responsibility--
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    - Queer people don't know who to go to
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    to be like, look, here's our case,
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    here's the case we wanna put forward,
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    and this is why it's problematic,
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    but it's the reason why I have a policy
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    where I don't think
    representation is ever a spoiler.
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    So I will fucking spoil something.
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    If something is representation,
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    I will tell you that it
    has queer representation.
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    I don't care if someone's like,
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    oh, but I wanted it to be a surprise.
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    I'm like, no, I want queer people
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    to actually go and see this and they won't
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    if they think it's straight
    or offensive in some way.
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    - Yeah, a person being
    gay shouldn't be a big,
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    scandalous, shocker moment.
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    It shouldn't be a twist.
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    - Yeah, exactly.
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    - It's never a twist
    that somebody's straight.
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    Why should it be a twist
    that somebody's gay?
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    - Exactly.
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    - I don't, yeah, I don't buy that at all.
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    - Okay, so this is from
    a TV show called Skam.
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    Apparently, this is the
    Italian version of it.
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    - So these characters that
    we're about to watch aren't gay.
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    - Yeah, and this is the Italian one of it.
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    - Right, okay.
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    (upbeat music)
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    (speaking foreign language)
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    (group cheering)
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    - Ah, that was a definitely,
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    that was a definitely--
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    - Even though I knew it was queerbaiting,
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    I even was pulled in by it,
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    and genuinely thought
    they were gonna kiss.
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    - Mm.
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    - But I feel like, there was like,
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    not only was it her leaning in,
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    being like that, but also,
    her reaction was like,
  • 11:38 - 11:40
    oh, it was like an I want this--
  • 11:40 - 11:42
    - Yeah, I want this, an uncertainty.
  • 11:42 - 11:44
    That, to me, was like the
    scene that you would have
  • 11:44 - 11:46
    in a coming out narrative.
  • 11:46 - 11:47
    - There's so much going on there.
  • 11:47 - 11:49
    Again, you could say, oh,
    it's just an accident.
  • 11:49 - 11:51
    It wasn't intentional,
    but the camera angles
  • 11:51 - 11:55
    and everything else, it's
    all foreshadowing romance.
  • 11:55 - 11:56
    - Yeah, if you had a guy,
  • 11:56 - 11:58
    again, I think it's like, if
    you just have to put a guy
  • 11:58 - 11:59
    in that position.
  • 11:59 - 12:01
    If you had a guy who came to a girl,
  • 12:01 - 12:03
    who leant over, stroked
    her hair and then was like,
  • 12:03 - 12:05
    oh, you had a bit of makeup on your face.
  • 12:05 - 12:07
    Like that's such a
    classic cliche of, like--
  • 12:07 - 12:08
    - Yeah, absolutely.
  • 12:08 - 12:09
    - Heterosexual romance moment,
  • 12:09 - 12:10
    or like, oh, there's an
    eyelash on your cheek,
  • 12:10 - 12:13
    like that kind of thing.
  • 12:13 - 12:15
    - Bloody straight people.
  • 12:15 - 12:17
    - So this is from a TV
    show called Supergirl.
  • 12:17 - 12:18
    - Okay.
  • 12:18 - 12:18
    - Have you seen Supergirl before?
  • 12:18 - 12:19
    - No.
    - Okay.
  • 12:23 - 12:24
    - It's a good article.
  • 12:24 - 12:25
    You flatter me.
  • 12:25 - 12:26
    - I only wrote the truth.
  • 12:28 - 12:30
    I'm learning to keep digging
  • 12:30 - 12:33
    even when all the evidence points one way.
  • 12:33 - 12:35
    There's always another side.
  • 12:35 - 12:36
    - Even when it's hard to find.
  • 12:36 - 12:38
    - Especially when it's hard to find.
  • 12:38 - 12:40
    (soft music)
  • 12:40 - 12:43
    So my office is overflowing my flowers.
  • 12:43 - 12:47
    - Really?
    - Yeah. (laughing)
  • 12:47 - 12:48
    You didn't have to do that.
  • 12:48 - 12:49
    - Yeah, I did.
  • 12:51 - 12:53
    Supergirl told me that
    it was you who sent her.
