< Return to Video

Sherlock Holmes S01E02 The Blind Banker

  • 0:05 - 0:10
    Sherlock.1x02.The_Blind_Banker.HDTV_XviD-FoV
    English SRT Subtitles - UF (v1.00)
  • 0:13 - 0:18
    WOMAN: The great artisans say
    the more the teapot is used
  • 0:18 - 0:20
    the more beautiful it becomes.
  • 0:22 - 0:28
    The pot is seasoned by repeatedly
    pouring tea over the surface.
  • 0:28 - 0:36
    The deposit left on the clay creates
    this beautiful patina over time.
  • 0:36 - 0:41
    Some pots, the clay has been
    burnished by tea made
    over 400 years ago.
  • 0:52 - 0:55
    PA SYSTEM: This museum will be
    closing in 10 minutes.
  • 0:55 - 1:00
    400 years old, they're letting you
    use it to make yourself a brew.
  • 1:00 - 1:03
    Some things aren't supposed
    to sit behind glass,
  • 1:03 - 1:04
    they're made to be touched.
  • 1:04 - 1:06
    To be handled.
  • 1:09 - 1:12
    SIGHS
    These pots need attention.
  • 1:12 - 1:14
    The clay is cracking.
  • 1:14 - 1:17
    Well, I can't see how a tiny splash
    of tea is going to help.
  • 1:17 - 1:20
    Sometimes
    you have to look hard at something
  • 1:20 - 1:22
    to see its value.
  • 1:24 - 1:26
    See?
  • 1:26 - 1:28
    This one shines a little brighter.
  • 1:29 - 1:31
    I don't suppose...
  • 1:31 - 1:32
    Um, I mean...
  • 1:32 - 1:35
    I don't suppose
    that you want to have a drink?
  • 1:35 - 1:40
    Not tea, obviously.
    Um, in a pub, with me, tonight.
  • 1:40 - 1:42
    Um...?
  • 1:42 - 1:45
    You wouldn't like me all that much.
  • 1:46 - 1:48
    Can I maybe decide that for myself?
  • 1:52 - 1:54
    I can't.
  • 1:54 - 1:57
    I'm sorry.
  • 1:57 - 1:58
    Please stop asking.
  • 2:00 - 2:02
    THUD!
  • 2:02 - 2:03
    CLUNK!
  • 2:18 - 2:20
    LOCK CLICKS
  • 2:24 - 2:26
    Is that security?
  • 2:44 - 2:46
    Hello?
  • 3:49 - 3:51
    SIREN WAILS
  • 3:51 - 3:53
    BEEPS
  • 3:53 - 3:56
    PA SYSTEM: Can the till supervisor
    please go to...?
  • 3:56 - 3:59
    COMPUTER-GENERATED MESSAGE:
    Unexpected item in bagging area,
  • 3:59 - 4:00
    please try again.
  • 4:00 - 4:04
    GRUNTING AND GROANING
  • 4:04 - 4:06
    Argh!
    THUD!
  • 4:08 - 4:10
    Item not scanned. Please try again.
  • 4:10 - 4:12
    Can you maybe keep your voice down?
  • 4:23 - 4:25
    Card not authorised.
    Yes, all right! I've got it.
  • 4:25 - 4:29
    Please use an alternative method
    of payment. Card not authorised.
  • 4:29 - 4:31
    Please use an alternative
    method of payment.
  • 4:31 - 4:33
    Keep it. Keep that.
  • 4:33 - 4:34
    GRUNTS
  • 4:37 - 4:39
    SIGHS
  • 4:45 - 4:49
    MOTORCYCLE ENGINE REVS
  • 4:53 - 4:54
    CAR HORN BLARES
  • 4:54 - 4:57
    You took your time.
    Yeah, I didn't get the shopping.
  • 4:57 - 4:58
    What? Why not?
  • 4:58 - 5:02
    Because I had a row in the shop
    with a chip and PIN machine.
  • 5:02 - 5:04
    You...
    You had a row with a machine?!
  • 5:04 - 5:07
    Sort of. It sat there and I
    shouted abuse. Have you got cash?
  • 5:07 - 5:09
    Take my card.
  • 5:12 - 5:15
    You could always go yourself,
    you know, you've been sitting there
    all morning,
  • 5:15 - 5:17
    you've not even moved since I left.
  • 5:17 - 5:19
    GRUNTS AND GROANS
  • 5:19 - 5:21
    And what happened about that case
    you were offered -
  • 5:21 - 5:24
    the Jaria diamond?
    Not interested.
  • 5:24 - 5:25
    METALLIC CLANK
  • 5:25 - 5:29
    I sent them a message.
    THUD!
  • 5:31 - 5:33
    WATSON SIGHS AND TUTS
  • 5:41 - 5:44
    Don't worry about me, I can manage.
  • 5:52 - 5:55
    Is that my computer?
    Of course.
  • 5:55 - 5:57
    What?
    Mine was in the bedroom.
  • 5:57 - 6:00
    What? And you couldn't
    be bothered to get up?
  • 6:00 - 6:01
    It's password protected.
  • 6:01 - 6:04
    In a manner of speaking. Took me
    less than a minute to guess yours,
  • 6:04 - 6:05
    not exactly Fort Knox.
  • 6:05 - 6:07
    Right. Thank you.
  • 6:10 - 6:14
    SIREN WAILS
  • 6:14 - 6:15
    Oh...
  • 6:21 - 6:24
    Need to get a job.
    Oh, dull.
  • 6:27 - 6:29
    Listen, um...
  • 6:32 - 6:34
    ..if you'd be able to lend me some...
  • 6:37 - 6:40
    Sherlock, are you listening?
    I need to go to the bank.
  • 7:05 - 7:07
    Yes, when you said
    we were going to the bank...
  • 7:15 - 7:16
    DOOR BEEPS
  • 7:16 - 7:18
    ELEVATOR PINGS
  • 7:27 - 7:30
    Sherlock Holmes.
    PHONE RINGS
  • 7:31 - 7:32
    Sherlock Holmes.
  • 7:32 - 7:34
    Sebastian.
    Hiya, buddy.
  • 7:34 - 7:36
    How long - eight years
    since I last clapped eyes on you?
  • 7:36 - 7:40
    This is my friend, John Watson.
    Friend? Colleague.
  • 7:42 - 7:44
    Right.
  • 7:44 - 7:45
    PHONE RINGING
  • 7:45 - 7:46
    Grab a pew.
  • 7:46 - 7:48
    Do you need anything, coffee, water?
  • 7:48 - 7:52
    No? We're all sorted here, thanks.
  • 7:52 - 7:55
    So you're doing well.
    You've been abroad a lot.
  • 7:55 - 7:57
    Well, so?
  • 7:57 - 8:00
    Flying all the way
    around the world twice in a month.
  • 8:00 - 8:04
    SCOFFS
    Right. You're doing that thing.
  • 8:04 - 8:08
    We were at uni together, and this guy
    here had a trick he used to do.
  • 8:08 - 8:09
    It's not a trick.
  • 8:09 - 8:11
    He could look at you
    and tell you your whole life story.
  • 8:11 - 8:15
    Yes, I've seen him do it. Put the
    wind up everybody, we hated him.
  • 8:15 - 8:17
    We'd come down to breakfast
    in the formal hall
  • 8:17 - 8:19
    and this freak would know you'd been
    shagging the previous night.
  • 8:19 - 8:21
    I simply observed.
    Go on, enlighten me.
  • 8:21 - 8:25
    Two trips a month,
    flying all the way around the world,
    you're quite right.
  • 8:25 - 8:28
    How could you tell? Are you going
    to tell me there's a stain on my tie
  • 8:28 - 8:31
    from some special kind of ketchup
    you can only buy in Manhattan?
  • 8:31 - 8:33
    No, I...
    Is it the mud on my shoes?
  • 8:35 - 8:37
    I was just chatting with
    your secretary outside.
  • 8:37 - 8:39
    She told me.
  • 8:39 - 8:43
    LAUGHS
  • 8:45 - 8:48
    I'm glad you could make it over,
    we've had a break-in.
  • 8:48 - 8:51
    Sir William's office -
    the bank's former chairman.
  • 8:51 - 8:54
    The room's been left here
    like a sort of memorial.
  • 8:54 - 8:56
    Someone broke in late last night.
  • 8:56 - 8:58
    What did they steal?
    Nothing.
  • 8:58 - 9:01
    Just left a little message.
    PHONE RINGING
  • 9:01 - 9:03
    ELECTRONIC BEEP
  • 9:18 - 9:19
    60 seconds apart.
  • 9:19 - 9:21
    KEYBOARD BEEPS
  • 9:26 - 9:29
    So, someone came up here
    in the middle of the night,
  • 9:29 - 9:32
    splashed paint around
    and left within a minute.
  • 9:32 - 9:34
    How many ways into that office?
  • 9:34 - 9:36
    Well, that's where this gets
    really interesting.
  • 9:36 - 9:40
    Every door that opens in this bank,
    it gets locked right here.
  • 9:40 - 9:42
    Every walk-in cupboard, every toilet.
  • 9:42 - 9:44
    That door didn't open last night?
  • 9:44 - 9:46
    There's a hole in our security.
  • 9:46 - 9:48
    Find it and we'll pay you -
  • 9:48 - 9:49
    five figures.
  • 9:49 - 9:51
    This is an advance.
  • 9:51 - 9:53
    Tell me how he got in.
  • 9:53 - 9:54
    There's a bigger one on its way.
  • 9:54 - 9:57
    I don't need an incentive,
    Sebastian.
  • 10:00 - 10:03
    He's, er...
    CLEARS THROAT
    ..he's kidding you, obviously.
  • 10:03 - 10:05
    Shall I look after that for him?
  • 10:05 - 10:06
    Thanks.
  • 11:54 - 11:57
    Two trips around the world
    this month.
  • 11:57 - 12:02
    You didn't ask his secretary,
    you said that just to irritate him.
  • 12:02 - 12:03
    How did you know?
    Did you see his watch?
  • 12:03 - 12:05
    His watch?
  • 12:05 - 12:07
    The time was right,
    but the date was wrong.
  • 12:07 - 12:10
    Said two days ago. Crossed the date
    line twice and he didn't alter it.
  • 12:10 - 12:12
    Within a month?
    How did you get that? New Breitling.
  • 12:12 - 12:14
    Only came out this February.
