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America - The Story of Us ~ Episode 7 - Cities (HQ 720p)

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    [ Music ]
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    >> [Background Music] A new generation on
    a wild new frontier rising into the sky,
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    gleaming towers of steel,
    a bold new urban landscape
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    and maybe America's greatest
    invention, the modern vertical city.
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    We are pioneers and trailblazers,
    we fight for freedom.
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    We transform our dreams into the truth,
    our struggles will become a nation.
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    America, land of invention, hot-dogs,
    jazz, the elevator, skyscrapers.
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    This is the story of the greatest
    innovation of all, the modern vertical city.
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    One world famous icon has come to symbolize it.
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    Amazingly, we very nearly didn't have it.
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    It's 1885 and New York City has a big problem.
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    A magnificent gift but with
    some assembly required.
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    Scattered across Bedloe's Island
    in New York harbor in 214 crates.
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    They contain the largest
    statue in the Western world.
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    It's been donated by the people of
    France to celebrate the centenary
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    of the Declaration of Independence.
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    Built in Paris, broken down
    into 350 massive pieces
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    for the journey to America, that's the problem.
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    The cost of reassembling
    it would be astronomical.
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    Money, New York does not have.
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    At least 6 other US cities are
    jockeying to give it a home.
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    New York City is in danger of
    losing the Statue of Liberty.
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    Not if this man can help it.
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    Joseph Pulitzer, tenacious newspaper
    magnate, immigrant, a self-made man.
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    He owns the biggest paper in
    the US, The New York World.
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    And he's determined to keep
    Liberty in New York harbor.
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    Through his chain of newspapers,
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    Pulitzer launches the biggest fund-raising
    campaign ever seen in North America.
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    >> It would be an irrevocable disgrace to
    New York City and the American republic
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    to have France send us this splendid
    gift without our having provided even
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    so much as a landing place for it.
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    >> We must raise the money.
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    >> More than a million people
    read Pulitzer's papers every day.
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    >> Enclosed please find 25
    cents, is my contribution to--
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    >> One dollar the content of our my
    little savings bank which we treasure--
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    >> -- resolved to send you the
    contents of the first jackpot,
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    you will find enclosed four dollars.
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    >> The money we saved to go to the circus with.
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    >> Donations flood in from all across the
    country, rich and poor, East and West,
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    pennies and nickels, five's and
    ten's even thousands of dollars.
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    In all, a staggering 121,000 donations,
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    more than enough to keep this
    iconic statue in New York.
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    >> I think a statue is not just a statue.
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    I think symbols really matter, I
    think they signify, in a big way.
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    In fact, maybe they do more than reams and reams
    and reams of legislation and paper and print.
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    >> Now, the real work begins.
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    To hold a statue 150 feet high the pedestal will
    be the biggest concrete structure in the world.
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    Over 200 men work through a
    grueling winter to complete it.
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    As the last of the cement dries, workers toss
    in their own silver dollars for good luck.
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    [ Music ]
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    [Background Music] Next,
    Liberty's enormous iron skeleton.
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    It's designed by Gustave Eiffel, who
    will build famous Eiffel Tower in Paris.
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    The skeleton is 151 feet
    tall and with the pedestal,
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    it's the height of a 30-story office block.
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    [ Music ]
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    [Background Music] Now, for the outer layer.
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    Wrapping around the skeleton are
    60,000 pounds of hand-sculpted copper.
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    The sandal is 32 times bigger than a human
    foot the equivalent of the size of 879 shoes.
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    It's all on the job training
    often at 300 feet in the air.
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    It's as difficult as it is dangerous
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    [ Music ]
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    [Background Music] They need to
    fix 300 pieces of copper shell
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    to the framework with more than 300,000 rivets.
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    Her robes have over 4,000
    square yards of copper.
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    Her outstretched arm is 42 feet long.
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    A finger nail weighs three and a half pounds.
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    The scale of Liberty is unimaginable.
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    [ Music ]
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    [Background Music] After 6 months of
    hazardous construction there are no fatalities,
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    the Liberties 17-feet face is
    finally winched into position.
