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Benny & Babloo (2010) - Superhit Comedy Movie - Rajpal Yadav - Shweta Tiwari - Kay Kay Menon

  • 1:10 - 1:11
    Hello, sir. - Yes.
  • 1:12 - 1:13
    What can I get for you, sir?
  • 1:14 - 1:15
    What's on the menu?
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    Chicken Handi, Chicken pathani..
  • 1:16 - 1:18
    ..Chicken Lakhanvi, Chicken
    Kadai make up the chicken dishes.
  • 1:18 - 1:19
    Mutton Kofta, Mutton Masala,
    Mutton Mughlai make up..
  • 1:19 - 1:20
    ..the mutton dishes.
  • 1:20 - 1:21
    The minced meat dishes
    include Kheema pav..
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    ..Kheema Ghotala, Kheema fry.
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    Kesar, Falooda, Ras
    Malai make up the desserts.
  • 1:24 - 1:26
    And the hot drinks include normal,
    special Masala coffee and tea.
  • 1:27 - 1:28
    Tell me. What can
    I get for you, sir?
  • 1:28 - 1:30
    Okay. Do this. Get me a
    half a glass tea quickly.
  • 1:31 - 1:34
    Mangya. - Yes. - Slap half a
    glass of tea on the loser. - Yes.
  • 1:36 - 1:37
    Here's your biscuit, sir.
  • 1:38 - 1:39
    Here's your egg.
  • 1:39 - 1:40
    Yes, sir. What can I get for you?
  • 1:41 - 1:42
    Do you have
    'Khichda' (Lentil pudding)?
  • 1:42 - 1:44
    Yes, we do, sir. But after 7:00.
  • 1:44 - 1:45
    Get me a plate of Haleem.
  • 1:45 - 1:46
    You'll get that as well,
    sir. But on Thursday.
  • 1:46 - 1:47
    Then get me paya Masala.
  • 1:48 - 1:49
    Sir, we had it, but we ran out
    of paya Masala. It's over.
  • 1:50 - 1:51
    Then, sir, tell me,
    what should I have?
  • 1:51 - 1:52
    Why don't you have
    'Misal pav' (lndian dish), sir?
  • 1:52 - 1:53
    It's very good, sir.
  • 1:53 - 1:55
    It's just that we don't have
    'Sev' (Snack) and cashews.
  • 1:55 - 1:57
    The rest is superb,
    sir. I'll order it, okay?
  • 1:57 - 1:58
    Hey!
    - One Misal pav, please.
  • 2:05 - 2:07
    Sorry. What else can I say?
  • 2:07 - 2:10
    But, Brother Firoz, we have
    been working here since years.
  • 2:10 - 2:13
    And now.. - The lease taken
    for 99 years has now ended.
  • 2:13 - 2:15
    That lousy landlord
    has given its contract..
  • 2:15 - 2:17
    ..to some Burger Hut guy.
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    We'll get a job at the
    Burger Hut, right, sir?
  • 2:19 - 2:21
    What are you saying?
  • 2:21 - 2:24
    College kids work as
    waiters at McDonald's..
  • 2:24 - 2:27
    ..pizza hut, Cafe coffee day
    and all these places nowadays.
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    Young and educated.
    Which you aren't.
  • 2:30 - 2:32
    Mr. Jhamshed, Montu,
    Babloo and Benny..
  • 2:32 - 2:35
    ..now you'll have to
    find some new job.
  • 2:35 - 2:37
    This Burger Hut has
    ruined you. Now what to do?
  • 2:37 - 2:40
    What to do know? We'll run
    after a job now. What else?
  • 2:46 - 2:48
    Darling, you
    appear so parched today.
  • 2:48 - 2:51
    Don't worry. I
    won't keep you thirsty.
  • 2:53 - 2:56
    My sweetheart, why
    do you look so glum?
  • 2:56 - 3:00
    This Babloo of yours quenches
    thirst. The rest is nonsense.
  • 3:00 - 3:03
    Babloo. Babloo.
    Actually.. Babloo!! - What?
  • 3:05 - 3:10
    Babloo!! - What?
  • 3:10 - 3:11
    Have some sweets first.
  • 3:12 - 3:13
    One more. Come on.
  • 3:14 - 3:16
    Now ask me what happened.
  • 3:16 - 3:17
    What happened?
  • 3:19 - 3:22
    Welcome to the proud family of the
    Mirage Group of Hotels, Mr. Benny.
  • 3:23 - 3:24
    This is your appointment letter.
  • 3:24 - 3:26
    We're delighted to
    have you as the bell boy.
  • 3:26 - 3:29
    You've got a job in a five
    star hotel. Mind blowing.
  • 3:31 - 3:32
    You know uncle Dalmiya, don't you?
  • 3:32 - 3:33
    I met him at the lrani
    hotel yesterday. - Yes.
  • 3:33 - 3:36
    I buttered him up every day.
  • 3:36 - 3:37
    I requested him to
    get me a job. - Okay.
  • 3:37 - 3:38
    And he recommended me.
  • 3:38 - 3:40
    And this Benny knows English.
  • 3:40 - 3:41
    I know a little bit, right?
    A little bit
  • 3:41 - 3:43
    Yes. A little bit.
  • 3:43 - 3:44
    "How are you?" and all that.
  • 3:46 - 3:48
    Babloo, I'm on my way. - Yes.
  • 3:50 - 3:52
    Okay, listen. You had
    been to find a job, right?
  • 3:52 - 3:55
    What happened? Tell me. Tell me.
  • 3:55 - 3:56
    I've also got a job.
  • 3:57 - 3:59
    Ghungroo. Ladies bar.
  • 4:01 - 4:03
    You'll work as a
    waiter here from today.
  • 4:03 - 4:04
    Okay.
  • 4:04 - 4:06
    Come on, go. Be here
    on time from tomorrow.
  • 4:06 - 4:08
    Sir, I'll be here half an
    hour before time. - Why?
  • 4:09 - 4:12
    Will you flirt with my
    bar girls for half an hour?
  • 4:12 - 4:13
    No. No, sir.
  • 4:14 - 4:17
    Babloo, if you try to get
    cosy with a girl here.. - Yes.
  • 4:18 - 4:22
    Then I'll chop off your
    legs first. Then your thighs.
  • 4:23 - 4:24
    And then your..
  • 4:24 - 4:26
    What?
    - Yes. That as well.
  • 4:27 - 4:28
    I did not mean that.
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    Are you going to
    work in a ladies bar?
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    Very indecent place, pal.
    - I'll not get a job anywhere.
  • 4:31 - 4:34
    And I can't even speak
    broken English like you.
  • 4:34 - 4:36
    Your family is there in..
    - Darbanga.
  • 4:36 - 4:37
    In Darbanga, your district.
  • 4:37 - 4:38
    If your family comes to know
    that you work in a ladies bar..
  • 4:39 - 4:40
    ..they'll die of shame.
  • 4:40 - 4:42
    But if I don't work at all, they'll
    die of hunger. What are you saying!
  • 4:44 - 4:45
    He's tarnishing his parents' name.
  • 4:45 - 4:46
    You mind it. I'm telling you.
  • 4:46 - 4:48
    So do you want me to let
    my parents starve to death?
  • 4:54 - 4:56
    "Benny is a bad boy."
  • 5:02 - 5:03
    Good day, sir.
  • 5:04 - 5:07
    I see. What are you saying, sir?
  • 5:08 - 5:09
    You fool.
  • 5:09 - 5:10
    Haven't you ever
    seen a mirror before?
  • 5:10 - 5:11
    How long are you
    going to behold yourself?
  • 5:15 - 5:16
    Ronnie, I have worn such
    nice clothes for..
  • 5:16 - 5:17
    ..the first time in my life.
  • 5:18 - 5:20
    What nice? It's the uniform.
    It's a regular thing.
  • 5:20 - 5:23
    Yes, it might be 'legular'..
    regular for you. - Yes.
  • 5:24 - 5:25
    You are the senior
    bell boy, aren't you?
  • 5:26 - 5:29
    Till now, I've seen a five star
    hotel only through a passing by bus.
  • 5:30 - 5:33
    For the first time,
    I'll see a bus go by..
  • 5:33 - 5:35
    ..standing in a five star hotel.
  • 5:36 - 5:39
    I'm very lucky. I'm so.. I'm..
  • 5:39 - 5:40
    Are you going to beat me up?
  • 5:41 - 5:44
    Listen. Forget your emotion.
    And enjoy your promotion.
  • 5:45 - 5:47
    Let's go. Come on.
  • 5:49 - 5:51
    What a fitting!
  • 5:52 - 5:53
    Why are you cribbing
    about the fitting?
  • 5:57 - 5:59
    Sir, isn't this a little too long.
  • 5:59 - 6:00
    prakash was also tall.
  • 6:00 - 6:01
    prakash who?
  • 6:03 - 6:04
    The one whose coat this is.
  • 6:04 - 6:06
    What will prakash
    wear if I wear his coat?
  • 6:06 - 6:08
    A shroud. - What?
    - He is dead.
  • 6:09 - 6:10
    He had a tumour in his brain.
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    Listen, is there some any..
  • 6:14 - 6:16
    No. No, you don't have
    a brain to begin with.
  • 6:17 - 6:21
    Here. pen and.. order slip.
    And start work quickly.
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    We can take care of
    the fitting later.
  • 6:29 - 6:31
    This coat of a dead man?
  • 6:33 - 6:34
    The banquet hall should be..
  • 6:38 - 6:39
    Negi. Manager.
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    Hey, you, come here. Come here.
    - He's calling you.
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    Nikhil, why do we need
    to pay him extra? I..
  • 6:44 - 6:45
    Good night to you, sir.
    - What?
  • 6:46 - 6:47
    Good morning is..
    - Shut up.
  • 6:47 - 6:48
    What, sir? - Not to you.
    Just hold on for a second.
  • 6:49 - 6:50
    Who are you?
  • 6:50 - 6:52
    I'm the bell.
    - Bell?
  • 6:52 - 6:54
    The.. I.. Benny the bell boy.
  • 6:55 - 6:56
    Aren't you a little too tall?
  • 6:56 - 6:58
    You start, but you never end.
  • 6:58 - 7:00
    Come on, go back to your place.
  • 7:00 - 7:01
    Hurry up. Come on.
  • 7:01 - 7:02
    Tukaram, come here. - Yes, sir.
  • 7:02 - 7:04
    Tukaram, go to Nikhil.
    - Okay, sir. - Okay?
  • 7:04 - 7:06
    Nikhil, listen to me now.
  • 7:06 - 7:08
    Now come on. Don't look at my face.
  • 7:08 - 7:09
    Move it. Disperse. Come on.
  • 7:09 - 7:10
    Get back to work.
  • 7:10 - 7:11
    Nikhil, listen to me.
    - Yes, sir.
  • 7:12 - 7:13
    I.. I'm going, sir.
  • 7:14 - 7:16
    Hey! What are you doing,
    for God's sake?
  • 7:16 - 7:17
    What are you doing?
  • 7:17 - 7:18
    Sir. Sorry, sir. Sorry, sir.
  • 7:18 - 7:19
    Take this man. He's at it again.
  • 7:19 - 7:20
    I'll get him. I'll
    get him. - Sorry, sir.
  • 7:21 - 7:22
    And check the arrangements
    of the exhibition. Come on.
  • 7:54 - 7:56
    "Benny.. Benny..
    Benny, the bad boy."
  • 7:56 - 7:58
    "Benny.. Benny..
    Benny, the bad boy."
  • 8:12 - 8:14
    "Benny.. Benny..
    Benny, the bad boy."
  • 8:22 - 8:24
    'Welcome to hotel Mirage.'
  • 8:32 - 8:35
    'Welcome to hotel Mirage.'
  • 8:35 - 8:37
    Good evening, sir. Good evening.
    Good evening, ma'am. - Good evening.
  • 8:42 - 8:43
    Benny, what are you doing?
  • 8:43 - 8:44
    Do you want to break it?
  • 8:44 - 8:45
    Look. This..
  • 8:47 - 8:49
    Come on. Come on.
  • 8:50 - 8:51
    Get the bags now.
  • 8:52 - 8:54
    Bell boy.. - Yes, sir.
  • 9:03 - 9:05
    Benny. Benny, what are you doing?
  • 9:05 - 9:06
    put it down. put it down.
  • 9:07 - 9:08
    put it down.
  • 9:08 - 9:10
    What are you doing? Hold on. Watch.
  • 9:11 - 9:15
    This.. And this. Here. Hold it.
  • 9:15 - 9:19
    Hold it. Come on.
  • 9:20 - 9:21
    Excuse me?
    - Yes, sir.
  • 9:22 - 9:24
    Good evening, ma'am.
  • 9:24 - 9:25
    Welcome to our hotel.
  • 9:28 - 9:29
    Oh, yes. Of course.
  • 9:29 - 9:30
    This way, please.
  • 9:32 - 9:34
    This is ma'am Sheena.
    The pRO of this place.
  • 9:34 - 9:35
    public relations officer.
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    Does Sheena ma'am
    know Chinese as well?
  • 9:38 - 9:39
    Very good.
  • 9:39 - 9:41
    All the people who work
    in this hotel..
  • 9:41 - 9:42
    ..know Chinese, Japanese, Korean..
  • 9:42 - 9:43
    ..everything.
  • 9:43 - 9:44
    Don't worry. You'll
    learn it very soon.
  • 9:44 - 9:47
    I.. I can't even
    speak Hindi properly.
  • 9:47 - 9:49
    I get mixed up with the
    masculine and feminine gender.
  • 9:49 - 9:51
    Really? Come on. I'll
    teach you Chinese. Come on.
  • 10:05 - 10:09
    Sir, you can't roam around
    in the passage like this.
  • 10:09 - 10:10
    This is a five star, you know.
  • 10:11 - 10:12
    I know. I know. What can I do?
  • 10:12 - 10:14
    I came here to keep this tray.
    And this door just shut by itself.
  • 10:15 - 10:16
    What are you doing?
  • 10:16 - 10:17
    Get a duplicate key
    and open this door.
  • 10:20 - 10:22
    Oh, God.- Good evening, sir.
    Good evening, ma'am.
  • 10:24 - 10:25
    Oh, God.
    - Benny, what are you doing?
  • 10:26 - 10:28
    Come on. This not a tiger.
    It's a door. Come on.
  • 10:46 - 10:48
    She is the head of
    our housekeeping. Ria.
  • 10:49 - 10:51
    Who was behind her?
    - Guest.
  • 10:51 - 10:52
    He must have messed up something.
  • 10:57 - 10:58
    Come, sir.
  • 11:03 - 11:05
    Sir, over here is
    your bathroom, sir.
  • 11:05 - 11:06
    And there is a very
    beautiful balcony outside..
  • 11:06 - 11:08
    ..with a very wonderful..
  • 11:08 - 11:09
    Oh, my God.
  • 11:14 - 11:15
    Sir, the house-keeping will come..
  • 11:15 - 11:16
    ..and give you
    fresh towel right now.
  • 11:17 - 11:18
    Yes, sir.
  • 11:18 - 11:19
    Good day, sir.
    - Good day.
  • 11:19 - 11:20
    Good day, sir.
  • 11:23 - 11:24
    Thank you, sir. Thank you.
  • 11:24 - 11:25
    Benny, good day, sir.
  • 11:26 - 11:28
    Good day, sir.
    - Good day.. sir.
  • 11:29 - 11:31
    Good day, sir. Good day.
    - Good day.
  • 11:32 - 11:33
    Good day, ma'am.
  • 11:39 - 11:41
    So? Now you learnt Chinese,
    didn't you?
  • 11:42 - 11:43
    Look, mister, this is
    the hospitality industry.
  • 11:44 - 11:45
    This is how it works here.
  • 11:45 - 11:46
    The person before us can
    say whatever he wants.
  • 11:46 - 11:47
    We just have to smile.
  • 11:48 - 11:49
    Everyone does the same here.
  • 11:49 - 11:53
    Be it if the person before us is
    abusing our mother in his language.
  • 11:53 - 11:55
    But we just have to smile and say..
  • 11:55 - 11:57
    .."Thank you, thank you, sir.
    Shoot me, sir. Thank you, sir".
  • 11:58 - 12:00
    I.. I can't believe it, Ronnie.
  • 12:00 - 12:01
    Rs. 100, buddy.
  • 12:01 - 12:04
    I love.. this.. hospital..
    - Hospitality industry. - Yes.
  • 12:24 - 12:26
    That guest has ruined my
    life by calling me and again.
  • 12:26 - 12:28
    Last night a fool had come.
    - Yes, pal.
  • 12:28 - 12:29
    He made me sing the
    same song five times.
  • 12:29 - 12:31
    What nonsense! I went crazy singing.
  • 12:31 - 12:32
    I can' believe these
    idiots who come here.
  • 12:32 - 12:33
    Look here.
  • 12:33 - 12:35
    Ladies, this is Babloo.
    - Hello.
  • 12:36 - 12:37
    He'll be working in
    our bar from today.
  • 12:38 - 12:43
    Welcome. We were.. waiting for you.
    - Waiting for you.
  • 12:44 - 12:46
    Hey, I'll call you Babloo,
    the smarty.
  • 12:46 - 12:48
    No. My name is Babloo Charan Lathi.
  • 12:49 - 12:50
    Really?
  • 12:50 - 12:53
    Hey, you are Babloo?
    - Yes.
  • 12:53 - 12:55
    What do you want to
    be when you grow up?
  • 12:55 - 12:56
    Babloo.
  • 13:00 - 13:01
    You wretch!
  • 13:01 - 13:03
    You were wooing my man
    on the phone, weren't you?
  • 13:03 - 13:05
    Listen, smart alec, don't
    vent out your frustration..
  • 13:05 - 13:07
    ..on me because he
    doesn't give you attention.
  • 13:07 - 13:08
    Go away. - What?
  • 13:08 - 13:11
    You wretch, a loose
    character of the ladies bar.
  • 13:11 - 13:12
    So are you the bell of a temple?
  • 13:12 - 13:14
    And you are characterless.
  • 13:14 - 13:15
    Look, they are fighting so badly.
  • 13:15 - 13:17
    This happens here everyday. You
    don't get into all this. - Hello.
  • 13:17 - 13:18
    You look at yourself in the mirror.
  • 13:18 - 13:19
    Don't spoil my mood or I'll
    whack you. - Yes, tell me.
  • 13:19 - 13:21
    And I'll just stand here and smile?
    - You talk nonsense..
  • 13:21 - 13:22
    Come on, get lost.
    - Shut up.
  • 13:22 - 13:24
    Look, Sisters, calm down.
  • 13:30 - 13:31
    What did you say?
  • 13:31 - 13:33
    Sister. Why? What happened?
  • 13:33 - 13:36
    You naive Babloo. "Witch"
    "wretch", "insolent" is..
  • 13:36 - 13:37
    ..the local dialect here.
  • 13:38 - 13:40
    Don't call us sister.
    It seems like an abuse.
  • 13:42 - 13:44
    Witch, wretch, insolent, keep calm.
  • 13:47 - 13:50
    "Sweetheart, oh, sweetheart, say.."
  • 13:51 - 13:54
    "Oh, please open your heart to me."
  • 13:54 - 13:59
    How was your first day?
    - Superb. Fantastic.
  • 13:59 - 14:01
    It is not a hotel. It's heaven.
  • 14:01 - 14:03
    I was dumbfounded when l
    went there for the first time.
  • 14:04 - 14:08
    And you don't know. The boys and
    girls there look like movie stars.
  • 14:08 - 14:09
    They are no less.
  • 14:09 - 14:11
    And ladies. How they
    look in the TV soaps?
  • 14:11 - 14:13
    With the dots, lipstick and stuff.
    All decked up. Like that.
  • 14:14 - 14:16
    And the work there, Babloo.
  • 14:16 - 14:17
    You just have to carry the luggage.
  • 14:18 - 14:19
    And you don't have
    to carry that either.
  • 14:19 - 14:21
    There is a roll..
  • 14:21 - 14:22
    Roller.
    - Yes.
  • 14:22 - 14:24
    You just have to hold the
    roller and pull it along.
  • 14:24 - 14:25
    Move it. Keep it in the room.
  • 14:25 - 14:27
    Then be it Chinese, lndian. Anyone.
  • 14:27 - 14:29
    You say to him, "Good day, sir".
  • 14:29 - 14:30
    "Good day, ma'am".
  • 14:30 - 14:31
    Then..
  • 14:33 - 14:35
    You get this tip, Babloo.
  • 14:35 - 14:37
    The 'pulao' (Rice Dish) is
    getting burnt. Take it off. Come on.
  • 14:38 - 14:39
    Take it off. Quickly.
  • 14:40 - 14:45
    "Sweetheart, oh,
    sweetheart, say something."
  • 14:45 - 14:46
    It was your first day, right?
  • 14:47 - 14:48
    How was it?
  • 14:48 - 14:50
    You smart elec. Tell me.
  • 14:50 - 14:51
    Tell me what happened.
  • 14:52 - 14:54
    There is nothing dream-like there.
  • 14:57 - 14:59
    There is only the reality of life.
  • 15:01 - 15:04
    'Benny, these guys
    also worship the God.'
  • 15:04 - 15:07
    'The only difference is that
    people do it early morning.'
  • 15:07 - 15:09
    'And these guys do
    it in the evenings.'
  • 15:09 - 15:11
    "ln this love of two days.."
  • 15:12 - 15:16
    'By 9:!30 when the guests
    start arriving in the bar..'
