- (Seth) Previously on Outlast II. - Oh Jesus! - Oh my god! - (piercing shriek) - (Tom) Oh! (tapping keyboard) - Oh god, no! - Oh, kick her in the face! Yeah, suck it, bitch. - (Seth) This time on Outlast II. - That girl just got a faceful of foot. - Wait, look at our objective really fast. Tab-- what is this? - (Blake) The chapel's gotta be close. - Okay. - (gasping) - Hangman? - Another hanging person. - Whoa, Slenderman. - Oh, the eyes. - He is staring at me dead in the eye. - Oh no! - I don't like that music. - I know. That (mimicking creepy music). - (Tom spluttering) - You're supposed to be filming the chapel, I think. - It's a church, right? Weren't we trying to get here? - This is giving me a Last of Us feel. Or when a bunch of people go to the cabin. - Hello? - (Blake panting) - This is gonna end poorly. - Oh, haven't we seen that guy's painting before? - Oh, it's my boy! - Oh. - Papa John. (faint yell) - There was a guy yelling, and then it just stopped. (camera whining) Is he in here? - It doesn't seem like there's-- oh. There's someone on that. - Oh, he's alive. - (heretic) Mary? - "Mary"? We are not Mary. - (heretic) Who's there? Who are you?! - (Blake) My name's Blake. - (heretic) The outsider. The Father! - Does that say "Judas"? - (Blake) I'm not anybody's father. I just-- - (heretic) Kill me! - Is it? - (heretic) You have to kill me. - (testily) Okay! - God. - You want to kill him? - (heretic) Knoth is coming back. - I'm not doing it. - (heretic) Knoth is coming back. With Mary. He'll hurt her and I'll talk. If you kill me, he won't have a reason to hurt her. - Okay, good. One life to save. - Kill him, kill him, kill him. - I can't kill him! - We can kill. - The whole point of the game is to not kill. - I don't think we can kill him. I think we just have to move on. - (heretic groaning) - All right, sorry, bud. - Oh, there's a door over there. Let's just go through there. - How about here? - No, those are the confession booths. (door opening) ♪ (ominous music) ♪ - No! No! No! Hide, hide, hide, hide. (opening door) Jeez. - (woman sobbing) - Oh, that's Mary. - (Knoth) We found her, Josiah. Tryin' to flee 'mongst the Scalled. - Where is this tub? - On that end. - (Knost) ...unburdened by an immaculate conscience. Answer your yokemate, honey. He can't see you. - You can zoom in. - (Mary groaning) - Don't accidentally exit the-- - (gasping) - Oh, they have her over there on the table. They're gonna sacrifice her. - (Josiah) Oh God, Mary, I'm sorry. - (Mary whimpering) - (Josiah) I didn't want... - (Knoth) The outsider woman has this world's destruction in her womb! - I'm just now hearing the Southern accents. - (Knoth) But Val and his apostates stole away the unborn enemy. The fiend's father is escaped. - I'm trying to understand this, but I don't get it. Are they talking about Lynn? Like, they're saying "her." - (Knoth) Where did Val take her?! - Oh, so where did Val take her? Val-- isn't where he took her girlfriend or whatever? - Yeah. - (Knoth) Make the woman scream. - (Mary) No! (cranking rack) - I think they're stretching her right now. - Maybe he's just torturing this girl and she's gonna-- they're gonna rip her in half. - (gasping) - What are they doing to her? What are they cranking? - (Mary) No!! - (gasping) It's one of those stretching things. - (Knoth) Tell Josiah to make it stop. - (Josiah moaning) Stop! - (Tom humming squeamishly) - (Josiah) Oh God! Please! - Are we not supposed to do anything? - Well, if I get out, I'll die. - I want to know what Val's whole deal with this is. - That was the one that we thought was a woman, right? - That was the woman that licked us and took-- - The super-pale one. - (Josiah) The mines. Up the mountain. Val has her in the mine. - Oh, they're talking about his wife? - Oh, in the mines. So we gotta go to the mines. - Wait, was this the girl that we saw in the chain that was all cut up? - Oh, that would make sense. I think so. - (Knoth) Thank you, Josiah, that's enough. - Should I be a hero? (splitting head open with axe) Well, I can't be a hero now. - Oh my god. (splitting head open with axe) - Oh! - (Josiah gurgling) - (Mary wailing) - Now they're gonna kill her too. - Why are you screaming? (cranking rack) - Oh! (gasping) Ow! - Yo, look at her joints. They ripped apart. - Oh jeez. Oh, they stabbed her in the chest. (in disgust) Oh!! - Okay, wait, have they left because then we can get out. - Heck no, I am not leaving. - (Blake) The mines. Where the [bleep] are the mines? - Okay, we gotta get to the mines. - Yeah. - Okay, so we gotta go to the mines, whatever that means. - You got it. (opening door) - Now get