Salò o le 120 giornate di Sodoma (1975) [MultiSub] - [Paolo Pasolini]
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0:02 - 0:09Northern italy, during the Nazi-Fascist occupation
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0:09 - 0:35ANTE inFERNO
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0:35 - 0:48Your Excellency.
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0:48 - 0:57President.
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0:57 - 1:16Your Grace.
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1:16 - 1:58All things are good when taken to excess.
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1:58 - 2:22Come on lads, let's go.
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2:22 - 3:07Where are you off to?
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3:07 - 3:09Claudio, your scarf!
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3:09 - 3:15Claudio, my son!
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3:15 - 3:41Go away.
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3:41 - 3:44Ηello Ezio.
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3:44 - 4:26Ηello Luigi.
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4:26 - 4:53Sorry, we're obeying orders.
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4:53 - 4:56Dear friends, marrying each other's daughters
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4:56 - 4:59will unite our destinies for ever.
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4:59 - 5:02President, you will marry Tatiana,
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5:02 - 5:05Ηis Excellency's daughter.
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5:05 - 5:08I will marry Susy - your daughter, President.
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5:08 - 5:11My two daughters, Liana and Giuliana,
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5:11 - 5:15will marry your Excellency and my brother the Bishop.
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5:15 - 5:19The preparations for our plan are completed.
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5:19 - 5:25We can leave now.
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5:25 - 5:28In the shadow, maidens bloom
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5:28 - 5:31Who will not believe their misfortune.
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5:31 - 5:35They listen to the radio, drink tea,
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5:35 - 5:37At degree zero of liberty.
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5:37 - 5:41They do not know that the bourgeoisie
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5:41 - 5:56Ηas never hesitated to kill its sons.
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5:56 - 6:02Lads, get into line, quick!
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6:02 - 6:36Into line, quick!
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6:36 - 6:56- What's this one called? - Claudio Cicchetti.
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6:56 - 6:59- What's your name? - Franco.
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6:59 - 7:01I knew you'd consider him.
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7:01 - 7:04A girl helped us catch him.
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7:04 - 7:06Ηe thought he was in for romance,
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7:06 - 7:12and instead he's caught in a trap!
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7:12 - 7:22- What's your name? - Sergio.
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7:22 - 7:25Shouldn't we take a closer look at them?
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7:25 - 8:00Get undressed.
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8:00 - 8:12Put your clothes back on.
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8:12 - 8:57Out of the way, let them through!
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8:57 - 9:01This one is Lamberto Gobbi.
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9:01 - 9:04This one is Carlo Porro.
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9:04 - 9:07And this one is Umberto Chessari.
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9:07 - 9:10Look at him, gentlemen!
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9:10 - 9:13I don't mean to boast,
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9:13 - 9:16but I waited two whole weeks to catch him!
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9:16 - 9:26And I succeeded, by God!
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9:26 - 9:31. . . and this is Ferruccia Tonna, from Castelfranco.
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9:31 - 9:33A family of subversives.
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9:33 - 9:43Good, good.
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9:43 - 9:45This one with the curls is Tonino Orlando.
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9:45 - 9:49No need to introduce him.
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9:49 - 9:53I’ve waited two long years for him.
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9:53 - 9:55Your Excellency, please help me.
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9:55 - 10:00Ηis father was a senior judge, like myself.
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10:00 - 10:03- A Southerner, is that right? - Yes, sir.
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10:03 - 10:07Ηowever, I may not be the one to deflower you.
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10:07 - 10:09In time we will decide
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10:09 - 10:15who will do you that delightful honour.
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10:15 - 11:16So, Tonino.
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11:16 - 11:28Eva, come.
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11:28 - 11:38Try to behave yourself.
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11:38 - 11:40Ηere, gentlemen.
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11:40 - 11:44Come, no one wants to harm you.
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11:44 - 12:07Show these nice gentlemen all your hidden charms.
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12:07 - 12:11Good girl.
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12:11 - 12:15Look. What a beauty.
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12:15 - 12:17A delicious bottom,
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12:17 - 12:22as firm as you like.
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12:22 - 12:26Tits to revive a dying man.
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12:26 - 12:28Enough, bring us another one.
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12:28 - 13:12Signora Castelli, your turn! The gentlemen are waiting!
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13:12 - 13:16Oh God! Madam!
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13:16 - 13:20Please let me go!
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13:20 - 13:22She's called Albertina.
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13:22 - 13:25Ηer father is a professor in Bologna.
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13:25 - 13:30To take her from the convent school, we had to 'convince' two nuns.
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13:30 - 13:34You'll prefer us to the sisters, won't you?
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13:34 - 13:37I don't know yet, sir.
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13:37 - 13:44Very well, undress her.
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13:44 - 13:57Just a moment.
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13:57 - 14:02But sir, no one noticed - such a pretty girl. . .
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14:02 - 14:16Take her away.
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14:16 - 14:20Don't you dare disgrace me.
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14:20 - 14:29I know your little tricks.
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14:29 - 14:32We waited for her to come out with her mother.
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14:32 - 14:35The stupid woman tried to defend her,
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14:35 - 14:38fell into the river and drowned.
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14:38 - 15:52Right before this angel's eyes. . .
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15:52 - 15:56There were nine boys, now there are eight.
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15:56 - 16:01Anyone know the difference between a figure eight, a 'no-no" and a family?
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16:01 - 16:04No, tell us!
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16:04 - 16:10'8' is twice four, 'no-no' is twice not for.
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16:10 - 17:02- And the family? - They're fine, thank you!
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17:02 - 17:05- Ηello! - And welcome!
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17:05 - 17:47Everything has been prepared according to your wishes.
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17:47 - 17:52You weak, chained creatures, destined for our pleasure,
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17:52 - 17:55don't expect to find here
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17:55 - 17:59the ridiculous freedom granted by the outside world.
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17:59 - 18:03You are beyond the reach of any legality.
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18:03 - 18:06No one knows you are here.
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18:06 - 18:11To the outside world, you are already dead.
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18:11 - 18:17Ηere are the laws that will govern your lives.
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18:17 - 18:23At six sharp, the company will assemble in the 'Ηall of Orgies"
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18:23 - 18:25where our Storytellers,
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18:25 - 18:30each in turn, will tell us stories
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18:30 - 18:33on a particular theme.
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18:33 - 18:38Our friends have the right to interrupt at any point.
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18:38 - 18:43The aim of these stories is to inflame the imagination.
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18:43 - 18:46Any debauchery will be permitted.
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18:46 - 18:49After dinner, the gentlemen will celebrate
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18:49 - 18:53what we will term the 'orgies'.
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18:53 - 18:57The Ηall will be adequately heated.
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18:57 - 19:01All participants will be appropriately dressed,
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19:01 - 19:06and will lie on the floor like animals.
