-
Hi, class. This
is William again.
-
As you can see from your
grade sheet for both your
-
informative and your
persuasive speech,
-
that your grade is going
to be about 25% based on
-
the content of the speech
and 75% based on delivery.
-
Now there are nine elements of
-
delivery that you're
going to be graded on,
-
and they're the same
elements for both speeches.
-
Five elements are
in vocal delivery,
-
four elements are in
physical delivery.
-
In this video, I want to talk to
-
you about vocal delivery.
-
This is the use of our voice
-
to present the message
to the audience.
-
Your voice plays four important
roles in communication.
-
The first one is we use our
voice to produce words.
-
In other words, we say words.
-
I'm going to spend a lot of
-
time on this video about that.
-
I think we're all pretty
familiar with that role.
-
But saying words is actually not
-
the most important role
-
your voice plays
in communication.
-
The most important one
-
is something called
paralinguistics.
-
Now, paralinguistics is probably
-
a new term for many of you,
-
but the elements
probably are not.
-
For example, the word
linguistics, the root word.
-
Linguistics means language, and
-
para means side by
side, parallel.
-
When we are saying
words to somebody,
-
our voice is sending
-
messages parallel or side
by side with the language.
-
This is very important.
-
The reason for that is anytime
-
our paralinguistics and
our words do not match,
-
your audience will
tend to accept
-
the paralinguistics
rather than the words.
-
Now, what this basically
means is that we are
-
communicating messages through
things like tone of voice.
-
The third main role
that your voice
-
plays in communication is that
-
your voice has a powerful
psychological effect on others.
-
Now, many of you probably
-
have anecdotal evidence of this.
-
Somebody whose voice just
-
causes your blood
pressure to go up.
-
Maybe they speak with a whiny
voice or a squeaky voice.
-
They talk too loud, they talk
too quiet, whatever it is,
-
there's just something
about the sound of
-
their voice that
you find annoying.
-
This puts you in a
negative mindset
-
just as you're
evaluating their ideas.
-
Conversely, there are others
-
whose voice put you in a
very positive state of mind.
-
You could listen to
them speak about
-
almost any topic for an hour.
-
People like James Earl Jones,
-
who did the voice
for Darth Vader
-
in the Star Wars movies.
-
For CNN, this is CNN.
-
People who are able to create
-
that very positive
psychological effect on
-
their audience puts them in
-
a positive state of mind just
-
as they're evaluating
their ideas.
-
Finally, your voice actually has
-
a strong psychological
effect on you.
-
Research has suggested that
-
when you speak with
a more confident,
-
secure voice, you actually
become more confident.
-
If you speak with a very
timid or insecure voice,
-
it can actually
cause you to become
-
less confident and
your anxiety to rise.
-
Those are the four
important roles
-
that your voice plays
in communication.
-
The next thing I want to
talk to you about are
-
the five elements
of vocal delivery.
-
These are the five elements
-
that you're going to be graded
-
on in both your
-
informative as well as
your persuasive speech.
-
Please note that,
-
as indicated on the grade sheet,
-
these elements are not of
-
equal importance to one another.
-
The first one is enunciation.
-
Enunciation is pronouncing
-
the words correctly and clearly.
-
This is very important
in communication.
-
Your goal is to
make it as easy as
-
you possibly can for
your audience to listen.
-
Poor enunciation
requires the audience
-
to expend more energy to
-
try to understand
what you're saying.
-
The most common mistake
that people make in
-
enunciation is failing to
-
open their mouth enough
when they speak.
-
They just mumble like this.
-
Now, they probably think this
-
is okay because when they
talk to their friends,
-
they talk like this and
-
their friends understand
I'm just fine.
-
But when you're only talking
to one or two friends,
-
there's not a lot of ears
absorbing the sound.
-
When you're speaking
to an audience,
-
it becomes far more challenging.
-
You want to open your mouth and
-
pronounce the words
very clearly.
-
The next common mistake
that people make in
-
enunciation is they add
-
sounds to words
that do not belong.
-
The most common
sound that people
-
erringly add to a
word is the R sound.
-
For example, they might
say mention the state
-
of Washington or
wash the dishes.
-
The problem with this
is our ears are not
-
attuned to that sound
being added to the word,
-
and as a result, it causes
an internal distraction.
-
The second element of
-
delivery these are not
the order of importance.
-
The second one is projection.
-
Now, a lot of people
think projection
-
is talk loud enough
for everybody to hear.
-
In actuality,
projection is speak at
-
a volume so that your audience
can comfortably listen.
-
See, talking too loud
is actually just
-
as big of a problem as
talking too quietly.
-
Either of them cause
-
the audience to think
about your volume,
-
and any attention
they're paying to
-
your volume is attention
-
they're not paying
to your speech.
-
You want your volume
to disappear.
-
If the audience is not paying
attention to your volume,
-
you're doing
projection correctly.
-
The next element of vocal
delivery is vocal variety.
-
Now, a major advantage that
-
speakers have over
writers in terms of
-
communicating is
-
this wonderful instrument
we call the human voice.
-
We want to vary
that voice to not
-
only increase engagement
with the audience,
-
but also to help us convey
-
meaning through things
like paralinguistics.
-
Now, here I mentioned
-
two specific aspects of how
we want to vary our voice.
-
First is through tone or pitch.
-
This refers to how high
or how low you talk.
