[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.80,0:00:04.28,Default,,0000,0000,0000,,Hi, class. This\Nis William again.
Dialogue: 0,0:00:04.28,0:00:06.70,Default,,0000,0000,0000,,As you can see from your\Ngrade sheet for both your
Dialogue: 0,0:00:06.70,0:00:09.44,Default,,0000,0000,0000,,informative and your\Npersuasive speech,
Dialogue: 0,0:00:09.44,0:00:13.20,Default,,0000,0000,0000,,that your grade is going\Nto be about 25% based on
Dialogue: 0,0:00:13.20,0:00:17.18,Default,,0000,0000,0000,,the content of the speech\Nand 75% based on delivery.
Dialogue: 0,0:00:17.18,0:00:19.10,Default,,0000,0000,0000,,Now there are nine elements of
Dialogue: 0,0:00:19.10,0:00:20.82,Default,,0000,0000,0000,,delivery that you're\Ngoing to be graded on,
Dialogue: 0,0:00:20.82,0:00:23.60,Default,,0000,0000,0000,,and they're the same\Nelements for both speeches.
Dialogue: 0,0:00:23.60,0:00:25.86,Default,,0000,0000,0000,,Five elements are\Nin vocal delivery,
Dialogue: 0,0:00:25.86,0:00:28.18,Default,,0000,0000,0000,,four elements are in\Nphysical delivery.
Dialogue: 0,0:00:28.18,0:00:30.12,Default,,0000,0000,0000,,In this video, I want to talk to
Dialogue: 0,0:00:30.12,0:00:32.34,Default,,0000,0000,0000,,you about vocal delivery.
Dialogue: 0,0:00:32.34,0:00:34.30,Default,,0000,0000,0000,,This is the use of our voice
Dialogue: 0,0:00:34.30,0:00:36.80,Default,,0000,0000,0000,,to present the message\Nto the audience.
Dialogue: 0,0:00:36.80,0:00:41.02,Default,,0000,0000,0000,,Your voice plays four important\Nroles in communication.
Dialogue: 0,0:00:41.02,0:00:44.28,Default,,0000,0000,0000,,The first one is we use our\Nvoice to produce words.
Dialogue: 0,0:00:44.28,0:00:45.86,Default,,0000,0000,0000,,In other words, we say words.
Dialogue: 0,0:00:45.86,0:00:46.98,Default,,0000,0000,0000,,I'm going to spend a lot of
Dialogue: 0,0:00:46.98,0:00:48.30,Default,,0000,0000,0000,,time on this video about that.
Dialogue: 0,0:00:48.30,0:00:50.72,Default,,0000,0000,0000,,I think we're all pretty\Nfamiliar with that role.
Dialogue: 0,0:00:50.72,0:00:52.85,Default,,0000,0000,0000,,But saying words is actually not
Dialogue: 0,0:00:52.85,0:00:54.05,Default,,0000,0000,0000,,the most important role
Dialogue: 0,0:00:54.05,0:00:55.79,Default,,0000,0000,0000,,your voice plays\Nin communication.
Dialogue: 0,0:00:55.79,0:00:57.67,Default,,0000,0000,0000,,The most important one
Dialogue: 0,0:00:57.67,0:01:00.55,Default,,0000,0000,0000,,is something called\Nparalinguistics.
Dialogue: 0,0:01:00.55,0:01:02.73,Default,,0000,0000,0000,,Now, paralinguistics is probably
Dialogue: 0,0:01:02.73,0:01:04.31,Default,,0000,0000,0000,,a new term for many of you,
Dialogue: 0,0:01:04.31,0:01:06.53,Default,,0000,0000,0000,,but the elements\Nprobably are not.
Dialogue: 0,0:01:06.53,0:01:11.52,Default,,0000,0000,0000,,For example, the word\Nlinguistics, the root word.
Dialogue: 0,0:01:11.52,0:01:14.61,Default,,0000,0000,0000,,Linguistics means language, and
Dialogue: 0,0:01:14.61,0:01:19.35,Default,,0000,0000,0000,,para means side by\Nside, parallel.
Dialogue: 0,0:01:19.35,0:01:22.45,Default,,0000,0000,0000,,When we are saying\Nwords to somebody,
Dialogue: 0,0:01:22.45,0:01:24.03,Default,,0000,0000,0000,,our voice is sending
Dialogue: 0,0:01:24.03,0:01:29.20,Default,,0000,0000,0000,,messages parallel or side\Nby side with the language.
Dialogue: 0,0:01:29.20,0:01:31.42,Default,,0000,0000,0000,,This is very important.
Dialogue: 0,0:01:31.42,0:01:33.54,Default,,0000,0000,0000,,The reason for that is anytime
Dialogue: 0,0:01:33.54,0:01:37.26,Default,,0000,0000,0000,,our paralinguistics and\Nour words do not match,
Dialogue: 0,0:01:37.26,0:01:39.72,Default,,0000,0000,0000,,your audience will\Ntend to accept
Dialogue: 0,0:01:39.72,0:01:43.56,Default,,0000,0000,0000,,the paralinguistics\Nrather than the words.