out. (door shutting) ♪ (ominous music) ♪ - Oh jeez. Are you supposed to record it? Oh god! - Oh, they did stretch her. - Ow! - All right, let's go. (door handle rattling) - Nope, all right. Looks like we're gonna have to go... - How are we gonna get there before they do? That's the real question because, like, you know? - I know, but we're faster. - Are we? - I don't think-- - You don't think Papa Knoth can sprint? - (chuckling) - I'm terrified. - (cultist) There! - Oh no! Did they find us? - Hey-- oh. - We need to leave. - (cultist) Hey! - Ummm... okay, yeah, they're behind us. Just keep on running. - I'm just running. I heard voices. - Keep going straight. Oh my god! No, no, no, no, no. - Oh, back the [bleep] up, family! - (gasping) Oh my god. Oh my god. (violent blow) Oh! Run! Oh god. - Where do I go? Where do I go? Where do I go? - Dude, just keep on going straight. There has to be something that you can hide in. - Don't use our bandages because we're probably gonna die. - Get through here, I think. - Barn door? Go, go, go, go, go. Come on! Why aren't you going?! - There's no way. (violent blow) We're done. - (Blake yelping) (violent blow) (chain rattling) (Blake groaning in pain) - Wow, we just died through the door. It's all right. - Oh my god! - (Blake yelping) - Oh no! (violent blow) - (Blake groaning in pain) - (hesitantly) God. - You have more of an eye for this. - Okay. - Let's go. Let's go. - All right, make a-- - Yes, yes, yes. Let's go. Let's go. Let's go. - Oh, I don't know if I'm gonna make this. - Go, go, go, go. - Can we go in now? Yes. All right. (violent blow) - Ah! Son of a bitch. - Go, go, go, go, go. - Uh, this way. - Right. Go. Yeah, kick that shit-- - Go! Go, go, go, go, go. - Up the stairs. - Ooh! - Come on! I don't know if I'm gonna make it. This is it. Who are you looking for? - (Blake yelping) - Holy [bleep]. Do I have to jump? - Yeah. - Son of a bitch. - Okay. AAH!! Oh my god. Thank god. Okay. - Jump, jump, jump. (tapping keyboard) Jump! - Yes, okay. ♪ (suspenseful music) ♪ - Yes! - Woo-hoo-hoo! Yeah, buddy. Battery! Quick. Then I'll do whatever I need to do. Jump! - Oh sh-- what's happening back there? - All right, we made it away from those guys. - I'm so over this. - No batteries. Nothing there. (grass rustling) - Just follow the fence. - Oh, okay, I think I'm just going around-- - Oh, look, there's a hole. There's a hole. Turn around. Right there. - (gasping) Yay. - Nice. - Crouch, C. - That's the same thing as jumping. - Maybe we gotta go in the building. - Oh! - The bear. Go in the house. - Mr. Snuggles. - Oh [bleep]. (camera whining) - Uh-oh, cribs. MTV cribs. - Why? - There's candles. - Close the door. (overlapping speech) Is there a deadbolt? (shutting door) - Oh, yes! - Oh! (camera zooming in) - Are they dead? Oh, they are dead. - (faint singing) - I am pretty sure they're dead. Who's singing? Oh, you. Oh, she's probably rocking a dead baby. - Okay, I need to go around and get the bandages. - (woman) ♪ ...wake up in heaven ♪ - Don't-- don't-- don't turn around. (shrilly) Don't turn around! - She's gonna know. (laughing) - Dude, she's looking at me, I swear to God. - Look, a door. Just go. Just go to the door. - Okay, bye! - Get out the window. - Okay, yeah. So we go out through there. - Oh no. - Yes, this way. (window sliding) - (Blake grunting) - Uh, all right. Cornfields are always promising. - We're back in the corn. - Dude, I love corn. Jeez, all right, I'll just keep walking through the corn. - I'll follow the moon and hope it takes us somewhere. - (cultist) There he is! (violent blow) - Oh my god! No, no, no, no, no, no. Come on. - I'm gonna hit a dead end, watch. - Nah, there's gotta be the mines. - Oh! - All right. - Get your energy, man. - This is something. Let's go that way? - Hide in a bucket. - A bucket, a bucket, a bucket. - Go in their house! - Okay. (door shutting) - Now lock it. - Lock the door. (sliding latch) - (cultist) Where did he go?! - He's not in here. - We should probably run. The music's getting intense. - Yeah, the music is getting intense. - Gears and maneuvers. There's another lock. - A way to stop the wheel. - Uh... up here? Yeah, let's go up here. - Weren't we just there? - No, I think this is different. - Maybe this is how we stop the wheel. - Yeah, there's probably a switch. - Oh. - You need to find a crank. - "You must find a crank wheel." - (groaning) - Goddamn it! - Okay, so I don't think they're chasing us then. - Yeah, they are. - So they wouldn't make us do that. - We need to find a crank wheel. - Oh my god! We need to find a lever so we can crank the wheel. - This is annoying. I'm so over