1 00:00:00,800 --> 00:00:04,280 Hi, class. This is William again. 2 00:00:04,280 --> 00:00:06,700 As you can see from your grade sheet for both your 3 00:00:06,700 --> 00:00:09,440 informative and your persuasive speech, 4 00:00:09,440 --> 00:00:13,200 that your grade is going to be about 25% based on 5 00:00:13,200 --> 00:00:17,180 the content of the speech and 75% based on delivery. 6 00:00:17,180 --> 00:00:19,100 Now there are nine elements of 7 00:00:19,100 --> 00:00:20,820 delivery that you're going to be graded on, 8 00:00:20,820 --> 00:00:23,600 and they're the same elements for both speeches. 9 00:00:23,600 --> 00:00:25,860 Five elements are in vocal delivery, 10 00:00:25,860 --> 00:00:28,180 four elements are in physical delivery. 11 00:00:28,180 --> 00:00:30,120 In this video, I want to talk to 12 00:00:30,120 --> 00:00:32,340 you about vocal delivery. 13 00:00:32,340 --> 00:00:34,300 This is the use of our voice 14 00:00:34,300 --> 00:00:36,800 to present the message to the audience. 15 00:00:36,800 --> 00:00:41,020 Your voice plays four important roles in communication. 16 00:00:41,020 --> 00:00:44,280 The first one is we use our voice to produce words. 17 00:00:44,280 --> 00:00:45,860 In other words, we say words. 18 00:00:45,860 --> 00:00:46,980 I'm going to spend a lot of 19 00:00:46,980 --> 00:00:48,300 time on this video about that. 20 00:00:48,300 --> 00:00:50,725 I think we're all pretty familiar with that role. 21 00:00:50,725 --> 00:00:52,850 But saying words is actually not 22 00:00:52,850 --> 00:00:54,050 the most important role 23 00:00:54,050 --> 00:00:55,790 your voice plays in communication. 24 00:00:55,790 --> 00:00:57,670 The most important one 25 00:00:57,670 --> 00:01:00,550 is something called paralinguistics. 26 00:01:00,550 --> 00:01:02,730 Now, paralinguistics is probably 27 00:01:02,730 --> 00:01:04,310 a new term for many of you, 28 00:01:04,310 --> 00:01:06,530 but the elements probably are not. 29 00:01:06,530 --> 00:01:11,520 For example, the word linguistics, the root word. 30 00:01:11,520 --> 00:01:14,610 Linguistics means language, and 31 00:01:14,610 --> 00:01:19,350 para means side by side, parallel. 32 00:01:19,350 --> 00:01:22,450 When we are saying words to somebody, 33 00:01:22,450 --> 00:01:24,030 our voice is sending 34 00:01:24,030 --> 00:01:29,195 messages parallel or side by side with the language. 35 00:01:29,195 --> 00:01:31,420 This is very important. 36 00:01:31,420 --> 00:01:33,540 The reason for that is anytime 37 00:01:33,540 --> 00:01:37,260 our paralinguistics and our words do not match, 38 00:01:37,260 --> 00:01:39,720 your audience will tend to accept 39 00:01:39,720 --> 00:01:43,560 the paralinguistics rather than the words. 40 00:01:43,560 --> 00:01:46,980 Now, what this basically means is that we are 41 00:01:46,980 --> 00:01:50,660 communicating messages through things like tone of voice. 42 00:01:50,660 --> 00:01:52,860 The third main role that your voice 43 00:01:52,860 --> 00:01:54,520 plays in communication is that 44 00:01:54,520 --> 00:01:58,360 your voice has a powerful psychological effect on others. 45 00:01:58,360 --> 00:02:00,040 Now, many of you probably 46 00:02:00,040 --> 00:02:02,060 have anecdotal evidence of this. 47 00:02:02,060 --> 00:02:03,840 Somebody whose voice just 48 00:02:03,840 --> 00:02:06,100 causes your blood pressure to go up. 49 00:02:06,100 --> 00:02:09,580 Maybe they speak with a whiny voice or a squeaky voice. 