  • 12:54 - 12:57
    I don't know how to thank you.
  • 12:57 - 12:58
    - Well, that's what friends are for.
  • 13:00 - 13:02
    - Yeah, never had friends like you before.
  • 13:02 - 13:05
    Come to think of it, I've
    never had a family like you.
  • 13:07 - 13:09
    No one's ever stood up for me like that.
  • 13:09 - 13:12
    - Now you have someone that
    will stand up for you, always.
  • 13:15 - 13:16
    - Well, Supergirl may have saved me,
  • 13:16 - 13:20
    but Kara Danvers, you are my hero.
  • 13:21 - 13:22
    - Aww.
  • 13:25 - 13:27
    - Thank you.
    - Anytime.
  • 13:28 - 13:29
    Bye.
    - Bye.
  • 13:32 - 13:34
    (soft melodic music)
  • 13:34 - 13:37
    - The flowers, oh my God.
  • 13:37 - 13:37
    You can't.
  • 13:40 - 13:42
    You can't, like there's just so much stuff
  • 13:42 - 13:45
    that would just be so romantic--
  • 13:45 - 13:46
    - Yeah.
  • 13:46 - 13:47
    - If it was a heterosexual couple,
  • 13:47 - 13:49
    like such a coding thing,
    and I think with this show,
  • 13:52 - 13:54
    I'm guessing based on the
    fact that she's a Luther
  • 13:54 - 13:56
    that the whole thing is
    that you're not meant
  • 13:56 - 13:57
    to maybe trust her or not trust her,
  • 13:57 - 14:00
    so maybe the look, it's the
    same with the Teen Wolf thing,
  • 14:00 - 14:02
    where it's like, oh,
    his look of realisation
  • 14:02 - 14:03
    is actually about the case.
  • 14:03 - 14:05
    It's like, oh, maybe her lingering look--
  • 14:05 - 14:06
    - Is actually--
  • 14:06 - 14:10
    - Is actually, ooh, she's
    lingering 'cause she's evil
  • 14:10 - 14:11
    and she's looking at her and stuff,
  • 14:11 - 14:14
    but I'm like, you don't be
    like, oh, you're my hero,
  • 14:14 - 14:15
    oh, I've never had a
    friend like you before.
  • 14:15 - 14:18
    There's all of these
    interesting little coded words.
  • 14:18 - 14:19
    - Yeah, yeah, yeah, absolutely.
  • 14:19 - 14:21
    - That are super queer coding,
  • 14:21 - 14:25
    so the idea of oh, you're
    different, you're special,
  • 14:25 - 14:27
    I've never had a friend like you before,
  • 14:27 - 14:29
    we're special friends,
  • 14:29 - 14:31
    it's all that kind of coding
    that's the same as like,
  • 14:31 - 14:32
    oh, yes, my spinster aunt
  • 14:32 - 14:34
    who has special friend for 80 years.
  • 14:34 - 14:36
    - Yeah, and I feel like it's almost like
  • 14:36 - 14:40
    the kind of language that we
    grow to hear and get used to,
  • 14:40 - 14:42
    when we're growing up gay,
  • 14:42 - 14:44
    all that language we do use
    before that we come out,
  • 14:44 - 14:47
    and all that kind of language
    that we hear used around us,
  • 14:47 - 14:49
    when people speak about us,
  • 14:49 - 14:50
    and then suddenly, you're hearing it here,
  • 14:50 - 14:53
    and it's like a deliberate undertone.
  • 14:53 - 14:54
    - Yeah, exactly.
  • 14:54 - 14:56
    - Of being queer, and
    again, I just feel like,
  • 14:56 - 15:00
    watching it, I was just imagining
    some young 14-year-old kid
  • 15:00 - 15:04
    who's a lesbian or gay or
    queer and just sitting,
  • 15:04 - 15:06
    watching it and feeling like, oh my God,
  • 15:06 - 15:09
    like oh my God, I'm gonna
    see myself on the screen.
  • 15:09 - 15:09
    - Yeah.
  • 15:09 - 15:11
    - And then uh-oh, absolutely not.
  • 15:11 - 15:12
    - So this was a little bit different.
  • 15:12 - 15:14
    So this is a film which
    has said, explicitly,
  • 15:14 - 15:18
    in the press material that
    it has a gay character.
