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Street Dance 3D 2010 FULL MOVIE - 720p HD - BlueRay - Also In 3D | Eng Audio | Eng And Ser Sub

  • 0:55 - 0:57
    Ever since I was a young girl...
  • 0:57 - 1:01
    ... you'd find me up in my room
    dancing in front of the mirror.
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    Carly and her street dance crew,
    smashing it on some stage...
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    the crowd going wild.
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    It kept me going after
    I left home.
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    I came to London where
    street dance led me to my new family.
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    My crew.
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    I'm still dancing and dreaming
    in front of that mirror.
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    It's just now...
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    I share my dream.
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    We're going to be late, man.
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    Hello? Guys!
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    We're halfway to New York.
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    If we dance like that in the finals
    who is going to beat us?
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    Final call for The Surge.
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    Guys.
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    - Damn they're good.
    - That's why they're champions, Carly.
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    Guys? Show some class.
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    - Are you going to get the drinks in, then?
    - Maybe.
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    Jay-2-0, the next UK champions!
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    I love you.
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    Your round, Mac!
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    Guys!
  • 5:44 - 5:45
    Guys!
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    Okay, this is... this is the
    hardest thing I've ever had to do.
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    I'm going.
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    - I wanted to end it on a high.
    - Yeah, good one, Jay.
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    I'm serious. I'm under a lot of
    pressure right now...
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    ...at work and Uni...
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    something's got to give,
    and it's got to be this.
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    - So, what are you saying?
    - Jay?
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    We've all got pressures, bruv...
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    we've got a chance to be
    UK champions...
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    ...go to New York and
    represent our country.
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    And I wouldn't do this
    if I didn't think you could handle it.
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    But, you can.
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    Carly knows all the choreo,
    she can take it from here.
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    - Can't we just talk about it?
    - I've made up my mind.
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    It's your crew now.
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    I'm gonna miss you guys.
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    Come on, man.
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    This is some joke, t'ing.
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    I'm going to sort it, alright?
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    - You're not going to change my mind.
    - What's wrong, Jay?
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    I thought you wanted to win?
    Be UK Champions!
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    Sometimes you've got
    to make choices.
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    Why didn't you tell me?
    I looked like such an idiot.
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    I need to get my head straight.
    Have a bit of a time out.
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    Well, have a week off
    and come back.
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    I mean from everything...
    everyone.
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    - I need to get rid of distractions for a bit.
    - Thanks, and I'm a distraction?
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    The biggest.
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    - Is it because I said I love you?
    - No! It's just a time out.
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    If you take over the crew,
    you won't even notice I'm gone.
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    Okay?
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    One jacket, with cheese.
    Enjoy!
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    - He said it was just a time out.
    - Oh, cut and run, Carls.
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    He's ditched us all five weeks
    before the finals!
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    I can take Jay's place
    in the crew...
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    ...as your man.
    - Yeah, right, Eddie.
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    Keep practicing!
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    Let's just concentrate on winning
    the streetdance finals, yeah?
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    Yeah, you're right...
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    ...and then he'll want me back,
    won't he?
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    Blonde and northern.
    Tragic, really.
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    Thanks, Eddie...
    Let's get down to rehearsals.
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    Offer still stands, Carly.
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    Why me? Shouldn't you be
    running the crew Shawna?
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    - I just dance. You see the bigger picture.
    - Will they listen to me?
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    Not if you sound like that.
    You've got to be kick-arse Carly, man.
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    Come on, give me some heat...
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    Is that all you got?
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    Allez. Go into the centre.
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    I don't get it.
    He's lost his family, rude boy.
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    How can we be Jay-2-0 without Jay?
    It don't make no sense.
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    - Why are they stood outside?
    - Just march in and show no fear.
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    Come on, give me some heat.
    Give me some.
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    Come on.
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    That was lame.
    Kick arse Carly, or kissarse?
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    Come on guys let's get started.
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    - Okay, guys, slight hitch.
    - You didn't book the rehearsal space.
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    - Was I meant to?
    - Come on, Carly.
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    You were the boss, right?
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    If you want to lead,
    Frankie, be my guest.
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    Without Jay,
    it's a waste of time.
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    - Steph, what are you doing?
    - I'm sorry.
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    - We're supposed to be a crew.
    - Don't worry. They'll be back.
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    Guys... I... can replace them.
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    - Come on, Eddie.
    - You got to learn from the Da Boogie Man.
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    Listen, guys,
    I don't know how to do this yet.
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    But what I do know is
    we have got a heavy crew.
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    We've got a final in September.
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    Can't we just find somewhere to
    rehearse and get on with it?
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    Show Jay what we're made of.
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    Fix up, man!
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    My hair!
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    - Oh, Shawna!
    - Sorry.
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    - Gosh, man.
    - Alright, Aimee.
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    - I think I've got hypothermia.
    - You're so extra.
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    - We're supposed to dance outside.
    - Not in England.
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    - America, maybe.
    - Then, let's get there...
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    ...but we've gotta be
    UK Champions first.
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    Only if we rehearse in a studio.
    Health and Safety, innit?
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    But we need money.
    Have you got any?
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    Don't get rude, Carly.
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    If you let us use your studio for free
    we'll wear T-shirts advertising your gym.
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    Hello?
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    - Bill for your little party last night.
    - You what?
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    You wanna keep your job?
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    This ain't a drop-in-centre
    for you and your mates.
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    - We only had a few Kit-kats.
    - And?
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    I need every penny
    I've got for dance space.
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    And?
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    Well, why don't you sponsor us?
