WEBVTT 00:00:02.380 --> 00:00:04.860 "特寫紐約市" 00:00:13.120 --> 00:00:14.580 大伙們,謝謝你們來 00:00:14.580 --> 00:00:16.400 你們一直這段旅途中陪著我 00:00:16.400 --> 00:00:17.580 對我來說真的很重要 00:00:17.580 --> 00:00:18.680 我這一生‧‧‧‧‧‧ 00:00:18.700 --> 00:00:20.240 ''喬丹·卡斯特爾--畫家'' 00:00:21.860 --> 00:00:22.800 [女士] 還是要恭喜妳! 00:00:22.800 --> 00:00:24.000 [卡司特爾] 謝謝 00:00:24.160 --> 00:00:27.740 比起外向的人,我認為自己更像個內向的人 00:00:27.749 --> 00:00:29.050 我可以不停創作 00:00:29.050 --> 00:00:30.789 就像腎上腺素開始發作 00:00:30.789 --> 00:00:35.320 我也有能力表現得十分外向 00:00:36.340 --> 00:00:41.180 所以我也試圖在全球尋找與我志同道合的朋友 00:00:41.180 --> 00:00:45.420 通常都會是某人站在某一邊 00:00:46.940 --> 00:00:48.840 這感覺有點像所謂的「正念」 00:00:48.840 --> 00:00:51.490 要求我們凡事需緩緩 00:00:51.490 --> 00:00:56.700 來好好感受與別人相處的當下 00:00:58.400 --> 00:01:02.700 ["喬丹·卡斯特爾感受當下"] 00:01:07.700 --> 00:01:11.120 我時常注意到 00:01:11.120 --> 00:01:13.980 他人不易感知到的事物 00:01:17.180 --> 00:01:18.880 [路易] 我記得就像昨天一樣 00:01:18.880 --> 00:01:20.380 那是個如此平靜、充滿活力的一晚 00:01:21.980 --> 00:01:23.640 感覺好像用畫的方式描繪── 00:01:23.640 --> 00:01:25.420 氣氛 就像粉紅氛圍的夏日 00:01:26.440 --> 00:01:28.900 我們就是在125號街上遇見喬丹 00:01:29.500 --> 00:01:31.200 這是我的榮幸今日能在這裡 00:01:32.020 --> 00:01:34.500 成為見證此景的一份子 00:01:35.120 --> 00:01:36.020 我愛她 00:01:40.360 --> 00:01:42.160 [昆汀] 我好像一個超級巨星 [笑聲] 00:01:47.320 --> 00:01:49.440 Yo!我害羞得一直臉紅! [笑聲] 00:01:49.920 --> 00:01:51.200 我真的害羞得一直臉紅 00:01:52.560 --> 00:01:54.420 [贊恩] 我在溜這條狗,對吧? 00:01:55.640 --> 00:01:59.340 我們見面之後我坐了下來,然後擺了這個姿勢 00:01:59.360 --> 00:02:00.860 [男人] 這個地方是在美國吧? 00:02:00.860 --> 00:02:02.020 [贊恩] 對,哈林區 00:02:09.840 --> 00:02:12.240 [哈林區第125號街] 00:02:14.780 --> 00:02:15.700 [路易] 最近過得如何? 00:02:15.700 --> 00:02:17.160 我可以介紹你去Megastar Brand store嗎? 00:02:17.160 --> 00:02:18.160 我們有所有款式 00:02:18.200 --> 00:02:18.940 你有連帽衫 00:02:18.980 --> 00:02:19.940 我們有長袖T恤 00:02:19.940 --> 00:02:21.380 關於黑人權力的所有東西 00:02:21.640 --> 00:02:22.800 我們有各式各樣的東西── 00:02:25.200 --> 00:02:26.340 女士過得還行嗎? 00:02:26.340 --> 00:02:27.800 我可以介紹你去Megastar Brand store嗎? 00:02:27.800 --> 00:02:29.040 [女士] 也許下次吧寶貝 00:02:29.040 --> 00:02:30.610 [路易] 好哦,照顧自己哦 00:02:32.860 --> 00:02:34.920 [卡司特爾] 我一個人馳走在夜晚時 00:02:34.920 --> 00:02:39.070 路易和A-Thug正在整理他們的東西 00:02:39.070 --> 00:02:40.830 所以當我正在拍照取景時 00:02:40.830 --> 00:02:44.160 路易在某個時間點問道, "發生什麼事了?" 00:02:44.160 --> 00:02:46.220 "你是藝術家? 一個攝影師?" 00:02:46.220 --> 00:02:47.720 "什麼原因讓你到哈林區取材?" 00:02:47.720 --> 00:02:49.920 然後我對他說, "喔,其實我是一個畫家啦," 00:02:49.920 --> 00:02:52.100 "我正在做一個系列作品. 00:02:52.100 --> 00:02:54.200 他們就說, "哦好!" 00:02:54.200 --> 00:02:55.700 "我們很樂意參與!" 00:02:56.180 --> 00:02:58.640 他們在最一開始就有有滿滿的活力了 00:02:58.640 --> 00:03:00.780 --你們把這個變成張照片了 我沒有生氣. 00:03:00.780 --> 00:03:03.320 [笑聲] --當你有台相機的時候就發揮它的用處啊! 00:03:03.700 --> 00:03:07.100 我拍攝某人最真實的時刻便是 00:03:07.100 --> 00:03:09.160 一瞬的剎那 00:03:09.160 --> 00:03:10.960 我始終陪伴他們身邊 00:03:11.700 --> 00:03:16.500 但我跟他們度過許多親密的時光 00:03:16.960 --> 00:03:19.780 最初,只有我一人在工作室 00:03:19.780 --> 00:03:24.300 在頃刻間,重新接觸我對某人的感受 00:03:34.500 --> 00:03:39.560 在我的腦海中,我足足一個人坐在這一小時 00:03:39.570 --> 00:03:46.270 尋找個可以鑽研我最親密的感受與想法的地方 00:03:46.270 --> 00:03:49.040 處理我周圍的世界 00:03:49.040 --> 00:03:51.320 而這就是我在繪畫時做的事 00:03:52.360 --> 00:03:54.360 我花了太多的時間「看」 00:03:54.370 --> 00:03:57.130 並提前決定顏色 00:03:57.130 --> 00:03:59.090 極細心地攪拌它們 00:03:59.090 --> 00:04:00.980 所以當我到達這個境界時 00:04:00.980 --> 00:04:04.960 我能夠發揮一定的自信心 00:04:05.720 --> 00:04:10.400 用我的方式去重新連結即接發生的事 00:04:10.400 --> 00:04:13.690 你知道,如果你直接坐在某人的前面 00:04:13.690 --> 00:04:15.140 你是為了生活而工作的啊 00:04:17.350 --> 00:04:22.720 「相機」也因此成為我與訪問者的橋樑 00:04:22.720 --> 00:04:27.680 它給了我時間 讓我三思而後行 00:04:27.680 --> 00:04:30.260 那個時間點與 A-Thug和路易 00:04:30.260 --> 00:04:33.540 我不知道我是否注意到了座位上的黑色汙點 00:04:33.540 --> 00:04:36.190 I'm quite sure I didn't as I'm taking the pictures. 