  • 15:18 - 15:19
    - Okay.
  • 15:19 - 15:20
    - And then these are the scenes
  • 15:20 - 15:23
    with that gay character in, so.
  • 15:23 - 15:26
    - Oh, God, I'm gonna be
    so disappointed, aren't I?
  • 15:26 - 15:28
    - This is Sulu in Star Trek.
  • 15:28 - 15:29
    I'm gonna get my glasses on,
  • 15:29 - 15:30
    'cause I've gotta see the exact timestamp.
  • 15:30 - 15:33
    So, this is clip number one.
  • 15:33 - 15:35
    - [Jim] Of our extended
    stay here in outer space.
  • 15:37 - 15:40
    And the personal sacrifices they've made.
  • 15:41 - 15:42
    We continue to search for new life--
  • 15:42 - 15:44
    - That was clip number one.
  • 15:44 - 15:46
    Clip number two, hang on.
  • 15:46 - 15:47
    I wrote down the time code.
  • 15:47 - 15:48
    - Oh, no.
  • 15:48 - 15:49
    - 10:41.
  • 15:49 - 15:53
    - What I hear is that the
    parks here are excellent.
  • 15:56 - 15:59
    (swelling music)
  • 16:01 - 16:02
    - Hey.
    - So glad you--
  • 16:02 - 16:06
    (speech drowned out by music)
  • 16:06 - 16:07
    - That was it.
  • 16:10 - 16:12
    - That was, you know what?
  • 16:14 - 16:16
    It makes me really sad
    because even that little bit
  • 16:16 - 16:19
    of a shred of a thing, I was like, ah.
  • 16:19 - 16:23
    Like I'm so happy to see,
    the fact that just seeing
  • 16:23 - 16:26
    that little tiny moment
    where it was even like,
  • 16:26 - 16:28
    it was not explicit at all,
  • 16:30 - 16:32
    and just like, but in the first clip,
  • 16:32 - 16:35
    it shows a picture of just the daughter.
  • 16:35 - 16:37
    - Yeah, it does, Calum.
  • 16:37 - 16:38
    - And it's like--
    - Yeah, it does.
  • 16:38 - 16:39
    - If he's a gay character,
  • 16:39 - 16:41
    and you wanna pop that in your press tour,
  • 16:41 - 16:43
    then why is it just a
    picture of the daughter?
  • 16:43 - 16:45
    Why isn't it a family
    picture of them together,
  • 16:45 - 16:47
    or a picture of the
    daughter and the husband?
  • 16:47 - 16:47
    - Yeah.
  • 16:47 - 16:50
    - And like, and when
    they do have that moment,
  • 16:50 - 16:52
    if you're watching that,
    it could very much be like,
  • 16:52 - 16:54
    oh, but, are they gay?
  • 16:54 - 16:55
    Is that his friend?
  • 16:55 - 16:56
    Is that the uncle?
  • 16:56 - 16:57
    Is that the brother?
  • 16:57 - 16:58
    - I know a lot of people who
    thought it was his brother,
  • 16:58 - 17:01
    and thought that the girl was
    either the brother's daughter
  • 17:01 - 17:02
    and so it was a niece,
    or it was his daughter,
  • 17:02 - 17:04
    but it was staying with his
    brother while he was away.
  • 17:04 - 17:05
    - Yeah.
  • 17:05 - 17:06
    - Because otherwise, why wouldn't you
  • 17:06 - 17:08
    have a picture of both
    of them on your control?
  • 17:08 - 17:11
    - It's such, it's the classic example
  • 17:11 - 17:13
    of doing the absolute bare minimum.
  • 17:13 - 17:15
    - I picked this outright, so
    I very specifically was like,
  • 17:15 - 17:18
    this is the, you have to
    watch now for the gay.
  • 17:18 - 17:22
    But I know people who
    went in like, had no.
  • 17:22 - 17:23
    - I might, yeah, I feel like, yeah.
  • 17:23 - 17:26
    - Definitely no one who
    hadn't heard the press before
  • 17:26 - 17:28
    had any idea, and especially not,
  • 17:28 - 17:31
    so my rule for representation
    is whoever the target audience
  • 17:31 - 17:34
    of the film is has to be able to know
  • 17:34 - 17:37
    that that's what's happening
    without having heard
  • 17:37 - 17:38
    anything about it outside of the film.