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    Now, that is funny.
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    Right, off your butt, twinkle toes.
    Eddie's late, so...
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    ...you deliver these and I'll
    think about letting your off the bill.
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    With a smile, Carly. With a smile.
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    That's better.
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    - Are you the sandwich girl?
    - Yeah, is it a chicken salad?
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    - That's me.
    - And one drink...
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    That's £5.50, please.
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    You're welcome to stay and watch,
    if you like.
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    No, you're alright.
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    I was looking more
    at your room, actually.
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    - That doesn't say much for my dancers.
    - No, they're very good.
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    They're not really feeling it though,
    are they? They look bored stiff.
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    Why are you interested in the room?
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    I need somewhere to rehearse
    for my street dance crew.
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    I don't suppose you rent these rooms
    for a fiver, do you?
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    - Are you any good?
    - God, yeah.
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    Got the UK finals in a few weeks.
    We'd blow this lot out of the water.
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    Okay. I'd like to see it.
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    - Yeah, right.
    - Really.
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    Well, we're dancing in the shopping
    centre tonight, if you do mean it.
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    - Sevenish.
    - If I can get away, I'll come.
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    Really?
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    How will I find you?
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    Follow the crowds.
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    You are Romeo and Juliet.
    You could die for each other.
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    Could I please get
    an inkling of this.
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    - You need a permit!
    - It's our money, we've earnt it.
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    Ain't that your Justine?
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    You big, ugly bear...
    Justine, you come here.
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    Is this what you're coming here to do?
    Shaming me like this.
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    - Do you want to get the police involved?
    - But, it's ours.
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    - Cool it, Carls!
    - Thanks!
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    - Everyone in Topshop's watching us.
    - So, why didn't you help me?
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    No, you know what? I don't want to
    be a part of this anymore.
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    - Don't you dare flake out, Aimee.
    - Flake out of what?
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    We're going nowhere with you.
    Without Jay, this crew's got no chance.
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    Oh, thanks. Thanks a lot.
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    You whinge better than
    you dance, anyway.
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    Come on, out! It's all done.
    Finished! On your bikes.
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    On your way. Get your hair done.
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    You might want to refine some of
    those management skills of yours.
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    Oh, piss off!
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    Well, whilst you're
    in this mood, I will.
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    Come on.
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    A little chaotic... but good.
    Vibrant.
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    Come and see me tomorrow
    with the rest of your group...
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    when you find them.
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    Studio Three, four o'clock.
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    - Hello?
    - Hi...
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    You shameful girl.
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    My Justine not dance
    with you again.
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    And then there were two...
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    I've messed up, haven't I?
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    Changement, changement,
    en force.
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    Open les bras.
    Epaulemnt Allez.
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    Spot, spot, spot, spot.
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    Well, would we pay to see
    this year's crop?
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    On present showing none shall
    get through the Royal Ballet auditions.
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    Well, that's not going to dazzle
    our benefactors, is it?
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    What's happened?
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    More and more I wonder
    about our methods.
  • 18:41 - 18:43
    We drill the passion out of them.
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    The vital ingredient.
    But, I have a plan to drill it back in.
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    It had better work, Helena.
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    Funding cuts mean other cuts,
    you know?
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    Today it's all no good.
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    Carly, Shawna!
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    Oh, my God, it's you guys!
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    Oh, excuse me... no, thank you.
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    Mac!
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    - You pulled it off, Carly, man.
    - Yeah, this place is nice.
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    Sick, man!
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    - Can I help you?
    - Look at this bronx arse joke, brer.
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    We were told to be here
    by this lady.
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    It's Helena.
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    - Have you come to watch us?
    - Other way round, more like.
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    Get this one.
    'Have I come to watch them'.
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    Not in those tights.
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    - Crap!
    - Oh, man!
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    I'm okay. I'm okay.
    I just need to lie here a bit.
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    Oh, my God. I'm so sorry.
    We'll pay for the damage.
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    I see you've made yourself at home,
    but you're in the wrong room.
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    Hurry up, girls.
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    - Would this suit your needs?
    - Are you kidding?
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    - This is amazing.
    - And you've met my dancers?
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    - Kind of.
    - Gabe, Isabella, Bex...
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    ...Chloe and Tomas.
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    I have a proposition for you.
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    Unlimited access to rehearse here
    for your competition.
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    Nice...
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    If you include my dancers
    in your routine.
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    What?
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    - No way, we're a street dance crew, it's...
    - No, say, no.
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    It's like a family,
    we can't just take on new people.
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    Say something to her!
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    - Helena, with all due respect...
    - Thank you, Tomas.
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    I decide the content
    for your final master class.
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    Sorry, Miss, this sounds crazy.
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    - I'm sorry, I don't know your name.
    - Carly.
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    Carly, if you don't take my dancers,
    I'll have to charge you
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    for the hire of the studio and,
    of course, for damages.
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    It's your decision.
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    Where are we going to
    get the money from, man?
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    - We can't win the finals with them!
    - I say we do a runner.
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    Guys, are you blind?
    Bendy chicks, come on.
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    - Can they street dance?
    - No, you'll have to teach them.
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    I'm sorry, her teach us?
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    Yeah.
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    This is a unique opportunity.
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    I hope you'll all embrace it and
    perform well for the competition.
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    - I'm getting my dad to call the Board.
    - Look at the state of them.
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    Like clowns.
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    Let's just have a go.
    They'll be crap.
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    Then we can have the studio, anyway,
    and we can get the others back.
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    Bruv, it's all green.