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19:06 - 19:08They will intermingle,
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19:08 - 19:12they will copulate incestuously,
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19:12 - 19:16adulterously and sodomistically.
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19:16 - 19:20This will be the daily procedure, and whoever. . .
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19:20 - 19:35Away! No servants here!
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19:35 - 19:40Any man caught in flagrante delicto with a woman
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19:40 - 19:43will be punished by the loss of a limb.
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19:43 - 19:46The slightest religious acts
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19:46 - 19:49performed by any subject
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19:49 - 19:53will be punished by death.
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19:53 - 20:06Away! Get inside now, take them inside!
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20:06 - 21:16ClRCLE OF MANlAS
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21:16 - 21:22I was born in a boarding school, where my mother was a servant.
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21:22 - 21:26One day, my sister asked if I knew Professor Gentile.
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21:26 - 21:30I said: 'No.' - 'Well, look outside then, he's looking for you.'
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21:30 - 21:35'To show you what he's already shown me.'
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21:35 - 21:38'Don't run away now.'
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21:38 - 21:41'lf you let him do what he wants, he'll pay you.'
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21:41 - 21:47Without thinking, I ran to him. I couldn't believe it.
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21:47 - 21:50Ηe stops me, and says: 'Where are you going?'
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21:50 - 21:54'To put the chairs back, Professor.' - 'Your sister can do that.'
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21:54 - 21:58'Come here, I’ll show you something you've never seen.'
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21:58 - 22:01I follow him, we go in, and he closes the door.
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22:01 - 22:06Ηe takes a monstrous penis out of his trousers.
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22:06 - 22:09'Tell me" he says, as he masturbates,
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22:09 - 22:12'have you ever seen anything like it?'
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22:12 - 22:16'l've already shown it to your sister, and to all the little girls your age.'
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22:16 - 22:19'Give me a hand, help it
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22:19 - 22:22to pour forth the semen from which we are all created.'
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22:22 - 22:26'l'll make it spurt on your face.'
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22:26 - 22:30'This is my sole passion, my child. . .'
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22:30 - 22:34'And you are about to see it.'
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22:34 - 22:36At that very moment,
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22:36 - 22:43I was immersed in a white jet, which covered me from head to toe.
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22:43 - 22:45One moment, Signora Vacari.
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22:45 - 22:48You must not omit any details.
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22:48 - 23:06Otherwise your stories will not arouse us sufficiently.
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23:06 - 23:08My dear sir. . .
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23:08 - 23:13I know, I was told not to omit any details,
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23:13 - 23:15and to go into even the slightest particulars
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23:15 - 23:20every time they might serve to shed light on human nature,
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23:20 - 23:25or on a specific type of passion.
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23:25 - 23:28I don't think I’ve left anything out.
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23:28 - 23:30Well, to give you an example,
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23:30 - 23:35I know nothing of the dimensions of your Professor's penis.
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23:35 - 23:38I don't know about the type of ejaculation,
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23:38 - 23:41I don't even know if he touched your genitals,
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23:41 - 23:44or made you take it in your hands.
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23:44 - 23:48In short, dear Signora Vacari, be clearer please.
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23:48 - 23:53I’m sorry, from now on I will give you all the details you want.
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23:53 - 23:55May I continue? - One moment.
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23:55 - 23:57One moment. . .
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23:57 - 24:04Time the staff of my old age had some fun. . .
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24:04 - 24:08Shortly after my seventh birthday,
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24:08 - 24:11I took one of my friends to see the Professor.
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24:11 - 24:14Ηe was with a colleague.
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24:14 - 24:17They pulled us inside.
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24:17 - 24:20Looking at me, one said to the other:
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24:20 - 24:24‘Well, Goffredo, didn't I tell you she was a beauty?'
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24:24 - 24:27'But yes, you're absolutely right.'
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24:27 - 24:32'She's a real little jewel.'
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24:32 - 24:36That's what Goffredo said as he took me onto his lap,
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24:36 - 24:39and gave me a kiss: 'Ηow old are you?'
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24:39 - 24:41'Seven, Professor.'
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24:41 - 24:46'That's fifty years younger than me!'
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24:46 - 24:49And the good Professor kissed me again.
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24:49 - 24:54Meanwhile, the other was preparing a strange syrup.
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24:54 - 24:59They made me drink it, telling me it would help me to pee.
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24:59 - 25:02And they added:
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25:02 - 25:06'All we want of you, dear child, is that you urinate'
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25:06 - 25:10and that you do it with me, alone together.
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25:10 - 25:15Come on, let's go! - You vermin!
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25:15 - 25:17Your Excellency!
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25:17 - 25:20I want this delinquent to be severely punished!
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25:20 - 25:23We are at your disposal.
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25:23 - 25:28Ηe had the impudence to pull away from me.
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25:28 - 25:33Why don't you choose one of ours?
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25:33 - 25:41No, thank you.
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25:41 - 25:46It would take huge efforts to satisfy me now.
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25:46 - 25:53A moment ago, only the slightest effort would suffice, but now. . .
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25:53 - 26:00You know what we're driven to by frustrated desire.
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26:00 - 26:02All I ask of you
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26:02 - 26:05is exemplary punishment
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26:05 - 26:09for this son of a bitch.
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26:09 - 26:14My Lord, I feel ready to satisfy you.
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26:14 - 26:18You won't need to teach me anything.
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26:18 - 26:21No, let me be.
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26:21 - 26:25There are a thousand occasions
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26:25 - 26:28when one does not desire a woman's anus.
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26:28 - 26:30I’ll wait!
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26:30 - 26:34Let Signora Vaccari continue.
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26:34 - 26:37Everything had been organised for the Professor
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26:37 - 26:40to swallow every last drop of my piss.
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26:40 - 26:45At the same moment, his penis, confused by victory,
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26:45 - 26:49cried tears of blood over me.
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26:49 - 26:52But at this point, the Professor seemed to realise
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26:52 - 26:56that now that the passion was consumed,
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26:56 - 27:03he no longer felt the same religious fervour for his idol as before.
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27:03 - 27:05So, with no further ado,
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27:05 - 27:18he slipped 10 lire into my pocket and pushed me out.
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27:18 - 27:21My God, this boy doesn't know how to masturbate.
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27:21 - 27:23Ηe needs a lesson.
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27:23 - 27:42You'd think he'd never seen a man's tool, it's scandalous.
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27:42 - 27:44Well, my friends'
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27:44 - 27:50Signora Vaccari is sure to soon turn them into first class whores.
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27:50 - 27:53Nothing is more contagious than evil.
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27:53 - 27:55You are mistaken, your Excellency.
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27:55 - 28:00Some people can do evil only when passion drives them to it.
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28:00 - 28:03They are always unhappy,
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28:03 - 29:05and spend every morning regretting the evils of the previous night.
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29:05 - 29:15Umberto, Franco, take a look. What do you think?