  • 12:15 - 12:19
    OK. So do you think we should
    sniff around here for a bit longer?
  • 12:19 - 12:21
    Got everything I need
    to know already, thanks.
  • 12:21 - 12:22
    That graffiti was a message.
  • 12:23 - 12:25
    Someone at the bank,
    working on the trading floors.
  • 12:25 - 12:28
    We find the intended recipient
    and...
  • 12:28 - 12:30
    They'll lead us to the person
    who sent it?
  • 12:30 - 12:31
    Obvious.
  • 12:31 - 12:33
    Well, there's 300 people up there,
    who was it meant for?
  • 12:33 - 12:35
    Pillars. What?
  • 12:35 - 12:37
    Pillars and the screens.
  • 12:37 - 12:38
    Very few places
    you could see that graffiti from.
  • 12:38 - 12:42
    That narrows the field considerably.
    And, of course, the message was left
  • 12:42 - 12:44
    at 11.34 last night.
    That tells us a lot.
  • 12:44 - 12:46
    Does it?
    Traders come to work at all hours.
  • 12:46 - 12:48
    Some trade with Hong Kong
    in the middle of the night.
  • 12:48 - 12:52
    That message was intended for
    somebody who came in at midnight.
  • 12:52 - 12:55
    Not many Van Coons
    in the phone book.
  • 12:55 - 12:56
    Taxi!
  • 13:11 - 13:12
    BUZZES
  • 13:17 - 13:20
    So what do we do now? Sit here
    and wait for him to come back?
  • 13:20 - 13:22
    Just moved in. What?
  • 13:22 - 13:25
    Floor above, new label.
    Could have just replaced it.
  • 13:25 - 13:27
    BUZZES
  • 13:27 - 13:30
    No-one ever does that.
    WOMAN: Hello?
  • 13:30 - 13:35
    Hi, um, I live in the flat just
    below you. I don't think we've met.
  • 13:35 - 13:37
    No, well, er, I've just moved in.
  • 13:39 - 13:42
    Actually, I've just locked
    my keys in my flat.
  • 13:42 - 13:44
    Do you want me to buzz you in?
  • 13:44 - 13:46
    Yeah. And can we use your balcony?
  • 13:46 - 13:47
    What?!
  • 14:24 - 14:27
    DOOR BUZZES
  • 14:27 - 14:30
    WATSON: Sherlock?
  • 14:30 - 14:32
    WATSON: Sherlock, are you OK?
  • 14:38 - 14:40
    Yeah, any time
    you feel like letting me in(!)
  • 14:54 - 14:56
    Do you think he'd lost a lot of
    money?
  • 14:56 - 14:59
    Suicide is pretty common
    among City boys.
  • 14:59 - 15:01
    We don't know that it was suicide.
    Come on.
  • 15:01 - 15:04
    The door was locked from the inside,
    you had to climb down the balcony.
  • 15:04 - 15:08
    Been away three days
    judging by the laundry.
  • 15:10 - 15:12
    Look at the case, there was
    something tightly packed inside it.
  • 15:12 - 15:15
    Thanks. I'll take your word for it.
    Problem?
  • 15:15 - 15:19
    Yeah, I'm not desperate to root
    around some bloke's dirty underwear.
  • 15:19 - 15:22
    Those symbols at the bank, the
    graffiti, why were they put there?
  • 15:22 - 15:24
    Some sort of code? Obviously.
  • 15:24 - 15:27
    Why were they painted? Want to
    communicate, why not use e-mail?
  • 15:27 - 15:28
    Well, maybe he wasn't answering.
  • 15:28 - 15:30
    Oh, good, you follow.
  • 15:30 - 15:32
    No.
  • 15:32 - 15:34
    What kind of a message
    would everyone try to avoid?
  • 15:36 - 15:37
    What about this morning?
  • 15:37 - 15:41
    Those letters you were looking at?
    Bills?
  • 15:43 - 15:46
    Yes. He was being threatened.
  • 15:46 - 15:47
    MAN'S VOICE IN BACKGROUND
  • 15:47 - 15:49
    Not by the Gas Board.
  • 15:49 - 15:51
    DIMMOCK: ...see if we can get prints
    off this glass.
  • 15:51 - 15:53
    Sergeant, we haven't met.
  • 15:53 - 15:55
    Yeah, I know who you are
  • 15:55 - 15:57
    and I would prefer it if you didn't
    tamper with any of the evidence.
  • 16:01 - 16:06
    I phoned Lestrade. Is he on his way?
    He's busy. I'm in charge.
  • 16:06 - 16:10
    And it's not Sergeant,
    it's Detective Inspector Dimmock.
  • 16:13 - 16:15
    We're obviously
    looking at a suicide.
  • 16:15 - 16:18
    It does seem the only explanation
    of all the facts.
  • 16:18 - 16:20
    Wrong, it's one possible explanation
    of some of the facts.
  • 16:20 - 16:23
    You've got a solution that you like,
    but you are choosing
  • 16:23 - 16:25
    to ignore anything you see
    that doesn't comply with it.
  • 16:25 - 16:27
    Like? Wound's on the right side of
    his head.
  • 16:27 - 16:28
    And? Van Coon was left-handed.
  • 16:28 - 16:30
    Requires quite a bit of contortion.
  • 16:30 - 16:34
    Left-handed? I'm amazed you
    didn't notice. All you have to do
    is look around this flat.
  • 16:34 - 16:36
    Coffee table on the left-hand side,
  • 16:36 - 16:38
    coffee mug handle
    pointing to the left.
  • 16:38 - 16:40
    Power sockets, habitually used
    the ones on the left. Pen and paper
  • 16:40 - 16:43
    on the left of the phone.
    Picked up with his right,
    took messages with his left.
  • 16:43 - 16:45
    D'you want me to go on?
    No, I think you've covered it.
  • 16:45 - 16:47
    I might as well, I'm almost
    at the bottom of the list.
  • 16:47 - 16:50
    There's a knife on the breadboard
    with butter on the right side
    of the blade
  • 16:50 - 16:51
    because he used it with his left.
    It's highly unlikely
  • 16:51 - 16:54
    that a left-handed man would shoot
    himself in the right of his head.
  • 16:54 - 16:56
    Conclusion, someone broke in here
    and murdered him -
  • 16:56 - 16:58
    only explanation
    of all of the facts.
  • 16:58 - 17:00
    But the gun?
    He was waiting for the killer.
  • 17:00 - 17:03
    He'd been threatened. What?
  • 17:03 - 17:06
    Today at the bank, sort of a warning.
  • 17:06 - 17:08
    He fired a shot
    when his attacker came in.
  • 17:08 - 17:10
    And the bullet?
    Went through the open window.
  • 17:10 - 17:12
    Oh, come on(!)
  • 17:12 - 17:14
    What are the chances of that?!
  • 17:14 - 17:16
    Wait until you get the ballistics
    report.
  • 17:16 - 17:19
    The bullet in his brain wasn't
    fired from his gun, I guarantee it.
  • 17:19 - 17:23
    If his door was locked from the
    inside, how did the killer get in?
  • 17:23 - 17:26
    Good, you're finally asking
    the right questions.
  • 17:33 - 17:35
    He's left trying to sort of
    cut his hair with a fork,
  • 17:35 - 17:37
    which of course can never be done.
  • 17:37 - 17:40
    It was a threat,
    that's what the graffiti meant.
  • 17:40 - 17:41
    I'm kind of in a meeting.
  • 17:41 - 17:43
    Can you make an appointment
    with my secretary?
  • 17:43 - 17:47
    I don't think this can wait.
    Sorry, Sebastian.
  • 17:47 - 17:51
    One of your traders, someone who
    worked in your office, was killed.
  • 17:51 - 17:52
    What? Van Coon.
  • 17:52 - 17:54
    The police are at his flat.
  • 17:54 - 17:55
    Killed?!
    Sorry to interfere
  • 17:55 - 17:59
    with everyone's digestion.
    Still want to make an appointment(?)
  • 17:59 - 18:01
    Would maybe nine o'clock
    at Scotland Yard suit?
  • 18:05 - 18:09
    Harrow, Oxford...very bright guy.
  • 18:10 - 18:13
    Worked in Asia for a while, so...
  • 18:13 - 18:15
    You gave him the Hong Kong accounts?
  • 18:17 - 18:21
    Lost 5 million in a single morning,
    made it all back a week later.
  • 18:21 - 18:22
    Nerves of steel, Eddie had.
  • 18:22 - 18:25
    Who'd want to kill him?
    We all make enemies.
  • 18:25 - 18:27
    You don't all end up with a bullet
    through your temple.
  • 18:27 - 18:29
    MOBILE RINGS
    Not usually. Excuse me.
  • 18:32 - 18:34
    It's my chairman.
  • 18:34 - 18:36
    Police have been on to him.
  • 18:36 - 18:38
    Apparently they're telling him
  • 18:38 - 18:40
    it was a suicide.
    Well, they've got it wrong,
  • 18:40 - 18:41
    Sebastian. He was murdered.
  • 18:41 - 18:44
    Well, I'm afraid
    they don't see it like that.
  • 18:44 - 18:46
    So? And neither does my boss.
  • 18:46 - 18:49
    I hired you to do a job.
    Don't get sidetracked.
  • 18:49 - 18:53
    FADING FOOTSTEPS
  • 18:53 - 18:55
    I thought bankers were all supposed
    to be heartless bastards.
  • 19:02 - 19:05
    HORN BLARES
  • 19:43 - 19:46
    I need you to get over to Crispians.
  • 19:46 - 19:50
    Two Ming vases up for auction -
    Chenghua.
  • 19:50 - 19:55
    Will you appraise them? Soo Lin
    should go - she's the expert.
  • 19:55 - 19:57
    Soo Lin has resigned her job.
    I need you.
  • 20:46 - 20:48
    PHONE RINGING
  • 20:51 - 20:54
    Just locum work.
    No, that's fine.
  • 20:55 - 20:58
    You're, um...
    Well, you're a bit over-qualified.
  • 21:00 - 21:02
    Er, I could always do
    with the money.
  • 21:02 - 21:05
    Well, we've got two
    away on holiday this week
  • 21:05 - 21:08
    and one's just left to have a baby.
  • 21:08 - 21:11
    It might be a bit mundane for you.
  • 21:11 - 21:14
    Er, no, mundane is good, sometimes.
  • 21:14 - 21:16
    Mundane works.