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    It's bigger than Lincoln's on Mount Rushmore.
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    It's said the sculptor Frederic Auguste
    Bartholdi modeled the face on his own mother.
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    [ Music ]
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    [Background Music] It takes 25 years
    for Liberty to oxidize and turn green,
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    a functioning lighthouse until 1902.
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    The statue's official name is
    "Liberty, Enlightening the World."
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    At first, the symbol of the alliance
    and friendships between France
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    and the 13 colonies in the American Revolution.
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    It will come to represent much more.
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    At the entrance to New York Harbor,
    The Statue of Liberty becomes a beacon
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    to the world and a welcome to millions.
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    Later, a poem by Emma Lazarus in her base
    celebrates America as a land of refugees.
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    >> Give me your tired, your poor, your
    huddled masses, yearning to breathe free.
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    The wretched refuse of your teeming shore,
    send these, the homeless, tempest-tost to me.
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    I lift my lamp beside the golden door.
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    [ Music ]
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    >> [Background Music] Over the next two decades,
    more than 12 million immigrants pass the statue
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    of Liberty on their way to Ellis Island,
    the first stop for most new Americans.
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    >> Imagine what it took for someone to leave
    eastern Poland or Lithuania or some village
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    in the mountains of Northern Italy and come
    all the way to this strange place with nothing.
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    >> Today, more than 100 million
    Americans can trace their roots back
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    to ancestors who came through Ellis Island.
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    >> If you go back only 150 years in our 200--
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    and almost 50 years history 95
    percent of the people were not here.
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    They are no roots, they all
    came from someplace else.
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    So, to me, America represents
    the best of the human sprit.
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    >> A guidebook prepares arrivals
    for a new life in a new world.
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    >> "Forget your customs and ideals.
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    Select a goal and pursue it with all your might.
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    You will experience bad time but sooner
    or later, you will achieve your goal.
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    Don't take a moment's rest.
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    Run."
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    >> And from Ellis Island, they
    spread out across the continent.
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    For the most part, Irish, Russians
    and Italians to big cities,
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    Germans to the Midwest, Scandinavians
    to farmland.
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    At the dawn of the 20th century eventually,
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    there will be more Italians
    in New York than in Rome.
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    From 1880 to 1930 nearly 24 million
    new immigrants arrive in the US.
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    A new era in US history is about to begin.
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    By the early 20th century, new urban megacities
    around America are bursting to the seams
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    and look to expand in a new direction.
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    Up. But building these great towers demands a
    critical ingredient that's much too expensive,
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    steel.
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    One man will change all that
    and with it the face of America.
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    He'll risk everything, and almost lose it all.
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    Its 1872, and Andrew Carnegie,
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    A 5 foot 3 Scottish immigrant iron
    millionaire is in Sheffield, England.
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    He's looking at the future, a
    revolutionary way to make steel.
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    Steel has been around for
    thousands of years but so expensive
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    to produce, it's always been a luxury item.
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    2,000 years ago it's used in Oriental swords.
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    It's even used in designer jewelry.
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    But, America stands at the brink of a new age.
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    To build it, they need steel and lots of it.
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    It's the only material strong enough
    for the towers that will touch the sky.
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    [ Music ]
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    [Background Music] An English bullet
    maker is showing Carnegie a new
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    but simple method of producing steel.
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    He's stunned.
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    Blast hot air through molten iron.
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    Carbon impurities burn off.
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    You get the wonder material, steel.
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    For the first time, it can be
    produced quickly and inexpensively.
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    If Carnegie can use this Bessemer process
    to mass-produce it, he'll own the future.
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    Carnegie returns to the states to Pittsburgh,
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    to start building the biggest
    steel plant in the world.
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    It'll be larger than 80 football fields.
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    It's a massive gamble.
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    Carnegie risks everything
    he's got on the new plant.
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    But only months into construction, disaster,
    a catastrophic stock market collapse.
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    The economy is in free fall.
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    He has to borrow even more money
    and barely scrapes through.
