Benny & Babloo (2010) - Superhit Comedy Movie - Rajpal Yadav - Shweta Tiwari - Kay Kay Menon
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1:10 - 1:11Hello, sir. - Yes.
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1:12 - 1:13What can I get for you, sir?
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1:14 - 1:15What's on the menu?
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1:15 - 1:16Chicken Handi, Chicken pathani..
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1:16 - 1:18..Chicken Lakhanvi, Chicken
Kadai make up the chicken dishes. -
1:18 - 1:19Mutton Kofta, Mutton Masala,
Mutton Mughlai make up.. -
1:19 - 1:20..the mutton dishes.
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1:20 - 1:21The minced meat dishes
include Kheema pav.. -
1:21 - 1:22..Kheema Ghotala, Kheema fry.
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1:22 - 1:24Kesar, Falooda, Ras
Malai make up the desserts. -
1:24 - 1:26And the hot drinks include normal,
special Masala coffee and tea. -
1:27 - 1:28Tell me. What can
I get for you, sir? -
1:28 - 1:30Okay. Do this. Get me a
half a glass tea quickly. -
1:31 - 1:34Mangya. - Yes. - Slap half a
glass of tea on the loser. - Yes. -
1:36 - 1:37Here's your biscuit, sir.
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1:38 - 1:39Here's your egg.
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1:39 - 1:40Yes, sir. What can I get for you?
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1:41 - 1:42Do you have
'Khichda' (Lentil pudding)? -
1:42 - 1:44Yes, we do, sir. But after 7:00.
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1:44 - 1:45Get me a plate of Haleem.
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1:45 - 1:46You'll get that as well,
sir. But on Thursday. -
1:46 - 1:47Then get me paya Masala.
-
1:48 - 1:49Sir, we had it, but we ran out
of paya Masala. It's over. -
1:50 - 1:51Then, sir, tell me,
what should I have? -
1:51 - 1:52Why don't you have
'Misal pav' (lndian dish), sir? -
1:52 - 1:53It's very good, sir.
-
1:53 - 1:55It's just that we don't have
'Sev' (Snack) and cashews. -
1:55 - 1:57The rest is superb,
sir. I'll order it, okay? -
1:57 - 1:58Hey!
- One Misal pav, please. -
2:05 - 2:07Sorry. What else can I say?
-
2:07 - 2:10But, Brother Firoz, we have
been working here since years. -
2:10 - 2:13And now.. - The lease taken
for 99 years has now ended. -
2:13 - 2:15That lousy landlord
has given its contract.. -
2:15 - 2:17..to some Burger Hut guy.
-
2:17 - 2:19We'll get a job at the
Burger Hut, right, sir? -
2:19 - 2:21What are you saying?
-
2:21 - 2:24College kids work as
waiters at McDonald's.. -
2:24 - 2:27..pizza hut, Cafe coffee day
and all these places nowadays. -
2:27 - 2:29Young and educated.
Which you aren't. -
2:30 - 2:32Mr. Jhamshed, Montu,
Babloo and Benny.. -
2:32 - 2:35..now you'll have to
find some new job. -
2:35 - 2:37This Burger Hut has
ruined you. Now what to do? -
2:37 - 2:40What to do know? We'll run
after a job now. What else? -
2:46 - 2:48Darling, you
appear so parched today. -
2:48 - 2:51Don't worry. I
won't keep you thirsty. -
2:53 - 2:56My sweetheart, why
do you look so glum? -
2:56 - 3:00This Babloo of yours quenches
thirst. The rest is nonsense. -
3:00 - 3:03Babloo. Babloo.
Actually.. Babloo!! - What? -
3:05 - 3:10Babloo!! - What?
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3:10 - 3:11Have some sweets first.
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3:12 - 3:13One more. Come on.
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3:14 - 3:16Now ask me what happened.
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3:16 - 3:17What happened?
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3:19 - 3:22Welcome to the proud family of the
Mirage Group of Hotels, Mr. Benny. -
3:23 - 3:24This is your appointment letter.
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3:24 - 3:26We're delighted to
have you as the bell boy. -
3:26 - 3:29You've got a job in a five
star hotel. Mind blowing. -
3:31 - 3:32You know uncle Dalmiya, don't you?
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3:32 - 3:33I met him at the lrani
hotel yesterday. - Yes. -
3:33 - 3:36I buttered him up every day.
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3:36 - 3:37I requested him to
get me a job. - Okay. -
3:37 - 3:38And he recommended me.
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3:38 - 3:40And this Benny knows English.
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3:40 - 3:41I know a little bit, right?
A little bit -
3:41 - 3:43Yes. A little bit.
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3:43 - 3:44"How are you?" and all that.
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3:46 - 3:48Babloo, I'm on my way. - Yes.
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3:50 - 3:52Okay, listen. You had
been to find a job, right? -
3:52 - 3:55What happened? Tell me. Tell me.
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3:55 - 3:56I've also got a job.
-
3:57 - 3:59Ghungroo. Ladies bar.
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4:01 - 4:03You'll work as a
waiter here from today. -
4:03 - 4:04Okay.
-
4:04 - 4:06Come on, go. Be here
on time from tomorrow. -
4:06 - 4:08Sir, I'll be here half an
hour before time. - Why? -
4:09 - 4:12Will you flirt with my
bar girls for half an hour? -
4:12 - 4:13No. No, sir.
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4:14 - 4:17Babloo, if you try to get
cosy with a girl here.. - Yes. -
4:18 - 4:22Then I'll chop off your
legs first. Then your thighs. -
4:23 - 4:24And then your..
-
4:24 - 4:26What?
- Yes. That as well. -
4:27 - 4:28I did not mean that.
-
4:28 - 4:29Are you going to
work in a ladies bar? -
4:29 - 4:31Very indecent place, pal.
- I'll not get a job anywhere. -
4:31 - 4:34And I can't even speak
broken English like you. -
4:34 - 4:36Your family is there in..
- Darbanga. -
4:36 - 4:37In Darbanga, your district.
-
4:37 - 4:38If your family comes to know
that you work in a ladies bar.. -
4:39 - 4:40..they'll die of shame.
-
4:40 - 4:42But if I don't work at all, they'll
die of hunger. What are you saying! -
4:44 - 4:45He's tarnishing his parents' name.
-
4:45 - 4:46You mind it. I'm telling you.
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4:46 - 4:48So do you want me to let
my parents starve to death? -
4:54 - 4:56"Benny is a bad boy."
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5:02 - 5:03Good day, sir.
-
5:04 - 5:07I see. What are you saying, sir?
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5:08 - 5:09You fool.
-
5:09 - 5:10Haven't you ever
seen a mirror before? -
5:10 - 5:11How long are you
going to behold yourself? -
5:15 - 5:16Ronnie, I have worn such
nice clothes for.. -
5:16 - 5:17..the first time in my life.
-
5:18 - 5:20What nice? It's the uniform.
It's a regular thing. -
5:20 - 5:23Yes, it might be 'legular'..
regular for you. - Yes. -
5:24 - 5:25You are the senior
bell boy, aren't you? -
5:26 - 5:29Till now, I've seen a five star
hotel only through a passing by bus. -
5:30 - 5:33For the first time,
I'll see a bus go by.. -
5:33 - 5:35..standing in a five star hotel.
-
5:36 - 5:39I'm very lucky. I'm so.. I'm..
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5:39 - 5:40Are you going to beat me up?
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5:41 - 5:44Listen. Forget your emotion.
And enjoy your promotion. -
5:45 - 5:47Let's go. Come on.
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5:49 - 5:51What a fitting!
-
5:52 - 5:53Why are you cribbing
about the fitting? -
5:57 - 5:59Sir, isn't this a little too long.
-
5:59 - 6:00prakash was also tall.
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6:00 - 6:01prakash who?
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6:03 - 6:04The one whose coat this is.
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6:04 - 6:06What will prakash
wear if I wear his coat? -
6:06 - 6:08A shroud. - What?
- He is dead. -
6:09 - 6:10He had a tumour in his brain.
-
6:11 - 6:13Listen, is there some any..
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6:14 - 6:16No. No, you don't have
a brain to begin with. -
6:17 - 6:21Here. pen and.. order slip.
And start work quickly. -
6:21 - 6:23We can take care of
the fitting later. -
6:29 - 6:31This coat of a dead man?
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6:33 - 6:34The banquet hall should be..
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6:38 - 6:39Negi. Manager.
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6:40 - 6:41Hey, you, come here. Come here.
- He's calling you. -
6:41 - 6:43Nikhil, why do we need
to pay him extra? I.. -
6:44 - 6:45Good night to you, sir.
- What? -
6:46 - 6:47Good morning is..
- Shut up. -
6:47 - 6:48What, sir? - Not to you.
Just hold on for a second. -
6:49 - 6:50Who are you?
-
6:50 - 6:52I'm the bell.
- Bell? -
6:52 - 6:54The.. I.. Benny the bell boy.
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6:55 - 6:56Aren't you a little too tall?
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6:56 - 6:58You start, but you never end.
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6:58 - 7:00Come on, go back to your place.
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7:00 - 7:01Hurry up. Come on.
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7:01 - 7:02Tukaram, come here. - Yes, sir.
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7:02 - 7:04Tukaram, go to Nikhil.
- Okay, sir. - Okay? -
7:04 - 7:06Nikhil, listen to me now.
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7:06 - 7:08Now come on. Don't look at my face.
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7:08 - 7:09Move it. Disperse. Come on.
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7:09 - 7:10Get back to work.
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7:10 - 7:11Nikhil, listen to me.
- Yes, sir. -
7:12 - 7:13I.. I'm going, sir.
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7:14 - 7:16Hey! What are you doing,
for God's sake? -
7:16 - 7:17What are you doing?
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7:17 - 7:18Sir. Sorry, sir. Sorry, sir.
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7:18 - 7:19Take this man. He's at it again.
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7:19 - 7:20I'll get him. I'll
get him. - Sorry, sir. -
7:21 - 7:22And check the arrangements
of the exhibition. Come on. -
7:54 - 7:56"Benny.. Benny..
Benny, the bad boy." -
7:56 - 7:58"Benny.. Benny..
Benny, the bad boy." -
8:12 - 8:14"Benny.. Benny..
Benny, the bad boy." -
8:22 - 8:24'Welcome to hotel Mirage.'
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8:32 - 8:35'Welcome to hotel Mirage.'
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8:35 - 8:37Good evening, sir. Good evening.
Good evening, ma'am. - Good evening. -
8:42 - 8:43Benny, what are you doing?
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8:43 - 8:44Do you want to break it?
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8:44 - 8:45Look. This..
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8:47 - 8:49Come on. Come on.
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8:50 - 8:51Get the bags now.
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8:52 - 8:54Bell boy.. - Yes, sir.
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9:03 - 9:05Benny. Benny, what are you doing?
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9:05 - 9:06put it down. put it down.
-
9:07 - 9:08put it down.
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9:08 - 9:10What are you doing? Hold on. Watch.
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9:11 - 9:15This.. And this. Here. Hold it.
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9:15 - 9:19Hold it. Come on.
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9:20 - 9:21Excuse me?
- Yes, sir. -
9:22 - 9:24Good evening, ma'am.
-
9:24 - 9:25Welcome to our hotel.
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9:28 - 9:29Oh, yes. Of course.
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9:29 - 9:30This way, please.
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9:32 - 9:34This is ma'am Sheena.
The pRO of this place. -
9:34 - 9:35public relations officer.
-
9:35 - 9:38Does Sheena ma'am
know Chinese as well? -
9:38 - 9:39Very good.
-
9:39 - 9:41All the people who work
in this hotel.. -
9:41 - 9:42..know Chinese, Japanese, Korean..
-
9:42 - 9:43..everything.
-
9:43 - 9:44Don't worry. You'll
learn it very soon. -
9:44 - 9:47I.. I can't even
speak Hindi properly. -
9:47 - 9:49I get mixed up with the
masculine and feminine gender. -
9:49 - 9:51Really? Come on. I'll
teach you Chinese. Come on. -
10:05 - 10:09Sir, you can't roam around
in the passage like this. -
10:09 - 10:10This is a five star, you know.
-
10:11 - 10:12I know. I know. What can I do?
-
10:12 - 10:14I came here to keep this tray.
And this door just shut by itself. -
10:15 - 10:16What are you doing?
-
10:16 - 10:17Get a duplicate key
and open this door. -
10:20 - 10:22Oh, God.- Good evening, sir.
Good evening, ma'am. -
10:24 - 10:25Oh, God.
- Benny, what are you doing? -
10:26 - 10:28Come on. This not a tiger.
It's a door. Come on. -
10:46 - 10:48She is the head of
our housekeeping. Ria. -
10:49 - 10:51Who was behind her?
- Guest. -
10:51 - 10:52He must have messed up something.
-
10:57 - 10:58Come, sir.
-
11:03 - 11:05Sir, over here is
your bathroom, sir. -
11:05 - 11:06And there is a very
beautiful balcony outside.. -
11:06 - 11:08..with a very wonderful..
-
11:08 - 11:09Oh, my God.
-
11:14 - 11:15Sir, the house-keeping will come..
-
11:15 - 11:16..and give you
fresh towel right now. -
11:17 - 11:18Yes, sir.
-
11:18 - 11:19Good day, sir.
- Good day. -
11:19 - 11:20Good day, sir.
-
11:23 - 11:24Thank you, sir. Thank you.
-
11:24 - 11:25Benny, good day, sir.
-
11:26 - 11:28Good day, sir.
- Good day.. sir. -
11:29 - 11:31Good day, sir. Good day.
- Good day. -
11:32 - 11:33Good day, ma'am.
-
11:39 - 11:41So? Now you learnt Chinese,
didn't you? -
11:42 - 11:43Look, mister, this is
the hospitality industry. -
11:44 - 11:45This is how it works here.
-
11:45 - 11:46The person before us can
say whatever he wants. -
11:46 - 11:47We just have to smile.
-
11:48 - 11:49Everyone does the same here.
-
11:49 - 11:53Be it if the person before us is
abusing our mother in his language. -
11:53 - 11:55But we just have to smile and say..
-
11:55 - 11:57.."Thank you, thank you, sir.
Shoot me, sir. Thank you, sir". -
11:58 - 12:00I.. I can't believe it, Ronnie.
-
12:00 - 12:01Rs. 100, buddy.
-
12:01 - 12:04I love.. this.. hospital..
- Hospitality industry. - Yes. -
12:24 - 12:26That guest has ruined my
life by calling me and again. -
12:26 - 12:28Last night a fool had come.
- Yes, pal. -
12:28 - 12:29He made me sing the
same song five times. -
12:29 - 12:31What nonsense! I went crazy singing.
-
12:31 - 12:32I can' believe these
idiots who come here. -
12:32 - 12:33Look here.
-
12:33 - 12:35Ladies, this is Babloo.
- Hello. -
12:36 - 12:37He'll be working in
our bar from today. -
12:38 - 12:43Welcome. We were.. waiting for you.
- Waiting for you. -
12:44 - 12:46Hey, I'll call you Babloo,
the smarty. -
12:46 - 12:48No. My name is Babloo Charan Lathi.
-
12:49 - 12:50Really?
-
12:50 - 12:53Hey, you are Babloo?
- Yes. -
12:53 - 12:55What do you want to
be when you grow up? -
12:55 - 12:56Babloo.
-
13:00 - 13:01You wretch!
-
13:01 - 13:03You were wooing my man
on the phone, weren't you? -
13:03 - 13:05Listen, smart alec, don't
vent out your frustration.. -
13:05 - 13:07..on me because he
doesn't give you attention. -
13:07 - 13:08Go away. - What?
-
13:08 - 13:11You wretch, a loose
character of the ladies bar. -
13:11 - 13:12So are you the bell of a temple?
-
13:12 - 13:14And you are characterless.
-
13:14 - 13:15Look, they are fighting so badly.
-
13:15 - 13:17This happens here everyday. You
don't get into all this. - Hello. -
13:17 - 13:18You look at yourself in the mirror.
-
13:18 - 13:19Don't spoil my mood or I'll
whack you. - Yes, tell me. -
13:19 - 13:21And I'll just stand here and smile?
- You talk nonsense.. -
13:21 - 13:22Come on, get lost.
- Shut up. -
13:22 - 13:24Look, Sisters, calm down.
-
13:30 - 13:31What did you say?
-
13:31 - 13:33Sister. Why? What happened?
-
13:33 - 13:36You naive Babloo. "Witch"
"wretch", "insolent" is.. -
13:36 - 13:37..the local dialect here.
-
13:38 - 13:40Don't call us sister.
It seems like an abuse. -
13:42 - 13:44Witch, wretch, insolent, keep calm.
-
13:47 - 13:50"Sweetheart, oh, sweetheart, say.."
-
13:51 - 13:54"Oh, please open your heart to me."
-
13:54 - 13:59How was your first day?
- Superb. Fantastic. -
13:59 - 14:01It is not a hotel. It's heaven.
-
14:01 - 14:03I was dumbfounded when l
went there for the first time. -
14:04 - 14:08And you don't know. The boys and
girls there look like movie stars. -
14:08 - 14:09They are no less.
-
14:09 - 14:11And ladies. How they
look in the TV soaps? -
14:11 - 14:13With the dots, lipstick and stuff.
All decked up. Like that. -
14:14 - 14:16And the work there, Babloo.
-
14:16 - 14:17You just have to carry the luggage.
-
14:18 - 14:19And you don't have
to carry that either. -
14:19 - 14:21There is a roll..
-
14:21 - 14:22Roller.
- Yes. -
14:22 - 14:24You just have to hold the
roller and pull it along. -
14:24 - 14:25Move it. Keep it in the room.
-
14:25 - 14:27Then be it Chinese, lndian. Anyone.
-
14:27 - 14:29You say to him, "Good day, sir".
-
14:29 - 14:30"Good day, ma'am".
-
14:30 - 14:31Then..
-
14:33 - 14:35You get this tip, Babloo.
-
14:35 - 14:37The 'pulao' (Rice Dish) is
getting burnt. Take it off. Come on. -
14:38 - 14:39Take it off. Quickly.
-
14:40 - 14:45"Sweetheart, oh,
sweetheart, say something." -
14:45 - 14:46It was your first day, right?
-
14:47 - 14:48How was it?
-
14:48 - 14:50You smart elec. Tell me.
-
14:50 - 14:51Tell me what happened.
-
14:52 - 14:54There is nothing dream-like there.
-
14:57 - 14:59There is only the reality of life.
-
15:01 - 15:04'Benny, these guys
also worship the God.' -
15:04 - 15:07'The only difference is that
people do it early morning.' -
15:07 - 15:09'And these guys do
it in the evenings.' -
15:09 - 15:11"ln this love of two days.."