50 00:02:09,580 --> 00:02:12,540 They talk too loud, they talk too quiet, whatever it is, 51 00:02:12,540 --> 00:02:14,160 there's just something about the sound of 52 00:02:14,160 --> 00:02:16,560 their voice that you find annoying. 53 00:02:16,560 --> 00:02:19,180 This puts you in a negative mindset 54 00:02:19,180 --> 00:02:22,300 just as you're evaluating their ideas. 55 00:02:22,300 --> 00:02:25,080 Conversely, there are others 56 00:02:25,080 --> 00:02:28,060 whose voice put you in a very positive state of mind. 57 00:02:28,060 --> 00:02:29,660 You could listen to them speak about 58 00:02:29,660 --> 00:02:32,300 almost any topic for an hour. 59 00:02:32,300 --> 00:02:34,380 People like James Earl Jones, 60 00:02:34,380 --> 00:02:36,060 who did the voice for Darth Vader 61 00:02:36,060 --> 00:02:37,455 in the Star Wars movies. 62 00:02:37,455 --> 00:02:41,395 For CNN, this is CNN. 63 00:02:41,395 --> 00:02:43,680 People who are able to create 64 00:02:43,680 --> 00:02:46,000 that very positive psychological effect on 65 00:02:46,000 --> 00:02:47,640 their audience puts them in 66 00:02:47,640 --> 00:02:49,040 a positive state of mind just 67 00:02:49,040 --> 00:02:51,240 as they're evaluating their ideas. 68 00:02:51,240 --> 00:02:53,680 Finally, your voice actually has 69 00:02:53,680 --> 00:02:56,840 a strong psychological effect on you. 70 00:02:56,950 --> 00:02:59,290 Research has suggested that 71 00:02:59,290 --> 00:03:01,090 when you speak with a more confident, 72 00:03:01,090 --> 00:03:04,790 secure voice, you actually become more confident. 73 00:03:04,790 --> 00:03:07,890 If you speak with a very timid or insecure voice, 74 00:03:07,890 --> 00:03:10,510 it can actually cause you to become 75 00:03:10,510 --> 00:03:14,090 less confident and your anxiety to rise. 76 00:03:14,090 --> 00:03:16,130 Those are the four important roles 77 00:03:16,130 --> 00:03:17,750 that your voice plays in communication. 78 00:03:17,750 --> 00:03:19,810 The next thing I want to talk to you about are 79 00:03:19,810 --> 00:03:22,965 the five elements of vocal delivery. 80 00:03:22,965 --> 00:03:24,760 These are the five elements 81 00:03:24,760 --> 00:03:25,860 that you're going to be graded 82 00:03:25,860 --> 00:03:27,200 on in both your 83 00:03:27,200 --> 00:03:30,255 informative as well as your persuasive speech. 84 00:03:30,255 --> 00:03:32,195 Please note that, 85 00:03:32,195 --> 00:03:34,020 as indicated on the grade sheet, 86 00:03:34,020 --> 00:03:35,340 these elements are not of 87 00:03:35,340 --> 00:03:37,520 equal importance to one another. 88 00:03:37,520 --> 00:03:40,960 The first one is enunciation. 89 00:03:40,960 --> 00:03:43,100 Enunciation is pronouncing 90 00:03:43,100 --> 00:03:45,440 the words correctly and clearly. 91 00:03:45,440 --> 00:03:48,140 This is very important in communication. 92 00:03:48,140 --> 00:03:50,860 Your goal is to make it as easy as 93 00:03:50,860 --> 00:03:53,890 you possibly can for your audience to listen. 94 00:03:53,890 --> 00:03:57,440 Poor enunciation requires the audience 95 00:03:57,440 --> 00:03:58,960 to expend more energy to 96 00:03:58,960 --> 00:04:01,260 try to understand what you're saying. 97 00:04:01,260 --> 00:04:03,400 The most common mistake that people make in 98 00:04:03,400 --> 00:04:05,300 enunciation is failing to 99 00:04:05,300 --> 00:04:07,480 open their mouth enough when they speak. 