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    August 1875, against all odds Carnegie's
    giant furnaces are ready to test.
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    Steel production is phenomenally dangerous.
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    Inside, 5 tons of molten metal, 3,000 degrees
    hot enough to vaporize a man in seconds.
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    If it works, it will make Carnegie one of the
    richest men in the world but there's a lot more
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    at stake skyscrapers, cars, washing
    machines, airplanes, even space travel.
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    None of it can happen if
    steel can't be mass-produced.
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    [ Noise ]
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    [ Music ]
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    [Background Music] It's a success.
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    [ Music]
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    [Background Music] Carnegie is the
    first ever to mass-produce steel.
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    Prices plummet by over 80 percent.
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    Output rockets from a few thousand
    tons in 1860 to 11 million by 1900.
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    >> So many American stories of
    success are diligence, perseverance
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    but there's an awful lot of luck involved too.
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    >> His timing couldn't have been better.
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    It was steel that built American cities.
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    It was steel that built American railroads.
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    It was steel that built American shipping.
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    By the beginning of the 20th century, he
    was one of the wealthiest men in America.
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    >> [Background Music] Pittsburgh
    transforms from a sleepy town
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    to the industrial heart of the nation.
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    Its Population triples.
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    Driven by a new steel railroad millions of
    tons of steel are transported across America,
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    the raw material to build the modern city.
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    And the grandest of all is New York.
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    It's an era of obscene opulence.
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    New York is a playground for super
    rich industrialists and financiers.
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    Widely extravagant, they smoke
    cigars rolled in 100 dollar bills.
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    Their wives hats studded with diamonds.
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    This is the Gilded Age.
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    Land values are the highest in the world.
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    There's only one place to go, up.
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    By 1902, 65 skyscrapers are
    being constructed in Manhattan.
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    This is one of them.
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    [ Noise ]
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    It's called "Walking the Steel."
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    This man is 30 stories above the street.
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    His first time at this height.
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    No harness or safety rope.
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    One slip and he's dead.
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    Veterans are called "Fixers."
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    The novices are "Snakes" because
    working with them can be deadly.
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    The old hand know just how dangerous it can be.
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    >> The thing I hate worse than poison is
    to take a new man when we're near the top.
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    They all get used to it or get killed.
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    [ Noise ]
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    >> No hard hats, just a 280-foot drop.
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    A sudden gust of wind and it's all over.
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    [ Noise ]
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    They're up here 8 hours a day.
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    Meals when they can.
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    No bath room breaks
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    [ Noise ]
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    They're called "Roughnecks" European
    immigrants and Mohawk Indians.
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    Many were sailors and bridge
    workers so they're used to heights.
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    [ Noise ]
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    >> The guys balancing on the beams.
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    I think it took a lot of bravery, I think
    it took a lot of skill, a lot of, you know,
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    physically-- physically challenging but
    also thinking, you had to be a little crazy
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    >> [Background Music] The
    stakes couldn't be higher.
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    It's a risk they're willing to take.
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    The pay is 4 dollars a day, twice
    the going rate for manual labor.
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    Foreman William Starrett
    sums up his dangerous job.
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    >> Building skyscrapers is the
    nearest peacetime equivalent of war.
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    Even to the occasional grim reality
    of an accident or a maimed body.
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    Even death, remind us that we are fighting a war
    of construction against the forces of nature.
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    >> He makes it, many aren't so lucky.
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    Two roughnecks out of five die
    or are disabled on the job.
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    >> Whether it's a builder or an architect or
    whatever whoever had the imagination to design
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    and build some of the great
    structures of New York I'm inspired by.
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    >> [Background Music] In 1902, in New York,
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    this is what the future looks
    like, the Flatiron Building.
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    Its triangular footprint determined by the
    intersection of three streets, not two.
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    The steel frame means the outside can be
    hung in sections like a suit of clothes.
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    Now, the walls don't take
    the weight, the steel does.
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    [ Music ]
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    It's so radical, when people first see it
    they think it will blow over and kill them.
