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"特寫紐約市"
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大伙們,謝謝你們來
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你們一直這段旅途中陪著我
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對我來說真的很重要
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我這一生‧‧‧‧‧‧
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''喬丹·卡斯特爾--畫家''
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[女士]
還是要恭喜妳!
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[卡司特爾]
謝謝
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比起外向的人,我認為自己更像個內向的人
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我可以不停創作
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就像腎上腺素開始發作
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我也有能力表現得十分外向
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所以我也試圖在全球尋找與我志同道合的朋友
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通常都會是某人站在某一邊
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這感覺有點像所謂的「正念」
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要求我們凡事需緩緩
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來好好感受與別人相處的當下
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["喬丹·卡斯特爾感受當下"]
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我時常注意到
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他人不易感知到的事物
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[路易]
我記得就像昨天一樣
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那是個如此平靜、充滿活力的一晚
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感覺好像用畫的方式描繪──
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氣氛
就像粉紅氛圍的夏日
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我們就是在125號街上遇見喬丹
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這是我的榮幸今日能在這裡
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成為見證此景的一份子
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我愛她
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[昆汀]
我好像一個超級巨星 [笑聲]
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Yo!我害羞得一直臉紅! [笑聲]
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我真的害羞得一直臉紅
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[贊恩]
我在溜這條狗,對吧?
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我們見面之後我坐了下來,然後擺了這個姿勢
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[男人]
這個地方是在美國吧?
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[贊恩]
對,哈林區
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[哈林區第125號街]
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[路易]
最近過得如何?
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我可以介紹你去Megastar Brand store嗎?
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我們有所有款式
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你有連帽衫
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我們有長袖T恤
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關於黑人權力的所有東西
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我們有各式各樣的東西──
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女士過得還行嗎?
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我可以介紹你去Megastar Brand store嗎?
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[女士]
也許下次吧寶貝
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[路易]
好哦,照顧自己哦
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[卡司特爾]
我一個人馳走在夜晚時
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路易和A-Thug正在整理他們的東西
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所以當我正在拍照取景時
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路易在某個時間點問道,
"發生什麼事了?"
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"你是藝術家?
一個攝影師?"
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"什麼原因讓你到哈林區取材?"
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然後我對他說, "喔,其實我是一個畫家啦,"
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"我正在做一個系列作品.
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他們就說, "哦好!"
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"我們很樂意參與!"
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他們在最一開始就有有滿滿的活力了
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--你們把這個變成張照片了
我沒有生氣.
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[笑聲]
--當你有台相機的時候就發揮它的用處啊!
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我拍攝某人最真實的時刻便是
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一瞬的剎那
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我始終陪伴他們身邊
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但我跟他們度過許多親密的時光
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最初,只有我一人在工作室
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在頃刻間,重新接觸我對某人的感受
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在我的腦海中,我足足一個人坐在這一小時
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尋找個可以鑽研我最親密的感受與想法的地方
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處理我周圍的世界
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而這就是我在繪畫時做的事
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我花了太多的時間「看」
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並提前決定顏色
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極細心地攪拌它們
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所以當我到達這個境界時
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我能夠發揮一定的自信心
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用我的方式去重新連結即接發生的事
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你知道,如果你直接坐在某人的前面
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你是為了生活而工作的啊
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「相機」也因此成為我與訪問者的橋樑
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它給了我時間
讓我三思而後行
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那個時間點與 A-Thug和路易
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我不知道我是否注意到了座位上的黑色汙點
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I'm quite sure I didn't
as I'm taking the pictures.
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But it's only in retrospect,
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as I took time to really study the environment
that they had created,
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that I was like, "Whoa!"
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"There are really prominent things
happening here."
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His shirt saying,
"T.H.U.G., the hate you gave us,"
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I also didn't notice until I started making
the painting.
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I think that's a very powerful statement,
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to wear it on your chest like a shield
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that communities of color often have to create
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in order to protect and honor ourselves.
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[LOUIE]
I get the best feeling when I come outside
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and somebody's wearing one of my t-shirts,
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one of my hats.
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Right here is a little bear I done drew out,
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animated it with the little graphic design.
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So, I've got to produce.
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Like, making art into
wearable clothing right now.
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Young Style Designs.
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It's wearable art right here, though.
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Jordan, her work is on showcase.
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You've got to go inside of an establishment.
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I'm more of a street hustler,
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I get it out right on the
cement concrete block.
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She left a little event in my life,
like a nice little milestone.
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Just dropped down and did something nice.
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[CASTEEL]
I have somehow found a way
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to weasel myself into a one-percent opportunity
within the art market
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that has proven, on so many levels,
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that room for me
is few and far between,
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as a young African-American woman
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in a space that is primarily run by older
White men.
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The history of this country is complicated.
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The history of how art has moved through institutions,
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and been valued, is complicated.
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With access comes responsibility.
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With visibility comes responsibility.
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[ZEN]
There are very few spaces where
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Black men are being represented
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outside of criminality and entertainment.
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People probably pass the subjects in this
work everyday,
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without acknowledging anything about them.
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There is a value in just being.