this. - Where are we supposed to find a lever? - You would think, you know, if there's something that needs a crank wheel, it'd be by the crank wheel. - Um, where do we find a crank? - All right, maybe there's a crank inside we gotta find and then bring it out. - I think we turn to the right. Was there a way--? Oh, yeah. - Oh. Okay. We can go through there, but we're not missing anything? Okay. - How did we miss this door before? - I know. (camera whining) - Oh, it's right there. - Well, that was not that hard. But now there's a catch. There's something out there. - Wait, a battery. - A lever! Okay, cool. Is that a battery? - You found a lever? Oh, look, a battery. ♪ (ominous music) ♪ - (groaning) Thank God. - Oh, but you still can't pick up the flashlight. - Oh-- - And the bandages. We're getting stocked up. - Oh, he's trying to get through there. - Ah! - Hey, can I just-- - No, not-- terrible idea. We're gonna die. We're gonna die. - He's just like (laughing). - (humming) - This seems too easy. Something... - Something's gonna explode. - Something's gonna happen. - Okay, cool! Yes. - We're gonna run. Oh, crank that. - Turn. (crank wheel turning) (clattering noises) - You gotta-- you gotta tap it. It's like Cookie Clicker. - You know what? Rae, you wanna--? You can take over. All you, girl. - (Blake) That should do the trick. - That should do the trick. - How are we supposed to go after this? - So now what do we do? - Go back in there. - Over there? ♪ (ominous music) ♪ - Oh my god! - (cultist) Hey! - Wait! - Oh my god! No, no, no. Go, go. No, no! Don't go that way! - We need to! No, because we can't go back up. - Oh god, where am I? - Go! Go! - It's not letting me move! - Go, go, go, go, go. - We're all the way out. - Where am I going? - You're trapped. (violent blow) - Oh shit. - Oh, you're trapped. You're behind-- - (groaning) Wait, where am I supposed to go? - You guys should-- - What are you doing?! GO!! - Where am I supposed to go? - I don't know! - This way, let's go this way. Blake, if you could-- - You can't go that way. - (cultist) Knowledge unbearable to men! - Great. Great. - (Blake groaning) - Fantastic. - (Blake yelping) (violent blow) - Uggggh. Oh my god. - Go! Go! (chuckling nervously) No, no, wait! - (Blake yelping) - We're done. We're done. - (Blake groaning) - All right, now why is that fair? - I'm not good with instructions. - (chuckling) - It stopped this stuff. (camera whining) - (Blake) There's gotta be a way to stop the wheel. - Oh, because we need to go through there. - Just gotta be ready to run. - All right, all right, all right. - Okay, go, go, go, go, go. Go, go, go. Jump over this thing. Oh, that's really high. I'm gonna jump from right here instead. - If we can get him to come outside... - Yeah? - ...without him hitting us, and then trying to get in it. - All right, where is he? Did he even come out? - Are they gonna come out? - Oh, [inaudible]. - Maybe he's not there. He's not there. Go, go, go, go. Go, go, go, go. ♪ (ominous music) ♪ Go, go, go, go. Go! - Oh my god, okay. - That was easy. - (cultist) Hey! - Oh, yeah, that was easy. - [Bleep]. - Batteries. Now we need to get out. - He's coming. He's coming. - Oh, what?! - Go! - No, wait! - (cultist) Knowledge unbearable to man. - Oh jeez, he's close. - I didn't know they called after you. - Yeah, you gotta go. - All right, jump. Yeah! - Oh god. Okay. No, get up! - That's a cow. Oh, move over. - (cultist mumbling) - No! Wait. This way? - They let us go down here for some reason. I don't think that's a good sign. - He said, "Don't go down here." I heard that, but why not? I kind of-- this is the way I'm gonna escape. - Ew. - (Rae) Where are we supposed to go? - See all those cow carcass? Damn. Um, probably through the open gate. - (raspy voice) How precious to me are your thoughts. - Oh [bleep] this bitch. - Oh my god! It's that lady! - Turn around and run! Hide! - Let her come here. (camera whining) And then go around her. - (raspy voice whispering inaudibly) - Is that her? Oh yep, that's her. That's her. - Just run past her. - Go, go, go. Just book it to the right. - (raspy voice whispering inaudibly) - She's slow. She's slow, so... - Aaah, screw you! - Yeah, see? Boom. - Please don't come out. I swear to God! I swear to God! Please, please, please. No, no, no, no. - Okaaaay. I don't know where to go. - Just keep going. It's a long way. - Wait! - Oh god, okay. - Where do I crawl? Where do I do something? - I'm cornered. - No! No! Turn around! - Oh my god, where?! - There was a crease. - Oh, bless! - Oh wait. - Oh. - (chuckling) - She's really bad at fences. Like, if she just learned how to