ARE WE INFECTED!!? | OUTLAST 2 - Part 5 (React: Gaming)

- (Seth) Previously on Outlast II.

- Oh Jesus!
- Oh my god!

- (piercing shriek)
- (Tom) Oh!

(tapping keyboard)
- Oh god, no!

- Oh, kick her in the face!

Yeah, suck it, bitch.

- (Seth) This time on Outlast II.

- That girl just
got a faceful of foot.

- Wait, look at
our objective really fast.

Tab-- what is this?

- (Blake) The chapel's
gotta be close.

- Okay.

- (gasping)
- Hangman?

- Another hanging person.

- Whoa, Slenderman.
- Oh, the eyes.

- He is staring
at me dead in the eye.

- Oh no!

- I don't like that music.
- I know.

That (mimicking creepy music).

- (Tom spluttering)
- You're supposed to be filming

the chapel, I think.

- It's a church, right?
Weren't we trying to get here?

- This is giving me
a Last of Us feel.

Or when a bunch of people
go to the cabin.

- Hello?
- (Blake panting)

- This is gonna end poorly.

- Oh, haven't we seen
that guy's painting before?

- Oh, it's my boy!
- Oh.

- Papa John.

(faint yell)

- There was a guy yelling,
and then it just stopped.

(camera whining)

Is he in here?

- It doesn't seem
like there's-- oh.

There's someone on that.
- Oh, he's alive.

- (heretic) Mary?

- "Mary"? We are not Mary.

- (heretic) Who's there?
Who are you?!

- (Blake) My name's Blake.
- (heretic) The outsider.

The Father!

- Does that say "Judas"?
- (Blake) I'm not anybody's father.

I just--
- (heretic) Kill me!

- Is it?
- (heretic) You have to kill me.

- (testily) Okay!
- God.

- You want to kill him?
- (heretic) Knoth is coming back.

- I'm not doing it.

- (heretic) Knoth is coming back.

With Mary. He'll hurt her
and I'll talk.

If you kill me, he won't have
a reason to hurt her.

- Okay, good.
One life to save.

- Kill him, kill him, kill him.
- I can't kill him!

- We can kill.

- The whole point of the game
is to not kill.

- I don't think we can kill him.

I think we just have to move on.
- (heretic groaning)

- All right, sorry, bud.

- Oh, there's a door over there.

Let's just go through there.
- How about here?

- No, those are
the confession booths.

(door opening)

♪ (ominous music) ♪

- No! No! No!

Hide, hide, hide, hide.
(opening door)

Jeez.

- (woman sobbing)

- Oh, that's Mary.
- (Knoth) We found her, Josiah.

Tryin' to flee
'mongst the Scalled.

- Where is this tub?
- On that end.

- (Knost) ...unburdened
by an immaculate conscience.

Answer your yokemate, honey.
He can't see you.

- You can zoom in.
- (Mary groaning)

- Don't accidentally exit the--

- (gasping)
- Oh, they have her over there

on the table.
They're gonna sacrifice her.

- (Josiah) Oh God,
Mary, I'm sorry.

- (Mary whimpering)
- (Josiah) I didn't want...

- (Knoth) The outsider woman has
this world's destruction

in her womb!

- I'm just now hearing
the Southern accents.

- (Knoth) But Val and his apostates
stole away the unborn enemy.

The fiend's father is escaped.

- I'm trying to understand this,
but I don't get it.

Are they talking about Lynn?

Like, they're saying "her."

- (Knoth) Where did Val take her?!

- Oh, so where did Val take her?
Val-- isn't where he

took her girlfriend or whatever?
- Yeah.

- (Knoth) Make the woman scream.

- (Mary) No!
(cranking rack)

- I think they're
stretching her right now.

- Maybe he's just torturing
this girl and she's gonna--

they're gonna rip her in half.

- (gasping)
- What are they doing to her?

What are they cranking?
- (Mary) No!!

- (gasping)

It's one of those stretching things.

- (Knoth) Tell
Josiah to make it stop.

- (Josiah moaning) Stop!

- (Tom humming squeamishly)
- (Josiah) Oh God! Please!

- Are we not supposed
to do anything?

- Well, if I get out, I'll die.

- I want to know what
Val's whole deal with this is.

- That was the one that
we thought was a woman, right?

- That was the woman
that licked us and took--

- The super-pale one.

- (Josiah) The mines.
Up the mountain.

Val has her in the mine.

- Oh, they're talking about his wife?

- Oh, in the mines.

So we gotta go to the mines.

- Wait, was this the girl
that we saw in the chain

that was all cut up?
- Oh, that would make sense.

I think so.

- (Knoth) Thank you, Josiah,
that's enough.

- Should I be a hero?
(splitting head open with axe)

Well, I can't be a hero now.

- Oh my god.
(splitting head open with axe)

- Oh!
- (Josiah gurgling)

- (Mary wailing)

- Now they're gonna kill her too.

- Why are you screaming?
(cranking rack)

- Oh! (gasping)

Ow!

- Yo, look at her joints.
They ripped apart.

- Oh jeez.

Oh, they stabbed her
in the chest.

(in disgust) Oh!!

- Okay, wait, have they left
because then we can get out.

- Heck no, I am not leaving.

- (Blake) The mines.
Where the [bleep] are the mines?

