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Of Human Bondage (1934) - Bette Davis - full movie

  • 1:28 - 1:31
    KNOCKSArretez au coin, s'il vous plait.
  • 1:57 - 2:00
    Monsieur Foine. Yes, monsieur?
  • 2:00 - 2:03
    Could I speak to you for a moment?
  • 2:04 - 2:08
    Well, I've been studying painting
    with you for some time now.
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    Do you think it's worth my whileWhy do you ask?
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    There's no sense in staying
    unless I have talent.
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    If you are not certain about
    your talent, why stay till now?
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    Because all this
    is so beautiful to me.
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    In my youth,
    it was also beautiful to me.
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    But now,
    it is the city of lost illusions.
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    Is your studio very far?
    No. Not very.
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    Let us go there. You will show me
    what you have done. Yes.
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    Have you any money?A little. Not enough to live on.
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    Then, I must tell you.
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    There is no talent here, merely
    industry and intelligence. You will
    never be anything but mediocre.
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    And it is very cruel
    to discover one's mediocrity only
    when it is too late. I know.
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    That name does not belong there.
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    It belongs somewhere else.
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    Take your courage in both your hands
    and make something of your life.
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    Have you anything in mind?
    Well, you see...
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    ..I have my limitations. I've always
    been interested in medicine.
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    If one can't be great, at least
    one can be of some use to people.
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    WOMAN COUGHS
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    I don't know why I should 'ave such
    a thing. Upon my word, I don't!
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    I've never had a day's illness
    in my life.
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    It's a winter cough.
    Many middle-aged women have it.
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    Well, I never! No-one's
    ever called me middle-aged before.
    It's time you got used to it.
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    All the same.
    You're a nice one, deerie.
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    I can't say the same for you.
    Good day, madam.
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    The rest of you come back tomorrow.
    Get him ready.
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    All right, sir.
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    Are you the boy's father? Yes, sir.
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    What's the matter with you now?
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    You see what the matter is.
    The boy has a club foot.
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    Carey, you'd better take this case.
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    It's a subject
    you ought to know something about.
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    It's only for the looks of the
    thing. I don't find it no trouble.
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    That's wonderful. I did. That's cos
    you let them go on at you.
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    You're a little slow, Carey.
    I'll instruct the class.
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    There are many varieties of
    club feet. This is less interesting.
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    Yours would prove more interesting.Yes. I believe so.
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    Mind taking off your sock, Carey?
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    No. Not at all.
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    Keeps his feet nice and clean,
    doesn't he?
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    Hm, yes. Talipes equinovarus -
    malformation requiring you to walk
    on the outside of the foot.
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    A very interesting example,
    I must say!
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    Do you mind if I have a look?
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    Congenital club foot.
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    In simple language, a foot twisted
    inward. The cause is not clear.
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    Hereditary influence plays a part.
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    Dr Little traces recurring deformity
    through four generations.
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    When you've quite finished...
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    I say, old man, I like that!
    French, isn't she?
    Yes. She was a model in Paris.
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    I can't, for the life of me,
    understand why you gave up painting.
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    I'd rather look at that all day
    long, than at this! Woman, you know!
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    You can tell by the, er, pelvis.I like 'em with a little more...
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    LAUGHTER
    There's life in the old girl yet!
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    Don't inhale, deerie!
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    I say! I've got to be getting along!
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    A little matter of a barmaid
    at the Crown & Anchor.
    Very nice, too! Cheerie-o!
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    Funny fellow, isn't he?
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    It must have been wonderfulIt was.
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    You really knew all thoseSome of them.
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    I wonder if you couldn't help me.In what way?
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    There's a girl
    and I can't get anywhere with her.
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    You've been to Paris and all that.
    I'm sure you can give me a starter.
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    I'd ask Griffiths, only he couldn't
    remember whom he was doing it for.
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    You know,
    say something to make her laugh.
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    LAUGHS
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    MAN: What? You don't believe it?
    You are too suspicious!
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    I say, she's marvellous, isn't she?No. She's anaemic.
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    You don't suppose she likesOf course.
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    Now's your chance. Say something.
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    Well, I see your friend's going.
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    I don't know what you mean.
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    The nobleman
    with the sandy moustache.
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    Has he left you for another?
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    Some people would do better
    to mind their own business.
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    Why?
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    You have a very nice back. Am I
    on speaking terms with your back?
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    Woman, you know.
    You can tell by the pelvis.