  • 17:38 - 17:39
    - Yeah.
  • 17:39 - 17:41
    - And Star Trek is a family film.
  • 17:41 - 17:42
    Like there's a film that
    the whole family's meant
  • 17:42 - 17:43
    to be able to come and see.
  • 17:43 - 17:45
    That's what the age restriction is on it,
  • 17:45 - 17:46
    and I don't think any
    kids would've picked up
  • 17:46 - 17:47
    on that whatsoever.
  • 17:47 - 17:49
    - And the fact that, and I do feel like,
  • 17:49 - 17:51
    if you hadn't been like,
    okay, gays are coming,
  • 17:51 - 17:52
    Calum, look at gays coming.
  • 17:52 - 17:53
    - Look at the gays.
  • 17:53 - 17:54
    - Like it was literally
    like, blink if you miss it,
  • 17:54 - 17:55
    and there was so many ways
  • 17:55 - 17:57
    you could interpret that,
  • 17:57 - 18:01
    and the fact that we are
    people who we literally work
  • 18:01 - 18:03
    in an industry where we
    talk about representation
  • 18:03 - 18:04
    and LGBT+ media all the time,
  • 18:04 - 18:07
    and the fact that even we could miss that.
  • 18:07 - 18:09
    - Yeah.
    - Says a lot.
  • 18:09 - 18:12
    Like, I feel like I've
    got an eye like a hawk
  • 18:12 - 18:14
    when I'm watching a
    movie, like, gays, gays,
  • 18:14 - 18:15
    where are the gays, where are the gays?
  • 18:15 - 18:17
    And if we can miss it then you know,
  • 18:17 - 18:19
    you want a 10 year old
    kid to be able to spot it.
  • 18:19 - 18:20
    - I'd also like to point out the fact
  • 18:20 - 18:23
    that we have just watched
    previous scenes of queerbaiting
  • 18:23 - 18:25
    where the shows have said
    those characters aren't queer
  • 18:25 - 18:29
    and they kiss, and they
    sent each other flowers,
  • 18:29 - 18:31
    and they have had
    romantic swells of music,
  • 18:31 - 18:33
    and then we have this, which
    is meant to be representation,
  • 18:33 - 18:35
    and we had fuck all.
    - Fuck all.
  • 18:35 - 18:38
    - This is the character of
    Trini, or the Yellow Power Ranger
  • 18:38 - 18:39
    from the new Power Rangers movie,
  • 18:39 - 18:41
    and this was one of those
    ones that got announced
  • 18:41 - 18:46
    in the news or at large that
    she was a queer character,
  • 18:46 - 18:50
    and I think that people went,
    thinking they were gonna get
  • 18:50 - 18:52
    either she was out or
    that the movie itself
  • 18:52 - 18:54
    was gonna allow her to
    have a coming out story.
  • 18:54 - 18:55
    - Yeah.
  • 18:55 - 18:57
    - And like, this is the scene.
  • 18:59 - 19:01
    - Nobody ever has to get to know me,
  • 19:01 - 19:05
    and my parents don't have to
    worry about my relationships.
  • 19:06 - 19:07
    - [Zack] Hmm.
  • 19:07 - 19:08
    Boyfriend troubles?
  • 19:08 - 19:12
    - Yeah, boyfriend troubles.
  • 19:15 - 19:16
    - Girlfriend troubles?
  • 19:23 - 19:27
    - My family is so normal, too normal.
  • 19:31 - 19:32
    They believe in labels.
  • 19:34 - 19:39
    They'd like for me to dress differently,
  • 19:40 - 19:45
    talk more, have the kind of
    friends they want me to have.
  • 19:47 - 19:50
    - So basically, that's how the scene goes,
  • 19:50 - 19:51
    so it's like--
  • 19:51 - 19:53
    - That was stupid.
  • 19:53 - 19:56
    That was so stupid.
  • 19:56 - 19:59
    I don't know if that's just
    been poorly made or what,
  • 19:59 - 20:01
    but that was so not clear.
