Diario di un ladro di Shinjuko - Shinjuku Dorobo Nikki (Nagisa Ôshima 1969) Sub ITA ENG ESP FRA
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0:00 - 0:02GREENWICH TIME
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0:02 - 0:06NEW YORK
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0:06 - 0:10PARIS
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0:10 - 0:124:00
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0:12 - 0:14MOSCOW
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0:14 - 0:166:00
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0:16 - 0:18BRAZZAVILLE
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0:18 - 0:204:00
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0:20 - 0:22PEKING
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0:22 - 0:2411:00
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0:24 - 0:26SAIGON
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0:26 - 0:2811:00
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0:28 - 0:36JAPAN
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0:36 - 1:03Thief! Thief!
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1:03 - 1:11Hurry up! Take them off!
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1:11 - 1:14What do you think I took?
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1:14 - 1:16Don'tgetso excited, you bastard!
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1:16 - 1:20What do you think I took?
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1:20 - 1:22A piece of pIastic pipe
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1:22 - 1:23Take your pants off, too!
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1:23 - 1:30Okay, I'II take them off!
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1:30 - 1:32PuII them down further!
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1:32 - 1:50Waita minute!
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1:50 - 1:54Do you think I got
something here? -
1:54 - 1:57ShaII I show what's inside?
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1:57 - 2:00Now, you want to see?
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2:00 - 2:14Sorry! Sorry!
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2:14 - 2:22This is Ali Baba, town
of mystery... -
2:22 - 2:28Someone asks you...
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2:28 - 2:35Morning in the sea,
noon on a hill... -
2:35 - 2:41Night in the river.
Who is it? -
2:41 - 2:45Bero-bero,
a little boy -
2:45 - 2:49This is Ali Baba,
town of mystery... -
2:49 - 2:55DIARY OF A SHINJUKU THIEF
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2:55 - 2:59Even if we'll fade away...
Even if we'll fade away... -
2:59 - 3:07A SOZOSHA PRODUCTION
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3:07 - 3:09Produced by NAKAJIMA Masayuki
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3:09 - 3:11SCRIPT
TAMURATsutomu , SASAKI Mamoru
ADACHI Masao, OSHIMA Nagisa -
3:11 - 3:13CINEMATOGRAPHY
YOSHOKA Yasuhiro, SENGEN Seizo -
3:13 - 3:16SET DESIGN BY TODA Jusho
SOUND BY HISHIZAKI Hideo -
3:16 - 3:18SOUND EFFECTS: SUZUKI Akira
ART DIRECTION: ARAKAWA Dai -
3:18 - 3:21ASSISTANT DIRECTOR: OGASAWARA Kiyoshi
ASSISTANT PRODUCER: YAMAGUCHI Takuji -
3:21 - 3:27In cooperation with Kinokuniya Bookstore, Tokyo
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3:27 - 3:31THE BOY CALLED BIRDEY HILLTOP
YOKOO Tadanori -
3:31 - 3:34THE GIRL CALLED ""SUZUKI UMEKO""
YOKOYAMA Rie -
3:34 - 3:39TANABE Moichi, TAKAHASHI Tetsu
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3:39 - 3:45SATO Kei, TOURA Rokko, WATANABE Fumio
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3:45 - 4:08KARA Juro and Members of the Jokyo Theatre Group
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4:08 - 4:14Directed by
OSHIMA Nagisa -
4:14 - 4:16SHINJUKU
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4:16 - 4:19SUMMER 1968
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4:19 - 4:22SATURDAY
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4:22 - 4:495:30 P.M.
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4:49 - 4:57This is Ali Baba, town of mystery...
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4:57 - 5:03Someone asks you...
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5:03 - 5:11Morning on the sea, noon on the hill
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5:11 - 7:07Night in the river, who is it?
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7:07 - 7:11President, this guy...
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7:11 - 7:15Do I know you?
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7:15 - 7:17l'm your employee
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7:17 - 7:19My empIoyee?
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7:19 - 7:24WeII, okay
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7:24 - 7:26Jean Genet?
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7:26 - 7:29Yes, ""The Diary of a Thief""
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7:29 - 7:45We have to see the poIice?
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7:45 - 7:47Idiot!
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7:47 - 7:54Let me go!
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7:54 - 7:54Three times
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7:54 - 7:55What?
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7:55 - 8:18Before you're taken to the poIice
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8:18 - 8:20See you tomorrow
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8:20 - 8:51What do you want?
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8:51 - 8:53Let me
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8:53 - 8:56Let me do it
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8:56 - 9:04Let me. A cherry is
notso precious -
9:04 - 9:07I'II rape you!
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9:07 - 9:09Okay, tomorrow
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9:09 - 9:11Tomorrow?
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9:11 - 9:14Tomorrow, tomorrow, and
yetanother day -
9:14 - 9:17Why not today?
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9:17 - 9:18Are you man enough...
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9:18 - 9:22...to put me in bIue ecstacy,
even the first time? -
9:22 - 9:24Sure, I am
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9:24 - 9:34ReaIIy?
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9:34 - 9:36NEXT DAY, SUNDAY
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9:36 - 9:39SHINJUKU
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9:39 - 10:425:30 P.M.
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10:42 - 10:45It's onIy the second time
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10:45 - 10:47There's a reaI variety here
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10:47 - 10:49He said he'd come again today
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10:49 - 10:52So to the poIice...
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10:52 - 10:57So, yesterday was a preview?
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10:57 - 11:02You're a cinéphiIe?
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11:02 - 11:04What's your name?
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11:04 - 11:09Do I have to teII you?
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11:09 - 11:12If you Iike books so much...
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11:12 - 11:16ButaII these are for saIe
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11:16 - 11:34I give you my book. It doesn't
seII anyway. -
11:34 - 11:40""CONVERSATIONS WITH A NAKED
FIGURE"" BY MOICHI TANABE -
11:40 - 11:42My name is HiIItop...
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11:42 - 11:47Rather unusuaI name.
Is this how you speII it? -
11:47 - 11:51Yes, my name is Birdey HiIItop
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11:51 - 11:56You know, Iike fIies in the air
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11:56 - 12:01HiIItop? The schooI I went to
aIso had a song Iike that -
12:01 - 12:07A bird sings and sings
in a gingko tree -
12:07 - 12:09Not very good, am I?
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12:09 - 12:12Sorry, I Iied
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12:12 - 12:15My reaI name is Gropey Shinagawa
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12:15 - 12:18Gropey...Let's cutout thejokes
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12:18 - 12:19ViCar's Hall...
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12:19 - 12:22He'sjust trying for sympathy
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12:22 - 12:24I won'taIIow it
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12:24 - 12:28The ivy twines over...
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12:28 - 12:31One gate of ViCar's Hall...
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12:31 - 12:33lt was all so sentimental...
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12:33 - 12:35But is it still twining there
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12:35 - 12:38Clear brisk fall skies...
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12:38 - 12:41And the sea off Shinagawa Bay
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12:41 - 12:44l leaned against the wooden
fenCe... -
12:44 - 12:47And enjoyed the view...
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12:47 - 12:53Everybody knows this much
of it -
12:53 - 12:57I can't teII whether you're
my junior or my senior -
12:57 - 13:00Winter exams are Close at hand
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13:00 - 13:02l don't get FrenCh at all
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13:02 - 13:04Oh, when l was twenty...
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13:04 - 13:07l went to sChool for six years...
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13:07 - 13:09Wine, songs, tobaCCo and girls...
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13:09 - 13:11That's all l ever learned...
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13:11 - 13:14I onIy Iearned to shop-Iift
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13:14 - 13:16If you must use a faIse name...
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13:16 - 13:17You couId have said Haruo Seto...
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13:17 - 13:22It wouId have been easierfor
me to dedicate -
13:22 - 13:27Here take this
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13:27 - 13:31You seem to be very interested
in this student -
13:31 - 13:38No one eIse brings shop-Iifters
to me Iike this -
13:38 - 13:42I Iike this store and you
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13:42 - 13:47You Iike me? What's your name?
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13:47 - 13:51Miss Suzuki
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13:51 - 13:59Miss Suzuki, you don't have to
bring me every shop-Iifter you find -
13:59 - 14:01You see, I'm quite busy
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14:01 - 14:03You're the one he gave it to
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14:03 - 14:08I don't fancy having dinner with you
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14:08 - 14:11But he said together...