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    And that...calls himself
    a gentleman!
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    I apologise. What for?I promised you something charming.
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    She's turned out
    to be ill-natured and contemptible.
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    You don't suppose I care what
    an anaemic waitress says to me?
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    Well, I do. I must be going.
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    Coming along?
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    No, I think I'll have some more tea.
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    Anything you want?Yes, if you don't mind.
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    I'd like to talk to you.
    Filthy weather, isn't it?
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    Makes no difference to me.
    I have to be here all day.
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    Oh, I only wanted to sayWell, say it.
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    You know, you have a lovely smile.
    You should use it more often.
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    Now, don't go spoofing me.
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    A girl that works hard all day
    don't have much reason to smile.
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    Perhaps I could find a reason.
    Will you let me try?
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    I don't know whether I will
    or whether I won't.
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    I hope you'll decide you will.
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    Huh!
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    RAIN FALLS
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    KLAXON BLARES
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    Like that, unt that, like so!
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    BOTH LAUGH
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    That is a nice little hand.
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    GLASS CHIMES
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    Excuse me, won't you? Ja ja.
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    THEY GIGGLE
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    How do you do?You seem in a great hurry.
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    I've been waiting ten minutes.
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    I didn't know you could draw!Didn't you?
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    That meant to be me? Looks like you.
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    If you look at it that way. Tea?
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    You are a strange sort.
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    I say, will you dine with me
    some time? We'll go to the theatre?
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    I don't mind. When will you come?
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    I'm off Thursdays.All right, Thursday,
    seven o'clock Victoria Station?
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    RINGING
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    All right. I'll meet you at Victoria
    in the second class waiting room.
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    All tickets, please!
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    Show your tickets.
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    All tickets, please!
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    STEAM ENGINE FIRES UP
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    All tickets, please!
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    Show your tickets.
    All tickets, please!
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    Boat train, platform 19!
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    All tickets, please...!
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    I thought you were never coming.I like that!
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    After keeping ME waiting.
    I almost went home.
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    I was in the second class
    waiting room.
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    Is it likely I'd sit in the second
    class when I could sit in the first?
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    For a gentleman of brains,
    you don't use 'em!
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    Perhaps not. Anyway, you're here,
    so it's all right, isn't it?
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    You certainly do make a girl
    feel important.
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    VIOLINS PLAY
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    I love that music.
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    Whenever I hear it, I think of you.
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    How pale you are.
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    How strange, how cold.
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    CORK POPS
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    You ARE going it!
    Do you always order champagne?
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    No. Why did you do it now?
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    I was hoping it would make you
    more friendly.
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    Do you think it will? Well,
    there's one thing I can say for you.
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    Gentleman,
    in every sense of the word.
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    May I see you again?
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    I don't mind. Doesn't it make
    any difference to you?
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    No. If you don't take me out,
    someone else will.
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    I'll say good night here.
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    Won't you stay for a moment? No.Why not?
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    People would think
    I don't know what.
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    I love that music.
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    Whenever I hear it, I think of you.
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    Whenever I hear it, I think of us.
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    I've never danced with anyone
    who danced like you.
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    I've been looking for you
    all my life.
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    You don't have much to do with
    your time. I should be studying.
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    Then why don't you?Well, I'd rather see you.
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    Any of the girls noticeI don't know.
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    What difference does it make?
    They all laugh at you. Do they?
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    Why? Say you're in love with me.
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    SHE LAUGHS
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    May I call you Mildred?
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    I don't mind.
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    Look here, don't say that any more,
    will you? Why not?
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    Well, I'll call you Mildred
    and you call me Philip, will you?
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    I'll think on it.
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    I, um...I'm a little awkward at this
    but will you kiss me good night?
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    No.
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    Oh, Mildred. Will you come
    to the theatre with me on Saturday?
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    I don't mind.
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    You're sure they're for Saturday?Certainly.
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    My name is Miller, Emile Miller.
    We should know each other.
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    Why? Well, we are both interestedThing?
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    My dear young man, you are so...
    so... er...
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    artistic.
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    You, you should be more...
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    Like so!
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    Thanks. Thanks very much.
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    That's all right.
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    Keep the change.
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    What time shall I see you?
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    I forgot to tell you, Philip.
    I can't go. W... Why not?
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    Me aunt's ill.
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    Oh.
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    Well!
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    What's the sense in that? You don't
    suppose I want to go by myself?
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    I only got them for your sake.Well you needn't go on about it.