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    Where's the real food, man?
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    How's learning with those clowns
    going to get us into the Royal Ballet?
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    Helena's known for
    her unconventional methods.
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    We've just got to trust her.
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    What is street dance?
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    Oh, don't be a bun head
    all your life, Bex.
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    Hey, this is Jay,
    you know what to do.
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    Hi, Jay. It's me Carly...
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    ...give me a ring back
    when you can, please.
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    If you want, or...
    if you can, whatever...
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    Did I say it's me?
    It's Carly.
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    Focus, focus!
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    Plus fort, plus fort!
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    Right, it's your turn.
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    We've got five weeks and
    that's what we need you to do.
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    Yeah, do we have to be so... angry?
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    That's just the way it is,
    ballet boy.
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    - What are they?
    - My feet?
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    That's not suitable.
    Where are your trainers?
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    You know that trainers are
    rule number one.
  • 27:00 - 27:03
    This is what we dance in.
    Do you want us to injure ourselves?
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    Surprised you don't do that
    in your tights, mate.
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    Do I pass?
  • 27:12 - 27:14
    Just trainers tomorrow, yeah?
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    Tap, one, tap, one... and again,
  • 27:18 - 27:21
    ...five, six, seven, eight.
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    Tap one, tap one, tap one.
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    Let's try it to the music and
    follow us if you lose the steps.
  • 27:28 - 27:32
    - What steps?
    - Has she even heard of words?
  • 27:32 - 27:34
    All those girls are going to need
    some hands on help from the Mac Daddy.
  • 27:34 - 27:37
    Can't you just calm yourself.
    Look at them. They might snap, man.
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    Five, six, seven, eight...
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    Come on! You're going to be up against the
    best street dancers in the UK in a few weeks...
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    Five, six, seven, eight...
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    You're going to make us
    look like jokers!
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    Not good enough. Focus, please.
  • 28:00 - 28:03
    Five, six, seven, eight...
  • 28:15 - 28:16
    Carly!
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    - What did you say to her?
    - I didn't say anything...
  • 28:18 - 28:20
    - You lot are bad, man.
    - This is your fault, you know?
  • 28:20 - 28:22
    - Ours?
    - Yeah.
  • 28:25 - 28:27
    - Carly.
    - I can't do it.
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    - How was rehearsal?
    - We're too different.
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    I can't do it.
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    - Can't or won't?
    - Listen, I'm not a teacher, Miss...
  • 28:36 - 28:38
    Listen, I'm not a teacher, Miss, and I
    think you've got the wrong idea about me.
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    Then that will be £ 250
    for the hole in the wall.
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    Come on, I'm trying to tell you
    this crew is going to fail.
  • 28:45 - 28:48
    Because you think it will,
    or because you want it to?
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    Will you stop answering me with
    questions. I don't want to lead this thing.
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    They're never going to
    get it by the 27th!
  • 28:56 - 28:58
    Then I'll see you again
    when you deliver my lunch.
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    But, go easy on
    the mayonnaise next time.
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    I feel like a chav.
  • 30:45 - 30:48
    These things wreak havoc
    on one's lines.
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    - I feel more comfy.
    - Hey, guys.
  • 30:51 - 30:52
    More of them!
  • 30:52 - 30:56
    - Steph, Frankie!
    - You're not doing the finals without us.
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    - Shawna, tell them what's going on.
    - What's going on, B?
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    We got off on the wrong foot yesterday.
    So, let's start again.
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    Street dance for beginners.
  • 31:05 - 31:08
    Spread out.
    Just move like you are in a club.
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    This should swing it
    for the Royal Ballet...
  • 31:11 - 31:13
    Just slouch a bit.
    Do your own thing.
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    - We don't do slouching, darling.
    - So, improvise.
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    You know that's
    how street dance started.
  • 31:19 - 31:22
    In the streets, in the clubs.
    Ripping up the rules.
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    We're going to break it down
    for you...
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    Like Brook... locking...
  • 31:46 - 31:47
    Mac... popping...
  • 31:57 - 31:59
    Steph... breaking...
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    Come on, Boogie.
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    Steph, show them your house.
  • 32:44 - 32:46
    Frankie, new style.
  • 32:54 - 32:56
    Come on, Shawna. New style.
  • 33:11 - 33:13
    Finally, Mac. Krumping.
  • 33:32 - 33:34
    Come on. Pick a move
    and get practicing.
  • 33:37 - 33:39
    Young man, what are you doing?
  • 33:40 - 33:41
    Delivering.
  • 33:42 - 33:45
    Helene, can you please
    control your street people?
  • 33:46 - 33:48
    Dancers, Madame. Dancers.
  • 33:48 - 33:50
    That is a matter of opinion.
  • 33:55 - 33:58
    - Chicken salad?
    - Thank you, Eddie. How's it going?
  • 33:59 - 34:01
    It's painful, Miss.
  • 34:10 - 34:13
    You know it might make life easier
    if you let me run the classes with you.
  • 34:13 - 34:15
    Are you trying to tell me
    how to do this?
  • 34:16 - 34:18
    Well, you could do
    with the help, couldn't you?
  • 34:18 - 34:21
    We're doing a street dance...
    not a ballet.
  • 34:23 - 34:25
    So much for ripping up the rules.
  • 34:29 - 34:32
    - He loves himself.
    - Just your type.
  • 34:32 - 34:36
    - What? It's one way of forgetting Jay.
    - I don't want to forget him.
  • 34:36 - 34:39
    Well, I think the
    ballet boys are buff.
