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This drawing is my first examination
of the site of the projection.
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This is the statue,
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standing on a pedestal.
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That was very important for me
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to imagine how the statue can be
animated with a projection.
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[Krzysztof Wodiczko: Monument for the Living]
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People always gather in front of monuments.
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There are events, protests.
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Sometimes we sit on their shoulders,
wave flags.
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We paint them with new narrative.
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Those monuments, they witnessed events before--
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some of them, major events.
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We want the monuments to observe and record,
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monitor what we do today,
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again.
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For so many years,
I've been trying to give a voice,
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or amplify the voice that is not heard,
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or even silenced.
--I saw many dead or dying children.
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--It was horrible.
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--They jumped in, not knowing that it was
poisoned, not knowing it was radiated.
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There are more than seventy million refugees,
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people who are forced to
leave their home countries
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because those countries are engaged in wars--
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mostly civil wars.
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In Madison Square Park,
there are four other monuments.
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This one is the most prominent.
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And this one is definitely
related to the Civil War.
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We don't really have monuments to refugees.
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[VOICE FROM THE PROJECTION]
--I left my parents.
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--I left my mom,
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--and my siblings,
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--without even saying goodbye.
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--I left the way you see me.
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[ANOTHER VOICE FROM THE PROJECTION]
--So ten years, we were in the situation
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--of sleeping in a tent,
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--waking up,
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--feeling afraid the entire day,
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--and not being able to do
anything with your life.
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[ANOTHER VOICE FROM THE PROJECTION]
--It was torture.
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--There was no hope for better life.
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--Nineteen years of my youth, my life,
was taken away.
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[WODICZKO]
To actually see a refugee speaking,
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it's a very rare opportunity for the public.
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[VOICE FROM THE PROJECTION]
--It was hard for me, leaving my child.
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--If anyone can imagine leaving a child behind...
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--I don't think anyone would imagine leaving
their child behind for even a day or two.
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--I have to leave my child behind me
for ten years.
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--Ten years!
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[WODICZKO] In order to live with
such traumatic memories,
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speaking, communicating it with others,
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it's very important.
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For those who work with trauma,
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they know very well
that there is nothing more painful
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than the overwhelming experience
that is not communicated and shared.
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Once it's shared,
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it opens the path to healthier life
with traumatic memories.
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So this is my general approach towards monuments.
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We have to help them to be useful for the living,
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making them relevant to us
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so we can build a future--
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the better future--
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maybe the future in which some of those monuments,
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like war memorials,
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will never need to be built,
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because there will be no wars
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and no refugees.