Dialogue: 0,0:01:43.56,0:01:46.98,Default,,0000,0000,0000,,Now, what this basically\Nmeans is that we are
Dialogue: 0,0:01:46.98,0:01:50.66,Default,,0000,0000,0000,,communicating messages through\Nthings like tone of voice.
Dialogue: 0,0:01:50.66,0:01:52.86,Default,,0000,0000,0000,,The third main role\Nthat your voice
Dialogue: 0,0:01:52.86,0:01:54.52,Default,,0000,0000,0000,,plays in communication is that
Dialogue: 0,0:01:54.52,0:01:58.36,Default,,0000,0000,0000,,your voice has a powerful\Npsychological effect on others.
Dialogue: 0,0:01:58.36,0:02:00.04,Default,,0000,0000,0000,,Now, many of you probably
Dialogue: 0,0:02:00.04,0:02:02.06,Default,,0000,0000,0000,,have anecdotal evidence of this.
Dialogue: 0,0:02:02.06,0:02:03.84,Default,,0000,0000,0000,,Somebody whose voice just
Dialogue: 0,0:02:03.84,0:02:06.10,Default,,0000,0000,0000,,causes your blood\Npressure to go up.
Dialogue: 0,0:02:06.10,0:02:09.58,Default,,0000,0000,0000,,Maybe they speak with a whiny\Nvoice or a squeaky voice.
Dialogue: 0,0:02:09.58,0:02:12.54,Default,,0000,0000,0000,,They talk too loud, they talk\Ntoo quiet, whatever it is,
Dialogue: 0,0:02:12.54,0:02:14.16,Default,,0000,0000,0000,,there's just something\Nabout the sound of
Dialogue: 0,0:02:14.16,0:02:16.56,Default,,0000,0000,0000,,their voice that\Nyou find annoying.
Dialogue: 0,0:02:16.56,0:02:19.18,Default,,0000,0000,0000,,This puts you in a\Nnegative mindset
Dialogue: 0,0:02:19.18,0:02:22.30,Default,,0000,0000,0000,,just as you're\Nevaluating their ideas.
Dialogue: 0,0:02:22.30,0:02:25.08,Default,,0000,0000,0000,,Conversely, there are others
Dialogue: 0,0:02:25.08,0:02:28.06,Default,,0000,0000,0000,,whose voice put you in a\Nvery positive state of mind.
Dialogue: 0,0:02:28.06,0:02:29.66,Default,,0000,0000,0000,,You could listen to\Nthem speak about
Dialogue: 0,0:02:29.66,0:02:32.30,Default,,0000,0000,0000,,almost any topic for an hour.
Dialogue: 0,0:02:32.30,0:02:34.38,Default,,0000,0000,0000,,People like James Earl Jones,
Dialogue: 0,0:02:34.38,0:02:36.06,Default,,0000,0000,0000,,who did the voice\Nfor Darth Vader
Dialogue: 0,0:02:36.06,0:02:37.46,Default,,0000,0000,0000,,in the Star Wars movies.
Dialogue: 0,0:02:37.46,0:02:41.40,Default,,0000,0000,0000,,For CNN, this is CNN.
Dialogue: 0,0:02:41.40,0:02:43.68,Default,,0000,0000,0000,,People who are able to create
Dialogue: 0,0:02:43.68,0:02:46.00,Default,,0000,0000,0000,,that very positive\Npsychological effect on
Dialogue: 0,0:02:46.00,0:02:47.64,Default,,0000,0000,0000,,their audience puts them in
Dialogue: 0,0:02:47.64,0:02:49.04,Default,,0000,0000,0000,,a positive state of mind just
Dialogue: 0,0:02:49.04,0:02:51.24,Default,,0000,0000,0000,,as they're evaluating\Ntheir ideas.
Dialogue: 0,0:02:51.24,0:02:53.68,Default,,0000,0000,0000,,Finally, your voice actually has
Dialogue: 0,0:02:53.68,0:02:56.84,Default,,0000,0000,0000,,a strong psychological\Neffect on you.
Dialogue: 0,0:02:56.95,0:02:59.29,Default,,0000,0000,0000,,Research has suggested that
Dialogue: 0,0:02:59.29,0:03:01.09,Default,,0000,0000,0000,,when you speak with\Na more confident,
Dialogue: 0,0:03:01.09,0:03:04.79,Default,,0000,0000,0000,,secure voice, you actually\Nbecome more confident.