  • 20:01 - 20:04
    The way she's like,
    yeah, boyfriend troubles,
  • 20:04 - 20:07
    and then out of nowhere, out of the sky--
  • 20:07 - 20:07
    - Mm-hmm.
  • 20:07 - 20:09
    - He responds with oh,
    girlfriend troubles,
  • 20:09 - 20:12
    and then she doesn't confirm it!
  • 20:12 - 20:14
    And then she goes on to talk really,
  • 20:14 - 20:15
    in a really obscure way.
  • 20:15 - 20:18
    - Generic way about my family is normal.
  • 20:18 - 20:19
    - Yeah, and it's like--
    - And like--
  • 20:19 - 20:21
    - Speaking in riddles.
  • 20:21 - 20:22
    - And I think that, again,
    this is one of those ones
  • 20:22 - 20:25
    that this is a family movie.
  • 20:26 - 20:27
    So it'd be like tweenagers
    would be watching this,
  • 20:27 - 20:31
    and I don't think that
    if they'd've seen this,
  • 20:31 - 20:34
    it's like, oh, it's kind of revolutionary
  • 20:34 - 20:34
    that we even get the mention
  • 20:34 - 20:37
    of possibly girlfriend
    troubles in here, cool.
  • 20:37 - 20:40
    But actually commit,
    especially because she's given
  • 20:40 - 20:42
    a straight answer to the
    boyfriend troubles question,
  • 20:42 - 20:44
    and especially because
    this doesn't then become
  • 20:44 - 20:45
    a coming out story.
  • 20:45 - 20:46
    Like it's not like this is just one scene
  • 20:46 - 20:49
    that eventually becomes
    this coming out thing,
  • 20:49 - 20:51
    and I think that, I get
    that people might be like,
  • 20:51 - 20:53
    oh, well, they thought
    this would be the first
  • 20:53 - 20:55
    in a number of Power Rangers movies,
  • 20:55 - 20:56
    and maybe she'd come out in the later one,
  • 20:56 - 21:00
    but I do think that with
    the context of queerbaiting,
  • 21:00 - 21:03
    you can't just hint at
    nothing in the first one,
  • 21:03 - 21:05
    because it's just as
    easy for you to be like,
  • 21:05 - 21:07
    oh, that didn't test
    well, so we'll just gonna,
  • 21:07 - 21:09
    it's great, 'cause now for the second one,
  • 21:09 - 21:09
    we can just not have that bit in there.
  • 21:09 - 21:12
    - Yeah, it's frustrating,
    because they are trying
  • 21:12 - 21:15
    to take a step forward
    in the right direction,
  • 21:15 - 21:17
    and I do have an appreciation for that,
  • 21:17 - 21:22
    but it's like, it's
    just been done so badly
  • 21:22 - 21:25
    and so, they're being so safe with it.
  • 21:25 - 21:27
    - And the thing about not liking labels,
  • 21:27 - 21:30
    that annoys me so much,
    because there is nothing wrong
  • 21:30 - 21:32
    with someone not wanting
    to label their sexuality,
  • 21:32 - 21:34
    but to do that as representation,
  • 21:34 - 21:35
    and to get away with it by being like,
  • 21:35 - 21:36
    oh, she doesn't like labels,
  • 21:36 - 21:37
    so therefore, we don't have to--
  • 21:37 - 21:38
    - So we're not gonna say it, uh-oh.
  • 21:38 - 21:40
    - I'm like, just because
    you don't like labels
  • 21:40 - 21:41
    doesn't mean you can't
    articulate yourself.
  • 21:41 - 21:43
    It doesn't mean you can't
    have discussions with people,
  • 21:43 - 21:45
    can't be open with people, can't,
  • 21:45 - 21:47
    or even if it's a closed-off character,
  • 21:47 - 21:50
    have, as part of her character arc,
  • 21:50 - 21:53
    have her trust someone, her
    have an actual conversation,
  • 21:53 - 21:55
    'cause you can still explain in sentence,
  • 21:55 - 21:58
    so I'm confused about this,
    and I kinda feel this way
  • 21:58 - 21:59
    for someone, but not for anyone else.
  • 21:59 - 22:01
    I don't wanna label it
    with a particular word--
  • 22:01 - 22:03
    - This is how I feel, yeah.