  • 15:18 - 15:19
    "ln this love of two days.."
  • 15:20 - 15:23
    Then the girls come onto the
    floor from the make up room.
  • 15:23 - 15:26
    "They have started saying to me."
  • 15:26 - 15:27
    "Ever since I have lost my heart.."
  • 15:27 - 15:30
    "..I've got more
    than I bargained for."
  • 15:30 - 15:32
    "Ever since I have lost my heart.."
  • 15:32 - 15:35
    "..I've got more
    than I bargained for."
  • 15:44 - 15:47
    "He is admirer. His charm."
  • 15:47 - 15:50
    Richa, don't give
    him attention, okay?
  • 15:51 - 15:53
    Can't you see? It's written on
    his face that, "I'm a loser".
  • 15:54 - 15:57
    He's a guest who'll only
    show the money and not spend it.
  • 15:58 - 15:59
    Find someone else.
  • 16:00 - 16:02
    My request? Go.
  • 16:04 - 16:05
    Request.
  • 16:06 - 16:08
    "The first love.."
  • 16:08 - 16:10
    Roshni, your man has sent a request.
  • 16:10 - 16:12
    "The heart's restless.
    The spring's here."
  • 16:12 - 16:16
    Tell that loser to
    get a wad of notes out.
  • 16:16 - 16:18
    Or else others are ready.
  • 16:18 - 16:20
    "Ever since I have lost my heart.."
  • 16:20 - 16:23
    "..I've got more
    than I bargained for."
  • 16:23 - 16:25
    "Ever since I have lost my heart.."
  • 16:25 - 16:27
    "..I've got more
    than I bargained for."
  • 16:27 - 16:31
    What's your name?
    - Soni. - What? - Soni.
  • 16:31 - 16:34
    Soni, no one's like you.
  • 16:39 - 16:40
    Give me your number.
  • 16:40 - 16:43
    You give me your number.
    I'll give you a call.
  • 16:43 - 16:44
    For sure.
  • 16:44 - 16:47
    Soni keeps playing the
    rapid fire round all the time.
  • 16:48 - 16:50
    One day such a buzzer will go off..
  • 16:50 - 16:53
    ..that she'll left at
    home watching Sony TV.
  • 16:58 - 16:59
    What time will you call?
  • 17:00 - 17:02
    After I wake up at 4:00.
  • 17:02 - 17:07
    "l also got excited and said.."
  • 17:08 - 17:11
    "He started saying in the
    first meeting at night."
  • 17:11 - 17:15
    "Come, let me adorn
    you with some jewelery."
  • 17:15 - 17:17
    "Ever since I have lost my heart.."
  • 17:17 - 17:19
    "..I've got more
    than I bargained for."
  • 17:19 - 17:21
    "Ever since I have lost my heart.."
  • 17:21 - 17:22
    "..I've got more
    than I bargained for."
  • 17:22 - 17:26
    Here comes the fool. Lousy loser.
  • 17:32 - 17:33
    pathetic idiot.
  • 17:36 - 17:37
    So? Bills of ten?
  • 17:38 - 17:39
    Did you break your piggy bank today?
  • 17:40 - 17:41
    Give me your number.
  • 17:41 - 17:42
    Why Harry potter?
  • 17:42 - 17:44
    Are you a part of the
    dowry my father gave?
  • 17:45 - 17:47
    No. Well, the thing is
    that we'll meet somewhere.
  • 17:47 - 17:49
    We'll go to some disco
    and the dance as well.
  • 17:49 - 17:51
    I don't dance with children.
  • 17:51 - 17:52
    With children?
  • 17:53 - 17:54
    Are you pregnant?
  • 17:54 - 17:56
    This fool..
  • 17:57 - 17:58
    Come on, drink.
  • 17:58 - 17:59
    Come on.
  • 18:03 - 18:06
    Hey, listen.
    - Yes.
  • 18:06 - 18:09
    Give me the number.
    - Sir, I don't have a mobile.
  • 18:10 - 18:11
    You fool. Not yours.
  • 18:12 - 18:14
    Give me the number of
    that girl in purple.
  • 18:14 - 18:16
    "ln the first meeting.."
  • 18:16 - 18:18
    I don't have her number.
  • 18:18 - 18:19
    "He started saying in the
    first meeting at night."
  • 18:19 - 18:22
    "Come, let me adorn
    you with some jewelery."
  • 18:23 - 18:24
    "Ever since I have lost my heart.."
  • 18:24 - 18:26
    "..I've got more
    than I bargained for."
  • 18:27 - 18:29
    Hey!
    - Sorry.
  • 18:33 - 18:35
    Sir, I'll replace it.
  • 18:35 - 18:36
    Sir, I'll replace it.
  • 18:37 - 18:38
    What happened?
  • 18:38 - 18:40
    Well, what do I tell you?
    I got nervous and spilt it.
  • 18:40 - 18:41
    Get me another one.
  • 18:41 - 18:43
    You're such an idiot. - please.
  • 18:44 - 18:45
    Hey, loser. Come here.
  • 18:45 - 18:47
    "With you I have.."
  • 18:47 - 18:48
    What was that fool saying?
  • 18:48 - 18:49
    "Ever since I have lost my heart.."
  • 18:49 - 18:51
    He was asking for your number?
  • 18:51 - 18:52
    You gave him, right?
  • 18:52 - 18:55
    No. I don't have your number.
  • 18:55 - 18:56
    I wouldn't have given
    him even if I had it.
  • 18:57 - 18:59
    So will you give my number to
    Shah Rukh Khan (lndian actor)?
  • 19:03 - 19:04
    Here you go.
  • 19:08 - 19:10
    Well done, my little friend. - Yes.
  • 19:10 - 19:12
    You've got the number?
    - Yes. Yes.
  • 19:15 - 19:16
    Rs. 500. Have fun.
  • 19:18 - 19:21
    He gave you a Rs. 500 tip?
    - Good tip, isn't it?
  • 19:21 - 19:23
    Very good, Babloo.
  • 19:23 - 19:24
    Wonderful.
  • 19:24 - 19:27
    Well, the result of
    every bad deed is good.
  • 19:27 - 19:28
    Bad?
  • 19:29 - 19:30
    Not like that.
  • 19:30 - 19:31
    Now I'm your friend.
    That's why I'm telling you.
  • 19:32 - 19:33
    The thing is that you've become a
    supplier in the form of a waiter.
  • 19:34 - 19:35
    No. But I didn't supply any girl.
  • 19:36 - 19:38
    Not.. Not a girl. The thing is
    that you supplied the number, right?
  • 19:38 - 19:40
    That's why I said that.
  • 19:40 - 19:41
    Very good.
  • 19:41 - 19:42
    Rs. 500 tip. It's very good.
  • 19:44 - 19:45
    Tell me something.
  • 19:45 - 19:47
    How many girls work in your bar?
  • 19:47 - 19:49
    Must be around 12-15.
  • 19:49 - 19:50
    So many of them? - Yes.
  • 19:52 - 19:56
    So.. if you give 10 or
    15 numbers every day..
  • 19:56 - 19:59
    ..as in supply them..
    three years down the line..
  • 19:59 - 20:01
    ..you'll open your own beer bar.
  • 20:02 - 20:05
    Then people will say, "Hello,
    Brother Babloo. How are you?"
  • 20:06 - 20:08
    I was only doing my duty sincerely.
    That's all.
  • 20:08 - 20:11
    That's fine. Sincerity
    and stuff. That's okay.
  • 20:16 - 20:17
    What?
  • 20:17 - 20:19
    Oh, you heard that?
  • 20:20 - 20:21
    What were you saying?
  • 20:21 - 20:23
    It's.. How do I say it in Hindi?
  • 20:24 - 20:25
    It doesn't work if you spread
    out the blanket of honesty..
  • 20:25 - 20:27
    ..on the bed of dishonesty.
  • 20:27 - 20:29
    This is what Rajnikanth
    (lndian actor) had said in a movie.
  • 20:29 - 20:31
    That's why I also just said it.
  • 20:31 - 20:32
    Okay. Good night.
  • 20:33 - 20:34
    That Rs. 500 tip. Very good.
  • 20:45 - 20:49
    Mr. Shahnawaaz, agreed
    that you live in Surat.
  • 20:49 - 20:51
    But at times, show
    us your face as well.
  • 20:51 - 20:53
    Hello. Hello.
  • 20:55 - 20:56
    No. No. Tell me.
  • 20:57 - 20:59
    Have you also bought off this
    elevator along with your customers?
  • 20:59 - 21:01
    You've spoilt the
    environment of the entire building.
  • 21:01 - 21:04
    Hey, hello. If you have bought a
    flat in Lokhandwala with money..
  • 21:04 - 21:07
    ..even I haven't
    bought it with iron. Okay?
  • 21:07 - 21:09
    And what I do is
    my personal problem.
  • 21:09 - 21:10
    Okay? - personal?
  • 21:11 - 21:13
    public property
    talking about being personal?
  • 21:13 - 21:15
    Hello. Excuse me.
  • 21:15 - 21:17
    Ria, stop it. Forget it.
  • 21:17 - 21:20
    And, dear, don't take
    offence either. please.
  • 21:21 - 21:23
    Go. You're in a hurry,
    right? Go. Go.
  • 21:24 - 21:26
    Sorry, dear. - Aunty, please.
  • 21:28 - 21:29
    This is madam's car.
  • 21:30 - 21:32
    I wonder how many people she
    must have ruined to get this car.
  • 21:33 - 21:35
    And this is the managing
    committee of this place.
  • 21:36 - 21:37
    They won't take any step.
  • 21:37 - 21:38
    And why would they?
  • 21:39 - 21:40
    Because she must be
    doing a complimentary show..
  • 21:40 - 21:42
    ..for them along with
    paying the maintenance.
  • 21:43 - 21:45
    Mom, how does it
    matter to these girls..
  • 21:45 - 21:47
    ..if it's an old or a young man?
  • 21:47 - 21:48
    Forget it, Ria.
  • 21:49 - 21:50
    Why are you spoiling your mood?
  • 21:51 - 21:52
    Go to work in a good mood.
  • 21:57 - 22:00
    First you waited for the elevator.
    Now for the bus?
  • 22:00 - 22:01
    You're getting late, aren't you?
  • 22:01 - 22:03
    You want a ride, baby?
  • 22:04 - 22:06
    Get lost, monkey face.
  • 22:22 - 22:23
    Hey, Sheena.
  • 22:23 - 22:24
    You are still at home?
  • 22:24 - 22:25
    Look, what I got here.
  • 22:25 - 22:27
    City club membership form.
  • 22:27 - 22:29
    It's an amazing scheme.
  • 22:29 - 22:32
    A tour package of five nights
    and four nights every three months.
  • 22:32 - 22:34
    And this is even more amazing.
  • 22:35 - 22:37
    They have recorded all
    their locations on this DVD.
  • 22:37 - 22:38
    Let's watch and book it. Come.
  • 22:38 - 22:40
    Ashu, you show up with
    some or the other holiday..
  • 22:40 - 22:42
    ..scheme every other day.
  • 22:42 - 22:43
    But what happens?
  • 22:43 - 22:45
    You had got one last
    time as well, hadn't you?
  • 22:45 - 22:48
    We work day and night to pay
    for the instalments of the same.
  • 22:48 - 22:50
    You work in the day shift,
    while I work in the night shift.
  • 22:51 - 22:53
    When one of us returns,
    the other prepares to leave.
  • 22:53 - 22:55
    Listen. Look.. Look, sweetheart.
  • 22:56 - 22:58
    You'll have to make some
    adjustments to lead..
  • 22:58 - 22:59
    ..a lavish life like this.
  • 22:59 - 23:01
    What life are you
    talking about, Ashu?
  • 23:01 - 23:02
    Where is our life?
  • 23:02 - 23:04
    Life is when you stay together.
  • 23:04 - 23:05
    By starting a family.
  • 23:05 - 23:07
    We have no family. We have no life.
  • 23:08 - 23:10
    Can't you see? You've just returned.
  • 23:10 - 23:11
    And I'm preparing to leave.
  • 23:11 - 23:12
    But listen.
  • 23:13 - 23:15
    At least watch the
    DVD before you go.
  • 23:31 - 23:32
    Oh, no.
  • 23:32 - 23:34
    What is this, ma'am?
    Can't you drive carefully?
  • 23:34 - 23:35
    I'm sorry.
    - What sorry?
  • 23:35 - 23:36
    I could've died. You have
    brought about an accident.
  • 23:36 - 23:37
    Are you okay?
  • 23:38 - 23:39
    I mean are you..
  • 23:39 - 23:40
    Yes. What "Are you okay"?
    - Is this a way to drive?
  • 23:40 - 23:42
    What is this, ma'am? You have
    brought about an accident, right?
  • 23:42 - 23:43
    What if I had died?
    - I apologized to you.
  • 23:44 - 23:45
    I'll take you to
    the hospital, right?
  • 23:45 - 23:46
    Brother.. Brother, what happened?
  • 23:46 - 23:47
    Brother, she would've
    ran me down and killed me.
  • 23:47 - 23:49
    But you are okay, aren't you?
  • 23:49 - 23:50
    Who are you? What it is to you?
  • 23:50 - 23:51
    I'm Benny, the
    bell boy. Who are you?
  • 23:51 - 23:53
    Mind it. Go.
  • 23:55 - 23:56
    Move. Move.
  • 23:57 - 23:59
    You okay?
    - Yes. Yes, I'm fine.
  • 24:00 - 24:01
    Thank you.
  • 24:02 - 24:06
    Ma'am, you did not recognize me?
    - No.
  • 24:06 - 24:07
    Benny, the bell boy in Mirage Hotel.
  • 24:07 - 24:10
    I see. Are you a new recruit?
    - Yes.
  • 24:10 - 24:11
    I was heading to work.
  • 24:12 - 24:13
    I live close by. You
    see this building.
  • 24:13 - 24:14
    In this?
  • 24:14 - 24:16
    No. Behind this. If you go
    straight and then straight again..
  • 24:16 - 24:17
    ..there is a tenement. I live there.
  • 24:18 - 24:19
    Come, I'll give you a ride.
  • 24:22 - 24:23
    Thank you, ma'am.
  • 24:23 - 24:26
    Sit in front. Not at the back.
  • 24:26 - 24:28
    I would look like your
    driver if you sit at the back.
  • 24:31 - 24:32
    What happened? Why are you laughing?
  • 24:32 - 24:35
    No, ma'am. Well.. I was wondering..
    I look like a driver..
  • 24:35 - 24:38
    ..even if I sit in the front.
  • 24:40 - 24:41
    The thing is that people will feel..
  • 24:41 - 24:43
    ..that madam has made
    the driver sit beside her..
  • 24:43 - 24:44
    ..and is driving the car herself.
  • 24:45 - 24:46
    Why? Why are you saying so?
  • 24:46 - 24:48
    Just like that,
    ma'am. You're after all.
  • 24:49 - 24:51
    You are like
    twinkle-twinkle five star.
  • 24:54 - 24:57
    Ma'am, you should laugh
    your heart out like this.
  • 24:57 - 24:58
    You look more beautiful that way.
  • 24:59 - 25:00
    Beautiful?
  • 25:00 - 25:03
    No. I mean the face
    appears brighter, ma'am.
  • 25:03 - 25:04
    Very nice.
  • 25:05 - 25:08
    Really? Then I must be
    looking really bad when at home.
  • 25:09 - 25:10
    At home? Why, ma'am?
  • 25:12 - 25:13
    Forget it.
  • 25:14 - 25:16
    Tell me, how it
    feels working at Mirage?
  • 25:16 - 25:18
    In Mirage, ma'am.
  • 25:19 - 25:20
    On the first day, I jumped.
  • 25:20 - 25:21
    I was jumping.
  • 25:22 - 25:23
    I'm very lucky, ma'am.
  • 25:23 - 25:25
    I must have earned
    some sins, virtues..
  • 25:25 - 25:27
    I mean virtues in my previous birth.
  • 25:27 - 25:29
    That's why I'm working at Mirage.
  • 25:29 - 25:31
    That guy.. that fellow at Mirage..
  • 25:45 - 25:47
    When I got down from ma'am
    Sheena's car, that Ronnie..
  • 25:47 - 25:50
    You should've seen Ronnie's face.
  • 25:50 - 25:51
    It was as red as a tomato.
  • 25:52 - 25:53
    He is nice guy. But he got jealous.
  • 25:54 - 25:56
    Babloo, the thing is
    that ma'am Sheena..
  • 25:56 - 25:59
    ..will be offering
    me a ride every day.
  • 25:59 - 26:00
    That's great.
  • 26:00 - 26:01
    What great? You've lost.
  • 26:03 - 26:04
    What the..
  • 26:05 - 26:07
    "Don't look at the face."
  • 26:07 - 26:09
    Don't sing the song
    of 1990. This is 2010.
  • 26:09 - 26:12
    Benny, this song
    created quite a storm.
  • 26:12 - 26:13
    What are you saying?
  • 26:14 - 26:15
    What storm would be
    created in your ladies bar?
  • 26:15 - 26:17
    All this happens 'legularly'..
  • 26:17 - 26:19
    Regularly? - Yes.
    Everything happens there regularly.
  • 26:19 - 26:20
    What are you saying?
  • 26:21 - 26:26
    "Get into my heart
    and see for yourself."
  • 26:26 - 26:27
    What happened in the bar?
  • 26:27 - 26:29
    A customer frequents our bar.
  • 26:29 - 26:30
    Ripe oldie.
  • 26:30 - 26:31
    Bokadia.
  • 26:35 - 26:37
    Here's your hero.
  • 26:38 - 26:42
    "Don't look at the face."
  • 26:43 - 26:47
    "Get into my heart
    and see for yourself."
  • 26:47 - 26:50
    "Get into my heart
    and see for yourself."
  • 26:50 - 26:51
    This oldie?
  • 26:54 - 26:55
    "Don't look at the face."
  • 26:55 - 26:58
    Your admirer is
    heading for your waist.
  • 26:58 - 27:01
    "Get into my heart
    and see for yourself."
  • 27:01 - 27:03
    Isha, go tell him that
    this is not the age..
  • 27:03 - 27:05
    ..to head for someone's waist..
  • 27:05 - 27:06
    ..but towards the grave.
  • 27:06 - 27:08
    "See for yourself."
  • 27:08 - 27:13
    "The weather will
    change in a flash."
  • 27:13 - 27:16
    "Even the heart of stone will melt."
  • 27:16 - 27:18
    Today the oldie is all charged up.
  • 27:19 - 27:21
    Today, old is gold.
  • 27:21 - 27:26
    "Just see for yourself
    how effective my love is."
  • 27:26 - 27:28
    Uncle is an absolute lover boy.
  • 27:28 - 27:31
    "See for yourself."
  • 27:31 - 27:33
    Someone please give Viagra to uncle.
  • 27:35 - 27:36
    Along with the wood for the funeral.
  • 27:37 - 27:38
    Lousy guy.
  • 27:38 - 27:41
    "Get into my heart
    and see for yourself."
  • 27:41 - 27:45
    "Get into my heart
    and see for yourself."
  • 27:45 - 27:48
    Babloo, don't ever fall in love.
  • 27:48 - 27:50
    "The weather will
    change in a flash."
  • 27:50 - 27:52
    "Even the heart of stone will melt."
  • 27:52 - 27:56
    But if you do, then
    don't ever back off.
  • 27:58 - 28:01
    "Grey hair and unsure gait.
    - Grey hair and unsure gait."
  • 28:02 - 28:05
    "She is now defamed.
    She has found an oldie."
  • 28:05 - 28:07
    "She has found an oldie."
  • 28:07 - 28:10
    It's not right to make fun of
    someone in out of tune voice.
  • 28:10 - 28:12
    Believe me.
  • 28:12 - 28:15
    I can clearly see love for
    you in Mr. Bokadia's eyes.
  • 28:20 - 28:21
    She will not change.
  • 28:21 - 28:23
    Babloo, you've started
    preaching a lot these days.
  • 28:25 - 28:28
    Look at uncle's true love.
    He is almost in the grave.
  • 28:29 - 28:31
    She can say whatever she
    wants to. I'm telling the truth.
  • 28:31 - 28:34
    Babloo, that oldie can't see
    anything properly with his own eyes.
  • 28:34 - 28:35
    How did you mange to see love?
  • 28:35 - 28:36
    Because he loves you, madam.
  • 28:36 - 28:37
    It is true love.
  • 28:37 - 28:39
    Let that oldie be.
  • 28:39 - 28:41
    Look, Soni, Babloo is right.
  • 28:41 - 28:42
    So what if he is old?
  • 28:42 - 28:45
    He doesn't just want to
    sleep with you like the others.
  • 28:45 - 28:50
    Yes. The rest of the boys just
    want to have fun. - Exactly.
  • 28:50 - 28:52
    Isn't it?
  • 28:52 - 28:54
    Yes. One night stand and all.
  • 28:54 - 28:55
    Are you done with the preaching?
  • 28:56 - 28:58
    Soni, you'll come
    across many admirers.
  • 28:59 - 29:02
    But you won't find anyone
    who absolutely adores you.
  • 29:04 - 29:07
    Yes. She will get someone.
    Someone who adores her.
  • 29:08 - 29:09
    Do you know what kind of people?
  • 29:10 - 29:11
    These pickpockets, thugs, thieves..
  • 29:11 - 29:13
    These goons..
  • 29:13 - 29:14
    They'll get people like them.