Dialogue: 0,0:03:04.79,0:03:07.89,Default,,0000,0000,0000,,If you speak with a very\Ntimid or insecure voice,
Dialogue: 0,0:03:07.89,0:03:10.51,Default,,0000,0000,0000,,it can actually\Ncause you to become
Dialogue: 0,0:03:10.51,0:03:14.09,Default,,0000,0000,0000,,less confident and\Nyour anxiety to rise.
Dialogue: 0,0:03:14.09,0:03:16.13,Default,,0000,0000,0000,,Those are the four\Nimportant roles
Dialogue: 0,0:03:16.13,0:03:17.75,Default,,0000,0000,0000,,that your voice plays\Nin communication.
Dialogue: 0,0:03:17.75,0:03:19.81,Default,,0000,0000,0000,,The next thing I want to\Ntalk to you about are
Dialogue: 0,0:03:19.81,0:03:22.96,Default,,0000,0000,0000,,the five elements\Nof vocal delivery.
Dialogue: 0,0:03:22.96,0:03:24.76,Default,,0000,0000,0000,,These are the five elements
Dialogue: 0,0:03:24.76,0:03:25.86,Default,,0000,0000,0000,,that you're going to be graded
Dialogue: 0,0:03:25.86,0:03:27.20,Default,,0000,0000,0000,,on in both your
Dialogue: 0,0:03:27.20,0:03:30.26,Default,,0000,0000,0000,,informative as well as\Nyour persuasive speech.
Dialogue: 0,0:03:30.26,0:03:32.20,Default,,0000,0000,0000,,Please note that,
Dialogue: 0,0:03:32.20,0:03:34.02,Default,,0000,0000,0000,,as indicated on the grade sheet,
Dialogue: 0,0:03:34.02,0:03:35.34,Default,,0000,0000,0000,,these elements are not of
Dialogue: 0,0:03:35.34,0:03:37.52,Default,,0000,0000,0000,,equal importance to one another.
Dialogue: 0,0:03:37.52,0:03:40.96,Default,,0000,0000,0000,,The first one is enunciation.
Dialogue: 0,0:03:40.96,0:03:43.10,Default,,0000,0000,0000,,Enunciation is pronouncing
Dialogue: 0,0:03:43.10,0:03:45.44,Default,,0000,0000,0000,,the words correctly and clearly.
Dialogue: 0,0:03:45.44,0:03:48.14,Default,,0000,0000,0000,,This is very important\Nin communication.
Dialogue: 0,0:03:48.14,0:03:50.86,Default,,0000,0000,0000,,Your goal is to\Nmake it as easy as
Dialogue: 0,0:03:50.86,0:03:53.89,Default,,0000,0000,0000,,you possibly can for\Nyour audience to listen.
Dialogue: 0,0:03:53.89,0:03:57.44,Default,,0000,0000,0000,,Poor enunciation\Nrequires the audience
Dialogue: 0,0:03:57.44,0:03:58.96,Default,,0000,0000,0000,,to expend more energy to
Dialogue: 0,0:03:58.96,0:04:01.26,Default,,0000,0000,0000,,try to understand\Nwhat you're saying.
Dialogue: 0,0:04:01.26,0:04:03.40,Default,,0000,0000,0000,,The most common mistake\Nthat people make in
Dialogue: 0,0:04:03.40,0:04:05.30,Default,,0000,0000,0000,,enunciation is failing to
Dialogue: 0,0:04:05.30,0:04:07.48,Default,,0000,0000,0000,,open their mouth enough\Nwhen they speak.
Dialogue: 0,0:04:07.48,0:04:09.94,Default,,0000,0000,0000,,They just mumble like this.
Dialogue: 0,0:04:09.94,0:04:11.80,Default,,0000,0000,0000,,Now, they probably think this
Dialogue: 0,0:04:11.80,0:04:13.58,Default,,0000,0000,0000,,is okay because when they\Ntalk to their friends,
Dialogue: 0,0:04:13.58,0:04:14.46,Default,,0000,0000,0000,,they talk like this and
Dialogue: 0,0:04:14.46,0:04:16.88,Default,,0000,0000,0000,,their friends understand\NI'm just fine.
Dialogue: 0,0:04:17.12,0:04:20.30,Default,,0000,0000,0000,,But when you're only talking\Nto one or two friends,
Dialogue: 0,0:04:20.30,0:04:22.76,Default,,0000,0000,0000,,there's not a lot of ears\Nabsorbing the sound.
Dialogue: 0,0:04:22.76,0:04:24.62,Default,,0000,0000,0000,,When you're speaking\Nto an audience,
Dialogue: 0,0:04:24.62,0:04:26.82,Default,,0000,0000,0000,,it becomes far more challenging.
Dialogue: 0,0:04:26.82,0:04:28.80,Default,,0000,0000,0000,,You want to open your mouth and
Dialogue: 0,0:04:28.80,0:04:31.32,Default,,0000,0000,0000,,pronounce the words\Nvery clearly.