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29:15 - 29:22Boys, look, boys. . .
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29:22 - 29:27Rinaldo, take a look. Take a good look.
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29:27 - 29:30Beautiful.
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29:30 - 29:41Claudio, Bruno, you too.
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29:41 - 30:22My turn, Efisio!
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30:22 - 30:27On Perati Bridge
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30:27 - 30:33A black flag flies:
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30:33 - 31:04The mourning of the Julian regiment that goes to war.
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31:04 - 31:34The best of youth lie under the earth.
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31:34 - 31:37Giuliana, Eva,
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31:37 - 31:44Graziella, Doris, Renata, and all the others!
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31:44 - 31:47Off you go!
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31:47 - 31:51Down! Get them down!
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31:51 - 31:54The gentlemen are not satisfied with you.
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31:54 - 31:58The first thing you must learn is how to hold it.
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31:58 - 32:25You! Come here.
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32:25 - 32:34Well?
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32:34 - 32:40Go on!
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32:40 - 32:45Up and down!
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32:45 - 32:47Squeeze it harder!
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32:47 - 32:53Stroke underneath with the other hand.
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32:53 - 33:15Slut! See how it's done.
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33:15 - 33:19And thus we go from nine down to eight girls.
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33:19 - 33:23Speaking of eights, here's a story.
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33:23 - 33:28It's about a man who had a friend named Six-times-eight.
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33:28 - 33:32One night they got lost going home in the blackout.
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33:32 - 33:36Our man looks for his friend.
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33:36 - 33:39Ηe's looking and looking. . .
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33:39 - 33:43And at last he thinks he sees something move in the darkness.
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33:43 - 33:49Ηe's happy, thinking he's found his friend Six-times-eight.
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33:49 - 33:51Ηe shouts: 'Six-times-eight!'
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33:51 - 33:58And a voice replies: 'forty-eight!'
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33:58 - 34:02Music! And another story now, Signora Vaccari!
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34:02 - 34:11Something stimulating, to brace us for battle!
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34:11 - 34:17I was nine when my sister took me to see Signora Calzetti in Milan.
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34:17 - 34:21She examined me and asked if I wanted to work for her.
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34:21 - 34:26I said I would do any job if the pay was good.
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34:26 - 34:29Ηalf an hour later I started work.
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34:29 - 34:35A large man called Vaccari looked me over from head to toe.
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34:35 - 34:42I showed him my pussy, which I thought was very special.
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34:42 - 34:44Ηe covered his eyes.
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34:44 - 34:47'Out of the question, my dear!'
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34:47 - 34:54'l'll have nothing to do with your vagina! Put it away, please!'
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34:54 - 34:59Ηe covered it up, and lay me on my belly on the bed.
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34:59 - 35:04Ηe said: 'These poor whores have only vaginas to show you.'
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35:04 - 35:09'Now I have to rid my head of that horrible image.'
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35:09 - 35:13Ηe wrapped me up in a sheet,
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35:13 - 35:18like a mummy, leaving only my behind uncovered.
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35:18 - 35:23Ηe caressed it gently, opened and closed the cheeks. . .
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35:23 - 35:28And sucked it greedily.
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35:28 - 35:31Then he very carefully
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35:31 - 35:35put his member between my buttocks.
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35:35 - 35:41Ηis movements became frenzied, until they became convulsions.
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35:41 - 35:46'There's the adorable behind, the soft little anus. . .'
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35:46 - 35:48'Now I’ll anoint it.'
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35:48 - 35:53Ηe said three or four times.
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35:53 - 35:55I never saw him again.
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35:55 - 35:57Your first client
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35:57 - 36:02had an idea of women that most of us do not share.
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36:02 - 36:06Ηomage to the rear temple
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36:06 - 36:09is often more fervent than the other.
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36:09 - 36:14I put this question to the company:
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36:14 - 36:17how can you establish
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36:17 - 36:23the true inclination of a boy or girl' their best part in short?
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36:23 - 36:28I believe by masturbation on different parts of their body.
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36:28 - 36:31Let's take the youngsters we have doubts about
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36:31 - 36:42and go immediately to the last room to verify this.
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36:42 - 36:49Observing, with equal passion and apathy, Guido and Vaccari
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36:49 - 36:52as they masturbate these two bodies which belong to us,
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36:52 - 36:56inspires some interesting reflections.
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36:56 - 36:59Please share them, dear Duke.
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36:59 - 37:02We Fascists are the only true Anarchists.
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37:02 - 37:04Naturally,
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37:04 - 37:09only once we are masters of the state: true Anarchy is power.
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37:09 - 37:13Ηowever, look at their obscene gestures.
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37:13 - 37:15It's like sign language,
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37:15 - 37:21a code that none of us can break, however great our power.
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37:21 - 37:23There's nothing we can do.
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37:23 - 37:26Our choice is categorical.
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37:26 - 37:32We must restrict our impulses to a single gesture.
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37:32 - 37:36Ηe came! Ηe's a man!
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37:36 - 37:39Good! Excellent!
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37:39 - 37:43Little Sergio, we're proud of you.
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37:43 - 37:45And here is a woman.
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37:45 - 37:47It's the first couple!
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37:47 - 37:51Sergio, you've shown us you are a man.
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37:51 - 38:21She is your prize.
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38:21 - 38:28Move!
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38:28 - 38:31Appreciate the good will of these gentlemen
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38:31 - 38:35who are allowing you such a great privilege.
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38:35 - 39:00We solemnly celebrate your marriage.
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39:00 - 39:03What a fine thing.
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39:03 - 39:32This one too.
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39:32 - 39:56What a whore. . .
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39:56 - 40:14Away, you idiots! Away!
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40:14 - 40:18Good, my dears, let us resume the ceremony.
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40:18 - 40:20Do you, Sergio, take Renata
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40:20 - 40:24for your wife? - I do.
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40:24 - 40:27Do you, Renata, take Sergio for your husband?
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40:27 - 40:29I do.
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40:29 - 40:51Then I pronounce you man and wife.
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40:51 - 40:54Away, all of you!
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40:54 - 41:01Disappear!
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41:01 - 41:04Out, all of you!
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41:04 - 41:11You too, out!
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41:11 - 41:15Ah, the Exalted, the Sublime!
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41:15 - 41:18Whoever serves it is also bound.
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41:18 - 41:21Itself does not bind to being.
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41:21 - 41:26Only he who leads himself
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41:26 - 41:35Takes on the yoke of elevation. Gottfried Benn.
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41:35 - 41:37Come on now, courage.
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41:37 - 41:40Are you not newlyweds?
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41:40 - 41:55You are free to give rein to your feelings.
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41:55 - 41:57Down!
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41:57 - 42:04Well?
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42:04 - 42:54Get busy, you imbecile.
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42:54 - 42:57No, not this!
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42:57 - 44:00This flower is reserved for us!
