珊娜慕頓的可攜帶式表演 | "紐約近距離" | 藝術21 (Art 21)
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0:02 - 0:05[金融區 - 曼哈頓]
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0:08 - 0:13[紐約近距離]
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0:15 - 0:20[下曼哈頓文化協會工作室]
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0:25 - 0:32[珊娜慕頓的可攜帶式表演]
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0:35 - 0:38看起來如何?還不錯吧?
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0:39 - 0:41看起來就好像我在滑我的iPad或iPhone嗎?
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0:41 - 0:43[藝術家 - 珊娜慕頓]
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0:45 - 0:50所以這就是... 是我在出發前需要協調的部分,確定我的時間點有掌握好。
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0:51 - 0:54鏡頭下: 很明顯的並不是你的手指頭,而是你的全身嗎? 珊娜:沒錯。
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0:56 - 1:01這是我裝假髮的袋子。裡面全部都是假髮,喔,還有一些袋子。
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1:06 - 1:15好了,假髮,閱讀燈,我想這就是我需要的。我有列一張明細。
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1:19 - 1:20我都準備好了。
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1:22 - 1:27我在來紐約之前並沒有這麼常表演。
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1:29 - 1:38那時候我也沒有一個工作室。我搬來這裡的時候太窮了,所以我決定要試著以我可以用電腦動畫準備的東西來做我的場景。
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1:40 - 1:47那是我第一次決定把格局縮小,來做這個可攜帶式的表演。
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1:52 - 1:59通常我是搭着地鐵跑來跑去,或是當我真的感到華麗時,我會雇用租車服務。
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2:01 - 2:09我所有的道具,你知道的,都拿在我手上,然後在表演開始前半個小時準備好所有的場景。
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2:09 - 2:12[布朗克斯河藝術中心 - 莫特哈芬 (Mott Haven) 布朗克斯(Bronx)]
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2:23 - 2:27[今晚是開幕式]
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2:29 - 2:35這些表演,我不知道相對於我的身體,投影會有多大。
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2:36 - 2:40你知道如果我比投影還要膏,那表演就沒有辦法成功。
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2:43 - 2:50最糟的情況就像是我到了會場,然後發現我沒有辦法測試DVD和投影。
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2:52 - 2:56我討厭那種我沒有完全準備好的感覺。
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3:05 - 3:17你知道在開幕時,大家集中注意力的時間只能到一個程度,如果任何東西比十分鐘還長,就太長了
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3:17 - 3:22特別是我的展覽,我的意思是,我的展覽並不是有關於那種挑戰。
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3:23 - 3:25化妝看起來如何?
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3:25 - 3:26鏡頭下:已經差不多了。
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3:26 - 3:28珊娜:OK [笑聲]
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3:31 - 3:40有些時候人們並不知道我穿著戲服。他們以為我是個... 古怪的女人,在後面躲躲閃閃的。
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3:41 - 3:42你們要開始了嗎?
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3:42 - 3:44[館長 - 愛琳 萊莉 羅培茲]
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3:44 - 3:47愛琳 萊莉 羅培茲:是啊。我想要開始,但我不知道你還在外面。
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3:47 - 3:49珊娜:我在你之後就進去。
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3:49 - 4:17♪
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4:17 - 4:24主導整個表演真的很讓人神經緊張,但是我一但開始表演,我就很喜歡。我很享受這ㄧ段時光。
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4:24 - 4:41♪
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4:41 - 4:43我吃粉紅。
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4:48 - 4:55[掌聲]
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5:00 - 5:08是啊,回應很好,對吧?是啊,我很開心。
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5:08 - 5:22我知道人們通常對大部分的表演都給正面的回應,所以我不知道我是不是能把它拿來衡量表演有多成功,但是...
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5:22 - 5:25我覺得,我覺得還不錯。
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5:28 - 5:31你知道,這是... 這是一份工作。
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5:33 - 5:37只要我有好好準備,成果就不錯。
- Title:
- 珊娜慕頓的可攜帶式表演 | "紐約近距離" | 藝術21 (Art 21)
- Description:
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Is being a performance artist just another job? In this film, artist Shana Moulton rehearses and performs "Whispering Pines 7" in the exhibition "Acting Out" at the Bronx River Art Center. In her 14th floor studio at the Lower Manhattan Cultural Council Workspace, an artist residency program of repurposed offices located in the heart of Wall Street, Moulton gathers up the essential tools of her trade — costume, wig, makeup, DVD — and takes the long uptown subway trip to the Mott Haven section of the Bronx. Her first look at the venue, Moulton uses her limited rehearsal time to scale the video projection and adapt her movements to the confines of the space. The performance showcases, in a condensed and portable form, hallmarks of Moulton's recent work: playfully interacting with fantastical digital animations, unexpected changes in emotional tone, and performing in character as Cynthia — the central protagonist of the ongoing "Whispering Pines" series. Reflecting on the evening's performance, Moulton considers her aesthetic ambitions, audience expectations, and the pragmatics of being an artist in New York.
Shana Moulton (b. 1976, Oakhurst, California, USA) lives and works in Brooklyn, New York.
CREDITS | "New York Close Up" Created & Produced by: Wesley Miller & Nick Ravich. Editor: Mary Ann Toman. Cinematography: Andrew David Watson. Sound: Nicholas Lindner & Nick Ravich. Associate Producer: Ian Forster. Production Assistant: Paulina V. Ahlstrom, Don Edler & Maren Miller. Design: Open. Artwork: Shana Moulton. Thanks: Bronx River Art Center, Sean Carroll, Lower Manhattan Cultural Council, Marisa Olsen, Erin Riley-Lopez & Chad Stayrook. An Art21 Workshop Production. © Art21, Inc. 2011. All rights reserved.
"New York Close Up" is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Additional support provided by The 1896 Studios & Stages.
For more info: art21.org/newyorkcloseup
- Video Language:
- English
- Team:
- Art21
- Project:
- "New York Close Up" series
- Duration:
- 05:56
Lost Souls published Chinese, Traditional subtitles for Shana Moulton's Portable Performance | "New York Close Up" | Art21 | ||
nathalie.cheng edited Chinese, Traditional subtitles for Shana Moulton's Portable Performance | "New York Close Up" | Art21 |