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14:11 - 14:13No point in being together
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14:13 - 14:25I'II wait here tiI you getoff
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14:25 - 14:29WASHINGTON,
SUNDAY, 5:30 A.M. -
14:29 - 14:33SHINJUKU
SUNDAY 7:30 P.M. -
14:33 - 14:36I've gota date with a guy at 8:00
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14:36 - 14:36What for?
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14:36 - 14:37To sIeep with him
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14:37 - 14:40You Iike having sex?
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14:40 - 14:41What do you want?
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14:41 - 14:44This feIt betterthan
having sex -
14:44 - 14:47How does it feeI?
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14:47 - 14:54I aImostejacuIated
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14:54 - 14:57This onIy happens when I
shop-Iift -
14:57 - 15:00Good-bye
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15:00 - 15:02Whatabout the money?
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15:02 - 15:04I don't want it
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15:04 - 15:07How aboutspIitting it?
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15:07 - 15:09I said you can have itaII
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15:09 - 15:12Use it forthe hoteI tonight
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15:12 - 15:15Birdey HiIItop
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15:15 - 15:17What?
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15:17 - 15:19You've got money
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15:19 - 15:22You couId buy any book
you Iike -
15:22 - 15:24I'm poor
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15:24 - 15:26On onIy a book store cIerk's pay...
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15:26 - 15:28It's a meagre existence
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15:28 - 15:29That's right
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15:29 - 15:31Nonsense!
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15:31 - 15:33Those books you have there...
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15:33 - 15:34You can have them
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15:34 - 15:38The book the Presidentsigned
to Birdey HiIItop -
15:38 - 15:40A sex text- it wiII heIp
you tonight -
15:40 - 15:43Take them!
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15:43 - 15:46I got your number, Miss!
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15:46 - 15:47That's what you think!
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15:47 - 15:57Okay, to Miss Nogood Suzuki
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15:57 - 16:24Pick them up, they're expensive
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16:24 - 16:26Damn!
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16:26 - 16:28WeII, Iet"s steaI something!
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16:28 - 16:36This is Ali Baba,
town of mystery... -
16:36 - 16:41Someone asks you...
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16:41 - 16:50Morning in the sea,
noon on the hill... -
16:50 - 16:56Night in the river. Who is it?
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16:56 - 17:00Bero-bero, a little boy
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17:00 - 17:06This is Ali Baba,
town of mystery... -
17:06 - 17:13An unsolvable solvable riddle
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17:13 - 17:20Tonight the owl won't hoot
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17:20 - 17:27Morning in the sea,
noon on the hill... -
17:27 - 17:33Night in the river. Who is it?
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17:33 - 17:37Bero-bero, a little boy
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17:37 - 18:04This is Ali Baba,
town of mystery... -
18:04 - 18:08CongratuIation!
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18:08 - 18:12Wait, you've got to see me in it
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18:12 - 18:22A Camel's lumps, two melons
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18:22 - 18:29We're alike as two peas
in a pod... -
18:29 - 18:33To the number of hows,
above and below -
18:33 - 18:39We like the same guy
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18:39 - 18:48We even say the same things
in our sleep. Ei-Ei- -
18:48 - 18:52A lonely night...
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18:52 - 18:54We embraCe
in front of a mirror -
18:54 - 18:59Even a wilted pomegranate
blooms Ei-Ei- -
18:59 - 19:02A hungry winter's night...
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19:02 - 19:05We gouge our Siamese
Cat's eye out... -
19:05 - 19:07And stuff our mouths full
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19:07 - 19:11The dead in their graves give
birth Ei-Ei- -
19:11 - 19:19As long as we are so muCh
alike... -
19:19 - 19:25There's nothing at all in
the world -
19:25 - 19:28The whole world is deadly
still -
19:28 - 19:32Apig's navel
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19:32 - 19:35Kyu-Kyu-
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19:35 - 19:40You shouId have toId me before
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19:40 - 19:41How was it?
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19:41 - 19:44Nothing
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19:44 - 19:46Did it hurt?
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19:46 - 19:47No
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19:47 - 19:50You Iiked iteven the first time?
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19:50 - 20:01No
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20:01 - 20:05WiII you cIean my ears?
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20:05 - 20:07No
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20:07 - 20:08ItcouIdn't feeI...
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20:08 - 20:09No
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20:09 - 20:12FeeI any betterforthe
earpick than the years... -
20:12 - 20:14CouId it?
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20:14 - 20:17I feeI nothing ataII
I stiII feeI damned -
20:17 - 20:18PARIS
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20:18 - 20:20COMPLETE VICTORY
PRESIDENT DE GAULLE -
20:20 - 21:10COMPLETE VICTORY
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21:10 - 21:13Take her home!
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21:13 - 21:14Let's go home!
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21:14 - 21:17Go yourseIf!
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21:17 - 21:18SettIe down
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21:18 - 21:29Let me go! What're you doing?
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21:29 - 21:56Whatare you doing?
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21:56 - 21:58SUMMER 1968 - MONDAY 4TH - 9 A.M.
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21:58 - 22:02UMEKO SUZUKI WAS HELD ATTHE
YOTSUYI POLICE STATION -
22:02 - 22:07MR. TANABE GOT UMEKO
OUT OF JAIL -
22:07 - 22:11UMEKO HAD ASKED HIM TO
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22:11 - 22:15I heard about you two
from Mr. Tanabe... -
22:15 - 22:20And I think I understood
the probIem... -
22:20 - 22:24My methods are pretty severe...
-
22:24 - 22:27WouId you give me a few detaiIs...
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22:27 - 22:29About yourseIves and
your probIem... -
22:29 - 22:32The way I Iook at it...
I shouIdn't do aII the taIking... -
22:32 - 22:36Take off yourjacket...
It's so hot... -
22:36 - 22:37We mustgraduaIIy get
through the veiIs... -
22:37 - 22:41After aII...a boy and a girI...
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22:41 - 22:44It's the most naturaI thing
in the worId... -
22:44 - 22:53My feeIings on the matter
from what I have heard... -
22:53 - 22:55The boy is pretty...
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22:55 - 22:59The girI has a strong personaIity...
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22:59 - 23:03This is the basic probIem...
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23:03 - 23:07But neither of you seem
very strong... -
23:07 - 23:13Let's see...Your name was...
HiIItop, wasn't it? -
23:13 - 23:18You're stiII breast feeding...
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23:18 - 23:20I think you are stiII quite
a baby... -
23:20 - 23:23You are Umeko?...
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23:23 - 23:26You seem quite strong...
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23:26 - 23:28But I don't think you reaIIy are...
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23:28 - 23:30You taIk as though you understand...
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23:30 - 23:34But I don't think you reaIIy do...
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23:34 - 23:37These are pictures by
Yumeji Takehisa... -
23:37 - 23:41These are pornographic drawings
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23:41 - 23:43Have you ever seen one?
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23:43 - 23:44Yes I have
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23:44 - 23:45How about you?
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23:45 - 23:46No
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23:46 - 23:51You Iook at them first...
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23:51 - 23:53I didn't know Yumeji drew
pornography -
23:53 - 23:56They are very rare
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23:56 - 23:58This is quite...
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23:58 - 24:07I want to pass them on
to her... -
24:07 - 24:21You Iook at them cIoseIy too
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24:21 - 24:24This one kind of gets to me...
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24:24 - 24:25In what way? EmotionaIIy?
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24:25 - 24:28Yes
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24:28 - 24:33For instance, whatshe said...
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24:33 - 24:36...about the drawing seems to...
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24:36 - 24:41...indicate, thatshe has a desire
for group sex... -
24:41 - 24:46AIso you seem to have Lesbian
tendencies... -
24:46 - 24:48Lesbian
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24:48 - 24:51Lesbian?
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24:51 - 24:53Yes, a kind of desire for
women... -
24:53 - 24:58Lesbianism is very popuIar
nowadays... -
24:58 - 25:02This drawing is of two women
and one man -
25:02 - 25:07Since you are so impressed with it,
you probabIy have these tendencies -
25:07 - 25:11As for you...
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25:11 - 25:18...you haven't toId me the truth.
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25:18 - 25:20You must become naked...
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25:20 - 25:23I wonder, why you don't
take off your cIothes -
25:23 - 25:35You stiII aren't wiIIing
to undress... -
25:35 - 25:40There are stiII Iots of veiIs
to pierce through -
25:40 - 25:43At Ieast take off your
necktie -
25:43 - 25:47Come on, make yourseIf
comfortabIe -
25:47 - 25:52You haven't reveaIed your
heart to me -
25:52 - 25:55Is your waist thick?
