1 00:00:00,000 --> 00:00:03,861 (gentle music) 2 00:00:09,036 --> 00:00:13,175 - (Cindy) Well, I don't usually do commissions, 3 00:00:13,175 --> 00:00:20,029 but I think when I haven't been working, 4 00:00:20,040 --> 00:00:22,698 when I feel like I need some sort of, 5 00:00:23,639 --> 00:00:27,109 project to challenge me, to force me to start working. 6 00:00:27,407 --> 00:00:31,000 I sometimes will just accept it 7 00:00:31,000 --> 00:00:33,822 because I have a real deadline to, 8 00:00:34,041 --> 00:00:35,617 to force me to get going. 9 00:00:38,147 --> 00:00:41,970 It was through a friend of mine who represents Balenciaga 10 00:00:42,071 --> 00:00:45,560 asked me if I wanted to do some shots for French Vogue, 11 00:00:46,155 --> 00:00:48,261 and I said, my sort of stipulation is, 12 00:00:48,563 --> 00:00:52,731 as long as you can lend me the clothes for weeks at a time, 13 00:00:52,731 --> 00:00:54,541 and I don't have that kind of pressure 14 00:00:54,541 --> 00:00:55,870 that like, normally I think 15 00:00:55,874 --> 00:00:58,914 commercial photographers shoot everything in one day. 16 00:00:59,781 --> 00:01:01,575 And I said, 'No, I need the clothes for longer'. 17 00:01:01,575 --> 00:01:03,572 And, so, they were totally cool with that. 18 00:01:05,447 --> 00:01:08,691 I wanted it to look like these are people 19 00:01:08,691 --> 00:01:10,463 who happen to be wearing Balenciaga 20 00:01:10,463 --> 00:01:13,067 at like, some kind of groovy parties. 21 00:01:14,768 --> 00:01:17,893 Maybe they work in the fashion business, or maybe they would like to be working 22 00:01:17,893 --> 00:01:19,485 in the fashion business. 23 00:01:20,102 --> 00:01:23,261 I was trying to make it look 24 00:01:23,261 --> 00:01:25,127 as if they're shot with flash. 25 00:01:25,407 --> 00:01:27,264 The backgrounds are all digitally added 26 00:01:27,264 --> 00:01:30,707 with just shots of people in restaurants and bars. 27 00:01:33,357 --> 00:01:35,044 And, yeah that was kind of what 28 00:01:35,797 --> 00:01:38,380 this series started out as. 29 00:01:38,391 --> 00:01:43,150 And, then I subsequently blew up 30 00:01:43,150 --> 00:01:45,027 one of these large to see 31 00:01:45,027 --> 00:01:47,952 how it would hold up as a work of art. 32 00:01:48,935 --> 00:01:51,148 And it didn't look good with the backgrounds. 33 00:01:51,279 --> 00:01:53,885 So, I wound up going back 34 00:01:53,885 --> 00:01:55,743 and completely changing the backgrounds, 35 00:01:55,743 --> 00:01:58,666 and they sort of now have a new life 36 00:01:58,666 --> 00:02:01,286 as different sort of pictures. 37 00:02:04,476 --> 00:02:06,894 Still somewhat as if they're from parties, 38 00:02:06,894 --> 00:02:09,367 but in some cases even more so, 39 00:02:09,367 --> 00:02:11,837 because I added these flash effects. 40 00:02:16,180 --> 00:02:20,065 And it was actually the first time I tried shooting with the digital camera. 41 00:02:20,078 --> 00:02:21,756 I borrowed a friend's camera 42 00:02:22,546 --> 00:02:24,670 and I was kind of nervous about that too, 43 00:02:24,670 --> 00:02:26,895 now I'm suddenly experimenting with a digital camera 44 00:02:26,913 --> 00:02:30,089 and I don't really know how to use it, and does it work the same with the lights? 45 00:02:30,089 --> 00:02:33,446 And then I have to set it up to look at my computer while I'm shooting. 46 00:02:33,446 --> 00:02:35,159 It was all kind of like touch and go 47 00:02:35,159 --> 00:02:36,964 in the beginning, and a little scary. 48 00:02:37,184 --> 00:02:40,260 But, once I was into it, 49 00:02:40,260 --> 00:02:42,236 it was just like I'm a total convert, 50 00:02:42,236 --> 00:02:43,678 I threw out all my film 51 00:02:43,678 --> 00:02:46,411 and I'm ready to get rid of my cameras 52 00:02:46,411 --> 00:02:48,921 and, it's like 53 00:02:48,921 --> 00:02:50,574 I'll just never go back to film.