Dialogue: 0,0:04:31.32,0:04:33.84,Default,,0000,0000,0000,,The next common mistake\Nthat people make in
Dialogue: 0,0:04:33.84,0:04:35.86,Default,,0000,0000,0000,,enunciation is they add
Dialogue: 0,0:04:35.86,0:04:38.46,Default,,0000,0000,0000,,sounds to words\Nthat do not belong.
Dialogue: 0,0:04:38.46,0:04:40.78,Default,,0000,0000,0000,,The most common\Nsound that people
Dialogue: 0,0:04:40.78,0:04:44.26,Default,,0000,0000,0000,,erringly add to a\Nword is the R sound.
Dialogue: 0,0:04:44.26,0:04:47.58,Default,,0000,0000,0000,,For example, they might\Nsay mention the state
Dialogue: 0,0:04:47.58,0:04:51.11,Default,,0000,0000,0000,,of Washington or\Nwash the dishes.
Dialogue: 0,0:04:51.11,0:04:54.49,Default,,0000,0000,0000,,The problem with this\Nis our ears are not
Dialogue: 0,0:04:54.49,0:04:58.23,Default,,0000,0000,0000,,attuned to that sound\Nbeing added to the word,
Dialogue: 0,0:04:58.23,0:05:02.57,Default,,0000,0000,0000,,and as a result, it causes\Nan internal distraction.
Dialogue: 0,0:05:04.96,0:05:07.10,Default,,0000,0000,0000,,The second element of
Dialogue: 0,0:05:07.10,0:05:09.10,Default,,0000,0000,0000,,delivery these are not\Nthe order of importance.
Dialogue: 0,0:05:09.10,0:05:11.42,Default,,0000,0000,0000,,The second one is projection.
Dialogue: 0,0:05:11.42,0:05:13.66,Default,,0000,0000,0000,,Now, a lot of people\Nthink projection
Dialogue: 0,0:05:13.66,0:05:16.06,Default,,0000,0000,0000,,is talk loud enough\Nfor everybody to hear.
Dialogue: 0,0:05:16.06,0:05:18.74,Default,,0000,0000,0000,,In actuality,\Nprojection is speak at
Dialogue: 0,0:05:18.74,0:05:21.82,Default,,0000,0000,0000,,a volume so that your audience\Ncan comfortably listen.
Dialogue: 0,0:05:21.82,0:05:24.30,Default,,0000,0000,0000,,See, talking too loud\Nis actually just
Dialogue: 0,0:05:24.30,0:05:27.26,Default,,0000,0000,0000,,as big of a problem as\Ntalking too quietly.
Dialogue: 0,0:05:27.26,0:05:29.00,Default,,0000,0000,0000,,Either of them cause
Dialogue: 0,0:05:29.00,0:05:31.80,Default,,0000,0000,0000,,the audience to think\Nabout your volume,
Dialogue: 0,0:05:31.80,0:05:33.48,Default,,0000,0000,0000,,and any attention\Nthey're paying to
Dialogue: 0,0:05:33.48,0:05:34.64,Default,,0000,0000,0000,,your volume is attention
Dialogue: 0,0:05:34.64,0:05:36.28,Default,,0000,0000,0000,,they're not paying\Nto your speech.
Dialogue: 0,0:05:36.28,0:05:39.32,Default,,0000,0000,0000,,You want your volume\Nto disappear.
Dialogue: 0,0:05:39.32,0:05:42.08,Default,,0000,0000,0000,,If the audience is not paying\Nattention to your volume,
Dialogue: 0,0:05:42.08,0:05:44.70,Default,,0000,0000,0000,,you're doing\Nprojection correctly.
Dialogue: 0,0:05:45.65,0:05:49.81,Default,,0000,0000,0000,,The next element of vocal\Ndelivery is vocal variety.
Dialogue: 0,0:05:49.81,0:05:51.81,Default,,0000,0000,0000,,Now, a major advantage that
Dialogue: 0,0:05:51.81,0:05:54.03,Default,,0000,0000,0000,,speakers have over\Nwriters in terms of
Dialogue: 0,0:05:54.03,0:05:55.61,Default,,0000,0000,0000,,communicating is
Dialogue: 0,0:05:55.61,0:05:58.65,Default,,0000,0000,0000,,this wonderful instrument\Nwe call the human voice.
Dialogue: 0,0:05:58.65,0:06:00.99,Default,,0000,0000,0000,,We want to vary\Nthat voice to not
Dialogue: 0,0:06:00.99,0:06:03.61,Default,,0000,0000,0000,,only increase engagement\Nwith the audience,
Dialogue: 0,0:06:03.61,0:06:05.19,Default,,0000,0000,0000,,but also to help us convey
Dialogue: 0,0:06:05.19,0:06:07.82,Default,,0000,0000,0000,,meaning through things\Nlike paralinguistics.
