Maya Lin: Disappearing Bodies of Water | "Exclusive" | Art21
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0:08 - 0:12[瑪雅˙林: 消失中的海域]
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0:14 - 0:17我原本是想成為野外動物學家的
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0:17 - 0:21但是我走進了藝術與建築的岔路
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0:25 - 0:29我是在60年代長大的--60年代的小孩--
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0:29 - 0:35所以不論是在請願抵制日本的捕鯨業，
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0:35 - 0:38或是在請願禁止使用狩獵陷阱，
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0:38 - 0:41我都經常出現在俄亥俄州雅典市裡的停車場，
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0:41 - 0:43算是當個行動主義者吧。
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0:46 - 0:49這個主題的出發點是想探討我們人類
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0:49 - 0:52到底對這個星球做了多大的傷害，
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0:53 - 0:55這對我而言非常重要，而且我愛大自然
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0:55 - 0:57我愛我們身處的這個世界。
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0:57 - 0:59"紅海" (2006)
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1:03 - 1:07我在上一場展覽展出了這些作品--
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1:07 - 1:10像是裏海，紅海，以及黑海。
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1:10 - 1:14所以這一次我打算雕刻出
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1:14 - 1:17這些消失中的海域的石雕。
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1:20 - 1:24這是現在我們看到的北極冰架
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1:24 - 1:27然後這是1980年當時的冰架
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1:29 - 1:32這是查德湖，再一次的，
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1:32 - 1:34這是現今所剩的查德湖，
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1:34 - 1:37在這裡我們開始繪圖
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1:37 - 1:40把圖匯入電腦，
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1:40 - 1:42然後製作石雕。
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1:46 - 1:50這種製作方式有點介於機械與手工切割--
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1:50 - 1:54應該說手工打磨--來讓邊緣的線條柔和些。
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1:55 - 1:57我非常喜歡製造規模較小的作品，因為
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1:57 - 2:00我可以在工作室裡跟我的團隊一起製作。
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2:01 - 2:04在這裡工作的有藝術家也有建築師，
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2:04 - 2:07但只有建築助理，他們才有辦法
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2:07 - 2:10擷取地圖的數據，
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2:10 - 2:14轉檔，然後將它列印出來。
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2:15 - 2:17這位是尼克˙克勞馥
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2:18 - 2:22你可以逐步為他們解說現在正在進行中的
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2:22 - 2:23一些分析以及研究嗎?
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2:23 - 2:24[尼克˙克勞馥，工作室助理]
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2:24 - 2:27[克勞馥] 我看看，大部份的工作室搜尋地域
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2:27 - 2:29或特定地點的資料。
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2:29 - 2:31所以絕大多數時間我們是在網路上搜尋資料的。
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2:31 - 2:35我們會把資料彙整然後
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2:35 - 2:36用電腦軟體製作出3D的表面，
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2:36 - 2:40再做出不同大小的模型，
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2:40 - 2:45或是用不同的方式來研究地型以及其地表特色。
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2:46 - 2:49[林] 因為我的作品製作過程經常需要
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2:49 - 2:53使用電腦來分析數據和資料，
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2:53 - 2:55我總是在想，
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2:55 - 2:58"到底我的作品放在美術館，或科學博物館
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2:58 - 3:00會有什麼區別?"
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3:00 - 3:02這就是微妙之處。
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3:04 - 3:07它並不完全表現出實物--他有自己的特色。
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3:07 - 3:12我對表現出地域的型態
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3:12 - 3:14以及誘發人們去思考我們到底是怎麼對待我們的世界，
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3:14 - 3:17有著同等的興趣。
- Title:
- Maya Lin: Disappearing Bodies of Water | "Exclusive" | Art21
- Description:
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more » « less
Episode #184: Filmed in late 2012, Maya Lin discusses her marble sculpture series, "Disappearing Bodies of Water," shown in progress at her Manhattan studio. Lin's collective process of researching, drawing, model making, and mechanized fabrication led to these forms that highlight the erosion of Lake Chad, the Aral Sea, and the Arctic Ice Shelf. As a young woman growing up in Athens, Ohio, Lin staged protests against environmental crimes and cruelties. She continues to be an activist today, using her art to encourage closer examination of the natural world.
Trained as an artist and architect, Maya Lin catapulted into the public eye when her design for the Vietnam Veterans Memorial in Washington D.C.—often described as a "wound" in the earth—was selected from a national competition. Her subsequent monuments, parks, architectural projects, and sculptures are linked by her ongoing desire to make a place for individuals within the landscape.
Learn more about the artist at:
http://www.art21.org/artists/maya-linCREDITS: Producer: Ian Forster. Interview: Ian Forster. Camera: Rafael Salazar Moreno & Ava Wiland. Sound: Ava Wiland. Editor: Morgan Riles. Additional Graphics Courtesy: National Snow and Ice Data Center, University of Colorado, Boulder. Artwork Courtesy: Maya Lin.
- Video Language:
- English
- Team:
Art21
- Project:
- "Extended Play" series
- Duration:
- 03:36
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Lost Souls published Chinese, Traditional subtitles for Maya Lin: Disappearing Bodies of Water | "Exclusive" | Art21 | |
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Lost Souls published Chinese, Traditional subtitles for Maya Lin: Disappearing Bodies of Water | "Exclusive" | Art21 | |
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Elaine Cheng edited Chinese, Traditional subtitles for Maya Lin: Disappearing Bodies of Water | "Exclusive" | Art21 | |
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Elaine Cheng edited Chinese, Traditional subtitles for Maya Lin: Disappearing Bodies of Water | "Exclusive" | Art21 | |
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Elaine Cheng edited Chinese, Traditional subtitles for Maya Lin: Disappearing Bodies of Water | "Exclusive" | Art21 | |
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Elaine Cheng edited Chinese, Traditional subtitles for Maya Lin: Disappearing Bodies of Water | "Exclusive" | Art21 | |
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Elaine Cheng edited Chinese, Traditional subtitles for Maya Lin: Disappearing Bodies of Water | "Exclusive" | Art21 |