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Minerva Cuevas: Bridging Borders | Art21 "Exclusive"

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    [Minerva Cuevas: Bridging Borders]
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    The term "political activist" is problematic.
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    I think the challenge is to
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    stop using the references to activism
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    because everybody has this agency
    to react to daily life
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    and therefore generate political actions.
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    --[NEWS CORRESPONDENT]
    At the U.S.-Mexican border,
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    --a fence separates two worlds.
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    --Poverty to the south.
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    --Wealth to the north.
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    [CUEVAS] In general, I think my work
    is the research I do.
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    I planned a project for the
    Mexican and U.S. border.
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    My general idea was:
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    If there is a border, there could be a bridge.
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    I had never been in the area of the Rio Bravo.
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    I learned that the historical border
    is the deepest part of the river.
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    At the end I found an area that was
    a kind of natural bridge.
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    And I decided to use the rocks
    in that part of the river
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    to cross from the U.S. to Mexico and back.
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    I was marking the rocks with limestone
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    just to make a sign of the crossing.
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    You could see this dotted line going
    across the Rio Bravo.
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    With the installation,
    there were elements related to walking--
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    like walking sticks
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    and books talking about the Chihuahuan desert.
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    The act of walking from south to north
    was the most political act you could do.
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    [NEWS CORRESPONDENT]
    President Trump's proposed wall
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    along the U.S.-Mexico border
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    could cost nearly 22 billion dollars.
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    As first reported by Reuters,
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    it could take about
    three-and-a-half years to build.
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    [CUEVAS] You learn about the border
    through media.
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    It's connected to limits or control.
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    Violence is a very strong element
    in this perception
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    of what's the border.
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    Along the river, you have some border patrols;
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    but, there were no signs.
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    The whole area was free of any fence or wall.
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    Not witnessing anything connected to that
    kind of mediatic violence,
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    it's the first liberation.
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    You realize that what is intimidating
    is the desert itself.
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    Lately, I've been invited as part of talks
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    that have to do with climate change
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    or urban development
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    and the idea of
    "the artist as an activist."
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    There is this expectation of one action
    generating a lot of change.
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    Books and projects can be important,
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    but they won't be a solution.
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    The problems or the crisis in the world
    is generated by everybody.
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    So it has to be also a massive reaction
    what changes reality.
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    [CROWD CHANTING] No ban, no wall!
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    No ban, no wall!
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    No ban, no wall!
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    No ban, no wall!
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    [CUEVAS] Nationalism nowadays is linked to
    violence and the Other
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    and the differences between communities
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    rather than some kind of uniting element
    that is more necessary nowadays.
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    The wall wouldn't stop immigration.
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    The wall only reinforces this original imaginary
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    that's connecting the border with violence.
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    In fact, it would empower human trafficking.
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    It seems that the reactions are now
    getting a little bit more extreme
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    in terms of rethinking what's being human
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    and what do we want from not only politics
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    but from our daily lives.
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    How do we want to confront our reality.
Title:
Minerva Cuevas: Bridging Borders | Art21 "Exclusive"
Description:

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Video Language:
English
Team:
Art21
Project:
"Extended Play" series
Duration:
05:04

English subtitles

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