Dialogue: 0,0:06:07.82,0:06:10.00,Default,,0000,0000,0000,,Now, here I mentioned
Dialogue: 0,0:06:10.00,0:06:13.86,Default,,0000,0000,0000,,two specific aspects of how\Nwe want to vary our voice.
Dialogue: 0,0:06:13.86,0:06:16.14,Default,,0000,0000,0000,,First is through tone or pitch.
Dialogue: 0,0:06:16.14,0:06:19.44,Default,,0000,0000,0000,,This refers to how high\Nor how low you talk.
Dialogue: 0,0:06:19.44,0:06:22.12,Default,,0000,0000,0000,,Now, the average\Nuntrained adult voice
Dialogue: 0,0:06:22.12,0:06:24.10,Default,,0000,0000,0000,,has a range of five notes.
Dialogue: 0,0:06:24.10,0:06:27.64,Default,,0000,0000,0000,,That means you can speak at\Nfive different notes with
Dialogue: 0,0:06:27.64,0:06:28.84,Default,,0000,0000,0000,,virtually no strain on
Dialogue: 0,0:06:28.84,0:06:31.78,Default,,0000,0000,0000,,your voice and no risk\Nof your voice cracking.
Dialogue: 0,0:06:31.78,0:06:35.04,Default,,0000,0000,0000,,I want you to try to\Nutilize that five-note
Dialogue: 0,0:06:35.04,0:06:39.08,Default,,0000,0000,0000,,range to vary your pitch or\Ntone throughout your speech.
Dialogue: 0,0:06:39.08,0:06:41.08,Default,,0000,0000,0000,,Now, this does not mean I want
Dialogue: 0,0:06:41.08,0:06:42.80,Default,,0000,0000,0000,,the first five notes to be
Dialogue: 0,0:06:42.80,0:06:46.37,Default,,0000,0000,0000,,a scale and monotone\Nthe rest of the way.
Dialogue: 0,0:06:46.37,0:06:49.16,Default,,0000,0000,0000,,I want you to vary throughout.
Dialogue: 0,0:06:49.16,0:06:51.32,Default,,0000,0000,0000,,This also does not mean that I'm
Dialogue: 0,0:06:51.32,0:06:53.78,Default,,0000,0000,0000,,going to be in the\Nback counting notes.
Dialogue: 0,0:06:53.78,0:06:56.30,Default,,0000,0000,0000,,You probably could accomplish
Dialogue: 0,0:06:56.30,0:07:00.32,Default,,0000,0000,0000,,a good vocal variety and\Ntone with using three notes.
Dialogue: 0,0:07:00.32,0:07:03.34,Default,,0000,0000,0000,,I say that I would like you\Nto try to expand that to
Dialogue: 0,0:07:03.34,0:07:05.28,Default,,0000,0000,0000,,around five notes merely because
Dialogue: 0,0:07:05.28,0:07:07.78,Default,,0000,0000,0000,,I used to say don't be monotone,
Dialogue: 0,0:07:07.78,0:07:09.82,Default,,0000,0000,0000,,and that ended up\Ncausing people to pick
Dialogue: 0,0:07:09.82,0:07:12.86,Default,,0000,0000,0000,,two notes and ping\Npong back and forth.
Dialogue: 0,0:07:12.86,0:07:16.64,Default,,0000,0000,0000,,That was just as distracting\Nas a monotone voice.
Dialogue: 0,0:07:16.64,0:07:19.02,Default,,0000,0000,0000,,The second way\Nthat I want you to
Dialogue: 0,0:07:19.02,0:07:21.80,Default,,0000,0000,0000,,vary your voice is\Nthrough rhythm.
Dialogue: 0,0:07:21.80,0:07:24.70,Default,,0000,0000,0000,,Rhythm refers to your rate\Nor how fast you talk,
Dialogue: 0,0:07:24.70,0:07:26.95,Default,,0000,0000,0000,,as well as your pausing.
Dialogue: 0,0:07:26.95,0:07:29.36,Default,,0000,0000,0000,,If you only take notes during
Dialogue: 0,0:07:29.36,0:07:32.46,Default,,0000,0000,0000,,one part of this video,\Nplease have it be this.
Dialogue: 0,0:07:32.46,0:07:35.38,Default,,0000,0000,0000,,Variation of rhythm is to spoken
Dialogue: 0,0:07:35.38,0:07:39.81,Default,,0000,0000,0000,,word what punctuation\Nis to written word.
Dialogue: 0,0:07:39.81,0:07:42.27,Default,,0000,0000,0000,,That's so important,\NI want to repeat it.
Dialogue: 0,0:07:42.27,0:07:44.73,Default,,0000,0000,0000,,Please again, get\Nthis that variation
Dialogue: 0,0:07:44.73,0:07:46.89,Default,,0000,0000,0000,,of rhythm is to spoken word,
Dialogue: 0,0:07:46.89,0:07:49.94,Default,,0000,0000,0000,,what punctuation is\Nto written word.