-
15:12 - 15:16'By 9:!30 when the guests
start arriving in the bar..' -
15:18 - 15:19"ln this love of two days.."
-
15:20 - 15:23Then the girls come onto the
floor from the make up room. -
15:23 - 15:26"They have started saying to me."
-
15:26 - 15:27"Ever since I have lost my heart.."
-
15:27 - 15:30"..I've got more
than I bargained for." -
15:30 - 15:32"Ever since I have lost my heart.."
-
15:32 - 15:35"..I've got more
than I bargained for." -
15:44 - 15:47"He is admirer. His charm."
-
15:47 - 15:50Richa, don't give
him attention, okay? -
15:51 - 15:53Can't you see? It's written on
his face that, "I'm a loser". -
15:54 - 15:57He's a guest who'll only
show the money and not spend it. -
15:58 - 15:59Find someone else.
-
16:00 - 16:02My request? Go.
-
16:04 - 16:05Request.
-
16:06 - 16:08"The first love.."
-
16:08 - 16:10Roshni, your man has sent a request.
-
16:10 - 16:12"The heart's restless.
The spring's here." -
16:12 - 16:16Tell that loser to
get a wad of notes out. -
16:16 - 16:18Or else others are ready.
-
16:18 - 16:20"Ever since I have lost my heart.."
-
16:20 - 16:23"..I've got more
than I bargained for." -
16:23 - 16:25"Ever since I have lost my heart.."
-
16:25 - 16:27"..I've got more
than I bargained for." -
16:27 - 16:31What's your name?
- Soni. - What? - Soni. -
16:31 - 16:34Soni, no one's like you.
-
16:39 - 16:40Give me your number.
-
16:40 - 16:43You give me your number.
I'll give you a call. -
16:43 - 16:44For sure.
-
16:44 - 16:47Soni keeps playing the
rapid fire round all the time. -
16:48 - 16:50One day such a buzzer will go off..
-
16:50 - 16:53..that she'll left at
home watching Sony TV. -
16:58 - 16:59What time will you call?
-
17:00 - 17:02After I wake up at 4:00.
-
17:02 - 17:07"l also got excited and said.."
-
17:08 - 17:11"He started saying in the
first meeting at night." -
17:11 - 17:15"Come, let me adorn
you with some jewelery." -
17:15 - 17:17"Ever since I have lost my heart.."
-
17:17 - 17:19"..I've got more
than I bargained for." -
17:19 - 17:21"Ever since I have lost my heart.."
-
17:21 - 17:22"..I've got more
than I bargained for." -
17:22 - 17:26Here comes the fool. Lousy loser.
-
17:32 - 17:33pathetic idiot.
-
17:36 - 17:37So? Bills of ten?
-
17:38 - 17:39Did you break your piggy bank today?
-
17:40 - 17:41Give me your number.
-
17:41 - 17:42Why Harry potter?
-
17:42 - 17:44Are you a part of the
dowry my father gave? -
17:45 - 17:47No. Well, the thing is
that we'll meet somewhere. -
17:47 - 17:49We'll go to some disco
and the dance as well. -
17:49 - 17:51I don't dance with children.
-
17:51 - 17:52With children?
-
17:53 - 17:54Are you pregnant?
-
17:54 - 17:56This fool..
-
17:57 - 17:58Come on, drink.
-
17:58 - 17:59Come on.
-
18:03 - 18:06Hey, listen.
- Yes. -
18:06 - 18:09Give me the number.
- Sir, I don't have a mobile. -
18:10 - 18:11You fool. Not yours.
-
18:12 - 18:14Give me the number of
that girl in purple. -
18:14 - 18:16"ln the first meeting.."
-
18:16 - 18:18I don't have her number.
-
18:18 - 18:19"He started saying in the
first meeting at night." -
18:19 - 18:22"Come, let me adorn
you with some jewelery." -
18:23 - 18:24"Ever since I have lost my heart.."
-
18:24 - 18:26"..I've got more
than I bargained for." -
18:27 - 18:29Hey!
- Sorry. -
18:33 - 18:35Sir, I'll replace it.
-
18:35 - 18:36Sir, I'll replace it.
-
18:37 - 18:38What happened?
-
18:38 - 18:40Well, what do I tell you?
I got nervous and spilt it. -
18:40 - 18:41Get me another one.
-
18:41 - 18:43You're such an idiot. - please.
-
18:44 - 18:45Hey, loser. Come here.
-
18:45 - 18:47"With you I have.."
-
18:47 - 18:48What was that fool saying?
-
18:48 - 18:49"Ever since I have lost my heart.."
-
18:49 - 18:51He was asking for your number?
-
18:51 - 18:52You gave him, right?
-
18:52 - 18:55No. I don't have your number.
-
18:55 - 18:56I wouldn't have given
him even if I had it. -
18:57 - 18:59So will you give my number to
Shah Rukh Khan (lndian actor)? -
19:03 - 19:04Here you go.
-
19:08 - 19:10Well done, my little friend. - Yes.
-
19:10 - 19:12You've got the number?
- Yes. Yes. -
19:15 - 19:16Rs. 500. Have fun.
-
19:18 - 19:21He gave you a Rs. 500 tip?
- Good tip, isn't it? -
19:21 - 19:23Very good, Babloo.
-
19:23 - 19:24Wonderful.
-
19:24 - 19:27Well, the result of
every bad deed is good. -
19:27 - 19:28Bad?
-
19:29 - 19:30Not like that.
-
19:30 - 19:31Now I'm your friend.
That's why I'm telling you. -
19:32 - 19:33The thing is that you've become a
supplier in the form of a waiter. -
19:34 - 19:35No. But I didn't supply any girl.
-
19:36 - 19:38Not.. Not a girl. The thing is
that you supplied the number, right? -
19:38 - 19:40That's why I said that.
-
19:40 - 19:41Very good.
-
19:41 - 19:42Rs. 500 tip. It's very good.
-
19:44 - 19:45Tell me something.
-
19:45 - 19:47How many girls work in your bar?
-
19:47 - 19:49Must be around 12-15.
-
19:49 - 19:50So many of them? - Yes.
-
19:52 - 19:56So.. if you give 10 or
15 numbers every day.. -
19:56 - 19:59..as in supply them..
three years down the line.. -
19:59 - 20:01..you'll open your own beer bar.
-
20:02 - 20:05Then people will say, "Hello,
Brother Babloo. How are you?" -
20:06 - 20:08I was only doing my duty sincerely.
That's all. -
20:08 - 20:11That's fine. Sincerity
and stuff. That's okay. -
20:16 - 20:17What?
-
20:17 - 20:19Oh, you heard that?
-
20:20 - 20:21What were you saying?
-
20:21 - 20:23It's.. How do I say it in Hindi?
-
20:24 - 20:25It doesn't work if you spread
out the blanket of honesty.. -
20:25 - 20:27..on the bed of dishonesty.
-
20:27 - 20:29This is what Rajnikanth
(lndian actor) had said in a movie. -
20:29 - 20:31That's why I also just said it.
-
20:31 - 20:32Okay. Good night.
-
20:33 - 20:34That Rs. 500 tip. Very good.
-
20:45 - 20:49Mr. Shahnawaaz, agreed
that you live in Surat. -
20:49 - 20:51But at times, show
us your face as well. -
20:51 - 20:53Hello. Hello.
-
20:55 - 20:56No. No. Tell me.
-
20:57 - 20:59Have you also bought off this
elevator along with your customers? -
20:59 - 21:01You've spoilt the
environment of the entire building. -
21:01 - 21:04Hey, hello. If you have bought a
flat in Lokhandwala with money.. -
21:04 - 21:07..even I haven't
bought it with iron. Okay? -
21:07 - 21:09And what I do is
my personal problem. -
21:09 - 21:10Okay? - personal?
-
21:11 - 21:13public property
talking about being personal? -
21:13 - 21:15Hello. Excuse me.
-
21:15 - 21:17Ria, stop it. Forget it.
-
21:17 - 21:20And, dear, don't take
offence either. please. -
21:21 - 21:23Go. You're in a hurry,
right? Go. Go. -
21:24 - 21:26Sorry, dear. - Aunty, please.
-
21:28 - 21:29This is madam's car.
-
21:30 - 21:32I wonder how many people she
must have ruined to get this car. -
21:33 - 21:35And this is the managing
committee of this place. -
21:36 - 21:37They won't take any step.
-
21:37 - 21:38And why would they?
-
21:39 - 21:40Because she must be
doing a complimentary show.. -
21:40 - 21:42..for them along with
paying the maintenance. -
21:43 - 21:45Mom, how does it
matter to these girls.. -
21:45 - 21:47..if it's an old or a young man?
-
21:47 - 21:48Forget it, Ria.
-
21:49 - 21:50Why are you spoiling your mood?
-
21:51 - 21:52Go to work in a good mood.
-
21:57 - 22:00First you waited for the elevator.
Now for the bus? -
22:00 - 22:01You're getting late, aren't you?
-
22:01 - 22:03You want a ride, baby?
-
22:04 - 22:06Get lost, monkey face.
-
22:22 - 22:23Hey, Sheena.
-
22:23 - 22:24You are still at home?
-
22:24 - 22:25Look, what I got here.
-
22:25 - 22:27City club membership form.
-
22:27 - 22:29It's an amazing scheme.
-
22:29 - 22:32A tour package of five nights
and four nights every three months. -
22:32 - 22:34And this is even more amazing.
-
22:35 - 22:37They have recorded all
their locations on this DVD. -
22:37 - 22:38Let's watch and book it. Come.
-
22:38 - 22:40Ashu, you show up with
some or the other holiday.. -
22:40 - 22:42..scheme every other day.
-
22:42 - 22:43But what happens?
-
22:43 - 22:45You had got one last
time as well, hadn't you? -
22:45 - 22:48We work day and night to pay
for the instalments of the same. -
22:48 - 22:50You work in the day shift,
while I work in the night shift. -
22:51 - 22:53When one of us returns,
the other prepares to leave. -
22:53 - 22:55Listen. Look.. Look, sweetheart.
-
22:56 - 22:58You'll have to make some
adjustments to lead.. -
22:58 - 22:59..a lavish life like this.
-
22:59 - 23:01What life are you
talking about, Ashu? -
23:01 - 23:02Where is our life?
-
23:02 - 23:04Life is when you stay together.
-
23:04 - 23:05By starting a family.
-
23:05 - 23:07We have no family. We have no life.
-
23:08 - 23:10Can't you see? You've just returned.
-
23:10 - 23:11And I'm preparing to leave.
-
23:11 - 23:12But listen.
-
23:13 - 23:15At least watch the
DVD before you go. -
23:31 - 23:32Oh, no.
-
23:32 - 23:34What is this, ma'am?
Can't you drive carefully? -
23:34 - 23:35I'm sorry.
- What sorry? -
23:35 - 23:36I could've died. You have
brought about an accident. -
23:36 - 23:37Are you okay?
-
23:38 - 23:39I mean are you..
-
23:39 - 23:40Yes. What "Are you okay"?
- Is this a way to drive? -
23:40 - 23:42What is this, ma'am? You have
brought about an accident, right? -
23:42 - 23:43What if I had died?
- I apologized to you. -
23:44 - 23:45I'll take you to
the hospital, right? -
23:45 - 23:46Brother.. Brother, what happened?
-
23:46 - 23:47Brother, she would've
ran me down and killed me. -
23:47 - 23:49But you are okay, aren't you?
-
23:49 - 23:50Who are you? What it is to you?
-
23:50 - 23:51I'm Benny, the
bell boy. Who are you? -
23:51 - 23:53Mind it. Go.
-
23:55 - 23:56Move. Move.
-
23:57 - 23:59You okay?
- Yes. Yes, I'm fine. -
24:00 - 24:01Thank you.
-
24:02 - 24:06Ma'am, you did not recognize me?
- No. -
24:06 - 24:07Benny, the bell boy in Mirage Hotel.
-
24:07 - 24:10I see. Are you a new recruit?
- Yes. -
24:10 - 24:11I was heading to work.
-
24:12 - 24:13I live close by. You
see this building. -
24:13 - 24:14In this?
-
24:14 - 24:16No. Behind this. If you go
straight and then straight again.. -
24:16 - 24:17..there is a tenement. I live there.
-
24:18 - 24:19Come, I'll give you a ride.
-
24:22 - 24:23Thank you, ma'am.
-
24:23 - 24:26Sit in front. Not at the back.
-
24:26 - 24:28I would look like your
driver if you sit at the back. -
24:31 - 24:32What happened? Why are you laughing?
-
24:32 - 24:35No, ma'am. Well.. I was wondering..
I look like a driver.. -
24:35 - 24:38..even if I sit in the front.
-
24:40 - 24:41The thing is that people will feel..
-
24:41 - 24:43..that madam has made
the driver sit beside her.. -
24:43 - 24:44..and is driving the car herself.
-
24:45 - 24:46Why? Why are you saying so?
-
24:46 - 24:48Just like that,
ma'am. You're after all. -
24:49 - 24:51You are like
twinkle-twinkle five star. -
24:54 - 24:57Ma'am, you should laugh
your heart out like this. -
24:57 - 24:58You look more beautiful that way.
-
24:59 - 25:00Beautiful?
-
25:00 - 25:03No. I mean the face
appears brighter, ma'am. -
25:03 - 25:04Very nice.
-
25:05 - 25:08Really? Then I must be
looking really bad when at home. -
25:09 - 25:10At home? Why, ma'am?
-
25:12 - 25:13Forget it.
-
25:14 - 25:16Tell me, how it
feels working at Mirage? -
25:16 - 25:18In Mirage, ma'am.
-
25:19 - 25:20On the first day, I jumped.
-
25:20 - 25:21I was jumping.
-
25:22 - 25:23I'm very lucky, ma'am.
-
25:23 - 25:25I must have earned
some sins, virtues.. -
25:25 - 25:27I mean virtues in my previous birth.
-
25:27 - 25:29That's why I'm working at Mirage.
-
25:29 - 25:31That guy.. that fellow at Mirage..
-
25:45 - 25:47When I got down from ma'am
Sheena's car, that Ronnie.. -
25:47 - 25:50You should've seen Ronnie's face.
-
25:50 - 25:51It was as red as a tomato.
-
25:52 - 25:53He is nice guy. But he got jealous.
-
25:54 - 25:56Babloo, the thing is
that ma'am Sheena.. -
25:56 - 25:59..will be offering
me a ride every day. -
25:59 - 26:00That's great.
-
26:00 - 26:01What great? You've lost.
-
26:03 - 26:04What the..
-
26:05 - 26:07"Don't look at the face."
-
26:07 - 26:09Don't sing the song
of 1990. This is 2010. -
26:09 - 26:12Benny, this song
created quite a storm. -
26:12 - 26:13What are you saying?
-
26:14 - 26:15What storm would be
created in your ladies bar? -
26:15 - 26:17All this happens 'legularly'..
-
26:17 - 26:19Regularly? - Yes.
Everything happens there regularly. -
26:19 - 26:20What are you saying?
-
26:21 - 26:26"Get into my heart
and see for yourself." -
26:26 - 26:27What happened in the bar?
-
26:27 - 26:29A customer frequents our bar.
-
26:29 - 26:30Ripe oldie.
-
26:30 - 26:31Bokadia.
-
26:35 - 26:37Here's your hero.
-
26:38 - 26:42"Don't look at the face."
-
26:43 - 26:47"Get into my heart
and see for yourself." -
26:47 - 26:50"Get into my heart
and see for yourself." -
26:50 - 26:51This oldie?
-
26:54 - 26:55"Don't look at the face."
-
26:55 - 26:58Your admirer is
heading for your waist. -
26:58 - 27:01"Get into my heart
and see for yourself." -
27:01 - 27:03Isha, go tell him that
this is not the age.. -
27:03 - 27:05..to head for someone's waist..
-
27:05 - 27:06..but towards the grave.
-
27:06 - 27:08"See for yourself."
-
27:08 - 27:13"The weather will
change in a flash." -
27:13 - 27:16"Even the heart of stone will melt."
-
27:16 - 27:18Today the oldie is all charged up.
-
27:19 - 27:21Today, old is gold.
-
27:21 - 27:26"Just see for yourself
how effective my love is." -
27:26 - 27:28Uncle is an absolute lover boy.
-
27:28 - 27:31"See for yourself."
-
27:31 - 27:33Someone please give Viagra to uncle.
-
27:35 - 27:36Along with the wood for the funeral.
-
27:37 - 27:38Lousy guy.
-
27:38 - 27:41"Get into my heart
and see for yourself." -
27:41 - 27:45"Get into my heart
and see for yourself." -
27:45 - 27:48Babloo, don't ever fall in love.
-
27:48 - 27:50"The weather will
change in a flash." -
27:50 - 27:52"Even the heart of stone will melt."
-
27:52 - 27:56But if you do, then
don't ever back off. -
27:58 - 28:01"Grey hair and unsure gait.
- Grey hair and unsure gait." -
28:02 - 28:05"She is now defamed.
She has found an oldie." -
28:05 - 28:07"She has found an oldie."
-
28:07 - 28:10It's not right to make fun of
someone in out of tune voice. -
28:10 - 28:12Believe me.
-
28:12 - 28:15I can clearly see love for
you in Mr. Bokadia's eyes. -
28:20 - 28:21She will not change.
-
28:21 - 28:23Babloo, you've started
preaching a lot these days. -
28:25 - 28:28Look at uncle's true love.
He is almost in the grave. -
28:29 - 28:31She can say whatever she
wants to. I'm telling the truth. -
28:31 - 28:34Babloo, that oldie can't see
anything properly with his own eyes. -
28:34 - 28:35How did you mange to see love?
-
28:35 - 28:36Because he loves you, madam.
-
28:36 - 28:37It is true love.
-
28:37 - 28:39Let that oldie be.
-
28:39 - 28:41Look, Soni, Babloo is right.
-
28:41 - 28:42So what if he is old?
-
28:42 - 28:45He doesn't just want to
sleep with you like the others. -
28:45 - 28:50Yes. The rest of the boys just
want to have fun. - Exactly. -
28:50 - 28:52Isn't it?
-
28:52 - 28:54Yes. One night stand and all.
-
28:54 - 28:55Are you done with the preaching?
-
28:56 - 28:58Soni, you'll come
across many admirers. -
28:59 - 29:02But you won't find anyone
who absolutely adores you. -
29:04 - 29:07Yes. She will get someone.
Someone who adores her. -
29:08 - 29:09Do you know what kind of people?
-
29:10 - 29:11These pickpockets, thugs, thieves..
-
29:11 - 29:13These goons..