- Okay, we gotta get to the mines.
- Yeah.

- Okay, so we gotta go to the mines,
whatever that means.

- You got it.

(opening door)
- Now get out.

(door shutting)
♪ (ominous music) ♪

- Oh jeez.

Are you supposed to record it?

Oh god!
- Oh, they did stretch her.

- Ow!

- All right, let's go.

(door handle rattling)
- Nope, all right.

Looks like we're
gonna have to go...

- How are we gonna
get there before they do?

That's the real question
because, like, you know?

- I know, but we're faster.
- Are we?

- I don't think--

- You don't think
Papa Knoth can sprint?

- (chuckling)

- I'm terrified.
- (cultist) There!

- Oh no! Did they find us?

- Hey-- oh.

- We need to leave.
- (cultist) Hey!

- Ummm... okay, yeah,
they're behind us.

Just keep on running.

- I'm just running.
I heard voices.

- Keep going straight.

Oh my god!
No, no, no, no, no.

- Oh, back the [bleep] up, family!

- (gasping) Oh my god. Oh my god.

(violent blow)
Oh!

Run! Oh god.

- Where do I go? Where do I go?
Where do I go?

- Dude, just keep on going straight.

There has to be something
that you can hide in.

- Don't use our bandages
because we're probably gonna die.

- Get through here, I think.

- Barn door? Go, go, go, go, go.

Come on! Why aren't you going?!

- There's no way.
(violent blow)

We're done.

- (Blake yelping)
(violent blow)

(chain rattling)
(Blake groaning in pain)

- Wow, we just died
through the door.

It's all right.

- Oh my god!
- (Blake yelping)

- Oh no!
(violent blow)

- (Blake groaning in pain)

- (hesitantly) God.

- You have more of an eye for this.
- Okay.

- Let's go. Let's go.

- All right, make a--
- Yes, yes, yes.

Let's go. Let's go. Let's go.

- Oh, I don't know
if I'm gonna make this.

- Go, go, go, go.

- Can we go in now?
Yes. All right.

(violent blow)
- Ah! Son of a bitch.

- Go, go, go, go, go.

- Uh, this way.
- Right.

Go. Yeah, kick that shit--
- Go! Go, go, go, go, go.

- Up the stairs.
- Ooh!

- Come on! I don't know
if I'm gonna make it.

This is it.

Who are you looking for?

- (Blake yelping)
- Holy [bleep].

Do I have to jump?
- Yeah.

- Son of a bitch.

- Okay. AAH!!

Oh my god. Thank god. Okay.

- Jump, jump, jump.
(tapping keyboard)

Jump!
- Yes, okay.

♪ (suspenseful music) ♪

- Yes!
- Woo-hoo-hoo!

Yeah, buddy.

Battery! Quick.

Then I'll do whatever
I need to do. Jump!

- Oh sh-- what's
happening back there?

- All right, we made it
away from those guys.

- I'm so over this.
- No batteries.

Nothing there.

(grass rustling)
- Just follow the fence.

- Oh, okay, I think
I'm just going around--

- Oh, look, there's a hole.
There's a hole. Turn around.

Right there.
- (gasping) Yay.

- Nice.
- Crouch, C.

- That's the same thing
as jumping.

- Maybe we gotta go in the building.

- Oh!
- The bear.

Go in the house.
- Mr. Snuggles.

- Oh [bleep].
(camera whining)

- Uh-oh, cribs. MTV cribs.
- Why?

- There's candles.
- Close the door.

(overlapping speech)
Is there a deadbolt?

(shutting door)
- Oh, yes!

- Oh!
(camera zooming in)

- Are they dead?
Oh, they are dead.

- (faint singing)
- I am pretty sure they're dead.

Who's singing? Oh, you.

Oh, she's probably rocking
a dead baby.

- Okay, I need to go around
and get the bandages.

- (woman) ♪ ...wake up in heaven ♪

- Don't-- don't-- don't turn around.
(shrilly) Don't turn around!

- She's gonna know. (laughing)

- Dude, she's looking at me,
I swear to God.

- Look, a door. Just go.

Just go to the door.
- Okay, bye!

- Get out the window.
- Okay, yeah.

So we go out through there.

- Oh no.
- Yes, this way.

(window sliding)

- (Blake grunting)

- Uh, all right.

Cornfields are always promising.

- We're back in the corn.
- Dude, I love corn.

Jeez, all right, I'll just keep
walking through the corn.

- I'll follow the moon
and hope it takes us somewhere.

- (cultist) There he is!
(violent blow)

- Oh my god!
No, no, no, no, no, no.

Come on.

- I'm gonna hit a dead end, watch.

- Nah, there's gotta be the mines.
- Oh!

- All right.

- Get your energy, man.

- This is something.
Let's go that way?

- Hide in a bucket.

- A bucket, a bucket, a bucket.
- Go in their house!

- Okay.

(door shutting)
- Now lock it.

- Lock the door.
(sliding latch)

- (cultist) Where did he go?!
- He's not in here.

- We should probably run.
The music's getting intense.

- Yeah, the music
is getting intense.

- Gears and maneuvers.
There's another lock.

- A way to stop the wheel.

- Uh... up here?
Yeah, let's go up here.

- Weren't we just there?
- No, I think this is different.