  • 21:16 - 21:20
    It says here you were a soldier.
    And a doctor.
  • 21:22 - 21:25
    Anything else you can do?
  • 21:25 - 21:27
    I learned the clarinet at school.
  • 21:27 - 21:31
    Oh...
    LAUGHS
    ..well, I'll look forward to it.
  • 21:39 - 21:41
    I said, could you pass me a pen?
  • 21:43 - 21:45
    What? When?
    About an hour ago.
  • 21:46 - 21:48
    Didn't notice I'd gone out then?
  • 21:50 - 21:52
    I went to see about a job
    at that surgery.
  • 21:52 - 21:55
    How was it?
    Great. She's great.
  • 21:55 - 21:57
    Who?
  • 21:57 - 21:59
    The job.
  • 21:59 - 22:00
    She?!
  • 22:01 - 22:02
    It.
  • 22:04 - 22:05
    Yeah, have a look.
  • 22:10 - 22:13
    "The intruder
    who can walk through walls."
  • 22:13 - 22:15
    It happened last night.
  • 22:15 - 22:17
    Journalist shot dead in his flat.
  • 22:17 - 22:19
    Doors locked,
    windows bolted from the inside.
  • 22:19 - 22:20
    Exactly the same as Van Coon.
  • 22:22 - 22:24
    God! You think...?
    He's killed another one.
  • 22:33 - 22:37
    Brian Lukis,
    freelance journalist,
  • 22:37 - 22:39
    murdered in his flat.
  • 22:39 - 22:41
    Doors locked from the inside.
  • 22:41 - 22:43
    You've got to admit,
    it's similar.
  • 22:43 - 22:46
    Both men killed by someone
    who can walk through solid walls.
  • 22:46 - 22:50
    Inspector, do you seriously believe
    that Eddie Van Coon was
  • 22:50 - 22:52
    just another city suicide?
  • 22:53 - 22:57
    SIGHS
    You have seen
    the ballistics report, I suppose?
  • 22:57 - 22:59
    And the shot that killed him.
    Was it fired from his own gun?
  • 22:59 - 23:02
    No. No.
    So this investigation might move
  • 23:02 - 23:04
    a bit quicker if you were
    to take my word as gospel.
  • 23:06 - 23:10
    I've just handed you
    a murder inquiry.
  • 23:10 - 23:12
    Five minutes in his flat.
  • 23:40 - 23:42
    Four floors up.
  • 23:42 - 23:45
    That's why they think they're safe.
  • 23:45 - 23:48
    Put a chain across the door,
    bolt it shut, think they're
    impregnable.
  • 23:50 - 23:54
    They don't reckon for one second
    that there's another way in.
  • 23:54 - 23:59
    I don't understand. Dealing
    with a killer who can climb.
  • 23:59 - 24:02
    What are you doing?
    Clings to the walls like an insect.
  • 24:02 - 24:04
    CLUNK!
    That's how he got in.
  • 24:04 - 24:05
    What?!
  • 24:05 - 24:08
    He climbed up the side of the walls,
    ran along the roof,
  • 24:08 - 24:10
    dropped in through this skylight.
  • 24:10 - 24:12
    You're not serious?! Like Spider-Man?
  • 24:12 - 24:16
    He scaled six floors of a Docklands
    apartment building,
  • 24:16 - 24:19
    jumped the balcony and killed
    Van Coon. Oh, hold on(!)
  • 24:19 - 24:24
    That's how he got into the bank -
    ran along the window ledge
    onto the terrace.
  • 24:24 - 24:26
    I have to find out
    what connects these two men.
  • 24:54 - 24:57
    Date stamped on the book
    is the same day that he died.
  • 25:06 - 25:08
    Sherlock?
  • 25:19 - 25:22
    So, the killer goes to the bank,
  • 25:22 - 25:23
    leaves a threatening cipher
    at the bank.
  • 25:23 - 25:25
    Van Coon panics, returns
    to his apartment, locks himself in.
  • 25:25 - 25:27
    Hours later, he dies.
  • 25:27 - 25:32
    The killer finds Lukis at the
    library, he writes the cipher
  • 25:32 - 25:35
    on the shelf where he knows
    it'll be seen. Lukis goes home.
  • 25:35 - 25:38
    Late that night, he dies too.
  • 25:40 - 25:42
    Why did they die, Sherlock?
  • 25:42 - 25:45
    Only the cipher can tell us.
  • 25:50 - 25:53
    The world's run on
    codes and ciphers, John.
  • 25:53 - 25:56
    From the million-pound
    security system at the bank
    to the PIN machine
  • 25:56 - 25:59
    you took exception to. Cryptography
    inhabits our every waking moment.
  • 25:59 - 26:01
    Yes, OK, but...
  • 26:01 - 26:02
    But it's all computer generated -
  • 26:02 - 26:05
    electronic codes,
    electronic ciphering methods.
  • 26:05 - 26:07
    This is different.
  • 26:07 - 26:09
    It's an ancient device.
  • 26:09 - 26:11
    Modern code-breaking methods
    won't unravel it.
  • 26:11 - 26:13
    Where are we headed?
    I need to ask some advice.
  • 26:13 - 26:15
    What?! Sorry?
  • 26:17 - 26:19
    You heard me perfectly.
    I'm not saying it again.
  • 26:19 - 26:21
    You need advice?
    On painting.
  • 26:21 - 26:22
    Yes, I need to talk to an expert.
  • 26:22 - 26:25
    SIREN WAILS
  • 26:31 - 26:33
    Part of a new exhibition.
  • 26:33 - 26:36
    Interesting.
    I call it...
  • 26:36 - 26:39
    Urban Bloodlust Frenzy.
    CHUCKLES
  • 26:39 - 26:41
    Catchy(!)
  • 26:41 - 26:44
    I've got two minutes before
    a Community Support Officer
  • 26:44 - 26:45
    comes around that corner.
  • 26:45 - 26:48
    Can we do this while I'm working?
  • 26:53 - 26:57
    Know the author?
    I recognise the paint.
  • 26:57 - 27:00
    It's like Michigan...hard-core
    propellant.
  • 27:00 - 27:01
    I'd say zinc.
  • 27:01 - 27:04
    And what about the symbols?
    Do you recognise them?
  • 27:04 - 27:06
    I'm not even sure
    it's a proper language.
  • 27:07 - 27:09
    Two men have been murdered, Raz.
  • 27:09 - 27:11
    Deciphering this is the key
    to finding out who killed them.
  • 27:11 - 27:14
    And this is all you've
    got to go on(?)
  • 27:14 - 27:17
    It's hardly much, is it?
    Are you going to help us or not?
  • 27:18 - 27:20
    I'll ask around.
  • 27:20 - 27:22
    Somebody must know something
    about it. Oi!
  • 27:24 - 27:25
    METALLIC CLATTERING
  • 27:25 - 27:28
    What the hell do you think you're
    doing? This gallery is a listed
    public building.
  • 27:28 - 27:31
    No, no. Wait, wait.
    It's not me who painted that.
  • 27:31 - 27:32
    I was just holding this for...
  • 27:38 - 27:39
    Bit of an enthusiast, are we?
  • 27:39 - 27:42
    POLICE RADIO IN BACKGROUND
  • 27:43 - 27:47
    She was right in the middle of
    an important piece of restoration.
  • 27:47 - 27:48
    Why would she suddenly resign?
  • 27:48 - 27:51
    Family problems.
    She said so in her letter.
  • 27:51 - 27:54
    But she doesn't have a family.
    She came to this country on her own.
  • 27:54 - 27:56
    Andy! Look, those teapots,
    those ceramics.
  • 27:56 - 27:58
    They've become her obsession.
  • 27:58 - 28:00
    She's been working on restoring them
    for weeks.
  • 28:00 - 28:04
    I can't believe
    that she would just...abandon them.
  • 28:04 - 28:07
    Perhaps she was getting
    a bit of unwanted attention?
  • 28:17 - 28:18
    DOOR SLAMS
  • 28:19 - 28:20
    You've been a while.
  • 28:23 - 28:25
    Yeah, well, you know how it is.
  • 28:25 - 28:28
    Custody sergeants don't really
    like to be hurried, do they?
  • 28:28 - 28:30
    Just formalities. Fingerprints,
  • 28:30 - 28:33
    charge sheet, and I've got to be
    in magistrates' court on Tuesday.
  • 28:33 - 28:37
    What? Me, Sherlock!
    In court, on Tuesday!
  • 28:37 - 28:40
    They're giving me an ASBO!
    Good, fine.
  • 28:40 - 28:43
    You want to tell your little pal
    he's welcome to go and own up
    any time.
  • 28:43 - 28:45
    This symbol, I still can't place it.
  • 28:45 - 28:47
    No, I need you to go
    to the police station
  • 28:47 - 28:50
    and ask about the journalist.
    The personal effects
    will have been impounded.
  • 28:50 - 28:53
    Get hold of his diary, or something
    that will tell us his movements.
  • 28:53 - 28:55
    Go and see Van Coon's PA.
  • 28:55 - 28:59
    If you retrace their steps,
    somewhere they'll coincide.
  • 29:05 - 29:06
    SHUTTER CLICKS
  • 29:07 - 29:09
    Scotland Yard.
  • 29:19 - 29:21
    Flew back from Dalian Friday.
  • 29:21 - 29:24
    Looks like he had back-to-back
    meetings with the sales team.
  • 29:24 - 29:26
    Can you print me up a copy?
  • 29:26 - 29:28
    Sure.
    What about the day he died?
  • 29:28 - 29:31
    Can you tell me where he was?
    Sorry, I've got a gap.
  • 29:32 - 29:34
    I have all his receipts.
  • 29:34 - 29:37
    Your friend...
    Listen, whatever you say,
  • 29:37 - 29:38
    I'm behind you 100 per cent.
  • 29:38 - 29:40
    ...he's an arrogant sod.
  • 29:41 - 29:44
    Well, that was mild.
    People say a lot worse than that.
  • 29:46 - 29:49
    This is what you wanted, isn't it?
    The journalist's diary?
  • 29:54 - 29:57
    What kind of a boss was he, Amanda?
    Appreciative?
  • 29:57 - 30:01
    Um, no. That's not a word I'd use.
  • 30:01 - 30:05
    The only things Eddie appreciated
    had a big price tag.
  • 30:05 - 30:08
    Like that hand cream.
    He bought that for you, didn't he?