-
Now, the average
untrained adult voice
-
has a range of five notes.
-
That means you can speak at
five different notes with
-
virtually no strain on
-
your voice and no risk
of your voice cracking.
-
I want you to try to
utilize that five-note
-
range to vary your pitch or
tone throughout your speech.
-
Now, this does not mean I want
-
the first five notes to be
-
a scale and monotone
the rest of the way.
-
I want you to vary throughout.
-
This also does not mean that I'm
-
going to be in the
back counting notes.
-
You probably could accomplish
-
a good vocal variety and
tone with using three notes.
-
I say that I would like you
to try to expand that to
-
around five notes merely because
-
I used to say don't be monotone,
-
and that ended up
causing people to pick
-
two notes and ping
pong back and forth.
-
That was just as distracting
as a monotone voice.
-
The second way
that I want you to
-
vary your voice is
through rhythm.
-
Rhythm refers to your rate
or how fast you talk,
-
as well as your pausing.
-
If you only take notes during
-
one part of this video,
please have it be this.
-
Variation of rhythm is to spoken
-
word what punctuation
is to written word.
-
That's so important,
I want to repeat it.
-
Please again, get
this that variation
-
of rhythm is to spoken word,
-
what punctuation is
to written word.
-
Everything you know
about the importance
-
of punctuation in writing,
-
how it helps us convey the
meaning of our message,
-
please understand that
the exact same thing
-
applies to varying
our rhythm in speech.
-
If you give a five-minute speech
-
and there's no variation
of rhythm at all,
-
that would be like turning in
-
a four-page essay with no
grammar or punctuation.
-
It becomes very
difficult to understand.
-
But actually, no variation in
-
speech is worse than the
no punctuation paper,
-
because the no punctuation paper
-
allows the reader to be able to
-
go through it again and try to
-
piece together where the
punctuation would have been.
-
But when you're
listening to a speech,
-
you only get it once,
and as a result,
-
you don't have the
opportunity to go through and
-
correct their lack of variation.
-
This ends up leading
the audience to have
-
what we refer to as the
fallacy of competence.
-
Our brain knows that it
understood the words,
-
and it can pull out
a few of the topics.
-
Therefore, it concludes that it
-
must have understood
the message.
-
An example of the fallacy of
-
competence happens for
many of us in math class.
-
A math teacher is writing
-
on the board and goes
through how to do a problem.
-
As you listen to the
math teacher explain it,
-
you feel like you
understand how to do it.
-
But then you're told
to do a problem,
-
and suddenly you
look at it and you
-
realize you
-
didn't understand it like
you thought you did.
-
Well, after a speech, we
rarely get the opportunity
-
to be tested to find
out if we understood.
-
But that fallacy of competence
-
is still every bit as real.
-
The fourth element is a
fluid or smooth delivery.
-
With this, we want to cut out
things like audible pauses.
-
Audible pauses,
sometimes referred to
-
as filler words as uh,
-
like, you know, we
want to reduce those.
-
Another aspect of the
fluid smooth delivery is
-
we want to avoid
chasing the clock.
-
Chasing the clock happens
when maybe we've got
-
45 seconds left and we
don't have much to say.
-
So we start to talk
really slowly.
-
Now we're just really trying to
-
take 45 seconds to speak
10 seconds of the speech.
-
I would rather you just
finish the speech.
-
The fluid smooth delivery is,
-
I want you to stay
conversational.
-
Be professional. Don't get
into being too casual,
-
but still having nice
fluid smooth delivery.
-
Finally, the fifth
element is energy.
-
This is by far the
most important element
-
of vocal delivery.
-
With energy, it's simply
a sense of enthusiasm.
-
If you come across
like you're very
-
bored with your speech
or bored with a topic,
-
the audience will be more
-
likely to be bored with
the topic, as well.
-
Now, enthusiasm and energy
-
doesn't make the topic
more interesting.
-
Believe me, I wish that it did,
-
but being real low energy
can take interest away.
-
I have a personal
example of this.
-
There was a time that I
really enjoyed history.
-
I still enjoy reading about
it and learning about it.
-
But I actually considered
-
being a history
major at one time,
-
and I had a history
teacher, a super nice guy.
-
I really liked him, but
he was very low energy.
-
And some of you might have a
low-energy teacher yourself.
-
This is my impersonation of him.
-
The root cause of
-
the American Revolution was
the French and Indian War.
-
The French and Indian War was
-
a conflict between
the French and
-
their Native American allies
-
against the British and
their German allies.
-
The Native American tribes
believed that the French
-
would win the war because they
won the first two battles.
-
What they failed to realize is
-
the French had beaten
the Americans.
-
The British and the Germans
hadn't arrived yet.
-
Imagine listening to
that for two hours.
-
As interested as
I was in history,
-
it was hard to stay engaged.
-
These are the first five
elements of delivery.
-
These are the vocal elements
-
that you're going
to be graded on.
-
Please remember these
are not in the order of
-
importance and they're
not of equal importance.
-
If I were to place them
in order of importance,
-
I would put energy by
far the most important.
-
After that, enunciation and
-
projection are
approximately tied,
-
and then the fluid,
smooth delivery
-
and vocal variety are
approximately tied.
-
If you haven't
already, please now
-
watch the video on
physical delivery,
-
and that will present you
with the other four elements
-
of delivery. Thank
you very much.