  • 29:15 - 29:16
    How can they even think that..
  • 29:16 - 29:17
    ..they can actually get
    someone who loves them?
  • 29:17 - 29:19
    How can you say that?
  • 29:19 - 29:20
    Love is blind, isn't it?
  • 29:21 - 29:23
    Look, I don't know
    about love and stuff.
  • 29:23 - 29:24
    You're getting blinded by emotions.
    I'm dead sure.
  • 29:26 - 29:28
    This place is not
    right for you, Babloo.
  • 29:28 - 29:29
    I'll speak to ma'am Sheena..
  • 29:29 - 29:31
    ..and get you a job
    in our Mirage Hotel.
  • 29:32 - 29:33
    Till then, pull yourself together.
  • 29:33 - 29:35
    Don't get yourself into this
    job of helping them settle down.
  • 29:36 - 29:37
    Their lives will never change.
  • 29:38 - 29:41
    What about Mr. Mehra's four
    sofas and teakwood wall unit?
  • 29:41 - 29:43
    Yes, sir. They will be
    delivered by this evening.
  • 29:43 - 29:44
    "They will be
    delivered by this evening".
  • 29:45 - 29:47
    If I ask you in the evening,
    you would say by night.
  • 29:47 - 29:48
    Then by the next morning.
  • 29:48 - 29:51
    Look, Salim, let me tell
    you something clearly.
  • 29:52 - 29:53
    You have been appointed recently.
  • 29:54 - 29:57
    I hate carelessness and
    slackness in work. Get that?
  • 29:57 - 29:58
    Okay, sir.
    - Shetty. - Yes, sir.
  • 29:59 - 30:01
    put our bean bags and
    rocking chairs on display..
  • 30:01 - 30:02
    ..along with Raju. - Okay, sir.
  • 30:02 - 30:04
    I have to teach them everything.
  • 30:06 - 30:11
    Hello? Yes. Yes. Yes,
    it will be delivered.
  • 30:11 - 30:12
    He is so perfect in his work.
  • 30:12 - 30:13
    But he is so strict.
  • 30:14 - 30:15
    And he bullies us so much.
  • 30:16 - 30:18
    I guess his wife must not be
    allowing him to speak at home.
  • 30:18 - 30:20
    That's why he vents out
    his frustration on us.
  • 30:20 - 30:21
    There is no one at his home.
  • 30:21 - 30:23
    His kids and wife were
    killed in an accident years ago.
  • 30:23 - 30:25
    What?
  • 30:25 - 30:26
    Yes. Such is life.
  • 30:26 - 30:28
    The one who is busy decorating..
  • 30:28 - 30:29
    ..others' houses day and night..
    Home sweet home.
  • 30:29 - 30:31
    He is all alone at his home.
  • 30:35 - 30:45
    "By signalling through my eyes.."
  • 30:46 - 30:52
    "..I will steal your heart."
  • 30:55 - 31:02
    "By signalling through my eyes."
  • 31:02 - 31:05
    Oh, my, my! Superb.
  • 31:05 - 31:11
    "I'll steal.. your heart."
  • 31:25 - 31:29
    "By signalling through my eyes.."
  • 31:29 - 31:32
    "..I'll steal your heart."
  • 31:33 - 31:36
    "By signalling through my eyes.."
  • 31:36 - 31:40
    "..I'll steal your heart."
  • 31:40 - 31:43
    "Why don't you understand me?"
  • 31:43 - 31:47
    "Why don't you understand me?"
  • 31:47 - 31:50
    "Why do you turn away
    your face and abuse me?"
  • 31:51 - 31:52
    "Oh, Dolly."
  • 31:52 - 31:53
    "I'm Dolly."
  • 31:54 - 31:57
    "Darling, I am your Dolly."
  • 31:57 - 32:00
    "I'm Dolly. I'm Dolly.
    I'm Dolly. I'm Dolly."
  • 32:00 - 32:03
    "I'm Dolly. I'm Dolly. I'm Dolly.
    I'm Dolly, darling."
  • 32:16 - 32:19
    "Wow. What a magic! What style!"
  • 32:20 - 32:23
    "The youthful style is mesmerising."
  • 32:23 - 32:27
    "Wow. What magic! What style!"
  • 32:30 - 32:34
    "The youthful style is mesmerising."
  • 32:34 - 32:38
    "What a tempting scene!"
  • 32:38 - 32:45
    "The ambience
    searches raising glances."
  • 32:48 - 32:52
    "Why don't you understand me?"
  • 32:52 - 32:56
    "Why do you turn away
    your face and abuse me?"
  • 32:56 - 32:57
    "Oh, Dolly."
  • 32:58 - 33:00
    "Darling, you are my Dolly."
  • 33:00 - 33:05
    "Oh, Dolly. My Dolly. Oh, Dolly."
  • 33:12 - 33:19
    "Wherever I look, all my
    admirers give me strange glances."
  • 33:23 - 33:30
    "Wherever I look, my
    admirers give me strange glances."
  • 33:30 - 33:35
    "Oh, beauty, listen
    to me, oh, beauty.
  • 33:35 - 33:37
    Give me your heart by mistake."
  • 33:41 - 33:44
    "Why don't you understand me?"
  • 33:45 - 33:48
    "Why don't you understand me?"
  • 33:48 - 33:52
    "Why do you turn away
    your face and abuse me?"
  • 33:52 - 33:53
    "Oh, Dolly."
  • 33:54 - 33:55
    "I'm Dolly."
  • 33:56 - 33:58
    "Darling, I am your Dolly."
  • 33:58 - 34:02
    "I'm Dolly. I'm Dolly.
    I'm Dolly. I'm Dolly."
  • 34:02 - 34:03
    "I'm Dolly. I'm Dolly.
    I'm Dolly. I'm Dolly."
  • 34:04 - 34:05
    Go in, lsha. Go quickly.
    - Come on. Come on.
  • 34:05 - 34:07
    Hema, go in. Hurry up! Hurry up!
    - Come on, hurry up. Run.
  • 34:08 - 34:09
    preeti, hurry up. Go quickly.
    - Come on, hurry up. Let's go.
  • 34:09 - 34:16
    "By signalling through my eyes."
  • 34:18 - 34:19
    Open it. Hurry up.
    - Open the door. - Hurry up, lsha.
  • 34:19 - 34:21
    Open it quickly. - Come on,
    make it fast. Come on.
  • 34:21 - 34:23
    Come on, open it quickly.
    Fast. - Come on, go fast. Quick.
  • 34:23 - 34:24
    Come on, hurry up.
    Close it quickly.
  • 34:38 - 34:40
    Mr. Kamble, there is no one here.
  • 34:55 - 34:56
    Shall we go? - Yes.
  • 34:57 - 35:01
    Hello? I'm hiding.
    I'll call you later.
  • 35:02 - 35:07
    "Why do you turn away
    your face and abuse me?"
  • 35:08 - 35:15
    "Dolly. Darling, I'm your Dolly."
  • 35:16 - 35:19
    Scoundrel, it's Sunday morning
    while celebrating Saturday night?
  • 35:20 - 35:21
    It's 1 :30. Do you know that?
  • 35:21 - 35:23
    Sir.. I'm sorry..
  • 35:24 - 35:26
    Were you still giving customer
    service? - Yes, sir. Yes, sir..
  • 35:27 - 35:28
    How dare you break the law?
  • 35:28 - 35:30
    Mr. Kamble, let it be.
  • 35:31 - 35:33
    Chiku, make
    everyone's bill. Come on.
  • 35:33 - 35:35
    Sir, I'll get it
    cleared in two minutes.
  • 35:35 - 35:38
    Hey, Brother.. - Come on,
    everyone get up. Get up. Go.
  • 35:38 - 35:41
    Brother, we are just drinking
    and not committing any crime.
  • 35:41 - 35:43
    Do you have a permit to
    sit and drink in a bar?
  • 35:43 - 35:45
    Why do I need a permit, Brother?
  • 35:46 - 35:49
    Dadav, arrest him. -
    Come on. Come on. - Hey!
  • 35:49 - 35:52
    Hey? What are you doing? Let go of
    my shirt, Brother. - Take him away.
  • 35:54 - 35:56
    Come on, hurry up. Come on, Hema,
    lsha, payal, Kalpana..
  • 35:56 - 35:58
    Come on, go from here quickly.
  • 35:58 - 36:00
    Hurry up. - Let's go quickly.
  • 36:00 - 36:01
    Get out of here quickly.
  • 36:02 - 36:03
    Come on, girls, hurry up.
  • 36:03 - 36:04
    Come quickly.
  • 36:11 - 36:12
    Hurry up, Brother. Four Bunglows,
    Mahadas road.
  • 36:13 - 36:14
    Hurry up. - You come here.
  • 36:14 - 36:15
    Come on, hurry up. Hurry up.
  • 36:18 - 36:22
    Benny, how will you earn
    here without breaking the law?
  • 36:22 - 36:26
    It is not allowed for the
    girls to work here after 9:30pm.
  • 36:28 - 36:31
    How many people enter
    bars before 9:30 in Mumbai?
  • 36:33 - 36:35
    That, too, only four
    girls are allowed.
  • 36:36 - 36:39
    Not only these girls,
    but many others..
  • 36:39 - 36:42
    ..earn a livelihood with
    the help of this ladies bar.
  • 36:43 - 36:48
    You know, like this waiter, this
    Chotu, the watchman standing down..
  • 36:49 - 36:52
    ..the rickshaw driver, the tailor,
    that bangle vendor..
  • 36:53 - 36:54
    But who will explain it to them?
  • 36:56 - 36:57
    We run a small bar, don't we?
  • 37:00 - 37:02
    The police has said the bar
    has to shut down at 1 :30..
  • 37:03 - 37:04
    ..and it's final.
  • 37:04 - 37:07
    But why do these policemen
    harass the small bar owners?
  • 37:08 - 37:09
    Because they can't
    enter the five star hotels.
  • 37:10 - 37:12
    'You are welcome to Hotel Mirage.'
  • 37:22 - 37:24
    This guy over here.. - Yes, sir.
  • 37:24 - 37:26
    He is one of our
    biggest clients. - Okay, sir.
  • 37:26 - 37:30
    All the seminars, conferences of
    his company are held in our hotel.
  • 37:30 - 37:32
    Right, sir. - He is a very
    important guest person. - Yes, sir.
  • 37:32 - 37:33
    Good evening, sir.
  • 37:34 - 37:38
    Sir, look at this. These are some
    of the known actresses of Bollywood.
  • 37:39 - 37:42
    Their names and rates are
    written in alphabetical order, sir.
  • 37:42 - 37:45
    You just point out anyone,
    I'll organize it.
  • 37:45 - 37:46
    She'll be organized, sir.
  • 37:48 - 37:51
    Well.. this one. - Oh,
    great choice. Great choice.
  • 37:51 - 37:53
    Her horror film just released
    with her being in the third lead.
  • 37:53 - 37:54
    She'll be organized.
  • 37:56 - 37:59
    Hey, look. A red handkerchief!
  • 37:59 - 38:01
    It means.. - Wow.
  • 38:02 - 38:06
    Take service. Works
    for me. What about you?
  • 38:06 - 38:09
    You are lucky. For me,
    I'll check out.
  • 38:21 - 38:22
    She has mind blowing figure,
    right? - Yes.
  • 38:24 - 38:26
    For your kind information,
    let me tell you..
  • 38:26 - 38:30
    ..the girl by whom you are
    impressed, is.. already married.
  • 38:31 - 38:33
    She is my wife.
  • 38:35 - 38:38
    She is hot, isn't she?
    - No.. actually..
  • 38:38 - 38:40
    No? - Yes, I mean..
  • 38:43 - 38:45
    Married? - Yes. There she is.
  • 38:49 - 38:52
    I see. You must be
    having some business.
  • 38:52 - 38:54
    Yes. We have three
    showrooms of electronics in Mumbai.
  • 38:56 - 38:58
    Then you must always be
    offering sales and all, right?
  • 38:59 - 39:01
    The exchange offer schemes, right?
  • 39:01 - 39:02
    Yes, of course.
  • 39:02 - 39:04
    You bring your old TV and
    you'll get Rs. 15000 off..
  • 39:04 - 39:06
    ..on the MRp of our
    brand new plasma TV.
  • 39:07 - 39:08
    I'm not talking about the TV..
  • 39:33 - 39:34
    Hey, baby. I'm telling you an
    excellent story.
  • 39:35 - 39:36
    Just shut up. - ldiot.
  • 39:37 - 39:38
    Hey, sweetheart.
  • 39:39 - 39:42
    Hey, guys, hi. Hi. - Hello.
    - Hi. - Hello, sir.
  • 39:42 - 39:44
    Bye. - Good day.
    Good day. Good day, sir.
  • 40:25 - 40:26
    Come.
  • 40:33 - 40:34
    Hey, Ronnie. - Yes?
  • 40:34 - 40:36
    Look, that boy who
    got released.. Look.
  • 40:37 - 40:40
    He is a rich man's brat. He
    was bound to get released.
  • 40:40 - 40:42
    He had just committed a
    small crime, Benny. - What?
  • 40:43 - 40:45
    He just took some drugs and
    shot two persons. That's it.
  • 40:45 - 40:47
    Is it a small crime? - Yes.
  • 40:47 - 40:48
    Where do you get these drugs?
  • 40:49 - 40:50
    Benny, are you blind?
  • 40:50 - 40:53
    You have not seen or
    learned anything as yet.
  • 40:53 - 40:55
    All the drugs are sold
    in that disco inside.
  • 40:55 - 40:57
    There is less lights and
    music and more drugs here.
  • 40:58 - 41:00
    Drugs are sold in our hotel? - Yes.
  • 41:00 - 41:02
    Then why don't you
    inform our manager?
  • 41:02 - 41:03
    Do you think the manager
    doesn't know about it?
  • 41:04 - 41:06
    The manager knows
    about it? - Of course.
  • 41:06 - 41:08
    Then why doesn't he take any action?
  • 41:08 - 41:09
    He should inform the police.
  • 41:09 - 41:13
    I'll tell you. Look, if no
    drugs are supplied here.. - Yes?
  • 41:13 - 41:15
    Then who will come
    to this disco? - What?
  • 41:15 - 41:16
    Everything is connected, Benny.
  • 41:17 - 41:20
    They are concerned only with
    their profit and nothing else.
  • 41:24 - 41:25
    Why are you so worried?
  • 41:26 - 41:29
    You didn't eat food either.
    I think you have acidity.
  • 41:29 - 41:30
    Here, have this medicine.
  • 41:31 - 41:32
    What is it? - Medicine.
  • 41:33 - 41:36
    Oh, I thought it is sweets, you
    are distributing them, right? - Okay.
  • 41:36 - 41:39
    I'll go to sleep when l
    feel like it. - Yes, I know.
  • 41:44 - 41:46
    This is the red oil. It's very
    cool and soothing.
  • 41:46 - 41:47
    Apply it before you go to sleep..
  • 41:47 - 41:50
    ..it will give a cooling effect.
  • 41:52 - 41:53
    Why are you in my face?
  • 41:54 - 41:55
    Will you let me sleep?
  • 41:58 - 41:59
    Thanks a lot.
  • 42:01 - 42:04
    please light the mosquito coil as
    well. Okay? - Yes, I'll do that.
  • 42:05 - 42:07
    Oh, God.
  • 42:07 - 42:09
    'Look, the justice of
    our country is bizarre.'
  • 42:10 - 42:13
    'The people create havoc
    if a man cuts down a tree.'
  • 42:13 - 42:16
    'lf you kill a dog or an animal,
    people create chaos.'
  • 42:16 - 42:19
    'But no one is bothered if
    a man commits a suicide.'
  • 42:19 - 42:22
    'No farmer will commit
    a suicide from today.'
  • 42:22 - 42:25
    'And if he does, God, forgive me.
  • 42:25 - 42:28
    'I'd feel that I'm
    failing in performing my duty.'
  • 42:28 - 42:29
    Very good, sir.
  • 42:29 - 42:30
    'l, Ramesh Thakur, in a conversation
    with Rajnath Gaikwad..'
  • 42:30 - 42:32
    '..the leader fighting
    for the rights of the farmers.'
  • 42:32 - 42:35
    'Drugs are no less than a
    dangerous spreading virus..'
  • 42:35 - 42:38
    '..for the youth of
    our new generation.'
  • 42:39 - 42:41
    'l will try to stop it at any cost.'
  • 42:42 - 42:44
    This madam visits my hotel.
  • 42:45 - 42:47
    Hey, Babloo. That.. - 'This
    virus is spreading all around..'
  • 42:47 - 42:49
    '..and we are
    unable to do anything.'
  • 42:49 - 42:50
    What's wrong?
  • 42:51 - 42:53
    I'm trying to sleep
    and you are snoring?
  • 42:54 - 42:55
    In fact, not even an
    animal can sleep here.
  • 42:57 - 42:59
    'The social worker
    Sunaina Tejwani..'
  • 42:59 - 43:01
    '..is running a mission
    against this drug scandal.'
  • 43:04 - 43:05
    'Our channel will
    keep covering it all.'
  • 43:05 - 43:06
    I hope I don't snore again.
  • 43:06 - 43:07
    'Aaj Tak.'
  • 43:11 - 43:12
    Hey. What?
  • 43:13 - 43:14
    Did you hear my snoring again?
  • 43:15 - 43:16
    No, I heard your snoring earlier,
    but now I burst into laughter.
  • 43:17 - 43:18
    You were sleeping
    covering yourself with a scarf.
  • 43:19 - 43:20
    Go to sleep. Go to sleep.
  • 43:29 - 43:32
    Oh, God. I'm sorry. I'm sorry.
    I'm late. - Never mind.
  • 43:32 - 43:34
    Actually.. I had been to
    the Channa parlor. - I see.
  • 43:34 - 43:35
    I thought, not only at night,
    my face should look..
  • 43:35 - 43:37
    ..outdated during
    the day, too, right?
  • 43:37 - 43:40
    Up-to-date. - Yes, the same.
  • 43:40 - 43:41
    Okay, tell me, will you have pizza?
  • 43:42 - 43:44
    With four pieces or eight pieces?
  • 43:45 - 43:48
    Slowly. Slowly, lsha. - Yes,
    we'll eat it slowly.
  • 43:48 - 43:49
    I am not in a hurry today.
  • 43:49 - 43:51
    No, I mean speak softly.
  • 43:51 - 43:54
    Why? Is the volume
    of my voice very loud?
  • 43:55 - 43:56
    Am I shouting?
  • 43:56 - 43:58
    No, no. You are not shouting.
  • 43:59 - 44:00
    Actually you have to shout and
    talk due to the loud music..
  • 44:00 - 44:03
    ..at the bar at night.. - Yes.
  • 44:03 - 44:05
    Do you get that?.
    - That's why your tone is such.
  • 44:05 - 44:06
    Nothing else.
  • 44:06 - 44:07
    You are a good boy.
  • 44:08 - 44:10
    You are explaining to me so
    lovingly so that I don't feel bad.
  • 44:11 - 44:13
    You don't belong to Mumbai, right?
    - No, I'm from Delhi.
  • 44:14 - 44:18
    I had a desire to become an
    actor since many years. So l..
  • 44:18 - 44:19
    Call it an itch. An itch.
  • 44:20 - 44:22
    By the way, you look like a hero.
  • 44:24 - 44:28
    By the way, I've been
    offered a Bhojpuri film. - Yes.
  • 44:28 - 44:30
    One minute. One minute.
    Come on, get up.
  • 44:30 - 44:31
    Get up.
  • 44:31 - 44:32
    Shall I get up? - Yes.
  • 44:34 - 44:35
    Hey? Why have you
    brought an egg here?
  • 44:36 - 44:37
    So that no one casts
    an evil eye on you.
  • 44:38 - 44:41
    I also find it very odd to
    bring an egg in my purse.
  • 44:41 - 44:43
    But the aunty next
    door has made me promise..
  • 44:43 - 44:45
    ..to carry an egg in
    my purse. - Yes. Softly.
  • 44:45 - 44:47
    Actually destiny has
    already cast an evil eye on me.
  • 44:48 - 44:49
    I didn't want to take
    another chance. - Okay.
  • 44:49 - 44:51
    That's why I spin it
    around any dear one I find.
  • 44:51 - 44:52
    Okay.
    - One minute.
  • 44:53 - 44:55
    Hey? Why are you.. spinning..
  • 44:55 - 44:57
    Just a sec..The
    people are watching us.
  • 44:58 - 45:00
    please. Hey?
  • 45:03 - 45:04
    Is it done? - Done.
  • 45:07 - 45:08
    Shall we have pizza? - Yes.
  • 45:16 - 45:17
    What's wrong, Benny?
  • 45:18 - 45:20
    Normally, you talk so much
    that I've to switch off my radio.
  • 45:20 - 45:22
    Why are you so quiet today?
  • 45:23 - 45:26
    No, ma'am, actually I'm
    mentally disturbed since two days.
  • 45:27 - 45:28
    Why? What's wrong?
  • 45:28 - 45:31
    You know, one madam
    Tejwani comes to our hotel?
  • 45:31 - 45:34
    Mrs. Tejwani? Yes, I know her.
  • 45:34 - 45:36
    I saw her on TV yesterday.
  • 45:36 - 45:39
    She was speaking
    strictly against drugs, ma'am.
  • 45:40 - 45:44
    Actually.. ma'am, you don't know.