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    WOMAN: Violets! Sweet violets!
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    Sweet violets, tuppence a bunch.
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    Violets! Sweet violets...
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    You're spying on me.
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    I thought you was a gentleman,
    in every sense of the word.
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    Are you going out with Miller? No.
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    Well, what if I am? I can go out
    with him if I want to, can't I?
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    He's keeping you waiting, isn't he?
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    I'd rather wait for him
    than have you waiting for me.
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    Won't you change your mind?
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    I'll get some more tickets... No.
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    You keep looking for him
    the way I look for you.
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    If you don't come out with me
    tonight you'll never see me again.
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    Good riddance to bad rubbish.
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    PIANO, LAUGHTER, VOICES
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    Oh, drink?
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    Desire?
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    PIANO PLAYS JOLLY TUNE, LAUGHTER
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    WOMAN'S LAUGHTER
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    CLEARS THROAT
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    Sorry, old boy.
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    How about a nice large beer, huh?
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    Wouldn't help? What would?
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    Oh, Phil. Leave it.
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    Why? What for?Shows the waiter who you are.
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    He knows who YOU are.
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    And so do I. What do you mean?
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    I'm sorry. I...didn't mean.
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    You're a bit too superior for me,
    my fine young friend.
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    Mildred!
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    Of course you don't like me.
    I'm a cripple.
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    No, Phil. It isn't that.I've felt it all along.
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    Foolish.
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    Mind my hat, silly!
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    You ARE clumsy!
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    WHISTLES A TUNE
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    Off your nut! What practice can you
    expect with a wife like that?
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    I don't know. Let me ask you.
    Why do you want to marry this girl?
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    Because I'm so in love with her.Aah!
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    That ring with a little design
    is very popular, sir.
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    We sell a great many of them.
    They're 30 shillings.
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    Thank you, sir.
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    Philip, were you surprised when
    I asked you to take me to dinner?
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    I was delighted.Were you? Yeah. Why?
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    You've been so sweet to me all day
    and I've got something to ask you.
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    It makes it so much easier for me.Makes it easier for me, too.
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    I've something to tell you.No, no. Let me tell you first.
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    There it is.
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    I want you to marry me.
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    I'm so sorry, Philip.
    That's what I was about to tell you.
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    You shouldn't have waited so long.
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    The fact is,
    I'm going to be married.
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    Are you?
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    To whom?
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    A man I know.
  • 28:57 - 28:59
    He earns very good money.
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    Yes, I'm...I'm sure of it.
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    Now, you won't go on about it,
    will you, Philip?
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    All right.
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    I'm getting on.
    I'm 24. Time I settled down.
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    This gentleman earns £7 a week.
    He's got good prospects.
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    Well, this is goodbye.
    I hate to eat and run, Philip.
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    I'm going to the theatre with the
    gentleman that I'm going to marry.
  • 29:48 - 29:51
    MAN: All the latest films
    of the day...!
  • 30:02 - 30:04
    Taxi.
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    Have you seen her since?
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    No. London is the largest city
    in the world and you know the cure
    for ONE woman.
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    Another. Ha ha! Right, ho!
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    Norah, you don't read such junk,
    do you?
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    No. I write it. What?
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    That's how I earn my living.
    I didn't know.
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    Successful? Very. I have an immense
    popularity amongst kitchen maids.
  • 31:47 - 31:49
    They think me so refined.
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    Let's not talk about that.
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    Let's talk about us.
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    Norah, y-you're not really
    fond of me, are you?
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    For a clever boy,
    you ask such foolish questions.
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    Oh, my dear. It never struck mePleased?
  • 32:24 - 32:28
    Delighted. And so proud
    and so happy and so...
  • 32:28 - 32:30
    So grateful.
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    I wish you hadn't been in love
    with... What was her name?
  • 32:34 - 32:36
    Mildred.
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    Because if she hadn't treated you
    so abominably
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    it wouldn't have taken you so long
    to understand how I feel.
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    I saw you! I wasn't very quick!
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    Let's go out and play.
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    Not until you've passed that exam.
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    Tell me, darling.
    What do you get out of this?
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    You'll never know.
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    I'm afraid you don't get much fun
    with me.
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    I wish...
  • 33:55 - 34:00
    If only I could take you dancing.
    I know how you love it.
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    Philip, it's very silly to be
    so sensitive about your foot.
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    Other people don't think about it
    as much as you.
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    They notice it when they first
    see you then forget about it.