- Maybe this is
how we stop the wheel.

- Yeah, there's probably a switch.
- Oh.

- You need to find a crank.
- "You must find a crank wheel."

- (groaning)
- Goddamn it!

- Okay, so I don't think
they're chasing us then.

- Yeah, they are.
- So they wouldn't make us do that.

- We need to find a crank wheel.

- Oh my god! We need to find a lever
so we can crank the wheel.

- This is annoying.
I'm so over this.

- Where are we
supposed to find a lever?

- You would think, you know,
if there's something

that needs a crank wheel,
it'd be by the crank wheel.

- Um, where do we find a crank?

- All right, maybe
there's a crank inside

we gotta find
and then bring it out.

- I think we turn to the right.
Was there a way--?

Oh, yeah.
- Oh. Okay.

We can go through there,
but we're not missing anything? Okay.

- How did we miss this door before?
- I know.

(camera whining)
- Oh, it's right there.

- Well, that was not that hard.

But now there's a catch.

There's something out there.
- Wait, a battery.

- A lever!

Okay, cool. Is that a battery?
- You found a lever?

Oh, look, a battery.
♪ (ominous music) ♪

- (groaning) Thank God.

- Oh, but you still
can't pick up the flashlight.

- Oh--
- And the bandages.

We're getting stocked up.

- Oh, he's trying
to get through there.

- Ah!
- Hey, can I just--

- No, not-- terrible idea.
We're gonna die.

We're gonna die.
- He's just like (laughing).

- (humming)
- This seems too easy.

Something...
- Something's gonna explode.

- Something's gonna happen.

- Okay, cool! Yes.

- We're gonna run.
Oh, crank that.

- Turn.
(crank wheel turning)

(clattering noises)

- You gotta-- you gotta tap it.

It's like Cookie Clicker.

- You know what?
Rae, you wanna--?

You can take over.
All you, girl.

- (Blake) That should do the trick.
- That should do the trick.

- How are we
supposed to go after this?

- So now what do we do?
- Go back in there.

- Over there?
♪ (ominous music) ♪

- Oh my god!
- (cultist) Hey!

- Wait!
- Oh my god! No, no, no.

Go, go. No, no!

Don't go that way!
- We need to!

No, because we can't go back up.

- Oh god, where am I?
- Go! Go!

- It's not letting me move!
- Go, go, go, go, go.

- We're all the way out.
- Where am I going?

- You're trapped.
(violent blow)

- Oh shit.
- Oh, you're trapped.

You're behind--
- (groaning)

Wait, where
am I supposed to go?

- You guys should--
- What are you doing?! GO!!

- Where am I supposed to go?
- I don't know!

- This way, let's go this way.

Blake, if you could--
- You can't go that way.

- (cultist) Knowledge
unbearable to men!

- Great. Great.

- (Blake groaning)
- Fantastic.

- (Blake yelping)
(violent blow)

- Uggggh. Oh my god.

- Go! Go! (chuckling nervously)

No, no, wait!
- (Blake yelping)

- We're done. We're done.
- (Blake groaning)

- All right, now why is that fair?

- I'm not good with instructions.
- (chuckling)

- It stopped this stuff.
(camera whining)

- (Blake) There's gotta be
a way to stop the wheel.

- Oh, because we need
to go through there.

- Just gotta be ready to run.
- All right, all right, all right.

- Okay, go, go, go, go, go.

Go, go, go. Jump over this thing.
Oh, that's really high.

I'm gonna jump
from right here instead.

- If we can get him to come outside...
- Yeah?

- ...without him hitting us,
and then trying to get in it.

- All right, where is he?
Did he even come out?

- Are they gonna come out?
- Oh, [inaudible].

- Maybe he's not there.

He's not there. Go, go, go, go.

Go, go, go, go.
♪ (ominous music) ♪

Go, go, go, go. Go!

- Oh my god, okay.

- That was easy.
- (cultist) Hey!

- Oh, yeah, that was easy.
- [Bleep].

- Batteries.
Now we need to get out.

- He's coming. He's coming.
- Oh, what?!

- Go!

- No, wait!

- (cultist) Knowledge unbearable to man.

- Oh jeez, he's close.

- I didn't know
they called after you.

- Yeah, you gotta go.

- All right, jump. Yeah!
- Oh god.

Okay. No, get up!

- That's a cow.
Oh, move over.

- (cultist mumbling)

- No! Wait. This way?

- They let us go
down here for some reason.

I don't think that's a good sign.

- He said, "Don't go down here."

I heard that, but why not?

I kind of-- this is the way
I'm gonna escape.

- Ew.
- (Rae) Where are we supposed to go?

- See all those cow carcass? Damn.

Um, probably
through the open gate.

- (raspy voice) How precious
to me are your thoughts.

- Oh [bleep] this bitch.

- Oh my god! It's that lady!

- Turn around and run! Hide!

- Let her come here.
(camera whining)

And then go around her.
- (raspy voice whispering inaudibly)

- Is that her? Oh yep, that's her.

That's her.
- Just run past her.

- Go, go, go.
Just book it to the right.

- (raspy voice whispering inaudibly)

- She's slow. She's slow, so...

- Aaah, screw you!
- Yeah, see? Boom.

- Please don't come out.
I swear to God!

I swear to God!

Please, please, please.
No, no, no, no.