  • 34:41 - 34:42
    We're the teachers.
  • 34:44 - 34:46
    I'm getting my parents to
    call Mr. Harding.
  • 34:46 - 34:49
    I mean, they're not paying
    for disco dancing.
  • 34:51 - 34:54
    - Dairy's deathly, you know?
    - It's alright. It's okay.
  • 34:55 - 34:56
    Survival has arrived.
  • 34:57 - 35:00
    - That's my lunch.
    - Don't make me laugh.
  • 35:01 - 35:03
    Look, they can't dance our way
    without the proper fuel.
  • 35:04 - 35:08
    Can't dance? Did you just say
    that we can't dance?
  • 35:08 - 35:11
    That ain't dancing.
    That's just flapping about.
  • 35:11 - 35:14
    Well, at least I don't look like
    I'm having a seizure.
  • 35:15 - 35:17
    Whatever you say, tutu tits.
  • 35:22 - 35:23
    Tutu what?
  • 35:26 - 35:27
    You heard.
  • 35:34 - 35:35
    Food fight!
  • 35:52 - 35:55
    Discipline. Etiquette. Grace.
  • 35:56 - 36:00
    A few words I'd like to remind you of.
    This is not how we treat our guests.
  • 36:02 - 36:05
    I can only assume you know what you're
    doing bringing these characters in here?
  • 36:05 - 36:07
    You should be pleased,
    Mr. Harding.
  • 36:07 - 36:09
    Our students are finally
    showing some spirit.
  • 36:10 - 36:11
    Well, I'd rather see it
    in their dancing.
  • 36:16 - 36:19
    You've got to find a way to
    work together.
  • 36:19 - 36:21
    Get out of here.
    Have some fun.
  • 36:21 - 36:23
    Get to know each other.
  • 36:24 - 36:26
    After you’ve cleaned up this mess,
    of course.
  • 36:46 - 36:48
    Let's ditch them
    when the track stops.
  • 36:49 - 36:50
    Yeah. We've made the effort.
  • 37:00 - 37:01
    Shawna!
  • 37:05 - 37:08
    Looks like you're stuck with us.
    Come on.
  • 37:26 - 37:28
    - Carly!
    - Aaron, are you alright?
  • 37:28 - 37:31
    - Are you on?
    - We're up next. You been cool, yeah?
  • 37:31 - 37:35
    - I heard there was a bust up with Jay?
    - No, we're just having time out.
  • 37:35 - 37:39
    - Is this your new crew?
    - It's a long story.
  • 37:39 - 37:41
    Hang around and tell me later.
    We'll get a drink or something?
  • 37:41 - 37:42
    - I will do. Good luck.
    - Right, see you later.
  • 37:44 - 37:46
    Okay, you lot,
    you've got to watch these.
  • 37:46 - 37:49
    These were the UK Street Dance
    champions two years ago.
  • 37:49 - 37:50
    They're the best.
  • 37:50 - 37:52
    We used to have classes with them.
  • 37:52 - 37:55
    So this...
    this is what we're aiming for.
  • 37:56 - 37:56
    Who's Jay?
  • 40:23 - 40:27
    - What's that mumbo jumbo you're writing?
    - It's choreography for our routine.
  • 40:27 - 40:30
    You've got steps,
    formations, feelings.
  • 40:31 - 40:33
    - What, and you're doing that?
    - Yeah.
  • 40:33 - 40:35
    You are actually doing that?
  • 40:35 - 40:38
    I don't think making sandwiches
    is my calling in life.
  • 40:38 - 40:39
    You've got that right.
  • 40:43 - 40:45
    Justine, concentrate!
  • 40:47 - 40:49
    Five, six, seven, eight.
  • 40:53 - 40:54
    Faster!
  • 41:04 - 41:05
    Looser.
  • 41:11 - 41:12
    Okay.
  • 41:17 - 41:18
    Glimmers of hope, Miss.
  • 41:29 - 41:32
    Tomas, relax a bit, please.
    You're forcing it.
  • 41:33 - 41:34
    Go back to where you started...
  • 41:35 - 41:39
    ...and try doing it not pointing your toes.
    It looks a bit too pretty.
  • 41:42 - 41:44
    One and two and three and four...
  • 41:47 - 41:49
    Okay, I'm going to pick it up
    from this section, please.
  • 41:49 - 41:52
    Now, Isabella, I want you to try it
    with more attitude.
  • 41:53 - 41:57
    Five, six, seven,
    eight and one, two...
  • 41:58 - 42:00
    Stop there, please.
    Straight away, just slouch over.
  • 42:00 - 42:01
    Don't make it so upright.
  • 42:04 - 42:05
    No, no, no, you're not getting it!
  • 42:05 - 42:08
    Your arms are too flouncy and ballet.
  • 42:08 - 42:11
    Hands upright. Tight.
  • 42:11 - 42:13
    You should be able to do that, yeah?
  • 42:20 - 42:21
    What did I say?
  • 42:23 - 42:26
    Come on.
    We don't have time for this.
  • 42:28 - 42:31
    Oh, how sad.
    Crying over a street dance.
  • 42:31 - 42:33
    Oh, bite it, Chloe.
  • 42:37 - 42:41
    - Listen, I'm sorry if I was a cow back there.
    - Carly, it's not you.
  • 42:42 - 42:43
    Do you know...
  • 42:44 - 42:49
    all my life I've been told to stand up
    straight, turn out posture, and now...
  • 42:50 - 42:52
    Now, they tell me I look wrong.
  • 42:54 - 42:56
    They say I've grown too tall.