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    You know, I only speak of it
    because I love you.
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    I don't want it to make you unhappy.
  • 34:21 - 34:26
    Now, will you please stay here
    and go on cramming for that exam?
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    There's a lady to see you, sir.
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    I shouldn't have let her in
    but she was that upset...
  • 34:45 - 34:47
    Norah!
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    What do you want?
  • 34:59 - 35:03
    I didn't think
    I'd ever see you again.
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    What's the matter?
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    He's left me. Emile.
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    Oh, has he?
  • 35:22 - 35:24
    Yes.
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    Cos I'm going to have a baby.
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    Why don't you sit down?
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    I suppose you want him back.He'll never come back.
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    Why not? He just won't, that's all.
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    You're his wife.
    He has to provide for you.
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    He won't give me anything.
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    Even if he did, I wouldn't take it.Why not?
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    No matter what's happened,
    I've got me pride.
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    That's something, isn't it(?)
  • 36:25 - 36:28
    Have you got any money?
  • 36:29 - 36:31
    No.
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    You'd better get yourself
    a place to live.
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    After that,
    we'll see what can be done.
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    Philip, you were always so good
    to me. I knew I could come to you.
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    Look here, Mr Miller.I?
  • 36:56 - 37:00
    What you expect me to do?Take care of her. You married her.
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    I? I married Mildred? Ach!
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    I married...
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    This one.
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    I'd still like to know
    what you intend to do.
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    Me? I can do nothing.
  • 37:20 - 37:25
    One man cannot solution the problem
    of the unmarried mother.
  • 37:32 - 37:34
    Why didn't you tell me?
  • 37:36 - 37:38
    I just couldn't.
  • 37:40 - 37:42
    Well, brace up.
  • 37:42 - 37:44
    Everything will be all right.
  • 38:03 - 38:05
    Philip...
  • 38:07 - 38:10
    Do you still...like me?
  • 38:14 - 38:16
    Really?
  • 38:16 - 38:20
    Strange as it may seem,
    I always have.
  • 38:20 - 38:22
    I suppose I always shall.
  • 38:22 - 38:25
    I did everything I could
    to make you love me.
  • 38:25 - 38:29
    I thought you were incapable
    of loving anybody.
  • 38:29 - 38:35
    It's horrible to think
    that you were willing to sacrifice
    everything for that man.
  • 38:35 - 38:37
    I'm awfully sorry, Philip.
  • 38:38 - 38:41
    I shall never forget
    you wanted to marry me.
  • 38:55 - 38:58
    Philip? Yes?
  • 39:00 - 39:02
    You've been so nice to me...
  • 39:04 - 39:07
    ..I'll do anything you want.
  • 39:09 - 39:11
    Will you? Why?
  • 39:11 - 39:13
    Why, I owe it to you.
  • 39:14 - 39:16
    Oh. Do you?
  • 39:21 - 39:24
    You're not angry.
  • 39:24 - 39:25
    No.
  • 39:30 - 39:35
    Then you'll stay and haveYes, if you want me to.
  • 39:36 - 39:40
    Of course, Philip.
    Nothing could delight me more.
  • 39:40 - 39:43
    Just a moment
    and I'll have everything ready.
  • 40:15 - 40:17
    KNOCK ON DOOR
  • 40:17 - 40:19
    Come in.
  • 40:24 - 40:26
    Hello, darling.
  • 40:26 - 40:28
    Norah!
  • 40:28 - 40:31
    How did you happen to come?
  • 40:31 - 40:33
    Just passing by.
  • 40:35 - 40:39
    I wanted to rub my nose
    against your door.
  • 40:42 - 40:45
    Philip,
    why haven't I heard from you?
  • 40:45 - 40:48
    I was just going to write.
  • 40:48 - 40:50
    Why haven't you come to see me?
  • 40:50 - 40:53
    Well, I...I've been busy.
  • 40:55 - 40:57
    Why so silent?
  • 40:59 - 41:01
    Well, you see...
  • 41:01 - 41:06
    Norah, I've got something strange
    to tell you.
  • 41:06 - 41:10
    You've been so good to me,
    it only makes it harder.
  • 41:10 - 41:12
    Philip, what's wrong?
  • 41:14 - 41:16
    I'm sorry. It's just over.
  • 41:16 - 41:19
    You mean you don't care for me
    any more?
  • 41:19 - 41:23
    I'm afraid so. What have I done?
  • 41:23 - 41:26
    Nothing.