- Okaaaay. I don't know
where to go.

- Just keep going.
It's a long way.

- Wait!
- Oh god, okay.

- Where do I crawl?
Where do I do something?

- I'm cornered.
- No! No! Turn around!

- Oh my god, where?!

- There was a crease.
- Oh, bless!

- Oh wait.
- Oh.

- (chuckling)

- She's really bad at fences.

Like, if she just
learned how to hop,

I think she'd be...
- Crawl.

- ...a really good opponent.

- Um...
- This way?

- Wait, there's a body.
- Turn around! That way!

- Where?
- There. In there.

- Oh.

- Ugh.
(flies buzzing)

- Yeah. Oh,
there's an open door.

- (laughter)

- Now we probably need
to go in here.

It's like you follow
the [bleep] up shit.

- Okay, don't-- all right.

- Oh, there's people.
- Yeah.

- Didn't even notice that.

Probably should've noticed it.

- (Blake) ...should've
prayed for refrigeration.

- Did he say "should've prayed
for refrigeration"?

That's a human hanging
from the-- whatever.

- Oh, no, no.
- All right, this way then.

- I think there's
something glowing in there.

- Here?
- See the hook up there?

- Okay.
- Oh, right there, entrance.

- Aaah!
(chain rattling)

(flies buzzing)
- Maybe?

I don't know why.

Maybe he just really wants a hook.

- Let's take the hook. It's mine.

Call me Captain.

- There's that paper in there.

Let's try this door,
and then if it isn't open,

then we probably need
to go down there.

♪ (eerie music) ♪

- Let's just see what's down there.

- Oh god, I don't want to.
- Ugh!

Oh, it's fine.

We're just on a bunch of dead cows.

- There's a paper.

- "Marta." Wait,
can you turn on the-- yeah.

- "My avenging angel,
thou has betrayed Temple Gate.

Has betrayed God.
Has betrayed me."

- "Look deep into the heart
of all you hate and make it violence

to punish that festering
apostate pig [bleep]."

(laughing) "Thou must suffer."
- A way with words.

- "All who joined Val must die
begging for the mercy

you have purged from your heart.

Let God be merciful,
you will be only wrath."

- Oh, this is not
"God forgives you."

- Okay, so is Marta
that crazy lady that's chasing us?

- Knoth and Val definitely
were together, I feel like.

They were running the same cult,
and then they kind of

just went their separate ways.
- Yeah, for sure.

- We gotta go back to the fence.

- We have a hook.
- Turn off the--

(door slamming)
Oh shit.

- Was that from that door?

- All right, let's just go back
to where we need--

- You can hide
under the dead bodies.

That is disgusting.
- Ugh!

- Is this how we came in?
How did we come--?

Oh, through this.
Now the doors were shut.

That's weird.

- It's probably outside
because, for some reason,

that we can still go through here.

- I have a feeling Marta's coming.

- (Marta) Spreader of lies.
- Oh no. [Bleep] you.

- My god! Marta, please!

♪ (eerie music) ♪

I think that's where we--
- Then go!

- Okay.
- Go! No time to think about it!

Just go!

- Um... it's gotta
be something over here.

Maybe back where
we slid down, kinda?

I think I was over here.

- Wait, maybe...
- (Marta) Precious to me.

- Yeah, wait.

There's a little thing
you can go down.

- All right, so I'm gonna
have to keep running, sorry.

- Oh my god! Please,
no, no, no, no, no, no.

I just want to go this way.
Back this way.

Please, please, please,
please, please!

Go through. Go through.
Go through.

- I have no idea where to go.

Oh, the hook!
- Oh.

- The hook!
- The hook.

- (Marta) God give me voice.

God guide my hand.
- Uh, we gotta crank something.

We gotta crank something.
Right here.

- There's a chain
back there to pull.

- Where was it?
- Where we entered, I think.

- [Bleep], where is she?
- There. Is that it?

Oh, right there.
- Uh-oh.

Oh, there's a chain.
- Got it, yeah. Go.

Quickly, quickly.

- Oh my god! Oh my god!

Please, please, please...
- GO!!

- ...please, please,
please, please, please.

- Quickly!
(chain rattling)

- Go, go, go, go, go, go.
- AAAH!!

- Crouch, crouch, crouch.

- No!
- Oh!

- Oh no!!!
- God, no!

- We're okay.
- (Blake grunting)

- No, we're not okay.

- No, Marta!!
Get the [bleep] out!

(overlapping speech)

- Oh, thank God.
- We actually fought back.

- Shut it on her face!
Get kicked to the face again.

You're gonna have a broken nose
by the end of this.

- Oh man, second time.

- Oh my god.
- Oh my god.

It's chill right now. We're good.

- To the mine.

- (Blake) There's the mine.
- Ugh, sick.

- (Blake) Where
are the Heretics or...?

- Yeah, that way.

- (Blake) That's where
they've got Lynn.

- Probably gotta find
a different way.

It's too Rocky Balboa.

- You know what? It's fine.
(camera whining)

- Yep, this is where
it wants us to go.

- Why don't we just take
the lantern with us?

- You know, that's a good--
- (Blake grunting)

- Whoa, don't step
on a cactus, Rae.

- Oh, my bad.

- (Blake grunting)
- Oh!