  • 42:56 - 42:58
    They won't even put me up for
    the Royal Ballet auditions.
  • 43:02 - 43:03
    Come on.
  • 43:05 - 43:08
    I just... I don't know
    where I fit in any more.
  • 43:08 - 43:12
    Forget them, babes.
    You're with us now.
  • 44:32 - 44:33
    I feel bad.
  • 44:33 - 44:36
    Your students really
    put themselves through it.
  • 44:36 - 44:38
    They're nothing if not hard workers.
  • 44:38 - 44:40
    But, they really want to do ballet.
  • 44:40 - 44:43
    Making them do something else?
    I don't understand it.
  • 44:43 - 44:46
    - Have you ever been to a ballet?
    - What do you think?
  • 44:46 - 44:50
    - Would you like to accompany me?
    - I don't know. It's not really my scene.
  • 44:51 - 44:55
    How do you know...
    if you've never been?
  • 45:01 - 45:02
    Maybe she fancies you.
  • 45:03 - 45:07
    - Get out.
    - You never know with them arty-farty types.
  • 45:09 - 45:10
    Jay's a fool, you know that, right?
  • 45:10 - 45:12
    He's never going to call, is he?
  • 45:12 - 45:15
    - Nope.
    - Never in a million years.
  • 45:15 - 45:16
    Thanks.
  • 45:16 - 45:19
    - You don't need him, anyway.
    - It's all about Jay, though.
  • 45:19 - 45:21
    Stop putting yourself through it.
  • 45:21 - 45:23
    Tell you what...
  • 45:23 - 45:25
    - What are you doing?
    - You call him.
  • 45:26 - 45:28
    - Have you dialled?
    - It's on speaker. I want to hear.
  • 45:28 - 45:29
    Shawna!
  • 45:30 - 45:32
    Yeah, this is Jay.
    You know what to do.
  • 45:34 - 45:35
    Jay, it's Carly.
  • 45:37 - 45:39
    I know it's over with me and the crew
    and everything, I just wish you'd of said...
  • 45:39 - 45:43
    Just wish you'd said,
    'you're dumped, muppet'.
  • 45:43 - 45:45
    Carly's taking us
    all the way to the finals
  • 45:45 - 45:48
    with her new ballet boyfriend...
  • 45:48 - 45:50
    So, go suck on that
    'time out', alright?
  • 45:50 - 45:52
    You tell him, rude girl.
  • 45:52 - 45:55
    That part of your life is now over.
  • 45:57 - 45:59
    It's time for the next phase.
  • 46:18 - 46:20
    - Nice to see you.
    - Nice to see you, too.
  • 46:20 - 46:23
    Are you some kind of
    ballet celebrity?
  • 46:23 - 46:24
    I used to dance.
  • 46:25 - 46:28
    - Helena, darling.
    - Oh, Michael.
  • 46:30 - 46:32
    I'm so pleased you could make it.
  • 46:32 - 46:35
    I wouldn't miss it for the world...
    you know that.
  • 46:36 - 46:38
    Michael, this is Carly.
  • 46:38 - 46:42
    An exciting young choreographer
    who is working with my students.
  • 46:43 - 46:45
    And this is Michael who is
    choreographing tonight's ballet.
  • 46:45 - 46:47
    I'd love to see some of your work.
  • 46:47 - 46:49
    Oh, we'll see if
    that can be arranged.
  • 46:50 - 46:52
    Well, enjoy the performance.
  • 46:52 - 46:54
    You're in every scene.
  • 47:02 - 47:05
    - He's just an old student of mine.
    - Oh, yeah.
  • 47:06 - 47:08
    What did you teach him, exactly?
  • 48:20 - 48:22
    I got goose bumps, like.
  • 48:24 - 48:25
    Oh, gosh...
    they never even said a word.
  • 48:25 - 48:27
    But you understood?
  • 48:27 - 48:30
    Not everything,
    but it was powerful.
  • 48:30 - 48:33
    - I could feel what they were feeling.
    - Good.
  • 48:35 - 48:38
    - Remember that for your routine.
    - But, that's ballet.
  • 48:40 - 48:44
    Think less, 'this is ballet',
    'this is street dance'...
  • 48:45 - 48:46
    ...but more, 'this is dance'.
  • 48:47 - 48:49
    But, we're still entering
    a street dance competition.
  • 48:49 - 48:52
    I mean, it's a different world.
  • 48:52 - 48:53
    Same world.
  • 48:54 - 48:56
    You'll have a stage
    and an audience.
  • 48:56 - 48:58
    What do you want them to feel?
  • 49:09 - 49:12
    - Jay.
    - I got your message.
  • 49:13 - 49:15
    It was Shawna, she's mad at you.
  • 49:15 - 49:17
    I'm sorry I didn't call you back
    the other day.
  • 49:17 - 49:18
    You said you needed time out.
  • 49:19 - 49:21
    - I've missed you.
    - Really?
  • 49:21 - 49:22
    Of course.
  • 49:23 - 49:25
    Look at you, where have you been?
    You look amazing.
  • 49:26 - 49:27
    You wouldn't believe.
  • 49:30 - 49:32
    Do you want to ask me in?
    Tell me about it.
  • 49:33 - 49:34
    Sorry.
  • 49:35 - 49:37
    It's me who should be apologising.
  • 49:42 - 49:44
    What will your
    ballet boyfriend think?
  • 49:45 - 49:48
    Probably pirouette you to death,
    if he existed.
  • 49:50 - 49:52
    You know I've been waiting for you.