  • 30:13 - 30:16
    Look at this one.
  • 30:16 - 30:18
    Got a taxi from him
    on the day he died, Ł18.50.
  • 30:18 - 30:20
    That would get him to the office.
  • 30:20 - 30:23
    Not rush hour. Check the time.
    Mid-morning. 18 would get him
  • 30:23 - 30:26
    as far as... ..The West End.
    I remember him saying.
  • 30:27 - 30:29
    Underground,
    printed at one in Piccadilly.
  • 30:29 - 30:32
    So he got a Tube back to the office.
  • 30:32 - 30:34
    Why would he get a taxi into town,
    and then the Tube back?
  • 30:34 - 30:37
    Because he was delivering
    something heavy.
  • 30:37 - 30:39
    You wouldn't lug a package
    up the escalator.
  • 30:39 - 30:40
    Delivering?!
  • 30:40 - 30:42
    To somewhere near
    Piccadilly Station.
  • 30:42 - 30:45
    Dropped the package,
    delivered it, and then...
  • 30:48 - 30:50
    Stopped on his way. He got peckish.
  • 30:53 - 30:57
    So you bought your lunch
    from here en route to the station
  • 30:57 - 30:58
    but where were you headed from?
  • 30:58 - 31:00
    Where did the taxi drop you?
  • 31:00 - 31:02
    Oof! Right.
  • 31:02 - 31:04
    Eddie Van Coon brought a package
    here the day he died.
  • 31:04 - 31:05
    Whatever was hidden inside
    that case...
  • 31:05 - 31:07
    I've managed to piece
    together a picture
  • 31:07 - 31:11
    using scraps of information -
    credit card bills, receipts.
    He flew back from China,
  • 31:11 - 31:12
    then he came here. Sherlock.
  • 31:12 - 31:15
    Somewhere in this street, somewhere
    near. I don't know where, but...
  • 31:15 - 31:19
    That shop, over there.
    How could you tell?
  • 31:19 - 31:20
    Lukis' diary. He was here too.
  • 31:20 - 31:23
    He wrote down the address. Oh.
  • 31:42 - 31:44
    SHOP BELL RINGS
  • 31:48 - 31:49
    Hello.
  • 31:55 - 31:58
    You want...lucky cat?
  • 31:58 - 32:00
    No, thanks, no.
  • 32:00 - 32:03
    Ł10! Ł10!
  • 32:05 - 32:07
    I think your wife, she will like.
  • 32:07 - 32:09
    Um, thank you.
  • 32:17 - 32:19
    Sherlock...
  • 32:21 - 32:24
    The label there.
    Yes, I see it.
  • 32:24 - 32:25
    It's exactly the same as the cipher.
  • 32:28 - 32:30
    WATSON CLEARS THROAT
  • 32:31 - 32:35
    It's an ancient number system -
    Hang Zhou.
  • 32:35 - 32:37
    These days only street traders
    use it.
  • 32:37 - 32:41
    Those were numbers written on the
    wall at the bank and at the library.
  • 32:41 - 32:44
    Numbers written in
    an ancient Chinese dialect.
  • 32:44 - 32:45
    It's a 15.
  • 32:45 - 32:48
    What we thought was the
    artist's tag, it's a number 15.
  • 32:48 - 32:51
    And the blindfold, the horizontal
    line. That was a number as well.
  • 32:51 - 32:54
    The Chinese number one, John.
    We found it.
  • 33:00 - 33:03
    Two men travel back from China,
  • 33:03 - 33:07
    both head straight for
    the Lucky Cat emporium.
  • 33:07 - 33:10
    What did they see?
  • 33:10 - 33:12
    It's not what they saw.
  • 33:12 - 33:15
    It's what they both brought back
    in those suitcases.
  • 33:15 - 33:18
    And you don't mean duty free.
  • 33:18 - 33:20
    Thank you.
  • 33:24 - 33:26
    Think about what Sebastian told us.
  • 33:26 - 33:29
    About Van Coon, about
    how he stayed afloat in the market.
  • 33:29 - 33:32
    Lost 5 million.
    Made it back in a week.
  • 33:32 - 33:33
    That's how he made such easy money.
  • 33:33 - 33:36
    He was a smuggler. Mm.
  • 33:36 - 33:38
    Cover would have been perfect.
  • 33:40 - 33:42
    Businessman,
    making frequent trips to Asia.
  • 33:42 - 33:46
    Lukis was the same,
    a journalist writing about China.
  • 33:46 - 33:48
    Both of them smuggled stuff about.
  • 33:48 - 33:50
    The Lucky Cat was their drop-off.
  • 33:50 - 33:52
    But why did they die?
  • 33:52 - 33:56
    It doesn't make sense.
    If they both turn up at the shop
    and deliver the goods,
  • 33:56 - 33:58
    why would someone threaten them
  • 33:58 - 34:01
    and kill them after the event,
    after they'd finished the job?
  • 34:05 - 34:07
    What if one of them
    was light-fingered?
  • 34:07 - 34:09
    How do you mean? Stole something.
  • 34:09 - 34:11
    Something from the hoard.
  • 34:11 - 34:13
    The killer doesn't know
    which of them took it
  • 34:13 - 34:14
    so threatens them both. Right.
  • 34:17 - 34:19
    Remind me.
  • 34:19 - 34:21
    When was the last time
    that it rained?
  • 34:30 - 34:32
    It's been here since Monday.
  • 34:33 - 34:36
    HE RINGS DOORBELL
  • 34:44 - 34:47
    No-one's been in that flat
    for at least three days.
  • 34:47 - 34:49
    Could have gone on holiday.
  • 34:49 - 34:52
    Do you leave your windows open
    when you go on holiday?
  • 34:59 - 35:02
    METALLIC SCREECH
  • 35:02 - 35:05
    Sherlock!
  • 35:05 - 35:06
    GROANS
    WATER DRIPS
  • 35:10 - 35:13
    Someone else has been here.
  • 35:13 - 35:17
    Somebody else broke into the flat
    and knocked over the vase,
    just like I did.
  • 35:25 - 35:28
    SNIFFS
    DOORBELL RINGS
  • 35:28 - 35:31
    Do you think maybe
    you could let me in this time?
  • 35:35 - 35:38
    Can you not keep doing this, please?
  • 35:44 - 35:46
    I'm not the first.
  • 35:48 - 35:51
    What?
    Somebody's been in here before me.
  • 35:52 - 35:54
    What are you saying?
  • 35:56 - 35:59
    Size eight feet.
  • 35:59 - 36:04
    Small, but...athletic.
  • 36:04 - 36:06
    I'm wasting my breath.
  • 36:07 - 36:09
    DOORBELL RINGS
  • 36:09 - 36:13
    Small, strong hands.
  • 36:15 - 36:16
    Our acrobat.
  • 36:18 - 36:20
    Why didn't he close the window
    when he lef...?
  • 36:20 - 36:23
    Oh, stupid, stupid!
  • 36:23 - 36:25
    Obvious.
  • 36:25 - 36:27
    He's still here.
  • 36:45 - 36:47
    CHOKES
  • 36:49 - 36:53
    Any time you want to include me...
  • 36:53 - 36:54
    John...
  • 36:54 - 36:56
    John!
  • 36:58 - 37:00
    Oh, I'm Sherlock Holmes
    and I always work alone
  • 37:00 - 37:03
    because no-one else can compete
    with my massive intellect(!)
  • 37:11 - 37:13
    DOORBELL RINGS
  • 37:16 - 37:20
    SPLUTTERS AND COUGHS
  • 37:21 - 37:25
    GROANS
  • 37:46 - 37:48
    The milk's gone off
    and the washing's started to smell.
  • 37:48 - 37:51
    Somebody left here in a hurry
    three days ago. Somebody?
  • 37:52 - 37:54
    Soo Lin Yao. We have to find her.
  • 37:54 - 37:56
    How, exactly?
  • 38:01 - 38:02
    We could start with this.
  • 38:02 - 38:05
    You've gone all croaky.
    Are you getting a cold?
  • 38:05 - 38:07
    COUGHS
    I'm fine.
  • 38:08 - 38:10
    When was the last time
    that you saw her?
  • 38:10 - 38:13
    ANDY: Three days ago.
    Here at the museum.
  • 38:14 - 38:17
    This morning they told me
    she'd resigned.
  • 38:17 - 38:20
    Just like that.
    Left her work unfinished.
  • 38:20 - 38:24
    What was the last thing that she did
    on her final afternoon?
  • 38:28 - 38:34
    She does this demonstration
    for the tourists, a tea ceremony.
  • 38:34 - 38:38
    So she would have packed up her
    things and just put them in here.
  • 38:57 - 38:58
    We have to get to Soo Lin Yao.
  • 38:58 - 39:01
    If she's still alive.
    Sherlock!
  • 39:01 - 39:03
    Oh, look who it is.
  • 39:03 - 39:05
    Found something you'll like.
  • 39:11 - 39:13
    Tuesday morning,
  • 39:13 - 39:15
    all you've got to do is turn up
    and say the bag was yours.
  • 39:15 - 39:17
    Forget about your court date.
  • 39:22 - 39:24
    GIRL: Dude, that was rad!
  • 39:26 - 39:29
    You want to hide a tree, then a
    forest is the best place to do it,
  • 39:29 - 39:31
    wouldn't you say?
  • 39:31 - 39:33
    People would just walk
    straight past, not knowing,
  • 39:33 - 39:35
    unable to decipher the message.
  • 39:37 - 39:39
    There. I spotted it earlier.
  • 39:41 - 39:43
    They've been here.
    And that's the exact same paint?
  • 39:43 - 39:44
    Yeah.
  • 39:44 - 39:47
    John, if we're going to
    decipher this code,
  • 39:47 - 39:48
    we need to look for more evidence.
  • 40:50 - 40:52
    Answer your phone.
    I've been calling you.
  • 40:52 - 40:55
    PANTING
    I found it.
  • 41:09 - 41:11
    It's been painted over.
  • 41:14 - 41:16
    I don't understand. It was...
  • 41:16 - 41:17
    here.
  • 41:19 - 41:21
    10 minutes ago. I saw it.
  • 41:21 - 41:23
    A whole load of graffiti.
  • 41:23 - 41:25
    Somebody doesn't want me to see it.
  • 41:26 - 41:29
    Sherlock, what are you doing...?
    Ssh! John, concentrate.