Oh god, that scared me.
It was a cactus.

- It's just a cactus.
- Wow, why would they--

what is the point of that?

That's just to be annoying.

- Oh, probably up that way then.

Oh, there's way
too many crosses around here.

- Some of these stairs in this area.

Why do they gotta do that?

- Open sesame!

- What? Oh. Gotta hop up.

- Oh!
- Yeah, there we go.

Woo!
- Whoa!

- Back in church.

- Hey!
- (groaning) Oh!

- It's a flashback.
- Goddamn it.

- (Blake) Wait. Wait.
- Every time.

- (Blake) This is before
I found her hanging.

- This is before
he found her hanging.

- This way?
(door opening)

Ooh, it's dark.

Are we sure you
can't go that way?

(door opening)
Oh, wait.

- Either way, they're both dark.
You just opened

two freaking hallways to Hell.

- Yeah, we're just
gonna run through this.

- Dive right into it.
- I'm gonna go in here.

- (Blake panting)
(door creaking)

- (man) Thank you, Blake.
- Blake?

- "Thank you, Blake"?
Who's saying that?

- Is there something on the desk?
- Whoa, thank you, Blake.

- Very, very generous.

- Ah.
- (Blake) The hangman game.

Like Lynn and Jess used to play.

The other half of this
must be somewhere.

Jessica would've left
the hangman somewhere--

- Okay, I'm so confused by this.

- Oh my god! There's blood!
- Just take it.

- We're going. We're going.

- So did someone else write that?

Maybe it wasn't
her committing suicide.

Someone probably killed her.
- Ooh.

(lockers creaking)
- OH MY!!

- AAH! NO!
- (moaning weakly)

I hate this classroom.

(lockers banging noisily)

- I swear I just saw
something move.

- That was a little black ghosty.

Okay, we're getting close
to the old game.

There was a little black ghosty thing
in the last game,

so... maybe she was part
of the experiment or something.

- Okay. It's way too quiet.
I don't like that.

All right, that's
where we were before.

Oh, open door.
- Oh great. Yep.

- So there's a projector
in that room.

We gotta place this piece of paper
on that projector.

- Oh.
♪ (eerie music) ♪

- Oh, and then move it?

- Something's gonna happen.
I don't like this.

- And you have to--
- So we need more than one?

- No, no, you need--
I think you need to move it

onto the screen.
- Oh.

- Oh shoot.
- And then you line it up.

- Oh shoot.

- What'd it say?
- (Blake) The letters...

they're not lined up.
- Still?

Oh, move it up?

- Oh, I have to push it back.
- Push it forward, yeah.

- I can't really see that.

- I think it'll probably say
when it's right.

- You're almost there.
- Oh!

I don't know if I want
to know what the words are.

- (Blake) "Unforgivable."

- Ah, there we go.
- (Blake) Sounds about right.

(camera whining)
- What does that mean?

- Maybe Lynn killed Jessica.
- (gasping)

- Because that's
why the notes are being left.

- I don't know.

- I think we need
to go back this way.

- Hello?

- Can we just leave?
- You know what sucks?

He's still hallucinating.
- Blake? I want to go.

- Oh no.
- Oh my god!

The hangman thing is gone.
- Hey, what? It is?

- That's where
the wall was, dude.

- Wait, that door wasn't there
before, I don't think.

- That's an orb.
That's a ghosty.

- Just run?
- Yeah.

Just go into it full force.

- We're gonna be back.

Oh!

- Quiet there, you.

Whoa!
- Whoa!

- Let me out. I want out.
I want out. I want out.

There's--
- Oh my god!

- Go away, go away, go away.
- Go towards the exit!

- Let me out.
- What am I supposed to do?

- So scared! (gasping)
Where do you--

- [Bleep]. Ignore it, ignore it.
(stammering) It's just air.

- Oh my god.
- I'm stuttering. I can't do this.

- Wasn't Outlast I about a ghost
turned into us or something?

- Can I not exit? It's locked.

- It's locked now.

Oh my god!
- OH!!

- Now do I go back?

- Oh, see, now
it's getting all, like--

- Oh, it's tripping me out right now.

- Run.
- (both shrieking)

- Holy shit!

- Oh my god.
- (both shrieking)

- (whimpering loudly)
What the [bleep]?!

- Oh sh--
- What?

Now go to the right.
- Oh.

There's a new door.

What? I just got rekt.

- We haven't gone in here.

Oh [bleep].
- You're [bleep].

- Oh, there we go.
- Gotta go up there.

- Battery!
- Oh, yay.

Because that's important.

- Oh, this. Oh, up there.

- Oh, okay.

- There we go.
(camera whining)

- I don't trust this.

Remember those hands?

- That was such
a good jumpscare, wow.

- My heart's still racing.
- (Blake) I'm back here.

What the [bleep]?
- "What the [bleep]?"

- Oh, this is where
we were before.

(moist squelching noise)
- Oh, what's the noise?!

Again with the tongues.

- What is going on?

- Octopus man.
- (Blake screaming)

- Whoa.

- Oh, yep, we're back.
- (Blake grunting)

- Great. Cool.

- Dude, what the hell?!

- Looks like we
made it to the mines.

Uh, this does not seem--
- It's dangerous.

- Hmmm.
- Oh.

- There's a tunnel.
- Crawl on the edge.