-
29:13 - 29:14They'll get people like them.
-
29:15 - 29:16How can they even think that..
-
29:16 - 29:17..they can actually get
someone who loves them? -
29:17 - 29:19How can you say that?
-
29:19 - 29:20Love is blind, isn't it?
-
29:21 - 29:23Look, I don't know
about love and stuff. -
29:23 - 29:24You're getting blinded by emotions.
I'm dead sure. -
29:26 - 29:28This place is not
right for you, Babloo. -
29:28 - 29:29I'll speak to ma'am Sheena..
-
29:29 - 29:31..and get you a job
in our Mirage Hotel. -
29:32 - 29:33Till then, pull yourself together.
-
29:33 - 29:35Don't get yourself into this
job of helping them settle down. -
29:36 - 29:37Their lives will never change.
-
29:38 - 29:41What about Mr. Mehra's four
sofas and teakwood wall unit? -
29:41 - 29:43Yes, sir. They will be
delivered by this evening. -
29:43 - 29:44"They will be
delivered by this evening". -
29:45 - 29:47If I ask you in the evening,
you would say by night. -
29:47 - 29:48Then by the next morning.
-
29:48 - 29:51Look, Salim, let me tell
you something clearly. -
29:52 - 29:53You have been appointed recently.
-
29:54 - 29:57I hate carelessness and
slackness in work. Get that? -
29:57 - 29:58Okay, sir.
- Shetty. - Yes, sir. -
29:59 - 30:01put our bean bags and
rocking chairs on display.. -
30:01 - 30:02..along with Raju. - Okay, sir.
-
30:02 - 30:04I have to teach them everything.
-
30:06 - 30:11Hello? Yes. Yes. Yes,
it will be delivered. -
30:11 - 30:12He is so perfect in his work.
-
30:12 - 30:13But he is so strict.
-
30:14 - 30:15And he bullies us so much.
-
30:16 - 30:18I guess his wife must not be
allowing him to speak at home. -
30:18 - 30:20That's why he vents out
his frustration on us. -
30:20 - 30:21There is no one at his home.
-
30:21 - 30:23His kids and wife were
killed in an accident years ago. -
30:23 - 30:25What?
-
30:25 - 30:26Yes. Such is life.
-
30:26 - 30:28The one who is busy decorating..
-
30:28 - 30:29..others' houses day and night..
Home sweet home. -
30:29 - 30:31He is all alone at his home.
-
30:35 - 30:45"By signalling through my eyes.."
-
30:46 - 30:52"..I will steal your heart."
-
30:55 - 31:02"By signalling through my eyes."
-
31:02 - 31:05Oh, my, my! Superb.
-
31:05 - 31:11"I'll steal.. your heart."
-
31:25 - 31:29"By signalling through my eyes.."
-
31:29 - 31:32"..I'll steal your heart."
-
31:33 - 31:36"By signalling through my eyes.."
-
31:36 - 31:40"..I'll steal your heart."
-
31:40 - 31:43"Why don't you understand me?"
-
31:43 - 31:47"Why don't you understand me?"
-
31:47 - 31:50"Why do you turn away
your face and abuse me?" -
31:51 - 31:52"Oh, Dolly."
-
31:52 - 31:53"I'm Dolly."
-
31:54 - 31:57"Darling, I am your Dolly."
-
31:57 - 32:00"I'm Dolly. I'm Dolly.
I'm Dolly. I'm Dolly." -
32:00 - 32:03"I'm Dolly. I'm Dolly. I'm Dolly.
I'm Dolly, darling." -
32:16 - 32:19"Wow. What a magic! What style!"
-
32:20 - 32:23"The youthful style is mesmerising."
-
32:23 - 32:27"Wow. What magic! What style!"
-
32:30 - 32:34"The youthful style is mesmerising."
-
32:34 - 32:38"What a tempting scene!"
-
32:38 - 32:45"The ambience
searches raising glances." -
32:48 - 32:52"Why don't you understand me?"
-
32:52 - 32:56"Why do you turn away
your face and abuse me?" -
32:56 - 32:57"Oh, Dolly."
-
32:58 - 33:00"Darling, you are my Dolly."
-
33:00 - 33:05"Oh, Dolly. My Dolly. Oh, Dolly."
-
33:12 - 33:19"Wherever I look, all my
admirers give me strange glances." -
33:23 - 33:30"Wherever I look, my
admirers give me strange glances." -
33:30 - 33:35"Oh, beauty, listen
to me, oh, beauty. -
33:35 - 33:37Give me your heart by mistake."
-
33:41 - 33:44"Why don't you understand me?"
-
33:45 - 33:48"Why don't you understand me?"
-
33:48 - 33:52"Why do you turn away
your face and abuse me?" -
33:52 - 33:53"Oh, Dolly."
-
33:54 - 33:55"I'm Dolly."
-
33:56 - 33:58"Darling, I am your Dolly."
-
33:58 - 34:02"I'm Dolly. I'm Dolly.
I'm Dolly. I'm Dolly." -
34:02 - 34:03"I'm Dolly. I'm Dolly.
I'm Dolly. I'm Dolly." -
34:04 - 34:05Go in, lsha. Go quickly.
- Come on. Come on. -
34:05 - 34:07Hema, go in. Hurry up! Hurry up!
- Come on, hurry up. Run. -
34:08 - 34:09preeti, hurry up. Go quickly.
- Come on, hurry up. Let's go. -
34:09 - 34:16"By signalling through my eyes."
-
34:18 - 34:19Open it. Hurry up.
- Open the door. - Hurry up, lsha. -
34:19 - 34:21Open it quickly. - Come on,
make it fast. Come on. -
34:21 - 34:23Come on, open it quickly.
Fast. - Come on, go fast. Quick. -
34:23 - 34:24Come on, hurry up.
Close it quickly. -
34:38 - 34:40Mr. Kamble, there is no one here.
-
34:55 - 34:56Shall we go? - Yes.
-
34:57 - 35:01Hello? I'm hiding.
I'll call you later. -
35:02 - 35:07"Why do you turn away
your face and abuse me?" -
35:08 - 35:15"Dolly. Darling, I'm your Dolly."
-
35:16 - 35:19Scoundrel, it's Sunday morning
while celebrating Saturday night? -
35:20 - 35:21It's 1 :30. Do you know that?
-
35:21 - 35:23Sir.. I'm sorry..
-
35:24 - 35:26Were you still giving customer
service? - Yes, sir. Yes, sir.. -
35:27 - 35:28How dare you break the law?
-
35:28 - 35:30Mr. Kamble, let it be.
-
35:31 - 35:33Chiku, make
everyone's bill. Come on. -
35:33 - 35:35Sir, I'll get it
cleared in two minutes. -
35:35 - 35:38Hey, Brother.. - Come on,
everyone get up. Get up. Go. -
35:38 - 35:41Brother, we are just drinking
and not committing any crime. -
35:41 - 35:43Do you have a permit to
sit and drink in a bar? -
35:43 - 35:45Why do I need a permit, Brother?
-
35:46 - 35:49Dadav, arrest him. -
Come on. Come on. - Hey! -
35:49 - 35:52Hey? What are you doing? Let go of
my shirt, Brother. - Take him away. -
35:54 - 35:56Come on, hurry up. Come on, Hema,
lsha, payal, Kalpana.. -
35:56 - 35:58Come on, go from here quickly.
-
35:58 - 36:00Hurry up. - Let's go quickly.
-
36:00 - 36:01Get out of here quickly.
-
36:02 - 36:03Come on, girls, hurry up.
-
36:03 - 36:04Come quickly.
-
36:11 - 36:12Hurry up, Brother. Four Bunglows,
Mahadas road. -
36:13 - 36:14Hurry up. - You come here.
-
36:14 - 36:15Come on, hurry up. Hurry up.
-
36:18 - 36:22Benny, how will you earn
here without breaking the law? -
36:22 - 36:26It is not allowed for the
girls to work here after 9:30pm. -
36:28 - 36:31How many people enter
bars before 9:30 in Mumbai? -
36:33 - 36:35That, too, only four
girls are allowed. -
36:36 - 36:39Not only these girls,
but many others.. -
36:39 - 36:42..earn a livelihood with
the help of this ladies bar. -
36:43 - 36:48You know, like this waiter, this
Chotu, the watchman standing down.. -
36:49 - 36:52..the rickshaw driver, the tailor,
that bangle vendor.. -
36:53 - 36:54But who will explain it to them?
-
36:56 - 36:57We run a small bar, don't we?
-
37:00 - 37:02The police has said the bar
has to shut down at 1 :30.. -
37:03 - 37:04..and it's final.
-
37:04 - 37:07But why do these policemen
harass the small bar owners? -
37:08 - 37:09Because they can't
enter the five star hotels. -
37:10 - 37:12'You are welcome to Hotel Mirage.'
-
37:22 - 37:24This guy over here.. - Yes, sir.
-
37:24 - 37:26He is one of our
biggest clients. - Okay, sir. -
37:26 - 37:30All the seminars, conferences of
his company are held in our hotel. -
37:30 - 37:32Right, sir. - He is a very
important guest person. - Yes, sir. -
37:32 - 37:33Good evening, sir.
-
37:34 - 37:38Sir, look at this. These are some
of the known actresses of Bollywood. -
37:39 - 37:42Their names and rates are
written in alphabetical order, sir. -
37:42 - 37:45You just point out anyone,
I'll organize it. -
37:45 - 37:46She'll be organized, sir.
-
37:48 - 37:51Well.. this one. - Oh,
great choice. Great choice. -
37:51 - 37:53Her horror film just released
with her being in the third lead. -
37:53 - 37:54She'll be organized.
-
37:56 - 37:59Hey, look. A red handkerchief!
-
37:59 - 38:01It means.. - Wow.
-
38:02 - 38:06Take service. Works
for me. What about you? -
38:06 - 38:09You are lucky. For me,
I'll check out. -
38:21 - 38:22She has mind blowing figure,
right? - Yes. -
38:24 - 38:26For your kind information,
let me tell you.. -
38:26 - 38:30..the girl by whom you are
impressed, is.. already married. -
38:31 - 38:33She is my wife.
-
38:35 - 38:38She is hot, isn't she?
- No.. actually.. -
38:38 - 38:40No? - Yes, I mean..
-
38:43 - 38:45Married? - Yes. There she is.
-
38:49 - 38:52I see. You must be
having some business. -
38:52 - 38:54Yes. We have three
showrooms of electronics in Mumbai. -
38:56 - 38:58Then you must always be
offering sales and all, right? -
38:59 - 39:01The exchange offer schemes, right?
-
39:01 - 39:02Yes, of course.
-
39:02 - 39:04You bring your old TV and
you'll get Rs. 15000 off.. -
39:04 - 39:06..on the MRp of our
brand new plasma TV. -
39:07 - 39:08I'm not talking about the TV..
-
39:33 - 39:34Hey, baby. I'm telling you an
excellent story. -
39:35 - 39:36Just shut up. - ldiot.
-
39:37 - 39:38Hey, sweetheart.
-
39:39 - 39:42Hey, guys, hi. Hi. - Hello.
- Hi. - Hello, sir. -
39:42 - 39:44Bye. - Good day.
Good day. Good day, sir. -
40:25 - 40:26Come.
-
40:33 - 40:34Hey, Ronnie. - Yes?
-
40:34 - 40:36Look, that boy who
got released.. Look. -
40:37 - 40:40He is a rich man's brat. He
was bound to get released. -
40:40 - 40:42He had just committed a
small crime, Benny. - What? -
40:43 - 40:45He just took some drugs and
shot two persons. That's it. -
40:45 - 40:47Is it a small crime? - Yes.
-
40:47 - 40:48Where do you get these drugs?
-
40:49 - 40:50Benny, are you blind?
-
40:50 - 40:53You have not seen or
learned anything as yet. -
40:53 - 40:55All the drugs are sold
in that disco inside. -
40:55 - 40:57There is less lights and
music and more drugs here. -
40:58 - 41:00Drugs are sold in our hotel? - Yes.
-
41:00 - 41:02Then why don't you
inform our manager? -
41:02 - 41:03Do you think the manager
doesn't know about it? -
41:04 - 41:06The manager knows
about it? - Of course. -
41:06 - 41:08Then why doesn't he take any action?
-
41:08 - 41:09He should inform the police.
-
41:09 - 41:13I'll tell you. Look, if no
drugs are supplied here.. - Yes? -
41:13 - 41:15Then who will come
to this disco? - What? -
41:15 - 41:16Everything is connected, Benny.
-
41:17 - 41:20They are concerned only with
their profit and nothing else. -
41:24 - 41:25Why are you so worried?
-
41:26 - 41:29You didn't eat food either.
I think you have acidity. -
41:29 - 41:30Here, have this medicine.
-
41:31 - 41:32What is it? - Medicine.
-
41:33 - 41:36Oh, I thought it is sweets, you
are distributing them, right? - Okay. -
41:36 - 41:39I'll go to sleep when l
feel like it. - Yes, I know. -
41:44 - 41:46This is the red oil. It's very
cool and soothing. -
41:46 - 41:47Apply it before you go to sleep..
-
41:47 - 41:50..it will give a cooling effect.
-
41:52 - 41:53Why are you in my face?
-
41:54 - 41:55Will you let me sleep?
-
41:58 - 41:59Thanks a lot.
-
42:01 - 42:04please light the mosquito coil as
well. Okay? - Yes, I'll do that. -
42:05 - 42:07Oh, God.
-
42:07 - 42:09'Look, the justice of
our country is bizarre.' -
42:10 - 42:13'The people create havoc
if a man cuts down a tree.' -
42:13 - 42:16'lf you kill a dog or an animal,
people create chaos.' -
42:16 - 42:19'But no one is bothered if
a man commits a suicide.' -
42:19 - 42:22'No farmer will commit
a suicide from today.' -
42:22 - 42:25'And if he does, God, forgive me.
-
42:25 - 42:28'I'd feel that I'm
failing in performing my duty.' -
42:28 - 42:29Very good, sir.
-
42:29 - 42:30'l, Ramesh Thakur, in a conversation
with Rajnath Gaikwad..' -
42:30 - 42:32'..the leader fighting
for the rights of the farmers.' -
42:32 - 42:35'Drugs are no less than a
dangerous spreading virus..' -
42:35 - 42:38'..for the youth of
our new generation.' -
42:39 - 42:41'l will try to stop it at any cost.'
-
42:42 - 42:44This madam visits my hotel.
-
42:45 - 42:47Hey, Babloo. That.. - 'This
virus is spreading all around..' -
42:47 - 42:49'..and we are
unable to do anything.' -
42:49 - 42:50What's wrong?
-
42:51 - 42:53I'm trying to sleep
and you are snoring? -
42:54 - 42:55In fact, not even an
animal can sleep here. -
42:57 - 42:59'The social worker
Sunaina Tejwani..' -
42:59 - 43:01'..is running a mission
against this drug scandal.' -
43:04 - 43:05'Our channel will
keep covering it all.' -
43:05 - 43:06I hope I don't snore again.
-
43:06 - 43:07'Aaj Tak.'
-
43:11 - 43:12Hey. What?
-
43:13 - 43:14Did you hear my snoring again?
-
43:15 - 43:16No, I heard your snoring earlier,
but now I burst into laughter. -
43:17 - 43:18You were sleeping
covering yourself with a scarf. -
43:19 - 43:20Go to sleep. Go to sleep.
-
43:29 - 43:32Oh, God. I'm sorry. I'm sorry.
I'm late. - Never mind. -
43:32 - 43:34Actually.. I had been to
the Channa parlor. - I see. -
43:34 - 43:35I thought, not only at night,
my face should look.. -
43:35 - 43:37..outdated during
the day, too, right? -
43:37 - 43:40Up-to-date. - Yes, the same.
-
43:40 - 43:41Okay, tell me, will you have pizza?
-
43:42 - 43:44With four pieces or eight pieces?
-
43:45 - 43:48Slowly. Slowly, lsha. - Yes,
we'll eat it slowly. -
43:48 - 43:49I am not in a hurry today.
-
43:49 - 43:51No, I mean speak softly.
-
43:51 - 43:54Why? Is the volume
of my voice very loud? -
43:55 - 43:56Am I shouting?
-
43:56 - 43:58No, no. You are not shouting.
-
43:59 - 44:00Actually you have to shout and
talk due to the loud music.. -
44:00 - 44:03..at the bar at night.. - Yes.
-
44:03 - 44:05Do you get that?.
- That's why your tone is such. -
44:05 - 44:06Nothing else.
-
44:06 - 44:07You are a good boy.
-
44:08 - 44:10You are explaining to me so
lovingly so that I don't feel bad. -
44:11 - 44:13You don't belong to Mumbai, right?
- No, I'm from Delhi. -
44:14 - 44:18I had a desire to become an
actor since many years. So l.. -
44:18 - 44:19Call it an itch. An itch.
-
44:20 - 44:22By the way, you look like a hero.
-
44:24 - 44:28By the way, I've been
offered a Bhojpuri film. - Yes. -
44:28 - 44:30One minute. One minute.
Come on, get up. -
44:30 - 44:31Get up.
-
44:31 - 44:32Shall I get up? - Yes.
-
44:34 - 44:35Hey? Why have you
brought an egg here? -
44:36 - 44:37So that no one casts
an evil eye on you. -
44:38 - 44:41I also find it very odd to
bring an egg in my purse. -
44:41 - 44:43But the aunty next
door has made me promise.. -
44:43 - 44:45..to carry an egg in
my purse. - Yes. Softly. -
44:45 - 44:47Actually destiny has
already cast an evil eye on me. -
44:48 - 44:49I didn't want to take
another chance. - Okay. -
44:49 - 44:51That's why I spin it
around any dear one I find. -
44:51 - 44:52Okay.
- One minute. -
44:53 - 44:55Hey? Why are you.. spinning..
-
44:55 - 44:57Just a sec..The
people are watching us. -
44:58 - 45:00please. Hey?
-
45:03 - 45:04Is it done? - Done.
-
45:07 - 45:08Shall we have pizza? - Yes.
-
45:16 - 45:17What's wrong, Benny?
-
45:18 - 45:20Normally, you talk so much
that I've to switch off my radio. -
45:20 - 45:22Why are you so quiet today?
-
45:23 - 45:26No, ma'am, actually I'm
mentally disturbed since two days. -
45:27 - 45:28Why? What's wrong?
-
45:28 - 45:31You know, one madam
Tejwani comes to our hotel? -
45:31 - 45:34Mrs. Tejwani? Yes, I know her.
-
45:34 - 45:36I saw her on TV yesterday.
-
45:36 - 45:39She was speaking
strictly against drugs, ma'am. -
45:40 - 45:44Actually.. ma'am, you don't know.