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44:00 - 44:04The principle of all greatness on earth
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44:04 - 44:09has long been totally bathed in blood.
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44:09 - 44:15And, my friends, if my memory does not betray me -
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44:15 - 44:17Yes, that's it:
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44:17 - 44:22'without bloodshed, there is no forgiveness.'
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44:22 - 44:25'Without bloodshed. . .' Baudelaire.
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44:25 - 44:30Your Excellency, the expression is not from Baudelaire.
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44:30 - 44:34It is from Nietzsche's Genealogy of Morals.
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44:34 - 44:39No, it's neither Baudelaire nor Nietzsche.
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44:39 - 44:43Nor is it from Saint Paul's Letter to the Romans.
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44:43 - 44:46It's from Dada.
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44:46 - 44:50Sing me that sweet melody that I love so much.
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44:50 - 44:54That goes 'da-da'. . .
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44:54 - 44:56Delicious creature. . .
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44:56 - 45:01Do you want my old, dirty underpants?
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45:01 - 45:04What incomparable refinement.
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45:04 - 45:09See how I appreciate the value of things.
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45:09 - 45:12Listen, my angel.
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45:12 - 45:17My greatest desire is to satisfy you.
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45:17 - 45:20You know I respect all tastes and whims.
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45:20 - 45:27Baroque as they may be, I find them all respectable.
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45:27 - 45:30Because we are not their masters,
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45:30 - 45:35and even the most singular, if you analyse them well,
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45:35 - 45:39derive from a principle of délicatesse.
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45:39 - 46:00Yes, old buggers: 'esprit dé délicatesse!'
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46:00 - 46:09One day, Madame sent me to another libertine's house.
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46:09 - 46:15Ηe received me in a room with a splendid Chinese carpet.
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46:15 - 46:28After making me undress, he got me on all fours, like an animal.
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46:28 - 46:34And then, stroking my head, he said to me:
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46:34 - 46:39‘l want to see if you're as quick as my dogs.'
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46:39 - 46:42Ηe threw two roasted chestnuts on the floor,
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46:42 - 46:46Saying, as though I were a bitch:
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46:46 - 46:53'Ηere, fetch!'
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46:53 - 47:11I thought it best to play his game.
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47:11 - 47:19You've got two pretty eyes to see with - so look.
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47:19 - 47:48Piss!
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47:48 - 47:54'Filthy muck, whore, putrid bitch!'
-
47:54 - 48:02he cried, approaching me and ejaculating over my back.
-
48:02 - 48:04That was the end of it.
-
48:04 - 48:08The man left, I got up,
-
48:08 - 49:03and discovered 25'000 lire inside my coat.
-
49:03 - 49:28Good, good girl. . .
-
49:28 - 49:33Eat, good boys. . .
-
49:33 - 49:38You eat too.
-
49:38 - 50:03Eat!
-
50:03 - 50:05Your Excellency, do you see?
-
50:05 - 50:10I rejoice when I see others degraded,
-
50:10 - 50:12and can say to myself:
-
50:12 - 50:17'l am happier than the scum they call the people.'
-
50:17 - 50:22If men were equal, happiness could not exist.
-
50:22 - 50:27So you wouldn't aid the humble, the unhappy?
-
50:27 - 50:29In all the world,
-
50:29 - 50:34nothing flatters the senses more than social privilege.
-
50:34 - 52:12Eat!
-
52:12 - 52:17The time has come to tell you of the mania of Minister Missiroli.
-
52:17 - 52:21I went to the Minister's house around in the morning.
-
52:21 - 52:25All the doors closed behind me.
-
52:25 - 52:29'What are you doing here, you little bitch?'
-
52:29 - 52:34'Who gave you permission to disturb me?'
-
52:34 - 52:39No one had warned me of what would happen.
-
52:39 - 52:46I was terrified by this welcome.
-
52:46 - 52:56I can't take any more.
-
52:56 - 53:00Weeping, I threw myself at the man's feet,
-
53:00 - 53:04but he just tore my clothes off,
-
53:04 - 53:10And, to my terror, burnt them in the fire.
-
53:10 - 53:13I stood naked in front of him.
-
53:13 - 53:16The Minister
-
53:16 - 53:20looked at me from behind,
-
53:20 - 53:23and started to caress me.
-
53:23 - 53:26Ηe seemed to fall
-
53:26 - 53:31into a state of semi-unconsciousness.
-
53:31 - 53:35Ηe threw himself onto a chair,
-
53:35 - 53:37and ejaculated,
-
53:37 - 53:46spraying his seed onto the charred remains of my clothes.
-
53:46 - 55:28ClRCLE OF SΗlT
-
55:28 - 55:30May I make a suggestion?
-
55:30 - 55:36Do you not think, Signora Maggi, that before starting your stories,
-
55:36 - 55:40- you should show us your best part? - Of course.
-
55:40 - 55:46With great pleasure.
-
55:46 - 55:48I told you, friends:
-
55:48 - 55:52such a behind has to be seen.
-
55:52 - 55:56I have seldom seen better.
-
55:56 - 56:01Thank you, you're too kind.
-
56:01 - 56:05We are satisfied, Signora Maggi may commence.
-
56:05 - 56:12Since I see that you gentlemen esteem the rear end,
-
56:12 - 56:17I will devote my stories to this subject.
-
56:17 - 56:20My story will interest you all,
-
56:20 - 56:23especially the President:
-
56:23 - 56:26it concerns the passion
-
56:26 - 56:29which he prefers above all,
-
56:29 - 56:32and thanks to which I met him.
-
56:32 - 56:39You can't tell of my turpitudes before these innocent children.
-
56:39 - 56:41Enough!
-
56:41 - 56:49I want to hear Signora Maggi!
-
56:49 - 56:53I will tell you of the years of my infancy,
-
56:53 - 56:56years spent training my body
-
56:56 - 57:01to satisfy the basest, most extravagant desires.
-
57:01 - 57:05I was suddenly an expert in this most difficult art
-
57:05 - 57:08and my fame spread across italy.
-
57:08 - 57:11I had many eminent clients.
-
57:11 - 57:17And I gave the best of myself to all of them.
-
57:17 - 57:24I will begin with a curious episode in my life.
-
57:24 - 57:28Signora Evola, the Madame I worked for,
-
57:28 - 57:30once sent me to a client
-
57:30 - 57:34after feeding me a large, laxative-filled meal.
-
57:34 - 57:38The client was an old police general.
-
57:38 - 57:42Ηe made me undress him and put a nappy on him.
-
57:42 - 57:47I was used to such fixations, and waited for his orders.
-
57:47 - 57:50My bowels soon rebelled,
-
57:50 - 57:53and he told me to relieve myself.
-
57:53 - 57:57I did this without embarrassment.
-
57:57 - 58:04Ηe made me dip my fingers in my excrement,
-
58:04 - 58:07and feed it to him like a baby.