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25:55 - 26:02I mean, not your waist...your hips
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26:02 - 26:04For a boy
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26:04 - 26:07WeII, about the same as my chest
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26:07 - 26:10ExactIy?
-
26:10 - 26:11Have you measured yourseIf?
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26:11 - 26:13No, I haven't, but...
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26:13 - 26:17My size ... trousers size...
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26:17 - 26:19But that's good...
-
26:19 - 26:25Butat the same time itshows
some weakness, I think... -
26:25 - 26:28This may sound rude...
-
26:28 - 26:34...but I feeI you are quite
effeminate... -
26:34 - 26:38I want to see both of you
naked... -
26:38 - 26:40Both body and heart
-
26:40 - 26:43EspeciaIIy for Umeko,
I feeI... -
26:43 - 26:50SeIf-Iove...Ioving onIy oneseIf...
-
26:50 - 26:55...resuIts in subconscious Lesbian
tendencies, I think... -
26:55 - 27:00...you are attached to those
of your own sex -
27:00 - 27:02It may be your mother...
-
27:02 - 27:08...or some other woman
-
27:08 - 27:14Beginning with seIf-Iove
and deveIoping into Lesbianism -
27:14 - 27:17That's why you can't become naked
-
27:17 - 27:24I think this feeIing is one
of pure seIf-protection -
27:24 - 27:26How about it?
-
27:26 - 27:28I think both of you...
-
27:28 - 27:38...you have something
Iike an armor -
27:38 - 27:44And I think, this is the reason you'II
never be abIe to do anything ataII -
27:44 - 27:45I want you to undress
-
27:45 - 27:49Can one get undressedjust
beCause someone says one should? -
27:49 - 27:52lf l had been alone physiCally,
personnally and anthropologiCally -
27:52 - 27:57l wouldn't have minded stripping
Completely -
27:57 - 27:59Butjust think!
-
27:59 - 28:02Together... with her...
by the numbers! -
28:02 - 28:04And me, the one who
first made her... -
28:04 - 28:06...leaving a Cherry blossom
on the sheets -
28:06 - 28:11And she able to say only
Nothing... Nothing... Nothing -
28:11 - 28:15For things to end like that...
-
28:15 - 28:19lf l were to suddenly remember
her over breakfast when l'm 80... -
28:19 - 28:22...l think it would kind of
get to me -
28:22 - 28:25Without sexual freedom, humans
will never be free... -
28:25 - 28:27But it's impossible
-
28:27 - 28:30lf all girls in the world would
never again say no... -
28:30 - 28:34...the world would be different
-
28:34 - 28:35Professor Takahashi...
-
28:35 - 28:39...undoubtedly wanted us to take
the first step by stripping -
28:39 - 28:40But for us to take on...
-
28:40 - 28:45...the responsibility of the whole
world and strip was impossible -
28:45 - 28:49Mr Tanabe's kindness was
also in vain -
28:49 - 28:53l Could have put an end to
this diffiCult disCussion -
28:53 - 28:57l didn't have to make so muCh
of a little Cherry blossom -
28:57 - 29:01It was sort of stupid forthem
to ask us for advice... -
29:01 - 29:07...but Iet's see what we can
do forthem -
29:07 - 29:10Butamong those present
there doesn'tseem to be... -
29:10 - 29:12...much of an authority on
the subject -
29:12 - 29:13How can you teII?
-
29:13 - 29:15What do you mean?
Pretty insuIting! -
29:15 - 29:21Sure I'm insuIting! Nobody here
deserves bettertreatment -
29:21 - 29:24Nonsense!
-
29:24 - 29:30I want to hear what the guy who
said "nonsense" has to say -
29:30 - 29:33Can you soIve their probIems?
-
29:33 - 29:35What is the basis for
your satisfaction? -
29:35 - 29:38You're the onIy one who's
satisfied -
29:38 - 29:40I'm satisfied, too
-
29:40 - 29:44I'm notsatisfied, notataII
-
29:44 - 29:52I am...I am
-
29:52 - 29:58Let's Ietour hair down
I'II be MC -
29:58 - 30:02No cIapping means everyone
agrees with me -
30:02 - 30:05Mr Mutsuhiro Toura...
-
30:05 - 30:09What do you have to say aboutsex?
-
30:09 - 30:14I'm pissed, too. I'II Iet
you rambIe on... -
30:14 - 30:18Let's ignore Mr Toura
-
30:18 - 30:21And pan to Mr Masao Matsuda
-
30:21 - 30:25Mr Matsuda, are you or are you
notsexuaIIy satisfied? -
30:25 - 30:28That's not the probIem
Everyone here is sexuaIIy satisfied -
30:28 - 30:30Mr Matsda, are you sexuaIIy
satisfied? -
30:30 - 30:32I'm doing aIright
-
30:32 - 30:34And now to today's guest
-
30:34 - 30:38Mr Hajime Yamazaki, are you
or are you notsexuaIIy satisfied? -
30:38 - 30:42PIease...how about it?
-
30:42 - 30:46Sex? I getenough
-
30:46 - 30:50In other words, sex isn't
a duty, is it? -
30:50 - 30:55Do you feeI sex is a duty?
-
30:55 - 30:56No, it's not
-
30:56 - 31:00Anyway, why do you think my
saying that I Iove a woman... -
31:00 - 31:04...why do you think it's
embarrassing? -
31:04 - 31:08Mr Mutsuhiro Toura has announced
that he Ioves a woman... -
31:08 - 31:09I find that rather hard to
beIieve -
31:09 - 31:11If I may be so boId...
-
31:11 - 31:14...just what is Iove?
-
31:14 - 31:15WeII...
-
31:15 - 31:20PIease answer
-
31:20 - 31:25Love? It's something one
doesn'texpIain -
31:25 - 31:30Mr Kei Sato, how is it to
appear on TV? -
31:30 - 31:36Looking as though your mind is
bIeached white? -
31:36 - 31:37Shut up, boy!
-
31:37 - 31:39Whatabout it?
-
31:39 - 31:41Whatabout what?
-
31:41 - 31:43You're useIess!
-
31:43 - 31:49I have my doubts...
-
31:49 - 31:53So, I have a feeIing that...
-
31:53 - 31:56...you are appearing asjust
Mr Kei Sato on TV -
31:56 - 31:58It makes me feeI rather
strange -
31:58 - 31:59What do you mean?
-
31:59 - 32:04I getsort of confused
-
32:04 - 32:06I intend to be confusing
-
32:06 - 32:08Is that your aim?
-
32:08 - 32:12What kind of woman I Iove?
That's ridicuIous! -
32:12 - 32:15That's something that those who
understand understand... -
32:15 - 32:17...and those who don't, don't
-
32:17 - 32:21One doesn't have to reveaI
everything aboutone's sex Iife -
32:21 - 32:23But you're annoying others
-
32:23 - 32:25I'm doing what?
-
32:25 - 32:27Annoying others! You reaIIy are!
-
32:27 - 32:29How am I annoying others?
-
32:29 - 32:31In various ways
-
32:31 - 32:33That'sjust what you think!
-
32:33 - 32:37I don't think I'm annoying
anyone ataII -
32:37 - 32:41You are crazy to
think I'm annoying -
32:41 - 32:44Don't be ridicuIous. I think you're
extremeIy annoying -
32:44 - 32:48- Never happen!
-That has nothing to do with nothing! -
32:48 - 32:52For instance, Kei, your saying
this has nothing to do with it... -
32:52 - 32:55...makes itaII sort of masturbation
-
32:55 - 33:01Anyway, phenomenaIIy and
physicaIIy... -
33:01 - 33:04...at the momentof coitus...
-
33:04 - 33:09...one faIIs into the iIIusion, thatone
has become one with one's partner -
33:09 - 33:13But what man and woman feeI
at that time is quite different -
33:13 - 33:15Nonsense!
-
33:15 - 33:16It's not...
-
33:16 - 33:17I think it's nonsense
-
33:17 - 33:19Why?
-
33:19 - 33:21-I'II expIain it to you
-PIease... -
33:21 - 33:27-I'II answer...
-Answer, pIease! -
33:27 - 33:32For instance, the question is,
""What is sex?"" generaIIy speaking -
33:32 - 33:34Who? Me?
-
33:34 - 33:40I mean I want to answerthe
question ""What is sex?"" -
33:40 - 33:45I'm thinking hard about
what to say -
33:45 - 33:49Butsince it's notsomething
I usuaIIy think about... -
33:49 - 33:52...I'm thinking so hard about it
now, but... -
33:52 - 33:59...for instance, when you feeI it's
time for sex... -
33:59 - 34:02...when you think now I need sex...