Dialogue: 0,0:07:49.94,0:07:52.43,Default,,0000,0000,0000,,Everything you know\Nabout the importance
Dialogue: 0,0:07:52.43,0:07:54.15,Default,,0000,0000,0000,,of punctuation in writing,
Dialogue: 0,0:07:54.15,0:07:56.99,Default,,0000,0000,0000,,how it helps us convey the\Nmeaning of our message,
Dialogue: 0,0:07:56.99,0:07:59.23,Default,,0000,0000,0000,,please understand that\Nthe exact same thing
Dialogue: 0,0:07:59.23,0:08:02.95,Default,,0000,0000,0000,,applies to varying\Nour rhythm in speech.
Dialogue: 0,0:08:02.95,0:08:05.21,Default,,0000,0000,0000,,If you give a five-minute speech
Dialogue: 0,0:08:05.21,0:08:07.43,Default,,0000,0000,0000,,and there's no variation\Nof rhythm at all,
Dialogue: 0,0:08:07.43,0:08:08.93,Default,,0000,0000,0000,,that would be like turning in
Dialogue: 0,0:08:08.93,0:08:13.12,Default,,0000,0000,0000,,a four-page essay with no\Ngrammar or punctuation.
Dialogue: 0,0:08:13.12,0:08:17.35,Default,,0000,0000,0000,,It becomes very\Ndifficult to understand.
Dialogue: 0,0:08:17.74,0:08:20.66,Default,,0000,0000,0000,,But actually, no variation in
Dialogue: 0,0:08:20.66,0:08:23.14,Default,,0000,0000,0000,,speech is worse than the\Nno punctuation paper,
Dialogue: 0,0:08:23.14,0:08:25.30,Default,,0000,0000,0000,,because the no punctuation paper
Dialogue: 0,0:08:25.30,0:08:27.16,Default,,0000,0000,0000,,allows the reader to be able to
Dialogue: 0,0:08:27.16,0:08:28.74,Default,,0000,0000,0000,,go through it again and try to
Dialogue: 0,0:08:28.74,0:08:31.40,Default,,0000,0000,0000,,piece together where the\Npunctuation would have been.
Dialogue: 0,0:08:31.40,0:08:33.12,Default,,0000,0000,0000,,But when you're\Nlistening to a speech,
Dialogue: 0,0:08:33.12,0:08:36.08,Default,,0000,0000,0000,,you only get it once,\Nand as a result,
Dialogue: 0,0:08:36.08,0:08:38.90,Default,,0000,0000,0000,,you don't have the\Nopportunity to go through and
Dialogue: 0,0:08:38.90,0:08:42.82,Default,,0000,0000,0000,,correct their lack of variation.
Dialogue: 0,0:08:42.82,0:08:45.68,Default,,0000,0000,0000,,This ends up leading\Nthe audience to have
Dialogue: 0,0:08:45.68,0:08:48.36,Default,,0000,0000,0000,,what we refer to as the\Nfallacy of competence.
Dialogue: 0,0:08:48.36,0:08:50.72,Default,,0000,0000,0000,,Our brain knows that it\Nunderstood the words,
Dialogue: 0,0:08:50.72,0:08:52.80,Default,,0000,0000,0000,,and it can pull out\Na few of the topics.
Dialogue: 0,0:08:52.80,0:08:54.32,Default,,0000,0000,0000,,Therefore, it concludes that it
Dialogue: 0,0:08:54.32,0:08:56.66,Default,,0000,0000,0000,,must have understood\Nthe message.
Dialogue: 0,0:08:56.66,0:08:58.72,Default,,0000,0000,0000,,An example of the fallacy of
Dialogue: 0,0:08:58.72,0:09:01.32,Default,,0000,0000,0000,,competence happens for\Nmany of us in math class.
Dialogue: 0,0:09:01.32,0:09:03.82,Default,,0000,0000,0000,,A math teacher is writing
Dialogue: 0,0:09:03.82,0:09:06.30,Default,,0000,0000,0000,,on the board and goes\Nthrough how to do a problem.
Dialogue: 0,0:09:06.30,0:09:08.88,Default,,0000,0000,0000,,As you listen to the\Nmath teacher explain it,
Dialogue: 0,0:09:08.88,0:09:11.46,Default,,0000,0000,0000,,you feel like you\Nunderstand how to do it.
Dialogue: 0,0:09:11.46,0:09:14.54,Default,,0000,0000,0000,,But then you're told\Nto do a problem,
Dialogue: 0,0:09:14.54,0:09:16.12,Default,,0000,0000,0000,,and suddenly you\Nlook at it and you
Dialogue: 0,0:09:16.12,0:09:17.42,Default,,0000,0000,0000,,realize you
Dialogue: 0,0:09:17.42,0:09:19.66,Default,,0000,0000,0000,,didn't understand it like\Nyou thought you did.