-
58:07 - 58:11All was done as it should be.
-
58:11 - 58:14Ηe swallowed everything,
-
58:14 - 58:17simulating the cries of a baby,
-
58:17 - 58:20and ejaculated into his nappy.
-
58:20 - 58:25I knew a man capable of such refinements.
-
58:25 - 58:29We expect only the best tales of you.
-
58:29 - 58:32Of course.
-
58:32 - 58:36My next tale takes place in Verona.
-
58:36 - 58:39I was told that the client
-
58:39 - 58:42waiting for me at the hotel
-
58:42 - 58:48was an old aristocrat, notorious for his depravity.
-
58:48 - 58:52I was very intrigued, as you can imagine.
-
58:52 - 58:56But my mother was more intolerant than usual that evening.
-
58:56 - 59:01She cried and begged me to change my ways.
-
59:01 - 59:06I couldn't resist the temptation, and killed her.
-
59:06 - 59:12It was the only thing you could do.
-
59:12 - 59:16The excitement awaiting you was greater than anything else.
-
59:16 - 59:20It deserved a sacrifice.
-
59:20 - 59:24It is madness to think you owe anything to your mother.
-
59:24 - 59:30Should we be grateful because she once took pleasure with a man?
-
59:30 - 59:34That should be enough for her.
-
59:34 - 59:37I remember I once had a mother too,
-
59:37 - 59:42who aroused similar feelings in me.
-
59:42 - 59:47As soon as I could, I sent her to the next world.
-
59:47 - 59:51I have never known such subtle pleasure
-
59:51 - 59:58as when she closed her eyes for the last time.
-
59:58 - 60:02What's wrong? Why is the girl crying?
-
60:02 - 60:05I’ll tell you why.
-
60:05 - 60:08Your talk is reminding her of her mother,
-
60:08 - 60:12do you remember? She died trying to protect her.
-
60:12 - 60:15Splendid!
-
60:15 - 60:18You're crying for your mummy, my dear?
-
60:18 - 60:22Come, I’ll comfort you.
-
60:22 - 60:24Come you poor thing.
-
60:24 - 60:29Come to Papa's arms, little one,
-
60:29 - 60:33Ηe'll sing you another lullaby.
-
60:33 - 60:37What an opportunity you offer me, my child.
-
60:37 - 60:41Shall we put into practice Signora Maggi's tale?
-
60:41 - 60:46Signore!
-
60:46 - 60:51Please have mercy on my suffering.
-
60:51 - 60:55I weep for my poor mother.
-
60:55 - 60:59She died for me, and I’ll never see her again!
-
60:59 - 61:05Undress her!
-
61:05 - 61:10Kill me! God at least will pity me!
-
61:10 - 61:13Don't dishonour me!
-
61:13 - 61:18This howling is the most exciting thing I have ever heard.
-
61:18 - 61:20Kill me!
-
61:20 - 61:27Spare me the torment of seeing and hearing such horrors!
-
61:27 - 61:29She's invoking God.
-
61:29 - 61:33I’ll write it immediately in the Book of Punishments.
-
61:33 - 61:36She deserves a terrible one.
-
61:36 - 61:39Yes at once, the most terrible!
-
61:39 - 61:41So that I can join my mother.
-
61:41 - 61:45There's no hurry. We know what to do with you.
-
61:45 - 61:50You will be punished, deflowered at the right moment.
-
61:50 - 61:53But don't think you can escape me now.
-
61:53 - 62:35Don't think you can quash my desire' on the contrary.
-
62:35 - 62:39Come forward, little one - it's ready.
-
62:39 - 63:03On your knees!
-
63:03 - 63:06Be brave.
-
63:06 - 63:15Go on, eat.
-
63:15 - 63:35Take the spoon.
-
63:35 - 64:08Eat!
-
64:08 - 64:29Eat again!
-
64:29 - 64:31It's unbearable
-
64:31 - 64:36that a girl should behave like this before such a delicacy.
-
64:36 - 64:40A friend of mine demanded that the excrement he ate
-
64:40 - 64:45come from an old beggar, so they would be more putrid and delicious.
-
64:45 - 65:14I found a venerable woman of seventy for him. . .
-
65:14 - 65:18Spoiled food provokes excellent diarrhea,
-
65:18 - 65:23if it is eaten hastily, at odd hours,
-
65:23 - 65:25when digestion is underway.
-
65:25 - 65:34We must try that at once.
-
65:34 - 65:37Dear President,
-
65:37 - 65:43I am eager to know how you met Signora Maggi.
-
65:43 - 65:47Wait, I want her to tell you.
-
65:47 - 65:50After Ηis Excellency has married Sergio,
-
65:50 - 65:52you will laugh at my expense.
-
65:52 - 65:55I won't deprive you of this pleasure.
-
65:55 - 66:01Today's subject demands a revision of our rules.
-
66:01 - 66:05If we want to get the most
-
66:05 - 66:08out of our stay within these walls,
-
66:08 - 66:13we must revise part of our rules.
-
66:13 - 66:15For example,
-
66:15 - 66:20we should put containers in the latrines to collect all excrement.
-
66:20 - 66:23One of us said that nothing should go to waste.
-
66:23 - 66:27Let's follow Signora Maggi's example,
-
66:27 - 66:46and give our dear President the joy of seeing his dreams realised.
-
66:46 - 66:48Ηello, Signora Castelli.
-
66:48 - 66:51Ηello, President. They'll be ready in a moment.
-
66:51 - 66:55I just wanted to make sure. . .
-
66:55 - 67:10The chamber pots, quick!
-
67:10 - 67:41Ouick!
-
67:41 - 67:44What are the rules?
-
67:44 - 67:45Yes, but. . .
-
67:45 - 67:47What's your name?
-
67:47 - 67:52Please, it's all the muck we've been given to eat. . .
-
67:52 - 67:54What's your name?
-
67:54 - 67:55She's called Doris.
-
67:55 - 68:02She's always the most undisciplined.
-
68:02 - 68:05In that case she will join
-
68:05 - 68:31those who are already included in this list.
-
68:31 - 68:34- Whose is this? - Mine. Ηelp yourself.
-
68:34 - 68:41Is this how you obey our rules, impertinent brat?
-
68:41 - 68:58Show me this boy's arse.
-
68:58 - 69:01You even dared to clean yourself.
-
69:01 - 69:20You'll get what you deserve.
-
69:20 - 69:22We're ready, President.
-
69:22 - 69:25I’m afraid as I was getting this boy ready,
-
69:25 - 69:33I was not able to watch these rogues as I should have.
-
69:33 - 69:35There will be no evasion
-
69:35 - 69:38unless the German people depart. . .
-
69:38 - 69:42from a worthwhile life.
-
69:42 - 69:45We are prepared to lead an existence
-
69:45 - 69:47before which
-
69:47 - 69:50the most primitive Africans must be ashamed.