  • 41:29 - 41:31
    I need you to concentrate.
    Close your eyes.
  • 41:31 - 41:33
    What? Why? Why? What are you doing?
  • 41:33 - 41:36
    I need you to maximise
    your visual memory.
  • 41:36 - 41:38
    Try to picture what you saw.
  • 41:38 - 41:40
    Can you picture it? Yeah.
  • 41:40 - 41:42
    Can you remember it?
    Yes, definitely.
  • 41:42 - 41:43
    Can you remember the pattern?
  • 41:43 - 41:45
    Yes. How much can you remember it?
  • 41:45 - 41:46
    Look, don't worry.
  • 41:46 - 41:49
    Because the average human memory
    on visual matters
    is only 62% accurate.
  • 41:49 - 41:52
    Well, don't worry,
    I remember all of it. Really?
  • 41:52 - 41:56
    At least I would, if I could get
    to my pockets. I took a photograph.
  • 41:56 - 41:58
    MOBILE BEEPS
  • 42:02 - 42:06
    TRAIN RUMBLES
  • 42:17 - 42:19
    Always in pairs, John, look.
  • 42:21 - 42:22
    Numbers...
  • 42:22 - 42:24
    come with partners.
  • 42:24 - 42:25
    God, I need to sleep.
  • 42:25 - 42:28
    Why did he paint it
    so near the tracks? No idea.
  • 42:28 - 42:30
    Thousands of people
    pass by there every day.
  • 42:30 - 42:32
    Just 20 minutes...
  • 42:33 - 42:35
    Of course.
  • 42:35 - 42:38
    Of course, he wants information.
    He's trying to communicate
  • 42:38 - 42:42
    with his people in the underworld.
    Whatever was stolen,
    he wants it back.
  • 42:42 - 42:46
    It's somewhere here, in a code.
  • 42:46 - 42:49
    We can't crack this
    without Soo Lin Yao.
  • 42:49 - 42:51
    Oh, good.
  • 42:51 - 42:54
    Two men who travelled back
    from China were murdered.
  • 42:54 - 42:57
    And their killer left them messages
    in Hang Zhou numerals.
  • 42:57 - 42:59
    Soo Lin Yao is in danger.
  • 42:59 - 43:02
    That cipher, it was just
    the same pattern as the others.
  • 43:02 - 43:03
    He means to kill her as well.
  • 43:03 - 43:05
    Look, I've tried everywhere -
  • 43:05 - 43:08
    friends, colleagues.
    I don't know where she's gone.
  • 43:08 - 43:10
    I mean, she could be
    a thousand miles away.
  • 43:12 - 43:15
    What are you looking at?
    Tell me more about those teapots.
  • 43:15 - 43:20
    The pots were her obsession.
    They need urgent work.
  • 43:20 - 43:22
    If they dry out,
    then the clay can start to crumble.
  • 43:22 - 43:25
    Apparently, you have to just
    keep making tea in them.
  • 43:25 - 43:29
    Yesterday, only one of those pots
    was shining.
  • 43:29 - 43:31
    Now, there are two.
  • 43:41 - 43:42
    GRATING
  • 44:21 - 44:24
    Fancy a biscuit with that?
  • 44:26 - 44:29
    Centuries old.
    Don't want to break that.
  • 44:36 - 44:37
    Hello.
  • 44:37 - 44:39
    You saw the cipher.
  • 44:39 - 44:43
    Then you know he is coming for me.
  • 44:43 - 44:46
    You've been clever
    to avoid him so far.
  • 44:46 - 44:49
    I had to finish.
  • 44:49 - 44:51
    To finish this work.
  • 44:52 - 44:55
    It's only a matter of time.
  • 44:55 - 44:57
    I know he will find me.
  • 44:57 - 45:00
    Who is he?
    Have you met him before?
  • 45:02 - 45:05
    When I was a girl, we met in China.
  • 45:07 - 45:10
    I recognised his...
  • 45:10 - 45:12
    signature.
    The cipher?
  • 45:14 - 45:18
    Only he would do this. Zhi Zhu.
  • 45:18 - 45:22
    Zhi Zhu? The spider.
  • 45:27 - 45:28
    You know this mark?
  • 45:28 - 45:31
    Yes. It's the mark of a Tong.
  • 45:31 - 45:36
    Huh? Ancient crime syndicate,
    based in China.
  • 45:38 - 45:41
    Every foot soldier bears the mark.
  • 45:43 - 45:44
    Everyone who hauls for them.
  • 45:44 - 45:46
    Hauls?
  • 45:49 - 45:51
    You mean you were a smuggler?
  • 45:55 - 45:57
    I was 15.
  • 45:59 - 46:00
    My parents were dead.
  • 46:02 - 46:03
    I had no livelihood.
  • 46:04 - 46:08
    No way of surviving, day-to-day,
  • 46:08 - 46:10
    except to work for the bosses.
  • 46:10 - 46:12
    Who are they?
  • 46:12 - 46:16
    They are called the Black Lotus.
  • 46:19 - 46:21
    By the time I was 16,
  • 46:23 - 46:27
    I was taking
    thousands of pounds worth of drugs
  • 46:27 - 46:28
    across the border into Hong Kong.
  • 46:32 - 46:35
    I managed to leave
    that life behind me.
  • 46:37 - 46:39
    I came to England.
  • 46:41 - 46:43
    They gave me a job, here.
  • 46:46 - 46:50
    Everything was good. New life.
  • 46:50 - 46:53
    And he came looking for you.
  • 46:53 - 46:54
    Yes.
  • 46:57 - 47:00
    I hoped, after five years...
  • 47:00 - 47:03
    maybe they would have forgotten me.
  • 47:04 - 47:06
    But they never really let you leave.
  • 47:09 - 47:11
    A small community like ours...
  • 47:13 - 47:15
    ..they are never very far away.
  • 47:21 - 47:23
    He came to my flat.
  • 47:23 - 47:27
    He asked me to help him to track down
    something that was stolen.
  • 47:27 - 47:29
    And you've no idea what it was?
  • 47:29 - 47:31
    I refused to help.
  • 47:31 - 47:36
    So, you knew him well
    when you were living back in China?
  • 47:38 - 47:40
    Oh, yes.
  • 47:41 - 47:43
    He's my brother.
  • 47:57 - 47:59
    Two orphans.
  • 48:01 - 48:03
    We had no choice.
  • 48:05 - 48:11
    We could work for the Black Lotus,
    or starve on the streets, like
    beggars.
  • 48:15 - 48:18
    My brother has become their puppet.
  • 48:19 - 48:23
    In the power of the one
    they call Shan.
  • 48:23 - 48:25
    The Black Lotus general.
  • 48:29 - 48:31
    I turned my brother away.
  • 48:33 - 48:36
    He said I had betrayed him.
  • 48:38 - 48:40
    Next day, I came to work
  • 48:40 - 48:43
    and the cipher was waiting.
  • 48:49 - 48:51
    Can you decipher these?
  • 48:53 - 48:56
    These are numbers. Yes, I know.
  • 48:56 - 49:01
    Here, the line across the man's
    eyes, it's the Chinese number one.
  • 49:01 - 49:04
    And this one is 15.
    But what's the code?
  • 49:05 - 49:07
    All the smugglers know it.
  • 49:07 - 49:09
    It's based upon a book...
  • 49:09 - 49:11
    DOOR THUDS
  • 49:14 - 49:15
    He's here.
  • 49:16 - 49:20
    Zhi Zhu has found me.
  • 49:20 - 49:22
    No, no, Sherlock.
  • 49:22 - 49:23
    Sherlock, wait!
  • 49:23 - 49:25
    Come here.
  • 49:25 - 49:27
    Get in. Get in!
  • 49:36 - 49:38
    GUNSHOT
  • 49:38 - 49:39
    SECOND GUNSHOT
  • 49:39 - 49:41
    MORE GUNSHOTS
  • 49:43 - 49:45
    I have to go and help him.
    Bolt the door after me.
  • 49:55 - 49:56
    GUNSHOT
  • 50:14 - 50:16
    GUNSHOTS
  • 50:17 - 50:19
    Careful!
    GUNSHOT
  • 50:19 - 50:24
    Some of those skulls are over
    200,000 years old.
    Have a bit of respect.
  • 50:26 - 50:28
    Thank you.
  • 51:26 - 51:27
    Liang.
  • 51:29 - 51:31
    SPEAKS CHINESE
  • 51:35 - 51:37
    SPEAKS CHINESE
  • 51:40 - 51:42
    GUNSHOT
  • 51:44 - 51:45
    Oh, my God.
  • 52:09 - 52:11
    GULPS
  • 52:17 - 52:19
    How many murders is it going to take
  • 52:19 - 52:22
    before you start believing
    that this maniac's out there?
  • 52:22 - 52:24
    MUTTERS
  • 52:24 - 52:26
    A young girl was gunned down
    tonight.
  • 52:26 - 52:30
    That's three victims in three days.
    You're supposed to be finding him.
  • 52:30 - 52:31
    Brian Lukis and Eddie Van Coon
  • 52:31 - 52:34
    were working for a gang
    of international smugglers.
  • 52:34 - 52:37
    A gang called the Black Lotus,
    operating here in London
  • 52:37 - 52:39
    right under your nose.
  • 52:39 - 52:41
    Can you prove that?
  • 52:49 - 52:51
    What are you thinking?
    Pork or pasta? Oh, it's you.
  • 52:52 - 52:55
    I suppose it's never going
    to trouble Egon Ronay, is it?
  • 52:55 - 52:57
    I'd stick with the pasta.
  • 52:57 - 53:01
    Don't want to be doing roast pork,
    not if you're slicing up cadavers.
  • 53:01 - 53:04
    What are you having?
  • 53:04 - 53:06
    I don't eat when I'm working.
    Digesting slows me down.
  • 53:06 - 53:09
    So you're working here tonight?
  • 53:09 - 53:11
    Need to examine some bodies. Some?
  • 53:11 - 53:14
    Eddie Van Coon and Brian Lukis.
  • 53:14 - 53:15
    They're on my list.
  • 53:17 - 53:19
    Could you wheel them out again
    for me?
  • 53:19 - 53:23
    Well...their paperwork's
    already gone through.
  • 53:27 - 53:30
    You changed your hair. What?
  • 53:30 - 53:33
    The style.
    It's usually parted in the middle.
  • 53:33 - 53:34
    Yes, well...