hop, I think she'd be... - Crawl. - ...a really good opponent. - Um... - This way? - Wait, there's a body. - Turn around! That way! - Where? - There. In there. - Oh. - Ugh. (flies buzzing) - Yeah. Oh, there's an open door. - (laughter) - Now we probably need to go in here. It's like you follow the [bleep] up shit. - Okay, don't-- all right. - Oh, there's people. - Yeah. - Didn't even notice that. Probably should've noticed it. - (Blake) ...should've prayed for refrigeration. - Did he say "should've prayed for refrigeration"? That's a human hanging from the-- whatever. - Oh, no, no. - All right, this way then. - I think there's something glowing in there. - Here? - See the hook up there? - Okay. - Oh, right there, entrance. - Aaah! (chain rattling) (flies buzzing) - Maybe? I don't know why. Maybe he just really wants a hook. - Let's take the hook. It's mine. Call me Captain. - There's that paper in there. Let's try this door, and then if it isn't open, then we probably need to go down there. ♪ (eerie music) ♪ - Let's just see what's down there. - Oh god, I don't want to. - Ugh! Oh, it's fine. We're just on a bunch of dead cows. - There's a paper. - "Marta." Wait, can you turn on the-- yeah. - "My avenging angel, thou has betrayed Temple Gate. Has betrayed God. Has betrayed me." - "Look deep into the heart of all you hate and make it violence to punish that festering apostate pig [bleep]." (laughing) "Thou must suffer." - A way with words. - "All who joined Val must die begging for the mercy you have purged from your heart. Let God be merciful, you will be only wrath." - Oh, this is not "God forgives you." - Okay, so is Marta that crazy lady that's chasing us? - Knoth and Val definitely were together, I feel like. They were running the same cult, and then they kind of just went their separate ways. - Yeah, for sure. - We gotta go back to the fence. - We have a hook. - Turn off the-- (door slamming) Oh shit. - Was that from that door? - All right, let's just go back to where we need-- - You can hide under the dead bodies. That is disgusting. - Ugh! - Is this how we came in? How did we come--? Oh, through this. Now the doors were shut. That's weird. - It's probably outside because, for some reason, that we can still go through here. - I have a feeling Marta's coming. - (Marta) Spreader of lies. - Oh no. [Bleep] you. - My god! Marta, please! ♪ (eerie music) ♪ I think that's where we-- - Then go! - Okay. - Go! No time to think about it! Just go! - Um... it's gotta be something over here. Maybe back where we slid down, kinda? I think I was over here. - Wait, maybe... - (Marta) Precious to me. - Yeah, wait. There's a little thing you can go down. - All right, so I'm gonna have to keep running, sorry. - Oh my god! Please, no, no, no, no, no, no. I just want to go this way. Back this way. Please, please, please, please, please! Go through. Go through. Go through. - I have no idea where to go. Oh, the hook! - Oh. - The hook! - The hook. - (Marta) God give me voice. God guide my hand. - Uh, we gotta crank something. We gotta crank something. Right here. - There's a chain back there to pull. - Where was it? - Where we entered, I think. - [Bleep], where is she? - There. Is that it? Oh, right there. - Uh-oh. Oh, there's a chain. - Got it, yeah. Go. Quickly, quickly. - Oh my god! Oh my god! Please, please, please... - GO!! - ...please, please, please, please, please. - Quickly! (chain rattling) - Go, go, go, go, go, go. - AAAH!! - Crouch, crouch, crouch. - No! - Oh! - Oh no!!! - God, no! - We're okay. - (Blake grunting) - No, we're not okay. - No, Marta!! Get the [bleep] out! (overlapping speech) - Oh, thank God. - We actually fought back. - Shut it on her face! Get kicked to the face again. You're gonna have a broken nose by the end of this. - Oh man, second time. - Oh my god. - Oh my god. It's chill right now. We're good. - To the mine. - (Blake) There's the mine. - Ugh, sick. - (Blake) Where are the Heretics or...? - Yeah, that way. - (Blake) That's where they've got Lynn. - Probably gotta find a different way. It's too Rocky Balboa. - You know what? It's fine. (camera whining) - Yep, this is where it wants us to go. - Why don't we just take the lantern with us? - You know, that's a good-- - (Blake grunting) - Whoa, don't step on a cactus, Rae. - Oh, my bad. - (Blake grunting) - Oh! Oh god, that scared me. It was a cactus. - It's just a cactus. - Wow, why would they-- what is the point of that? That's just to be annoying. - Oh, probably up that way then. Oh, there's way too many crosses around here. - Some of these stairs in this area. Why do they gotta do that? - Open sesame! - What? Oh. Gotta