-
34:02 - 34:07In other words, when you see a
woman's arm, her shouIder... -
34:07 - 34:12...hertits...of course, one onIy usuaIIy
sees the upper part of them... -
34:12 - 34:15...buteven when I see the upper
part I think... -
34:15 - 34:18...I turn itover in my mind...
-
34:18 - 34:22...and I considerthe reason
for a woman's arms... -
34:22 - 34:24...are they for enticing men?
-
34:24 - 34:27Are they for embracing men?
-
34:27 - 34:28That's not it
-
34:28 - 34:32No, her arms are for washing
gIasses... -
34:32 - 34:35...for doing Iaundry, for
cIeaning, etc... -
34:35 - 34:37This is aIso what woman's arms
are for -
34:37 - 34:40For instance, during the OIympics...
-
34:40 - 34:44Why does Mr Toura feeI itso
necessary to expIain to us... -
34:44 - 34:48...how hot he is for his woman?
-
34:48 - 34:54I've gota woman I'm pretty
deepIy invoIved with, but... -
34:54 - 35:00...but I doubtshe is as hot
for me as I am for her -
35:00 - 35:04I even doubt my feeIings
-
35:04 - 35:11Because I feeI doubt,
I want to go on Iiving... -
35:11 - 35:15If I had no doubt, I wouIdn't
want to Iive any Ionger -
35:15 - 35:23I want to incIude ideas on
how to Iive... -
35:23 - 35:29...and thus expIain sex
-
35:29 - 35:33I don't think freedom in
sex is possibIe -
35:33 - 35:37It is a personaI matter
-
35:37 - 35:41ItshouId be Ieftat that
-
35:41 - 35:44This way itstiII has beauty
-
35:44 - 35:50I don'tsee any sense in such
reports as the Master's Report etc -
35:50 - 36:03Reports on sex have absoIuteIy
no significance -
36:03 - 36:06When a man and a woman
are together... -
36:06 - 36:09...something comes of it
-
36:09 - 36:18Thatsomething has nothing to do
with whether or nota chiId is born... -
36:18 - 36:23The onIy thing thatcounts is,
that they had fun -
36:23 - 36:24That's the point
-
36:24 - 36:27You are saying that they
enjoyed itor not... -
36:27 - 36:33...depends on things Iike your
partner's sex organs, arms -
36:33 - 36:37You make itsound Iike
it's a matter of detaiIs -
36:37 - 36:40Wether a woman's sex organs
are good or bad -
36:40 - 36:43Judging iton something one
is born with... -
36:43 - 36:45...is utter nonsense
-
36:45 - 36:48There are those who can't
appreciate weII made things -
36:48 - 36:52I disagree. I think thatsex shouId
be good whether or not... -
36:52 - 36:57...her organs are the best
-
36:57 - 37:03I think on the other hand
sex is making the bestof... -
37:03 - 37:05...poor quaIity organs
-
37:05 - 37:10Okay, thenjust what is sex?
-
37:10 - 37:15Sex shouId end with an ""s""...
It's got to be pIuraI... -
37:15 - 37:19We got to be two peopIe
-
37:19 - 37:24Thus again onanism is impossibIe
-
37:24 - 37:28Having someone watCh is also
rather interesting -
37:28 - 37:30OnCe l tried dressed sex...
-
37:30 - 37:34l'll explain...
-
37:34 - 37:36lt was about January 20th and
the geisha were still wearing... -
37:36 - 37:41...their long kimono deCorated
with thiCk heavy sashes... -
37:41 - 37:45Usually they take of the sash
before getting into bed... -
37:45 - 37:49But instead in dressed sex
the stash is left on... -
37:49 - 37:54lt is Considered luCky during the
first seven days of the new year. -
37:54 - 37:56When l heard this...
-
37:56 - 37:59...l thought it sounded like fun.
But dressed sex alone... -
37:59 - 38:02...didn't sound interesting enough.
-
38:02 - 38:04So l made a suggestion...
-
38:04 - 38:09l said l didn't Care what happened
so everyone should hide and watCh. -
38:09 - 38:12There should be no objeCtions.
-
38:12 - 38:17We arranged everything and
Called in a young geisha. -
38:17 - 38:22The other geisha hid and held
their breath. -
38:22 - 38:25The girl was quite Cute.
-
38:25 - 38:29l felt it was kind of Cruel...
-
38:29 - 38:30...but l had promised...
-
38:30 - 38:34lt was now my responsibilty
to give them a good show... -
38:34 - 38:36FIVE DAYS LATER, IT WAS SATURDAY AGAIN
So they Could see better... -
38:36 - 38:38FIVE DAYS LATER, IT WAS SATURDAY AGAIN
...l pulled her out of bed and on the floor. -
38:38 - 38:40PARIS RAIN
...l pulled her out of bed and on the floor. -
38:40 - 38:40PARIS RAIN
She didnt like it, so l said... -
38:40 - 38:42SAIGON
She didnt like it, so l said... -
38:42 - 38:43CLEAR WEATHER
She didnt like it, so l said... -
38:43 - 38:44CLEAR WEATHER
...it's good luCk, and she was finally ConvinCed. -
38:44 - 38:46CLEAR WEATHER SUNNY DAY IN NAHA
...it's good luCk, and she was finally ConvinCed. -
38:46 - 38:48CLEAR WEATHER SUNNY DAY IN NAHA
ln the middle of things... -
38:48 - 38:48SHINJUKU: CLEAR WEATHER
ln the middle of things... -
38:48 - 38:50SHINJUKU: CLEAR WEATHER
...someone Coughed in the hall. -
38:50 - 38:53TEMPERATURE: 36 DEGREES, HUMIDITY: 70%
l got exited and Coughed twiCe as loud -
38:53 - 38:54DISCOMFORT INDEX: 85
l got exited and Coughed twiCe as loud -
38:54 - 38:58Everything Came out all right.
The girl left... -
38:58 - 39:00...and we got together again.
-
39:00 - 39:02Who Coughed?
-
39:02 - 39:06The Culprit wasn't found. Our little
game had almost gone too far. -
39:06 - 39:08lf she had heard the Cough...
-
39:08 - 39:12...she might have appealed to the
poliCe on human rights grounds. -
39:12 - 39:16A lonely night...
-
39:16 - 39:19We embraCe in front of a mirror
-
39:19 - 39:23Even a wilted pomegranate
blooms Ei-Ei- -
39:23 - 39:28A hungry winter's night...
-
39:28 - 39:31We gouge our Siamese
Cat's eye out... -
39:31 - 39:34And stuff our mouths full
-
39:34 - 40:56The dead in their graves give
birth Ei-Ei- -
40:56 - 40:59At a Certain plaCe on the other
side of the river... -
40:59 - 41:03AplaCe Called Shower lnn...
-
41:03 - 41:06A male and female relationship
isjust like a Car... -
41:06 - 41:09There is an element of timing
for starting the engine... -
41:09 - 41:14When the timing is good...
-
41:14 - 41:16...suddenly it begins to rain...
-
41:16 - 41:21...at exaCtely the right moment
-
41:21 - 41:26Thus, when a man and a woman
are Caught together in the rain... -
41:26 - 41:30...it works out very well
-
41:30 - 41:35ln other words, if the woman
says she must leave... -
41:35 - 41:37...and it starts raining...
-
41:37 - 41:39...espeCially if the rain starts...
-
41:39 - 41:43...just when you are having trouble
keeping up a Conversation... -
41:43 - 41:48...the two of you suddenly
have a feeling of Closeness -
41:48 - 41:53Everything there is so well arranged...
-
41:53 - 41:59...for the man and the woman
-
41:59 - 42:08The hotel sets up a very
passionate atmosphere... -
42:08 - 42:11...for it's Customers
-
42:11 - 42:16They really do their best
to help you suCCeed -
42:16 - 42:22lf things don't work out well here,
then it is almost impossible -
42:22 - 42:23That's how good it is there
-
42:23 - 42:28ln the front there is a little door...
-
42:28 - 42:32lt's like a tea room door
-
42:32 - 42:36You enter through it and you are
immediately in an eight mat room -
42:36 - 42:44BeCause of the way tea rooms are made,
it looks bigger than eight mats -
42:44 - 42:49And you are suprised to find
that the whole floor... -
42:49 - 42:54...is Covered with sleeping mats
from wall to wall -
42:54 - 43:01lt is extremely sensual
-
43:01 - 43:04A room whiCh exCites
sexual desire -
43:04 - 43:09lf you go and nothing happens,
we'll talk about it again -
43:09 - 43:25Anyway, go and try it
-
43:25 - 45:09From Prof. Takahashi's...