100 00:04:07,480 --> 00:04:09,940 They just mumble like this. 101 00:04:09,940 --> 00:04:11,800 Now, they probably think this 102 00:04:11,800 --> 00:04:13,580 is okay because when they talk to their friends, 103 00:04:13,580 --> 00:04:14,460 they talk like this and 104 00:04:14,460 --> 00:04:16,880 their friends understand I'm just fine. 105 00:04:17,120 --> 00:04:20,300 But when you're only talking to one or two friends, 106 00:04:20,300 --> 00:04:22,760 there's not a lot of ears absorbing the sound. 107 00:04:22,760 --> 00:04:24,620 When you're speaking to an audience, 108 00:04:24,620 --> 00:04:26,815 it becomes far more challenging. 109 00:04:26,815 --> 00:04:28,800 You want to open your mouth and 110 00:04:28,800 --> 00:04:31,320 pronounce the words very clearly. 111 00:04:31,320 --> 00:04:33,840 The next common mistake that people make in 112 00:04:33,840 --> 00:04:35,860 enunciation is they add 113 00:04:35,860 --> 00:04:38,455 sounds to words that do not belong. 114 00:04:38,455 --> 00:04:40,780 The most common sound that people 115 00:04:40,780 --> 00:04:44,265 erringly add to a word is the R sound. 116 00:04:44,265 --> 00:04:47,580 For example, they might say mention the state 117 00:04:47,580 --> 00:04:51,110 of Washington or wash the dishes. 118 00:04:51,110 --> 00:04:54,490 The problem with this is our ears are not 119 00:04:54,490 --> 00:04:58,230 attuned to that sound being added to the word, 120 00:04:58,230 --> 00:05:02,570 and as a result, it causes an internal distraction. 121 00:05:04,960 --> 00:05:07,100 The second element of 122 00:05:07,100 --> 00:05:09,100 delivery these are not the order of importance. 123 00:05:09,100 --> 00:05:11,420 The second one is projection. 124 00:05:11,420 --> 00:05:13,660 Now, a lot of people think projection 125 00:05:13,660 --> 00:05:16,060 is talk loud enough for everybody to hear. 126 00:05:16,060 --> 00:05:18,740 In actuality, projection is speak at 127 00:05:18,740 --> 00:05:21,820 a volume so that your audience can comfortably listen. 128 00:05:21,820 --> 00:05:24,300 See, talking too loud is actually just 129 00:05:24,300 --> 00:05:27,260 as big of a problem as talking too quietly. 130 00:05:27,260 --> 00:05:29,000 Either of them cause 131 00:05:29,000 --> 00:05:31,800 the audience to think about your volume, 132 00:05:31,800 --> 00:05:33,480 and any attention they're paying to 133 00:05:33,480 --> 00:05:34,640 your volume is attention 134 00:05:34,640 --> 00:05:36,280 they're not paying to your speech. 135 00:05:36,280 --> 00:05:39,320 You want your volume to disappear. 136 00:05:39,320 --> 00:05:42,080 If the audience is not paying attention to your volume, 137 00:05:42,080 --> 00:05:44,700 you're doing projection correctly. 138 00:05:45,650 --> 00:05:49,810 The next element of vocal delivery is vocal variety. 139 00:05:49,810 --> 00:05:51,810 Now, a major advantage that 140 00:05:51,810 --> 00:05:54,030 speakers have over writers in terms of 141 00:05:54,030 --> 00:05:55,610 communicating is 142 00:05:55,610 --> 00:05:58,650 this wonderful instrument we call the human voice. 143 00:05:58,650 --> 00:06:00,990 We want to vary that voice to not 144 00:06:00,990 --> 00:06:03,610 only increase engagement with the audience, 145 00:06:03,610 --> 00:06:05,190 but also to help us convey 146 00:06:05,190 --> 00:06:07,825 meaning through things like paralinguistics. 147 00:06:07,825 --> 00:06:10,000 Now, here I mentioned 148 00:06:10,000 --> 00:06:13,860 two specific aspects of how we want to vary our voice. 