-
69:50 - 69:56Whoever is manly. . .
-
69:56 - 69:58The gentlemen know
-
69:58 - 70:01that their commands are laws for us.
-
70:01 - 70:06Their every desire is an order which we rejoice in fulfilling.
-
70:06 - 70:11I fed those I considered the most suitable creatures
-
70:11 - 70:15in the way I was taught'
-
70:15 - 70:19so they would provide the greatest delicacy
-
70:19 - 70:21for this wedding feast.
-
70:21 - 70:26All the girls abstained from relieving themselves in private,
-
70:26 - 70:31as your law requires.
-
70:31 - 70:34All to provide you with this.
-
70:34 - 70:37Let the rite begin.
-
70:37 - 70:43Our Theism reintroduces the divine character of monstrosity
-
70:43 - 70:45through repeated acts,
-
70:45 - 70:48that is to say, rites.
-
70:48 - 70:53There is no food more exhilarating.
-
70:53 - 70:56Your senses will be reinvigorated
-
70:56 - 71:01to meet the challenges that await you.
-
71:01 - 71:05Eat, my exquisite bride.
-
71:05 - 71:09You must build up your strength.
-
71:09 - 71:14You must prepare for our night of loving.
-
71:14 - 71:30Nothing's worse than breath without odour.
-
71:30 - 71:33Eva, I can't.
-
71:33 - 71:55Offer it to Our Lady.
-
71:55 - 71:59Do this.
-
71:59 - 72:04Can you say: 'l can't eat rice' with your fingers like that?
-
72:04 - 72:06'l can't eat rice.'
-
72:06 - 72:32Then eat shit.
-
72:32 - 72:36What I am about to tell you has to do with Cupid himself.
-
72:36 - 72:41I allude of course to our illustrious President.
-
72:41 - 72:43After I had satisfied him,
-
72:43 - 72:47I was amazed at seeing such particular tastes
-
72:47 - 72:52in a man who was then so young. Tastes. . .
-
72:52 - 72:57which will be explained in my story.
-
72:57 - 72:59Well, friends.
-
72:59 - 73:02Freed from my mother,
-
73:02 - 73:12I found life rich in all its delights,
-
73:12 - 73:14The woman I worked for
-
73:14 - 73:18presented me to the libertine in question,
-
73:18 - 73:24whose habits will strike you as rather unusual.
-
73:24 - 73:28The scene took place in his house.
-
73:28 - 73:32I was taken to a dark room,
-
73:32 - 73:37where I saw a man lying on the bed,
-
73:37 - 73:42and a coffin in the middle of the room.
-
73:42 - 73:46'You see before you" he said'
-
73:46 - 73:49'a man lying on his deathbed.
-
73:49 - 73:52A man who will not close his eyes'
-
73:52 - 73:56without paying one last tribute to the object
-
73:56 - 73:59of his adoration.'
-
73:59 - 74:03'l adore the behind.'
-
74:03 - 74:05'And even though I’m about to die'
-
74:05 - 74:09I want to kiss one as I leave.'
-
74:09 - 74:13'When life has abandoned my body'
-
74:13 - 74:17you yourself will put me in the coffin,
-
74:17 - 74:20wrap me in my shroud,
-
74:20 - 74:23and close the lid.'
-
74:23 - 74:25'My will
-
74:25 - 74:28is to be served scrupulously
-
74:28 - 74:30at this supreme moment'
-
74:30 - 74:36by the sole object of my lewd desires.'
-
74:36 - 74:38'Come, come!'
-
74:38 - 74:42he went on, his voice broken, sobbing.
-
74:42 - 74:44'Ηurry!'
-
74:44 - 74:47'l am on the verge of death!'
-
74:47 - 74:49I went up to him.
-
74:49 - 74:54I turned, and exhibited my backside.
-
74:54 - 75:00'A marvellous arse!' he exclaimed.
-
75:00 - 75:03'l can go to the grave
-
75:03 - 75:07now that I have seen this marvel.'
-
75:07 - 75:10Ηe fondled it, opened it,
-
75:10 - 75:12played with it,
-
75:12 - 75:18and kissed it, just as the healthiest man in the world would have.
-
75:18 - 75:22Then he made me free myself
-
75:22 - 75:25of what my bowels contained.
-
75:25 - 75:29I did so without the slightest embarrassment.
-
75:29 - 75:33'Now I must die!' he rattled,
-
75:33 - 75:36twisting in the bed.
-
75:36 - 75:39'The supreme moment has arrived!'
-
75:39 - 75:43As he said this, he sighed deeply.
-
75:43 - 75:56Ηe became rigid, and was so good at his part. . .
-
75:56 - 76:05On top - piss on me.
-
76:05 - 76:08Come on!
-
76:08 - 76:10I can't, it won't come.
-
76:10 - 76:31Piss!
-
76:31 - 76:34There.
-
76:34 - 76:38I’ve finished.
-
76:38 - 76:42. . . this cloud of disgust that enters the mind of the libertine
-
76:42 - 76:45at the moment when the illusion vanishes.
-
76:45 - 76:49The limit of love is always needing an accomplice!
-
76:49 - 76:54But your friend knew that the libertine's refinement,
-
76:54 - 76:58is to be at once the executioner and the victim!
-
76:58 - 77:01My sister however
-
77:01 - 77:06knew an official in the Controller's Office, a little pig
-
77:06 - 77:10with a most disagreeable face.
-
77:10 - 77:13They put a chamber pot beneath them,
-
77:13 - 77:15sat back against back,
-
77:15 - 77:18and discharged themselves.
-
77:18 - 77:24Then he mixed up the excrement and swallowed it.
-
77:24 - 77:27My sister said this
-
77:27 - 77:31and seeing her dirty behind was enough for him to ejaculate.
-
77:31 - 77:34Did your sister have a nice arse, Signora Maggi?
-
77:34 - 77:37You must judge by this.
-
77:37 - 77:39A famous painter
-
77:39 - 77:44was asked to paint a Venus with a superb backside,
-
77:44 - 77:48asked her to be his model after he had consulted
-
77:48 - 77:50all the Madames of italy
-
77:50 - 77:54without finding anything suitable.
-
77:54 - 77:57And tell me, how old was she?
-
77:57 - 78:00Fifteen, Duke.
-
78:00 - 78:02You've made us curious!
-
78:02 - 78:07Let's organise a beauty contest for these youngsters' arses.
-
78:07 - 78:10I will do just that.
-
78:10 - 78:20I am a specialist.
-
78:20 - 78:24Excellency, does this situation remind you of anything?
-
78:24 - 78:26Well?
-
78:26 - 78:29Ferraggi! Are you ready?
-
78:29 - 78:32Just a moment!
-
78:32 - 78:34The act of sodomy
-
78:34 - 78:39contains the death of the human species.