-
45:44 - 45:47A big racket of drugs is
going on in our hotel. -
45:48 - 45:50No, I'm not lying..
- I know, Benny. -
45:51 - 45:52You know? - Yes, I do.
-
45:52 - 45:55Then, ma'am.. tell madam
Tejwani and stop all this, ma'am. -
45:55 - 45:58Ma'am, it is a very
bad news for our hotel. -
45:58 - 46:00You'll tell her, won't you, ma'am?
-
46:00 - 46:05Benny, they are something else on
TV and something else in real life. -
46:07 - 46:08You don't know
anything about Mrs. Tejwani. -
46:13 - 46:15Isn't he good? Look at him. - Yes.
-
46:17 - 46:18Are you a model? - Yes, I am.
-
46:19 - 46:24Where do you stay? - At Lokhandwala.
-
46:25 - 46:26Lokhandwala? - Yes.
-
46:30 - 46:34You can only afford to buy
clothes from Lokhandwala.. -
46:34 - 46:37..but not stay there.
-
46:39 - 46:44But I can afford to stay
in the Maharaja suite here. -
46:48 - 46:50Would you like to
attend my room tonight? -
46:50 - 46:52Booking the Maharaja suite,
taking the boys along.. -
46:53 - 46:54..that, too, with different names.
-
46:55 - 46:56In which name is the
room booked today? -
46:57 - 46:59Mr. and Mrs. Sunny Mittal.
-
46:59 - 47:03Wow. How do you come
up with such names? -
47:03 - 47:04Thank you so much, ma'am. Thank you.
-
47:05 - 47:06Okay, bye. - Bye.
-
47:06 - 47:07Those who use fake names
themselves, how will.. -
47:08 - 47:09..they ever support the truth?
-
47:11 - 47:13So, Benny, if you got
involved in these things.. -
47:13 - 47:16..you will fall in real trouble.
-
47:16 - 47:17Don't pay attention to it.
Keep your eyes closed. -
47:20 - 47:22Munna. - Yes? - Where is my chilly
chicken? - Yes, I'm bringing it. -
47:22 - 47:24Munna, where is my tea? -
I'll bring it. I'll bring it. -
47:24 - 47:25Munna, bring my tea.
My tea. - I'll bring it. -
47:25 - 47:26Munna. - Yes. Don't yell.
-
47:27 - 47:28Munna, don't bring anything for me.
- Munna, listen to me. -
47:28 - 47:29Hi. Hi. - Hi.
- Munna, bring tea for me. -
47:29 - 47:31Hi. - Babloo, come here. Come here.
-
47:32 - 47:34I've brought a shirt
for you. - Wow. -
47:35 - 47:36For me? - Yes. - Why have
you brought a shirt for me? -
47:36 - 47:41Actually I had gone for
shopping with Ranvir. - Wow. -
47:41 - 47:44I bought a shirt for him, so
I bought one for you, too. -
47:44 - 47:46How is it? - The shirt is fantastic.
-
47:46 - 47:47But how did you remember me?
-
47:48 - 47:49Why? Can't I remember you? - Yes.
-
47:49 - 47:50Do you think I'm Aamir Khan
(lndian actor) from.. -
47:50 - 47:52..'Ghajini' (lndian Movie)?
- No, no. -
47:52 - 47:55Babloo, you are too much.
How can I forget you? -
47:55 - 47:59You had given me Ranvir's number.
- That's true. That's true. -
47:59 - 48:02You know, Ranvir has
been offered a film. -
48:02 - 48:05That, too, with the main lead.
- Wow. - Fantastic. -
48:06 - 48:09It means he is the future
Shahrukh and you are Gauri Khan. -
48:09 - 48:12That's it. - No, no. He has
been offered a Bhojpuri film. -
48:12 - 48:14So what? - It means he is
Ravi Kishen (lndian actor).. -
48:14 - 48:15..and you are Mrs. Kishen.
-
48:15 - 48:17Yes. - You talk nonsense.
-
48:18 - 48:21Listen. - Squander. Squander a lot.
-
48:21 - 48:22What difference does it make me?
-
48:24 - 48:25Here starts the record.
-
48:25 - 48:26Hey, Babloo. - Yes?
-
48:26 - 48:29I know such boys.. - Yes.
- Very well. -
48:30 - 48:32They want a girl who is like the
moon. - I see, you mean beautiful. -
48:33 - 48:36No, my dear, by moon I mean
the girl who comes at night.. -
48:36 - 48:38..and goes away in the morning.
-
48:39 - 48:41Hema, what's your problem?
-
48:41 - 48:43Why are you getting
jealous if I am happy? - Hey? -
48:44 - 48:47Why would I feel jealous?
Am I his bed partner? -
48:47 - 48:50And listen, I come to work here.
-
48:50 - 48:52I don't come to get into
love affairs like you. -
48:52 - 48:54Anyway, who will
fall in love with you? -
48:54 - 48:58You have become an old taxi
which runs on CNG. An old taxi! -
48:58 - 48:59Hey. What did you say, you wretch?
-
48:59 - 49:03At least I'm running,
but you are flying. -
49:03 - 49:06Madhubala, you are not a
Mercedes either. - Relax. -
49:06 - 49:09You also have to go around and
return here as an old taxi here. -
49:09 - 49:10Get lost. - I've seen
many girls like you. -
49:10 - 49:11Forget it. Leave it. - Get lost.
You are always jealous. -
49:12 - 49:13Stop saying such things.
- Forget it. -
49:13 - 49:14Come here, listen
to me. Listen to me. -
49:14 - 49:15Hema, forget it. - Hema, leave it.
-
49:16 - 49:18You are too much, Hema. Too much.
-
49:18 - 49:20Get lost, lsha's sidekick.
- Shut up. -
49:21 - 49:23Forget it, Hema. - Leave it, buddy.
-
49:23 - 49:25You all come to your senses as well.
-
49:26 - 49:28I know the standard of
these boys very well. -
49:30 - 49:33A few moments of ours are
very precious for them.. -
49:33 - 49:36..but our life is very cheap.
-
49:37 - 49:39But they are coming here in
five minutes. I've no time. -
49:39 - 49:41And he is a VVlp. Hold on.
-
49:41 - 49:43What are Charles and Delvis
doing here? Out. Out. Out. -
49:44 - 49:45I am in a fix. I
don't know what to do. -
49:46 - 49:50Hey, psycho, you will not
touch his luggage. Understand? -
49:50 - 49:51Stay away.
-
49:52 - 49:53What are the
security guards doing here? -
49:53 - 49:55Come on, stand at
the main entrance. God. -
49:55 - 49:56Move it. Move it.
-
49:56 - 49:58I don't like your faces.
Come on, go and hide inside. -
49:58 - 49:59Come on, both of you.
-
50:01 - 50:03Is the minister's favorite
suite No. 430 ready? - Yes, sir. -
50:03 - 50:04Are his flowers ready? - Yes, sir.
-
50:04 - 50:06Smile, Venice, please. - Sorry, sir.
-
50:06 - 50:07Go and double check.
Come on, move it. -
50:08 - 50:10Yes, Nikhil. Oh, yes,
everything is under control. -
50:10 - 50:12Of course. Yes. There
is no margin for error. -
50:14 - 50:15Hey. Nikhil, I swear..
- Sir. Sir. Sir. Sir. -
50:15 - 50:17I'll make sure it's okay..
For God's sake. -
50:18 - 50:21What are you doing? -
I'm sorry, sir. Sorry, sir. -
50:21 - 50:23What are you doing? - Sir,
I was saving you, sir. -
50:23 - 50:24I would've gotten out of there.
Do you have any problem? -
50:25 - 50:26Sir, it is the X-ray machine,
everything is exposed, sir. -
50:26 - 50:27I'm really sorry, sir.
-
50:27 - 50:30Oh, yes. Very intelligent. Nikhil..
-
50:30 - 50:32'Welcome to Hotel Mirage.'
-
50:33 - 50:34Now come on, welcome them nicely.
-
50:36 - 50:38Sir, your favorite suite
430 has been organized. -
50:38 - 50:40What are you doing? What
are you doing? - Sorry, sir. -
50:40 - 50:41What are you doing? Why are you
standing so close to me? -
50:41 - 50:42Sorry, sir. Sorry, sir.
-
50:42 - 50:43What sorry? - Sir, they have..
-
50:44 - 50:45They what? - They have left, sir.
-
50:45 - 50:46Who has left? - They have left, sir.
-
50:46 - 50:47Oh, my God. Now you're telling me?
-
50:48 - 50:50Welcome, sir. You are
welcome to Mirage, Mr. Gaikwad. -
50:51 - 50:52Welcome me with a
hug once in a while. -
50:54 - 50:56Your room No. 430
is absolutely ready. -
50:56 - 50:57Enjoy the stay.
-
51:00 - 51:01Rascal.
-
51:04 - 51:06Sir.. - What's this
cupcake carrying there? -
51:07 - 51:08Hello, baby. - Good evening, sir.
-
51:09 - 51:13Good evening. And
good maintenance also. -
51:15 - 51:17The way you maintain
this hotel's rooms.. -
51:17 - 51:19..you have maintained your
mind blowing figure, too. -
51:21 - 51:22Wow.
-
51:23 - 51:24Racal.
-
51:26 - 51:28Well, that guy.. - But..
-
51:29 - 51:32Sir, I had requested you
for a licence.. - Shut up. -
51:32 - 51:34Sir, the licence.. - Why are
you talking about the licence? -
51:35 - 51:38Look, you do my work and
I'll do yours. Got it? -
51:38 - 51:39Yes, sir. Right, sir. - Yes.
-
51:39 - 51:41Instead of placing a pie in my hand,
you're talking about the licence.. -
51:41 - 51:42Rascal! - What?
-
51:42 - 51:45Sir, the bar is open.
24 hours a day. -
51:45 - 51:46What do you mean by the
bar is open? You're scared.. -
51:48 - 51:52"I'll meet Rogers today.
He'll give me a girl." -
51:52 - 51:53"I'll meet.."
-
51:53 - 51:55Oh, Rogers. - Welcome. Welcome.
Welcome, sir. -
51:55 - 51:57Yes. God. - But, sir, what's this?
-
51:58 - 52:00What's wrong?
- You seem very drained out, sir. -
52:00 - 52:01Is it that easy to fool farmers?
-
52:04 - 52:05I'm exhausted after roaming with..
-
52:05 - 52:07..these farmers in the
sun since two weeks. -
52:08 - 52:11So you've given so much service.
-
52:11 - 52:12What service have I given?
-
52:12 - 52:14Sir, these both will
give service to you. -
52:15 - 52:17"They are the greenery
and l.. - Welcome, sir. -
52:17 - 52:18"l am the path."
-
52:18 - 52:21Wow, darling. Great. Two ladies.
-
52:21 - 52:25I love you. And what you do?
-
52:29 - 52:30Wow.
-
52:32 - 52:33Why are you staring
wide-eyed at me? -
52:35 - 52:37Do you want to sit here?
Come on, sir. -
52:37 - 52:38Madam, shift aside.
Let sir sit here. -
52:39 - 52:40No, sir. No.
-
52:40 - 52:41No? Then why are
looking here? Get lost. -
52:43 - 52:45Does he think any
drama is going on here? -
52:46 - 52:48Come on, come here. You
aren't the bellboy, right? -
52:49 - 52:51You are my bell and I'm your boy.
-
52:51 - 52:54Darling, I like you.
English correct, right? -
52:55 - 52:56Rascal.
-
53:00 - 53:01Benny, why are you surprised?
-
53:01 - 53:04Every white collared man
does black business here. -
53:04 - 53:06You know what is the
tragedy of our country? -
53:07 - 53:10There is armed Z-security appointed
for corrupt men from A to Z. -
53:10 - 53:12But I've watched on TV.
-
53:12 - 53:14This.. This Gaikwad has
helped the farmers a lot. -
53:15 - 53:16He pulls the plough
with the farmers there.. -
53:16 - 53:19..and enjoys with the girls here.
-
53:19 - 53:21You know, the stay,
food and everything.. -
53:21 - 53:23..is absolutely free for him here.
-
53:23 - 53:24Absolutely free of cost.
-
53:24 - 53:27Because all the illegal
businesses of this hotel.. -
53:27 - 53:30..are concealed by his
political connections. -
53:31 - 53:36Ms. Hema, your eyes are very
beautiful. They are large. -
53:38 - 53:41I've got them for free with my
face. What do you want to do? -
53:42 - 53:43No, it is not so.
-
53:44 - 53:48Actually I've given up food
and drinks ever since I saw you. -
53:49 - 53:51You have stopped drinking,
too? - Yes. -
53:51 - 53:54If you are so broke, why
do you come to the bar? -
53:57 - 54:03"Beloved, I'll die without you.
Come, oh, my life." -
54:04 - 54:05"Beloved, I'll die without you.
Come, oh, my life." -
54:05 - 54:06What should I bring,
sir? - Call that Vandana. -
54:07 - 54:09Hey, Vandana, that guest
of yours with a moustache is here. -
54:09 - 54:10Come quickly.
-
54:11 - 54:16"l had to come, beloved. The
pain of love is unbearable." -
54:16 - 54:17Neither you receive
my calls nor meet me. -
54:18 - 54:19I've squandered
thousands of rupees on you. -
54:20 - 54:22Do you think I am a donation box?
-
54:22 - 54:24You don't meet me after arousing
the desire within, you wretch. -
54:25 - 54:26Alright. If not you,
then some other girl. -
54:27 - 54:28Not her, then someone else.
-
54:28 - 54:29Hey, who is the
naughtiest amongst them? -
54:30 - 54:31What do I know? Ask them yourself.
-
54:33 - 54:35Hey? Vandana? - Vandana,
what's wrong? -
54:35 - 54:36What's wrong? - Why are you crying?
-
54:37 - 54:38Vandana? What's wrong?
-
54:38 - 54:40Drink water. Have some water.
- What's wrong? Drink water. -
54:40 - 54:42Do you know what happened to her?
- Vandana, drink water. -
54:43 - 54:45What's wrong with her?
- What happened to her? -
54:45 - 54:46I don't know what happened.
-
54:46 - 54:50I am not.. I am not a
characterless woman, Babloo. -
54:52 - 54:54I'm the daughter of a
farmer of Satara village. -
54:56 - 54:59My father is sick. He
has a hole in his heart. -
54:59 - 55:01I've to collect a lot of
money for his treatment. -
55:03 - 55:05My neighbor told me that
this is the only way.. -
55:05 - 55:08..through which an illiterate
girl like me can earn some money. -
55:08 - 55:11I've to give 20 % of my
earnings to the person.. -
55:11 - 55:14..who got me hired here.
-
55:15 - 55:19I spend the rest of the money in
buying medicines for my father. -
55:21 - 55:25But still.. still I've not
done anything wrong till today. -
55:27 - 55:31I swear by Sai Baba (lndian God)..
I'm not a characterless woman. -
55:31 - 55:35We know it. They talk
nonsense after getting drunk. -
55:37 - 55:40You will have to drink the poison
if you stay in a snake's burrow. -
55:40 - 55:43It's okay, baby. I also
have to hear so many taunts.. -
55:43 - 55:46..from my relatives and society.
-
55:47 - 55:49Since we work in a bar,
everyone thinks.. -
55:49 - 55:52..that we go to bed with someone
everyday after the hotel shuts down. -
55:52 - 55:55Vandana, we all know who
and what you are. Forget it. -
55:56 - 55:59Yes, Roshni, you
are absolutely right. -
56:00 - 56:03You know how she is now.
-
56:04 - 56:09But only I know how this
profession will affect her tomorrow. -
56:10 - 56:13Till when will you hide yourself?
-
56:13 - 56:17One day you will be sold
at Nasrullah Khan's market. -
56:22 - 56:23By the way, tell me something.
-
56:24 - 56:26She goes home directly after
the bar shuts down, right? -
56:26 - 56:28Why are you asking? - I'll tell you.
-
56:38 - 56:42Isha, what.. What are you doing?
Keep aside this dagger.. -
56:42 - 56:46Hema, today you will have to
cut a cake with this dagger. -
56:49 - 56:53Happy birthday. - Happy birthday.
- Happy birthday, Hema. -
56:57 - 56:58What are you guys mad of?
-
56:59 - 57:02I taunt you on whatever
you say and today you all.. -
57:02 - 57:04..have come to cut my
birthday cake? -
57:07 - 57:09I talk so bitterly
with you all and you.. -
57:09 - 57:12Hema, we do have
these petty quarrels.. -
57:12 - 57:14..but it doesn't mean
that we are enemies. -
57:15 - 57:20Happy birthday to you.
Happy birthday to you. -
57:20 - 57:25Happy birthday to dear, Hema.
-
57:25 - 57:29Happy birthday to you.
-
57:29 - 57:31Eat less otherwise
you'll become obese. -
57:32 - 57:35My real name is parveen.
I belong to Lucknow. -
57:37 - 57:39I was the most famous
bar girl of my time. -
57:41 - 57:44people used to
squander a lot of money on me. -
57:48 - 57:51My parents, uncle and aunty,
siblings, their children.. -
57:51 - 57:54..everyone depended on
the earnings of my dance. -
57:55 - 57:58One day Akhilesh came there.
He went crazy about me. -
58:00 - 58:02And one day he
announced in the bar that.. -
58:02 - 58:06..today is Hema's
last night at the bar. -
58:06 - 58:08Because he was going to marry me.
-
58:09 - 58:13I left everything and held his hand.
-
58:15 - 58:17I felt as if I've
found a true lover.. -
58:18 - 58:20..someone who will
support me all my life. -
58:22 - 58:23I started living like
a respectable wife.. -
58:23 - 58:25..in the flat given by him.
-
58:28 - 58:33Then one day I learnt that..
Akhilesh is already married. -
58:35 - 58:36He had two children.
-
58:40 - 58:44One day his wife came to my flat..
-
58:44 - 58:49..and threw me out like a
dog while I was bare feet. -
58:56 - 59:01Akhilesh went out of lndia,
but I was bearing his child. -
59:03 - 59:06I felt embarrassed and
returned back to my parents.. -
59:06 - 59:09..whom I had brought up for years.
-
59:10 - 59:13But even they were unable
to put up with my infamy.. -
59:13 - 59:16..and the news of my
illegitimate child. -
59:19 - 59:22I had to return to the same bar..
-
59:22 - 59:25..from which I had
left with Akhilesh once. -
59:37 - 59:39I've a 12 year-old-child.
-
59:41 - 59:45I'm maintaining the cost of his
boarding.. with great difficulty. -
59:50 - 59:53I don't want anyone
else to go through.. -
59:53 - 59:56..what I had to.