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    A lawsuit is filed claiming, "Winds focused
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    by the Flatiron's extreme
    shape damage a nearby shop."
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    Today, it's one of our best loved buildings.
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    Inside, the other breakthrough that lets
    towers rise into the clouds, the elevator.
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    Before it, the tallest buildings stop
    mostly at five floors no more walking
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    up stairs now, so the sky is the limit.
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    For the first time, the higher
    the floor, the higher the rent.
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    >> You think it's a fairly humble invention
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    but when Otis invented the first really
    safe elevator it enabled the growth
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    of the modern city where people could
    come in, build much taller buildings,
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    get a much higher density of people.
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    >> And sure enough, by the end of the 19th
    century the urban population has increased 87
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    times over.
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    In Chicago alone, in just 10 years,
    they built 50 steel-frame buildings.
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    And in 20 years, it's population more
    than doubles to almost 1.7 million.
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    American cities are exploding.
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    [ Music ]
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    [Background Music] But for
    many, living in the shadow
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    of these new towers will prove
    even harder than building them.
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    In America in 1890, crime and
    poverty are rife on the streets.
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    But these mavericks are about
    to make a difference.
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    [ Noise ]
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    Gangsters, murders, thieves
    and fear are on the streets.
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    New tabloid newspapers splash
    crime all over the front pages.
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    In Chicago, you can rent a gun by the hour.
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    In the Sears Catalog, you
    can buy one for 12 dollars.
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    In New York, a policeman finds a list on a
    murdered gangster, his rate card, punches:
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    2 dollars, nose and jaw broke:
    10 dollars, ear chewed off:
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    15 dollars, the big job: 100 bucks and up.
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    [ Noise ]
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    [ Music ]
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    [Background Music] Detective Bureau Chief Thomas
    Byrnes, a man who follows his own set of rules.
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    [ Noise and Music ]
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    He's shrewd.
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    And he's very tough.
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    Among his methods is a technique his
    detectives call "The third degree."
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    First degree, persuasion.
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    Second degree, intimidation.
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    Third degree, pain.
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    [ Music ]
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    In 4 years, Byrnes claims
    he's arrested 3300 criminals.
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    He solved the biggest heist of the 19th
    century nearly a 3 million dollar Manhattan
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    bank robbery.
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    Reporters called him the greatest
    crime buster in the history
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    of the New York City Police Force.
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    [ Music ]
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    >> [Background Music] His
    very manner, the size of him,
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    his menacing shoulders and
    arms, the bark of his voice.
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    >> Pickpockets, forgers whoever
    cracked the safe, unscrupulous rogues.
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    >> Crooks are now afraid of their shadows.
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    >> They lead double lives.
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    >> But tracking down criminals isn't easy.
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    There's no official ID, no birth
    certificates or driver's licenses.
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    If a criminal is known in one
    town, he just moves to the next.
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    Criminals are anonymous.
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    Byrnes is tackling this problem head on
    and bringing police work into a new age.
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    This is his rogues gallery mug
    shots of 7,000 known lawbreakers.
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    Using photography to identify criminals
    will change detective work forever
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    >> Annie Reilly, Alias Middle
    Annie, deceitful servant.
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    >> The mug shots are distributed to
    police departments around the country.
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    But these are more than just pictures.
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    Byrnes is also building psychological
    profiles of criminals.
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    >> Rufus Minor, he comes
    from a very good family.
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    It's a pity he's a thief.
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    >> This is the first attempt to
    create a national crime register.
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    >> A city as diverse as ours is going
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    to have a significant crime problem
    that you've got to be on top of.
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    >> [Background Music] Even today,
    mug shot still catch criminals.
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    12 million are taken every year nation wide.
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    That's more than the entire population of Ohio.
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    And it all began with the rogue's
    gallery over 120 years ago.
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    [ Noise ]
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    >> Any questions?
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    >> But crime isn't the only
    problem plaguing urban streets.
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    In many cities, slums are
    reaching epidemic proportions.
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    Multiple families crammed into one small room.
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    Human waste pours into the
    streets, alleys and open courtyards.