  • 53:34 - 53:35
    It's good.
  • 53:35 - 53:38
    It...suits you better this way.
  • 53:49 - 53:51
    We're just interested in the feet.
  • 53:51 - 53:52
    The feet? Yes.
  • 53:52 - 53:54
    Do you mind if we have
    a look at them?
  • 54:02 - 54:03
    Now, Van Coon.
  • 54:09 - 54:13
    Oh! So...
  • 54:13 - 54:16
    So either these two men just
    happened to visit the same
    Chinese tattoo parlour,
  • 54:16 - 54:20
    or I'm telling the truth.
    What do you want?
  • 54:20 - 54:22
    I want every book from Lukis'
    apartment and Van Coon's.
  • 54:22 - 54:24
    Their books?
  • 54:28 - 54:31
    Not just a criminal organisation.
    It's a cult.
  • 54:33 - 54:36
    Her brother was corrupted
    by one of its leaders.
  • 54:36 - 54:37
    Soo Lin said the name.
  • 54:37 - 54:40
    Yes, Shan. General Shan.
  • 54:40 - 54:42
    We're still no closer to finding him.
  • 54:42 - 54:44
    Wrong! We've got almost
    all we need to know.
  • 54:44 - 54:47
    She gave us most of
    the missing pieces.
  • 54:47 - 54:50
    Why did he need to visit his sister?
  • 54:50 - 54:52
    Why did he need her expertise?
    She worked at the museum.
  • 54:52 - 54:54
    Exactly. An expert in antiquities.
  • 54:56 - 54:58
    Of course, I see.
    Valuable antiquities, John.
  • 54:58 - 55:01
    Ancient Chinese relics
    purchased on the black market.
  • 55:01 - 55:04
    China's home to a thousand treasures
    hidden after Mao's revolution.
  • 55:04 - 55:05
    The Black Lotus is selling them.
  • 55:11 - 55:13
    Check for the dates... Here,
  • 55:13 - 55:16
    John,
    "arrived from China four days ago".
  • 55:16 - 55:18
    Anonymous.
  • 55:18 - 55:21
    The vendor doesn't give his name.
  • 55:21 - 55:23
    "Two undiscovered treasures
    from the East."
  • 55:23 - 55:28
    One in Lukis' suitcase
    and one in Van Coon's.
  • 55:28 - 55:29
    "Antiquities...
  • 55:29 - 55:33
    "sold at auction."
  • 55:33 - 55:35
    Look, here's another one.
  • 55:35 - 55:37
    Arrived from China a month ago,
  • 55:37 - 55:40
    Chinese ceramic statue sold for
    Ł400,000.
  • 55:40 - 55:44
    Look, a month before that,
    Chinese painting, Ł500,000.
  • 55:44 - 55:46
    All of them
    from an anonymous source.
  • 55:46 - 55:50
    They're stealing them back in China
    and one by one feeding them
    into Britain.
  • 55:53 - 55:58
    Every single auction coincides
    with Lukis or Van Coon
    travelling to China.
  • 55:58 - 56:00
    So what if one of them got greedy
    when they were in China?
  • 56:00 - 56:01
    What if one of them stole something?
  • 56:01 - 56:04
    That's why Zhi Zhu's come.
    KNOCK AT DOOR
  • 56:04 - 56:07
    Sorry, are we collecting
    for charity, Sherlock?
  • 56:07 - 56:08
    What?
  • 56:08 - 56:11
    A young man's outside
    with crates of books.
  • 56:17 - 56:18
    So the numbers are references.
  • 56:18 - 56:20
    To books.
  • 56:20 - 56:23
    To specific pages
    and specific words on those pages.
  • 56:23 - 56:25
    Right, so...
  • 56:25 - 56:28
    15 and 1, that means?
  • 56:28 - 56:30
    Turn to page 15
    and it's the first word you read.
  • 56:30 - 56:32
    OK, so what's the message?
    Depends on the book.
  • 56:32 - 56:35
    That's the cunning of the book code.
  • 56:35 - 56:37
    It has to be one that they both own.
  • 56:41 - 56:45
    OK, fine. This shouldn't take
    too long, should it(?)
  • 56:57 - 57:02
    We found these...at the museum.
    Is this your writing?
  • 57:02 - 57:05
    Er, we hoped Soo Lin
    could decipher it for us.
  • 57:05 - 57:07
    Ta.
  • 57:07 - 57:10
    Anything else I can do?
  • 57:10 - 57:12
    To assist you, I mean.
  • 57:12 - 57:14
    Some silence right now
    would be marvellous.
  • 57:29 - 57:31
    Cigarette.
  • 57:59 - 58:01
    Imagine.
  • 58:05 - 58:07
    CLOCK TICKS
  • 58:12 - 58:15
    WATCH BLEEPS
  • 58:15 - 58:16
    Oh...
  • 58:17 - 58:20
    CHURCH BELLS RING
  • 58:21 - 58:23
    I'm sorry to keep you waiting,
  • 58:23 - 58:26
    but we haven't got anything now
    until next Thursday.
  • 58:26 - 58:29
    WOMAN: This is taking ages.
  • 58:29 - 58:31
    Sorry.
  • 58:31 - 58:34
    WOMAN: What's the point of booking
    an appointment if they
    can't stick to it?
  • 58:34 - 58:36
    Um, what's going on?
  • 58:36 - 58:41
    That new doctor you hired, he
    hasn't buzzed the intercom for ages.
  • 58:41 - 58:44
    Let me go and have a word.
  • 58:44 - 58:46
    Excuse me. Sorry.
  • 58:46 - 58:49
    KNOCKS ON DOOR
    John?
  • 58:51 - 58:53
    John?
  • 58:59 - 59:01
    GENTLE SNORING
  • 59:04 - 59:08
    Looks like I'm done.
    I thought I had some more to see.
  • 59:08 - 59:11
    Oh, I did one or two of yours.
    One or two?
  • 59:11 - 59:14
    Well, maybe five or six.
  • 59:14 - 59:16
    I'm sorry,
    that's not very professional.
  • 59:16 - 59:19
    No, not really.
  • 59:19 - 59:21
    I had...a bit of a late one.
  • 59:23 - 59:25
    Oh, right.
  • 59:26 - 59:28
    Anyway, see you.
  • 59:28 - 59:32
    So...what were you doing
    to keep you up so late?
  • 59:32 - 59:35
    I was attending
    a sort of book event.
  • 59:35 - 59:40
    Oh. Oh, she likes books,
    does she, your girlfriend?
  • 59:40 - 59:41
    No, it wasn't a date.
  • 59:41 - 59:45
    Good. I mean, I'm...
    And I don't have one tonight.
  • 59:48 - 59:50
    A book that everybody would own.
  • 60:01 - 60:03
    15, entry 1.
  • 60:17 - 60:20
    I need to get some air.
    We're going out tonight.
  • 60:20 - 60:22
    Actually, I've got a date. What?
  • 60:22 - 60:24
    Where two people who like each other
    go out and have fun?
  • 60:24 - 60:25
    That's what I was suggesting.
  • 60:25 - 60:28
    No, it wasn't. At least, I hope not.
  • 60:28 - 60:30
    Where are you taking her?
  • 60:30 - 60:32
    Er, cinema.
  • 60:32 - 60:34
    Dull, boring, predictable...
  • 60:34 - 60:36
    Why don't you try this?
  • 60:36 - 60:39
    In London for one night only.
  • 60:39 - 60:40
    LAUGHS NERVOUSLY
  • 60:40 - 60:42
    Thanks, but I don't come to you
    for dating advice.
  • 60:42 - 60:46
    SARAH: It's years since anyone
    took me to the circus.
  • 60:46 - 60:48
    Right, yes.
  • 60:48 - 60:52
    A friend recommended it to me
    and I phoned up.
  • 60:52 - 60:54
    Oh! What are they,
    a touring company or something?
  • 60:54 - 60:56
    I don't know much about it.
  • 60:56 - 60:59
    I think they're probably from China.
  • 60:59 - 61:02
    I think so, yes.
    There's a coincidence(!)
  • 61:02 - 61:04
    That's wonderful,
    thank you very much.
  • 61:06 - 61:09
    Hi, I have two tickets
    reserved for tonight.
  • 61:09 - 61:11
    And what's the name? Holmes.
  • 61:14 - 61:17
    Actually, I have three in that name.
  • 61:17 - 61:19
    No, I don't think so,
    we only booked two.
  • 61:19 - 61:23
    Then I phoned back
    and got one for myself as well.
  • 61:23 - 61:25
    I'm Sherlock.
  • 61:27 - 61:30
    Hi. Hello.
  • 61:32 - 61:35
    You couldn't let me have
    just one night off.
  • 61:35 - 61:38
    Yellow Dragon Circus,
    in London for one day. It fits.
  • 61:38 - 61:40
    The Tong sent an assassin
    to England...
  • 61:40 - 61:42
    Dressed as a tightrope walker.
    Come on, Sherlock, behave!
  • 61:42 - 61:44
    We're looking for a killer who can
    climb, who can shin up a rope.
  • 61:44 - 61:47
    Where else would you find
    that level of dexterity?
  • 61:47 - 61:49
    Exit visas are scarce in China.
  • 61:49 - 61:51
    They need a good reason
    to get out of that country.
  • 61:51 - 61:53
    All I need to do
    is have a quick look around...
  • 61:53 - 61:55
    Fine. You do that,
    I'll take Sarah for a pint.
  • 61:55 - 61:56
    I need your help.
  • 61:56 - 61:58
    I do have a couple of other things
    on my mind this evening.
  • 61:58 - 62:00
    Like what?
  • 62:00 - 62:03
    You are kidding?
    What's so important?
  • 62:03 - 62:05
    Sherlock,
    I'm in the middle of a date.
  • 62:05 - 62:07
    You're going to chase some killer
    while I'm trying to...
  • 62:07 - 62:09
    What?
  • 62:09 - 62:11
    While I'm trying to get off
    with Sarah.
  • 62:11 - 62:14
    Hey... Ready?
  • 62:14 - 62:15
    Yeah.
  • 62:18 - 62:19
    MURMUR OF CONVERSATION
  • 62:24 - 62:28
    You said circus.
    This is not a circus.
  • 62:28 - 62:29
    Look at the size of this crowd.
  • 62:29 - 62:32
    Sherlock, this is...art.
  • 62:32 - 62:34
    This is not their day job.