-
59:59 - 60:03You don't know, when a
young girl becomes old.. -
60:03 - 60:07..no one even gives her a glance.
-
60:11 - 60:16Now my child doesn't
have anyone except me. -
60:19 - 60:23No, Hema, you stay the same.
-
60:24 - 60:27Say bitter things to everyone.
- No, lsha, I am.. -
60:27 - 60:30Hema, how can you say
that you don't have anyone? -
60:31 - 60:32That your child doesn't
have anyone except you? -
60:33 - 60:34Shall I say something?
-
60:34 - 60:37Your child won't get so many
aunties in any bumper sale as well. -
60:37 - 60:38Right? - Yes.
-
60:40 - 60:44Yes. And this Soni is also a
part of your family from today. -
60:45 - 60:47My real name is Aakruti.
-
60:47 - 60:51Yes. And my name is
not lsha, it is Sarita. -
60:51 - 60:53Vandana. My real name is Niranjana.
-
60:53 - 60:55And my real name is
not Roshni, but Anjali. -
60:55 - 60:58pedora. Real name is Marina.
-
60:59 - 61:02Babloo. And the real
name is also Babloo. -
61:09 - 61:12"By signalling through my eyes.."
-
61:12 - 61:15"..I'll steal your heart."
-
61:16 - 61:19"By signalling through my eyes.."
-
61:19 - 61:23"..I'll steal your heart."
-
61:23 - 61:26"Why don't you understand me?"
-
61:26 - 61:30"Why don't you understand me?"
-
61:30 - 61:34"Why do you turn away
your face and abuse me?" -
61:34 - 61:35"Oh, Dolly."
-
61:35 - 61:37"I'm Dolly."
-
61:38 - 61:40"Darling, I am your Dolly."
-
61:40 - 61:44"I'm Dolly. I'm Dolly.
I'm Dolly. I'm Dolly." -
61:44 - 61:46"I'm Dolly. I'm Dolly.
I'm Dolly. I'm Dolly." -
61:47 - 61:50"Why don't you understand me?"
-
61:50 - 61:54"Why do you turn away
your face and abuse me?" -
61:54 - 61:55"Oh, Dolly."
-
61:56 - 61:58"Darling, you are my Dolly."
-
61:58 - 62:02"Oh, Dolly. My Dolly. Oh, Dolly."
-
62:03 - 62:07We know each other so well now.
-
62:07 - 62:11Why are you shying away then?
I'll quench your thirst. -
62:12 - 62:15Oh, God.
- What happened? What? -
62:20 - 62:23What? - Nothing.
-
62:23 - 62:26Nothing? Nothing happened?
- No, nothing happened. -
62:26 - 62:28Then why did you barge in
like that? - Just like that. -
62:28 - 62:29Nothing, just like that.
-
62:30 - 62:32But a lot happened at our place.
-
62:33 - 62:36Take this. Eat this. Eat this.
- What's this? -
62:36 - 62:40It was Hema's birthday and
we all celebrated it a lot. -
62:40 - 62:42Do you know? Everyone
there is illiterate.. -
62:42 - 62:44..but everyone has a
degree in giving love. -
62:44 - 62:49Oh, that's true. But.. the
degree of love they give.. -
62:49 - 62:50..is a problem.
-
62:54 - 62:56Working at a wrong
place doesn't mean that.. -
62:56 - 62:57..they are wrong as well.
-
62:58 - 63:00You used to say,
"See again and again.. -
63:00 - 63:02Babloo's ladies bar".
I did take a look. -
63:02 - 63:04I watched all the girls closely.
-
63:05 - 63:08I've understood their
lives and their circumstances. -
63:09 - 63:11Benny, I've felt that
their acceptance is.. -
63:11 - 63:13..their helplessness.
-
63:14 - 63:15You talk too much.
-
63:16 - 63:18No one asks money from
anyone forcibly over there. -
63:18 - 63:20Everyone gives them
money on their own. -
63:20 - 63:25Working there is not bad.. but
the filth in people's mind is bad. -
63:25 - 63:30Actually, I was just..
You.. you get angry very fast. -
63:31 - 63:32Let go.. - Come here. Sit here.
-
63:32 - 63:33How can you talk like this?
-
63:34 - 63:38I apologize to you from
the bottom of my heart. Okay? -
63:39 - 63:43Will you have tea? - I'll
eat glucose biscuits, too. -
63:43 - 63:46You ask for a lot more than what
is offered to you Brother Babloo. -
63:51 - 63:54Don't misunderstand them. - Okay.
-
63:54 - 63:57Eat this.. Eat this.
-
64:02 - 64:10"Why don't you get the
destination of happiness?" -
64:10 - 64:11"On every step there is.."
-
64:11 - 64:12Hey, Sheena. Look at this.
-
64:13 - 64:16We can own a holiday home in
Kajrat only in 36 installments. -
64:16 - 64:22"On every step, there's pain.."
- Listen, only 36 installments! -
64:22 - 64:25"Why is it like this?"
-
64:25 - 64:34"Why is this city so isolated?"
-
64:34 - 64:36"Why is this city so isolated?"
-
64:36 - 64:40What's the matter, ma'am? You
look very sad and sullen today. -
64:40 - 64:43Nothing. - I am sure
there's something. -
64:43 - 64:44Tell me.
-
64:44 - 64:47Stop it. Who are you to
ask me? - Benny, the.. -
64:50 - 64:53Sorry, ma'am.. - Benny..
-
64:54 - 64:55Yes, ma'am.
-
65:00 - 65:02I am sorry. I am really sorry.
-
65:05 - 65:07Actually, these days, l
have so many problems that.. -
65:07 - 65:11problems? Ma'am, what problems
can rich people like you have? -
65:12 - 65:13There's a major
problem of our class. -
65:14 - 65:17We never get satisfied.
We have a lot.. -
65:18 - 65:19..but in the greed
of getting all these.. -
65:21 - 65:22..we end up paying
loans all our lives. -
65:23 - 65:24We keep giving EMls.
-
65:26 - 65:30My husband, Abhishek, is a
severe patient of this disease. -
65:33 - 65:35Benny, do you know
what's the toughest? -
65:37 - 65:40In spite of so many problems,
I always have to keep a smile.. -
65:40 - 65:42..on my face in my job.
-
65:45 - 65:48Just like a bar girl
standing at a ladies bar. -
65:49 - 65:52Look, I know that l
am going for 20 days. -
65:52 - 65:54I've an outdoor shooting in Ooty.
-
65:54 - 65:55What's the name of the movie?
-
65:55 - 65:59'Bhaujai Ki Saugand,
Tohara Ke Gaad Ke Rakhdaye'. -
65:59 - 66:01Are you telling me the
movie's name or its story? -
66:04 - 66:06You talk so sweetly when angry.
-
66:07 - 66:11Oh, God, I am getting late. The
production guy is waiting for me. -
66:11 - 66:13production? - Yes. Okay, I'll leave.
-
66:19 - 66:21Won't you ward off the
evil eye with an egg? - Yes. -
66:25 - 66:26Enough..
-
66:31 - 66:35Done. Take this. - Hey, why this?
-
66:35 - 66:36Keep it. It will be of use to you.
-
66:36 - 66:39Look, Veer, if you have money,
people will be around you. -
66:39 - 66:42Improve your standard. - But, lsha..
-
66:42 - 66:43Come on. You are getting late,
aren't you? production.. -
66:44 - 66:48Listen.. don't say 'bye.' And yes,
don't look back either. -
66:49 - 66:52The thing is that l
can't handle emotions. -
66:53 - 66:54Take care of yourself. Okay?
-
66:57 - 66:58Bye.
-
67:02 - 67:07"Separation.. I hope
no one ever separates." -
67:08 - 67:13"Separation.. Oh, God, l
hope no one ever separates." -
67:17 - 67:19What's the matter?
Why are you sullen? -
67:20 - 67:21Separation.
-
67:22 - 67:24Look, Ranvir has gone to Ooty..
-
67:24 - 67:27..so rule over the world now.
Call him. - Shall l? -
67:27 - 67:30Yes.. - But he must be busy. -
Well.. - He'll get angry on me. -
67:30 - 67:33He'll feel happy if
you call. Call him. -
67:33 - 67:36Open my hands once, Ganga Thakur..
-
67:36 - 67:39..I'll break your head.
-
67:39 - 67:42I swear on my sister-in-law.
-
67:42 - 67:44'Hey, Brother.. answer the call.'
-
67:45 - 67:47Cut. Cut. - 'l am not
giving you a missed call.' -
67:47 - 67:49Whose phone is ringing? - Sir..
Sir, my phone is ringing. -
67:49 - 67:52'Answer the call. I am
calling you. Hey, Brother.' -
67:52 - 67:54What kind of a ring tone
is this? - 'Did you get it?' -
67:54 - 67:55My pressure is going
up after hearing this. -
67:55 - 67:56'pick up the call, Brother.'
- Hello. -
67:56 - 67:59Sir, press the green
button first. - Okay. -
67:59 - 68:02Hello? Hello? Talk
to him. - Yes. Hello? -
68:03 - 68:07"Separation." - How are you?
I was missing you a lot. -
68:07 - 68:10The song "Separation"
is being played.. so.. -
68:11 - 68:14Hello, lsha, I am on my shoot.
Shall I talk to you later? -
68:14 - 68:16I told Babloo.. but he..
-
68:17 - 68:19Hello, Mr. Ranvir.. This is Babloo.
-
68:19 - 68:21How's the shooting going on?
-
68:21 - 68:23Look, Babloo,
listen to me carefully. -
68:23 - 68:27The sad songs will go on there
and lsha will keep missing me. -
68:27 - 68:31If you called again.. I'll
kill the villain here later.. -
68:31 - 68:33..but I'll kill you first by
coming to Mumbai. Is that clear? -
68:34 - 68:36Sir, it's done. - "Oh, beloved."
-
68:36 - 68:38Why did you disconnect
the phone? What did he say? -
68:39 - 68:41He threatened to
kill me. - Kill you? -
68:41 - 68:46No, the villain.. in the shooting.
- "Oh, beloved." -
68:46 - 68:49Shall I call him again?
I am missing him a lot. -
68:49 - 68:52No, it's better if we change the
song instead. pinky, change the song. -
68:52 - 68:54Shall I sing, "l
can't live without you?" -
68:55 - 68:57Come on, let's go
inside and talk. Come here. -
69:01 - 69:03Good evening, sir.
Is everything fine? -
69:04 - 69:06Would you like
something else? - I want you. -
69:06 - 69:07How dare you talk to me like that!
-
69:07 - 69:09Don't think of this as
complementary like.. -
69:09 - 69:11..your fruits and chocolates.
-
69:11 - 69:12I'll pay for it.
-
69:16 - 69:18Rs. 1 lakh. - Stop it, sir.
-
69:18 - 69:20By giving Rs. 1 lakh do
you think that I'll sleep.. -
69:20 - 69:24Rs. 2 lakhs. My hard
work and your time. -
69:24 - 69:25I am not that type of a girl.
-
69:26 - 69:27Nothing like that
can happen between us. -
69:27 - 69:32It can happen between us..
because you're just as.. -
69:34 - 69:35..beautiful as rich I am.
-
69:37 - 69:41This is Rs. 3 lakhs.
Before refusing them.. -
69:41 - 69:43..think what all you
can do with this money. -
69:44 - 69:48You can buy a new car,
l-pods, jewelry, new wardrobe.. -
69:48 - 69:49..you can buy your dreams.
-
69:54 - 69:58Hey, hello. Who's parked
this car in my parking area? -
69:58 - 70:00It belongs to Ms. Ria
living in room no. 401. -
70:01 - 70:03She's ordered a new car from
the showroom today itself. -
70:08 - 70:10New car or a new adventure?
-
70:34 - 70:35Sir, your luggage?
- 'Beautiful shot.' -
70:36 - 70:38Interesting match, sir.
-
70:38 - 70:41'Went off his pads. Just outside.
Ramiz Raja..' -
70:42 - 70:45Oh, God. Sorry, sir. Sir.
-
70:48 - 70:52What a six, sir! Sir?
- 'A sneak shot, but..' -
70:52 - 70:55Remote here, sir. Okay? Sir?
-
70:56 - 70:59'Every shot from the pakistanis..'
-
71:11 - 71:13Sir? Oh, God..
-
71:16 - 71:19Hey, Benny.. what happened, man?
-
71:20 - 71:23I touched. He fall..
-
71:23 - 71:26Doctor? - No way. He's dead.
-
71:27 - 71:28He's dead? - Yes.
-
71:28 - 71:30I know he's dead. Come on, doctor.
-
71:30 - 71:32You know what to do
with the dead body. - Yes. -
71:32 - 71:34As always, take him
to your nursing home. -
71:34 - 71:36And declare him dead there. - Okay.
-
71:37 - 71:39After that we'll
inform his family. - Okay. -
71:39 - 71:42Come on, move. Idiot.
-
71:42 - 71:43Neeta.. - Yes, sir.
-
71:43 - 71:45Arrange for a house
keeping trolley. - Right, sir. -
71:46 - 71:48What's the room number? - Sir, 309.
-
71:49 - 71:51Nikhil, what's the
outstanding of room No. 309? -
71:51 - 71:55Rs. 70000 sir.. - Rs. 70000?
Are you crazy? -
71:55 - 71:57No, sir. - Where are you right now?
-
71:57 - 71:59In the reception, sir. - You
just wait there, I am coming. -
71:59 - 72:04I am coming right away.
What are you staring at? What? -
72:04 - 72:06What? - Nothing, sir.
-
72:06 - 72:08Then move, Benny.
Come on. - Yes, sir. -
72:08 - 72:10Butt, what, sir? - It is this.
This, this is your behind. Got it? -
72:10 - 72:12Yes, sir. - Move.
-
72:12 - 72:13Nikhil, did he have
to die in our hotel? -
72:13 - 72:14Ronnie, let go.. - How strange!
-
72:15 - 72:17There's a death in our hotel.
Inform the police. -
72:17 - 72:19police? Are you out of your mind?
-
72:19 - 72:22police means media.
Media means public. -
72:22 - 72:24public means our customers.
-
72:24 - 72:27Look, if they learn that a
death has taken place here.. -
72:27 - 72:28..they won't come here.
-
72:28 - 72:30Then both of us will have to
go look for a job together. -
72:30 - 72:33You do one thing. Fold his luggage,
I'll fold him by then. -
72:34 - 72:36'Sir, your favorite
suite 309 is ready.' -
72:36 - 72:39'Your favorite flowers. Your
favorite dark chocolates.' -
72:39 - 72:40'Nikhil, did he have
to die in our hotel?' -
72:40 - 72:41'How strange!'
-
72:42 - 72:44Benny.. Benny,
pose for a photograph. -
72:57 - 73:01Benny, look there.. Look there.
She's totally changed. -
73:05 - 73:06Who is it? - It's Ria.
-
73:11 - 73:13Rs. 3 lakhs, Ria? Wow.
-
73:14 - 73:16That, too, in one hour. - What?
-
73:17 - 73:21It is faster than taking out
money from the ATM. - Right. -
73:21 - 73:22If you come for the duty..
then people touch.. -
73:22 - 73:24..you here and there for free.
-
73:25 - 73:26So why not get paid for it?
-
73:26 - 73:29If I have car today.. I'll also
get a boyfriend who owns a car. -
73:30 - 73:31If you travel in a bus,
you'll get a boyfriend.. -
73:31 - 73:32..who owns a bike at the most.
-
73:33 - 73:35'Hi, handsome.'
-
73:36 - 73:38'Do you want to be friends with me?'
-
73:40 - 73:41'Hi, I am Jennifer.'
-
73:42 - 73:45'Welcome to Hotel Mirage.'
-
74:11 - 74:12You.. - Mumbai police.
-
74:12 - 74:13Special branch.
-
74:19 - 74:21This has been going on
in your hotel a lot. -
74:21 - 74:23This prostitution in
pretext of escort service. -
74:23 - 74:24Tomorrow when it is
published in the newspapers.. -
74:24 - 74:25..you'll get to know everything.
-
74:26 - 74:27Sir, these are regular
guests of our hotel. -
74:27 - 74:29Sir, and then he's a very
respectable businessman. -
74:29 - 74:31Sir, what do we know what he
does inside the hotel room? -
74:31 - 74:32We have no idea, sir.
-
74:33 - 74:35Is it a 5 star hotel or an
inn near the check post? -
74:35 - 74:36Will you do anything here?
-
74:37 - 74:39Sir, this is the matter
of our hotel's reputation. -
74:40 - 74:41Sir, anyway, this is
a very minor issue. -
74:42 - 74:44We can sort it out.. over..
over a cup of coffee, sir. -
74:44 - 74:45If you want, you can
have tea as well, sir. -
74:46 - 74:47The one with less water.
-
74:47 - 74:48Ronnie, what's so urgent?
-
74:48 - 74:49You come, I'll show you.
-
74:50 - 74:51Where is the other party?
-
74:52 - 74:53Benny, come with me.
-
74:54 - 74:56Benny, come on. - They've
handcuffed school girls. -
74:56 - 74:58They are not school girls,
they are teachers. -
74:58 - 74:59The principal is inside. Come on.
-
75:01 - 75:03How are you, sir? Good evening, sir.
-
75:03 - 75:04Good evening, sir. - What
are they doing in the bathtub? -
75:04 - 75:06I'll tell you later, first
help them out. Help them first. -
75:07 - 75:08Sir, you please come. Come, sir.
-
75:08 - 75:09Sir, it is a police matter.
- What police matter? -
75:12 - 75:18Come on. Benny, what's
wrong with you? - Nothing. -
75:18 - 75:19Tell me, what's the matter?
-
75:20 - 75:22Will this hotel
shut down? - No. Why? -
75:24 - 75:26There was a police raid yesterday.
-
75:26 - 75:28Forget it. This has not
happened for the first time. -
75:28 - 75:29You come with me. Don't worry.
-
75:29 - 75:33You see, there'll be nothing in the
papers about this tomorrow either. -
75:33 - 75:36Ronnie, it looks
like a red light area. -
75:36 - 75:38So what? This is a five star hotel.
-
75:38 - 75:39You get permission
to do all this here. -
75:39 - 75:41And listen, don't call it a red
light area, it doesn't sound good. -
75:41 - 75:43Call it escort service.
-
75:43 - 75:46If you call these girls.. in
Hindi.. - No, I understood. -
75:46 - 75:47It doesn't sound good, does it?
Escort service sounds good. -
75:48 - 75:49If somebody calls you
a boy who rings a bell.. -
75:49 - 75:51it won't sound good, will it?