-
45:09 - 45:14Here I come!
-
45:14 - 45:15Here I come!
-
45:15 - 45:16Here we come!
-
45:16 - 45:18Here I come!
-
45:18 - 45:46Here we come!
-
45:46 - 46:18HeIp!
-
46:18 - 46:29HeIp!
-
46:29 - 46:49HeIp!
-
46:49 - 46:56Ali Baba, town of mystery
-
46:56 - 47:02Someone asks you...
-
47:02 - 47:07Morning in the sea,
noon on a hill... -
47:07 - 47:14Night in the river,
who is it? -
47:14 - 47:18Bero-bero,
a little boy -
47:18 - 47:24This is Ali Baba, town of mystery
-
47:24 - 47:29An unsolvable solvable riddle
-
47:29 - 47:35Tonight the owl won't hoot
-
47:35 - 47:40Bero-bero, a little boy
-
47:40 - 47:45This is Ali Baba, town of mystery
-
47:45 - 47:51An unsolvable solvable riddle
-
47:51 - 47:56Tonight the owl won't hoot
-
47:56 - 48:01Bero-bero, a little boy
-
48:01 - 48:04This is Ali Baba, town of mystery
-
48:04 - 48:08UMEKO SUZUKI WAS RAPED
-
48:08 - 48:11RAPED BY TWO MEN
-
48:11 - 48:14WHAT WAS BIRDEY DOING THEN?
-
48:14 - 48:16TOKYO, SHINJUKU: FAIR
-
48:16 - 49:43SAIGON: CLEAR AND FAIR
-
49:43 - 50:53I'm going
-
50:53 - 50:55Birdey!
-
50:55 - 50:57BIRDEY!
-
50:57 - 50:59UMEKO SAID TO BIRDEY
-
50:59 - 51:01""IS IT OVER?""
-
51:01 - 51:03OF COURSE BIRDEY DIDN'T ANSWER.
-
51:03 - 51:05""LET'S DO IT.""
-
51:05 - 51:08BIRDEY...
-
51:08 - 51:09Let's do it
-
51:09 - 51:13SHINJUKU
-
51:13 - 51:16SUNDAY
-
51:16 - 52:095 A.M.
-
52:09 - 52:12If you want to see
I'II show it to you! -
52:12 - 52:17Hump it, Showa Decadence Boy!
Kara Juro's big hump! -
52:17 - 52:23Dad and mom embraced and
I was born from a peach -
52:23 - 52:26If you want to see,
pay yourfee and see... -
52:26 - 52:30SITUATION PLAYERS" PERFORMANCE
KARA JURO'S ""YUI SHOSETSU"" -
52:30 - 52:38Sorry! Sorry! Sorry!
-
52:38 - 52:43We got drugs at midnight
-
52:43 - 53:06Come and see at Hanayono Shrine
-
53:06 - 53:09SHINJUKU, MONDAY 5:30 P.M.
-
53:09 - 53:11BIRDEY IS STANDING HERE
-
53:11 - 53:47STANDING
-
53:47 - 53:49What's the President's number?
-
53:49 - 53:50The number?
-
53:50 - 53:572-0-0
-
53:57 - 54:00The President, pIease
-
54:00 - 54:03This is Birdey HiIItop
-
54:03 - 54:05Is this the President?
-
54:05 - 54:08No, it didn't work
-
54:08 - 54:15Yes, we're here. Of course
-
54:15 - 54:19The President wiII meet us at
the Capricorn Bar at 8:30 -
54:19 - 54:21At 8:30!
-
54:21 - 54:27For a long time...
-
54:27 - 54:34l was a barber...
-
54:34 - 54:38ln Shinjuku behind the
lsetan Department Store -
54:38 - 54:42My mother was a hustler
-
54:42 - 54:50lt was a good life
-
54:50 - 54:55On Sundays, not a Cloud
in the sky... -
54:55 - 54:58We put on our
Sunday best... -
54:58 - 55:01EntiCed the lovely ladies...
-
55:01 - 55:09And gayly Chopped
off their heads -
55:09 - 55:16Look! Look!
-
55:16 - 55:21The razor danCes
-
55:21 - 55:26Look! Look!
-
55:26 - 55:35Heads fly!
-
55:35 - 55:38What a lovely Sunday!
-
55:38 - 55:41Even the little birds
eat piCkled onions -
55:41 - 56:01Yeh! Barbers, Hurrah!
-
56:01 - 56:03I...
-
56:03 - 56:06...was hiding...
-
56:06 - 56:43...in the toiIet.
-
56:43 - 56:50l am Jean Genet
-
56:50 - 56:53ConviCts'Clothes are striped
pink and white -
56:53 - 56:56Though it was at my
heart's bidding... -
56:56 - 56:59...that l Chose the universe
wherein l delight... -
56:59 - 57:01l have at least the power...
-
57:01 - 57:05...of finding in it the many
meanings l wish to find: -
57:05 - 57:11There is a Close relationship
between flowers and ConviCts -
57:11 - 57:14A true witness is one who gives evidenCe...
""SIMONE WEIL"S WORLD""
BY DAVY MARIE-MAGDELEINE -
57:14 - 57:18...from the depth of poverty,
misery, despair and disgraCe -
57:18 - 57:20HENRY MILLER: WRITINGS
-
57:20 - 57:23Now l destroy my inept writings.
-
57:23 - 57:26l throw my knowledge
in the river passing by. -
57:26 - 57:30l die of hunger as the wolf
l Cling desperately... -
57:30 - 57:33But l Can do nothing...
-
57:33 - 57:35Tears flow aCross my Cheeks
-
57:35 - 57:37Oh, l am low and base
-
57:37 - 57:38Those passing by lead
heavily laden horses. -
57:38 - 57:42The days pass by and evening
Comes in the broad plain of the sky -
57:42 - 57:45lf it would serve to free
the human raCe... -
57:45 - 57:49...l believe that even sex with
animals, or... -
57:49 - 57:52...Copulation in publiC view, or
inCest should be enCouraged -
57:52 - 57:55But if l said here Come Mr Clay,
Mr. Tree, Mr. Fish, Mr. Bird... -
57:55 - 58:00...you would not know, what Color
he is until you saw him -
58:00 - 58:03He Could be Negro or white.
-
58:03 - 58:05BeCause two million Negroes
are named after... -
58:05 - 58:07...the masters, when we were freed
a hundred years ago -
58:07 - 58:10My loneliness was Clearly
trying to move... -
58:10 - 58:14...to a plaCe with whiCh
my soul was not ConCerned -
58:14 - 58:17l felt the reason l had
to beCome angry... -
58:17 - 58:19...in the form of my loneliness
YOSHIMOTO TAKAAKI: POETRY -
58:19 - 58:23My first lover was a boy.
So l had to beCome a girl -
58:23 - 58:26TOMIOKATAEKO: POETRY
Then everyone exCept my lover
said l had beCome a girl... -
58:26 - 58:30TOMIOKATAEKO: POETRY
So for them l beCame
a boy again... -
58:30 - 58:32Unfotunately, for my lover too
TOMIOKATAEKO: ""GIRL FRIENDS"" POETRY -
58:32 - 58:35But he said he wouldn't sleep with
me, so l beCame a girl for him -
58:35 - 58:39The woman suffrage problem
in Kolkhoz is a serious one -
58:39 - 58:42l know that many of you...
-
58:42 - 58:46Belittle and ridiCule women
and their demands -
58:46 - 58:48But, Comrades, this is a mistake
-
58:48 - 58:50lt is a serious mistake
-
58:50 - 58:53She takes out from her poCket
the operating Gikuyu razor... -
58:53 - 58:56With a stroke she Cuts off
the tip of the Clitoris -
58:56 - 59:01As no other part of the girl's
sexual organ is interfered with... -
59:01 - 59:04ln a moment eaCh girl is Covered
with a dress by her sponsor -
59:04 - 59:06At thisjunCture the
silenCe is broken... -
59:06 - 59:09...and the Crowd begins to sing
joyously in these words: -
59:09 - 59:12Our Children are brave, hurrah!
JOMO KENYATTA ""FACING MOUNT KENYA"" -
59:12 - 59:15Did anyone Cry? No one Cried-hurrah!