hop up. - Oh! - Yeah, there we go. Woo! - Whoa! - Back in church. - Hey! - (groaning) Oh! - It's a flashback. - Goddamn it. - (Blake) Wait. Wait. - Every time. - (Blake) This is before I found her hanging. - This is before he found her hanging. - This way? (door opening) Ooh, it's dark. Are we sure you can't go that way? (door opening) Oh, wait. - Either way, they're both dark. You just opened two freaking hallways to Hell. - Yeah, we're just gonna run through this. - Dive right into it. - I'm gonna go in here. - (Blake panting) (door creaking) - (man) Thank you, Blake. - Blake? - "Thank you, Blake"? Who's saying that? - Is there something on the desk? - Whoa, thank you, Blake. - Very, very generous. - Ah. - (Blake) The hangman game. Like Lynn and Jess used to play. The other half of this must be somewhere. Jessica would've left the hangman somewhere-- - Okay, I'm so confused by this. - Oh my god! There's blood! - Just take it. - We're going. We're going. - So did someone else write that? Maybe it wasn't her committing suicide. Someone probably killed her. - Ooh. (lockers creaking) - OH MY!! - AAH! NO! - (moaning weakly) I hate this classroom. (lockers banging noisily) - I swear I just saw something move. - That was a little black ghosty. Okay, we're getting close to the old game. There was a little black ghosty thing in the last game, so... maybe she was part of the experiment or something. - Okay. It's way too quiet. I don't like that. All right, that's where we were before. Oh, open door. - Oh great. Yep. - So there's a projector in that room. We gotta place this piece of paper on that projector. - Oh. ♪ (eerie music) ♪ - Oh, and then move it? - Something's gonna happen. I don't like this. - And you have to-- - So we need more than one? - No, no, you need-- I think you need to move it onto the screen. - Oh. - Oh shoot. - And then you line it up. - Oh shoot. - What'd it say? - (Blake) The letters... they're not lined up. - Still? Oh, move it up? - Oh, I have to push it back. - Push it forward, yeah. - I can't really see that. - I think it'll probably say when it's right. - You're almost there. - Oh! I don't know if I want to know what the words are. - (Blake) "Unforgivable." - Ah, there we go. - (Blake) Sounds about right. (camera whining) - What does that mean? - Maybe Lynn killed Jessica. - (gasping) - Because that's why the notes are being left. - I don't know. - I think we need to go back this way. - Hello? - Can we just leave? - You know what sucks? He's still hallucinating. - Blake? I want to go. - Oh no. - Oh my god! The hangman thing is gone. - Hey, what? It is? - That's where the wall was, dude. - Wait, that door wasn't there before, I don't think. - That's an orb. That's a ghosty. - Just run? - Yeah. Just go into it full force. - We're gonna be back. Oh! - Quiet there, you. Whoa! - Whoa! - Let me out. I want out. I want out. I want out. There's-- - Oh my god! - Go away, go away, go away. - Go towards the exit! - Let me out. - What am I supposed to do? - So scared! (gasping) Where do you-- - [Bleep]. Ignore it, ignore it. (stammering) It's just air. - Oh my god. - I'm stuttering. I can't do this. - Wasn't Outlast I about a ghost turned into us or something? - Can I not exit? It's locked. - It's locked now. Oh my god! - OH!! - Now do I go back? - Oh, see, now it's getting all, like-- - Oh, it's tripping me out right now. - Run. - (both shrieking) - Holy shit! - Oh my god. - (both shrieking) - (whimpering loudly) What the [bleep]?! - Oh sh-- - What? Now go to the right. - Oh. There's a new door. What? I just got rekt. - We haven't gone in here. Oh [bleep]. - You're [bleep]. - Oh, there we go. - Gotta go up there. - Battery! - Oh, yay. Because that's important. - Oh, this. Oh, up there. - Oh, okay. - There we go. (camera whining) - I don't trust this. Remember those hands? - That was such a good jumpscare, wow. - My heart's still racing. - (Blake) I'm back here. What the [bleep]? - "What the [bleep]?" - Oh, this is where we were before. (moist squelching noise) - Oh, what's the noise?! Again with the tongues. - What is going on? - Octopus man. - (Blake screaming) - Whoa. - Oh, yep, we're back. - (Blake grunting) - Great. Cool. - Dude, what the hell?! - Looks like we made it to the mines. Uh, this does not seem-- - It's dangerous. - Hmmm. - Oh. - There's a tunnel. - Crawl on the edge. I heard some weird voices. - (man moaning) - What's that noise now? - I guess we're getting over to the railroad tracks. - (Blake) Oh, Christ. It's not that far. This isn't so bad. - Yeah, right. A rickety, old railroad. - Don't look down, that's bad. - All right, we're not