00:04:36.190 --> 00:04:37.420 But it's only in retrospect, 00:04:37.420 --> 00:04:40.860 as I took time to really study the environment that they had created, 00:04:40.860 --> 00:04:42.080 that I was like, "Whoa!" 00:04:42.080 --> 00:04:46.040 "There are really prominent things happening here." 00:04:48.780 --> 00:04:51.660 His shirt saying, "T.H.U.G., the hate you gave us," 00:04:51.660 --> 00:04:55.560 I also didn't notice until I started making the painting. 00:04:56.080 --> 00:04:58.700 I think that's a very powerful statement, 00:04:58.700 --> 00:05:01.490 to wear it on your chest like a shield 00:05:01.490 --> 00:05:04.500 that communities of color often have to create 00:05:04.500 --> 00:05:07.020 in order to protect and honor ourselves. 00:05:09.520 --> 00:05:11.620 [LOUIE] I get the best feeling when I come outside 00:05:11.620 --> 00:05:13.800 and somebody's wearing one of my t-shirts, 00:05:13.800 --> 00:05:14.800 one of my hats. 00:05:15.080 --> 00:05:17.260 Right here is a little bear I done drew out, 00:05:17.260 --> 00:05:20.360 animated it with the little graphic design. 00:05:20.980 --> 00:05:22.600 So, I've got to produce. 00:05:22.610 --> 00:05:25.520 Like, making art into wearable clothing right now. 00:05:25.520 --> 00:05:27.000 Young Style Designs. 00:05:27.000 --> 00:05:28.820 It's wearable art right here, though. 00:05:31.680 --> 00:05:33.740 Jordan, her work is on showcase. 00:05:33.960 --> 00:05:36.940 You've got to go inside of an establishment. 00:05:36.940 --> 00:05:38.660 I'm more of a street hustler, 00:05:38.660 --> 00:05:41.560 I get it out right on the cement concrete block. 00:05:42.400 --> 00:05:46.740 She left a little event in my life, like a nice little milestone. 00:05:46.740 --> 00:05:50.220 Just dropped down and did something nice. 00:05:52.860 --> 00:05:55.500 [CASTEEL] I have somehow found a way 00:05:55.500 --> 00:06:01.540 to weasel myself into a one-percent opportunity within the art market 00:06:01.550 --> 00:06:03.060 that has proven, on so many levels, 00:06:03.060 --> 00:06:06.200 that room for me is few and far between, 00:06:06.200 --> 00:06:09.040 as a young African-American woman 00:06:09.040 --> 00:06:14.520 in a space that is primarily run by older White men. 00:06:16.090 --> 00:06:20.320 The history of this country is complicated. 00:06:20.320 --> 00:06:25.130 The history of how art has moved through institutions, 00:06:25.130 --> 00:06:27.200 and been valued, is complicated. 00:06:27.600 --> 00:06:30.000 With access comes responsibility. 00:06:30.640 --> 00:06:32.860 With visibility comes responsibility. 00:06:34.780 --> 00:06:37.920 [ZEN] There are very few spaces where 00:06:37.930 --> 00:06:40.520 Black men are being represented 00:06:40.520 --> 00:06:43.700 outside of criminality and entertainment. 00:06:44.760 --> 00:06:49.440 People probably pass the subjects in this work everyday, 00:06:50.380 --> 00:06:52.960 without acknowledging anything about them. 00:06:54.140 --> 00:06:56.920 There is a value in just being.