  • 49:54 - 49:57
    - And you're still going for the finals?
    - Gonna try.
  • 49:58 - 50:00
    Are the ballet dancers any good?
  • 50:00 - 50:01
    Really good.
  • 50:02 - 50:04
    Problem is trying to get them
    to dance like us.
  • 50:08 - 50:11
    - You know there's still a place for you?
    - It sounds like you're managing just fine.
  • 50:12 - 50:14
    One minute I think
    we're doing good...
  • 50:15 - 50:18
    ...then I think of 'The Surge'
    and we don't even come close.
  • 50:18 - 50:21
    - Not everyone can be a winner.
    - Well, thanks.
  • 50:21 - 50:23
    But... you've got to do your best.
  • 51:06 - 51:09
    Oi! Fred and Ginger,
    there is a queue.
  • 51:14 - 51:16
    Why now? I don't get it.
  • 51:16 - 51:19
    He said it was a time-out
    and he meant it.
  • 51:21 - 51:24
    Besides which...
    I'm a sex goddess.
  • 51:24 - 51:26
    He couldn't stay away.
  • 51:27 - 51:29
    Oh, yeah... forgot that.
  • 52:04 - 52:06
    The tone of the warm-up's changed.
  • 52:06 - 52:08
    That's because she had
    a late night last night.
  • 52:10 - 52:11
    Means Jay's back on the scene.
  • 52:14 - 52:16
    You know what?
    We should all go out tonight.
  • 52:17 - 52:18
    Check out some fresh moves.
  • 52:18 - 52:20
    - Yeah, I'm on that.
    - Now you're talking.
  • 52:20 - 52:22
    Yeah, I think so.
  • 53:13 - 53:15
    - Do you want a drink?
    - I don't drink.
  • 53:16 - 53:18
    So, what do you do?
  • 53:19 - 53:20
    I dance.
  • 53:20 - 53:22
    I can work with that.
  • 53:32 - 53:34
    Hello, babe.
    Do you wanna dance?
  • 53:41 - 53:42
    Shall we?
  • 54:04 - 54:07
    Oh, yeah, right now you're seeing it
    with your own eyes.
  • 54:09 - 54:10
    Ladies, make way. Make way.
  • 54:11 - 54:13
    I swear they must get off on
    those uniforms.
  • 54:15 - 54:17
    It's the UK National Champs.
  • 54:17 - 54:19
    It's the Surge, baby.
  • 54:20 - 54:22
    - Let's get the others.
    - The dance floor's open.
  • 54:22 - 54:26
    Anybody feels they want to step up
    to the challenge, it's on you.
  • 54:27 - 54:28
    Let's see what you can do.
    Let's do this thing.
  • 54:36 - 54:38
    So, what's the name of the game?
  • 54:38 - 54:42
    It's not a game, it's a battle.
    Just throw down some moves.
  • 54:42 - 54:44
    Let's get it popping, let's go!
  • 55:09 - 55:12
    Do you know what I'm saying?
    UK champs, baby.
  • 55:13 - 55:15
    Alright, what we got here?
    What we got here?
  • 55:20 - 55:21
    Are we ready?
  • 55:22 - 55:24
    Alright, then. Let's go.
  • 55:42 - 55:43
    Did you see that?
  • 56:02 - 56:03
    Ladies?
  • 56:07 - 56:09
    Okay, the ladies are
    getting involved now.
  • 56:26 - 56:27
    Hold it. Hold on.
    What is it?
  • 56:30 - 56:32
    There's ballet in the building!
  • 56:34 - 56:37
    I don't know, man.
    It kind of works, too.
  • 56:40 - 56:43
    I think that's called a pirouette,
    or something.
  • 56:43 - 56:44
    I don't know.
    But, it's all good.
  • 56:48 - 56:50
    See what Surge can do.
  • 57:01 - 57:02
    Oh, there's your girl.
  • 57:03 - 57:04
    We're going aerial.
  • 57:34 - 57:36
    360 aerial, baby!
  • 57:42 - 57:43
    Yeah. What have you got?
  • 58:01 - 58:05
    I don't know the name of this crew,
    but I'm looking for these people, for real!
  • 58:06 - 58:07
    That was cheeky.
  • 58:33 - 58:36
    My God, this is getting
    messy man. This is getting crazy.
  • 58:38 - 58:40
    Hey, all my people,
    how are you feeling?
  • 58:46 - 58:48
    Boy, I wish I could lift
    my arse up to do that.
  • 58:56 - 58:58
    Make me some noise for that move right
    there. I'm not joking with you people.
  • 59:01 - 59:02
    What you got?
  • 59:04 - 59:06
    Alright, Surge. It's on you.
  • 59:50 - 59:53
    Don't touch him...
    you're not worth it.
  • 59:53 - 59:55
    You didn't mind touching me
    last night, though.
  • 59:58 - 59:59
    Hold it down, hold it down.
  • 60:46 - 60:47
    It's okay.
  • 61:16 - 61:17
    Welcome to my world.
  • 61:22 - 61:26
    College fees don't leave
    a lot left over for fancy apartments.
  • 61:52 - 61:54
    It does have one redeeming feature.
  • 61:57 - 61:58
    What?
  • 62:03 - 62:05
    - Close your eyes.
    - Don't be silly.
  • 62:06 - 62:07
    Come on.
  • 62:35 - 62:36
    Open your eyes.
  • 62:40 - 62:42
    That's not bad, is it?
  • 62:43 - 62:45
    It's beautiful.