looking down. - And go over the other one. Oh, dude, this is like my biggest fear. - (Blake) What in--? (locusts buzzing) - What the hell are these? - It's the locust swarm. - Oh, these bugs. - No, ignore it. Ignore it. Just go. Just keep going. - Oh, this is the long one. - Uh, please stop. (testily) Please stop! - Uh-oh. - Keep going. Just keep going. Keep going. Keep going, keep going, keep going. - Blake, keep on going. Please! - (Blake yelping) - Oh my god. He's so stupid! - No!! - Noooo, we fell. - We were so close to the mine. - I'm so over this. - (man) Were they locusts or were they not? - (man) Laird. - (mockingly) "Were they locusts or were they not?" - (man) ...shadow in the sky. - We're being dragged, I think, or something. - What's that blue thing? See it? - Yeah. - My camera. - Oh, are they dragging us? Or like...? - (man) I'm sorry, your grace. - (gasping) What the hell was that? - Is that Golem? - What did he just shoot him with? - What is going on? Why are we upside down? - It looks like a flaming arrow. It just stuck that dude. - Oh, are we hanging? We're hanging upside down. - (dwarf) His suffering is done. - He's riding another dude! - Who is that dude? That's a troll, yeah. - (dwarf) Momentous times are upon us. - Oh yeah? - I'm scared. (rustling noises) - Ooh, all right, we good. - (Blake gasping) - My camera! I need it. - Maybe Val saves all the demon spawns, and that's his whole crew because they're all kind of weird and [bleep] up looking. - Now where do we go? We're, like, in the middle of the woods. - I'm assuming you're just gonna follow this creek. Oh, speed run. - Let's just, honestly, let's just run for it. Ugh, oh, you have to climb on that. - Great, we can't even run for it. - Can we? - You can do this. - Man, and they said trapeze classes would never pay off. - It's safe. - All right, let's go down. All right, I just want to run out of here. (water splashing) ♪ (ominous music) ♪ - Oh sh-- - I think we gotta keep going. - OH MY GOD!! - What is that? What is that? I just [bleep]. - Yo, what was that? - Just do it. Just go. It's fine. We're good. (camera whining) - Do you crawl in that log? - Oh, there's gonna be a tongue. - I swear to god. - There's gonna be a tongue. There's gonna be a tongue (thud) - I knew it. Something's gonna happen. (thud) - My god! Stop playing. - It sketches me out ten times more that we can't see anything. - I mean-- - I know, we're chewing through battery, I feel. - Something's going on. - Oh, what are we recording? Ah. - (Blake) Oh [bleep]. - God bless. Bless us. - "Sickness here." - (Blake) [Bleep]. - "God bless." - (Blake) There's gotta be... some other way around. - So, wait, sickness? What if it was that one little monster thing that we saw. - That's a dude's hands, severed hands, over on the left. Oh, there's more hands, yeah. - (Blake) There's gotta be some other way around. - I'm assuming it's this way. - No human being crawls like that. If I'm gonna see stuff crawl up the walls and shit, I'm out. I'm dipping. - (Blake grunting) - Oh, it looks like we're not getting back up. - Rae, you're really coming into your own as a gamer. - Am I? Oh, hello. - Oh, and a note reader. - Ah, that's-- - Lots and lots of reading. - "Welcome to this place of spiritual healing. You are scared and you are sick." - This is talking about the sickness and stuff. - Syphilis or gonorrhea. All right. - All right, so this is where they take everyone that has STDs and things. - "Stay true, stay obedient to God and to Papa Knoth, and especially to his deacon, Laird." - Uh, sweet! - Who's Laird? - They're doing a great job here. - (outcast groaning) - Okay, they're actually sick, I think. What's wrong with these guys? - I feel like we could beat that guy up, not gonna lie. - Just walk past him. He's probably a nice man. - (outcast groaning) - (outcast 2) He will descend... (violent blow) - Oh shit! - Okay, yeah, let's not mess with those guys. - Where am I supposed to go? Oh my god! - (outcast retching) - This is disgusting! Who are you people? - (Blake yelping) - Oh! - (gasping) - Ugh! - Hi, I'll be leaving. HO! Hello. Okay. - Thank you. Wait. Thanks. - (outcast retching) - Oh my god. Everybody's just throwing up. - We're gonna die. Oh my god! Dude! - (overlapping speech) - We're so dead. We're so dead. - (outcast moaning) - AAHHH! - Oh my god. Please, please, please, please please. Please go away. - OH!! (violent blow) - (outcast moaning) - Jeez! - All right, just juke 'em. Run around 'em. - Oh my god! Why are they everywhere? Dude, where am I supposed to go then? - You just got there. - It's recording. - What am I filming? Hey, guys. - Filming