  • 28:35 - 28:38
    >> People were crowded in,
    there were windowless tenements.
  • 28:38 - 28:43
    Sometimes you had no internal plumbing just
    provides in the basement, in the backyard
  • 28:43 - 28:45
    and the lower east side during these years
  • 28:45 - 28:49
    with the single most crowded
    place in the entire world.
  • 28:51 - 28:57
    >> Jacob Riis, Danish immigrant,
    crime reporter, photographer.
  • 28:59 - 29:02
    He gets leads for stories
    from Chief Inspector Byrnes.
  • 29:04 - 29:08
    Now, he's about to expose the hell of tenements.
  • 29:10 - 29:13
    Jacob Riis knows what it's like to be poor.
  • 29:14 - 29:18
    15 years ago, he lost his
    job in a stock market crash.
  • 29:20 - 29:25
    It's midnight, but Riis has a new technology
    that will change the public perception
  • 29:25 - 29:32
    of poverty forever, an explosive powder that
    produces enough light to photograph in the dark.
  • 29:34 - 29:42
    [ Music ]
  • 29:42 - 29:46
    [Background Music] This is one of the
    first-ever photographs of slum life.
  • 29:46 - 29:46
    >> Go.
  • 29:48 - 29:53
    [ Noise ]
  • 29:53 - 29:55
    >> It shocks millions.
  • 29:55 - 30:00
    >> Ladies and gentlemen,
    my name is Jacob A. Riis.
  • 30:00 - 30:05
    And this is how the other half
    live and die in New York City.
  • 30:05 - 30:09
    >> Magazines refuse to print his work.
  • 30:09 - 30:11
    So, Riis puts on his own "Magic lantern" shows.
  • 30:11 - 30:18
    His mission, to show the nation's wealthy
    something they've never seen before,
  • 30:18 - 30:21
    filth and desperation on their doorstep.
  • 30:23 - 30:29
    >> In this block, nine dead were
    carried out this year alone.
  • 30:30 - 30:32
    Five in baby coffins.
  • 30:32 - 30:40
    >> What he demonstrated was that
    there is another reality that all
  • 30:40 - 30:44
    that prosperity didn't trickle
    down all the way to the bottom
  • 30:44 - 30:48
    and there was some deplorable living conditions.
  • 30:48 - 30:52
    And this country was not just
    forced to confront those conditions
  • 30:53 - 30:55
    but then was moved to begin to deal all of them.
  • 30:56 - 31:01
    >> Riis publishes his pictures in a
    book called "How the Other Half Lives."
  • 31:02 - 31:04
    It will sell more than 28 million copies.
  • 31:07 - 31:11
    Within 2 decades, the worst of
    New York's slums are torn down.
  • 31:12 - 31:15
    Tenements sell at auction
    for as a little as a dollar.
  • 31:17 - 31:23
    Riis' campaigning forces all New York
    schools to build playgrounds and landlords
  • 31:23 - 31:26
    to install toilets inside
    apartments, not outside.
  • 31:28 - 31:31
    It is the first step in tackling the slums.
  • 31:33 - 31:37
    But as cities keep on growing and
    even bigger challenge remains.
  • 31:37 - 31:50
    In New York alone, nearly 40,000 die in one
    year from diseases because of this, filth.
  • 31:52 - 31:56
    But one clean crusader is
    about to change everything.
  • 31:57 - 32:04
    1895, our major cities are drowning in filth.
  • 32:04 - 32:12
    120,000 horses dump half a million pounds of
    manure into the New York streets every day.
  • 32:12 - 32:17
    Wagons are blocked by 3 foot-high
    piles of human and animal waste.
  • 32:18 - 32:22
    Into this world steps a man on a white horse.
  • 32:23 - 32:27
    Colonel George Waring, Civil War veteran,
  • 32:27 - 32:35
    legendary sewer engineer,
    "Apostle of Cleanliness."
  • 32:35 - 32:39
    He's the Head of New York Sanitation Department
  • 32:39 - 32:43
    >> The city's stinks with the
    emanations of putrefying organic matter.