JOMO KENYATTA ""FACING MOUNT KENYA"" -
59:15 - 59:18l should have never learned words
-
59:18 - 59:24With Japanese and a
little foreign language... -
59:24 - 59:27l stop in your tears...
-
59:27 - 59:29TAMURA RYUICHI: POETRY
-
59:29 - 59:33l return alone in your blood
TAMURA RYUICHI: POETRY -
59:33 - 59:36Not being a learned priest, l don't
have the freedom of Nirvana -
59:36 - 59:38l still have an attaChment
for life -
59:38 - 59:40l deCided to esCape from
the plaCe -
59:40 - 59:42That night l burned and threw
away all letters from friends -
59:42 - 59:45My wife and l took our Children
and esCaped to an inn -
59:45 - 59:50Before long, it was rumored that
l had been Captured and killed -
59:50 - 59:52But Rou-xi's whereabouts
were entirely unknown -
59:52 - 59:56Some said that the foreign Community
offiCials had taken him away... -
59:56 - 59:58To the Ming-Rishudian Publisher
to find out wether he was an editor -
59:58 - 60:02Others said, that he was taken
to the govermental publisher... -
60:02 - 60:04To determine wether or not
he was really Rou-xi -
60:04 - 60:08SinCe he was handCuffed his
Case must have been serious -
60:08 - 60:12Some said that he Could be
released on bail... -
60:12 - 60:16While others Claimed that he
had already been sent to Nanking -
60:16 - 60:20Also there were numerous people
asking of my whereabouts... -
60:20 - 60:23Then my mother in Peking
Collapsed under the strain... -
60:23 - 60:26l found it neCessary to answer
them to stop the mistaken rumors -
60:26 - 60:28This situation Continued
for twenty days -
60:28 - 60:30lt beCame bitterly Cold
-
60:30 - 60:36We had suffiCient bedding, but
we wondered if Rou-xi did -
60:36 - 60:38Suddenly we reCeived
a reliable report... -
60:38 - 60:40Along with 23 others,
Rou-xi had been shot... -
60:40 - 60:43On the night of February 7th
or the morning of the 8th... -
60:43 - 60:47At the Pong-Hua PoliCe
Headquaters -
60:47 - 60:49Ten bullets entered his body
-
60:49 - 60:51ls this the way things were?!
-
60:51 - 60:53Late one night l was standing
in the enClosed garden of the inn -
60:53 - 60:56Debris was piled up all
around me -
60:56 - 60:59l felt keenly the loss of
my good friend... -
60:59 - 61:02And China's loss of a fine
young man -
61:02 - 61:05My indignation beCame deeper
-
61:05 - 61:08From this deep feeling, an
old habit Came to the surfaCe... -
61:08 - 61:32WhiCh resulted in a poem...
-
61:32 - 63:14Her Iast name is Suzuki.
Herfirst name is Umeko -
63:14 - 63:18This is Kinokuniya Book Store
-
63:18 - 63:20I'm on the second fIoor
-
63:20 - 63:23I'm Iocked in and can't
getout -
63:23 - 63:26Let's taIk outside
-
63:26 - 63:29Let's go outside...
-
63:29 - 63:30And taIk...
-
63:30 - 63:35No!
-
63:35 - 63:36Let's taIk
-
63:36 - 63:39No!
-
63:39 - 63:42We meetagain. I think
I've got the picture -
63:42 - 63:45I never have disIiked
adventures -
63:45 - 63:48I've come aIong this far,
but now... -
63:48 - 63:56...I think it's time to bring down
the curtain on our IittIe drama -
63:56 - 64:00Nasty!
-
64:00 - 64:07A real man is sexual and at the
same time something more -
64:07 - 64:11But a woman is nothing
without sexuality -
64:11 - 64:22Otto Weininger
-
64:22 - 64:55You're acting pretty strange
-
64:55 - 64:58I did a Iotof wiId things
in the past... -
64:58 - 65:00WeII, a few...
-
65:00 - 65:04And I don't want to bother
you two any further -
65:04 - 65:08Even in basebaII, if you get Iazy
just because it's the first inning... -
65:08 - 65:34...you wiII suddenIy find that
you are in the ninth inning -
65:34 - 65:45PIease buy this girI
-
65:45 - 66:13AII right. I understand
-
66:13 - 66:16PIease buy her
-
66:16 - 66:19Yes, I'm a sIut
-
66:19 - 66:20A whore
-
66:20 - 66:23A prostitute
-
66:23 - 66:47I was raped by a gang
-
66:47 - 66:49Thatswastika pose is nice
-
66:49 - 66:51But it's not very good forthe
books underneath -
66:51 - 66:57The books are me
-
66:57 - 67:06PIease buy her
-
67:06 - 67:07The game is over
-
67:07 - 67:30I knew you weren't my
empIoyee from the beginning -
67:30 - 67:32Umeko Suzuki is now bought...
-
67:32 - 67:33...with this money
-
67:33 - 68:02DIARY OF A SHINJUKU THIEF
-
68:02 - 68:15I bought you
-
68:15 - 68:26DIARY OF A SHINJUKU THIEF
-
68:26 - 68:29GOING HOME...
-
68:29 - 68:32UNPLEASANTTHINGS IN
THE WORLD -
68:32 - 68:34TODAY TOO, LATE AT NIGHT...
-
68:34 - 68:37I MAKE MY LONELY WAY HOME
-
68:37 - 68:401, 2, 3, 4...
-
68:40 - 68:445, 6, 7, 8, 35, 46,
150, 1 000, 10 000 -
68:44 - 68:45Everybody waiting. Just waiting
-
68:45 - 68:48Doing nothing but waiting
to see Yui Shosetsu -
68:48 - 68:54They themselves should aCt
rather thanjust wait -
68:54 - 68:56Our red tent is next to
the Hanazono shrine. -
68:56 - 68:57No performanCe tonight
-
68:57 - 69:00Break up, please!
-
69:00 - 69:02But Umeko and me Cant break up.
-
69:02 - 69:06l have 30,000 Yen. They say:
No money, no friends. -
69:06 - 69:08So Umeko will stiCk with me.
-
69:08 - 69:11Were no beggars, but thieves.
-
69:11 - 69:14Tanabe san didnt understand that.
-
69:14 - 69:17Therefore he didntjoin us.
-
69:17 - 69:24l believe, Umeko wanted to steal Tanabe sans
sex, and l wanted to steal it from her. -
69:24 - 69:26He didn't wish tojoin us
-
69:26 - 69:29He tried to tell us
several things... -
69:29 - 69:31...but aCtually he taught us
nothing at all -
69:31 - 69:3630,000 yen...lt would be
natural for us to split it... -
69:36 - 69:38l Could buy a girl and Umeko
Could buy a guy -
69:38 - 69:41Then we Could disperse
-
69:41 - 69:44Rather than buy a girl,
l want to beCome a girl -
69:44 - 69:54And l think Umeko wants
to beCome a boy... -
69:54 - 70:01May I make an offering
to the ghost? -
70:01 - 70:04What's wrong?
Did you kiII someone? -
70:04 - 70:14Not yet
-
70:14 - 70:24But I"d Iike to take a swipe
with a sword Iike this -
70:24 - 70:25Or wear a woman's costume
Iike this -
70:25 - 70:27Are you an actor?
-
70:27 - 70:31Neither being in or seeing
a pIay is any fun -
70:31 - 70:37Then how come you pretended
you were a bookstore cIerk? -
70:37 - 70:39It'sjust right. Isn't it?
-
70:39 - 70:40Fits too weII!
-
70:40 - 70:44What do you pIan to do?
-
70:44 - 70:46I want to try being someone eIse
-
70:46 - 70:47You mean it?
-
70:47 - 70:49Yes
-
70:49 - 70:51Your part is Yui Shosetsu
-
70:51 - 70:58No, don't do that!
-
70:58 - 71:00There is something
wrong with him -
71:00 - 71:03It's aII Iies
-
71:03 - 71:05This weak a guy can't
pIay Yui Shosetsu -
71:05 - 71:07It's betterfor an actor
to be strange -
71:07 - 71:08But for an absoIute amateur...
-
71:08 - 71:14His eyes are the eyes of a thief
-
71:14 - 71:18In these eighty years of theatre
a thief has never become an actor -
71:18 - 71:25You want to try it with
thatas a seIIing point? -
71:25 - 71:31Kabuki means to perform
in a wiId manner -
71:31 - 71:35The actors were notgorgeous footmen,
butsociaI outcasts who were chased... -
71:35 - 71:39...into the riverbed.