something. (body slumping over) - HO! - What happened? - Oh, there's a little dude, like a little midget riding on that guy's shoulders. - Dude, look at what he's riding on. - It's pretty bad ass. - You're on Candid Camera! - Why did that happen? - I don't know. I don't want to stick around and find out, TBH. - This ties in somehow. - Oh, looks like we gotta climb up. - (chuckling) Follow the blood. - The blood is the cue. - (chuckling) Hey. - Just don't fall. (chuckling) - (Blake yelping) - (startled) Oh, hey! - Don't fall or we'll die. - (both) OH!! - Jeez! [Bleep], well, there we go, Rae. - Follow the blood. Oh my god! - [Bleep]! - (gasping) Michelle! - Oh, wow, we fell really gracefully, I gotta say. - Yeah. - At least there's a nice campfire. - We fell. We didn't die though. (flies buzzing) - I think the big guy's down here, so you're probably gonna have to run. - Oh, right, the glasses. - The glasses. - How are the glasses not broken yet? That's the real question. - Oh jinkies. - I think there's someone in there. (camera whining) Oh. Oh, great. We're not going in there. - [Inaudible] vision. - (Blake yelping) [Bleep] me. - HO! - (dwarf) We have found the Scalled Christ. - He's shooting flaming arrows at us. I think we gotta go that way. - Are you serious? - Oh, you need to dodge from those freaking arrows now. - What the hell? What the hell? What the hell? Where do you want me to go? - You're gonna have to juke him out. You have to go straight 'cause he's coming from that area, so we have to go that way. - Easy to dodge. He's gonna shoot you if you stand still. Go. Yeah, easy, see? No! Through the brush. Through the brush! Through the brush! The brush! Through the brush! - What brush? - There is-- you're running back and forth through the brush right there. There you go. - Go, you got it. You got it. Keep going, you got it. You got it. - I have no idea where I'm running. This is like Blair Witch. - (Blake grunting) - Please, please, please, please, please. Oh! Yes. Okay, come on, come on, come on. Go through faster! ♪ (ominous music) ♪ - Oh great. Another hallucination. - Where am I? - We're in a locker. - Ho! - Now we're in a locker at school. - You should probably heal. - Dude, what drugs is this guy on? (locker creaking) - (Jessica) This way, Blake. - (Blake) Jess! (bell ringing) - (Blake) Come back! - I guess we're following her then. - School's out. I don't like the sound of children, like, happy children, when I can't see them. - Um, Jess? - I just realized we saw a black shadow here. I don't like this anymore. - Oh, is that an open door? There's gotta be something in here. - Whoa! - Is this Doom? - What the hell? - What is this? "Father Pocari, I took Miss Gray out of Phys. Ed. today to have a little talk with her. Father "Loutersilch" was telling me he's worried that she's a touch more sensitive than is good for her and I don't doubt it. Poor girl. But anyways, Father Loutermilch says he thinks it might not be a good idea for Jessica to go on a field trip to the piano factory and I tend to agree." - "She seems like a decent risk of a runaway." - "Her father's signature on the permission slip is a little embarrassing in what an obviously forgery it is. So I'll need your say-so to suspend permission. We'll put her on library study for the day." Aw, they don't want Jess to go on the field trip. - They think she forged her permission slip. - [Inaudible] out. (faint footsteps) - I feel like something's up this way. - Yeah. Oh, yep. (light flashing) - Ooh! Okay. - (Blake) [Bleep]. - Oh my god! Holy shit. Holy shit. Oh my god. We're recording. - Oh no, wait. Turn around. Turn around. - Wait, we're recording this. What's happening? - Oh, hey. - (Jessica) Don't go. - Follow her. Follow her. Go, go. - Chase her down. - Don't go where? - To our right, right there. She's right there. ♪ (faint singing) ♪ - Oh god, no! Not the music. - (whimpering) My god, these little nursery rhymes are freaking me out. - Sounds like there's a guy voice singing too. - Yeah, there's two-- - There's a piece of paper behind you. (paper rustling) - "Strang." It's gonna say strang-- there's literally two letters missing. It says "strangle." - Maybe "strangle"? - Oh, shit, you're right. (camera whining) - Yeah, I was pretty good at hangman back in the day. - Oh, we can't even go in there. - To the right. Yeah, just go. Leave. - Oh, they stopped singing. - Definitely the left, yeah. - ♪ Looking down in love ♪ ♪ So be careful... ♪ - Okay, we gotta go back up. - Oh, fun, let's go up there. - (Blake grunting) - (Jessica) He's coming. - Oh my god. Oh my god. Stop talking to me. Don't