  • 32:45 - 32:48
    Black rottenness is seen
    and smelled on every hand.
  • 32:50 - 32:54
    The crowded streets are a veritable hell.
  • 32:57 - 33:01
    >> Wearing recruits an army of 2,000
    sanitation workers in white uniforms.
  • 33:04 - 33:07
    Some dismiss him as a crank.
  • 33:08 - 33:12
    They called his men "White
    Ducks" but Waring means business.
  • 33:14 - 33:18
    Tons of garbage, normally dumped
    into the river is recycled.
  • 33:19 - 33:21
    Ash becomes land fill on Rikers Island.
  • 33:22 - 33:26
    Organic waste boiled into oil and grease.
  • 33:26 - 33:29
    Waring is America's first "Eco-warrior."
  • 33:30 - 33:33
    His men clean 433 miles of street.
  • 33:35 - 33:38
    Death rates decline, water quality improves.
  • 33:39 - 33:42
    Waring save the lives of thousands.
  • 33:44 - 33:46
    [Background Music] The measure
    spread across America.
  • 33:47 - 33:49
    Just 16 years after Colonel Waring, half
  • 33:50 - 33:54
    of all cities have waste
    collection, and it's not just waste.
  • 33:56 - 34:01
    By 1907, every large city
    in the nation has sewers.
  • 34:01 - 34:06
    By 1909, there are 42,040
    miles of sewers in America.
  • 34:08 - 34:12
    The battle against filth,
    crime and poverty has begun.
  • 34:14 - 34:17
    But one of the city's greatest
    innovations is still in its infancy.
  • 34:19 - 34:22
    One man will change the urban landscape forever.
  • 34:27 - 34:31
    Menlo Park, New Jersey, 1879.
  • 34:32 - 34:36
    Thomas Edison, inventor, entrepreneur, showman.
  • 34:39 - 34:44
    He was taken out of school as a boy but
    that won't stop him from becoming synonymous
  • 34:44 - 34:47
    with inventions that define the modern era.
  • 34:48 - 34:55
    He pushes his team hard, 24/7 in
    one of the world's first R&D labs.
  • 34:56 - 34:58
    It will generate more than 1,000 patents.
  • 35:02 - 35:08
    America still lights the night in the
    dangerous flicker of candles, gas and kerosene.
  • 35:09 - 35:11
    Edison thinks he has a better idea.
  • 35:12 - 35:21
    If he can get a filament to burn slowly
    in a vacuum, the electric light bulb.
  • 35:22 - 35:23
    >> Platinum.
  • 35:24 - 35:35
    [ Music ]
  • 35:35 - 35:39
    >> Edison locks himself in his
    lab, doesn't sleep for days.
  • 35:41 - 35:44
    [ Noise ]
  • 35:44 - 35:45
    The stakes are high.
  • 35:47 - 35:55
    His backers have sunk 130,000 dollars into
    his research, millions in today's money.
  • 35:55 - 36:00
    >> He claimed to have gone through 6,000
    materials from the plant world alone
  • 36:00 - 36:06
    in his search for the perfect filament.
  • 36:06 - 36:07
    >> Toward the lamp, Jack.
  • 36:08 - 36:16
    [ Noise ]
  • 36:17 - 36:29
    [Background Music] Spruce, beard, fish line,
    thread, teak, boxwood, celluloid, parchment.
  • 36:30 - 36:41
    [ Noise ]
  • 36:41 - 36:44
    >> Then something extraordinary happens.
  • 36:45 - 36:50
    [ Noise ]
  • 36:50 - 36:51
    >> Cardboard.
  • 36:52 - 36:59
    [ Noise and Music ]
  • 37:00 - 37:04
    >> [Background Music] A piece of
    carbonized cardboard burns for 300 hours.
  • 37:07 - 37:10
    It's going to change the
    way people live forever.
  • 37:12 - 37:17
    >> What Edison does is nothing
    less than to banish the darkness.
  • 37:17 - 37:21
    Now, think of the meaning of that.
  • 37:21 - 37:23
    Think of what that means to daily life.
