-
When people are very old and deteriorated
-
and no one enters their world
-
and they're just sitting there
-
they will withdraw inward more and more
-
and their desperate need for connection
-
is all now inside
-
and if a person is all alone
-
even if they're very, very deteriorated
-
there's a longing for this kind of closeness
-
Mrs. Wilson, Hello.
-
You want me to sit?
-
Can you see me good?
-
Gladis Wilson is a wonderful example of
-
a person who was in the phase
-
of repeptative motion
-
where people use movements
-
repeptitive movements
-
because they don't have any more speech
-
or very little speech
-
but they have human needs
-
that need to be expressed
-
...
-
Are you crying?
-
You're crying, you have a tear right here.
-
In your face.
-
You have a little pain?
-
You want me to touch you?
-
You're very sad?
-
Can you see me?
-
Is it scary? Are you afraid?
-
And if this person sits with their eyes closed
-
rocking back and forth and maybe there's a tear
-
coming down
-
there's a need there
-
there's a little tear, that's coming out
-
You feel it?
-
You feel a little tear?
-
If you gently
-
use touch, and I touched Gladis Wilson with the fingertips
-
right here on the cheek
-
is where the mother
-
usually touches a child
-
if you touch an infant there
-
it looks up and every cell
-
remembers where it was touched
-
by the mother
-
and often that person
-
knows even if they can't
-
say a word at that moment
-
they won't talk.
-
Or they don't want to talk
-
but there's a communication
-
And that person is no longer alone
-
can you let me in a little bit
-
you think, just a little
-
you think I could be with you and Jesus for a minute
-
pat, pat, pat
-
Jesus loves me
-
this I know
-
for the bible tells me so.
-
I used music because
-
when speech is gone
-
music especially
-
with Gladis Wilson it was religious music.
-
Because there's an emotion tied to it.
-
And safety tied to it.
-
So i used her old church songs.
-
Singing: Jesus loves me, yes Jesus loves me, Yes Jesus loves me, the bible tells me so
-
What I did was when she moved
-
I moved with her
-
and when I was singing because she didn't sing with me so I
-
matched the intensity of my voice to the intensity of her movements
-
and pretty soon for a split second
-
we became one person
-
Jesus loves me, yes Jesus loves me, the bible tells me so.
-
So at one point when she got
-
very quite
-
and very peaceful
-
and my voice became
-
very quiet as hers and very peaceful and my breathing
-
slowed to her breathing
-
she pulled me to her
-
and I moved with her
-
and for her at that moment
-
I believe I was a symbol of her mom
-
Can you open your eyes now?
-
Do you see me?
-
Feel safe and warm?
-
Yes, yes can you sing with me?
-
He's got the whole world
-
in his hands,
-
he's got the whole world in his hands
-
he's got the whole world
-
in his hands he's got the whole world
-
in his hands.
-
He's got the whole world in his hands.
-
He's got the mother's and the father's
-
in his hands
-
he's got the mother's and the father's
-
in his hands
-
he's got the mother's and the father's
-
in his hands
-
he's got the whole world in his hands.
-
He's got the mother's and the father's
-
The breakthrough
-
doesn't happen every time
-
the person
-
will not always
-
open their eyes and look at you
-
but if you keep trying
-
and you keep centering yourself
-
and really look at that person
-
and really mirror their movements
-
maybe not this time
-
but the next time you come
-
you'll have a communication.
-
Do you feel safe? You feel safe? Yeah.
-
With Jesus, yeah. And me.