talk to me. - What? - We're back in the forest, yeah. - It's weird how it keeps cutting back and forth between those two. It's so disorienting. - Yeah, for sure. - Oh, go back in the school. - Oh my god, no! And we can't go back in. These people are gonna get us sick. - (Blake) No! Let go! [Bleep]! - (moaning) Who are you? - Why is he on a fool's back? - Oh! - (Blake) Goddamn it. - What is that? - It's a tiny baby. - (dwarf) Oh, praise God-- - He's the one shooting. Praise God. - What the hell? - (dwarf) Forgive me, Lord. - (Blake grunting) - (dwarf) But I have to be sure. (wincing) - They're gonna try and make me sick? - (dwarf) Open his mouth, Nick. - They're making us sick. - No, stop! Don't put--- no! That is so gross. They're getting us sick on purpose. - (Blake gagging) - Are we gonna turn into one of those weird things now? - (dwarf) He's unmarked. He's pure. He's the Scalled Messiah! - Oh, we are the Scalled Messiah. - Oh! - Whoa! - No, stop, stop, stop! - (Blake) [Bleep]! (Blake struggling) - (dwarf) He ain't been transubstantiated yet. He ain't been reborn. - I think they're gonna try and help us. - (Blake screaming) - Or at least creepily trying to help us. - Watch, he's gonna be crucified. - (dwarf) First, we gotta get him on that cross. - Oh, you called it. You called it. - They're gonna crucify us. - Yeah, I know. - All right, well. - (dwarf) Let's get on up that hill. - Apparently, if you're pure, you have to be crucified. - (dwarf) He will come born on locusts' wings, immaculate as a newborn. He will give us his gospel, the sacred words of His teaching. - (queasily) Ooh. - (dwarf) He will be nailed to a cross and die, and he will be buried. - Oh. - (dwarf) But he will rise again. - I'd rather not do that. - (dwarf) We will eat of that flesh in holy communion and be healed of our physical-- - Oh my god. Let us go. - He has arrows in his back. - Probably. - (dwarf) And we shall inherit this broken earth. - It's all right. We're gonna get out of this. It's fine. We always get out. - (Blake panting) - (dwarf) You see, we prepared everything. It's all ready for you. - (Blake) What? - I don't like you. - No, it's cool. I'd rather not. - (Blake) Don't do this. Please. - (dwarf) Where is your gospel? You're supposed to have a gospel for us. - God says to not kill me. - (dwarf) To guide us in our salvation after the end. - No, I don't have a gospel. I'm not your god. - (Blake) Gospel? - (dwarf) The truth. Your guidance. - My guidance is don't kill me. - (dwarf) Well, old Nick, I guess we better put those nails in. - (Blake) Wait! Wait! Wait. - Oh. - (Blake screaming in agony) - Ow, dude. - (Blake screaming) - (gasping loudly) - Aaaaah! Oh my gosh. Please stop. - Dude, what the hell? - (Blake screaming) - There's always something traumatizing that has to happen in Outlast-- in the first one, you lost your fingers. In Whistleblower, you were hung upside down. - (dwarf) That wasn't so bad, was it? - (Blake groaning) - It seems pretty bad, I think. - (dwarf) What's this? - What's what? - (dwarf) Nick, hand me that! - Hand what? What's happening? - (dwarf) Is that a camera? A record? - A camera. - Oh. - Is he-- he better not fricking break it. - (dwarf) How could I not see it? A modern Christ would use a camera, not a book. - Oh my goodness. - Yeah! (laughing) - (dwarf) This is our gospel. - Oh, give me back my camera. - (dwarf) This is our gospel. - Oh, so they still think that I'm Christ or whatever. - (dwarf) I must study His lessons. - I feel like these guys are gonna get killed somehow. - Yeah, yeah, same. - Maybe Val. - Val's gonna pop out or something, yeah. - Just give me my camera back and let me go. - (dwarf) Put the other nail in and hang him up. - Oh, no. Blake, come up with something to say to them. - (Blake) No! No! - We always-- you always lose the camera in the game, and then you have to get-- everything just comes to a halt because you gotta go get your camera first, and then you gotta go resume the rest of it. - Ugh! - Damn. - (Blake groaning) - Not about nails, dude. - Oh, [inaudible] hung. - What if this is just how it ends? It's like that was it. That's all you get. You were sacrificed. - Ugh! - How am I gonna get out of this one? - Thank you for watching us play Outlast II on the React channel. - If you liked this video, give us a thumbs up. - Have a theory about what's gonna happen next? Let us know in the comments. - Peace out, everybody. - Derek here, one of the React channel producers. We have so much more Outlast for you because they gotta just keep going further down into the seven circles of React channel. So we'll see you then! Subscribe.