  • 37:25 - 37:32
    >> New Year's Eve 1879, Edison
    shows off his new invention.
  • 37:32 - 37:35
    Thousands of people flock to his
    lab to see the future take shape.
  • 37:37 - 37:43
    The Pennsylvania Railroad arranges
    special trains to accommodate the crowds.
  • 37:44 - 37:51
    >> When Thomas Edison invented that
    light bulb, that electric light bulb.
  • 37:51 - 37:57
    What a-- how magical that must have been, you
    know, to sit there and just all of a sudden
  • 37:57 - 38:03
    like without a match, without kerosene
    or gas and just flip a switch and light.
  • 38:05 - 38:10
    >> In just 2 years, Edison builds more than
    5,000 power plants generating electricity
  • 38:10 - 38:17
    for cities like New York, Boston, Chicago,
    Detroit, St. Louis and New Orleans.
  • 38:18 - 38:22
    Over the next 5 years, he
    builds over 127,000 more.
  • 38:23 - 38:30
    By 1902, 18 million light bulbs are in use.
  • 38:30 - 38:33
    The impact is massive.
  • 38:33 - 38:39
    Sports, entertainment, factories,
    stores, all can now operate at night.
  • 38:41 - 38:47
    [ Noise ]
  • 38:47 - 38:52
    [Background Music] And as electricity comes to
    the cities more and more people arrive with it.
  • 38:53 - 38:57
    By 1900, nearly four million
    women are working in US cities.
  • 38:58 - 39:03
    In just 40 years, that figure
    has more than quadrupled.
  • 39:04 - 39:09
    Urban factories are pounding out 75
    percent of all consumer products in the US.
  • 39:11 - 39:16
    Places like this, modern steel-frame buildings
    equipped with all the latest technology,
  • 39:17 - 39:22
    Otis electric elevators, Bell
    telephones, Singer sewing machines.
  • 39:27 - 39:32
    But packing so many people into tall
    buildings is a disaster waiting to happen.
  • 39:33 - 39:37
    [ Noise ]
  • 39:38 - 39:43
    The United States is hurtling
    into the modern age symbolized
  • 39:43 - 39:46
    by megacities rising up all
    across the continent.
  • 39:47 - 39:53
    By 1909, Americans are spending nearly 23
    Billion dollars a year on ready-made clothes.
  • 39:55 - 40:00
    This factory is producing 12,000
    garments a week known as shirtwaists,
  • 40:00 - 40:03
    they're the latest fashion
    for the working woman.
  • 40:04 - 40:08
    [ Noise ]
  • 40:08 - 40:21
    New York City, March 25, 1911, 4:45 p.m.
    the Triangle Shirtwaist Factory, 8th floor,
  • 40:21 - 40:26
    260 girls work here, most of them teenagers.
  • 40:27 - 40:33
    [ Noise ]
  • 40:33 - 40:39
    Someone, we don't know who tosses a match
    or maybe a cigarette into the scrap bin.
  • 40:40 - 40:44
    [ Noise ]
  • 40:44 - 40:48
    Eva Harris, a seamstress, smells burning.
  • 40:52 - 40:54
    >> Fire. There's a fire, Mr. Bernstein.
  • 40:55 - 41:00
    >> Production manager Samuel Bernstein
    grabs one of the three fire pails.
  • 41:03 - 41:09
    But the fire is already spreading.
  • 41:10 - 41:15
    [Background Music] There's a mad dash
    for the exit, but it is too narrow.
  • 41:15 - 41:18
    Only one at a time can pass through.
  • 41:18 - 41:22
    It's been designed that way so their
    bags can be checked for stolen fabric.
  • 41:23 - 41:29
    There's a fire hose but it's not working.
  • 41:29 - 41:31
    >> No water!
  • 41:33 - 41:36
    >> The only way to warn the floors above is
  • 41:36 - 41:42
    through the switchboard two
    floors up on the 10th floor.
  • 41:42 - 41:45
    >> Hello, switchboard?
  • 41:46 - 41:47
    >> 10th floor.