-
75:51 - 75:53Bellboy sounds really good,
doesn't it? Right? Let's go. -
75:54 - 75:55And listen.. this is a five star.
-
75:56 - 75:58The more filth, the
more stars you get here. -
76:01 - 76:03What happened? Did you like
the joke? - No.. that one.. -
76:03 - 76:05Which one? - "The
boy who rings a bell".. -
76:05 - 76:06Did you like it so much? - Yes.
-
76:06 - 76:07Come on.
-
76:09 - 76:11Benny. Benny. - What?
-
76:11 - 76:14What's written here? A
renowned hotel was raided. -
76:15 - 76:19Benny, I hope this is not
your hotel? - Five star? -
76:19 - 76:22Have they published
the name of the hotel? -
76:23 - 76:28No, there's no name.
- Your brain is like a ladies bar. -
76:29 - 76:30How can you accuse like this?
-
76:30 - 76:31No, I just asked you.
-
76:32 - 76:36Babloo, this is a five star.
It is not your.. bar. -
76:38 - 76:39Give that to me.. - Why?
-
76:39 - 76:41I need to clean the mirror.
Give that to me. -
76:43 - 76:45You'll clean the
mirror with today's paper. -
76:54 - 76:57Is this a mirror? - I had come
to dry this.. five star here.. -
76:57 - 77:00..sorry, towel. - Hurry up.
It's time for Ranvir's film. -
77:00 - 77:02Everyone must be waiting.
-
77:02 - 77:04I was trying to see
the show's timing. -
77:04 - 77:05What's the name of the movie?
-
77:05 - 77:07'Bhaujai Ki Saugand,
Tohara Ke Gaad Ke Rakhdaye.' -
77:07 - 77:09I am not asking the dialogue,
tell me the name. -
77:09 - 77:11You tell me the
movie's name. Tell me. -
77:11 - 77:12'Bhaujai Ki Saugand.'
-
77:15 - 77:18You read the rest on
the poster. Hurry up. -
77:23 - 77:25Sorry. Sorry. I got late.
-
77:27 - 77:28Hema.. what are you doing?
-
77:31 - 77:34Our hero is here. - What an entry!
-
77:38 - 77:43'Thakur, I've come back
from the city to retaliate.' -
77:45 - 77:47'I'll not spare you now.'
-
77:51 - 77:54"Till when will you
torment me like this?" -
78:02 - 78:03He's dancing so well. - Sit.
-
78:05 - 78:09"Be sure of that."
-
78:12 - 78:15'l swear on my sister-in-law,
I'll not spare you.' -
78:19 - 78:22Hit him.. - He's
looking so handsome. -
78:22 - 78:24What a dialogue
delivery it was! Look. -
78:24 - 78:26He's come again with
a stick in his hand. -
78:26 - 78:30He's looking so handsome.
Just like a hero. Great. -
78:31 - 78:32Shut up. This is not
your father's house. -
78:32 - 78:34Is this your mother's house?
Mind it. Sit down. -
78:34 - 78:37'Thakur, your time is up today.'
-
78:38 - 78:41'Forgive me. - Today,
I'll count your sins.' -
78:41 - 78:45'No, you are like my sister-in-law.
please forgive me.' -
78:46 - 78:47'please, forgive me.'
-
78:55 - 78:57Yes, I told you.. I am ready..
-
78:58 - 79:01But.. But I want Rs. 3 lakhs.
-
79:01 - 79:03You have an expensive entry fee.
-
79:03 - 79:04Okay, I'll give you Rs. 3 lakhs.
-
79:05 - 79:08Okay, so I'll come tonight itself.
-
79:08 - 79:10You just tell me when
and where to come. -
79:10 - 79:11You will give me Rs.
3 lakhs, won't you? -
79:11 - 79:13Rs. 3 lakhs for one night?
Won't do. -
79:14 - 79:15I'll take you to
Lonavala for three nights. -
79:16 - 79:17I'll give you Rs. 1
lakh after every night. -
79:17 - 79:19Down payment. Tell me,
do you agree with it? -
79:20 - 79:23Yes, yes.. I am ready.
I'll be there. -
79:26 - 79:28I thought you were
different from the others. -
79:29 - 79:31But I saw as well
as heard you today. -
79:31 - 79:33You are really
different from the others. -
79:34 - 79:35You are doing all this stealthily?
-
79:38 - 79:42Got a call from the village.
father is in the lCU. -
79:43 - 79:47If he doesn't get
operated in one week.. then.. -
79:50 - 79:53I need Rs. 3 lakhs. Rs. 3 lakhs.
-
79:57 - 79:59I can do anything
for mother and father. -
80:02 - 80:08"My dreams are so cheap, is
there someone who can buy them?" -
80:08 - 80:11"Anyone can buy it."
-
80:11 - 80:14"The path is lost, the
destination is too far." -
80:14 - 80:17"What is my destiny like?"
-
80:17 - 80:20"What is my destiny like?"
-
80:22 - 80:25"Oh, God, who cursed me?"
-
80:25 - 80:28"Oh, God, even prayers don't help."
-
80:28 - 80:31"Oh, God, who cursed me?"
-
80:31 - 80:34"Oh, God, even prayers don't help."
-
80:34 - 80:38I had kept this Rs. 10000
with the manager as savings. -
80:38 - 80:41Use them for your work.
-
80:43 - 80:47And try saving
yourself as much as possible.. -
80:48 - 80:50..but don't choose this way.
-
80:53 - 80:57No, Babloo, I think even
the Lord wants the same. -
81:01 - 81:02No.
-
81:03 - 81:05Hey, pedora, what are you doing?
-
81:06 - 81:07Brother, don't stop me today.
-
81:08 - 81:11I've earned a lot for your
Ghungroo ladies bar. please. -
81:26 - 81:30If Babloo can help her..
can't we help her as well? -
82:12 - 82:16Hi, baby. Just a reminder
for tomorrow. - Of course. -
82:17 - 82:20How can I forget?
Candle light dinner, fixed. -
82:20 - 82:22Bye, love, take care. - Bye.
-
82:23 - 82:26Who's this? - Boyfriend.
-
82:26 - 82:27What?
-
82:28 - 82:30You got a new boyfriend? - Yes.
-
82:30 - 82:32He owns a bike? - No.
-
82:32 - 82:33He owns a car.
-
82:34 - 82:35Yes.
-
82:39 - 82:41I brought you here to
show you the surprise. -
82:44 - 82:47This is 'Tera' (Yours)? - We are
on floor number 'Tera' (Thirteen). -
82:47 - 82:50Not the number. - Then?
- Does this belong to you? -
82:50 - 82:54No, this is our flat. 2
BHK flat. But on rent. -
82:54 - 82:56Actually I've spoken to my parents.
-
82:56 - 82:58They want me to settle
down at the earliest. -
82:58 - 83:02So this is my
surprise number 2. Wow. -
83:05 - 83:09I can't marry you..
- What? But why? -
83:12 - 83:16You know why I am working
in this ladies bar, right? -
83:17 - 83:19No matter what happens in my life..
-
83:20 - 83:22..I want to educate my siblings.
-
83:22 - 83:24I want to bear all their expenses.
-
83:24 - 83:27Come on, lsha, don't your
siblings mean anything to me? -
83:28 - 83:31You don't get tensed. I'm there.
I'll manage everything. -
83:34 - 83:37Every month's expense
is more than Rs. 50000. -
83:39 - 83:44You'll manage in the beginning, but
you'll feel it is a burden later on. -
83:46 - 83:50So what do you want? You
want to stay in that muck.. -
83:50 - 83:54..that filthy place, in that dirt,
between those bad people.. -
83:54 - 83:56..and ruin your whole life?
-
83:58 - 84:00Nowadays, I can see my
brother Dheeraj's monthly fees.. -
84:00 - 84:03..in all those dirty looks.
-
84:04 - 84:07I can see my sister
Laado's college degree. -
84:08 - 84:11My little brother and sisters..
Akash, Rinku, and preeti.. -
84:11 - 84:12I see their tuition fees.
-
84:13 - 84:18But do you know how much my parents
are forcing me to get married? -
84:19 - 84:22You get married then.
You get married. -
84:23 - 84:26If not me, somebody else
will become Mrs. Ravi Kishen. -
84:26 - 84:30What rubbish? What are you saying?
- I can't marry you. -
84:32 - 84:35But, yes. I want something
from you. Will you give it to me? -
84:36 - 84:39What do you want? Tell me? - This.
-
84:39 - 84:41What will you do
with this nuptial chain? -
84:44 - 84:47I'll see this daily and
show it to others, too. -
84:48 - 84:52That there was one guy who
wanted to spend not one night.. -
84:52 - 84:54..but his whole life with me.
-
84:56 - 84:58You refused Ranvir for marriage?
-
85:00 - 85:04pedora, you know.. we have
so many responsibilities.. -
85:04 - 85:09..in our lives that we
can't think of ourselves. -
85:10 - 85:12Our siblings should
become something. That's it. -
85:12 - 85:14We don't want anything else.
-
85:15 - 85:19And anyway.. I like
dreaming for others. -
85:21 - 85:24I am happy that
Ranvir's dream is coming true. -
85:25 - 85:28Shall I tell you something?
The first time I came here.. -
85:28 - 85:33..I was feeling so ashamed..
that what a place I'm working at! -
85:33 - 85:35Which kind of girls
am I working with? -
85:35 - 85:40But after meeting you.. I can
tell you one thing for sure. -
85:40 - 85:44That the way you are
struggling in your life.. -
85:45 - 85:45..in such an environment,
I am proud of you all. -
85:46 - 85:54"You are not in your senses.
Your youth is intoxicating." -
85:54 - 85:57"It's not.. It's not your fault."
-
85:57 - 85:59"You are always intoxicating."
-
86:00 - 86:02"You are a
damsel." - Come and dance. -
86:02 - 86:06Not on the stage. Not on the stage.
Sit here. - Hey, little friend.. -
86:07 - 86:09You all have a seat.
Calm down. Sit comfortably. -
86:10 - 86:14The singers are singing here. You
just listen to their songs quietly. -
86:14 - 86:16They are sitting quietly.
- Make them sit quietly. -
86:16 - 86:17Otherwise, I'll teach them a lesson.
-
86:17 - 86:19"Lover is your name."
-
86:19 - 86:21"Your job is to steal hearts."
-
86:21 - 86:24"Hold my hands."
-
86:24 - 86:27"You are defamed here."
-
86:27 - 86:28Come on, sir. Have a seat. Come on.
-
86:28 - 86:30"You are a damsel."
-
86:30 - 86:32"You are a damsel."
-
86:33 - 86:35Don't let go off her hand.
- Let go off me. -
86:35 - 86:38You shouldn't touch her.
- You tell me, what do I touch? -
86:39 - 86:41Sir, dancing isn't
allowed here. Sit. -
86:41 - 86:42Why are you messing with me for
these characterless women? -
86:42 - 86:43Hit him. Hit that rascal.
-
86:45 - 86:46What did you say?
-Characterless women.. -
86:47 - 86:49How dare you say that?
How dare you? -
86:49 - 86:52Who did you call as
characterless women? Babloo. -
86:54 - 86:56You come with me. -
You don't know us. -
86:56 - 86:58Take them inside. Come on.
-
86:58 - 87:00Throw them out, come on.
-
87:01 - 87:04Let go off me. Let go.
-
87:05 - 87:06We'll surely teach you a lesson.
-
87:09 - 87:12Come on, move. - Let go off me.
-
87:12 - 87:15Let go off me. - Suresh,
close the door first. -
87:15 - 87:17Close the door. I'll thrash them.
-
87:20 - 87:22How dare they bash up our boys?
-
87:23 - 87:26Do they have a license to thrash
anyone who commits a mistake? -
87:28 - 87:29The people working in
some crummy Ghungroo bar.. -
87:29 - 87:31..Iocated on Goregaon link road..
-
87:31 - 87:33..bashed up our boys?
-
87:33 - 87:34Beaten them up like dogs!
-
87:35 - 87:38You'll give a statement to the police
that you all had been to the bar.. -
87:38 - 87:42..but you didn't even
touch the bar girls. -
87:44 - 87:48But even after the 9:30 deadline,
when the bargirls were getting.. -
87:48 - 87:52..physical with the guests publicly..
you four tried to capture.. -
87:52 - 87:58..their illegal activities
on your cell phone camera. -
87:59 - 88:03That's it. They all started
beating you up brutally after that. -
88:13 - 88:16I haven't seen you before.
Who are you? -
88:17 - 88:20I am Alok's friend. I've recently
shifted here with my parents. -
88:21 - 88:25Oh, your mother must be
worried hearing all this, right? -
88:25 - 88:29Ask her to relax. - Okay, ma'am.
-
88:30 - 88:34And also tell her that you
won't be able to come home tonight. -
88:35 - 88:36Why are you standing sullen?
-
88:37 - 88:38Jail is a common thing.
-
88:38 - 88:39It has been happening since
the freedom fights era. -
88:40 - 88:42These days, everything is
'legular'.. Ieg.. - Regular. -
88:42 - 88:45Yes, it is regular. Even
actors come to jail nowadays. -
88:45 - 88:48Stop lecturing me now. - No,
I am not lecturing you. -
88:48 - 88:51I am happy and feeling proud.
I am celebrating. -
88:51 - 88:54You are actually a
ladies bar waiter now. -
88:54 - 88:56You've completed the formality of
going to jail after being in a brawl. -
88:56 - 88:58Babloo, you've
finished your graduation now. -
88:58 - 89:00Babloo has passed. I want to
tell this news to everyone. -
89:00 - 89:03Sir.. Brother, please come
here for a minute. - What is it? -
89:03 - 89:04This is Babloo. He
works in the ladies bar. -
89:05 - 89:06Today he finished graduation..
- So, what do I do? -
89:07 - 89:10Sir.. this is Babloo. He
works in a ladies bar. -
89:10 - 89:13There's a filthy and third class
bar named Ghungroo ladies bar. -
89:13 - 89:14He works in that bar.
-
89:14 - 89:15Today, he landed up in
jail after having a fight. -
89:15 - 89:16He completed his graduation today.
-
89:17 - 89:18Shake hands with him. Shake hands.
-
89:18 - 89:20Mr. Raju is the manager
of Ghungroo ladies bar. -
89:21 - 89:23Oh, God.. - This is Benny,
isn't it? Take it easy. -
89:23 - 89:26Sir.. - Going to jail
is common in our line. -
89:28 - 89:29This is a daily job for us.
-
89:29 - 89:31You do one thing,
meet me in the evening. -
89:31 - 89:34I'll finish the paper work
and return. - Okay, goodbye. -
89:34 - 89:35You said what I wanted to say..
-
89:37 - 89:40He said it was 'legular'.. Iegu..
- Regular. - It was regular here. -
89:40 - 89:42Very good. I am very happy.
My mind is at peace now. -
89:48 - 89:53Our NGO team has known the inside
story of these ladies bars of Mumbai. -
89:53 - 89:55The law is being broken.
-
89:56 - 90:00They dance all night and they find
new ways to attract the customers. -
90:00 - 90:02Have some. please.
-
90:03 - 90:08Till when will we pretend to be
ignorant though we know everything? -
90:09 - 90:11They are exposing
themselves in public. -
90:13 - 90:15Gentlemen, now it is time.
-
90:15 - 90:18We all have to get
together and expose this.. -
90:18 - 90:20..dirty network of the ladies bars.
-
90:22 - 90:23Yes, gentlemen. She's right.
-
90:23 - 90:25I mean, this vulgarity, this
obscenity, this exposure.. -
90:25 - 90:28We won't tolerate it more.
-
90:28 - 90:29You have a high
position in the society. -
90:29 - 90:31I am sure if you all get
together and protest.. -
90:31 - 90:33..people will get awareness..
I am sure.. -
90:33 - 90:34Thank you, Mr. Negi.
-
90:34 - 90:36Mrs. Tejani, shall I assume
that the party is confirmed? -
90:37 - 90:38Of course, Mr. Negi.
-
90:38 - 90:39Yes.
-
90:39 - 90:41Yes, alright. Enjoy yourself.
- Thank you. -
90:42 - 90:43Nikhil, the party is
confirmed on 15th.. -
90:43 - 90:44So we have to get together.
-
90:49 - 90:52I want all the ladies bars to
shut down as soon as possible. -
90:52 - 90:54And give the report to me.
-
90:54 - 90:57If you need any help,
take it from our department. -
90:57 - 90:58Shut it down as soon as possible.
-
90:59 - 91:00This is not good for our society.
-
91:00 - 91:02You don't know who I am.
-
91:03 - 91:06If I make one call,
they'll come and kill you. -
91:07 - 91:10Rascal. Stop your melodrama.
-
91:11 - 91:12Scoundrel, I don't
want the ladies bars. -
91:14 - 91:16Come on. Come on.
-
91:17 - 91:18Don't push.
- Sit there. -
91:22 - 91:23Move the vehicle.
-
91:45 - 91:46Come on, move.
-
91:46 - 91:49Come on. Come on.
-
91:49 - 91:52Get everyone. Get everyone.
-
91:52 - 91:54Come on. Get everyone.
Go and sit in the car. -
91:54 - 91:56Don't act smart. Come on. - Come on.
-
91:56 - 91:57Hurry up. Come on. Come on. Come on.
-
91:57 - 91:59Wretch woman was
hiding inside. Come on. -
92:03 - 92:04What happened,
Brother? - What happened? -
92:05 - 92:06What happened inside?
- There is nothing to worry about. -
92:06 - 92:07Everything has been settled.
-
92:07 - 92:09You all will be able
to go home in an hour. -
92:09 - 92:10Thank you, Brother.
-
92:10 - 92:11Thank you, Brother.
- Thank you. Thank you. -
92:12 - 92:13Thank you for what? - Good.
-
92:13 - 92:17I charge you guys 40 %% protection
money to resolve such issues. -
92:18 - 92:19Come on, relax now.
-
92:19 - 92:20I will go and settle
other things. - Okay. Fie. -
92:21 - 92:22Okay. - Thank you.
- Thank you. - Thank you. -
92:22 - 92:24It's so.. - It has
become a daily thing now. -
92:24 - 92:27They take money and
yet come to arrest us. -
92:27 - 92:29Then they make us wait for
5 hours here. - Come in. -
92:29 - 92:30Come on, sit over here.
-
92:34 - 92:37They said 1 hour, but I wonder
how long they will take. Rascals. -
92:41 - 92:42Brother..
-
92:44 - 92:45Why is that girl here?
-
92:46 - 92:47Who, she?
-
92:48 - 92:50I caught her backless on the
backseat at Lokhandwala back road. -
92:51 - 92:52What are you saying?