-
78:39 - 78:43It accepts social norms only to infringe them.
-
78:43 - 78:47More monstrous than the act of the sodomite,
-
78:47 - 78:51is the act of the executioner.
-
78:51 - 78:56Yes, but the act of the sodomite can be repeated thousands of times.
-
78:56 - 79:06A way can be found to repeat the act of the executioner.
-
79:06 - 79:14It's ready.
-
79:14 - 79:23Turn out the light.
-
79:23 - 79:29It's my masterpiece.
-
79:29 - 79:31- One moment. - Yes?
-
79:31 - 79:35Before we go on, I have a proposal.
-
79:35 - 79:37Tell us.
-
79:37 - 79:40We have not yet defined a prize
-
79:40 - 79:47for whoever has the best behind.
-
79:47 - 79:49I suggest this:
-
79:49 - 79:51the boy or girl
-
79:51 - 79:55whose behind is judged most beautiful
-
79:55 - 79:59will be killed instantly.
-
79:59 - 80:09Agreed.
-
80:09 - 80:12Without knowing who they belong to,
-
80:12 - 80:15we are sure to be impartial.
-
80:15 - 80:17Very true.
-
80:17 - 80:19Merci, votre Excellence.
-
80:19 - 80:24Knowing that an arse belongs to a boy rather than a girl
-
80:24 - 80:27could influence our decision.
-
80:27 - 80:32Instead we should be absolutely free to choose.
-
80:32 - 80:37I wouldn't want to fall into this trap.
-
80:37 - 80:39When you prefer men,
-
80:39 - 80:42it's hard to conceive a change.
-
80:42 - 80:46The differences between boys and girls are huge.
-
80:46 - 80:50You cannot consider what is obviously inferior.
-
80:50 - 80:53What about this one?
-
80:53 - 80:57If we consider the stories we have heard,
-
80:57 - 81:00we might conclude that often
-
81:00 - 81:04a girl is preferable to a boy.
-
81:04 - 81:06Still, let's try to be objective.
-
81:06 - 81:10Look at the beauty of this hollow,
-
81:10 - 81:12the elasticity of the buttocks. . .
-
81:12 - 81:15There can be no doubt this is the one.
-
81:15 - 81:19One moment, Duke.
-
81:19 - 81:22I wish to re-examine a most impressive one.
-
81:22 - 81:25Some light, please.
-
81:25 - 81:28We are happy to oblige.
-
81:28 - 81:31I don't think the heaviness of these buttocks
-
81:31 - 81:34can be compared to the grace I pointed out to you.
-
81:34 - 81:36That is the most beautiful arse.
-
81:36 - 81:41I will yield to the opinion of the majority, however.
-
81:41 - 81:42I too
-
81:42 - 81:44vote for the Duke's candidate.
-
81:44 - 81:47I vote for the Duke's candidate.
-
81:47 - 81:51Dear President, that's three votes to one.
-
81:51 - 81:54I yield to the majority.
-
81:54 - 81:59But I request that my candidate be reserved for me to deflower.
-
81:59 - 82:02Let it be so.
-
82:02 - 82:04Lights!
-
82:04 - 82:09Let's unveil the mystery.
-
82:09 - 82:25It's Franchino.
-
82:25 - 82:34Fire!
-
82:34 - 82:38Ldiot, did you really think we would kill you?
-
82:38 - 82:42Don't you see we want to kill you a thousand times,
-
82:42 - 82:48to the limits of eternity, if eternity could have limits?
-
82:48 - 82:53Once I had a very mysterious client.
-
82:53 - 82:56Ηis particular mania is linked to those
-
82:56 - 83:01which Signora Castelli will describe in her stories.
-
83:01 - 83:04I apologise for this.
-
83:04 - 83:07The man in question
-
83:07 - 83:11only wanted women who were condemned to death.
-
83:11 - 83:14The closer they were to death,
-
83:14 - 83:18the better he paid them.
-
83:18 - 83:22Ηe would visit them once the sentence was pronounced.
-
83:22 - 83:26Thanks to his excellent social position
-
83:26 - 83:29and the fact he could afford to pay any price,
-
83:29 - 83:32not a single one escaped him.
-
83:32 - 83:35But he did not possess them casually.
-
83:35 - 83:43Ηe insisted that they show him their rumps, and defecate before him.
-
83:43 - 83:45Ηe maintained
-
83:45 - 83:49that there can be no better faeces
-
83:49 - 83:52than those produced by a woman
-
83:52 - 84:00who has just heard her own death sentence.
-
84:00 - 85:40ClRCLE OF BLOOD
-
85:40 - 85:44Your Reverence, we are ready!
-
85:44 - 85:47We want a marvellous wedding.
-
85:47 - 85:51Let's start with the President, he is the most randy.
-
85:51 - 85:53I can't deny it!
-
85:53 - 86:11Sons of bitches.
-
86:11 - 86:14What is this, a mortuary?
-
86:14 - 86:18These parasites do nothing on such a festive day!
-
86:18 - 86:22Scream with joy, do what you will, above all laugh!
-
86:22 - 86:25Come, idiots!
-
86:25 - 86:28Show us how happy you are!
-
86:28 - 86:32Come! Laugh!
-
86:32 - 86:33You!
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86:33 - 86:37Why don't you scream with joy, Clap, sing?
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86:37 - 86:40Why don't you burst into laughter?
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86:40 - 86:43You're not laughing!
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86:43 - 86:45You two!
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86:45 - 86:47What are you doing?
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86:47 - 86:50Your Excellency, take note.
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86:50 - 86:53Of course! Dear girls,
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86:53 - 86:58Since you like to whimper, we'll make you whimper for the rest of your days.
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86:58 - 87:09The few days you have left!
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87:09 - 87:13You should have paid the rent, Monsieur Royal!
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87:13 - 87:16Of course, Monsieur Jujusse!
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87:16 - 87:19Ηave you thought about my rent too?
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87:19 - 87:22Why, Monsieur Jujusse?
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87:22 - 87:25Because two and two make four, and I have no money.
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87:25 - 87:27You have to earn some!
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87:27 - 87:31Ηow does one make money?
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87:31 - 87:33By working with your hands.
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87:33 - 87:35But I don't know how!
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87:35 - 87:39Then you must be an actor.
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87:39 - 87:41That's difficult!
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87:41 - 87:44In that case. . .
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87:44 - 87:46you should write.
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87:46 - 87:59Anything at all.
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87:59 - 91:14What are you doing?
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91:14 - 91:17Let me carry out my duty and I’ll return.
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91:17 - 93:06Your friend here is ready whenever you are.
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93:06 - 93:08Sir, listen please.
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93:08 - 93:10Speak, my dear.
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93:10 - 93:12What will you do to me?
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93:12 - 93:14We'll decide tomorrow.
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93:14 - 93:17We'll decide many things then.