149 00:06:13,860 --> 00:06:16,140 First is through tone or pitch. 150 00:06:16,140 --> 00:06:19,440 This refers to how high or how low you talk. 151 00:06:19,440 --> 00:06:22,120 Now, the average untrained adult voice 152 00:06:22,120 --> 00:06:24,100 has a range of five notes. 153 00:06:24,100 --> 00:06:27,640 That means you can speak at five different notes with 154 00:06:27,640 --> 00:06:28,840 virtually no strain on 155 00:06:28,840 --> 00:06:31,780 your voice and no risk of your voice cracking. 156 00:06:31,780 --> 00:06:35,040 I want you to try to utilize that five-note 157 00:06:35,040 --> 00:06:39,085 range to vary your pitch or tone throughout your speech. 158 00:06:39,085 --> 00:06:41,080 Now, this does not mean I want 159 00:06:41,080 --> 00:06:42,800 the first five notes to be 160 00:06:42,800 --> 00:06:46,370 a scale and monotone the rest of the way. 161 00:06:46,370 --> 00:06:49,160 I want you to vary throughout. 162 00:06:49,160 --> 00:06:51,320 This also does not mean that I'm 163 00:06:51,320 --> 00:06:53,780 going to be in the back counting notes. 164 00:06:53,780 --> 00:06:56,300 You probably could accomplish 165 00:06:56,300 --> 00:07:00,320 a good vocal variety and tone with using three notes. 166 00:07:00,320 --> 00:07:03,340 I say that I would like you to try to expand that to 167 00:07:03,340 --> 00:07:05,280 around five notes merely because 168 00:07:05,280 --> 00:07:07,780 I used to say don't be monotone, 169 00:07:07,780 --> 00:07:09,820 and that ended up causing people to pick 170 00:07:09,820 --> 00:07:12,865 two notes and ping pong back and forth. 171 00:07:12,865 --> 00:07:16,640 That was just as distracting as a monotone voice. 172 00:07:16,640 --> 00:07:19,020 The second way that I want you to 173 00:07:19,020 --> 00:07:21,800 vary your voice is through rhythm. 174 00:07:21,800 --> 00:07:24,700 Rhythm refers to your rate or how fast you talk, 175 00:07:24,700 --> 00:07:26,950 as well as your pausing. 176 00:07:26,950 --> 00:07:29,360 If you only take notes during 177 00:07:29,360 --> 00:07:32,460 one part of this video, please have it be this. 178 00:07:32,460 --> 00:07:35,385 Variation of rhythm is to spoken 179 00:07:35,385 --> 00:07:39,810 word what punctuation is to written word. 180 00:07:39,810 --> 00:07:42,270 That's so important, I want to repeat it. 181 00:07:42,270 --> 00:07:44,730 Please again, get this that variation 182 00:07:44,730 --> 00:07:46,890 of rhythm is to spoken word, 183 00:07:46,890 --> 00:07:49,935 what punctuation is to written word. 184 00:07:49,935 --> 00:07:52,430 Everything you know about the importance 185 00:07:52,430 --> 00:07:54,150 of punctuation in writing, 186 00:07:54,150 --> 00:07:56,990 how it helps us convey the meaning of our message, 187 00:07:56,990 --> 00:07:59,230 please understand that the exact same thing 188 00:07:59,230 --> 00:08:02,950 applies to varying our rhythm in speech. 189 00:08:02,950 --> 00:08:05,210 If you give a five-minute speech 190 00:08:05,210 --> 00:08:07,430 and there's no variation of rhythm at all, 191 00:08:07,430 --> 00:08:08,930 that would be like turning in 192 00:08:08,930 --> 00:08:13,115 a four-page essay with no grammar or punctuation. 193 00:08:13,115 --> 00:08:17,350 It becomes very difficult to understand. 