I heard some weird voices.

- (man moaning)

- What's that noise now?

- I guess we're getting
over to the railroad tracks.

- (Blake) Oh, Christ.
It's not that far.

This isn't so bad.
- Yeah, right.

A rickety, old railroad.

- Don't look down, that's bad.

- All right, we're not looking down.

- And go over the other one.

Oh, dude, this is
like my biggest fear.

- (Blake) What in--?
(locusts buzzing)

- What the hell are these?
- It's the locust swarm.

- Oh, these bugs.
- No, ignore it.

Ignore it. Just go.
Just keep going.

- Oh, this is the long one.

- Uh, please stop.
(testily) Please stop!

- Uh-oh.
- Keep going.

Just keep going. Keep going.
Keep going, keep going, keep going.

- Blake, keep on going. Please!
- (Blake yelping)

- Oh my god.
He's so stupid!

- No!!
- Noooo, we fell.

- We were so close to the mine.
- I'm so over this.

- (man) Were they locusts
or were they not?

- (man) Laird.

- (mockingly) "Were they locusts
or were they not?"

- (man) ...shadow in the sky.

- We're being dragged,
I think, or something.

- What's that blue thing? See it?
- Yeah.

- My camera.
- Oh, are they dragging us?

Or like...?
- (man) I'm sorry, your grace.

- (gasping) What the hell was that?

- Is that Golem?
- What did he just shoot him with?

- What is going on?
Why are we upside down?

- It looks like a flaming arrow.
It just stuck that dude.

- Oh, are we hanging?
We're hanging upside down.

- (dwarf) His suffering is done.
- He's riding another dude!

- Who is that dude?
That's a troll, yeah.

- (dwarf) Momentous times are upon us.

- Oh yeah?

- I'm scared.
(rustling noises)

- Ooh, all right, we good.
- (Blake gasping)

- My camera! I need it.

- Maybe Val saves
all the demon spawns,

and that's his whole crew
because they're all kind of weird

and [bleep] up looking.

- Now where do we go?

We're, like, in the middle
of the woods.

- I'm assuming you're
just gonna follow this creek.

Oh, speed run.

- Let's just, honestly,
let's just run for it.

Ugh, oh, you
have to climb on that.

- Great, we can't even run for it.
- Can we?

- You can do this.

- Man, and they said
trapeze classes would never pay off.

- It's safe.
- All right, let's go down.

All right, I just
want to run out of here.

(water splashing)

♪ (ominous music) ♪

- Oh sh--
- I think we gotta keep going.

- OH MY GOD!!
- What is that? What is that?

I just [bleep].

- Yo, what was that?
- Just do it.

Just go. It's fine. We're good.

(camera whining)

- Do you crawl in that log?

- Oh, there's gonna be a tongue.
- I swear to god.

- There's gonna be a tongue.
There's gonna be a tongue

(thud)
- I knew it.

Something's gonna happen.

(thud)
- My god!

Stop playing.

- It sketches me out
ten times more

that we can't see anything.
- I mean--

- I know, we're chewing
through battery, I feel.

- Something's going on.
- Oh, what are we recording?

Ah.
- (Blake) Oh [bleep].

- God bless. Bless us.

- "Sickness here."
- (Blake) [Bleep].

- "God bless."
- (Blake) There's gotta be...

some other way around.
- So, wait, sickness?

What if it was that
one little monster thing

that we saw.

- That's a dude's hands,
severed hands, over on the left.

Oh, there's more hands, yeah.

- (Blake) There's gotta be
some other way around.

- I'm assuming it's this way.

- No human being crawls like that.

If I'm gonna see stuff
crawl up the walls and shit,

I'm out. I'm dipping.

- (Blake grunting)

- Oh, it looks like
we're not getting back up.

- Rae, you're really coming
into your own as a gamer.

- Am I? Oh, hello.

- Oh, and a note reader.

- Ah, that's--
- Lots and lots of reading.

- "Welcome to this place
of spiritual healing.

You are scared and you are sick."

- This is talking about
the sickness and stuff.

- Syphilis or gonorrhea.

All right.

- All right, so this is where
they take everyone

that has STDs and things.

- "Stay true, stay obedient
to God and to Papa Knoth,

and especially to his deacon, Laird."

- Uh, sweet!
- Who's Laird?

- They're doing a great job here.

- (outcast groaning)

- Okay, they're
actually sick, I think.

What's wrong with these guys?

- I feel like we could beat
that guy up, not gonna lie.

- Just walk past him.
He's probably a nice man.

- (outcast groaning)
- (outcast 2) He will descend...

(violent blow)
- Oh shit!

- Okay, yeah, let's
not mess with those guys.

- Where am I supposed to go?

Oh my god!
- (outcast retching)

- This is disgusting!
Who are you people?

- (Blake yelping)
- Oh!

- (gasping)
- Ugh!

- Hi, I'll be leaving.

HO! Hello. Okay.

- Thank you. Wait. Thanks.
- (outcast retching)

- Oh my god. Everybody's
just throwing up.

- We're gonna die. Oh my god!

Dude!
- (overlapping speech)

- We're so dead. We're so dead.

- (outcast moaning)
- AAHHH!

- Oh my god. Please, please,
please, please please.

Please go away.