  • 45:44 - 45:47
    A big racket of drugs is
    going on in our hotel.
  • 45:48 - 45:50
    No, I'm not lying..
    - I know, Benny.
  • 45:51 - 45:52
    You know? - Yes, I do.
  • 45:52 - 45:55
    Then, ma'am.. tell madam
    Tejwani and stop all this, ma'am.
  • 45:55 - 45:58
    Ma'am, it is a very
    bad news for our hotel.
  • 45:58 - 46:00
    You'll tell her, won't you, ma'am?
  • 46:00 - 46:05
    Benny, they are something else on
    TV and something else in real life.
  • 46:07 - 46:08
    You don't know
    anything about Mrs. Tejwani.
  • 46:13 - 46:15
    Isn't he good? Look at him. - Yes.
  • 46:17 - 46:18
    Are you a model? - Yes, I am.
  • 46:19 - 46:24
    Where do you stay? - At Lokhandwala.
  • 46:25 - 46:26
    Lokhandwala? - Yes.
  • 46:30 - 46:34
    You can only afford to buy
    clothes from Lokhandwala..
  • 46:34 - 46:37
    ..but not stay there.
  • 46:39 - 46:44
    But I can afford to stay
    in the Maharaja suite here.
  • 46:48 - 46:50
    Would you like to
    attend my room tonight?
  • 46:50 - 46:52
    Booking the Maharaja suite,
    taking the boys along..
  • 46:53 - 46:54
    ..that, too, with different names.
  • 46:55 - 46:56
    In which name is the
    room booked today?
  • 46:57 - 46:59
    Mr. and Mrs. Sunny Mittal.
  • 46:59 - 47:03
    Wow. How do you come
    up with such names?
  • 47:03 - 47:04
    Thank you so much, ma'am. Thank you.
  • 47:05 - 47:06
    Okay, bye. - Bye.
  • 47:06 - 47:07
    Those who use fake names
    themselves, how will..
  • 47:08 - 47:09
    ..they ever support the truth?
  • 47:11 - 47:13
    So, Benny, if you got
    involved in these things..
  • 47:13 - 47:16
    ..you will fall in real trouble.
  • 47:16 - 47:17
    Don't pay attention to it.
    Keep your eyes closed.
  • 47:20 - 47:22
    Munna. - Yes? - Where is my chilly
    chicken? - Yes, I'm bringing it.
  • 47:22 - 47:24
    Munna, where is my tea? -
    I'll bring it. I'll bring it.
  • 47:24 - 47:25
    Munna, bring my tea.
    My tea. - I'll bring it.
  • 47:25 - 47:26
    Munna. - Yes. Don't yell.
  • 47:27 - 47:28
    Munna, don't bring anything for me.
    - Munna, listen to me.
  • 47:28 - 47:29
    Hi. Hi. - Hi.
    - Munna, bring tea for me.
  • 47:29 - 47:31
    Hi. - Babloo, come here. Come here.
  • 47:32 - 47:34
    I've brought a shirt
    for you. - Wow.
  • 47:35 - 47:36
    For me? - Yes. - Why have
    you brought a shirt for me?
  • 47:36 - 47:41
    Actually I had gone for
    shopping with Ranvir. - Wow.
  • 47:41 - 47:44
    I bought a shirt for him, so
    I bought one for you, too.
  • 47:44 - 47:46
    How is it? - The shirt is fantastic.
  • 47:46 - 47:47
    But how did you remember me?
  • 47:48 - 47:49
    Why? Can't I remember you? - Yes.
  • 47:49 - 47:50
    Do you think I'm Aamir Khan
    (lndian actor) from..
  • 47:50 - 47:52
    ..'Ghajini' (lndian Movie)?
    - No, no.
  • 47:52 - 47:55
    Babloo, you are too much.
    How can I forget you?
  • 47:55 - 47:59
    You had given me Ranvir's number.
    - That's true. That's true.
  • 47:59 - 48:02
    You know, Ranvir has
    been offered a film.
  • 48:02 - 48:05
    That, too, with the main lead.
    - Wow. - Fantastic.
  • 48:06 - 48:09
    It means he is the future
    Shahrukh and you are Gauri Khan.
  • 48:09 - 48:12
    That's it. - No, no. He has
    been offered a Bhojpuri film.
  • 48:12 - 48:14
    So what? - It means he is
    Ravi Kishen (lndian actor)..
  • 48:14 - 48:15
    ..and you are Mrs. Kishen.
  • 48:15 - 48:17
    Yes. - You talk nonsense.
  • 48:18 - 48:21
    Listen. - Squander. Squander a lot.
  • 48:21 - 48:22
    What difference does it make me?
  • 48:24 - 48:25
    Here starts the record.
  • 48:25 - 48:26
    Hey, Babloo. - Yes?
  • 48:26 - 48:29
    I know such boys.. - Yes.
    - Very well.
  • 48:30 - 48:32
    They want a girl who is like the
    moon. - I see, you mean beautiful.
  • 48:33 - 48:36
    No, my dear, by moon I mean
    the girl who comes at night..
  • 48:36 - 48:38
    ..and goes away in the morning.
  • 48:39 - 48:41
    Hema, what's your problem?
  • 48:41 - 48:43
    Why are you getting
    jealous if I am happy? - Hey?
  • 48:44 - 48:47
    Why would I feel jealous?
    Am I his bed partner?
  • 48:47 - 48:50
    And listen, I come to work here.
  • 48:50 - 48:52
    I don't come to get into
    love affairs like you.
  • 48:52 - 48:54
    Anyway, who will
    fall in love with you?
  • 48:54 - 48:58
    You have become an old taxi
    which runs on CNG. An old taxi!
  • 48:58 - 48:59
    Hey. What did you say, you wretch?
  • 48:59 - 49:03
    At least I'm running,
    but you are flying.
  • 49:03 - 49:06
    Madhubala, you are not a
    Mercedes either. - Relax.
  • 49:06 - 49:09
    You also have to go around and
    return here as an old taxi here.
  • 49:09 - 49:10
    Get lost. - I've seen
    many girls like you.
  • 49:10 - 49:11
    Forget it. Leave it. - Get lost.
    You are always jealous.
  • 49:12 - 49:13
    Stop saying such things.
    - Forget it.
  • 49:13 - 49:14
    Come here, listen
    to me. Listen to me.
  • 49:14 - 49:15
    Hema, forget it. - Hema, leave it.
  • 49:16 - 49:18
    You are too much, Hema. Too much.
  • 49:18 - 49:20
    Get lost, lsha's sidekick.
    - Shut up.
  • 49:21 - 49:23
    Forget it, Hema. - Leave it, buddy.
  • 49:23 - 49:25
    You all come to your senses as well.
  • 49:26 - 49:28
    I know the standard of
    these boys very well.
  • 49:30 - 49:33
    A few moments of ours are
    very precious for them..
  • 49:33 - 49:36
    ..but our life is very cheap.
  • 49:37 - 49:39
    But they are coming here in
    five minutes. I've no time.
  • 49:39 - 49:41
    And he is a VVlp. Hold on.
  • 49:41 - 49:43
    What are Charles and Delvis
    doing here? Out. Out. Out.
  • 49:44 - 49:45
    I am in a fix. I
    don't know what to do.
  • 49:46 - 49:50
    Hey, psycho, you will not
    touch his luggage. Understand?
  • 49:50 - 49:51
    Stay away.
  • 49:52 - 49:53
    What are the
    security guards doing here?
  • 49:53 - 49:55
    Come on, stand at
    the main entrance. God.
  • 49:55 - 49:56
    Move it. Move it.
  • 49:56 - 49:58
    I don't like your faces.
    Come on, go and hide inside.
  • 49:58 - 49:59
    Come on, both of you.
  • 50:01 - 50:03
    Is the minister's favorite
    suite No. 430 ready? - Yes, sir.
  • 50:03 - 50:04
    Are his flowers ready? - Yes, sir.
  • 50:04 - 50:06
    Smile, Venice, please. - Sorry, sir.
  • 50:06 - 50:07
    Go and double check.
    Come on, move it.
  • 50:08 - 50:10
    Yes, Nikhil. Oh, yes,
    everything is under control.
  • 50:10 - 50:12
    Of course. Yes. There
    is no margin for error.
  • 50:14 - 50:15
    Hey. Nikhil, I swear..
    - Sir. Sir. Sir. Sir.
  • 50:15 - 50:17
    I'll make sure it's okay..
    For God's sake.
  • 50:18 - 50:21
    What are you doing? -
    I'm sorry, sir. Sorry, sir.
  • 50:21 - 50:23
    What are you doing? - Sir,
    I was saving you, sir.
  • 50:23 - 50:24
    I would've gotten out of there.
    Do you have any problem?
  • 50:25 - 50:26
    Sir, it is the X-ray machine,
    everything is exposed, sir.
  • 50:26 - 50:27
    I'm really sorry, sir.
  • 50:27 - 50:30
    Oh, yes. Very intelligent. Nikhil..
  • 50:30 - 50:32
    'Welcome to Hotel Mirage.'
  • 50:33 - 50:34
    Now come on, welcome them nicely.
  • 50:36 - 50:38
    Sir, your favorite suite
    430 has been organized.
  • 50:38 - 50:40
    What are you doing? What
    are you doing? - Sorry, sir.
  • 50:40 - 50:41
    What are you doing? Why are you
    standing so close to me?
  • 50:41 - 50:42
    Sorry, sir. Sorry, sir.
  • 50:42 - 50:43
    What sorry? - Sir, they have..
  • 50:44 - 50:45
    They what? - They have left, sir.
  • 50:45 - 50:46
    Who has left? - They have left, sir.
  • 50:46 - 50:47
    Oh, my God. Now you're telling me?
  • 50:48 - 50:50
    Welcome, sir. You are
    welcome to Mirage, Mr. Gaikwad.
  • 50:51 - 50:52
    Welcome me with a
    hug once in a while.
  • 50:54 - 50:56
    Your room No. 430
    is absolutely ready.
  • 50:56 - 50:57
    Enjoy the stay.
  • 51:00 - 51:01
    Rascal.
  • 51:04 - 51:06
    Sir.. - What's this
    cupcake carrying there?
  • 51:07 - 51:08
    Hello, baby. - Good evening, sir.
  • 51:09 - 51:13
    Good evening. And
    good maintenance also.
  • 51:15 - 51:17
    The way you maintain
    this hotel's rooms..
  • 51:17 - 51:19
    ..you have maintained your
    mind blowing figure, too.
  • 51:21 - 51:22
    Wow.
  • 51:23 - 51:24
    Racal.
  • 51:26 - 51:28
    Well, that guy.. - But..
  • 51:29 - 51:32
    Sir, I had requested you
    for a licence.. - Shut up.
  • 51:32 - 51:34
    Sir, the licence.. - Why are
    you talking about the licence?
  • 51:35 - 51:38
    Look, you do my work and
    I'll do yours. Got it?
  • 51:38 - 51:39
    Yes, sir. Right, sir. - Yes.
  • 51:39 - 51:41
    Instead of placing a pie in my hand,
    you're talking about the licence..
  • 51:41 - 51:42
    Rascal! - What?
  • 51:42 - 51:45
    Sir, the bar is open.
    24 hours a day.
  • 51:45 - 51:46
    What do you mean by the
    bar is open? You're scared..
  • 51:48 - 51:52
    "I'll meet Rogers today.
    He'll give me a girl."
  • 51:52 - 51:53
    "I'll meet.."
  • 51:53 - 51:55
    Oh, Rogers. - Welcome. Welcome.
    Welcome, sir.
  • 51:55 - 51:57
    Yes. God. - But, sir, what's this?
  • 51:58 - 52:00
    What's wrong?
    - You seem very drained out, sir.
  • 52:00 - 52:01
    Is it that easy to fool farmers?
  • 52:04 - 52:05
    I'm exhausted after roaming with..
  • 52:05 - 52:07
    ..these farmers in the
    sun since two weeks.
  • 52:08 - 52:11
    So you've given so much service.
  • 52:11 - 52:12
    What service have I given?
  • 52:12 - 52:14
    Sir, these both will
    give service to you.
  • 52:15 - 52:17
    "They are the greenery
    and l.. - Welcome, sir.
  • 52:17 - 52:18
    "l am the path."
  • 52:18 - 52:21
    Wow, darling. Great. Two ladies.
  • 52:21 - 52:25
    I love you. And what you do?
  • 52:29 - 52:30
    Wow.
  • 52:32 - 52:33
    Why are you staring
    wide-eyed at me?
  • 52:35 - 52:37
    Do you want to sit here?
    Come on, sir.
  • 52:37 - 52:38
    Madam, shift aside.
    Let sir sit here.
  • 52:39 - 52:40
    No, sir. No.
  • 52:40 - 52:41
    No? Then why are
    looking here? Get lost.
  • 52:43 - 52:45
    Does he think any
    drama is going on here?
  • 52:46 - 52:48
    Come on, come here. You
    aren't the bellboy, right?
  • 52:49 - 52:51
    You are my bell and I'm your boy.
  • 52:51 - 52:54
    Darling, I like you.
    English correct, right?
  • 52:55 - 52:56
    Rascal.
  • 53:00 - 53:01
    Benny, why are you surprised?
  • 53:01 - 53:04
    Every white collared man
    does black business here.
  • 53:04 - 53:06
    You know what is the
    tragedy of our country?
  • 53:07 - 53:10
    There is armed Z-security appointed
    for corrupt men from A to Z.
  • 53:10 - 53:12
    But I've watched on TV.
  • 53:12 - 53:14
    This.. This Gaikwad has
    helped the farmers a lot.
  • 53:15 - 53:16
    He pulls the plough
    with the farmers there..
  • 53:16 - 53:19
    ..and enjoys with the girls here.
  • 53:19 - 53:21
    You know, the stay,
    food and everything..
  • 53:21 - 53:23
    ..is absolutely free for him here.
  • 53:23 - 53:24
    Absolutely free of cost.
  • 53:24 - 53:27
    Because all the illegal
    businesses of this hotel..
  • 53:27 - 53:30
    ..are concealed by his
    political connections.
  • 53:31 - 53:36
    Ms. Hema, your eyes are very
    beautiful. They are large.
  • 53:38 - 53:41
    I've got them for free with my
    face. What do you want to do?
  • 53:42 - 53:43
    No, it is not so.
  • 53:44 - 53:48
    Actually I've given up food
    and drinks ever since I saw you.
  • 53:49 - 53:51
    You have stopped drinking,
    too? - Yes.
  • 53:51 - 53:54
    If you are so broke, why
    do you come to the bar?
  • 53:57 - 54:03
    "Beloved, I'll die without you.
    Come, oh, my life."
  • 54:04 - 54:05
    "Beloved, I'll die without you.
    Come, oh, my life."
  • 54:05 - 54:06
    What should I bring,
    sir? - Call that Vandana.
  • 54:07 - 54:09
    Hey, Vandana, that guest
    of yours with a moustache is here.
  • 54:09 - 54:10
    Come quickly.
  • 54:11 - 54:16
    "l had to come, beloved. The
    pain of love is unbearable."
  • 54:16 - 54:17
    Neither you receive
    my calls nor meet me.
  • 54:18 - 54:19
    I've squandered
    thousands of rupees on you.
  • 54:20 - 54:22
    Do you think I am a donation box?
  • 54:22 - 54:24
    You don't meet me after arousing
    the desire within, you wretch.
  • 54:25 - 54:26
    Alright. If not you,
    then some other girl.
  • 54:27 - 54:28
    Not her, then someone else.
  • 54:28 - 54:29
    Hey, who is the
    naughtiest amongst them?
  • 54:30 - 54:31
    What do I know? Ask them yourself.
  • 54:33 - 54:35
    Hey? Vandana? - Vandana,
    what's wrong?
  • 54:35 - 54:36
    What's wrong? - Why are you crying?
  • 54:37 - 54:38
    Vandana? What's wrong?
  • 54:38 - 54:40
    Drink water. Have some water.
    - What's wrong? Drink water.
  • 54:40 - 54:42
    Do you know what happened to her?
    - Vandana, drink water.
  • 54:43 - 54:45
    What's wrong with her?
    - What happened to her?
  • 54:45 - 54:46
    I don't know what happened.
  • 54:46 - 54:50
    I am not.. I am not a
    characterless woman, Babloo.
  • 54:52 - 54:54
    I'm the daughter of a
    farmer of Satara village.
  • 54:56 - 54:59
    My father is sick. He
    has a hole in his heart.
  • 54:59 - 55:01
    I've to collect a lot of
    money for his treatment.
  • 55:03 - 55:05
    My neighbor told me that
    this is the only way..
  • 55:05 - 55:08
    ..through which an illiterate
    girl like me can earn some money.
  • 55:08 - 55:11
    I've to give 20 % of my
    earnings to the person..
  • 55:11 - 55:14
    ..who got me hired here.
  • 55:15 - 55:19
    I spend the rest of the money in
    buying medicines for my father.
  • 55:21 - 55:25
    But still.. still I've not
    done anything wrong till today.
  • 55:27 - 55:31
    I swear by Sai Baba (lndian God)..
    I'm not a characterless woman.
  • 55:31 - 55:35
    We know it. They talk
    nonsense after getting drunk.
  • 55:37 - 55:40
    You will have to drink the poison
    if you stay in a snake's burrow.
  • 55:40 - 55:43
    It's okay, baby. I also
    have to hear so many taunts..
  • 55:43 - 55:46
    ..from my relatives and society.
  • 55:47 - 55:49
    Since we work in a bar,
    everyone thinks..
  • 55:49 - 55:52
    ..that we go to bed with someone
    everyday after the hotel shuts down.
  • 55:52 - 55:55
    Vandana, we all know who
    and what you are. Forget it.
  • 55:56 - 55:59
    Yes, Roshni, you
    are absolutely right.
  • 56:00 - 56:03
    You know how she is now.
  • 56:04 - 56:09
    But only I know how this
    profession will affect her tomorrow.
  • 56:10 - 56:13
    Till when will you hide yourself?
  • 56:13 - 56:17
    One day you will be sold
    at Nasrullah Khan's market.
  • 56:22 - 56:23
    By the way, tell me something.
  • 56:24 - 56:26
    She goes home directly after
    the bar shuts down, right?
  • 56:26 - 56:28
    Why are you asking? - I'll tell you.
  • 56:38 - 56:42
    Isha, what.. What are you doing?
    Keep aside this dagger..
  • 56:42 - 56:46
    Hema, today you will have to
    cut a cake with this dagger.
  • 56:49 - 56:53
    Happy birthday. - Happy birthday.
    - Happy birthday, Hema.
  • 56:57 - 56:58
    What are you guys mad of?
  • 56:59 - 57:02
    I taunt you on whatever
    you say and today you all..
  • 57:02 - 57:04
    ..have come to cut my
    birthday cake?
  • 57:07 - 57:09
    I talk so bitterly
    with you all and you..
  • 57:09 - 57:12
    Hema, we do have
    these petty quarrels..
  • 57:12 - 57:14
    ..but it doesn't mean
    that we are enemies.
  • 57:15 - 57:20
    Happy birthday to you.
    Happy birthday to you.
  • 57:20 - 57:25
    Happy birthday to dear, Hema.
  • 57:25 - 57:29
    Happy birthday to you.
  • 57:29 - 57:31
    Eat less otherwise
    you'll become obese.
  • 57:32 - 57:35
    My real name is parveen.
    I belong to Lucknow.
  • 57:37 - 57:39
    I was the most famous
    bar girl of my time.
  • 57:41 - 57:44
    people used to
    squander a lot of money on me.
  • 57:48 - 57:51
    My parents, uncle and aunty,
    siblings, their children..
  • 57:51 - 57:54
    ..everyone depended on
    the earnings of my dance.
  • 57:55 - 57:58
    One day Akhilesh came there.
    He went crazy about me.
  • 58:00 - 58:02
    And one day he
    announced in the bar that..
  • 58:02 - 58:06
    ..today is Hema's
    last night at the bar.
  • 58:06 - 58:08
    Because he was going to marry me.
  • 58:09 - 58:13
    I left everything and held his hand.
  • 58:15 - 58:17
    I felt as if I've
    found a true lover..
  • 58:18 - 58:20
    ..someone who will
    support me all my life.
  • 58:22 - 58:23
    I started living like
    a respectable wife..
  • 58:23 - 58:25
    ..in the flat given by him.
  • 58:28 - 58:33
    Then one day I learnt that..
    Akhilesh is already married.
  • 58:35 - 58:36
    He had two children.
  • 58:40 - 58:44
    One day his wife came to my flat..
  • 58:44 - 58:49
    ..and threw me out like a
    dog while I was bare feet.
  • 58:56 - 59:01
    Akhilesh went out of lndia,
    but I was bearing his child.
  • 59:03 - 59:06
    I felt embarrassed and
    returned back to my parents..
  • 59:06 - 59:09
    ..whom I had brought up for years.
  • 59:10 - 59:13
    But even they were unable
    to put up with my infamy..
  • 59:13 - 59:16
    ..and the news of my
    illegitimate child.
  • 59:19 - 59:22
    I had to return to the same bar..
  • 59:22 - 59:25
    ..from which I had
    left with Akhilesh once.
  • 59:37 - 59:39
    I've a 12 year-old-child.
  • 59:41 - 59:45
    I'm maintaining the cost of his
    boarding.. with great difficulty.
  • 59:50 - 59:53
    I don't want anyone
    else to go through..
  • 59:53 - 59:56
    ..what I had to.