    You've been wonderful to me.
  • 41:26 - 41:28
    It's just that I...
  • 41:32 - 41:36
    Of course, I knew you never loved me
    as much as I loved you.
  • 41:36 - 41:39
    Yes, I'm afraid
    that's usually the case.
  • 41:39 - 41:43
    There's usually one who loves
    and one who is loved.
  • 41:43 - 41:46
    Oh, it's always the same.
  • 41:46 - 41:51
    You want a man to be nice to you,
    you have to be rotten to him.
  • 41:51 - 41:54
    If you treat a man honestly, you...
  • 41:58 - 42:01
    Philip, there's someone else.
  • 42:04 - 42:06
    Yes.
  • 42:06 - 42:09
    Who is she?
  • 42:09 - 42:11
    Mildred.
  • 42:11 - 42:13
    She's come back.
  • 42:14 - 42:16
    After all she's done.
  • 42:18 - 42:20
    How could you?
  • 42:20 - 42:23
    That's what I'd like to know.
  • 42:23 - 42:27
    It's just as though
    you're bound to her in some way.
  • 42:27 - 42:29
    Yes.
  • 42:29 - 42:31
    As I am to you.
  • 42:32 - 42:34
    And she was to Miller.
  • 42:34 - 42:39
    As every human being is
    to something or other.
  • 42:52 - 42:57
    Funny looking little thing,
    isn't it? I can't believe it's mine.
  • 42:57 - 43:00
    Now, if you'll excuse me.
  • 43:07 - 43:10
    So glad it's over, darling.
  • 43:10 - 43:13
    You've been so good to me, Philip.
  • 43:13 - 43:16
    From now on,
    things will be different.
  • 43:21 - 43:25
    Now, you will take good care of her,
    won't you?
  • 43:25 - 43:27
    That I will, ma'am.
  • 43:29 - 43:31
    Good day. Good day.
  • 43:36 - 43:38
    I know you don't like it, Philip.
  • 43:38 - 43:43
    I can't do anything elseI suppose not.
  • 43:43 - 43:48
    Be sure and go over on Sundays
    and see the baby's taken care of.
  • 43:48 - 43:50
    I will.
  • 43:51 - 43:55
    What are we going to do
    this afternoon?
  • 43:55 - 43:57
    I asked Griffiths to come over.
  • 43:57 - 44:00
    Oh, did you?
  • 44:00 - 44:06
    Why? I know you find him amusing
    and I'm always afraid of boring you.
  • 44:14 - 44:16
    Hello, hello, hello.
  • 44:16 - 44:19
    Sorry I'm late.
    Had to get rid of a girl.
  • 44:19 - 44:23
    Why didn't you bring her?I'm not interested in MY girl.
  • 44:23 - 44:27
    I'm interested in other men's girls.
    D'you like me?
  • 44:30 - 44:34
    LAUGHS
  • 44:34 - 44:38
    Really, I'm too hungry to know.
    I think I like you lots.
  • 44:38 - 44:43
    I'd like you more if he took us out
    to dinner. I'd tell you stories.
  • 44:43 - 44:47
    You'll have a wonderful time.
    What would he do?
  • 44:47 - 44:50
    Ooh, pay the bill.
  • 44:50 - 44:52
    BOTH LAUGH
  • 44:57 - 45:00
    GRIFFITHS AND MILDRED LAUGH
  • 45:01 - 45:06
    I said, "What's that? Your missus?
    I thought it was your sister!"
  • 45:17 - 45:19
    Oh, allez-up!
  • 45:19 - 45:21
    Allez-up!
  • 45:22 - 45:25
    "Thought it was your sister!"
  • 45:33 - 45:35
    POLITELY: Good night, Philip.
  • 45:37 - 45:40
    FLIRTATIOUSLY: Good night.
  • 45:49 - 45:51
    Just a moment.
  • 45:51 - 45:54
    Are you in love with Mildred?
  • 45:54 - 45:56
    I?
    LAUGHS
  • 45:56 - 46:00
    That's what you've been
    so funny about! My dear old boy...
  • 46:00 - 46:05
    Look here. It doesn't matter to you,
    Harry. You've got so many women.
  • 46:05 - 46:09
    Don't take Mildred away from me.My dear old boy!
  • 46:09 - 46:13
    She's nothing to me at all!
    Nothing at all!
  • 46:13 - 46:15
    CHUCKLES
  • 46:29 - 46:32
    Do you like it, Philip? Very much.
