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Gladys Wilson and Naomi Feil

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    When people are very old and deteriorated
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    and no one enters their world
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    and they're just sitting there
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    they will withdraw inward more and more
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    and their desperate need for connection
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    is all now inside
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    and if a person is all alone
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    even if they're very, very deteriorated
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    there's a longing for this kind of closeness
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    Mrs. Wilson, Hello.
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    You want me to sit?
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    Can you see me good?
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    Gladis Wilson is a wonderful example of
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    a person who was in the phase
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    of repeptative motion
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    where people use movements
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    repeptitive movements
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    because they don't have any more speech
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    or very little speech
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    but they have human needs
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    that need to be expressed
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    ...
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    Are you crying?
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    You're crying, you have a tear right here.
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    In your face.
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    You have a little pain?
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    You want me to touch you?
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    You're very sad?
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    Can you see me?
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    Is it scary? Are you afraid?
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    And if this person sits with their eyes closed
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    rocking back and forth and maybe there's a tear
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    coming down
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    there's a need there
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    there's a little tear, that's coming out
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    You feel it?
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    You feel a little tear?
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    If you gently
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    use touch, and I touched Gladis Wilson with the fingertips
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    right here on the cheek
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    is where the mother
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    usually touches a child
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    if you touch an infant there
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    it looks up and every cell
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    remembers where it was touched
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    by the mother
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    and often that person
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    knows even if they can't
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    say a word at that moment
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    they won't talk.
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    Or they don't want to talk
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    but there's a communication
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    And that person is no longer alone
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    can you let me in a little bit
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    you think, just a little
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    you think I could be with you and Jesus for a minute
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    pat, pat, pat
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    Jesus loves me
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    this I know
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    for the bible tells me so.
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    I used music because
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    when speech is gone
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    music especially
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    with Gladis Wilson it was religious music.
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    Because there's an emotion tied to it.
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    And safety tied to it.
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    So i used her old church songs.
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    Singing: Jesus loves me, yes Jesus loves me, Yes Jesus loves me, the bible tells me so
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    What I did was when she moved
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    I moved with her
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    and when I was singing because she didn't sing with me so I
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    matched the intensity of my voice to the intensity of her movements
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    and pretty soon for a split second
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    we became one person
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    Jesus loves me, yes Jesus loves me, the bible tells me so.
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    So at one point when she got
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    very quite
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    and very peaceful
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    and my voice became
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    very quiet as hers and very peaceful and my breathing
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    slowed to her breathing
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    she pulled me to her
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    and I moved with her
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    and for her at that moment
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    I believe I was a symbol of her mom
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    Can you open your eyes now?
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    Do you see me?
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    Feel safe and warm?
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    Yes, yes can you sing with me?
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    He's got the whole world
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    in his hands,
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    he's got the whole world in his hands
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    he's got the whole world
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    in his hands he's got the whole world
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    in his hands.
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    He's got the whole world in his hands.
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    He's got the mother's and the father's
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    in his hands
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    he's got the mother's and the father's
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    in his hands
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    he's got the mother's and the father's
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    in his hands
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    he's got the whole world in his hands.
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    He's got the mother's and the father's
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    The breakthrough
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    doesn't happen every time
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    the person
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    will not always
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    open their eyes and look at you
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    but if you keep trying
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    and you keep centering yourself
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    and really look at that person
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    and really mirror their movements
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    maybe not this time
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    but the next time you come
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    you'll have a communication.
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    Do you feel safe? You feel safe? Yeah.
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    With Jesus, yeah. And me.
Title:
Gladys Wilson and Naomi Feil
Description:

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Video Language:
Spanish
Duration:
05:47

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