  • 62:53 - 62:54
    This is where
    I do my street dancing.
  • 62:57 - 62:58
    What?
  • 62:59 - 63:00
    Alright, check this out.
  • 63:02 - 63:03
    Honestly, what? Ready?
  • 63:13 - 63:15
    Alright, a bit more practice...
  • 63:15 - 63:17
    but, I tell you,
    we'll beat those Surge guys.
  • 63:22 - 63:23
    No, we can't.
  • 63:24 - 63:27
    Who am I kidding?
    They're the best at what they do.
  • 63:27 - 63:28
    So do something different.
  • 63:29 - 63:31
    What do you mean?
  • 63:32 - 63:36
    You've got five ballet dancers
    in your crew... use us.
  • 63:37 - 63:40
    - What, put ballet and street together?
    - Yeah, why not?
  • 63:40 - 63:43
    - It doesn't go.
    - How do you know?
  • 63:48 - 63:49
    Come on.
  • 63:52 - 63:53
    What are you doing?
  • 63:55 - 63:56
    Put me down.
  • 63:57 - 63:59
    - Now look what you've made me do.
    - Oh, God. Come on.
  • 67:38 - 67:40
    Can everyone come together please,
    I've got something to say.
  • 67:46 - 67:48
    To those of you who know Jay...
  • 67:49 - 67:51
    ...he didn't think
    we were good enough.
  • 67:53 - 67:56
    He didn't think we could
    beat the Surge, so he joined them.
  • 67:56 - 67:59
    - Low life.
    - And to the rest of you...
  • 67:59 - 68:02
    I've been trying to fit you
    into a Surge shaped box...
  • 68:02 - 68:05
    ...and I'm sorry,
    we're never going to fit.
  • 68:09 - 68:11
    We're going to do something different.
  • 68:17 - 68:19
    I want us to be ourselves.
  • 68:20 - 68:22
    Just be our best.
  • 68:23 - 68:26
    Whether that's dancing ballet
    or dancing street.
  • 68:27 - 68:30
    We'll mix it all up.
    Make something beautiful.
  • 68:31 - 68:34
    And we'll win the competition
    because of who we are.
  • 68:36 - 68:37
    So, what we called?
  • 68:38 - 68:40
    Breaking Point.
  • 68:41 - 68:44
    Letters of concern
    from Isabella's mother...
  • 68:44 - 68:47
    from Chloe's very rich and
    very generous father...
  • 68:47 - 68:51
    ...worried that your street dance experiment
    is unsettling their daughter's training.
  • 68:52 - 68:54
    They needed to be unsettled.
  • 68:54 - 68:57
    You are corrupting the discipline
    of our best students.
  • 68:57 - 69:00
    I don't like to question your methods,
    but this does seem willfully perverse.
  • 69:01 - 69:04
    Is it a mid life crisis?
  • 69:05 - 69:09
    The street dancers were bouncing off
    the walls when they came in here.
  • 69:10 - 69:13
    Wouldn't you like to see that kind of
    exuberance in our students?
  • 69:13 - 69:14
    Hey, hey. Non.
  • 69:14 - 69:17
    It could transform their performances.
  • 69:17 - 69:19
    And vandalise the college.
  • 69:19 - 69:21
    Look, I'm calling time on this Helena.
  • 69:21 - 69:24
    We must focus on getting
    them into the best ballet companies.
  • 69:24 - 69:26
    And for that they need fire.
  • 69:27 - 69:29
    Believe me,
    we all want the same thing.
  • 69:34 - 69:35
    Carry on,
    we're just observing.
  • 69:38 - 69:40
    Found this class useful, Tomas?
  • 69:40 - 69:41
    It's invaluable, sir.
  • 69:43 - 69:44
    Carly is excellent.
  • 69:52 - 69:53
    Chloe?
  • 69:54 - 69:57
    Dope? I mean, very educational.
  • 70:08 - 70:10
    Much more joie de vivre,
    n'est pas?
  • 70:12 - 70:16
    I think I can see how that might
    put some attitude into their attitudes.
  • 70:18 - 70:20
    Very good.
    Please carry on, Helena.
  • 70:20 - 70:24
    But Monsieur, being dopey won't
    get them into the Royal Ballet.
  • 70:24 - 70:25
    Enough, Madame.
  • 70:26 - 70:29
    - Is everything alright?
    - Yes, good.
  • 70:29 - 70:30
    Good work.
  • 70:32 - 70:34
    You knew we'd gel eventually,
    didn't you?
  • 70:34 - 70:35
    Honestly? No.
  • 70:37 - 70:39
    Sometimes you just have to try things.
  • 73:39 - 73:41
    The Royal Ballet list must be in!
  • 73:44 - 73:47
    - Rebecca!
    - That's amazing.
  • 73:50 - 73:52
    What day are the
    street dance finals?
  • 73:53 - 73:56
    - Who submitted them for this date?
    - Does it matter?
  • 73:56 - 73:57
    It's the Royal Ballet.
  • 73:57 - 74:00
    The same day as their
    street dance performance.
  • 74:00 - 74:01
    Is that an issue?
  • 74:03 - 74:05
    It was Madame Fleurie, wasn't it?
  • 74:06 - 74:08
    We all want the same thing, Helena.
  • 74:14 - 74:15
    Well done, young lady.
  • 74:16 - 74:17
    Helena.
  • 74:18 - 74:19
    I didn't know, Carly.
  • 74:21 - 74:22
    So, what you gonna do
    about it, then?
  • 74:23 - 74:25
    Unfortunately,
    there's not much I can do.