  • 22:03 - 22:06
    - Like not liking labels
    doesn't mean you just don't
  • 22:06 - 22:08
    use words ever to describe anything.
  • 22:08 - 22:10
    It just means that there's
    not a particular label
  • 22:10 - 22:12
    that suits you that's
    like, gay, straight, bi.
  • 22:12 - 22:13
    - Yeah.
    - And that's fine.
  • 22:13 - 22:15
    I do think that, as much
    as possible right now,
  • 22:15 - 22:16
    with the representation we have,
  • 22:16 - 22:18
    we should be using labels,
  • 22:19 - 22:21
    or at least having those
    labels be discussed
  • 22:21 - 22:24
    and offered up as options,
    and then it's like--
  • 22:24 - 22:24
    - And then if you don't--
  • 22:24 - 22:26
    - Explicitly saying what, how you feel,
  • 22:26 - 22:28
    and not just being like,
    are you gay, straight, bi?
  • 22:28 - 22:29
    And them being like, I don't like labels,
  • 22:29 - 22:31
    and saying nothing else about it.
  • 22:31 - 22:33
    - (laughing) And then moving on.
  • 22:33 - 22:33
    - 'Cause that's not how that works.
  • 22:33 - 22:35
    - Yeah, no, not at all.
  • 22:35 - 22:37
    - So you ready?
  • 22:37 - 22:38
    - I have--
  • 22:38 - 22:40
    - Here we go, the grand fucking finale,
  • 22:40 - 22:41
    these two clips.
  • 22:41 - 22:43
    So we're gonna start with,
  • 22:44 - 22:45
    do you want to start
    with Beauty and the Beast
  • 22:45 - 22:48
    or do you want to start with
    How to Train Your Dragon 2?
  • 22:48 - 22:51
    - I have heard so much about
    the Beauty and the Beast thing.
  • 22:51 - 22:52
    - Okay, here we go.
  • 22:52 - 22:53
    - That I've not seen it.
  • 22:53 - 22:55
    I'm, oh, I know it's gonna make me angry.
  • 22:55 - 22:57
    - Okay, right, you ready for it?
  • 22:57 - 22:58
    - Yup.
  • 22:58 - 23:00
    - Are you ready for it?
  • 23:01 - 23:03
    ♪ Song as old as rhyme ♪
  • 23:03 - 23:07
    ♪ Beauty and the Beast ♪
  • 23:07 - 23:08
    - That was it.
  • 23:08 - 23:10
    - That was it?
    - That was it.
  • 23:13 - 23:14
    - Wow.
  • 23:14 - 23:16
    (Rowan chuckling and clapping)
  • 23:16 - 23:18
    Oh, that's the stupidest
    thing I've ever seen.
  • 23:18 - 23:22
    All that hype, all that
    hype about this movie
  • 23:22 - 23:26
    having a gay scene, we get what, a second?
  • 23:27 - 23:28
    - And the thing is, I get the idea
  • 23:28 - 23:30
    that it might've been like,
  • 23:30 - 23:32
    the director has a throwaway
    comment in an interview
  • 23:32 - 23:33
    where he's like, oh, yeah, we
    have this sort of gay moment
  • 23:33 - 23:35
    that we inserted in
    there, and they're like,
  • 23:35 - 23:36
    ooh, it got blown out of
    proportion by the press,
  • 23:36 - 23:39
    but I'm like, you have to
    know, if you're making Disney,
  • 23:39 - 23:41
    this was the only
    representation of LGBT people
  • 23:41 - 23:45
    that the Disney Studio made
    the entire year of 2017.
  • 23:45 - 23:47
    This guy just put the report out.
  • 23:47 - 23:48
    There was no other representation
  • 23:48 - 23:50
    and that was what counted
    as representation.
  • 23:51 - 23:56
    - (sighing) It just, it
    literally leaves me speechless.
  • 23:57 - 23:59
    That's so frustrating.
  • 23:59 - 24:01
    That's so unbelievably frustrating.
  • 24:01 - 24:02
    It's not even noticeable.