That's why they are great -
71:39 - 71:44But I won'tshow you the trap door
that Ieads to the riverbed -
71:44 - 71:46You have to find your own
-
71:46 - 71:49If you don't find it...
-
71:49 - 71:51...and peopIe start praising you...
-
71:51 - 71:52...with such terms as
"underground", "psychedeIic"... -
71:52 - 71:58you'II start feeIing Iike you've
arrived before you reaIIy have -
71:58 - 72:00That's how it is
-
72:00 - 72:05Head for saIe!
-
72:05 - 73:21Head for saIe!
-
73:21 - 73:23Who are you?
-
73:23 - 73:25Yui Shosetsu
-
73:25 - 73:29Head for saIe!
-
73:29 - 73:31Give me your head!
-
73:31 - 73:32Give it here!
-
73:32 - 73:38Crazy woman! Getout!
-
73:38 - 73:49Strange face!
-
73:49 - 73:55I'm reaIIy getting it tonight!
-
73:55 - 73:57Why are you heIping him?
-
73:57 - 74:01Who are you? TeII your name!
-
74:01 - 74:02Yui Shosetsu
-
74:02 - 74:04It's notonIy the town
that's crazy -
74:04 - 74:10Right! You and him and
everyone... -
74:10 - 74:12I know you!
-
74:12 - 74:16You're running away! Coward!
-
74:16 - 74:18You kiIIed your comrades
-
74:18 - 74:21You had your comrades kiIIed
-
74:21 - 74:23You had your comrades kiIIed
-
74:23 - 74:27Don't mistake what you see!
Hag! -
74:27 - 74:32Don't mistake what you see!
Hag! -
74:32 - 74:36Hey! Listen to the crow
fIy away! -
74:36 - 74:40CaII his name once more!
-
74:40 - 74:43Once more! AII together!
-
74:43 - 74:44Caw...caw
-
74:44 - 74:45Craaah!
-
74:45 - 74:48You caII Shosetsu a rook?
-
74:48 - 74:50You caII Shosetsu a rook?
-
74:50 - 74:53What?
-
74:53 - 74:58Chuya! Stand up!
-
74:58 - 75:00Wait! Wait!
-
75:00 - 75:04Let me hear your name
once again! -
75:04 - 75:07You, what did you say
your name is? -
75:07 - 75:11Yui Shosetsu
-
75:11 - 75:16Shosetsu - pure snow.
Yui - was there anyone greater? -
75:16 - 75:18That voice, those teeth...
-
75:18 - 75:22...these big ears, thatstrong odor...
-
75:22 - 75:25...these eyes, those hands...
-
75:25 - 75:32...that way of rearranging his underwear
without using his hands as he waIks. -
75:32 - 75:35Yozakura raised Shosetsu...
-
75:35 - 75:36Fraud!
-
75:36 - 75:39You are not Yui Shosetsu
-
75:39 - 75:40That's right!
-
75:40 - 75:43Who do you say he is, hag!
-
75:43 - 75:49Who do you say he is?
-
75:49 - 75:55Give it up!
-
75:55 - 76:10Away! Away!
-
76:10 - 76:12Fraud! Immodesty!
-
76:12 - 76:21If you are Shosetsu, I,
Yozakura shouId know you -
76:21 - 76:24I'II beat you with the back
of my sword! -
76:24 - 76:26What're you doing?
-
76:26 - 76:32Die!
-
76:32 - 76:42Shosetsu - pure snow.
Yui - Is there anyone greater? -
76:42 - 77:11Stay away from her!
-
77:11 - 77:15SITUATION PLAYERS
CRAZY PERFORMANCE -
77:15 - 77:17AUDIENCE:
-
77:17 - 77:201,000 GIRLS
-
77:20 - 77:22AUDIENCE:
-
77:22 - 77:2710,000 POLICEMEN
-
77:27 - 77:32A man should never entrust
anything to a woman -
77:32 - 77:37A man shouldjust pass over
the top of a woman -
77:37 - 77:41A man shouldjust pass over
the top of a woman -
77:41 - 77:49Hurry! Pass over!
-
77:49 - 77:53Woman and Country are alike
-
77:53 - 77:55Man must not serve woman
-
77:55 - 77:56What is a woman?
-
77:56 - 78:00Me!
-
78:00 - 78:05Chuya. Woman is a pitfall!
-
78:05 - 78:11Woman is not waiting for man...
-
78:11 - 78:14Chuya. Man is pitfall!
-
78:14 - 78:20Man is not waiting for woman...
-
78:20 - 78:24Woman is waiting below...
at your feet. -
78:24 - 78:30She wants to pull you in...
like an oCtopus trap -
78:30 - 78:34Theyjust want you!
-
78:34 - 78:39They CatCh men's dreams
like an oCtopus trap -
78:39 - 78:56Chuya. There is no woman...
-
78:56 - 78:59Believe me, there is no woman!
-
78:59 - 79:02There are no women in
the world! -
79:02 - 79:03Where to?
-
79:03 - 79:06I cIean myseIf.
-
79:06 - 79:18Wait!
-
79:18 - 79:24Whatare you doing?
-
79:24 - 79:25Whatcostume do I wear next?
-
79:25 - 79:29You may beIieve
that there is no woman -
79:29 - 79:31What both of us imagine
as a woman... -
79:31 - 79:35...don't pay any attention
to her -
79:35 - 79:41AII we need to do is cIose our eyes
and pass over her Iike a breeze -
79:41 - 79:45Butafter aII Japan is
an isIand country -
79:45 - 79:47She keeps her Iegs crossed...
-
79:47 - 79:49...just Iike a woman forfear of
attack from the outside -
79:49 - 79:52ComparativeIy, Europe is
much better -
79:52 - 79:56HoIIand, ItaIy Germany,
Afghanistan... -
79:56 - 80:00They arejust whore houses
with Goddesses' crown -
80:00 - 80:04In the West, ten women
wait for one man -
80:04 - 80:11But in this country,
one woman waits forten men -
80:11 - 80:15You aren"t Shosetsu
any more. Let's Ieave -
80:15 - 80:16Hasn"t itstopped yet?
-
80:16 - 80:20Not yet
-
80:20 - 80:21BeIieve there is no woman!
-
80:21 - 80:24PowerfuI men have aIways
ruIed the country... -
80:24 - 80:29But in the end the country
raped aII her ruIers -
80:29 - 80:33From now on men must raise
themseIves above those of the past -
80:33 - 80:38No, don't pay any attention to her
-
80:38 - 80:47Shosetsu, don't bitch Iike
a bastard chiId -
80:47 - 80:50After aII, here we have
a fine woman named Okin -
80:50 - 80:53With your arbitrary theories
about women... -
80:53 - 80:57...Okin won't know
what to do with herseIf -
80:57 - 81:01Your ideas arejust those
of a bacheIor's Utopia -
81:01 - 81:03Very weak!
-
81:03 - 81:07You'rejustan undernourished
king of weak ideas -
81:07 - 81:13Oh, poor thing!
Oh, poor thing! -
81:13 - 81:16SinCe my family was poor...
-
81:16 - 81:19l went to work in an oil shop
when l was little -
81:19 - 81:22l was allowed to go out
only onCe a year... -
81:22 - 81:26To the Mulberry Fair
-
81:26 - 81:33The wife of the boss was
an old bitCh... -
81:33 - 81:36Always thinking l was making
out with her husband -
81:36 - 81:41She watChed and spied
all the time -
81:41 - 81:43WatChing me as she
did the Cleaning -
81:43 - 81:45WatChing me as she
Cooked -
81:45 - 81:48WatChing the boss all
the time -
81:48 - 81:52Till he finally began to find
me attraCtive -
81:52 - 81:54One night on the way
home from the bath... -
81:54 - 81:57...he beCkoned to me
from behind a trash barrel -
81:57 - 82:00Okin. Come here
Show me your ass -
82:00 - 82:02Though l didn't like him,
l went... -
82:02 - 82:05Though it didn't hurt,
l yelled... -
82:05 - 82:08Finally his wife found out
-
82:08 - 82:10One night l paCked
my things... -
82:10 - 82:13And went to be a maid
in a biCyCle shop -
82:13 - 82:16My new boss was a
milk-toast -
82:16 - 82:20No problems from him
-
82:20 - 82:25But his stupid son
YoChan... -
82:25 - 82:28...Came Crawling into my bed
every night -
82:28 - 82:30What's wrong with you,
YoChan... -
82:30 - 82:32...your feet are Cold as iCe
-
82:32 - 82:34No matter how muCh
l objeCted... -
82:34 - 82:36YoChanjust giggled
and said: -
82:36 - 82:38Let me suCk your
mulberry nipples -
82:38 - 82:41Okin, where do you gather
suCh niCe mulberries? -
82:41 - 82:42l want to buy mulberries
like yours... -
82:42 - 82:45...and eat them by the
mouthfulls. -
82:45 - 82:46Stop your sillyjokes,
stupid boy... -
82:46 - 82:50...you Can not make
Okin your toy -
82:50 - 82:54The door slid open and who should
be there but old milk-toast -
82:54 - 82:57He runs in with a fire pump,
yelling: -
82:57 - 83:00Where's the flat fire? Let's see it!