  • 74:26 - 74:28
    This has been the plan all along,
    hasn't it?
  • 74:29 - 74:33
    Get some mugs in to liven up
    your deadweight dancers and then drop them.
  • 74:33 - 74:34
    I didn't plan this.
  • 74:36 - 74:38
    Carly, there's something you
    have to understand.
  • 74:39 - 74:41
    These auditions are their
    street dance final.
  • 74:42 - 74:43
    And what about ours?
  • 74:44 - 74:48
    Why did you take me to the ballet and
    feed me all that 'this is dance' rubbish,
  • 74:48 - 74:50
    knowing that you'd shaft us
    in a second?
  • 75:09 - 75:10
    We know.
  • 75:12 - 75:15
    - They don't have to do their audition.
    - Of course they do.
  • 75:17 - 75:19
    They've been training
    for this their whole lives.
  • 75:19 - 75:21
    Carly, we can do both.
  • 75:21 - 75:24
    We'll do the auditions and
    be there easily by four.
  • 75:24 - 75:27
    - Do you think?
    - Yes, definitely.
  • 75:29 - 75:31
    Then go and rehearse.
    Be brilliant.
  • 75:32 - 75:33
    We'll brain you
    if you don't get in.
  • 75:44 - 75:46
    We'll be there.
  • 75:47 - 75:48
    Go on.
  • 75:54 - 75:55
    What if they don't make it?
  • 77:23 - 77:25
    Good afternoon, Britain.
  • 77:28 - 77:30
    Yo. Are we having fun?
  • 77:30 - 77:32
    Good, good, good.
    Having a good time?
  • 77:34 - 77:36
    There's only two crews left.
  • 77:36 - 77:39
    Next on stage,
    reigning champions, The Surge.
  • 77:42 - 77:44
    We're on next,
    but they're not here yet.
  • 77:44 - 77:45
    I knew it.
  • 77:46 - 77:47
    Why don't we just go on anyway?
  • 77:47 - 77:50
    - What? Are you stupid?
    - Come on, guys.
  • 77:51 - 77:54
    If we start tearing each other apart
    again, it's all been for nothing.
  • 77:54 - 77:56
    - You know, she's right.
    - Yeah, man. Come on, guys.
  • 78:03 - 78:06
    If we want to be
    with them we have to go now.
  • 78:11 - 78:12
    Looking good.
  • 78:12 - 78:15
    Your old friend Michael's
    on the audition panel.
  • 81:39 - 81:40
    Who liked The Surge?
  • 81:42 - 81:45
    Don't get too happy though, they haven't
    won that trip to America just yet.
  • 81:45 - 81:47
    It's time for our last crew.
  • 81:47 - 81:49
    Breaking Point!
  • 81:53 - 81:55
    Come on, Breaking Point.
    Don't be shy.
  • 82:06 - 82:07
    Come on.
  • 82:10 - 82:12
    On stage now,
    or you’re disqualified.
  • 82:15 - 82:17
    Buck up, babe.
    They'll be here.
  • 82:31 - 82:34
    Okay, must be
    an additional item here.
  • 82:39 - 82:47
    Who are you? Who are you?
  • 83:02 - 83:04
    When did Eddie learn those moves?
  • 83:05 - 83:06
    A bit of old school.
  • 83:16 - 83:17
    Go on Eddie!
  • 83:52 - 83:53
    Where are they?
  • 83:54 - 83:56
    - They've gone.
    - Gone? Gone where?
  • 83:56 - 83:58
    - To their performance.
    - What?
  • 83:58 - 84:01
    To that thing... that, that... nothing!
  • 84:01 - 84:04
    No, not that nothing,
    Madame, that dance.
  • 84:05 - 84:07
    You have ruined their career.
  • 84:07 - 84:09
    - What the hell is going on?
    - Ask her.
  • 84:09 - 84:11
    I wash my hand.
  • 84:12 - 84:13
    You start talking.
  • 84:17 - 84:19
    - Michael?
    - Helena!
  • 84:25 - 84:26
    How long is he going to
    stay out there?
  • 85:02 - 85:04
    What is this?
    Extreme auditioning?
  • 85:11 - 85:14
    I heard you're ditching, Carly.
    Bad luck.
  • 85:15 - 85:16
    Get your hands off me.
  • 85:17 - 85:19
    Too bad we won't be seeing you
    on that winner's podium.
  • 85:20 - 85:21
    Who cares?
  • 85:21 - 85:24
    We don't need some tacky bit of
    metal to prove we're winners.
  • 85:25 - 85:28
    You can say it,
    but I know you don't mean it.
  • 85:29 - 85:31
    I feel sorry for you, Jay.
  • 85:32 - 85:35
    A bit part player in someone else's
    crew for the sake of winning?
  • 85:37 - 85:39
    I thought you had more ambition.
  • 85:42 - 85:43
    Can I have the next dance?
  • 86:05 - 86:07
    OK. Breaking Point,
    this is your last chance!
  • 86:51 - 86:53
    - What?
    - You're not serious?
  • 86:57 - 86:58
    What is this?
  • 87:03 - 87:04
    What?
  • 87:33 - 87:35
    Bruv, we've won this.
  • 92:24 - 92:30
    Thanks For Watching - For More Subscribe Us
Title:
Street Dance 3D 2010 FULL MOVIE - 720p HD - BlueRay - Also In 3D | Eng Audio | Eng And Ser Sub
Description:

more » « less
Video Language:
Chinese, Traditional
Duration:
01:38:41

English subtitles

Revisions