-
92:52 - 92:53She was busy with a guy.
-
92:54 - 92:55The guy ran away. I caught her.
-
92:56 - 92:58Hey, hi-fi, what were
you saying the other day? -
92:59 - 93:01"public property
talking of being personal". -
93:03 - 93:06Now look, who has
become public property. -
93:07 - 93:08Stop here.
-
93:10 - 93:11How much?
-
93:11 - 93:12Brother.
-
93:16 - 93:18The girl there.. Her..
-
93:18 - 93:20Anyhow get her out of here.
please, Brother. -
93:21 - 93:23I'll pay whatever it
takes to get her out. -
93:23 - 93:24please, Brother. - You guys..
-
93:24 - 93:25please. please.
please. please. please. -
93:25 - 93:27Okay, I'll do something. Come on.
-
93:27 - 93:28Oh, thank you, Brother.
-
93:29 - 93:30I'll talk to him.
You go and sit there. -
93:31 - 93:32Sir.. - Ria.
-
93:32 - 93:34What I am saying is..
- Yes, tell me. -
93:34 - 93:35The girl sitting back there..
-
93:35 - 93:40Aunty.. I have called her here.
-
93:41 - 93:46Actually, our ladies bar was
raided today and.. I got caught. -
93:47 - 93:49And these guys said that
they will leave me only.. -
93:49 - 93:51..when I call two
people who can vouch for me. -
93:52 - 93:55Aunty, I don't know
anyone other than you two. -
93:55 - 93:58Why, dear? Why do
you do such a thing? -
94:00 - 94:01Stop doing it.
-
94:02 - 94:04Look at my daughter Ria.
-
94:04 - 94:08You can also work at a
nice place like she does. -
94:09 - 94:10Your job is done.
-
94:10 - 94:12He is Mr. Raju.
-
94:12 - 94:13Our ladies bar's manager.
-
94:14 - 94:16He will handle the
rest of the things. -
94:17 - 94:19You both can leave now. Right?
-
94:20 - 94:21Thanks. Thank you for coming.
-
94:21 - 94:22Thank you, Ria, for coming.
-
94:24 - 94:27Okay, listen, is this
girl from another bar? -
94:27 - 94:30No. She's from another world.
-
94:30 - 94:33But her state is just
like mine. Same to same. -
94:33 - 94:36Tell me, Ria. What did you
want to talk to me about? -
94:39 - 94:41Akash, let's get married.
-
94:41 - 94:43All of a sudden?
-
94:44 - 94:47But.. we had decided to get
married two years later, right? -
94:48 - 94:50I want to get married now.
-
94:50 - 94:52Do you have a problem with it?
-
94:53 - 94:54I have no problem with it.
-
94:55 - 94:56I love you a lot.
-
94:58 - 94:59Let something that was supposed..
-
94:59 - 95:00..to happen 2 years later,
happen now. -
95:05 - 95:07Babloo, have you
vowed not to talk today? -
95:08 - 95:10You are not talking to Gulabo.
-
95:10 - 95:13Do I need to talk
to plants everyday? -
95:14 - 95:15It's not necessary, but
you don't need to get angry. -
95:17 - 95:18Aren't you going to get up?
-
95:18 - 95:20Don't you have to go to work?
-
95:21 - 95:22I have no work to go to.
-
95:26 - 95:30What do you mean? - police cancelled
Ghungroo Ladies Bar's licence. -
95:30 - 95:32What are you saying, Babloo?
-
95:32 - 95:36Mr. Raju says that he will
bribe them and get it started. -
95:36 - 95:38But there is no
guarantee as to by when. -
95:38 - 95:39So what will you do now?
-
95:41 - 95:43Let's see. I'll look for a
job at a railway canteen.. -
95:43 - 95:44..or a roadside restaurant.
-
95:44 - 95:46What else? - What nonsense
you are talking, Babloo? -
95:47 - 95:48Who am l?
-
95:49 - 95:50A five star is
standing in front of you. -
95:51 - 95:52I mean a friend working
in a five star hotel.. -
95:52 - 95:53..is standing in
front of you. Got it? -
95:54 - 95:55Talking nonsense.
-
95:56 - 95:57When will you take advantage
of such a friend if not now? -
95:59 - 96:01I will get you a job. Get you one.
-
96:02 - 96:03Sir, good man, good boy. - Shut up.
-
96:03 - 96:04What are you doing over here?
-
96:04 - 96:07Sir, madam Sheena
recommended Babloo. -
96:07 - 96:08Just hold on for a second.
- Where is Babloo? -
96:08 - 96:10Babloo is behind.. Down there, sir.
-
96:11 - 96:12Oh, he is Babloo?
-
96:12 - 96:13Have you worked
anywhere else before? -
96:14 - 96:15Yes, listen.-
Ghungroo Ladies Bar, sir. -
96:16 - 96:17Just hold on for a second.
-
96:18 - 96:19What did you say just now?
What 'Ghun'? What? -
96:19 - 96:21Ghungroo Ladies Bar.
-
96:21 - 96:22Ghungroo Ladies Bar? - Yes.
-
96:23 - 96:24Benny, do you have any brains?
-
96:24 - 96:26He does, sir. Sir, he is
very intelligent. Very.. -
96:26 - 96:28I am talking about you, not him.
-
96:28 - 96:30Do you have any brains?
- What? Yes, I do, sir. -
96:30 - 96:31No, you don't. You
don't have any brains. -
96:32 - 96:33If you had any brains,
you wouldn't.. -
96:33 - 96:35..have brought this boy
who works at Ghungroo bar.. -
96:35 - 96:36..here in The Mirage.
-
96:36 - 96:38Look at this. He is a down-market,
third-class guy.. -
96:38 - 96:40..who works at Ghungroo Ladies Bar.
-
96:40 - 96:43And look at us. The elite,
the most sophisticated.. -
96:43 - 96:45..the cream of the society.
- Thank you, sir. -
96:45 - 96:47I mean.. If you bring
him here henceforth.. -
96:47 - 96:50..I will hand him
over to the police. -
96:50 - 96:51Sir, he's my friend. - Shut up.
-
96:51 - 96:52I.. I.. - And you
will lose your job. -
96:52 - 96:53Sir. - Get out. - Sir.
-
96:53 - 96:54Not from there. - Sir.
-
96:55 - 96:56Backdoor. - Okay, sir. - From
the backdoor. - Let's go. Let's go. -
96:56 - 96:58If anyone sees him here.. - Sir.
-
96:58 - 96:59They will say that illicit
activities are going on here. -
96:59 - 97:01Illicit activities are
going on here. - Sir. -
97:01 - 97:02Nikhil, I am still on the line.
-
97:03 - 97:05"I'll get you a job".
-
97:06 - 97:08Let's go. - Babloo.
-
97:09 - 97:10Listen. - You don't
have to say sorry. -
97:10 - 97:11I am going through a
bad phase. It happens. -
97:12 - 97:13It's not that. The
backdoor is on that side. -
97:13 - 97:17What door? - The backdoor
is on that side. Let's go. -
97:19 - 97:22Brother, look at the
state of this bar. -
97:23 - 97:25If you want, this
bar can start again. -
97:26 - 97:28I have spoken to
the senior inspector. -
97:29 - 97:30He can get it started.
-
97:31 - 97:33Actually he is a philanderer.
-
97:34 - 97:37Whenever he gets into the mood,
send girls from here. -
97:38 - 97:41So that your as well
as his work gets done. -
97:42 - 97:45Kamble, I can do illicit business,
but I can't work as.. -
97:45 - 97:47..a pimp like you guys.
-
97:49 - 97:52These girls used to sell their art
at the dance bar and make a living. -
97:52 - 97:55You stopped that and
forced them to sell their body. -
97:56 - 97:58Now they stand here
quietly and make a living. -
97:58 - 98:00You guys want to stop that as well?
-
98:00 - 98:01So that they stand on the streets?
-
98:05 - 98:08You guys want to make them
do what they don't want to do. -
98:09 - 98:12No matter how much you
guys try to stop their work.. -
98:12 - 98:15..if God wants them
to make a living.. -
98:15 - 98:17..then this orchestra
bar will surely start. -
98:20 - 98:22What is this, Ria? You are nervous?
-
98:23 - 98:26Just relax. My mom and
dad are very chilled out. -
98:26 - 98:28You will be very
pleased to meet them. -
98:29 - 98:30please come here. Have a seat.
-
98:31 - 98:33Hi, Mom. Hi, Dad. This is Ria.
-
98:39 - 98:43'The moment I saw you, I have
been living the same fantasy.' -
98:45 - 98:46Have a seat, dear.
-
98:47 - 98:49Son, you have got
a fantastic choice. -
98:51 - 98:55Your choice is my choice.
-
98:58 - 99:00'l want you. - What?'
-
99:01 - 99:02What will you have, dear?
-
99:05 - 99:09Nothing, thanks. - No, you
will have to take something. -
99:12 - 99:13'Rs. 1 lakh.'
-
99:14 - 99:15'Rs. 2 lakhs.'
-
99:16 - 99:17Rs. 3 lakhs.
-
99:18 - 99:22Okay, dear, tell me, what
are your plans after marriage? -
99:23 - 99:25You are going to stay
independent or with us? -
99:26 - 99:30Well, I will
prefer you stay with us. -
99:34 - 99:38'Ria, my business
associates are Vishal and Sandeep.' -
99:38 - 99:39'lf you don't mind, just like me..'
-
99:40 - 99:43Excuse me. I'll just go to
the washroom and come back. -
99:48 - 99:49Madam.. Madam, your car keys.
-
99:51 - 100:00"There are countless
desires in the heart." -
100:03 - 100:12"There are countless
desires in the heart." -
100:12 - 100:18"Why does.."
-
100:18 - 100:26"Why does desolation surprise one?"
-
100:31 - 100:38"Why is the heart troubled?"
-
100:41 - 100:44That's Ria, right? - Yes, ma'am.
-
100:48 - 100:49What are you doing, ma'am? - Ria.
-
100:49 - 100:51No. please. please. - Ria,
what are you doing? -
100:51 - 100:53What are you doing, Ria?
What happened? -
100:53 - 100:55Ria. Ria, stop it.
-
101:01 - 101:04Ria. What happened?
-
101:05 - 101:06What is it, Ria?
-
101:06 - 101:09"Why is this city deserted?"
-
101:09 - 101:18"Why is this city deserted?"
-
101:19 - 101:23"Why is everyone.."
-
101:24 - 101:32"Why is everyone upset?"
-
101:39 - 101:40Let it be, Mr. Kuldeep.
-
101:41 - 101:42It was my mistake.
-
101:44 - 101:46Okay, will you take
me for lunch today? -
101:46 - 101:49Lunch? You will have
to join me for dinner. -
101:50 - 101:52And a long drive after that.
-
101:52 - 101:54And if I feel like, then
straight-drive, cover-drive. -
101:54 - 101:55I will play all the shots.
-
101:55 - 101:57Tell me if you are
okay with it. - Okay. -
102:01 - 102:03Mr. Champak, do something.
-
102:03 - 102:05I need money desperately.
-
102:05 - 102:07Tell me if you can meet
me at my flat in Dahisar. -
102:08 - 102:09I will give you the money.
-
102:09 - 102:12police won't let the
ladies bar run so easily. -
102:12 - 102:14What they will do
won't just make it.. -
102:14 - 102:15..impossible for you to make money..
-
102:15 - 102:18..it will also be difficult
for you manage your conveyance. -
102:19 - 102:20By the way, a lot of
girls are going to Dubai. -
102:20 - 102:22Tell me if you are interested.
I'll make arrangements for you. -
102:23 - 102:26But how can I leave
my kids and go, sir? -
102:26 - 102:27Go for your kids, Hema.
-
102:28 - 102:31You know you have only 2-3
years more in this profession. -
102:31 - 102:33Make as much money as you can.
-
102:33 - 102:35Go there and dance.
-
102:35 - 102:37please private clients.
-
102:37 - 102:39There is no other option than that.
-
102:39 - 102:46"You don't get happiness
in life at your request." -
102:46 - 102:53"Who snatched the
smile away from my face?" -
102:53 - 102:56"God, who cursed me?"
-
102:56 - 102:59"God, prayers aren't working."
-
102:59 - 103:02"God, who cursed me?"
-
103:02 - 103:05"God, prayers aren't working."
-
103:06 - 103:11"There is no peace of
mind even for a moment." -
103:11 - 103:12What is it, dear?
-
103:12 - 103:13What happened?
-
103:17 - 103:20Mom, I was thinking what
circumstances do to people. -
103:21 - 103:28One storm ruined
our life. 26th July. -
103:31 - 103:33Dad got stuck in the
car all night long. -
103:36 - 103:37Now he is paralyzed.
-
103:38 - 103:39He is on a wheel chair.
-
103:40 - 103:44Dad stopped walking and our
life came to a standstill, Mom. -
103:46 - 103:47Mom, I had to
discontinue my studies. -
103:50 - 103:51I could've been something else.
-
103:52 - 103:55I tried so hard. I
didn't get a job elsewhere. -
103:57 - 104:00But now.. another storm.
-
104:04 - 104:05Why us, Mom?
-
104:05 - 104:08Don't worry. - Why me, Mommy?
-
104:23 - 104:25Hello. - Hello, lsha.
-
104:25 - 104:26Any news about when
the bar is reopening? -
104:27 - 104:29No, Soni. No news.
-
104:30 - 104:32I am facing financial crises.
-
104:32 - 104:34I don't know. My father
asks for money everyday. -
104:34 - 104:35From where should I get the money?
-
104:36 - 104:38Okay. - Okay, fine.
-
104:38 - 104:39Yes.
-
104:44 - 104:49"Why do you look at the face?"
-
104:49 - 104:53"Try falling in love with me."
-
104:53 - 104:58"Try falling in love with me."
-
104:58 - 105:03"Things will change in no time."
-
105:03 - 105:07"Stonehearted ones
will also give in." -
105:07 - 105:16"Look how powerful my love is."
-
105:17 - 105:21"Look how powerful it is."
-
105:21 - 105:25"Why do you look at the face?"
-
105:25 - 105:28Father.. - "Try falling in
love with me." - Go, dear. Go. -
105:28 - 105:29Go and meet him.
-
105:30 - 105:31There is no harm is seeing him.
-
105:32 - 105:33But keep one thing in mind.
-
105:34 - 105:36Don't fall in love with him.
-
105:36 - 105:38You can shop and give him the bill.
-
105:39 - 105:44Dear, you are not
destined for love and marriage. -
105:45 - 105:47Why do you think about it? Yes?
-
105:48 - 105:54Go. - Father, I was having difficulty
deciding since a long time.. -
105:54 - 105:58..as to what is worse,
my destiny or my father. -
106:00 - 106:04This is The Mirage's
project file, Mr. Waghmare. -
106:04 - 106:06If you give clearance, there
will be one Mirage in Goa, too. -
106:08 - 106:09Sweets for you.
-
106:09 - 106:11Let it be, Negi.
-
106:11 - 106:14These sweets have made us diabetic.
-
106:15 - 106:18This time we don't want sweets,
we want cream. -
106:19 - 106:20What say, Narayan?
-
106:20 - 106:24Yes, I have heard a
lot about your hotel. -
106:24 - 106:27Yes. - How about if we get
to enjoy some, too? - Yes. -
106:27 - 106:31This time, to clear the file,
we need a party.. -
106:31 - 106:33..where there is
good whiskey. - Yes. -
106:33 - 106:36And great.. girls.
-
106:36 - 106:38This is very wrong, sir.
-
106:39 - 106:40He's my friend, sir.
-
106:40 - 106:43How can I tell a friend
to do such a thing, sir? -
106:44 - 106:45Just hold on for a second.
- Sir, that.. -
106:45 - 106:46He is your friend, right? - Sir.
-
106:46 - 106:48Can't one friend do this
much to save his friend's job? -
106:48 - 106:51Sir, he's a dear friend.
I.. Sir.. - I know. I know. -
106:53 - 106:54My job is.. - At risk.
-
106:55 - 106:56No personal vendetta.
-
106:56 - 106:58Look, I have to please my seniors.
-
106:58 - 107:00Like in this case you
will have to please me. -
107:00 - 107:02Your friend will have to please you.
-
107:02 - 107:03We have to see each other,
you know. -
107:03 - 107:04It's.. It's like
give and take, you know. -
107:04 - 107:07Listen, if this job
is done, I will give.. -
107:07 - 107:10..your friend a nice
job in this hotel. -
107:10 - 107:15And if not, then you
will lose your job. -
107:16 - 107:17Yes, Nikhil, tell me.
-
107:17 - 107:18Yes. Yes.
-
107:23 - 107:25Tell us, Babloo. What is it?
-
107:25 - 107:27Tell us, what is it? Why
aren't you saying anything? -
107:28 - 107:29Come on, man. Tell us.
-
107:30 - 107:31Speak up.
-
107:32 - 107:33Hey..
-
107:38 - 107:45Benny's seniors are going
to have a party in Lonavala. -
107:46 - 107:49They need dancers.
-
107:49 - 107:50To sing and dance.
-
107:50 - 107:52They will pay well.
-
107:56 - 107:59Good, isn't it?
- Look, whatever l.. -
107:59 - 108:00Forgive me if you have felt bad.
-
108:01 - 108:03Stupid, why are you apologizing?
-
108:03 - 108:07You have brought us a
source to make some money. -
108:07 - 108:09But I don't know what
kind of a place it is.. -
108:09 - 108:10..and what kind of people they are.
-
108:10 - 108:12It's an unknown place.
It's obvious to get scared. -
108:12 - 108:14We can't sit idle either.
-
108:14 - 108:16We have to run our
households as well. -
108:16 - 108:18Yes, lsha. You are right.
-
108:18 - 108:20Babloo, why worry about us?
-
108:20 - 108:23First destiny made
us work in a bar.. -
108:23 - 108:26..and now the government
forced us to the streets. -
108:26 - 108:27You are right, Soni.
-
108:28 - 108:34Now we are being forced to
do what we didn't want to do. -
108:55 - 108:57"l am wearing bangles and earrings."
-
108:57 - 108:59"Give me a high-five."
"Give me a high-five." -
108:59 - 109:00"l am beautiful and agile."
-
109:00 - 109:02"Give me a high-five."
"Give me a high-five." -
109:02 - 109:04"l am wearing bangles and earrings."
-
109:04 - 109:06"Give me a high-five."
"Give me a high-five." -
109:06 - 109:08"l am beautiful and agile."
-
109:08 - 109:10"Give me a high-five."
"Give me a high-five." -
109:10 - 109:15"Don't stare at me."
-
109:16 - 109:20"My skirt is colorful."