  • 62:34 - 62:39
    Sorry, I forgot, they're not
    a circus, they're a gang
    of international smugglers.
  • 62:57 - 63:00
    LOUDER DRUM BEAT
  • 63:49 - 63:52
    WHOOSH
    AUDIENCE GASPS
  • 63:54 - 63:56
    APPLAUSE
  • 64:11 - 64:14
    Classic Chinese escapology act.
  • 64:14 - 64:17
    Hm?
    The crossbow's on a delicate string.
  • 64:17 - 64:20
    The warrior has to escape his bonds
    before it fires.
  • 64:28 - 64:29
    HE SHOUTS
  • 64:36 - 64:39
    DRUM BEAT QUICKENS
  • 64:41 - 64:43
    GONG
    Oh!
  • 64:43 - 64:45
    THEY LAUGH
  • 64:55 - 64:58
    She splits the sandbag,
    the sand pours out.
  • 64:58 - 65:01
    Gradually,
    the weight lowers into the bowl.
  • 65:06 - 65:08
    ESCAPOLOGIST SHOUTS AND STRAINS
  • 65:40 - 65:41
    APPLAUSE
  • 65:41 - 65:43
    Thank God. My God!
  • 66:02 - 66:05
    APPLAUSE RESTARTS
  • 66:14 - 66:17
    Ladies and gentlemen.
  • 66:17 - 66:21
    From the distant moonlit shores
    of the Yangtze River,
  • 66:21 - 66:25
    we present, for your pleasure,
  • 66:25 - 66:29
    the deadly Chinese bird spider.
  • 66:31 - 66:32
    APPLAUSE
  • 66:38 - 66:39
    Did you see that?
  • 67:02 - 67:04
    Well, well.
  • 67:05 - 67:07
    DOOR OPENS
  • 67:15 - 67:18
    COAT HANGERS RATTLE
  • 67:23 - 67:26
    DOOR OPENS AND CLOSES
  • 67:33 - 67:35
    Found you.
  • 68:40 - 68:43
    Come on.
    Come on. Let's go!
  • 68:43 - 68:47
    I sent a couple of cars.
    The old hall is totally deserted.
  • 68:47 - 68:50
    Look, I saw the mark at the circus.
    The tattoo that we saw
  • 68:50 - 68:52
    on the two bodies,
    the mark of the Tong.
  • 68:52 - 68:55
    Lukis and Van Coon were part of
    a smuggling operation.
  • 68:55 - 68:58
    One of them stole something
    in China. Something valuable.
  • 68:58 - 68:59
    The circus performers
    were gang members
  • 68:59 - 69:01
    sent here to get it back.
    Get what back?
  • 69:02 - 69:04
    We don't know.
  • 69:04 - 69:06
    You don't know?
  • 69:07 - 69:11
    Mr Holmes,
    I've done everything you asked.
  • 69:11 - 69:15
    Lestrade, he seems to think
    your advice is worth something.
  • 69:15 - 69:16
    I gave the order for a raid.
  • 69:16 - 69:18
    Please tell me I'll have something
    to show for it.
  • 69:18 - 69:21
    Other than a massive bill
    for overtime.
  • 69:26 - 69:27
    They'll be back in China by tomorrow.
  • 69:27 - 69:30
    No, they won't leave
    without what they came for.
  • 69:30 - 69:32
    We need to find a hideout.
  • 69:32 - 69:33
    A rendezvous.
  • 69:35 - 69:38
    Somewhere in this message
    it must tell us.
  • 69:42 - 69:44
    Well, I think
    perhaps I should leave you to it.
  • 69:44 - 69:48
    No, you don't have to go. Stay.
    Yes, it'd be better if you left now.
  • 69:48 - 69:51
    He's kidding.
    Please stay if you'd like.
  • 69:51 - 69:53
    Is it just me
    or is anyone else starving?
  • 69:53 - 69:55
    Oh, God.
  • 70:08 - 70:10
    So this is what you do.
  • 70:10 - 70:13
    You and John,
    you solve puzzles for a living.
  • 70:13 - 70:15
    Consulting detective.
  • 70:15 - 70:17
    Oh.
  • 70:19 - 70:20
    Oh!
  • 70:24 - 70:25
    What are these squiggles?
  • 70:25 - 70:28
    They're numbers.
    An ancient Chinese dialect.
  • 70:28 - 70:33
    Oh, right. Well, of course
    I should have known that.
  • 70:38 - 70:42
    (I've done punch
    and a bowl of nibbles.)
  • 70:42 - 70:44
    Mrs Hudson, you are a saint.
  • 70:44 - 70:46
    If it was Monday,
    I'd have been to the supermarket.
  • 70:46 - 70:48
    Thank you. Thank you.
  • 70:48 - 70:49
    SIRENS PASS BY
  • 70:55 - 70:57
    So these numbers, it's a cipher?
    Exactly.
  • 70:57 - 70:59
    And each pair of numbers is a word?
  • 71:01 - 71:02
    How did you know that?
  • 71:02 - 71:05
    Well, two words
    have already been translated. Here.
  • 71:07 - 71:09
    John. Mmm?
  • 71:09 - 71:10
    John, look at this.
  • 71:12 - 71:16
    Soo Lin at the museum, she started
    to translate the code for us.
  • 71:16 - 71:17
    We didn't see it.
  • 71:17 - 71:20
    Nine mill.
  • 71:22 - 71:23
    Does that mean millions?
  • 71:23 - 71:26
    Nine million quid. For what?
  • 71:26 - 71:29
    We need to know
    the end of this sentence.
  • 71:29 - 71:31
    Where are you going?
  • 71:31 - 71:34
    To the museum, to the restoration
    room. We must have been
    staring right at it. At what?
  • 71:34 - 71:37
    The book, John. The book.
    The key to cracking the cipher.
  • 71:37 - 71:41
    Soo Lin used it to do this. Whilst
    we were running around the gallery,
  • 71:41 - 71:44
    she started to translate the code.
    It must be on her desk.
  • 71:46 - 71:47
    Taxi!
  • 71:47 - 71:49
    ANGRY VOICE
  • 71:49 - 71:50
    Entschuldigen Sie, bitte.
  • 71:50 - 71:52
    Ja, danke(!)
  • 71:52 - 71:54
    THEY MUTTER
  • 72:05 - 72:06
    INAUDIBLE
  • 72:16 - 72:18
    A book that everybody would own.
  • 72:21 - 72:23
    Please, wait!
  • 72:23 - 72:25
    Bitte!
  • 72:26 - 72:29
    Was wollt er?
  • 72:29 - 72:30
    Hey, du, was machst du?
  • 72:30 - 72:33
    Minute!
    Gib mir doch mein Buch zuruck!
  • 72:35 - 72:37
    Yeah. No, absolutely.
  • 72:37 - 72:40
    I mean, a quiet night in
    is just what the doctor ordered.
  • 72:42 - 72:47
    I mean, I love to go out of an
    evening and wrestle a few Chinese
    gangsters generally,
  • 72:47 - 72:49
    but a girl can get too much. OK.
  • 72:53 - 72:55
    Er, shall we get a takeaway?
  • 72:55 - 72:57
    Yeah.
  • 72:58 - 73:00
    Page 15, entry 1...
  • 73:00 - 73:02
    Page 15, entry 1.
  • 73:05 - 73:07
    Dead man.
  • 73:07 - 73:10
    You were threatening to kill them.
  • 73:10 - 73:12
    That's the first cipher.
  • 73:15 - 73:18
    9... 0... 15...
  • 73:18 - 73:20
    er, 15 and 36.
  • 73:20 - 73:23
    36, 39, 39...
  • 73:23 - 73:25
    39...
  • 73:25 - 73:26
    9...
  • 73:30 - 73:34
    "Nine", "mill", "for"...
  • 73:43 - 73:45
    KNOCK AT DOOR
  • 73:45 - 73:47
    Blimey, that was quick.
    I'll just pop down.
  • 73:47 - 73:50
    Do you want me to lay the table?
  • 73:50 - 73:53
    Um...eat off trays? Yeah.
  • 73:55 - 73:58
    70...35...
  • 74:01 - 74:02
    Jade...
  • 74:02 - 74:04
    Jade.
  • 74:07 - 74:09
    Sorry to keep you.
    How much do you want?
  • 74:09 - 74:11
    Do you have it? What?
  • 74:11 - 74:14
    Do you have the treasure?
    I don't understand.
  • 74:19 - 74:21
    MUTTERS
  • 74:27 - 74:32
    "Nine mill for Jade pin.
  • 74:32 - 74:34
    "Dragon den, black...
  • 74:34 - 74:36
    "tramway."
  • 74:41 - 74:44
    DOOR SHUTS
  • 74:46 - 74:49
    HOLMES: John! John, I've got it.
  • 74:49 - 74:52
    The cipher, the book. It's the
    London A-Z that they're us...
  • 75:09 - 75:14
    WOMAN: A book is like
    a magic garden,
  • 75:14 - 75:16
    carried in your pocket.
  • 75:30 - 75:34
    Chinese proverb, Mr Holmes.
    I'm...
  • 75:34 - 75:35
    I'm not Sherlock Holmes.
  • 75:35 - 75:39
    Forgive me
    if I do not take your word for it.
  • 75:39 - 75:41
    Ow!
  • 75:45 - 75:47
    Debit card, name of...
  • 75:47 - 75:48
    S Holmes.
  • 75:48 - 75:49
    Take my card.
  • 75:49 - 75:52
    Yes, that's not actually mine.
    He lent that to me.
  • 75:52 - 75:58
    And a cheque for Ł5,000 made out
    in the name of Mr Sherlock Holmes.
  • 75:58 - 76:01
    Yeah, he gave me that to look after.
  • 76:01 - 76:05
    Tickets from the theatre
    collected by you, name of Holmes.
  • 76:05 - 76:07
    Yes, OK.
  • 76:07 - 76:08
    What's the name?
    Er, Holmes.
  • 76:08 - 76:10
    I realise what this looks like.
  • 76:10 - 76:12
    But I'm not him.
  • 76:12 - 76:15
    We heard it from your own mouth.
    What?
  • 76:15 - 76:19
    "I am Sherlock Holmes
    and I always work alone."
  • 76:19 - 76:22
    Because no-one else can compete with
    my massive intellect.
  • 76:22 - 76:25
    Did I really say that?