  • 59:59 - 60:03
    You don't know, when a
    young girl becomes old..
  • 60:03 - 60:07
    ..no one even gives her a glance.
  • 60:11 - 60:16
    Now my child doesn't
    have anyone except me.
  • 60:19 - 60:23
    No, Hema, you stay the same.
  • 60:24 - 60:27
    Say bitter things to everyone.
    - No, lsha, I am..
  • 60:27 - 60:30
    Hema, how can you say
    that you don't have anyone?
  • 60:31 - 60:32
    That your child doesn't
    have anyone except you?
  • 60:33 - 60:34
    Shall I say something?
  • 60:34 - 60:37
    Your child won't get so many
    aunties in any bumper sale as well.
  • 60:37 - 60:38
    Right? - Yes.
  • 60:40 - 60:44
    Yes. And this Soni is also a
    part of your family from today.
  • 60:45 - 60:47
    My real name is Aakruti.
  • 60:47 - 60:51
    Yes. And my name is
    not lsha, it is Sarita.
  • 60:51 - 60:53
    Vandana. My real name is Niranjana.
  • 60:53 - 60:55
    And my real name is
    not Roshni, but Anjali.
  • 60:55 - 60:58
    pedora. Real name is Marina.
  • 60:59 - 61:02
    Babloo. And the real
    name is also Babloo.
  • 61:09 - 61:12
    "By signalling through my eyes.."
  • 61:12 - 61:15
    "..I'll steal your heart."
  • 61:16 - 61:19
    "By signalling through my eyes.."
  • 61:19 - 61:23
    "..I'll steal your heart."
  • 61:23 - 61:26
    "Why don't you understand me?"
  • 61:26 - 61:30
    "Why don't you understand me?"
  • 61:30 - 61:34
    "Why do you turn away
    your face and abuse me?"
  • 61:34 - 61:35
    "Oh, Dolly."
  • 61:35 - 61:37
    "I'm Dolly."
  • 61:38 - 61:40
    "Darling, I am your Dolly."
  • 61:40 - 61:44
    "I'm Dolly. I'm Dolly.
    I'm Dolly. I'm Dolly."
  • 61:44 - 61:46
    "I'm Dolly. I'm Dolly.
    I'm Dolly. I'm Dolly."
  • 61:47 - 61:50
    "Why don't you understand me?"
  • 61:50 - 61:54
    "Why do you turn away
    your face and abuse me?"
  • 61:54 - 61:55
    "Oh, Dolly."
  • 61:56 - 61:58
    "Darling, you are my Dolly."
  • 61:58 - 62:02
    "Oh, Dolly. My Dolly. Oh, Dolly."
  • 62:03 - 62:07
    We know each other so well now.
  • 62:07 - 62:11
    Why are you shying away then?
    I'll quench your thirst.
  • 62:12 - 62:15
    Oh, God.
    - What happened? What?
  • 62:20 - 62:23
    What? - Nothing.
  • 62:23 - 62:26
    Nothing? Nothing happened?
    - No, nothing happened.
  • 62:26 - 62:28
    Then why did you barge in
    like that? - Just like that.
  • 62:28 - 62:29
    Nothing, just like that.
  • 62:30 - 62:32
    But a lot happened at our place.
  • 62:33 - 62:36
    Take this. Eat this. Eat this.
    - What's this?
  • 62:36 - 62:40
    It was Hema's birthday and
    we all celebrated it a lot.
  • 62:40 - 62:42
    Do you know? Everyone
    there is illiterate..
  • 62:42 - 62:44
    ..but everyone has a
    degree in giving love.
  • 62:44 - 62:49
    Oh, that's true. But.. the
    degree of love they give..
  • 62:49 - 62:50
    ..is a problem.
  • 62:54 - 62:56
    Working at a wrong
    place doesn't mean that..
  • 62:56 - 62:57
    ..they are wrong as well.
  • 62:58 - 63:00
    You used to say,
    "See again and again..
  • 63:00 - 63:02
    Babloo's ladies bar".
    I did take a look.
  • 63:02 - 63:04
    I watched all the girls closely.
  • 63:05 - 63:08
    I've understood their
    lives and their circumstances.
  • 63:09 - 63:11
    Benny, I've felt that
    their acceptance is..
  • 63:11 - 63:13
    ..their helplessness.
  • 63:14 - 63:15
    You talk too much.
  • 63:16 - 63:18
    No one asks money from
    anyone forcibly over there.
  • 63:18 - 63:20
    Everyone gives them
    money on their own.
  • 63:20 - 63:25
    Working there is not bad.. but
    the filth in people's mind is bad.
  • 63:25 - 63:30
    Actually, I was just..
    You.. you get angry very fast.
  • 63:31 - 63:32
    Let go.. - Come here. Sit here.
  • 63:32 - 63:33
    How can you talk like this?
  • 63:34 - 63:38
    I apologize to you from
    the bottom of my heart. Okay?
  • 63:39 - 63:43
    Will you have tea? - I'll
    eat glucose biscuits, too.
  • 63:43 - 63:46
    You ask for a lot more than what
    is offered to you Brother Babloo.
  • 63:51 - 63:54
    Don't misunderstand them. - Okay.
  • 63:54 - 63:57
    Eat this.. Eat this.
  • 64:02 - 64:10
    "Why don't you get the
    destination of happiness?"
  • 64:10 - 64:11
    "On every step there is.."
  • 64:11 - 64:12
    Hey, Sheena. Look at this.
  • 64:13 - 64:16
    We can own a holiday home in
    Kajrat only in 36 installments.
  • 64:16 - 64:22
    "On every step, there's pain.."
    - Listen, only 36 installments!
  • 64:22 - 64:25
    "Why is it like this?"
  • 64:25 - 64:34
    "Why is this city so isolated?"
  • 64:34 - 64:36
    "Why is this city so isolated?"
  • 64:36 - 64:40
    What's the matter, ma'am? You
    look very sad and sullen today.
  • 64:40 - 64:43
    Nothing. - I am sure
    there's something.
  • 64:43 - 64:44
    Tell me.
  • 64:44 - 64:47
    Stop it. Who are you to
    ask me? - Benny, the..
  • 64:50 - 64:53
    Sorry, ma'am.. - Benny..
  • 64:54 - 64:55
    Yes, ma'am.
  • 65:00 - 65:02
    I am sorry. I am really sorry.
  • 65:05 - 65:07
    Actually, these days, l
    have so many problems that..
  • 65:07 - 65:11
    problems? Ma'am, what problems
    can rich people like you have?
  • 65:12 - 65:13
    There's a major
    problem of our class.
  • 65:14 - 65:17
    We never get satisfied.
    We have a lot..
  • 65:18 - 65:19
    ..but in the greed
    of getting all these..
  • 65:21 - 65:22
    ..we end up paying
    loans all our lives.
  • 65:23 - 65:24
    We keep giving EMls.
  • 65:26 - 65:30
    My husband, Abhishek, is a
    severe patient of this disease.
  • 65:33 - 65:35
    Benny, do you know
    what's the toughest?
  • 65:37 - 65:40
    In spite of so many problems,
    I always have to keep a smile..
  • 65:40 - 65:42
    ..on my face in my job.
  • 65:45 - 65:48
    Just like a bar girl
    standing at a ladies bar.
  • 65:49 - 65:52
    Look, I know that l
    am going for 20 days.
  • 65:52 - 65:54
    I've an outdoor shooting in Ooty.
  • 65:54 - 65:55
    What's the name of the movie?
  • 65:55 - 65:59
    'Bhaujai Ki Saugand,
    Tohara Ke Gaad Ke Rakhdaye'.
  • 65:59 - 66:01
    Are you telling me the
    movie's name or its story?
  • 66:04 - 66:06
    You talk so sweetly when angry.
  • 66:07 - 66:11
    Oh, God, I am getting late. The
    production guy is waiting for me.
  • 66:11 - 66:13
    production? - Yes. Okay, I'll leave.
  • 66:19 - 66:21
    Won't you ward off the
    evil eye with an egg? - Yes.
  • 66:25 - 66:26
    Enough..
  • 66:31 - 66:35
    Done. Take this. - Hey, why this?
  • 66:35 - 66:36
    Keep it. It will be of use to you.
  • 66:36 - 66:39
    Look, Veer, if you have money,
    people will be around you.
  • 66:39 - 66:42
    Improve your standard. - But, lsha..
  • 66:42 - 66:43
    Come on. You are getting late,
    aren't you? production..
  • 66:44 - 66:48
    Listen.. don't say 'bye.' And yes,
    don't look back either.
  • 66:49 - 66:52
    The thing is that l
    can't handle emotions.
  • 66:53 - 66:54
    Take care of yourself. Okay?
  • 66:57 - 66:58
    Bye.
  • 67:02 - 67:07
    "Separation.. I hope
    no one ever separates."
  • 67:08 - 67:13
    "Separation.. Oh, God, l
    hope no one ever separates."
  • 67:17 - 67:19
    What's the matter?
    Why are you sullen?
  • 67:20 - 67:21
    Separation.
  • 67:22 - 67:24
    Look, Ranvir has gone to Ooty..
  • 67:24 - 67:27
    ..so rule over the world now.
    Call him. - Shall l?
  • 67:27 - 67:30
    Yes.. - But he must be busy. -
    Well.. - He'll get angry on me.
  • 67:30 - 67:33
    He'll feel happy if
    you call. Call him.
  • 67:33 - 67:36
    Open my hands once, Ganga Thakur..
  • 67:36 - 67:39
    ..I'll break your head.
  • 67:39 - 67:42
    I swear on my sister-in-law.
  • 67:42 - 67:44
    'Hey, Brother.. answer the call.'
  • 67:45 - 67:47
    Cut. Cut. - 'l am not
    giving you a missed call.'
  • 67:47 - 67:49
    Whose phone is ringing? - Sir..
    Sir, my phone is ringing.
  • 67:49 - 67:52
    'Answer the call. I am
    calling you. Hey, Brother.'
  • 67:52 - 67:54
    What kind of a ring tone
    is this? - 'Did you get it?'
  • 67:54 - 67:55
    My pressure is going
    up after hearing this.
  • 67:55 - 67:56
    'pick up the call, Brother.'
    - Hello.
  • 67:56 - 67:59
    Sir, press the green
    button first. - Okay.
  • 67:59 - 68:02
    Hello? Hello? Talk
    to him. - Yes. Hello?
  • 68:03 - 68:07
    "Separation." - How are you?
    I was missing you a lot.
  • 68:07 - 68:10
    The song "Separation"
    is being played.. so..
  • 68:11 - 68:14
    Hello, lsha, I am on my shoot.
    Shall I talk to you later?
  • 68:14 - 68:16
    I told Babloo.. but he..
  • 68:17 - 68:19
    Hello, Mr. Ranvir.. This is Babloo.
  • 68:19 - 68:21
    How's the shooting going on?
  • 68:21 - 68:23
    Look, Babloo,
    listen to me carefully.
  • 68:23 - 68:27
    The sad songs will go on there
    and lsha will keep missing me.
  • 68:27 - 68:31
    If you called again.. I'll
    kill the villain here later..
  • 68:31 - 68:33
    ..but I'll kill you first by
    coming to Mumbai. Is that clear?
  • 68:34 - 68:36
    Sir, it's done. - "Oh, beloved."
  • 68:36 - 68:38
    Why did you disconnect
    the phone? What did he say?
  • 68:39 - 68:41
    He threatened to
    kill me. - Kill you?
  • 68:41 - 68:46
    No, the villain.. in the shooting.
    - "Oh, beloved."
  • 68:46 - 68:49
    Shall I call him again?
    I am missing him a lot.
  • 68:49 - 68:52
    No, it's better if we change the
    song instead. pinky, change the song.
  • 68:52 - 68:54
    Shall I sing, "l
    can't live without you?"
  • 68:55 - 68:57
    Come on, let's go
    inside and talk. Come here.
  • 69:01 - 69:03
    Good evening, sir.
    Is everything fine?
  • 69:04 - 69:06
    Would you like
    something else? - I want you.
  • 69:06 - 69:07
    How dare you talk to me like that!
  • 69:07 - 69:09
    Don't think of this as
    complementary like..
  • 69:09 - 69:11
    ..your fruits and chocolates.
  • 69:11 - 69:12
    I'll pay for it.
  • 69:16 - 69:18
    Rs. 1 lakh. - Stop it, sir.
  • 69:18 - 69:20
    By giving Rs. 1 lakh do
    you think that I'll sleep..
  • 69:20 - 69:24
    Rs. 2 lakhs. My hard
    work and your time.
  • 69:24 - 69:25
    I am not that type of a girl.
  • 69:26 - 69:27
    Nothing like that
    can happen between us.
  • 69:27 - 69:32
    It can happen between us..
    because you're just as..
  • 69:34 - 69:35
    ..beautiful as rich I am.
  • 69:37 - 69:41
    This is Rs. 3 lakhs.
    Before refusing them..
  • 69:41 - 69:43
    ..think what all you
    can do with this money.
  • 69:44 - 69:48
    You can buy a new car,
    l-pods, jewelry, new wardrobe..
  • 69:48 - 69:49
    ..you can buy your dreams.
  • 69:54 - 69:58
    Hey, hello. Who's parked
    this car in my parking area?
  • 69:58 - 70:00
    It belongs to Ms. Ria
    living in room no. 401.
  • 70:01 - 70:03
    She's ordered a new car from
    the showroom today itself.
  • 70:08 - 70:10
    New car or a new adventure?
  • 70:34 - 70:35
    Sir, your luggage?
    - 'Beautiful shot.'
  • 70:36 - 70:38
    Interesting match, sir.
  • 70:38 - 70:41
    'Went off his pads. Just outside.
    Ramiz Raja..'
  • 70:42 - 70:45
    Oh, God. Sorry, sir. Sir.
  • 70:48 - 70:52
    What a six, sir! Sir?
    - 'A sneak shot, but..'
  • 70:52 - 70:55
    Remote here, sir. Okay? Sir?
  • 70:56 - 70:59
    'Every shot from the pakistanis..'
  • 71:11 - 71:13
    Sir? Oh, God..
  • 71:16 - 71:19
    Hey, Benny.. what happened, man?
  • 71:20 - 71:23
    I touched. He fall..
  • 71:23 - 71:26
    Doctor? - No way. He's dead.
  • 71:27 - 71:28
    He's dead? - Yes.
  • 71:28 - 71:30
    I know he's dead. Come on, doctor.
  • 71:30 - 71:32
    You know what to do
    with the dead body. - Yes.
  • 71:32 - 71:34
    As always, take him
    to your nursing home.
  • 71:34 - 71:36
    And declare him dead there. - Okay.
  • 71:37 - 71:39
    After that we'll
    inform his family. - Okay.
  • 71:39 - 71:42
    Come on, move. Idiot.
  • 71:42 - 71:43
    Neeta.. - Yes, sir.
  • 71:43 - 71:45
    Arrange for a house
    keeping trolley. - Right, sir.
  • 71:46 - 71:48
    What's the room number? - Sir, 309.
  • 71:49 - 71:51
    Nikhil, what's the
    outstanding of room No. 309?
  • 71:51 - 71:55
    Rs. 70000 sir.. - Rs. 70000?
    Are you crazy?
  • 71:55 - 71:57
    No, sir. - Where are you right now?
  • 71:57 - 71:59
    In the reception, sir. - You
    just wait there, I am coming.
  • 71:59 - 72:04
    I am coming right away.
    What are you staring at? What?
  • 72:04 - 72:06
    What? - Nothing, sir.
  • 72:06 - 72:08
    Then move, Benny.
    Come on. - Yes, sir.
  • 72:08 - 72:10
    Butt, what, sir? - It is this.
    This, this is your behind. Got it?
  • 72:10 - 72:12
    Yes, sir. - Move.
  • 72:12 - 72:13
    Nikhil, did he have
    to die in our hotel?
  • 72:13 - 72:14
    Ronnie, let go.. - How strange!
  • 72:15 - 72:17
    There's a death in our hotel.
    Inform the police.
  • 72:17 - 72:19
    police? Are you out of your mind?
  • 72:19 - 72:22
    police means media.
    Media means public.
  • 72:22 - 72:24
    public means our customers.
  • 72:24 - 72:27
    Look, if they learn that a
    death has taken place here..
  • 72:27 - 72:28
    ..they won't come here.
  • 72:28 - 72:30
    Then both of us will have to
    go look for a job together.
  • 72:30 - 72:33
    You do one thing. Fold his luggage,
    I'll fold him by then.
  • 72:34 - 72:36
    'Sir, your favorite
    suite 309 is ready.'
  • 72:36 - 72:39
    'Your favorite flowers. Your
    favorite dark chocolates.'
  • 72:39 - 72:40
    'Nikhil, did he have
    to die in our hotel?'
  • 72:40 - 72:41
    'How strange!'
  • 72:42 - 72:44
    Benny.. Benny,
    pose for a photograph.
  • 72:57 - 73:01
    Benny, look there.. Look there.
    She's totally changed.
  • 73:05 - 73:06
    Who is it? - It's Ria.
  • 73:11 - 73:13
    Rs. 3 lakhs, Ria? Wow.
  • 73:14 - 73:16
    That, too, in one hour. - What?
  • 73:17 - 73:21
    It is faster than taking out
    money from the ATM. - Right.
  • 73:21 - 73:22
    If you come for the duty..
    then people touch..
  • 73:22 - 73:24
    ..you here and there for free.
  • 73:25 - 73:26
    So why not get paid for it?
  • 73:26 - 73:29
    If I have car today.. I'll also
    get a boyfriend who owns a car.
  • 73:30 - 73:31
    If you travel in a bus,
    you'll get a boyfriend..
  • 73:31 - 73:32
    ..who owns a bike at the most.
  • 73:33 - 73:35
    'Hi, handsome.'
  • 73:36 - 73:38
    'Do you want to be friends with me?'
  • 73:40 - 73:41
    'Hi, I am Jennifer.'
  • 73:42 - 73:45
    'Welcome to Hotel Mirage.'
  • 74:11 - 74:12
    You.. - Mumbai police.
  • 74:12 - 74:13
    Special branch.
  • 74:19 - 74:21
    This has been going on
    in your hotel a lot.
  • 74:21 - 74:23
    This prostitution in
    pretext of escort service.
  • 74:23 - 74:24
    Tomorrow when it is
    published in the newspapers..
  • 74:24 - 74:25
    ..you'll get to know everything.
  • 74:26 - 74:27
    Sir, these are regular
    guests of our hotel.
  • 74:27 - 74:29
    Sir, and then he's a very
    respectable businessman.
  • 74:29 - 74:31
    Sir, what do we know what he
    does inside the hotel room?
  • 74:31 - 74:32
    We have no idea, sir.
  • 74:33 - 74:35
    Is it a 5 star hotel or an
    inn near the check post?
  • 74:35 - 74:36
    Will you do anything here?
  • 74:37 - 74:39
    Sir, this is the matter
    of our hotel's reputation.
  • 74:40 - 74:41
    Sir, anyway, this is
    a very minor issue.
  • 74:42 - 74:44
    We can sort it out.. over..
    over a cup of coffee, sir.
  • 74:44 - 74:45
    If you want, you can
    have tea as well, sir.
  • 74:46 - 74:47
    The one with less water.
  • 74:47 - 74:48
    Ronnie, what's so urgent?
  • 74:48 - 74:49
    You come, I'll show you.
  • 74:50 - 74:51
    Where is the other party?
  • 74:52 - 74:53
    Benny, come with me.
  • 74:54 - 74:56
    Benny, come on. - They've
    handcuffed school girls.
  • 74:56 - 74:58
    They are not school girls,
    they are teachers.
  • 74:58 - 74:59
    The principal is inside. Come on.
  • 75:01 - 75:03
    How are you, sir? Good evening, sir.
  • 75:03 - 75:04
    Good evening, sir. - What
    are they doing in the bathtub?
  • 75:04 - 75:06
    I'll tell you later, first
    help them out. Help them first.
  • 75:07 - 75:08
    Sir, you please come. Come, sir.
  • 75:08 - 75:09
    Sir, it is a police matter.
    - What police matter?
  • 75:12 - 75:18
    Come on. Benny, what's
    wrong with you? - Nothing.
  • 75:18 - 75:19
    Tell me, what's the matter?
  • 75:20 - 75:22
    Will this hotel
    shut down? - No. Why?
  • 75:24 - 75:26
    There was a police raid yesterday.
  • 75:26 - 75:28
    Forget it. This has not
    happened for the first time.
  • 75:28 - 75:29
    You come with me. Don't worry.
  • 75:29 - 75:33
    You see, there'll be nothing in the
    papers about this tomorrow either.
  • 75:33 - 75:36
    Ronnie, it looks
    like a red light area.
  • 75:36 - 75:38
    So what? This is a five star hotel.
  • 75:38 - 75:39
    You get permission
    to do all this here.
  • 75:39 - 75:41
    And listen, don't call it a red
    light area, it doesn't sound good.
  • 75:41 - 75:43
    Call it escort service.
  • 75:43 - 75:46
    If you call these girls.. in
    Hindi.. - No, I understood.
  • 75:46 - 75:47
    It doesn't sound good, does it?
    Escort service sounds good.
  • 75:48 - 75:49
    If somebody calls you
    a boy who rings a bell..
  • 75:49 - 75:51
    it won't sound good, will it?
  • 75:51 - 75:53
    Bellboy sounds really good,
    doesn't it? Right? Let's go.
