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(gentle music)
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- (Cindy) Well, I don't
usually do commissions,
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but I think when I haven't been working,
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when I feel like I need some sort of,
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project to challenge me,
to force me to start working.
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I sometimes will just accept it
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because I have a real deadline to,
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to force me to get going.
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It was through a friend of mine
who represents Balenciaga
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asked me if I wanted to do
some shots for French Vogue,
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and I said, my sort of stipulation is,
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as long as you can lend me the clothes
for weeks at a time,
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and I don't have that kind of pressure
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that like, normally I think
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commercial photographers
shoot everything in one day.
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And I said, 'No,
I need the clothes for longer'.
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And, so, they were totally cool with that.
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I wanted it to look like these are people
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who happen to be wearing Balenciaga
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at like, some kind of groovy parties.
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Maybe they work in the fashion business,
or maybe they would like to be working
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in the fashion business.
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I was trying to make it look
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as if they're shot with flash.
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The backgrounds are all digitally added
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with just shots of people
in restaurants and bars.
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And, yeah that was kind of what
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this series started out as.
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And, then I subsequently blew up
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one of these large to see
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how it would hold up as a work of art.
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And it didn't look good
with the backgrounds.
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So, I wound up going back
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and completely changing the backgrounds,
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and they sort of now have a new life
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as different sort of pictures.
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Still somewhat as if they're from parties,
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but in some cases even more so,
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because I added these flash effects.
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And it was actually the first time
I tried shooting with the digital camera.
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I borrowed a friend's camera
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and I was kind of nervous about that too,
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now I'm suddenly experimenting
with a digital camera
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and I don't really know how to use it,
and does it work the same with the lights?
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And then I have to set it up
to look at my computer while I'm shooting.
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It was all kind of like touch and go
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in the beginning, and a little scary.
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But, once I was into it,
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it was just like I'm a total convert,
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I threw out all my film
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and I'm ready to get rid of my cameras
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and, it's like
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I'll just never go back to film.