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[metallic tapping]
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[footsteps and a door closes]
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It was soon after I had a panic attack at
-
the complex pain clinic that I knew
-
I needed to plan for my next emergency
-
hospital visit.
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I was filling out an intake form
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and the questions about the
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effectiveness of my care
-
recalled a troubling experience;
-
the time when an emergency room doctor
-
refused treatment because he thought
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I was seeking drugs.
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But it wasn’t the pain–or even
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the thought of not being able to
-
advocate for myself–that
-
left a pit in my stomach.
-
It was the failure of trust
-
in my most desperate moments,
-
when I had no choice but to trust health
-
professionals who were more bound
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to protocol than care;
-
From invasive procedures
-
that weren’t explained to me,
-
to the times when I had to convince staff
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that I was a sickle cell patient
-
even though I was obviously suffering.
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It was the build up of trauma
-
from these episodes that eventually
-
convinced me to write five short
-
paragraphs that articulated
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my position on accessibility.
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My first vision of Open Access
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was a place where I could rest
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and find comfort during a health crisis;
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but still, it didn’t account
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for my entire experience.
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From the time I started practicing as an
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artist I struggled with the fact that
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vision wasn’t my central reference point.
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I held space for myself by
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resisting language like “blind” when
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what I really wanted was a community
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that valued non-visual perception.
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I needed the same supportive,
-
pain-informed environment as
-
a grad student but I wasn’t
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open about my pain condition at the time.
-
This meant that I could focus on the
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relationships between object, audience,
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and place that were available through
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my non-visual senses without
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addressing my times in hospital.
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It wasn’t long before I was waiting to
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cross a busy street at the front of a
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daisy chain of participants
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who were shutting their eyes.
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Still, I didn’t realize the full impact
-
of ocularcentrism until I told my friends
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who identified as “blind” about my work.
-
Many of them had never been to a
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museum, let alone considered
-
pursuing art practice.
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The contemporary art landscape wasn't
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organized so people like them could
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represent themselves or share
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their stories with the wider public.
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Instead, the entire field
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privileged visuality;
-
a tradition that not only repressed
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unseen bodies of knowledge,
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but excluded a non-visual culture
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with its own history from participating.
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In the 60s, activists in the disability
-
community characterized their plight
-
in a new way that got to
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the heart of their circumstance.
-
Their actions gave voice to an embodied
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experience that they knew intimately;
-
the feeling of being disabled,
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not by their bodies, but by the
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disabling attitudes and institutions
-
that restrained their agency.
-
Some went on to chain themselves to busses
-
others crawled up
-
government steps in protest.
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When they fought for legislation
-
for increased access to public space, they
-
shouted “nothing about us without us!”.
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This wasn’t a matter of accommodation.
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It was a matter of survival.
-
Their limited presence in public life
-
went hand-in-hand with
-
limited influence and power;
-
resulting in policy that
-
positioned them as subjects rather than
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agents with opinions about their needs.
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They knew that it was an
-
underlying system of control
-
that enforced this order;
-
a system that measured their
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bodies, minds, and behavior against
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concepts of normalcy and standards
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rooted in Western medical tradition.
-
It was the same system that was
-
responsible for forced sterilization
-
programs and the wholesale
-
institutionalization of their peers.
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Open Access is radically different than;
-
a policy that temporarily removes
-
a barrier to participation for a group
-
with definite needs.
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It acknowledges that everyone
-
carries a body of local knowledge
-
and is an expert in their own right.
-
Open Access relies on those present
-
what their needs are and how they
-
can find support with each other
-
and in their communities.
-
It is a perpetual negotiation of
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trust between those who practice
-
support as a mutual exchange.
-
Open Access is the root system
-
of embodied learning.
-
It cultivates trust among those involved
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and enables each member to self-identify
-
and occupy a point of orientation
-
that centers complex embodiment.
-
Open Access disrupts the disabling
-
conditions that limit ones agency
-
and potential to thrive.
-
It reimagines normalcy as a continuum
-
of embodiments, identities, realities,
-
and learning styles, and operates under
-
the tenet that interdependence is central
-
to a radical restructuring of power.
-
Open Access is a temporary,
-
collectively-held space where participants
-
can find comfort in disclosing their
-
needs and preferences with one another.
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It is a responsive support network
-
that adapts as needs
-
and available resources change.
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[metallic tapping fades]