  • 24:02 - 24:04
    Like people, what we've gotta remember
  • 24:04 - 24:07
    is when we do things like this,
    when we do reaction videos
  • 24:07 - 24:08
    and when we talk about things like this,
  • 24:08 - 24:10
    in the context of what
    we're talking about it,
  • 24:10 - 24:11
    you're really looking out for it,
  • 24:11 - 24:13
    and you're really studying
    every single scene.
  • 24:13 - 24:15
    That's not how people consume content.
  • 24:15 - 24:16
    - No.
  • 24:16 - 24:18
    - We don't listen intently
    to every single thing.
  • 24:18 - 24:19
    - You don't watch every single--
  • 24:19 - 24:21
    - We don't watch every little scene.
  • 24:21 - 24:23
    If I was watching that, I'm pretty sure
  • 24:23 - 24:25
    I wouldn't have even noticed.
  • 24:25 - 24:27
    - Especially with this song.
  • 24:27 - 24:29
    I can guarantee you if
    I was listening to this
  • 24:29 - 24:30
    and didn't know about it,
  • 24:30 - 24:32
    I'd be fucking like belting this song.
  • 24:32 - 24:33
    (Calum laughing)
    I wouldn't be like,
  • 24:33 - 24:35
    looking at the screen to
    be like, oh, it's a dance.
  • 24:35 - 24:36
    Let's see who's dancing with each other.
  • 24:36 - 24:37
    I would be like,
  • 24:37 - 24:38
    ♪ Beauty and the ♪
  • 24:38 - 24:42
    Like really intensely, so
    yeah, no, completely agreed.
  • 24:42 - 24:43
    - In the bin, in the bin.
  • 24:43 - 24:44
    Do better, Disney.
  • 24:44 - 24:47
    - Yeah, this is from How
    to Train Your Dragon 2.
  • 24:47 - 24:49
    - I can, wait, before you play this,
  • 24:49 - 24:52
    I can already see that the
    timestamp for this video is,
  • 24:52 - 24:53
    it's four seconds.
  • 24:54 - 24:56
    So very excited for this representation.
  • 24:56 - 24:59
    - So this was also announced
    previous to the film.
  • 24:59 - 25:04
    This, I think, was actually
    the first film-based version
  • 25:04 - 25:06
    of this trend we're seeing,
  • 25:06 - 25:07
    where it got announced beforehand.
  • 25:07 - 25:09
    This was the first one
    that I was aware of.
  • 25:11 - 25:13
    - This is why I never married.
  • 25:13 - 25:15
    This and one other reason.
  • 25:16 - 25:17
    - That's it.
  • 25:19 - 25:20
    Do you wanna see,
  • 25:20 - 25:21
    I don't know if you missed that.
  • 25:21 - 25:22
    Do you want it again?
    (Calum laughing)
  • 25:22 - 25:23
    - This is why I never married.
  • 25:23 - 25:23
    - It's why I never married.
  • 25:23 - 25:26
    - That and one other reason.
  • 25:26 - 25:27
    - That was it, that was the entire.
  • 25:27 - 25:29
    - Side eye, apparently--
  • 25:29 - 25:30
    - That was the entire thing.
  • 25:30 - 25:34
    - Apparently side eye now
    counts as LGBT+ representation.
  • 25:34 - 25:37
    - This is the main character, Hiccup.
  • 25:37 - 25:40
    This is his random dad's mate.
  • 25:40 - 25:42
    They are looking, in the
    context of this scene,
  • 25:42 - 25:43
    they are looking at Hiccup's parents,
  • 25:43 - 25:44
    who have just reunited.
  • 25:44 - 25:46
    - Ah.
    - After years and years apart.
  • 25:46 - 25:47
    And I think they're like,
  • 25:47 - 25:49
    I can't even remember what
    the parents are doing,
  • 25:49 - 25:50
    if the parents are arguing
    or they're being weird
  • 25:50 - 25:51
    or they're being gross or something,
  • 25:51 - 25:55
    and Gober, Goober, whatever
    the fuck his name is,
  • 25:55 - 25:58
    that pioneer of LGBT representation,
  • 25:58 - 26:01
    is basically saying to him,
    about them being gross,
  • 26:01 - 26:02
    this is why I never married.
  • 26:02 - 26:05
    Oh, this, and one other reason.