194 00:08:17,740 --> 00:08:20,660 But actually, no variation in 195 00:08:20,660 --> 00:08:23,140 speech is worse than the no punctuation paper, 196 00:08:23,140 --> 00:08:25,300 because the no punctuation paper 197 00:08:25,300 --> 00:08:27,160 allows the reader to be able to 198 00:08:27,160 --> 00:08:28,740 go through it again and try to 199 00:08:28,740 --> 00:08:31,400 piece together where the punctuation would have been. 200 00:08:31,400 --> 00:08:33,120 But when you're listening to a speech, 201 00:08:33,120 --> 00:08:36,080 you only get it once, and as a result, 202 00:08:36,080 --> 00:08:38,900 you don't have the opportunity to go through and 203 00:08:38,900 --> 00:08:42,820 correct their lack of variation. 204 00:08:42,820 --> 00:08:45,680 This ends up leading the audience to have 205 00:08:45,680 --> 00:08:48,360 what we refer to as the fallacy of competence. 206 00:08:48,360 --> 00:08:50,720 Our brain knows that it understood the words, 207 00:08:50,720 --> 00:08:52,795 and it can pull out a few of the topics. 208 00:08:52,795 --> 00:08:54,320 Therefore, it concludes that it 209 00:08:54,320 --> 00:08:56,660 must have understood the message. 210 00:08:56,660 --> 00:08:58,720 An example of the fallacy of 211 00:08:58,720 --> 00:09:01,320 competence happens for many of us in math class. 212 00:09:01,320 --> 00:09:03,820 A math teacher is writing 213 00:09:03,820 --> 00:09:06,295 on the board and goes through how to do a problem. 214 00:09:06,295 --> 00:09:08,880 As you listen to the math teacher explain it, 215 00:09:08,880 --> 00:09:11,460 you feel like you understand how to do it. 216 00:09:11,460 --> 00:09:14,540 But then you're told to do a problem, 217 00:09:14,540 --> 00:09:16,120 and suddenly you look at it and you 218 00:09:16,120 --> 00:09:17,420 realize you 219 00:09:17,420 --> 00:09:19,660 didn't understand it like you thought you did. 220 00:09:19,660 --> 00:09:22,520 Well, after a speech, we rarely get the opportunity 221 00:09:22,520 --> 00:09:25,660 to be tested to find out if we understood. 222 00:09:25,660 --> 00:09:27,480 But that fallacy of competence 223 00:09:27,480 --> 00:09:29,355 is still every bit as real. 224 00:09:29,355 --> 00:09:32,910 The fourth element is a fluid or smooth delivery. 225 00:09:32,910 --> 00:09:36,810 With this, we want to cut out things like audible pauses. 226 00:09:36,810 --> 00:09:38,850 Audible pauses, sometimes referred to 227 00:09:38,850 --> 00:09:40,770 as filler words as uh, 228 00:09:40,770 --> 00:09:45,650 like, you know, we want to reduce those. 229 00:09:46,020 --> 00:09:49,580 Another aspect of the fluid smooth delivery is 230 00:09:49,580 --> 00:09:52,300 we want to avoid chasing the clock. 231 00:09:52,300 --> 00:09:54,780 Chasing the clock happens when maybe we've got 232 00:09:54,780 --> 00:09:57,940 45 seconds left and we don't have much to say. 233 00:09:57,940 --> 00:10:03,120 So we start to talk really slowly. 234 00:10:03,120 --> 00:10:07,365 Now we're just really trying to 235 00:10:07,365 --> 00:10:15,595 take 45 seconds to speak 10 seconds of the speech. 236 00:10:15,595 --> 00:10:18,825 I would rather you just finish the speech. 237 00:10:18,825 --> 00:10:20,890 The fluid smooth delivery is, 238 00:10:20,890 --> 00:10:24,050 I want you to stay conversational. 239 00:10:25,210 --> 00:10:29,250 Be professional. Don't get into being too casual, 240 00:10:29,250 --> 00:10:33,150 but still having nice fluid smooth delivery. 241 00:10:33,150 --> 00:10:36,130 Finally, the fifth element is energy. 242 00:10:36,130 --> 00:10:39,310 This is by far the most important element 243 00:10:39,310 --> 00:10:41,140 of vocal delivery. 