Dialogue: 0,0:09:19.66,0:09:22.52,Default,,0000,0000,0000,,Well, after a speech, we\Nrarely get the opportunity
Dialogue: 0,0:09:22.52,0:09:25.66,Default,,0000,0000,0000,,to be tested to find\Nout if we understood.
Dialogue: 0,0:09:25.66,0:09:27.48,Default,,0000,0000,0000,,But that fallacy of competence
Dialogue: 0,0:09:27.48,0:09:29.36,Default,,0000,0000,0000,,is still every bit as real.
Dialogue: 0,0:09:29.36,0:09:32.91,Default,,0000,0000,0000,,The fourth element is a\Nfluid or smooth delivery.
Dialogue: 0,0:09:32.91,0:09:36.81,Default,,0000,0000,0000,,With this, we want to cut out\Nthings like audible pauses.
Dialogue: 0,0:09:36.81,0:09:38.85,Default,,0000,0000,0000,,Audible pauses,\Nsometimes referred to
Dialogue: 0,0:09:38.85,0:09:40.77,Default,,0000,0000,0000,,as filler words as uh,
Dialogue: 0,0:09:40.77,0:09:45.65,Default,,0000,0000,0000,,like, you know, we\Nwant to reduce those.
Dialogue: 0,0:09:46.02,0:09:49.58,Default,,0000,0000,0000,,Another aspect of the\Nfluid smooth delivery is
Dialogue: 0,0:09:49.58,0:09:52.30,Default,,0000,0000,0000,,we want to avoid\Nchasing the clock.
Dialogue: 0,0:09:52.30,0:09:54.78,Default,,0000,0000,0000,,Chasing the clock happens\Nwhen maybe we've got
Dialogue: 0,0:09:54.78,0:09:57.94,Default,,0000,0000,0000,,45 seconds left and we\Ndon't have much to say.
Dialogue: 0,0:09:57.94,0:10:03.12,Default,,0000,0000,0000,,So we start to talk\Nreally slowly.
Dialogue: 0,0:10:03.12,0:10:07.36,Default,,0000,0000,0000,,Now we're just really trying to
Dialogue: 0,0:10:07.36,0:10:15.60,Default,,0000,0000,0000,,take 45 seconds to speak\N10 seconds of the speech.
Dialogue: 0,0:10:15.60,0:10:18.82,Default,,0000,0000,0000,,I would rather you just\Nfinish the speech.
Dialogue: 0,0:10:18.82,0:10:20.89,Default,,0000,0000,0000,,The fluid smooth delivery is,
Dialogue: 0,0:10:20.89,0:10:24.05,Default,,0000,0000,0000,,I want you to stay\Nconversational.
Dialogue: 0,0:10:25.21,0:10:29.25,Default,,0000,0000,0000,,Be professional. Don't get\Ninto being too casual,
Dialogue: 0,0:10:29.25,0:10:33.15,Default,,0000,0000,0000,,but still having nice\Nfluid smooth delivery.
Dialogue: 0,0:10:33.15,0:10:36.13,Default,,0000,0000,0000,,Finally, the fifth\Nelement is energy.
Dialogue: 0,0:10:36.13,0:10:39.31,Default,,0000,0000,0000,,This is by far the\Nmost important element
Dialogue: 0,0:10:39.31,0:10:41.14,Default,,0000,0000,0000,,of vocal delivery.
Dialogue: 0,0:10:41.14,0:10:44.63,Default,,0000,0000,0000,,With energy, it's simply\Na sense of enthusiasm.
Dialogue: 0,0:10:44.63,0:10:46.93,Default,,0000,0000,0000,,If you come across\Nlike you're very
Dialogue: 0,0:10:46.93,0:10:49.41,Default,,0000,0000,0000,,bored with your speech\Nor bored with a topic,
Dialogue: 0,0:10:49.41,0:10:51.43,Default,,0000,0000,0000,,the audience will be more
Dialogue: 0,0:10:51.43,0:10:54.39,Default,,0000,0000,0000,,likely to be bored with\Nthe topic, as well.
Dialogue: 0,0:10:54.39,0:10:57.13,Default,,0000,0000,0000,,Now, enthusiasm and energy
Dialogue: 0,0:10:57.13,0:10:58.61,Default,,0000,0000,0000,,doesn't make the topic\Nmore interesting.
Dialogue: 0,0:10:58.61,0:11:00.33,Default,,0000,0000,0000,,Believe me, I wish that it did,
Dialogue: 0,0:11:00.33,0:11:05.15,Default,,0000,0000,0000,,but being real low energy\Ncan take interest away.
Dialogue: 0,0:11:05.15,0:11:07.71,Default,,0000,0000,0000,,I have a personal\Nexample of this.
Dialogue: 0,0:11:07.71,0:11:10.25,Default,,0000,0000,0000,,There was a time that I\Nreally enjoyed history.