- OH!!
(violent blow)

- (outcast moaning)
- Jeez!

- All right, just juke 'em.
Run around 'em.

- Oh my god!
Why are they everywhere?

Dude, where am
I supposed to go then?

- You just got there.
- It's recording.

- What am I filming?

Hey, guys.
- Filming something.

(body slumping over)
- HO!

- What happened?

- Oh, there's a little dude,
like a little midget

riding on that guy's shoulders.
- Dude, look at what he's riding on.

- It's pretty bad ass.

- You're on Candid Camera!
- Why did that happen?

- I don't know. I don't want
to stick around and find out, TBH.

- This ties in somehow.
- Oh, looks like we gotta climb up.

- (chuckling) Follow the blood.

- The blood is the cue.
- (chuckling) Hey.

- Just don't fall. (chuckling)

- (Blake yelping)
- (startled) Oh, hey!

- Don't fall or we'll die.

- (both) OH!!

- Jeez! [Bleep],
well, there we go, Rae.

- Follow the blood.
Oh my god!

- [Bleep]!
- (gasping) Michelle!

- Oh, wow, we fell
really gracefully, I gotta say.

- Yeah.

- At least there's a nice campfire.

- We fell. We didn't die though.

(flies buzzing)

- I think the big guy's down here,
so you're probably

gonna have to run.

- Oh, right, the glasses.
- The glasses.

- How are the glasses
not broken yet?

That's the real question.
- Oh jinkies.

- I think there's someone in there.
(camera whining)

Oh. Oh, great.
We're not going in there.

- [Inaudible] vision.

- (Blake yelping) [Bleep] me.
- HO!

- (dwarf) We have found
the Scalled Christ.

- He's shooting
flaming arrows at us.

I think we gotta go that way.

- Are you serious?

- Oh, you need to dodge
from those freaking arrows now.

- What the hell? What the hell?
What the hell?

Where do you want me to go?

- You're gonna
have to juke him out.

You have to go straight
'cause he's coming

from that area,
so we have to go that way.

- Easy to dodge.

He's gonna shoot you
if you stand still.

Go. Yeah, easy, see?

No! Through the brush.
Through the brush!

Through the brush! The brush!
Through the brush!

- What brush?
- There is--

you're running back and forth
through the brush right there.

There you go.

- Go, you got it. You got it.
Keep going, you got it.

You got it.
- I have no idea where I'm running.

This is like Blair Witch.

- (Blake grunting)

- Please, please,
please, please, please.

Oh! Yes. Okay, come on,
come on, come on.

Go through faster!

♪ (ominous music) ♪
- Oh great.

Another hallucination.

- Where am I?
- We're in a locker.

- Ho!

- Now we're in a locker at school.

- You should probably heal.

- Dude, what drugs is this guy on?

(locker creaking)

- (Jessica) This way, Blake.
- (Blake) Jess!

(bell ringing)

- (Blake) Come back!
- I guess we're following her then.

- School's out.

I don't like the sound of children,
like, happy children,

when I can't see them.

- Um, Jess?

- I just realized we saw
a black shadow here.

I don't like this anymore.

- Oh, is that an open door?

There's gotta
be something in here.

- Whoa!

- Is this Doom?

- What the hell?
- What is this?

"Father Pocari, I took Miss Gray
out of Phys. Ed. today

to have a little talk with her.

Father "Loutersilch" was telling me
he's worried that she's

a touch more sensitive
than is good for her

and I don't doubt it. Poor girl.

But anyways, Father Loutermilch
says he thinks it

might not be a good idea
for Jessica to go

on a field trip to the piano factory
and I tend to agree."

- "She seems like
a decent risk of a runaway."

- "Her father's signature
on the permission slip

is a little embarrassing
in what an obviously forgery it is.

So I'll need your say-so
to suspend permission.

We'll put her on
library study for the day."

Aw, they don't want Jess
to go on the field trip.

- They think she forged
her permission slip.

- [Inaudible] out.

(faint footsteps)

- I feel like something's
up this way.

- Yeah. Oh, yep.

(light flashing)
- Ooh!

Okay.
- (Blake) [Bleep].

- Oh my god! Holy shit.
Holy shit. Oh my god.

We're recording.
- Oh no, wait.

Turn around. Turn around.
- Wait, we're recording this.

What's happening?

- Oh, hey.
- (Jessica) Don't go.

- Follow her. Follow her. Go, go.

- Chase her down.

- Don't go where?

- To our right, right there.
She's right there.

♪ (faint singing) ♪

- Oh god, no! Not the music.

- (whimpering) My god,
these little nursery rhymes

are freaking me out.

- Sounds like there's
a guy voice singing too.

- Yeah, there's two--
- There's a piece of paper behind you.

(paper rustling)

- "Strang." It's
gonna say strang--

there's literally
two letters missing.

It says "strangle."

- Maybe "strangle"?
- Oh, shit, you're right.

(camera whining)

- Yeah, I was pretty good
at hangman back in the day.

- Oh, we can't even go in there.
- To the right.

Yeah, just go. Leave.

- Oh, they stopped singing.

- Definitely the left, yeah.

- ♪ Looking down in love ♪

♪ So be careful... ♪
- Okay, we gotta go back up.

- Oh, fun, let's go up there.
- (Blake grunting)

- (Jessica) He's coming.
- Oh my god.