-
109:20 - 109:24"My skirt is colorful."
-
109:31 - 109:34"l daily pray for your wellbeing."
-
109:34 - 109:37"l don't pray for anything else."
-
109:37 - 109:40"l should die at your feet."
-
109:40 - 109:43"l don't pray for anything else."
-
109:54 - 109:55"l left my house all decked up."
-
109:55 - 109:57"people go crazy
looking at my gait." -
110:01 - 110:03"l left my house all decked up."
-
110:03 - 110:05"people go crazy
looking at my gait." -
110:05 - 110:07"They go crazy over my hair."
-
110:07 - 110:08"They go crazy
about the way I move." -
110:08 - 110:10"They go crazy over my hair."
-
110:11 - 110:13"They go crazy
about the way I move." -
110:13 - 110:17"Don't stare at me."
-
110:19 - 110:22"My skirt is colorful."
-
110:22 - 110:26"My skirt is colorful."
-
110:31 - 110:33Back off, fatso.
-
110:34 - 110:35Babloo.
-
110:35 - 110:37Drink a little.
- Babloo. -
110:38 - 110:40Babloo.
- Babloo. -
110:40 - 110:41Babloo.
- Babloo. -
110:41 - 110:43Babloo. - No.
-
110:44 - 110:45Babloo. Babloo.
-
110:45 - 110:47Sir. Sir. please, sir.
-
110:47 - 110:49What are you doing, sir? No, sir.
-
110:49 - 110:51No.
-
110:51 - 110:53Enough.
-
110:59 - 111:00They are scoundrels.
-
111:00 - 111:01Let's go. - Let's go.
-
111:02 - 111:04Thank you, Benny. Thank you.
-
111:04 - 111:05Welcome. Welcome. - Thank you.
- Welcome. Welcome. -
111:06 - 111:07Welcome. - Thank you.
-
111:07 - 111:08We were dancing and they..
- Don't worry. Don't worry. -
111:08 - 111:09What's going on?
-
111:09 - 111:11Having a party in Lonavala?
- No, sir. - No. -
111:11 - 111:14Rascals, Lonavala is getting a
bad name because of you guys. -
111:14 - 111:17No. No, sir. - No. - No, sir.
- They are inside. -
111:17 - 111:19They are inside, sir.
We are innocent, sir. -
111:19 - 111:21They are inside? - Yes, they are
inside, sir. - Yes, they are.. -
111:22 - 111:24Let's go. Let's go. - Let's go.
Let's go. - Yes, let's go. -
111:25 - 111:26Get back.
-
111:26 - 111:28Don't move from here
till sir doesn't return. -
111:28 - 111:30Come on. - Come on. Come on.
- Where are you taking me? -
111:30 - 111:32Let go of me, sir. I
haven't done anything. -
111:34 - 111:37Solanki. - Sir? You, here?
-
111:40 - 111:41I am on duty.
-
111:43 - 111:45He's with me.
-
111:45 - 111:47Sir, what are you saying?
- Get in. Come on. -
111:47 - 111:49Sir. Sir.. - Get in. Come on.
-
111:49 - 111:50Sir..
-
111:50 - 111:53Your Honor, on 8th June,
Saturday night.. -
111:53 - 111:55..at that farmhouse in Lonavala..
-
111:55 - 111:58..Benny Kutty and
Babloo Charan Lathi.. -
111:58 - 112:01..supplied these six
girls from the ladies bar. -
112:01 - 112:02We are innocent, sir.
-
112:07 - 112:08They made them dance.
-
112:08 - 112:11And under the pretext
of a private party.. -
112:11 - 112:12..they made them do a public show.
-
112:13 - 112:18Your Honor, Goyal Sinha,
Ashwin Kelkar.. -
112:18 - 112:22..Mahesh Sarang and
Maheshwari lyer were present there. -
112:22 - 112:24No. No. No. Your Honor,
where is that officer? -
112:25 - 112:26These people are not the same.
-
112:26 - 112:29Babloo Charan Lathi,
you are refusing.. -
112:29 - 112:32..to recognize your
clients to hide your crime? -
112:32 - 112:33Your Honor, I am telling the truth..
-
112:33 - 112:37Okay. I would like to call
the police inspector Solanki.. -
112:37 - 112:39..who was present
there at the scene. -
112:40 - 112:43Your Honor, that night,
along with the two of them.. -
112:43 - 112:44..I arrested these four men.
-
112:45 - 112:49Your Honor, now tell us, will
you trust Maharashtra's police.. -
112:49 - 112:51..or Babloo Charan Lathi who works..
-
112:51 - 112:54..at a cheap, disgusting
ladies bar named Ghungroo? -
112:54 - 112:56A place that is not
less than a brothel. -
113:02 - 113:03What are you saying, sir?
-
113:03 - 113:06Why do you relate all
ladies bar with a brothel? -
113:06 - 113:08Sir, I have worked there.
-
113:08 - 113:12Girls work there to
run their households. -
113:12 - 113:14That place is infamous,
but it is not a brothel. -
113:15 - 113:16And nor are these girls prostitutes.
-
113:20 - 113:24Your Honor, he is talking
as if he is not working.. -
113:24 - 113:26..in a ladies bar,
but a five star hotel. -
113:27 - 113:32Your Honor, Mr. Benny Kutty
works in a five star hotel. -
113:33 - 113:36But he didn't even spare his friend.
-
113:37 - 113:39He got him involved in
his business as well. -
113:39 - 113:42And made him a pimp like himself.
-
113:42 - 113:43Who are you calling a pimp?
-
113:44 - 113:46He is my friend. He is not a pimp.
-
113:46 - 113:47If you want to see a pimp,
then go to that five star hotel. -
113:48 - 113:49Look, Benny.. - No..
- What are you saying? - No, Babloo. -
113:50 - 113:51I had hidden
everything from you till today. -
113:51 - 113:53There's a turmoil
taking place inside me. -
113:53 - 113:54Sir, the party he is talking about..
-
113:54 - 113:56..was organized by my hotel.
-
113:58 - 113:59Mirage, the five star hotel.
-
113:59 - 114:02I don't know how they got
a five-star certificate. -
114:03 - 114:10Government gave it a five-star
certificate to run a posh brothel. -
114:10 - 114:13All illicit things
take place here, sir. -
114:13 - 114:16Someone's husband with
someone else's wife.. -
114:16 - 114:18Someone's wife with
someone else's husband.. -
114:18 - 114:19I feel embarrassed to talk about it.
-
114:19 - 114:20But such things
take place there, sir. -
114:22 - 114:23Two weeks..
-
114:23 - 114:27In two weeks, I came to know
that people aren't respected here. -
114:29 - 114:32One should at least
respect the dead, sir. -
114:32 - 114:36Someone died in the hotel
room after having a burger, sir. -
114:36 - 114:38They kept him alive for the public.
-
114:39 - 114:41Then they took him
to the nursing home.. -
114:41 - 114:42..and they declared
that he died there. -
114:44 - 114:45Why did they say that, sir?
-
114:45 - 114:49Sir, the hotel's reputation will
get hampered as he died in the hotel. -
114:50 - 114:52Hotels have great value here, sir.
-
114:52 - 114:54people don't have any value.
-
114:54 - 114:56What is over there? Yes, a disco.
-
114:57 - 115:00It is not a disco,
sir. Drugs are sold there. -
115:01 - 115:05prostitution takes
place in the disco, sir. -
115:05 - 115:06And he is calling us pimp.
-
115:11 - 115:12What is your problem?
-
115:14 - 115:17Don't call us pimp. Mind it.
-
115:17 - 115:20I am Benny.. the.. Benny.
-
115:21 - 115:23I want to apologize to you. I.. I..
-
115:24 - 115:27I used to pull your leg
because you worked in a ladies bar. -
115:27 - 115:28That also increased your height.
-
115:29 - 115:30You now reach till here. I am sorry.
-
115:32 - 115:33Benny.
-
115:35 - 115:37So this is what
happens in five-stars. -
115:38 - 115:40Don't worry. The
culprits will be punished. -
115:40 - 115:42The court is adjourned for today.
-
115:42 - 115:45Next hearing will be
on the 21st of July. -
115:45 - 115:46We will.. - Mr. Negi.
-
115:46 - 115:47What is happening?
-
115:48 - 115:50How did Benny and Babloo
get involved in this case? -
115:50 - 115:52You very well know
that they are innocent. -
115:52 - 115:54Sheena, calm down. Calm down.
-
115:54 - 115:56I know Benny is innocent.
-
115:56 - 115:57That's why I have called Mr. Shinde.
-
115:58 - 116:00He is one of the top
most lawyers of lndia. -
116:00 - 116:01And Benny is our staff member.
-
116:01 - 116:02He is one of us.
-
116:02 - 116:04We will see to it that
he is out of trouble. -
116:04 - 116:07But along with Benny, we have to
save our hotel's reputation as well. -
116:08 - 116:09I hope you understand.
-
116:09 - 116:12But if.. - Now this
case is mine, Mr. Negi. -
116:12 - 116:14I will handle everything.
-
116:14 - 116:17You don't need to worry at all.
-
116:18 - 116:19At the next hearing
on the 21st of July.. -
116:19 - 116:23..if I don't get
this case dismissed.. -
116:23 - 116:25..then I will leave my practice.
-
116:26 - 116:30Because section
128 and 178 are for.. -
116:30 - 116:33..those who send girls
there in front of the witness. -
116:33 - 116:35And there is no
witness in this case. -
116:35 - 116:38Therefore this
case is null and void. -
116:38 - 116:41Just do as I say.
-
116:41 - 116:42Okay, sir.
-
116:43 - 116:46Don't worry. You will
be free on 21st July. -
117:08 - 117:11'Under section 127
and section 111..' -
117:11 - 117:15'..all the girls of the bar are
sentenced to 6 months' imprisonment.' -
117:15 - 117:17'6 months' rigorous imprisonment.'
-
117:19 - 117:23'Benny Kutty and
Babloo Charan Lathi..' -
117:23 - 117:27'..forced the bar girls
to take up prostitution.' -
117:27 - 117:32'Hence under section
128 and section 278..' -
117:32 - 117:35'..are sentenced to
one year's imprisonment.' -
117:36 - 117:38'One year rigorous imprisonment.'
-
117:39 - 117:44"Beloved."
-
117:51 - 117:57"Don't.."
-
117:59 - 118:00That way, sir. - Thank you. - Yes.
-
118:02 - 118:03Welcome.
- Good evening, sir. -
118:03 - 118:05Thank you. - That way, ma'am.
-
118:05 - 118:06Welcome, madam.
-
118:07 - 118:09Good evening, sir. That way, sir.
- Thank you. - Thank you. -
118:11 - 118:12Hello, sir. - How are you, Mr. Negi?
-
118:12 - 118:14Welcome to Mirage. - Hello.
- Hello, Sister-in-law. -
118:14 - 118:16Hello. - Hello.
- Mr. Negi. - Hello, sir. -
118:17 - 118:19You have one week's
complimentary stay in this hotel.. -
118:19 - 118:20..so enjoy yourselves.
-
118:21 - 118:22Sister-in-law, you must try our spa.
-
118:22 - 118:24We have some great massages.
- Yes? -
118:24 - 118:25Beauty parlour and lots of stuff,
you know. - Oh, sure. -
118:26 - 118:27And we have loads of fun
with the children, you know? -
118:27 - 118:29He's such a cute kid.
What is your name, Son? -
118:29 - 118:30Never mind. Take them.
-
118:30 - 118:32please come. - Come, this way.
- Hurry up, come on. -
118:33 - 118:35Sir, if you need anything,
anything at all.. -
118:35 - 118:37..I am available 24/7.
-
118:41 - 118:42Look, Ram.. - Yes, sir?
-
118:42 - 118:45Mrs. Saigal has badly
thrashed Mr. Saigal. -
118:45 - 118:47I want you to prepare the
bail documents right away. -
118:47 - 118:49And you? Mahesh, go
to Cooper Hospital. -
118:49 - 118:51Mr. Saigal has gone to Cooper
Hospital for a medical check-up. -
118:51 - 118:53Make sure that the
medical reports are light.. -
118:53 - 118:55..so that we can win this case.
-
118:55 - 118:56Hey, geek.
-
118:58 - 119:00Geek? - Yes, you.
-
119:00 - 119:02Hey, who are you talking to?
-
119:02 - 119:03Cool.
-
119:07 - 119:08I think he knows her.
- Yes, who is she? -
119:08 - 119:09Saw the way she was talking to sir?
-
119:10 - 119:12You forgot me, squirt?
-
119:12 - 119:15How can I forget you, Hema?
-
119:16 - 119:19Remember, you used to
sit with one beer bottle.. -
119:19 - 119:21..and stare at me for 3
hours in the dance bar? -
119:21 - 119:25Hema, I also used to give
10 bills of Rs. 10 as well. -
119:25 - 119:28Yes. How can I forget that?
-
119:29 - 119:31But, friend, you
haven't changed at all. -
119:32 - 119:33You have just put on some weight.
- No, I haven't. -
119:33 - 119:35You feel so because l
am wearing a coat, Hema. -
119:35 - 119:37And you are losing hair as well.
-
119:37 - 119:38I got a haircut
just yesterday, Hema. -
119:40 - 119:42Your geek has become
a very big lawyer. -
119:43 - 119:44Amit Bhalla, advocate.
-
119:45 - 119:46But what are you doing here?
-
119:48 - 119:50The same old story, my friend.
-
119:50 - 119:51A raid took place.
-
119:52 - 119:54Others got released, but bar girls..
-
119:54 - 119:57..don't get a fair
hearing or justice. -
119:58 - 119:59We got sentenced for 6 months.
-
119:59 - 120:01God didn't give me a
chance to do anything.. -
120:01 - 120:02..for you in the
last 15 years, Hema. -
120:02 - 120:05But now this Bhalla will not
let go of this opportunity. -
120:06 - 120:1115 days. You all
will be out in 15 days. -
120:12 - 120:14Seriously.
- Really? - Yes. -
120:14 - 120:16And listen. - Yes?
-
120:16 - 120:19Call me "geek" once again. - Geek.
-
120:19 - 120:21Great.
-
120:29 - 120:33"I'll signal through my eyes."
-
120:33 - 120:36"And steal your heart."
-
120:36 - 120:40"I'll signal through my eyes."
-
120:40 - 120:41"And steal your heart."
-
120:42 - 120:43Newbie, listen.
-
120:44 - 120:45Come here.
-
120:46 - 120:47"Why don't you understand me?"
-
120:47 - 120:49Sir. - What is that girl's name?
-
120:50 - 120:51Sir..
-
120:51 - 120:52"Why do you turn your
face away and abuse me?" -
120:52 - 120:53The one on the left or
the one on the right? -
120:54 - 120:56The one on the left. - The
one on the left is Fedora, sir. -
120:56 - 120:58What is her number? Here Rs. 500.
-
120:58 - 121:02Sir, 98335.. - After that?
-
121:02 - 121:045 numbers for Rs. 500, sir.
-
121:04 - 121:05I don't know the rest.
I forgot, sir. -
121:05 - 121:07You are clever, rascal.
-
121:07 - 121:09That I became, sir. Long story, sir.
-
121:09 - 121:11Then who will tell me
the rest of the number? -
121:11 - 121:12I will tell you, sir.
-
121:12 - 121:15Speak up. - Give me the money.
-
121:16 - 121:17Here.
-
121:17 - 121:1958551.
-
121:20 - 121:22Sir, this is complimentary.
-
121:22 - 121:23Carrot. Good for eyes, sir.
-
121:27 - 121:29'Don't get shocked.'
-
121:29 - 121:32'l left Mirage and joined Babloo.'
-
121:32 - 121:35'ln the end, I am very happy.'
-
121:36 - 121:39'l will give you some information
about the Mirage people.' -
121:39 - 121:42'Sheena madam left Mirage
and her husband as well.' -
121:43 - 121:45'Her husband is
still paying the EMl.' -
121:45 - 121:48'Not for himself, but for
the divorce settlement.' -
121:48 - 121:50'His house, car, and farmhouse
are now with Sheena madam.' -
121:51 - 121:54'Look, that's why she looks so
happy talking on the phone.' -
121:55 - 121:56'What? Not with me.'
-
121:56 - 121:58'Don't misunderstand.'
'She is not talking to me.' -
121:59 - 122:02'Actually, I don't know
who she is talking with.' -
122:02 - 122:06'Ria madam is trying
to find some happiness.' -
122:06 - 122:07'She has joined the art of living..'
-
122:07 - 122:10'..and is doing breathing
exercises and trying from her end.' -
122:10 - 122:13'She donated all
her cars and stuff.' -
122:13 - 122:15'Nowadays she does social work.'
-
122:16 - 122:19'Ronnie. He looks
very happy doesn't he?' -
122:19 - 122:20'He got promoted.'
-
122:20 - 122:21'From a bellboy,
he became a waiter.' -
122:22 - 122:24'Not in a hotel, on a cruise.'
-
122:24 - 122:25'A cruise means a ship.'
-
122:26 - 122:29'Sometimes when he calls, I say,
"What's up, Tom Cruise?" -
122:30 - 122:32'But he is happy now. Very happy.'
-
122:33 - 122:35'Now.. Negi.'
-
122:36 - 122:38'He is at the same post
and still on the phone.' -
122:39 - 122:41'Nothing changed
except for the hotel.' -
122:41 - 122:44'There is a less
famous hotel in Malad.' -
122:44 - 122:46'It's called Dil Khush
Lodging and Boarding.' -
122:47 - 122:49'As far as the five stars and
the ladies bars are concerned..' -
122:49 - 122:52'..they are doing their
business as usual in our city.' -
122:54 - 122:57'As they say in our city, no matter
what the situation, life goes on.' -
122:59 - 123:01'Well, everything else is happy.'
-
123:01 - 123:03'Nice. I hope you are also happy.'
-
123:03 - 123:05'Thanking you, yours sincerely.'
-
123:05 - 123:08'This is Benny who was
once upon a time a bellboy.' -
123:08 - 123:12'Thank you.'
- Title:
- Benny & Babloo (2010) - Superhit Comedy Movie - Rajpal Yadav - Shweta Tiwari - Kay Kay Menon
- Description:
-
After their restaurant is shut down, two Mumbai-based room-mates, Benny and Babloo, take new jobs in Mirage Hotel and Ghungroo Bar respectively. While Benny adjusts himself positively in his new get-up and surroundings, Babloo is not exactly thrilled about working in a sleazy dance bar with foul-mouthed squabbling women. These jobs later changes their lives forever. For more really Funny videos, SUBSCRIBE to http://www.YouTube.com/IndianComedy
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- Hindi