Dialogue: 0,0:11:10.25,0:11:12.43,Default,,0000,0000,0000,,I still enjoy reading about\Nit and learning about it.
Dialogue: 0,0:11:12.43,0:11:13.73,Default,,0000,0000,0000,,But I actually considered
Dialogue: 0,0:11:13.73,0:11:15.51,Default,,0000,0000,0000,,being a history\Nmajor at one time,
Dialogue: 0,0:11:15.51,0:11:18.51,Default,,0000,0000,0000,,and I had a history\Nteacher, a super nice guy.
Dialogue: 0,0:11:18.51,0:11:21.83,Default,,0000,0000,0000,,I really liked him, but\Nhe was very low energy.
Dialogue: 0,0:11:21.83,0:11:24.84,Default,,0000,0000,0000,,And some of you might have a\Nlow-energy teacher yourself.
Dialogue: 0,0:11:24.84,0:11:27.87,Default,,0000,0000,0000,,This is my impersonation of him.
Dialogue: 0,0:11:30.11,0:11:32.55,Default,,0000,0000,0000,,The root cause of
Dialogue: 0,0:11:32.55,0:11:38.28,Default,,0000,0000,0000,,the American Revolution was\Nthe French and Indian War.
Dialogue: 0,0:11:38.28,0:11:41.18,Default,,0000,0000,0000,,The French and Indian War was
Dialogue: 0,0:11:41.18,0:11:45.07,Default,,0000,0000,0000,,a conflict between\Nthe French and
Dialogue: 0,0:11:45.07,0:11:47.31,Default,,0000,0000,0000,,their Native American allies
Dialogue: 0,0:11:47.31,0:11:52.31,Default,,0000,0000,0000,,against the British and\Ntheir German allies.
Dialogue: 0,0:11:52.31,0:11:56.11,Default,,0000,0000,0000,,The Native American tribes\Nbelieved that the French
Dialogue: 0,0:11:56.11,0:12:00.37,Default,,0000,0000,0000,,would win the war because they\Nwon the first two battles.
Dialogue: 0,0:12:00.37,0:12:03.05,Default,,0000,0000,0000,,What they failed to realize is
Dialogue: 0,0:12:03.05,0:12:05.49,Default,,0000,0000,0000,,the French had beaten\Nthe Americans.
Dialogue: 0,0:12:05.49,0:12:08.93,Default,,0000,0000,0000,,The British and the Germans\Nhadn't arrived yet.
Dialogue: 0,0:12:09.11,0:12:12.21,Default,,0000,0000,0000,,Imagine listening to\Nthat for two hours.
Dialogue: 0,0:12:12.21,0:12:14.37,Default,,0000,0000,0000,,As interested as\NI was in history,
Dialogue: 0,0:12:14.37,0:12:16.76,Default,,0000,0000,0000,,it was hard to stay engaged.
Dialogue: 0,0:12:16.76,0:12:19.73,Default,,0000,0000,0000,,These are the first five\Nelements of delivery.
Dialogue: 0,0:12:19.73,0:12:21.07,Default,,0000,0000,0000,,These are the vocal elements
Dialogue: 0,0:12:21.07,0:12:22.37,Default,,0000,0000,0000,,that you're going\Nto be graded on.
Dialogue: 0,0:12:22.37,0:12:24.39,Default,,0000,0000,0000,,Please remember these\Nare not in the order of
Dialogue: 0,0:12:24.39,0:12:27.11,Default,,0000,0000,0000,,importance and they're\Nnot of equal importance.
Dialogue: 0,0:12:27.11,0:12:29.95,Default,,0000,0000,0000,,If I were to place them\Nin order of importance,
Dialogue: 0,0:12:29.95,0:12:33.25,Default,,0000,0000,0000,,I would put energy by\Nfar the most important.
Dialogue: 0,0:12:33.25,0:12:35.25,Default,,0000,0000,0000,,After that, enunciation and
Dialogue: 0,0:12:35.25,0:12:37.57,Default,,0000,0000,0000,,projection are\Napproximately tied,
Dialogue: 0,0:12:37.57,0:12:39.79,Default,,0000,0000,0000,,and then the fluid,\Nsmooth delivery
Dialogue: 0,0:12:39.79,0:12:42.63,Default,,0000,0000,0000,,and vocal variety are\Napproximately tied.
Dialogue: 0,0:12:43.31,0:12:45.97,Default,,0000,0000,0000,,If you haven't\Nalready, please now
Dialogue: 0,0:12:45.97,0:12:48.61,Default,,0000,0000,0000,,watch the video on\Nphysical delivery,
Dialogue: 0,0:12:48.61,0:12:51.07,Default,,0000,0000,0000,,and that will present you\Nwith the other four elements
Dialogue: 0,0:12:51.07,0:12:54.07,Default,,0000,0000,0000,,of delivery. Thank\Nyou very much.