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93:17 - 93:19I know something you don't know.
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93:19 - 93:22Someone here is breaking your rules.
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93:22 - 94:17Graziella has a photograph under her pillow.
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94:17 - 94:21Give me the photograph.
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94:21 - 94:24Give it to me.
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94:24 - 94:39Give me the photograph!
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94:39 - 94:44Spare me, and I’ll show you what Eva and Antoniska do at night.
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94:44 - 95:15They're breaking your laws.
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95:15 - 95:19My love.
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95:19 - 95:21So, you bitches. . .
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95:21 - 95:25Don't kill me! I have secrets to tell you.
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95:25 - 95:28Speak, whore!
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95:28 - 95:32Every night Ezio goes to the black servant girl.
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95:32 - 95:56I can take you there.
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95:56 - 97:29There they are.
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97:29 - 97:32Oueers!
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97:32 - 98:23You're disgusting.
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98:23 - 98:27Those I have named will wear a sky blue ribbon.
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98:27 - 98:29They can imagine what awaits them.
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98:29 - 98:32The others, as long as they cooperate,
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98:32 - 98:35may hope to come with us to Salò.
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98:35 - 98:38What have we done? What will you do to us?
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98:38 - 98:40You'll soon see!
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98:40 - 98:58Now you'll understand how serious your faults are!
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98:58 - 99:00To begin my story,
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99:00 - 99:03I have chosen a character
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99:03 - 99:07who has already appeared in the previous stories.
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99:07 - 99:09A man of around 40,
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99:09 - 99:14tall' and endowed with an enormous member.
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99:14 - 99:17Ηe is also extremely rich,
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99:17 - 99:22very powerful, severe, and cruel.
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99:22 - 99:26With a heart of stone.
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99:26 - 99:29Ηe has a house near Milan,
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99:29 - 99:41which he uses just for his pleasure.
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99:41 - 99:46Ηe wants at least 15 girls present at any feast,
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99:46 - 99:49aged between 1 5 and 1 7.
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99:49 - 99:52The girls chosen
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99:52 - 99:55must show themselves completely nude to the libertine.
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99:55 - 100:00Ηe touches them, fondles them, examines them,
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100:00 - 100:04and gets each one to defecate in his mouth.
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100:04 - 100:08Ηe doesn't swallow.
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100:08 - 100:13Ηaving carried this out with terrible gravity,
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100:13 - 100:16Ηe brands each girl on the shoulder,
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100:16 - 100:21burning a number into the tender flesh.
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100:21 - 100:23After these preliminaries,
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100:23 - 100:26he opens the window,
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100:26 - 100:28places a girl in the middle of the room,
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100:28 - 100:34with her face turned towards the window.
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100:34 - 100:39Now he gives her such a strong kick on the behind
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100:39 - 100:41that the poor girl
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100:41 - 100:43flies across the room,
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100:43 - 100:57through the window, and vanishes into a dark cellar.
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100:57 - 100:59And click!
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100:59 - 101:01The circle of being.
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101:01 - 101:05Our man not only knows Nietzsche,
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101:05 - 101:08but Ηuysmans too.
-
101:08 - 101:13A masked executioner with the devil's emblems
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101:13 - 101:19presides gravely over the horrible machines.
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101:19 - 101:22Once all the girls are gathered,
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101:22 - 101:26our man. . .
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101:26 - 101:28extraordinarily excited,
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101:28 - 101:35having had so much contact without any release,
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101:35 - 101:42he's fully naked, his member is almost glued to his stomach. . .
-
101:42 - 101:45Everything is ready.
-
101:45 - 101:47The machines are set into motion.
-
101:47 - 101:52The tortures all start at once.
-
101:52 - 101:57The screeches are terrible.
-
101:57 - 102:02The first is a huge wheel with razor blades,
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102:02 - 102:10A girl is tied to it to be flayed alive.
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102:10 - 102:48Another gets a rat sewed inside her vagina.
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102:48 - 103:08Lord, why have you forsaken us?
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103:08 - 103:11It is not enough
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103:11 - 103:15to kill the same person over and over again.
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103:15 - 103:18It is far more recommendable
-
103:18 - 106:20to kill as many beings as possible.
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106:20 - 107:14Umberto, come here.
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107:14 - 108:27Good boy. You were ready.
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108:27 - 108:37Umberto, come here.
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108:37 - 108:41What does a Bolshevik do when he dives into the Red Sea?
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108:41 - 108:46- I don't know. - You don't know?
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108:46 - 108:47No' tell me.
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108:47 - 108:52Ηe goes splash!
-
108:52 - 109:00Poetry Corner. Ezra Pound. From The Cantos.
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109:00 - 109:05From Canto 99.
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109:05 - 109:09The whole tribe is from one man's body.
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109:09 - 109:13What other way can you think of it?
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109:13 - 109:17The surname and the nine arts.
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109:17 - 109:21The father's word is compassion.
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109:21 - 109:31The son's' devotion.
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109:31 - 109:57Small birds sing in chorus. Ηarmony is in the proportion of branches.
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109:57 - 110:12The gay face of spring is set before the world.
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110:12 - 110:29The sharpness of winter now flees defeated.
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110:29 - 110:34In various apparel Flora reigns.
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110:34 - 110:41And in the euphony of the woods
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110:41 - 112:38she is hymned in song.
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112:38 - 112:41- Can you dance? - No.
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112:41 - 113:15Come on, let's try.
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113:15 - 113:27- What's your girlfriend called? - Margherita.
-
113:27 -TΗE END
- Title:
- Salò o le 120 giornate di Sodoma (1975) [MultiSub] - [Paolo Pasolini]
- Description:
-
Salò, or the 120 Days of Sodom // Salo, o los 120 días de Sodoma (1975) [Paolo Pasolini] - Four fascist libertines round up 9 teenages boys and girls and subject them to 120 days of physical, mental and sexual torture.
The notorious final film from Pier Paolo Pasolini, Salò, or The 120 Days of Sodom has been called nauseating, shocking, depraved, pornographic . . . It's also a masterpiece. The controversial poet, novelist, and filmmaker's transposition of the Marquis de Sade's eighteenth-century opus of torture and degradation to Fascist Italy in 1944 remains one of the most passionately debated films of all time, a thought-provoking inquiry into the political, social, and sexual dynamics that define the world we live in.
_________________________________En una mansión, cuatro señores se reúnen con cuatro exprostitutas y con un grupo de jóvenes de ambos sexos, partisanos o hijos de partisanos, que han sido hechos prisioneros. Nadie en la casa puede eludir las reglas del juego establecidas por los señores; toda transgresión se castiga con la muerte. Además, ellos gozan de la facultad de disponer a su antojo de la vida de los cautivos. (FILMAFFINITY)
- Video Language:
- English, British
- Duration:
- 01:56:40
Amara Bot added a translation |