  • 75:54 - 75:55
    And listen.. this is a five star.
  • 75:56 - 75:58
    The more filth, the
    more stars you get here.
  • 76:01 - 76:03
    What happened? Did you like
    the joke? - No.. that one..
  • 76:03 - 76:05
    Which one? - "The
    boy who rings a bell"..
  • 76:05 - 76:06
    Did you like it so much? - Yes.
  • 76:06 - 76:07
    Come on.
  • 76:09 - 76:11
    Benny. Benny. - What?
  • 76:11 - 76:14
    What's written here? A
    renowned hotel was raided.
  • 76:15 - 76:19
    Benny, I hope this is not
    your hotel? - Five star?
  • 76:19 - 76:22
    Have they published
    the name of the hotel?
  • 76:23 - 76:28
    No, there's no name.
    - Your brain is like a ladies bar.
  • 76:29 - 76:30
    How can you accuse like this?
  • 76:30 - 76:31
    No, I just asked you.
  • 76:32 - 76:36
    Babloo, this is a five star.
    It is not your.. bar.
  • 76:38 - 76:39
    Give that to me.. - Why?
  • 76:39 - 76:41
    I need to clean the mirror.
    Give that to me.
  • 76:43 - 76:45
    You'll clean the
    mirror with today's paper.
  • 76:54 - 76:57
    Is this a mirror? - I had come
    to dry this.. five star here..
  • 76:57 - 77:00
    ..sorry, towel. - Hurry up.
    It's time for Ranvir's film.
  • 77:00 - 77:02
    Everyone must be waiting.
  • 77:02 - 77:04
    I was trying to see
    the show's timing.
  • 77:04 - 77:05
    What's the name of the movie?
  • 77:05 - 77:07
    'Bhaujai Ki Saugand,
    Tohara Ke Gaad Ke Rakhdaye.'
  • 77:07 - 77:09
    I am not asking the dialogue,
    tell me the name.
  • 77:09 - 77:11
    You tell me the
    movie's name. Tell me.
  • 77:11 - 77:12
    'Bhaujai Ki Saugand.'
  • 77:15 - 77:18
    You read the rest on
    the poster. Hurry up.
  • 77:23 - 77:25
    Sorry. Sorry. I got late.
  • 77:27 - 77:28
    Hema.. what are you doing?
  • 77:31 - 77:34
    Our hero is here. - What an entry!
  • 77:38 - 77:43
    'Thakur, I've come back
    from the city to retaliate.'
  • 77:45 - 77:47
    'I'll not spare you now.'
  • 77:51 - 77:54
    "Till when will you
    torment me like this?"
  • 78:02 - 78:03
    He's dancing so well. - Sit.
  • 78:05 - 78:09
    "Be sure of that."
  • 78:12 - 78:15
    'l swear on my sister-in-law,
    I'll not spare you.'
  • 78:19 - 78:22
    Hit him.. - He's
    looking so handsome.
  • 78:22 - 78:24
    What a dialogue
    delivery it was! Look.
  • 78:24 - 78:26
    He's come again with
    a stick in his hand.
  • 78:26 - 78:30
    He's looking so handsome.
    Just like a hero. Great.
  • 78:31 - 78:32
    Shut up. This is not
    your father's house.
  • 78:32 - 78:34
    Is this your mother's house?
    Mind it. Sit down.
  • 78:34 - 78:37
    'Thakur, your time is up today.'
  • 78:38 - 78:41
    'Forgive me. - Today,
    I'll count your sins.'
  • 78:41 - 78:45
    'No, you are like my sister-in-law.
    please forgive me.'
  • 78:46 - 78:47
    'please, forgive me.'
  • 78:55 - 78:57
    Yes, I told you.. I am ready..
  • 78:58 - 79:01
    But.. But I want Rs. 3 lakhs.
  • 79:01 - 79:03
    You have an expensive entry fee.
  • 79:03 - 79:04
    Okay, I'll give you Rs. 3 lakhs.
  • 79:05 - 79:08
    Okay, so I'll come tonight itself.
  • 79:08 - 79:10
    You just tell me when
    and where to come.
  • 79:10 - 79:11
    You will give me Rs.
    3 lakhs, won't you?
  • 79:11 - 79:13
    Rs. 3 lakhs for one night?
    Won't do.
  • 79:14 - 79:15
    I'll take you to
    Lonavala for three nights.
  • 79:16 - 79:17
    I'll give you Rs. 1
    lakh after every night.
  • 79:17 - 79:19
    Down payment. Tell me,
    do you agree with it?
  • 79:20 - 79:23
    Yes, yes.. I am ready.
    I'll be there.
  • 79:26 - 79:28
    I thought you were
    different from the others.
  • 79:29 - 79:31
    But I saw as well
    as heard you today.
  • 79:31 - 79:33
    You are really
    different from the others.
  • 79:34 - 79:35
    You are doing all this stealthily?
  • 79:38 - 79:42
    Got a call from the village.
    father is in the lCU.
  • 79:43 - 79:47
    If he doesn't get
    operated in one week.. then..
  • 79:50 - 79:53
    I need Rs. 3 lakhs. Rs. 3 lakhs.
  • 79:57 - 79:59
    I can do anything
    for mother and father.
  • 80:02 - 80:08
    "My dreams are so cheap, is
    there someone who can buy them?"
  • 80:08 - 80:11
    "Anyone can buy it."
  • 80:11 - 80:14
    "The path is lost, the
    destination is too far."
  • 80:14 - 80:17
    "What is my destiny like?"
  • 80:17 - 80:20
    "What is my destiny like?"
  • 80:22 - 80:25
    "Oh, God, who cursed me?"
  • 80:25 - 80:28
    "Oh, God, even prayers don't help."
  • 80:28 - 80:31
    "Oh, God, who cursed me?"
  • 80:31 - 80:34
    "Oh, God, even prayers don't help."
  • 80:34 - 80:38
    I had kept this Rs. 10000
    with the manager as savings.
  • 80:38 - 80:41
    Use them for your work.
  • 80:43 - 80:47
    And try saving
    yourself as much as possible..
  • 80:48 - 80:50
    ..but don't choose this way.
  • 80:53 - 80:57
    No, Babloo, I think even
    the Lord wants the same.
  • 81:01 - 81:02
    No.
  • 81:03 - 81:05
    Hey, pedora, what are you doing?
  • 81:06 - 81:07
    Brother, don't stop me today.
  • 81:08 - 81:11
    I've earned a lot for your
    Ghungroo ladies bar. please.
  • 81:26 - 81:30
    If Babloo can help her..
    can't we help her as well?
  • 82:12 - 82:16
    Hi, baby. Just a reminder
    for tomorrow. - Of course.
  • 82:17 - 82:20
    How can I forget?
    Candle light dinner, fixed.
  • 82:20 - 82:22
    Bye, love, take care. - Bye.
  • 82:23 - 82:26
    Who's this? - Boyfriend.
  • 82:26 - 82:27
    What?
  • 82:28 - 82:30
    You got a new boyfriend? - Yes.
  • 82:30 - 82:32
    He owns a bike? - No.
  • 82:32 - 82:33
    He owns a car.
  • 82:34 - 82:35
    Yes.
  • 82:39 - 82:41
    I brought you here to
    show you the surprise.
  • 82:44 - 82:47
    This is 'Tera' (Yours)? - We are
    on floor number 'Tera' (Thirteen).
  • 82:47 - 82:50
    Not the number. - Then?
    - Does this belong to you?
  • 82:50 - 82:54
    No, this is our flat. 2
    BHK flat. But on rent.
  • 82:54 - 82:56
    Actually I've spoken to my parents.
  • 82:56 - 82:58
    They want me to settle
    down at the earliest.
  • 82:58 - 83:02
    So this is my
    surprise number 2. Wow.
  • 83:05 - 83:09
    I can't marry you..
    - What? But why?
  • 83:12 - 83:16
    You know why I am working
    in this ladies bar, right?
  • 83:17 - 83:19
    No matter what happens in my life..
  • 83:20 - 83:22
    ..I want to educate my siblings.
  • 83:22 - 83:24
    I want to bear all their expenses.
  • 83:24 - 83:27
    Come on, lsha, don't your
    siblings mean anything to me?
  • 83:28 - 83:31
    You don't get tensed. I'm there.
    I'll manage everything.
  • 83:34 - 83:37
    Every month's expense
    is more than Rs. 50000.
  • 83:39 - 83:44
    You'll manage in the beginning, but
    you'll feel it is a burden later on.
  • 83:46 - 83:50
    So what do you want? You
    want to stay in that muck..
  • 83:50 - 83:54
    ..that filthy place, in that dirt,
    between those bad people..
  • 83:54 - 83:56
    ..and ruin your whole life?
  • 83:58 - 84:00
    Nowadays, I can see my
    brother Dheeraj's monthly fees..
  • 84:00 - 84:03
    ..in all those dirty looks.
  • 84:04 - 84:07
    I can see my sister
    Laado's college degree.
  • 84:08 - 84:11
    My little brother and sisters..
    Akash, Rinku, and preeti..
  • 84:11 - 84:12
    I see their tuition fees.
  • 84:13 - 84:18
    But do you know how much my parents
    are forcing me to get married?
  • 84:19 - 84:22
    You get married then.
    You get married.
  • 84:23 - 84:26
    If not me, somebody else
    will become Mrs. Ravi Kishen.
  • 84:26 - 84:30
    What rubbish? What are you saying?
    - I can't marry you.
  • 84:32 - 84:35
    But, yes. I want something
    from you. Will you give it to me?
  • 84:36 - 84:39
    What do you want? Tell me? - This.
  • 84:39 - 84:41
    What will you do
    with this nuptial chain?
  • 84:44 - 84:47
    I'll see this daily and
    show it to others, too.
  • 84:48 - 84:52
    That there was one guy who
    wanted to spend not one night..
  • 84:52 - 84:54
    ..but his whole life with me.
  • 84:56 - 84:58
    You refused Ranvir for marriage?
  • 85:00 - 85:04
    pedora, you know.. we have
    so many responsibilities..
  • 85:04 - 85:09
    ..in our lives that we
    can't think of ourselves.
  • 85:10 - 85:12
    Our siblings should
    become something. That's it.
  • 85:12 - 85:14
    We don't want anything else.
  • 85:15 - 85:19
    And anyway.. I like
    dreaming for others.
  • 85:21 - 85:24
    I am happy that
    Ranvir's dream is coming true.
  • 85:25 - 85:28
    Shall I tell you something?
    The first time I came here..
  • 85:28 - 85:33
    ..I was feeling so ashamed..
    that what a place I'm working at!
  • 85:33 - 85:35
    Which kind of girls
    am I working with?
  • 85:35 - 85:40
    But after meeting you.. I can
    tell you one thing for sure.
  • 85:40 - 85:44
    That the way you are
    struggling in your life..
  • 85:45 - 85:45
    ..in such an environment,
    I am proud of you all.
  • 85:46 - 85:54
    "You are not in your senses.
    Your youth is intoxicating."
  • 85:54 - 85:57
    "It's not.. It's not your fault."
  • 85:57 - 85:59
    "You are always intoxicating."
  • 86:00 - 86:02
    "You are a
    damsel." - Come and dance.
  • 86:02 - 86:06
    Not on the stage. Not on the stage.
    Sit here. - Hey, little friend..
  • 86:07 - 86:09
    You all have a seat.
    Calm down. Sit comfortably.
  • 86:10 - 86:14
    The singers are singing here. You
    just listen to their songs quietly.
  • 86:14 - 86:16
    They are sitting quietly.
    - Make them sit quietly.
  • 86:16 - 86:17
    Otherwise, I'll teach them a lesson.
  • 86:17 - 86:19
    "Lover is your name."
  • 86:19 - 86:21
    "Your job is to steal hearts."
  • 86:21 - 86:24
    "Hold my hands."
  • 86:24 - 86:27
    "You are defamed here."
  • 86:27 - 86:28
    Come on, sir. Have a seat. Come on.
  • 86:28 - 86:30
    "You are a damsel."
  • 86:30 - 86:32
    "You are a damsel."
  • 86:33 - 86:35
    Don't let go off her hand.
    - Let go off me.
  • 86:35 - 86:38
    You shouldn't touch her.
    - You tell me, what do I touch?
  • 86:39 - 86:41
    Sir, dancing isn't
    allowed here. Sit.
  • 86:41 - 86:42
    Why are you messing with me for
    these characterless women?
  • 86:42 - 86:43
    Hit him. Hit that rascal.
  • 86:45 - 86:46
    What did you say?
    -Characterless women..
  • 86:47 - 86:49
    How dare you say that?
    How dare you?
  • 86:49 - 86:52
    Who did you call as
    characterless women? Babloo.
  • 86:54 - 86:56
    You come with me. -
    You don't know us.
  • 86:56 - 86:58
    Take them inside. Come on.
  • 86:58 - 87:00
    Throw them out, come on.
  • 87:01 - 87:04
    Let go off me. Let go.
  • 87:05 - 87:06
    We'll surely teach you a lesson.
  • 87:09 - 87:12
    Come on, move. - Let go off me.
  • 87:12 - 87:15
    Let go off me. - Suresh,
    close the door first.
  • 87:15 - 87:17
    Close the door. I'll thrash them.
  • 87:20 - 87:22
    How dare they bash up our boys?
  • 87:23 - 87:26
    Do they have a license to thrash
    anyone who commits a mistake?
  • 87:28 - 87:29
    The people working in
    some crummy Ghungroo bar..
  • 87:29 - 87:31
    ..Iocated on Goregaon link road..
  • 87:31 - 87:33
    ..bashed up our boys?
  • 87:33 - 87:34
    Beaten them up like dogs!
  • 87:35 - 87:38
    You'll give a statement to the police
    that you all had been to the bar..
  • 87:38 - 87:42
    ..but you didn't even
    touch the bar girls.
  • 87:44 - 87:48
    But even after the 9:30 deadline,
    when the bargirls were getting..
  • 87:48 - 87:52
    ..physical with the guests publicly..
    you four tried to capture..
  • 87:52 - 87:58
    ..their illegal activities
    on your cell phone camera.
  • 87:59 - 88:03
    That's it. They all started
    beating you up brutally after that.
  • 88:13 - 88:16
    I haven't seen you before.
    Who are you?
  • 88:17 - 88:20
    I am Alok's friend. I've recently
    shifted here with my parents.
  • 88:21 - 88:25
    Oh, your mother must be
    worried hearing all this, right?
  • 88:25 - 88:29
    Ask her to relax. - Okay, ma'am.
  • 88:30 - 88:34
    And also tell her that you
    won't be able to come home tonight.
  • 88:35 - 88:36
    Why are you standing sullen?
  • 88:37 - 88:38
    Jail is a common thing.
  • 88:38 - 88:39
    It has been happening since
    the freedom fights era.
  • 88:40 - 88:42
    These days, everything is
    'legular'.. Ieg.. - Regular.
  • 88:42 - 88:45
    Yes, it is regular. Even
    actors come to jail nowadays.
  • 88:45 - 88:48
    Stop lecturing me now. - No,
    I am not lecturing you.
  • 88:48 - 88:51
    I am happy and feeling proud.
    I am celebrating.
  • 88:51 - 88:54
    You are actually a
    ladies bar waiter now.
  • 88:54 - 88:56
    You've completed the formality of
    going to jail after being in a brawl.
  • 88:56 - 88:58
    Babloo, you've
    finished your graduation now.
  • 88:58 - 89:00
    Babloo has passed. I want to
    tell this news to everyone.
  • 89:00 - 89:03
    Sir.. Brother, please come
    here for a minute. - What is it?
  • 89:03 - 89:04
    This is Babloo. He
    works in the ladies bar.
  • 89:05 - 89:06
    Today he finished graduation..
    - So, what do I do?
  • 89:07 - 89:10
    Sir.. this is Babloo. He
    works in a ladies bar.
  • 89:10 - 89:13
    There's a filthy and third class
    bar named Ghungroo ladies bar.
  • 89:13 - 89:14
    He works in that bar.
  • 89:14 - 89:15
    Today, he landed up in
    jail after having a fight.
  • 89:15 - 89:16
    He completed his graduation today.
  • 89:17 - 89:18
    Shake hands with him. Shake hands.
  • 89:18 - 89:20
    Mr. Raju is the manager
    of Ghungroo ladies bar.
  • 89:21 - 89:23
    Oh, God.. - This is Benny,
    isn't it? Take it easy.
  • 89:23 - 89:26
    Sir.. - Going to jail
    is common in our line.
  • 89:28 - 89:29
    This is a daily job for us.
  • 89:29 - 89:31
    You do one thing,
    meet me in the evening.
  • 89:31 - 89:34
    I'll finish the paper work
    and return. - Okay, goodbye.
  • 89:34 - 89:35
    You said what I wanted to say..
  • 89:37 - 89:40
    He said it was 'legular'.. Iegu..
    - Regular. - It was regular here.
  • 89:40 - 89:42
    Very good. I am very happy.
    My mind is at peace now.
  • 89:48 - 89:53
    Our NGO team has known the inside
    story of these ladies bars of Mumbai.
  • 89:53 - 89:55
    The law is being broken.
  • 89:56 - 90:00
    They dance all night and they find
    new ways to attract the customers.
  • 90:00 - 90:02
    Have some. please.
  • 90:03 - 90:08
    Till when will we pretend to be
    ignorant though we know everything?
  • 90:09 - 90:11
    They are exposing
    themselves in public.
  • 90:13 - 90:15
    Gentlemen, now it is time.
  • 90:15 - 90:18
    We all have to get
    together and expose this..
  • 90:18 - 90:20
    ..dirty network of the ladies bars.
  • 90:22 - 90:23
    Yes, gentlemen. She's right.
  • 90:23 - 90:25
    I mean, this vulgarity, this
    obscenity, this exposure..
  • 90:25 - 90:28
    We won't tolerate it more.
  • 90:28 - 90:29
    You have a high
    position in the society.
  • 90:29 - 90:31
    I am sure if you all get
    together and protest..
  • 90:31 - 90:33
    ..people will get awareness..
    I am sure..
  • 90:33 - 90:34
    Thank you, Mr. Negi.
  • 90:34 - 90:36
    Mrs. Tejani, shall I assume
    that the party is confirmed?
  • 90:37 - 90:38
    Of course, Mr. Negi.
  • 90:38 - 90:39
    Yes.
  • 90:39 - 90:41
    Yes, alright. Enjoy yourself.
    - Thank you.
  • 90:42 - 90:43
    Nikhil, the party is
    confirmed on 15th..
  • 90:43 - 90:44
    So we have to get together.
  • 90:49 - 90:52
    I want all the ladies bars to
    shut down as soon as possible.
  • 90:52 - 90:54
    And give the report to me.
  • 90:54 - 90:57
    If you need any help,
    take it from our department.
  • 90:57 - 90:58
    Shut it down as soon as possible.
  • 90:59 - 91:00
    This is not good for our society.
  • 91:00 - 91:02
    You don't know who I am.
  • 91:03 - 91:06
    If I make one call,
    they'll come and kill you.
  • 91:07 - 91:10
    Rascal. Stop your melodrama.
  • 91:11 - 91:12
    Scoundrel, I don't
    want the ladies bars.
  • 91:14 - 91:16
    Come on. Come on.
  • 91:17 - 91:18
    Don't push.
    - Sit there.
  • 91:22 - 91:23
    Move the vehicle.
  • 91:45 - 91:46
    Come on, move.
  • 91:46 - 91:49
    Come on. Come on.
  • 91:49 - 91:52
    Get everyone. Get everyone.
  • 91:52 - 91:54
    Come on. Get everyone.
    Go and sit in the car.
  • 91:54 - 91:56
    Don't act smart. Come on. - Come on.
  • 91:56 - 91:57
    Hurry up. Come on. Come on. Come on.
  • 91:57 - 91:59
    Wretch woman was
    hiding inside. Come on.
  • 92:03 - 92:04
    What happened,
    Brother? - What happened?
  • 92:05 - 92:06
    What happened inside?
    - There is nothing to worry about.
  • 92:06 - 92:07
    Everything has been settled.
  • 92:07 - 92:09
    You all will be able
    to go home in an hour.
  • 92:09 - 92:10
    Thank you, Brother.
  • 92:10 - 92:11
    Thank you, Brother.
    - Thank you. Thank you.
  • 92:12 - 92:13
    Thank you for what? - Good.
  • 92:13 - 92:17
    I charge you guys 40 %% protection
    money to resolve such issues.
  • 92:18 - 92:19
    Come on, relax now.
  • 92:19 - 92:20
    I will go and settle
    other things. - Okay. Fie.
  • 92:21 - 92:22
    Okay. - Thank you.
    - Thank you. - Thank you.
  • 92:22 - 92:24
    It's so.. - It has
    become a daily thing now.
  • 92:24 - 92:27
    They take money and
    yet come to arrest us.
  • 92:27 - 92:29
    Then they make us wait for
    5 hours here. - Come in.
  • 92:29 - 92:30
    Come on, sit over here.
  • 92:34 - 92:37
    They said 1 hour, but I wonder
    how long they will take. Rascals.
  • 92:41 - 92:42
    Brother..
  • 92:44 - 92:45
    Why is that girl here?
  • 92:46 - 92:47
    Who, she?
  • 92:48 - 92:50
    I caught her backless on the
    backseat at Lokhandwala back road.
  • 92:51 - 92:52
    What are you saying?
  • 92:52 - 92:53
    She was busy with a guy.