  • 76:28 - 76:33
    I suppose there's no use me trying
    to persuade you I was doing
    an impression.
  • 76:34 - 76:36
    I am Shan.
  • 76:38 - 76:41
    You're... You're Shan?
  • 76:41 - 76:44
    Three times we tried to kill you
    and your companion, Mr Holmes.
  • 76:44 - 76:48
    What does it tell you when an
    assassin cannot shoot straight?
  • 76:49 - 76:51
    GUN COCKS
  • 77:01 - 77:03
    GUN CLICKS
  • 77:03 - 77:06
    It tells you
    that they're not really trying.
  • 77:08 - 77:10
    Tramway.
  • 77:26 - 77:28
    There.
  • 77:31 - 77:35
    Not blank bullets now. OK.
  • 77:35 - 77:38
    If we wanted to kill you, Mr Holmes,
    we would have done it by now.
  • 77:38 - 77:41
    We just wanted to
    make you inquisitive.
  • 77:43 - 77:46
    Do you have it?
    Do I have what?
  • 77:46 - 77:49
    The treasure. I don't know
    what you're talking about.
  • 77:49 - 77:52
    I would prefer to make certain.
  • 77:57 - 78:00
    Everything in the West
    has its price.
  • 78:00 - 78:05
    And the price for her life -
    information.
  • 78:08 - 78:11
    SARAH GROANS
  • 78:11 - 78:14
    (I'm sorry. I'm sorry.)
  • 78:29 - 78:32
    Where's the hairpin? What?
  • 78:32 - 78:35
    The Empress pin
    valued at Ł9 million sterling?
  • 78:35 - 78:38
    We already had a buyer in the West
  • 78:38 - 78:40
    and then one of our people
    was greedy, he took it,
  • 78:40 - 78:43
    brought it back to London, and you,
    Mr Holmes, have been searching.
  • 78:43 - 78:47
    Please, please. Listen to me.
    I'm not...
  • 78:47 - 78:50
    I'm not Sherlock Holmes.
    You have to believe me.
  • 78:50 - 78:52
    I haven't found whatever it is
    you're looking for.
  • 78:52 - 78:56
    I need a volunteer from
    the audience. No, please, please!
  • 78:56 - 78:58
    Ah, thank you, lady.
  • 78:58 - 79:02
    Yes, you'll do very nicely.
  • 79:02 - 79:04
    MUFFLED GROANS
  • 79:24 - 79:31
    Ladies and gentlemen, from the
    distant, moonlit shores of NW1,
  • 79:31 - 79:35
    we present for your pleasure,
  • 79:35 - 79:41
    Sherlock Holmes' pretty companion
    in a death-defying act. Please!
  • 79:44 - 79:49
    You've seen the act before.
    How dull for you.
  • 79:49 - 79:50
    You know how it ends.
  • 79:50 - 79:52
    I'm not Sherlock Holmes!
  • 79:52 - 79:54
    I don't believe you.
  • 79:54 - 79:55
    You should, you know.
  • 79:55 - 79:58
    Sherlock Holmes
    is nothing at all like him.
  • 79:58 - 80:02
    How would you describe me, John?
  • 80:02 - 80:06
    Resourceful? Dynamic? Enigmatic?
    Late?
  • 80:06 - 80:07
    That's a semi-automatic.
    If you fire it,
  • 80:07 - 80:10
    the bullet will travel at
    over 1,000 metres per second.
  • 80:10 - 80:12
    Well?
  • 80:12 - 80:14
    Well...
    THUMP
  • 80:14 - 80:16
    ..the radius curvature of these
    walls is nearly four metres.
  • 80:16 - 80:18
    If you miss,
    the bullet will ricochet.
  • 80:18 - 80:19
    Could hit anyone.
  • 80:19 - 80:22
    Might even bounce off the tunnel
    and hit you.
  • 81:20 - 81:22
    WHOOSH
    THUMP
  • 81:23 - 81:26
    GROANS
  • 81:35 - 81:37
    FOOTSTEPS RECEDE
  • 81:43 - 81:44
    It's all right.
  • 81:44 - 81:46
    GRUNTS
  • 81:46 - 81:48
    You're going to be all right.
    It's over now.
  • 81:55 - 81:57
    Don't worry.
  • 81:57 - 81:59
    Next date won't be like this.
  • 82:13 - 82:15
    We'll just slip off. No need
    to mention us in your report.
  • 82:15 - 82:19
    Mr Holmes... I have high hopes
    for you, Inspector.
  • 82:19 - 82:21
    A glittering career.
  • 82:21 - 82:23
    I go where you point me.
  • 82:25 - 82:26
    Exactly.
  • 82:31 - 82:33
    POURING LIQUID
  • 82:33 - 82:36
    WATSON: Ta.
  • 82:36 - 82:37
    So, nine million. Million.
  • 82:37 - 82:43
    Million, yes. Nine million for
    Jade pin dragon den black tramway.
  • 82:43 - 82:45
    An instruction
    to all their London operatives.
  • 82:45 - 82:48
    A message.
    What they were trying to reclaim.
  • 82:48 - 82:50
    What, a jade pin?
    Worth Ł9 million.
  • 82:50 - 82:52
    Bring it to the Tramway,
    their London hideout.
  • 82:52 - 82:55
    Hang on. A hairpin worth Ł9 million?
  • 82:55 - 82:57
    Apparently. Why so much?
  • 82:57 - 82:59
    Depends who owned it.
  • 83:05 - 83:07
    Two operatives based in London.
  • 83:07 - 83:10
    They travel over to Dalian
    to smuggle those vases.
  • 83:10 - 83:13
    One of them helps himself
    to something, a little hairpin.
  • 83:13 - 83:16
    Worth Ł9 million.
    Eddie Van Coon was the thief,
  • 83:16 - 83:18
    he stole the treasure
    when he was in China.
  • 83:18 - 83:19
    How do you know it was Van Coon,
    not Lukis?
  • 83:19 - 83:23
    Even the killer didn't know that.
    Because of the soap.
  • 83:31 - 83:33
    PHONE RINGS
  • 83:35 - 83:37
    Amanda?
    HOLMES: He brought you a present.
  • 83:37 - 83:39
    Oh, hello.
  • 83:39 - 83:41
    A little gift
    when he came back from China.
  • 83:41 - 83:46
    How do you know that?
    You weren't just his PA, were you?
  • 83:46 - 83:47
    Someone's been gossiping.
  • 83:47 - 83:49
    No. Then I don't understand why...
  • 83:49 - 83:51
    Scented hand soap in his apartment.
  • 83:51 - 83:54
    300ml of it. Bottle almost finished.
  • 83:54 - 83:59
    Sorry...? I don't think Eddie
    Van Coon was the type of chap
    to buy himself hand soap,
  • 83:59 - 84:02
    not unless he had
    a lady coming over.
  • 84:02 - 84:04
    And it's the same brand as that
    hand cream there on your desk.
  • 84:06 - 84:10
    Look, it wasn't serious between us.
  • 84:10 - 84:14
    It was over in a flash,
    it couldn't last. He was my boss.
  • 84:14 - 84:17
    What happened? Why did you end it?
  • 84:19 - 84:22
    I thought he didn't appreciate me.
  • 84:22 - 84:24
    Took me for granted.
  • 84:25 - 84:27
    Stood me up once too often.
  • 84:27 - 84:31
    We'd plan to go away for the weekend,
    and then he'd just leave.
  • 84:31 - 84:34
    Fly off to China
    at a moment's notice.
  • 84:34 - 84:36
    And he brought you a present
    from abroad to say sorry.
  • 84:37 - 84:41
    Can I just have a look at it?
  • 84:47 - 84:50
    He really climbed up
    onto the balcony?
  • 84:50 - 84:53
    Nail a plank across the window
    and all your problems are over.
  • 84:55 - 84:57
    Thanks.
  • 84:57 - 85:00
    He said he bought it
    in a street market.
  • 85:00 - 85:03
    Oh, I don't think that's true.
    I think he pinched it.
  • 85:03 - 85:05
    Yeah, that's Eddie.
  • 85:05 - 85:07
    Didn't know its value,
    just thought it would suit you.
  • 85:07 - 85:10
    Oh? What's it worth?
  • 85:11 - 85:14
    Ł9 million.
  • 85:17 - 85:18
    Oh, my God.
  • 85:18 - 85:20
    Oh, my God!
  • 85:23 - 85:24
    Nine million?!
  • 85:37 - 85:39
    Over 1,000 years old
  • 85:39 - 85:41
    and it's sitting on her bedside table
    every night.
  • 85:41 - 85:44
    He didn't know its value. Didn't
    know why they were chasing him.
  • 85:45 - 85:48
    Should've just got her a lucky cat.
  • 85:51 - 85:55
    You mind, don't you? What?
  • 85:55 - 85:57
    That she escaped. General Shan.
  • 85:57 - 85:59
    It's not enough
    that we got her two henchmen.
  • 85:59 - 86:01
    Must be a vast network, John.
  • 86:01 - 86:03
    Thousands of operatives.
  • 86:03 - 86:06
    You and I,
    we barely scratched the surface.
  • 86:06 - 86:08
    You cracked the code though,
    Sherlock.
  • 86:08 - 86:10
    And maybe Dimmock can track down
    all of them now he knows it.
  • 86:10 - 86:15
    No. No, I crack this code,
  • 86:15 - 86:19
    all the smugglers have to do
    is pick up another book.
  • 86:40 - 86:42
    SIREN BLARES
  • 86:44 - 86:47
    Without you...
  • 86:47 - 86:50
    without your assistance,
  • 86:50 - 86:53
    we would not have found
    passage into London.
  • 86:57 - 86:59
    You have my thanks.
  • 87:10 - 87:12
    We did not anticipate...
  • 87:13 - 87:16
    We did not know this man would come.
  • 87:18 - 87:21
    This Sherlock Holmes.
  • 87:24 - 87:28
    And now your safety is compromised.
  • 87:38 - 87:40
    I will not reveal your identity.
  • 87:50 - 87:50
    GUNSHOT
  • 87:53 - 87:59
    Sherlock.1x02.The_Blind_Banker.HDTV_XviD-FoV
    English SRT Subtitles - UF (v1.00)
  • 88:00 - 88:03
    Original Subtitles by Red Bee Media Ltd
Title:
Sherlock Holmes S01E02 The Blind Banker
Video Language:
English

English subtitles

Incomplete

Revisions