Oh my god. Stop talking to me.
Don't talk to me.

- What?
- We're back in the forest, yeah.

- It's weird how it
keeps cutting back and forth

between those two.
It's so disorienting.

- Yeah, for sure.
- Oh, go back in the school.

- Oh my god, no!
And we can't go back in.

These people are gonna get us sick.
- (Blake) No!

Let go! [Bleep]!
- (moaning) Who are you?

- Why is he on a fool's back?
- Oh!

- (Blake) Goddamn it.
- What is that?

- It's a tiny baby.

- (dwarf) Oh, praise God--
- He's the one shooting.

Praise God.
- What the hell?

- (dwarf) Forgive me, Lord.
- (Blake grunting)

- (dwarf) But I have to be sure.

(wincing)

- They're gonna try
and make me sick?

- (dwarf) Open his mouth, Nick.
- They're making us sick.

- No, stop! Don't put--- no!
That is so gross.

They're getting us sick on purpose.
- (Blake gagging)

- Are we gonna turn into
one of those weird things now?

- (dwarf) He's unmarked. He's pure.

He's the Scalled Messiah!
- Oh, we are the Scalled Messiah.

- Oh!
- Whoa!

- No, stop, stop, stop!
- (Blake) [Bleep]!

(Blake struggling)

- (dwarf) He ain't been
transubstantiated yet.

He ain't been reborn.

- I think they're
gonna try and help us.

- (Blake screaming)

- Or at least creepily
trying to help us.

- Watch, he's gonna be crucified.

- (dwarf) First, we gotta
get him on that cross.

- Oh, you called it. You called it.

- They're gonna crucify us.
- Yeah, I know.

- All right, well.
- (dwarf) Let's get on up that hill.

- Apparently, if you're pure,
you have to be crucified.

- (dwarf) He will come born
on locusts' wings,

immaculate as a newborn.

He will give us his gospel,
the sacred words of His teaching.

- (queasily) Ooh.

- (dwarf) He will be nailed
to a cross and die,

and he will be buried.
- Oh.

- (dwarf) But he will rise again.
- I'd rather not do that.

- (dwarf) We will eat of that flesh
in holy communion

and be healed of our physical--
- Oh my god.

Let us go.
- He has arrows in his back.

- Probably.

- (dwarf) And we shall
inherit this broken earth.

- It's all right.
We're gonna get out of this.

It's fine. We always get out.
- (Blake panting)

- (dwarf) You see,
we prepared everything.

It's all ready for you.

- (Blake) What?
- I don't like you.

- No, it's cool. I'd rather not.
- (Blake) Don't do this. Please.

- (dwarf) Where is your gospel?

You're supposed
to have a gospel for us.

- God says to not kill me.

- (dwarf) To guide us in
our salvation after the end.

- No, I don't have a gospel.
I'm not your god.

- (Blake) Gospel?
- (dwarf) The truth. Your guidance.

- My guidance is don't kill me.

- (dwarf) Well, old Nick, I guess
we better put those nails in.

- (Blake) Wait! Wait! Wait.

- Oh.

- (Blake screaming in agony)
- Ow, dude.

- (Blake screaming)

- (gasping loudly)
- Aaaaah!

Oh my gosh. Please stop.

- Dude, what the hell?
- (Blake screaming)

- There's always something
traumatizing that has to happen

in Outlast-- in the first one,
you lost your fingers.

In Whistleblower,
you were hung upside down.

- (dwarf) That wasn't so bad, was it?
- (Blake groaning)

- It seems pretty bad, I think.

- (dwarf) What's this?
- What's what?

- (dwarf) Nick, hand me that!
- Hand what? What's happening?

- (dwarf) Is that a camera? A record?
- A camera.

- Oh.

- Is he-- he better
not fricking break it.

- (dwarf) How could I not see it?

A modern Christ would use
a camera, not a book.

- Oh my goodness.
- Yeah! (laughing)

- (dwarf) This is our gospel.
- Oh, give me back my camera.

- (dwarf) This is our gospel.

- Oh, so they still think
that I'm Christ or whatever.

- (dwarf) I must study His lessons.

- I feel like these guys
are gonna get killed somehow.

- Yeah, yeah, same.
- Maybe Val.

- Val's gonna pop out
or something, yeah.

- Just give me my camera back
and let me go.

- (dwarf) Put the other nail in
and hang him up.

- Oh, no. Blake, come up
with something to say to them.

- (Blake) No! No!

- We always-- you always lose
the camera in the game,

and then you have to get--
everything just comes to a halt

because you gotta
go get your camera first,

and then you gotta
go resume the rest of it.

- Ugh!
- Damn.

- (Blake groaning)
- Not about nails, dude.

- Oh, [inaudible] hung.

- What if this is just how it ends?

It's like that was it.
That's all you get.

You were sacrificed.

- Ugh!

- How am I gonna
get out of this one?

- Thank you for watching us
play Outlast II on the React channel.

- If you liked this video,
give us a thumbs up.

- Have a theory about
what's gonna happen next?

Let us know in the comments.

- Peace out, everybody.

- Derek here, one
of the React channel producers.

We have so much
more Outlast for you

because they gotta just keep
going further down

into the seven circles
of React channel.

So we'll see you then! Subscribe.