  • 92:54 - 92:55
    The guy ran away. I caught her.
  • 92:56 - 92:58
    Hey, hi-fi, what were
    you saying the other day?
  • 92:59 - 93:01
    "public property
    talking of being personal".
  • 93:03 - 93:06
    Now look, who has
    become public property.
  • 93:07 - 93:08
    Stop here.
  • 93:10 - 93:11
    How much?
  • 93:11 - 93:12
    Brother.
  • 93:16 - 93:18
    The girl there.. Her..
  • 93:18 - 93:20
    Anyhow get her out of here.
    please, Brother.
  • 93:21 - 93:23
    I'll pay whatever it
    takes to get her out.
  • 93:23 - 93:24
    please, Brother. - You guys..
  • 93:24 - 93:25
    please. please.
    please. please. please.
  • 93:25 - 93:27
    Okay, I'll do something. Come on.
  • 93:27 - 93:28
    Oh, thank you, Brother.
  • 93:29 - 93:30
    I'll talk to him.
    You go and sit there.
  • 93:31 - 93:32
    Sir.. - Ria.
  • 93:32 - 93:34
    What I am saying is..
    - Yes, tell me.
  • 93:34 - 93:35
    The girl sitting back there..
  • 93:35 - 93:40
    Aunty.. I have called her here.
  • 93:41 - 93:46
    Actually, our ladies bar was
    raided today and.. I got caught.
  • 93:47 - 93:49
    And these guys said that
    they will leave me only..
  • 93:49 - 93:51
    ..when I call two
    people who can vouch for me.
  • 93:52 - 93:55
    Aunty, I don't know
    anyone other than you two.
  • 93:55 - 93:58
    Why, dear? Why do
    you do such a thing?
  • 94:00 - 94:01
    Stop doing it.
  • 94:02 - 94:04
    Look at my daughter Ria.
  • 94:04 - 94:08
    You can also work at a
    nice place like she does.
  • 94:09 - 94:10
    Your job is done.
  • 94:10 - 94:12
    He is Mr. Raju.
  • 94:12 - 94:13
    Our ladies bar's manager.
  • 94:14 - 94:16
    He will handle the
    rest of the things.
  • 94:17 - 94:19
    You both can leave now. Right?
  • 94:20 - 94:21
    Thanks. Thank you for coming.
  • 94:21 - 94:22
    Thank you, Ria, for coming.
  • 94:24 - 94:27
    Okay, listen, is this
    girl from another bar?
  • 94:27 - 94:30
    No. She's from another world.
  • 94:30 - 94:33
    But her state is just
    like mine. Same to same.
  • 94:33 - 94:36
    Tell me, Ria. What did you
    want to talk to me about?
  • 94:39 - 94:41
    Akash, let's get married.
  • 94:41 - 94:43
    All of a sudden?
  • 94:44 - 94:47
    But.. we had decided to get
    married two years later, right?
  • 94:48 - 94:50
    I want to get married now.
  • 94:50 - 94:52
    Do you have a problem with it?
  • 94:53 - 94:54
    I have no problem with it.
  • 94:55 - 94:56
    I love you a lot.
  • 94:58 - 94:59
    Let something that was supposed..
  • 94:59 - 95:00
    ..to happen 2 years later,
    happen now.
  • 95:05 - 95:07
    Babloo, have you
    vowed not to talk today?
  • 95:08 - 95:10
    You are not talking to Gulabo.
  • 95:10 - 95:13
    Do I need to talk
    to plants everyday?
  • 95:14 - 95:15
    It's not necessary, but
    you don't need to get angry.
  • 95:17 - 95:18
    Aren't you going to get up?
  • 95:18 - 95:20
    Don't you have to go to work?
  • 95:21 - 95:22
    I have no work to go to.
  • 95:26 - 95:30
    What do you mean? - police cancelled
    Ghungroo Ladies Bar's licence.
  • 95:30 - 95:32
    What are you saying, Babloo?
  • 95:32 - 95:36
    Mr. Raju says that he will
    bribe them and get it started.
  • 95:36 - 95:38
    But there is no
    guarantee as to by when.
  • 95:38 - 95:39
    So what will you do now?
  • 95:41 - 95:43
    Let's see. I'll look for a
    job at a railway canteen..
  • 95:43 - 95:44
    ..or a roadside restaurant.
  • 95:44 - 95:46
    What else? - What nonsense
    you are talking, Babloo?
  • 95:47 - 95:48
    Who am l?
  • 95:49 - 95:50
    A five star is
    standing in front of you.
  • 95:51 - 95:52
    I mean a friend working
    in a five star hotel..
  • 95:52 - 95:53
    ..is standing in
    front of you. Got it?
  • 95:54 - 95:55
    Talking nonsense.
  • 95:56 - 95:57
    When will you take advantage
    of such a friend if not now?
  • 95:59 - 96:01
    I will get you a job. Get you one.
  • 96:02 - 96:03
    Sir, good man, good boy. - Shut up.
  • 96:03 - 96:04
    What are you doing over here?
  • 96:04 - 96:07
    Sir, madam Sheena
    recommended Babloo.
  • 96:07 - 96:08
    Just hold on for a second.
    - Where is Babloo?
  • 96:08 - 96:10
    Babloo is behind.. Down there, sir.
  • 96:11 - 96:12
    Oh, he is Babloo?
  • 96:12 - 96:13
    Have you worked
    anywhere else before?
  • 96:14 - 96:15
    Yes, listen.-
    Ghungroo Ladies Bar, sir.
  • 96:16 - 96:17
    Just hold on for a second.
  • 96:18 - 96:19
    What did you say just now?
    What 'Ghun'? What?
  • 96:19 - 96:21
    Ghungroo Ladies Bar.
  • 96:21 - 96:22
    Ghungroo Ladies Bar? - Yes.
  • 96:23 - 96:24
    Benny, do you have any brains?
  • 96:24 - 96:26
    He does, sir. Sir, he is
    very intelligent. Very..
  • 96:26 - 96:28
    I am talking about you, not him.
  • 96:28 - 96:30
    Do you have any brains?
    - What? Yes, I do, sir.
  • 96:30 - 96:31
    No, you don't. You
    don't have any brains.
  • 96:32 - 96:33
    If you had any brains,
    you wouldn't..
  • 96:33 - 96:35
    ..have brought this boy
    who works at Ghungroo bar..
  • 96:35 - 96:36
    ..here in The Mirage.
  • 96:36 - 96:38
    Look at this. He is a down-market,
    third-class guy..
  • 96:38 - 96:40
    ..who works at Ghungroo Ladies Bar.
  • 96:40 - 96:43
    And look at us. The elite,
    the most sophisticated..
  • 96:43 - 96:45
    ..the cream of the society.
    - Thank you, sir.
  • 96:45 - 96:47
    I mean.. If you bring
    him here henceforth..
  • 96:47 - 96:50
    ..I will hand him
    over to the police.
  • 96:50 - 96:51
    Sir, he's my friend. - Shut up.
  • 96:51 - 96:52
    I.. I.. - And you
    will lose your job.
  • 96:52 - 96:53
    Sir. - Get out. - Sir.
  • 96:53 - 96:54
    Not from there. - Sir.
  • 96:55 - 96:56
    Backdoor. - Okay, sir. - From
    the backdoor. - Let's go. Let's go.
  • 96:56 - 96:58
    If anyone sees him here.. - Sir.
  • 96:58 - 96:59
    They will say that illicit
    activities are going on here.
  • 96:59 - 97:01
    Illicit activities are
    going on here. - Sir.
  • 97:01 - 97:02
    Nikhil, I am still on the line.
  • 97:03 - 97:05
    "I'll get you a job".
  • 97:06 - 97:08
    Let's go. - Babloo.
  • 97:09 - 97:10
    Listen. - You don't
    have to say sorry.
  • 97:10 - 97:11
    I am going through a
    bad phase. It happens.
  • 97:12 - 97:13
    It's not that. The
    backdoor is on that side.
  • 97:13 - 97:17
    What door? - The backdoor
    is on that side. Let's go.
  • 97:19 - 97:22
    Brother, look at the
    state of this bar.
  • 97:23 - 97:25
    If you want, this
    bar can start again.
  • 97:26 - 97:28
    I have spoken to
    the senior inspector.
  • 97:29 - 97:30
    He can get it started.
  • 97:31 - 97:33
    Actually he is a philanderer.
  • 97:34 - 97:37
    Whenever he gets into the mood,
    send girls from here.
  • 97:38 - 97:41
    So that your as well
    as his work gets done.
  • 97:42 - 97:45
    Kamble, I can do illicit business,
    but I can't work as..
  • 97:45 - 97:47
    ..a pimp like you guys.
  • 97:49 - 97:52
    These girls used to sell their art
    at the dance bar and make a living.
  • 97:52 - 97:55
    You stopped that and
    forced them to sell their body.
  • 97:56 - 97:58
    Now they stand here
    quietly and make a living.
  • 97:58 - 98:00
    You guys want to stop that as well?
  • 98:00 - 98:01
    So that they stand on the streets?
  • 98:05 - 98:08
    You guys want to make them
    do what they don't want to do.
  • 98:09 - 98:12
    No matter how much you
    guys try to stop their work..
  • 98:12 - 98:15
    ..if God wants them
    to make a living..
  • 98:15 - 98:17
    ..then this orchestra
    bar will surely start.
  • 98:20 - 98:22
    What is this, Ria? You are nervous?
  • 98:23 - 98:26
    Just relax. My mom and
    dad are very chilled out.
  • 98:26 - 98:28
    You will be very
    pleased to meet them.
  • 98:29 - 98:30
    please come here. Have a seat.
  • 98:31 - 98:33
    Hi, Mom. Hi, Dad. This is Ria.
  • 98:39 - 98:43
    'The moment I saw you, I have
    been living the same fantasy.'
  • 98:45 - 98:46
    Have a seat, dear.
  • 98:47 - 98:49
    Son, you have got
    a fantastic choice.
  • 98:51 - 98:55
    Your choice is my choice.
  • 98:58 - 99:00
    'l want you. - What?'
  • 99:01 - 99:02
    What will you have, dear?
  • 99:05 - 99:09
    Nothing, thanks. - No, you
    will have to take something.
  • 99:12 - 99:13
    'Rs. 1 lakh.'
  • 99:14 - 99:15
    'Rs. 2 lakhs.'
  • 99:16 - 99:17
    Rs. 3 lakhs.
  • 99:18 - 99:22
    Okay, dear, tell me, what
    are your plans after marriage?
  • 99:23 - 99:25
    You are going to stay
    independent or with us?
  • 99:26 - 99:30
    Well, I will
    prefer you stay with us.
  • 99:34 - 99:38
    'Ria, my business
    associates are Vishal and Sandeep.'
  • 99:38 - 99:39
    'lf you don't mind, just like me..'
  • 99:40 - 99:43
    Excuse me. I'll just go to
    the washroom and come back.
  • 99:48 - 99:49
    Madam.. Madam, your car keys.
  • 99:51 - 100:00
    "There are countless
    desires in the heart."
  • 100:03 - 100:12
    "There are countless
    desires in the heart."
  • 100:12 - 100:18
    "Why does.."
  • 100:18 - 100:26
    "Why does desolation surprise one?"
  • 100:31 - 100:38
    "Why is the heart troubled?"
  • 100:41 - 100:44
    That's Ria, right? - Yes, ma'am.
  • 100:48 - 100:49
    What are you doing, ma'am? - Ria.
  • 100:49 - 100:51
    No. please. please. - Ria,
    what are you doing?
  • 100:51 - 100:53
    What are you doing, Ria?
    What happened?
  • 100:53 - 100:55
    Ria. Ria, stop it.
  • 101:01 - 101:04
    Ria. What happened?
  • 101:05 - 101:06
    What is it, Ria?
  • 101:06 - 101:09
    "Why is this city deserted?"
  • 101:09 - 101:18
    "Why is this city deserted?"
  • 101:19 - 101:23
    "Why is everyone.."
  • 101:24 - 101:32
    "Why is everyone upset?"
  • 101:39 - 101:40
    Let it be, Mr. Kuldeep.
  • 101:41 - 101:42
    It was my mistake.
  • 101:44 - 101:46
    Okay, will you take
    me for lunch today?
  • 101:46 - 101:49
    Lunch? You will have
    to join me for dinner.
  • 101:50 - 101:52
    And a long drive after that.
  • 101:52 - 101:54
    And if I feel like, then
    straight-drive, cover-drive.
  • 101:54 - 101:55
    I will play all the shots.
  • 101:55 - 101:57
    Tell me if you are
    okay with it. - Okay.
  • 102:01 - 102:03
    Mr. Champak, do something.
  • 102:03 - 102:05
    I need money desperately.
  • 102:05 - 102:07
    Tell me if you can meet
    me at my flat in Dahisar.
  • 102:08 - 102:09
    I will give you the money.
  • 102:09 - 102:12
    police won't let the
    ladies bar run so easily.
  • 102:12 - 102:14
    What they will do
    won't just make it..
  • 102:14 - 102:15
    ..impossible for you to make money..
  • 102:15 - 102:18
    ..it will also be difficult
    for you manage your conveyance.
  • 102:19 - 102:20
    By the way, a lot of
    girls are going to Dubai.
  • 102:20 - 102:22
    Tell me if you are interested.
    I'll make arrangements for you.
  • 102:23 - 102:26
    But how can I leave
    my kids and go, sir?
  • 102:26 - 102:27
    Go for your kids, Hema.
  • 102:28 - 102:31
    You know you have only 2-3
    years more in this profession.
  • 102:31 - 102:33
    Make as much money as you can.
  • 102:33 - 102:35
    Go there and dance.
  • 102:35 - 102:37
    please private clients.
  • 102:37 - 102:39
    There is no other option than that.
  • 102:39 - 102:46
    "You don't get happiness
    in life at your request."
  • 102:46 - 102:53
    "Who snatched the
    smile away from my face?"
  • 102:53 - 102:56
    "God, who cursed me?"
  • 102:56 - 102:59
    "God, prayers aren't working."
  • 102:59 - 103:02
    "God, who cursed me?"
  • 103:02 - 103:05
    "God, prayers aren't working."
  • 103:06 - 103:11
    "There is no peace of
    mind even for a moment."
  • 103:11 - 103:12
    What is it, dear?
  • 103:12 - 103:13
    What happened?
  • 103:17 - 103:20
    Mom, I was thinking what
    circumstances do to people.
  • 103:21 - 103:28
    One storm ruined
    our life. 26th July.
  • 103:31 - 103:33
    Dad got stuck in the
    car all night long.
  • 103:36 - 103:37
    Now he is paralyzed.
  • 103:38 - 103:39
    He is on a wheel chair.
  • 103:40 - 103:44
    Dad stopped walking and our
    life came to a standstill, Mom.
  • 103:46 - 103:47
    Mom, I had to
    discontinue my studies.
  • 103:50 - 103:51
    I could've been something else.
  • 103:52 - 103:55
    I tried so hard. I
    didn't get a job elsewhere.
  • 103:57 - 104:00
    But now.. another storm.
  • 104:04 - 104:05
    Why us, Mom?
  • 104:05 - 104:08
    Don't worry. - Why me, Mommy?
  • 104:23 - 104:25
    Hello. - Hello, lsha.
  • 104:25 - 104:26
    Any news about when
    the bar is reopening?
  • 104:27 - 104:29
    No, Soni. No news.
  • 104:30 - 104:32
    I am facing financial crises.
  • 104:32 - 104:34
    I don't know. My father
    asks for money everyday.
  • 104:34 - 104:35
    From where should I get the money?
  • 104:36 - 104:38
    Okay. - Okay, fine.
  • 104:38 - 104:39
    Yes.
  • 104:44 - 104:49
    "Why do you look at the face?"
  • 104:49 - 104:53
    "Try falling in love with me."
  • 104:53 - 104:58
    "Try falling in love with me."
  • 104:58 - 105:03
    "Things will change in no time."
  • 105:03 - 105:07
    "Stonehearted ones
    will also give in."
  • 105:07 - 105:16
    "Look how powerful my love is."
  • 105:17 - 105:21
    "Look how powerful it is."
  • 105:21 - 105:25
    "Why do you look at the face?"
  • 105:25 - 105:28
    Father.. - "Try falling in
    love with me." - Go, dear. Go.
  • 105:28 - 105:29
    Go and meet him.
  • 105:30 - 105:31
    There is no harm is seeing him.
  • 105:32 - 105:33
    But keep one thing in mind.
  • 105:34 - 105:36
    Don't fall in love with him.
  • 105:36 - 105:38
    You can shop and give him the bill.
  • 105:39 - 105:44
    Dear, you are not
    destined for love and marriage.
  • 105:45 - 105:47
    Why do you think about it? Yes?
  • 105:48 - 105:54
    Go. - Father, I was having difficulty
    deciding since a long time..
  • 105:54 - 105:58
    ..as to what is worse,
    my destiny or my father.
  • 106:00 - 106:04
    This is The Mirage's
    project file, Mr. Waghmare.
  • 106:04 - 106:06
    If you give clearance, there
    will be one Mirage in Goa, too.
  • 106:08 - 106:09
    Sweets for you.
  • 106:09 - 106:11
    Let it be, Negi.
  • 106:11 - 106:14
    These sweets have made us diabetic.
  • 106:15 - 106:18
    This time we don't want sweets,
    we want cream.
  • 106:19 - 106:20
    What say, Narayan?
  • 106:20 - 106:24
    Yes, I have heard a
    lot about your hotel.
  • 106:24 - 106:27
    Yes. - How about if we get
    to enjoy some, too? - Yes.
  • 106:27 - 106:31
    This time, to clear the file,
    we need a party..
  • 106:31 - 106:33
    ..where there is
    good whiskey. - Yes.
  • 106:33 - 106:36
    And great.. girls.
  • 106:36 - 106:38
    This is very wrong, sir.
  • 106:39 - 106:40
    He's my friend, sir.
  • 106:40 - 106:43
    How can I tell a friend
    to do such a thing, sir?
  • 106:44 - 106:45
    Just hold on for a second.
    - Sir, that..
  • 106:45 - 106:46
    He is your friend, right? - Sir.
  • 106:46 - 106:48
    Can't one friend do this
    much to save his friend's job?
  • 106:48 - 106:51
    Sir, he's a dear friend.
    I.. Sir.. - I know. I know.
  • 106:53 - 106:54
    My job is.. - At risk.
  • 106:55 - 106:56
    No personal vendetta.
  • 106:56 - 106:58
    Look, I have to please my seniors.
  • 106:58 - 107:00
    Like in this case you
    will have to please me.
  • 107:00 - 107:02
    Your friend will have to please you.
  • 107:02 - 107:03
    We have to see each other,
    you know.
  • 107:03 - 107:04
    It's.. It's like
    give and take, you know.
  • 107:04 - 107:07
    Listen, if this job
    is done, I will give..
  • 107:07 - 107:10
    ..your friend a nice
    job in this hotel.
  • 107:10 - 107:15
    And if not, then you
    will lose your job.
  • 107:16 - 107:17
    Yes, Nikhil, tell me.
  • 107:17 - 107:18
    Yes. Yes.
  • 107:23 - 107:25
    Tell us, Babloo. What is it?
  • 107:25 - 107:27
    Tell us, what is it? Why
    aren't you saying anything?
  • 107:28 - 107:29
    Come on, man. Tell us.
  • 107:30 - 107:31
    Speak up.
  • 107:32 - 107:33
    Hey..
  • 107:38 - 107:45
    Benny's seniors are going
    to have a party in Lonavala.
  • 107:46 - 107:49
    They need dancers.
  • 107:49 - 107:50
    To sing and dance.
  • 107:50 - 107:52
    They will pay well.
  • 107:56 - 107:59
    Good, isn't it?
    - Look, whatever l..
  • 107:59 - 108:00
    Forgive me if you have felt bad.
  • 108:01 - 108:03
    Stupid, why are you apologizing?
  • 108:03 - 108:07
    You have brought us a
    source to make some money.
  • 108:07 - 108:09
    But I don't know what
    kind of a place it is..
  • 108:09 - 108:10
    ..and what kind of people they are.
  • 108:10 - 108:12
    It's an unknown place.
    It's obvious to get scared.
  • 108:12 - 108:14
    We can't sit idle either.
  • 108:14 - 108:16
    We have to run our
    households as well.
  • 108:16 - 108:18
    Yes, lsha. You are right.
  • 108:18 - 108:20
    Babloo, why worry about us?
  • 108:20 - 108:23
    First destiny made
    us work in a bar..
  • 108:23 - 108:26
    ..and now the government
    forced us to the streets.
  • 108:26 - 108:27
    You are right, Soni.
  • 108:28 - 108:34
    Now we are being forced to
    do what we didn't want to do.
  • 108:55 - 108:57
    "l am wearing bangles and earrings."
  • 108:57 - 108:59
    "Give me a high-five."
    "Give me a high-five."
  • 108:59 - 109:00
    "l am beautiful and agile."
  • 109:00 - 109:02
    "Give me a high-five."
    "Give me a high-five."
  • 109:02 - 109:04
    "l am wearing bangles and earrings."
  • 109:04 - 109:06
    "Give me a high-five."
    "Give me a high-five."
  • 109:06 - 109:08
    "l am beautiful and agile."
  • 109:08 - 109:10
    "Give me a high-five."
    "Give me a high-five."
  • 109:10 - 109:15
    "Don't stare at me."
  • 109:16 - 109:20
    "My skirt is colorful."