-
83:00 - 83:04He grabbed my tit,
and began blowing -
83:04 - 83:05This ain't no tube!
-
83:05 - 83:10Even so he kept on blowing
-
83:10 - 83:16Stupid YoChan and his milk-toast
dad had a big fight -
83:16 - 83:23Over whether it was a
mulberry or a blow-out -
83:23 - 83:33ln a hurry l fled the plaCe
-
83:33 - 83:35And wandered along the
night road... -
83:35 - 83:39With my sandals
under my arm... -
83:39 - 83:46Where, oh where shall l go?
-
83:46 - 83:51l asked the stars,
in vain. -
83:51 - 83:57Walking along through
the Edo night -
83:57 - 84:05l got all wet in the
night dew -
84:05 - 84:14l learned the sad fate
of a woman -
84:14 - 84:48With a happy laugh, Oh...
-
84:48 - 84:55Whatare you doing?
-
84:55 - 84:56Let's steaI it!
-
84:56 - 85:00DIARY OF A SHINJUKU THIEF
-
85:00 - 85:02It's your own fauIt!
Everything! -
85:02 - 85:02Sorry!
-
85:02 - 85:17Go find it!
-
85:17 - 85:22Hanbei, caII my name
-
85:22 - 85:26When I kiII someone, who
appears in frontof me... -
85:26 - 85:34You promised to teach me,
who I am, didn't you? -
85:34 - 85:40You toId me to take
off this mask -
85:40 - 85:46I can't take itoff!
-
85:46 - 85:51You said to show me my face
behind the mask -
85:51 - 85:54My hands sIip
-
85:54 - 86:01I didn't know that
bIood was so sIippery -
86:01 - 86:05Head for saIe!
-
86:05 - 86:10That head is soId!
-
86:10 - 86:12Do you want this one?
-
86:12 - 86:17Orthatone?
-
86:17 - 86:57Which wiII it be?
-
86:57 - 87:05Letgo! Let itgo!
-
87:05 - 87:19Oh, such big snow fIakes!
-
87:19 - 87:32I am Yui Shosetsu
-
87:32 - 87:46Give my husband back
his head, pIease -
87:46 - 87:50Kara Juro! It's my fauIt.
It was stoIen -
87:50 - 88:04Don'tstop me!
-
88:04 - 88:08DIARY OF A SHINJUKU THIEF
-
88:08 - 88:15This is Ali Baba, town of mystery...
-
88:15 - 88:21Someone asks you...
-
88:21 - 88:29Morning on the sea, noon on the hill
-
88:29 - 88:35Night in the river. Who is it?
-
88:35 - 88:39Bero-bero,
a little boy -
88:39 - 88:45This is Ali Baba, town of mystery
-
88:45 - 88:52An unsolvable solvable riddle
-
88:52 - 88:59Tonight the owl won't hoot
-
88:59 - 89:06Morning in the sea,
noon on the hill... -
89:06 - 89:12Night in the river. Who is it?
-
89:12 - 89:17Bero-bero,
a little boy -
89:17 - 89:38This is Ali Baba, town of mystery
-
89:38 - 89:49What is this?
How did you getcut? -
89:49 - 89:57I was about 18. I was
waIking aIone in Shinjuku -
89:57 - 90:04A boy about 14 started
foIIowing me -
90:04 - 90:07I didn't know he was
foIIowing me -
90:07 - 90:12So I continued waIking
-
90:12 - 90:14He came running towards me
-
90:14 - 90:17I think he was a pervert
-
90:17 - 90:23He stabbed me and ran
-
90:23 - 90:26What did he stab you with?
-
90:26 - 90:29I think it was a dagger
-
90:29 - 90:34But he ran away immediatIy
-
90:34 - 90:36I didn't know what had happened
-
90:36 - 90:40Itseems he stabbed two
orthree girIs -
90:40 - 90:42He was caughtsoon after
-
90:42 - 90:47I heard Iater...
-
90:47 - 90:52...that he was an American
-
90:52 - 90:55Did you know immediateIy
that you had been stabbed? -
90:55 - 91:00I reaIized what had happened.
The bIood began to fIow -
91:00 - 91:04Butsince he was an American...
-
91:04 - 91:08...aIone in Japan with no parents...
-
91:08 - 91:16...he had sort of come apart
for various reasons -
91:16 - 91:19I think that's the reason
he did what he did -
91:19 - 91:23He was quite pitifuI.
I don't want to bIame him -
91:23 - 91:31I onIy feeI strong anger
towards something -
91:31 - 91:34Because of that...
-
91:34 - 91:43...didn't you, perhaps, deveIop
a fear of men? -
91:43 - 91:47I don't think that had
anything to do with it -
91:47 - 91:51You mean it doesn't have any
particuIar reIationship to sex? -
91:51 - 91:55No, there's no reIationship ataII!
-
91:55 - 92:01But there was a time when I had
a fear of men for abouta month -
92:01 - 92:06WeII then, your wound has not
created a wound in your heart? -
92:06 - 92:12It has had a certain amountof
infIuence, I think -
92:12 - 92:13Then it was pretty bad for you?
-
92:13 - 92:17It was bad, but it was a
singIe event... -
92:17 - 92:25...so that I think it is something of
rather great importance to my Iife -
92:25 - 92:29WeII...thatevent...
-
92:29 - 92:35...you probabIy shouId take
good care of it -
92:35 -Yes, of course, that's true
- Title:
- Diario di un ladro di Shinjuko - Shinjuku Dorobo Nikki (Nagisa Ôshima 1969) Sub ITA ENG ESP FRA
- Description:
-
Full movie - sottotitoli in italiano / english subtitles / french français sous-titres / spanish subtítulos en español
Regia: Nagisa Ôshima
Nagisa Sohima, Tsutomu Tamura, Mamoru Sasaki e Masao Adachi
Prodotto nel 1968 da MASAYUKI NAKAJIMA, CON L'ASSISTENZA DI TAKUJI YAMAGUZHI, PER LA SOZOSHAATTORI:
Macsaku Fuwa, Maki Fujiwara, Hosei Komatsu, Juro Kara, Noboru Kuto, Agako Maro, Masao Matsuda, Reisen Ri, Kei Sato, Mutsuhiro Toura, Jushin Sto, Tetsu Takahashi, Tsutomu Tamura, Mihiro Wakabayashi, Moichi Watanabe, Moichi Yanabe, Tadashi Yamazaki, Shimon Yorsuya, Yadanori Yokoo, Shimon YotsuyaUno dei film più cinematograficamente audaci di Oshima Nagisa, Diario di un ladro di Shinjuku è la seconda co-produzione firmata dalla sua casa, la Sozosha, e l'Art Theatre Guild. Per il protagonista di questo film, ladro di libri di letteratura straniera dalla biblioteca ed amante, in particolare, Dostoevsky e Goethe, Oshima estrae alcuni tratti caratteriali da Ri'Chin'u (l'assassino coreano che ha ispirato il suo precedente film L'impiccagione).
Oshima usa questo film per mettere in scena una violenta rivolta contro i preconcetti sul recitare e sul furto, mescolandoli e ridefinendoli. Maureen Turim, discepolo di Oshima, dice che "le sue sciolte e giocose espressioni gestuali serrano l'attualità come teatro di strada", e David Desser sostiene che il film "ci nega un singolo livello di lettura" e che gli attori "interpretano se stessi, interpretano personaggi, mentre Oshima gioca con il film."
- Duration:
- 01:35:50
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Amara Bot edited English subtitles for Diario di un ladro di Shinjuko - Shinjuku Dorobo Nikki (Nagisa Ôshima 1969) Sub ITA ENG ESP FRA | |
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Amara Bot added a translation |