  • 41:47 - 41:49
    >> Fire, there is a fire.
  • 41:50 - 41:53
    >> Put me through to the 9th floor.
  • 41:53 - 41:55
    >> She drops the phone and runs to get help.
  • 41:57 - 42:00
    The message never reaches the 9th floor.
  • 42:01 - 42:06
    Samuel Bernstein races up the main stairs
    to help the 160 workers trapped there.
  • 42:08 - 42:12
    But blocking the front door,
    there's a barrel of motor oil.
  • 42:13 - 42:18
    [ Noise ]
  • 42:19 - 42:23
    On the 9th floor, flames are already
    shooting through the walls and windows.
  • 42:24 - 42:28
    [ Noise & Music ]
  • 42:29 - 42:32
    [Background Music] The girls on 9th rush
    to the fire escape, but it's locked.
  • 42:35 - 42:41
    Only 2 escape routes are left on the 9th
    floor, the elevator and the metal fire escape.
  • 42:44 - 42:48
    Kate Weiner makes it to the elevator
    door but she's lost her sister.
  • 42:49 - 42:53
    >> Everyone was knocking and
    crying for the elevator to come up.
  • 42:53 - 43:00
    Suddenly the elevator came and the
    girls rushed in I was searching
  • 43:00 - 43:03
    for my sister, Rose, but I couldn't find her.
  • 43:04 - 43:07
    [ Noise ]
  • 43:07 - 43:10
    The flames were coming toward
    me and I was being left behind.
  • 43:11 - 43:16
    I felt the elevator was leaving
    the 9th floor for the last time.
  • 43:17 - 43:19
    >> She's the last person to
    get to the last elevator.
  • 43:21 - 43:29
    [ Noise ]
  • 43:30 - 43:33
    More than 100 girls are left behind to die.
  • 43:36 - 43:41
    The only escape route left is the
    metal fire escape but it collapses.
  • 43:45 - 43:54
    Firemen arrived with the biggest ladder in
    New York City but its 30 feet too short.
  • 43:55 - 43:58
    [ Music ]
  • 43:59 - 44:05
    [Background Music] 4:58 p.m., the girls
    trapped on the 9th floor are out of options.
  • 44:06 - 44:15
    [ Noise ]
  • 44:15 - 44:20
    In desperation, they jump.
  • 44:21 - 44:29
    [ Noise ]
  • 44:29 - 44:39
    5.15 p.m., the entire blaze is
    over in less than half an hour.
  • 44:39 - 44:44
    146 people die in the Triangle
    Shirtwaist factory fire.
  • 44:44 - 44:49
    There's trial but the owners walk free.
  • 44:52 - 45:01
    It remains the deadliest workplace disaster in
    New York City history until September 11, 2001.
  • 45:01 - 45:03
    But some good does come out of it.
  • 45:04 - 45:08
    >> This dramatic tragedy
    sparks a wave of reform.
  • 45:08 - 45:14
    So, you begin to get new restrictions
    and a new conversation about what to do
  • 45:14 - 45:16
    to prevent this kind of tragedy from happening.
  • 45:16 - 45:20
    But it did not stop of course
    that tragedy itself.
  • 45:21 - 45:23
    [ Bell ringing ]
  • 45:23 - 45:25
    >> [Background Music] Unions force management
  • 45:25 - 45:27
    to take responsibility for
    the lives of their workers.
  • 45:29 - 45:35
    The Life Safety Code now used in all 50
    States is a direct result of this fire.
  • 45:35 - 45:41
    It's why doors now open outwards in public
    buildings why automatic sprinkler systems
  • 45:42 - 45:44
    or multiple exits are now the law.
  • 45:48 - 45:55
    The US and the modern city grew up together
    typically new, enormous and fast paced.
  • 45:56 - 45:59
    The megacity is one of America's
    greatest inventions.
  • 46:01 - 46:05
    [ Music ]
Title:
America - The Story of Us ~ Episode 7 - Cities (HQ 720p)
Video Language:
English
Duration:
46:06

English subtitles

Revisions