  • 109:20 - 109:24
    "My skirt is colorful."
  • 109:31 - 109:34
    "l daily pray for your wellbeing."
  • 109:34 - 109:37
    "l don't pray for anything else."
  • 109:37 - 109:40
    "l should die at your feet."
  • 109:40 - 109:43
    "l don't pray for anything else."
  • 109:54 - 109:55
    "l left my house all decked up."
  • 109:55 - 109:57
    "people go crazy
    looking at my gait."
  • 110:01 - 110:03
    "l left my house all decked up."
  • 110:03 - 110:05
    "people go crazy
    looking at my gait."
  • 110:05 - 110:07
    "They go crazy over my hair."
  • 110:07 - 110:08
    "They go crazy
    about the way I move."
  • 110:08 - 110:10
    "They go crazy over my hair."
  • 110:11 - 110:13
    "They go crazy
    about the way I move."
  • 110:13 - 110:17
    "Don't stare at me."
  • 110:19 - 110:22
    "My skirt is colorful."
  • 110:22 - 110:26
    "My skirt is colorful."
  • 110:31 - 110:33
    Back off, fatso.
  • 110:34 - 110:35
    Babloo.
  • 110:35 - 110:37
    Drink a little.
    - Babloo.
  • 110:38 - 110:40
    Babloo.
    - Babloo.
  • 110:40 - 110:41
    Babloo.
    - Babloo.
  • 110:41 - 110:43
    Babloo. - No.
  • 110:44 - 110:45
    Babloo. Babloo.
  • 110:45 - 110:47
    Sir. Sir. please, sir.
  • 110:47 - 110:49
    What are you doing, sir? No, sir.
  • 110:49 - 110:51
    No.
  • 110:51 - 110:53
    Enough.
  • 110:59 - 111:00
    They are scoundrels.
  • 111:00 - 111:01
    Let's go. - Let's go.
  • 111:02 - 111:04
    Thank you, Benny. Thank you.
  • 111:04 - 111:05
    Welcome. Welcome. - Thank you.
    - Welcome. Welcome.
  • 111:06 - 111:07
    Welcome. - Thank you.
  • 111:07 - 111:08
    We were dancing and they..
    - Don't worry. Don't worry.
  • 111:08 - 111:09
    What's going on?
  • 111:09 - 111:11
    Having a party in Lonavala?
    - No, sir. - No.
  • 111:11 - 111:14
    Rascals, Lonavala is getting a
    bad name because of you guys.
  • 111:14 - 111:17
    No. No, sir. - No. - No, sir.
    - They are inside.
  • 111:17 - 111:19
    They are inside, sir.
    We are innocent, sir.
  • 111:19 - 111:21
    They are inside? - Yes, they are
    inside, sir. - Yes, they are..
  • 111:22 - 111:24
    Let's go. Let's go. - Let's go.
    Let's go. - Yes, let's go.
  • 111:25 - 111:26
    Get back.
  • 111:26 - 111:28
    Don't move from here
    till sir doesn't return.
  • 111:28 - 111:30
    Come on. - Come on. Come on.
    - Where are you taking me?
  • 111:30 - 111:32
    Let go of me, sir. I
    haven't done anything.
  • 111:34 - 111:37
    Solanki. - Sir? You, here?
  • 111:40 - 111:41
    I am on duty.
  • 111:43 - 111:45
    He's with me.
  • 111:45 - 111:47
    Sir, what are you saying?
    - Get in. Come on.
  • 111:47 - 111:49
    Sir. Sir.. - Get in. Come on.
  • 111:49 - 111:50
    Sir..
  • 111:50 - 111:53
    Your Honor, on 8th June,
    Saturday night..
  • 111:53 - 111:55
    ..at that farmhouse in Lonavala..
  • 111:55 - 111:58
    ..Benny Kutty and
    Babloo Charan Lathi..
  • 111:58 - 112:01
    ..supplied these six
    girls from the ladies bar.
  • 112:01 - 112:02
    We are innocent, sir.
  • 112:07 - 112:08
    They made them dance.
  • 112:08 - 112:11
    And under the pretext
    of a private party..
  • 112:11 - 112:12
    ..they made them do a public show.
  • 112:13 - 112:18
    Your Honor, Goyal Sinha,
    Ashwin Kelkar..
  • 112:18 - 112:22
    ..Mahesh Sarang and
    Maheshwari lyer were present there.
  • 112:22 - 112:24
    No. No. No. Your Honor,
    where is that officer?
  • 112:25 - 112:26
    These people are not the same.
  • 112:26 - 112:29
    Babloo Charan Lathi,
    you are refusing..
  • 112:29 - 112:32
    ..to recognize your
    clients to hide your crime?
  • 112:32 - 112:33
    Your Honor, I am telling the truth..
  • 112:33 - 112:37
    Okay. I would like to call
    the police inspector Solanki..
  • 112:37 - 112:39
    ..who was present
    there at the scene.
  • 112:40 - 112:43
    Your Honor, that night,
    along with the two of them..
  • 112:43 - 112:44
    ..I arrested these four men.
  • 112:45 - 112:49
    Your Honor, now tell us, will
    you trust Maharashtra's police..
  • 112:49 - 112:51
    ..or Babloo Charan Lathi who works..
  • 112:51 - 112:54
    ..at a cheap, disgusting
    ladies bar named Ghungroo?
  • 112:54 - 112:56
    A place that is not
    less than a brothel.
  • 113:02 - 113:03
    What are you saying, sir?
  • 113:03 - 113:06
    Why do you relate all
    ladies bar with a brothel?
  • 113:06 - 113:08
    Sir, I have worked there.
  • 113:08 - 113:12
    Girls work there to
    run their households.
  • 113:12 - 113:14
    That place is infamous,
    but it is not a brothel.
  • 113:15 - 113:16
    And nor are these girls prostitutes.
  • 113:20 - 113:24
    Your Honor, he is talking
    as if he is not working..
  • 113:24 - 113:26
    ..in a ladies bar,
    but a five star hotel.
  • 113:27 - 113:32
    Your Honor, Mr. Benny Kutty
    works in a five star hotel.
  • 113:33 - 113:36
    But he didn't even spare his friend.
  • 113:37 - 113:39
    He got him involved in
    his business as well.
  • 113:39 - 113:42
    And made him a pimp like himself.
  • 113:42 - 113:43
    Who are you calling a pimp?
  • 113:44 - 113:46
    He is my friend. He is not a pimp.
  • 113:46 - 113:47
    If you want to see a pimp,
    then go to that five star hotel.
  • 113:48 - 113:49
    Look, Benny.. - No..
    - What are you saying? - No, Babloo.
  • 113:50 - 113:51
    I had hidden
    everything from you till today.
  • 113:51 - 113:53
    There's a turmoil
    taking place inside me.
  • 113:53 - 113:54
    Sir, the party he is talking about..
  • 113:54 - 113:56
    ..was organized by my hotel.
  • 113:58 - 113:59
    Mirage, the five star hotel.
  • 113:59 - 114:02
    I don't know how they got
    a five-star certificate.
  • 114:03 - 114:10
    Government gave it a five-star
    certificate to run a posh brothel.
  • 114:10 - 114:13
    All illicit things
    take place here, sir.
  • 114:13 - 114:16
    Someone's husband with
    someone else's wife..
  • 114:16 - 114:18
    Someone's wife with
    someone else's husband..
  • 114:18 - 114:19
    I feel embarrassed to talk about it.
  • 114:19 - 114:20
    But such things
    take place there, sir.
  • 114:22 - 114:23
    Two weeks..
  • 114:23 - 114:27
    In two weeks, I came to know
    that people aren't respected here.
  • 114:29 - 114:32
    One should at least
    respect the dead, sir.
  • 114:32 - 114:36
    Someone died in the hotel
    room after having a burger, sir.
  • 114:36 - 114:38
    They kept him alive for the public.
  • 114:39 - 114:41
    Then they took him
    to the nursing home..
  • 114:41 - 114:42
    ..and they declared
    that he died there.
  • 114:44 - 114:45
    Why did they say that, sir?
  • 114:45 - 114:49
    Sir, the hotel's reputation will
    get hampered as he died in the hotel.
  • 114:50 - 114:52
    Hotels have great value here, sir.
  • 114:52 - 114:54
    people don't have any value.
  • 114:54 - 114:56
    What is over there? Yes, a disco.
  • 114:57 - 115:00
    It is not a disco,
    sir. Drugs are sold there.
  • 115:01 - 115:05
    prostitution takes
    place in the disco, sir.
  • 115:05 - 115:06
    And he is calling us pimp.
  • 115:11 - 115:12
    What is your problem?
  • 115:14 - 115:17
    Don't call us pimp. Mind it.
  • 115:17 - 115:20
    I am Benny.. the.. Benny.
  • 115:21 - 115:23
    I want to apologize to you. I.. I..
  • 115:24 - 115:27
    I used to pull your leg
    because you worked in a ladies bar.
  • 115:27 - 115:28
    That also increased your height.
  • 115:29 - 115:30
    You now reach till here. I am sorry.
  • 115:32 - 115:33
    Benny.
  • 115:35 - 115:37
    So this is what
    happens in five-stars.
  • 115:38 - 115:40
    Don't worry. The
    culprits will be punished.
  • 115:40 - 115:42
    The court is adjourned for today.
  • 115:42 - 115:45
    Next hearing will be
    on the 21st of July.
  • 115:45 - 115:46
    We will.. - Mr. Negi.
  • 115:46 - 115:47
    What is happening?
  • 115:48 - 115:50
    How did Benny and Babloo
    get involved in this case?
  • 115:50 - 115:52
    You very well know
    that they are innocent.
  • 115:52 - 115:54
    Sheena, calm down. Calm down.
  • 115:54 - 115:56
    I know Benny is innocent.
  • 115:56 - 115:57
    That's why I have called Mr. Shinde.
  • 115:58 - 116:00
    He is one of the top
    most lawyers of lndia.
  • 116:00 - 116:01
    And Benny is our staff member.
  • 116:01 - 116:02
    He is one of us.
  • 116:02 - 116:04
    We will see to it that
    he is out of trouble.
  • 116:04 - 116:07
    But along with Benny, we have to
    save our hotel's reputation as well.
  • 116:08 - 116:09
    I hope you understand.
  • 116:09 - 116:12
    But if.. - Now this
    case is mine, Mr. Negi.
  • 116:12 - 116:14
    I will handle everything.
  • 116:14 - 116:17
    You don't need to worry at all.
  • 116:18 - 116:19
    At the next hearing
    on the 21st of July..
  • 116:19 - 116:23
    ..if I don't get
    this case dismissed..
  • 116:23 - 116:25
    ..then I will leave my practice.
  • 116:26 - 116:30
    Because section
    128 and 178 are for..
  • 116:30 - 116:33
    ..those who send girls
    there in front of the witness.
  • 116:33 - 116:35
    And there is no
    witness in this case.
  • 116:35 - 116:38
    Therefore this
    case is null and void.
  • 116:38 - 116:41
    Just do as I say.
  • 116:41 - 116:42
    Okay, sir.
  • 116:43 - 116:46
    Don't worry. You will
    be free on 21st July.
  • 117:08 - 117:11
    'Under section 127
    and section 111..'
  • 117:11 - 117:15
    '..all the girls of the bar are
    sentenced to 6 months' imprisonment.'
  • 117:15 - 117:17
    '6 months' rigorous imprisonment.'
  • 117:19 - 117:23
    'Benny Kutty and
    Babloo Charan Lathi..'
  • 117:23 - 117:27
    '..forced the bar girls
    to take up prostitution.'
  • 117:27 - 117:32
    'Hence under section
    128 and section 278..'
  • 117:32 - 117:35
    '..are sentenced to
    one year's imprisonment.'
  • 117:36 - 117:38
    'One year rigorous imprisonment.'
  • 117:39 - 117:44
    "Beloved."
  • 117:51 - 117:57
    "Don't.."
  • 117:59 - 118:00
    That way, sir. - Thank you. - Yes.
  • 118:02 - 118:03
    Welcome.
    - Good evening, sir.
  • 118:03 - 118:05
    Thank you. - That way, ma'am.
  • 118:05 - 118:06
    Welcome, madam.
  • 118:07 - 118:09
    Good evening, sir. That way, sir.
    - Thank you. - Thank you.
  • 118:11 - 118:12
    Hello, sir. - How are you, Mr. Negi?
  • 118:12 - 118:14
    Welcome to Mirage. - Hello.
    - Hello, Sister-in-law.
  • 118:14 - 118:16
    Hello. - Hello.
    - Mr. Negi. - Hello, sir.
  • 118:17 - 118:19
    You have one week's
    complimentary stay in this hotel..
  • 118:19 - 118:20
    ..so enjoy yourselves.
  • 118:21 - 118:22
    Sister-in-law, you must try our spa.
  • 118:22 - 118:24
    We have some great massages.
    - Yes?
  • 118:24 - 118:25
    Beauty parlour and lots of stuff,
    you know. - Oh, sure.
  • 118:26 - 118:27
    And we have loads of fun
    with the children, you know?
  • 118:27 - 118:29
    He's such a cute kid.
    What is your name, Son?
  • 118:29 - 118:30
    Never mind. Take them.
  • 118:30 - 118:32
    please come. - Come, this way.
    - Hurry up, come on.
  • 118:33 - 118:35
    Sir, if you need anything,
    anything at all..
  • 118:35 - 118:37
    ..I am available 24/7.
  • 118:41 - 118:42
    Look, Ram.. - Yes, sir?
  • 118:42 - 118:45
    Mrs. Saigal has badly
    thrashed Mr. Saigal.
  • 118:45 - 118:47
    I want you to prepare the
    bail documents right away.
  • 118:47 - 118:49
    And you? Mahesh, go
    to Cooper Hospital.
  • 118:49 - 118:51
    Mr. Saigal has gone to Cooper
    Hospital for a medical check-up.
  • 118:51 - 118:53
    Make sure that the
    medical reports are light..
  • 118:53 - 118:55
    ..so that we can win this case.
  • 118:55 - 118:56
    Hey, geek.
  • 118:58 - 119:00
    Geek? - Yes, you.
  • 119:00 - 119:02
    Hey, who are you talking to?
  • 119:02 - 119:03
    Cool.
  • 119:07 - 119:08
    I think he knows her.
    - Yes, who is she?
  • 119:08 - 119:09
    Saw the way she was talking to sir?
  • 119:10 - 119:12
    You forgot me, squirt?
  • 119:12 - 119:15
    How can I forget you, Hema?
  • 119:16 - 119:19
    Remember, you used to
    sit with one beer bottle..
  • 119:19 - 119:21
    ..and stare at me for 3
    hours in the dance bar?
  • 119:21 - 119:25
    Hema, I also used to give
    10 bills of Rs. 10 as well.
  • 119:25 - 119:28
    Yes. How can I forget that?
  • 119:29 - 119:31
    But, friend, you
    haven't changed at all.
  • 119:32 - 119:33
    You have just put on some weight.
    - No, I haven't.
  • 119:33 - 119:35
    You feel so because l
    am wearing a coat, Hema.
  • 119:35 - 119:37
    And you are losing hair as well.
  • 119:37 - 119:38
    I got a haircut
    just yesterday, Hema.
  • 119:40 - 119:42
    Your geek has become
    a very big lawyer.
  • 119:43 - 119:44
    Amit Bhalla, advocate.
  • 119:45 - 119:46
    But what are you doing here?
  • 119:48 - 119:50
    The same old story, my friend.
  • 119:50 - 119:51
    A raid took place.
  • 119:52 - 119:54
    Others got released, but bar girls..
  • 119:54 - 119:57
    ..don't get a fair
    hearing or justice.
  • 119:58 - 119:59
    We got sentenced for 6 months.
  • 119:59 - 120:01
    God didn't give me a
    chance to do anything..
  • 120:01 - 120:02
    ..for you in the
    last 15 years, Hema.
  • 120:02 - 120:05
    But now this Bhalla will not
    let go of this opportunity.
  • 120:06 - 120:11
    15 days. You all
    will be out in 15 days.
  • 120:12 - 120:14
    Seriously.
    - Really? - Yes.
  • 120:14 - 120:16
    And listen. - Yes?
  • 120:16 - 120:19
    Call me "geek" once again. - Geek.
  • 120:19 - 120:21
    Great.
  • 120:29 - 120:33
    "I'll signal through my eyes."
  • 120:33 - 120:36
    "And steal your heart."
  • 120:36 - 120:40
    "I'll signal through my eyes."
  • 120:40 - 120:41
    "And steal your heart."
  • 120:42 - 120:43
    Newbie, listen.
  • 120:44 - 120:45
    Come here.
  • 120:46 - 120:47
    "Why don't you understand me?"
  • 120:47 - 120:49
    Sir. - What is that girl's name?
  • 120:50 - 120:51
    Sir..
  • 120:51 - 120:52
    "Why do you turn your
    face away and abuse me?"
  • 120:52 - 120:53
    The one on the left or
    the one on the right?
  • 120:54 - 120:56
    The one on the left. - The
    one on the left is Fedora, sir.
  • 120:56 - 120:58
    What is her number? Here Rs. 500.
  • 120:58 - 121:02
    Sir, 98335.. - After that?
  • 121:02 - 121:04
    5 numbers for Rs. 500, sir.
  • 121:04 - 121:05
    I don't know the rest.
    I forgot, sir.
  • 121:05 - 121:07
    You are clever, rascal.
  • 121:07 - 121:09
    That I became, sir. Long story, sir.
  • 121:09 - 121:11
    Then who will tell me
    the rest of the number?
  • 121:11 - 121:12
    I will tell you, sir.
  • 121:12 - 121:15
    Speak up. - Give me the money.
  • 121:16 - 121:17
    Here.
  • 121:17 - 121:19
    58551.
  • 121:20 - 121:22
    Sir, this is complimentary.
  • 121:22 - 121:23
    Carrot. Good for eyes, sir.
  • 121:27 - 121:29
    'Don't get shocked.'
  • 121:29 - 121:32
    'l left Mirage and joined Babloo.'
  • 121:32 - 121:35
    'ln the end, I am very happy.'
  • 121:36 - 121:39
    'l will give you some information
    about the Mirage people.'
  • 121:39 - 121:42
    'Sheena madam left Mirage
    and her husband as well.'
  • 121:43 - 121:45
    'Her husband is
    still paying the EMl.'
  • 121:45 - 121:48
    'Not for himself, but for
    the divorce settlement.'
  • 121:48 - 121:50
    'His house, car, and farmhouse
    are now with Sheena madam.'
  • 121:51 - 121:54
    'Look, that's why she looks so
    happy talking on the phone.'
  • 121:55 - 121:56
    'What? Not with me.'
  • 121:56 - 121:58
    'Don't misunderstand.'
    'She is not talking to me.'
  • 121:59 - 122:02
    'Actually, I don't know
    who she is talking with.'
  • 122:02 - 122:06
    'Ria madam is trying
    to find some happiness.'
  • 122:06 - 122:07
    'She has joined the art of living..'
  • 122:07 - 122:10
    '..and is doing breathing
    exercises and trying from her end.'
  • 122:10 - 122:13
    'She donated all
    her cars and stuff.'
  • 122:13 - 122:15
    'Nowadays she does social work.'
  • 122:16 - 122:19
    'Ronnie. He looks
    very happy doesn't he?'
  • 122:19 - 122:20
    'He got promoted.'
  • 122:20 - 122:21
    'From a bellboy,
    he became a waiter.'
  • 122:22 - 122:24
    'Not in a hotel, on a cruise.'
  • 122:24 - 122:25
    'A cruise means a ship.'
  • 122:26 - 122:29
    'Sometimes when he calls, I say,
    "What's up, Tom Cruise?"
  • 122:30 - 122:32
    'But he is happy now. Very happy.'
  • 122:33 - 122:35
    'Now.. Negi.'
  • 122:36 - 122:38
    'He is at the same post
    and still on the phone.'
  • 122:39 - 122:41
    'Nothing changed
    except for the hotel.'
  • 122:41 - 122:44
    'There is a less
    famous hotel in Malad.'
  • 122:44 - 122:46
    'It's called Dil Khush
    Lodging and Boarding.'
  • 122:47 - 122:49
    'As far as the five stars and
    the ladies bars are concerned..'
  • 122:49 - 122:52
    '..they are doing their
    business as usual in our city.'
  • 122:54 - 122:57
    'As they say in our city, no matter
    what the situation, life goes on.'
  • 122:59 - 123:01
    'Well, everything else is happy.'
  • 123:01 - 123:03
    'Nice. I hope you are also happy.'
  • 123:03 - 123:05
    'Thanking you, yours sincerely.'
  • 123:05 - 123:08
    'This is Benny who was
    once upon a time a bellboy.'
  • 123:08 - 123:12
    'Thank you.'
Title:
Benny & Babloo (2010) - Superhit Comedy Movie - Rajpal Yadav - Shweta Tiwari - Kay Kay Menon
Description:

After their restaurant is shut down, two Mumbai-based room-mates, Benny and Babloo, take new jobs in Mirage Hotel and Ghungroo Bar respectively. While Benny adjusts himself positively in his new get-up and surroundings, Babloo is not exactly thrilled about working in a sleazy dance bar with foul-mouthed squabbling women. These jobs later changes their lives forever. For more really Funny videos, SUBSCRIBE to http://www.YouTube.com/IndianComedy

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Video Language:
Hindi

English subtitles

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