  • 26:05 - 26:08
    The one other reason,
    apparently, being that he's gay.
  • 26:09 - 26:10
    - Because you can take,
  • 26:10 - 26:12
    you can really read that from this scene,
  • 26:12 - 26:14
    'cause he looks to the
    right for one moment.
  • 26:15 - 26:16
    - This is one of those ones,
  • 26:16 - 26:18
    I think there are some of
    these where you're like,
  • 26:18 - 26:19
    do you know what?
  • 26:19 - 26:22
    We might see two men
    dancing and be like, oh,
  • 26:22 - 26:24
    that, we understand what gay people are,
  • 26:24 - 26:26
    and therefore, be like, oh,
    dancing with a man, okay,
  • 26:26 - 26:27
    blah, blah, blah.
  • 26:27 - 26:29
    This, not even that kids
    won't understand it,
  • 26:29 - 26:32
    genuinely, you didn't understand it.
  • 26:32 - 26:33
    We're here.
  • 26:33 - 26:34
    - And we watched it multiple times.
  • 26:34 - 26:35
    - Talking about it.
  • 26:35 - 26:36
    You understand the context of this.
  • 26:36 - 26:39
    I would never have known
    if I hadn't have been
  • 26:39 - 26:42
    reading all the gay media that
    was talking about this film.
  • 26:42 - 26:44
    I would have no idea.
  • 26:44 - 26:46
    - That is so stupid, and also,
  • 26:46 - 26:48
    can I just add one final thing to this?
  • 26:48 - 26:49
    - Mm-hmm.
  • 26:49 - 26:52
    - Is that the reason that he never married
  • 26:52 - 26:54
    is because he's gay?
  • 26:54 - 26:55
    - Yes, that is--
  • 26:55 - 26:58
    - Because that is also a great
    message to send out there.
  • 26:58 - 27:01
    - Mm-hmm.
    - That's just brilliant.
  • 27:01 - 27:02
    - I mean, they live in a Viking society,
  • 27:02 - 27:04
    but it's also Viking
    society with dragons--
  • 27:04 - 27:08
    - So you know, could
    change thing up a bit.
  • 27:08 - 27:10
    - In the movie, I remember
    watching this scene,
  • 27:10 - 27:13
    and thinking, oh, this is the
    first hint of what's to come.
  • 27:13 - 27:14
    - And then nothing.
  • 27:14 - 27:16
    - And then that was it,
    that was the whole thing.
  • 27:17 - 27:18
    - I hate this.
  • 27:18 - 27:21
    - I hate everything we had to do tonight.
  • 27:21 - 27:24
    - This is worse than just
    not having a gay character.
  • 27:24 - 27:25
    You know?
    - Mm-hmm, absolutely.
  • 27:25 - 27:29
    - Like that does not count
    in any way, shape or form.
  • 27:29 - 27:30
    - Mm-mm.
  • 27:30 - 27:31
    - I just, in the trash with this.
  • 27:31 - 27:33
    - In the trash with all of that.
  • 27:33 - 27:34
    - In the trash with all of it, honestly.
  • 27:34 - 27:36
    - So I'm very sorry to
    have put you through that
  • 27:36 - 27:39
    extremely stressful situation
    that we just had to go through
  • 27:39 - 27:40
    and watch all of that trash.
  • 27:40 - 27:42
    - I feel like I need to sit down and watch
  • 27:42 - 27:44
    a load of LGBT+ movies now.
  • 27:44 - 27:45
    - Yeah, actual representation.
  • 27:45 - 27:48
    - With actual queer people existing.
  • 27:48 - 27:50
    - They have those?
  • 27:50 - 27:51
    If you wanna have a chat about it,
  • 27:51 - 27:54
    have a chat in the
    comments, we'll be there,
  • 27:54 - 27:56
    or just on all of our social media.
  • 27:56 - 27:57
    The links will be in the description.
  • 27:57 - 27:58
    - Yay!
  • 27:58 - 27:59
    - So until I see you next time,
  • 27:59 - 28:01
    bye!
    - See ya!
Title:
Gays React To Queerbaiting feat. Calum McSwiggan
Description:

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Duration:
28:01

English subtitles

Revisions