244 00:10:41,140 --> 00:10:44,630 With energy, it's simply a sense of enthusiasm. 245 00:10:44,630 --> 00:10:46,930 If you come across like you're very 246 00:10:46,930 --> 00:10:49,410 bored with your speech or bored with a topic, 247 00:10:49,410 --> 00:10:51,430 the audience will be more 248 00:10:51,430 --> 00:10:54,390 likely to be bored with the topic, as well. 249 00:10:54,390 --> 00:10:57,130 Now, enthusiasm and energy 250 00:10:57,130 --> 00:10:58,610 doesn't make the topic more interesting. 251 00:10:58,610 --> 00:11:00,330 Believe me, I wish that it did, 252 00:11:00,330 --> 00:11:05,150 but being real low energy can take interest away. 253 00:11:05,150 --> 00:11:07,710 I have a personal example of this. 254 00:11:07,710 --> 00:11:10,250 There was a time that I really enjoyed history. 255 00:11:10,250 --> 00:11:12,430 I still enjoy reading about it and learning about it. 256 00:11:12,430 --> 00:11:13,730 But I actually considered 257 00:11:13,730 --> 00:11:15,510 being a history major at one time, 258 00:11:15,510 --> 00:11:18,510 and I had a history teacher, a super nice guy. 259 00:11:18,510 --> 00:11:21,830 I really liked him, but he was very low energy. 260 00:11:21,830 --> 00:11:24,845 And some of you might have a low-energy teacher yourself. 261 00:11:24,845 --> 00:11:27,870 This is my impersonation of him. 262 00:11:30,110 --> 00:11:32,550 The root cause of 263 00:11:32,550 --> 00:11:38,285 the American Revolution was the French and Indian War. 264 00:11:38,285 --> 00:11:41,180 The French and Indian War was 265 00:11:41,180 --> 00:11:45,070 a conflict between the French and 266 00:11:45,070 --> 00:11:47,310 their Native American allies 267 00:11:47,310 --> 00:11:52,310 against the British and their German allies. 268 00:11:52,310 --> 00:11:56,110 The Native American tribes believed that the French 269 00:11:56,110 --> 00:12:00,370 would win the war because they won the first two battles. 270 00:12:00,370 --> 00:12:03,050 What they failed to realize is 271 00:12:03,050 --> 00:12:05,490 the French had beaten the Americans. 272 00:12:05,490 --> 00:12:08,930 The British and the Germans hadn't arrived yet. 273 00:12:09,110 --> 00:12:12,210 Imagine listening to that for two hours. 274 00:12:12,210 --> 00:12:14,370 As interested as I was in history, 275 00:12:14,370 --> 00:12:16,765 it was hard to stay engaged. 276 00:12:16,765 --> 00:12:19,730 These are the first five elements of delivery. 277 00:12:19,730 --> 00:12:21,070 These are the vocal elements 278 00:12:21,070 --> 00:12:22,370 that you're going to be graded on. 279 00:12:22,370 --> 00:12:24,390 Please remember these are not in the order of 280 00:12:24,390 --> 00:12:27,110 importance and they're not of equal importance. 281 00:12:27,110 --> 00:12:29,950 If I were to place them in order of importance, 282 00:12:29,950 --> 00:12:33,250 I would put energy by far the most important. 283 00:12:33,250 --> 00:12:35,250 After that, enunciation and 284 00:12:35,250 --> 00:12:37,570 projection are approximately tied, 285 00:12:37,570 --> 00:12:39,790 and then the fluid, smooth delivery 286 00:12:39,790 --> 00:12:42,630 and vocal variety are approximately tied. 287 00:12:43,310 --> 00:12:45,970 If you haven't already, please now 288 00:12:45,970 --> 00:12:48,610 watch the video on physical delivery, 289 00:12:48,610 --> 00:12:51,070 and that will present you with the other four elements 290 00:12:51,070 --> 00:12:54,070 of delivery. Thank you very much.