  • 46:32 - 46:35
    So nice of you to give it to me.
  • 46:42 - 46:44
    What are you thinking about?
  • 46:44 - 46:49
    You were having quite a flirtationI was.
  • 46:49 - 46:54
    Matter of fact, well...
    I'm sort of in love with him.
  • 46:54 - 46:56
    I'm not surprised!
  • 46:56 - 47:02
    What do you mean? He's good looking,
    says the things that make you laugh.
  • 47:02 - 47:07
    I'll thank you not to make funI wasn't making fun of you.
  • 47:07 - 47:10
    You don't act as if it's serious.
    I don't think it is. Why not?
  • 47:10 - 47:15
    Griffiths isn't in love with you.
    How do you know? I asked him.
  • 47:17 - 47:22
    Would you like to read a letter
    I got from him this morning?
  • 47:26 - 47:30
    "I've been up all night
    thinking about you.
  • 47:30 - 47:36
    "I have just sent for a messenger
    to take this to you in the dawn.
  • 47:36 - 47:41
    "You've no notion of the time
    I had with your friend last night.
  • 47:41 - 47:46
    "He kept asking me if I love you
    and of course what could I say?
  • 47:46 - 47:48
    "He'll doubtless tell you all this,
  • 47:48 - 47:51
    "so I'm making sure that you..."
  • 47:58 - 48:02
    Well?
    Can't help it if I love him, can I?
  • 48:02 - 48:06
    No. I suppose not. Then whatNothing.
  • 48:06 - 48:11
    Only I was fool enough to thinkI do, Philip.
  • 48:11 - 48:13
    As a friend.
  • 48:13 - 48:15
    Not in any other way.
  • 48:15 - 48:20
    But you do care for Griffiths
    in the other way.
  • 48:21 - 48:26
    But you're cold. That sort of thing
    doesn't mean anything to you.
  • 48:28 - 48:30
    That's what YOU think.
  • 48:39 - 48:42
    It's no use going on about it,
    Philip.
  • 48:42 - 48:48
    You said yourself that I couldn't
    help it if I'm in love with him.
  • 48:52 - 48:55
    If there's anything else to be said,
    say it.
  • 48:57 - 49:01
    That's a nice dress you have on,
    Mildred.
  • 49:01 - 49:04
    I couldn't afford it,
    but I paid for it.
  • 49:04 - 49:07
    You have a nice apartment.
    I couldn't afford it but I...
  • 49:07 - 49:11
    If you were a gentleman, would you
    throw what you've done in my face?
  • 49:11 - 49:14
    Do you think it matters to me
    whether I'm a gentleman or not?
  • 49:14 - 49:18
    If I were, you don't suppose
    I'd care for a cheap vulgar...
  • 49:19 - 49:23
    I'm sorry, Philip.
    I didn't want to end this way.
  • 49:28 - 49:32
    Harry's waiting for me.What do you intend to do?
  • 49:32 - 49:35
    We're going to Paris.
  • 49:35 - 49:37
    Get out.
  • 49:37 - 49:39
    Get out!
  • 49:58 - 50:01
    RIPPING
  • 50:23 - 50:26
    SOBBING
  • 50:29 - 50:34
    I've moved three times and each time
    this woman's hounded me down.
  • 50:34 - 50:37
    I don't like to do this but...
  • 50:37 - 50:39
    All right, sir. I'll move her on.
  • 50:39 - 50:43
    Come on, young lady.
    You can't stay here. Come on, now.
  • 50:46 - 50:48
    SOBBING
  • 51:08 - 51:12
    Look here, Carey. Mildred and I
    are all washed up... Too bad.
  • 51:12 - 51:14
    BELL RINGS
  • 51:14 - 51:17
    Excuse me. I'm due in the ward.
  • 51:35 - 51:40
    Anything interesting, Carey?
    What an unusual name you have.
  • 51:40 - 51:44
    An old Yorkshire name. Once took
    a day's riding across our estates.
  • 51:44 - 51:47
    And here I am in a charity hospital
  • 51:47 - 51:51
    because my father loved fast women
    and slow horses.
  • 51:51 - 51:54
    How the mighty are fallen!
  • 51:56 - 51:58
    Hello! Hello, Father.
  • 52:03 - 52:07
    Carey, this is my daughter,
    christened Maria del Sol.
  • 52:07 - 52:11
    Her mother called her Sally.
    This young man is a student here.
  • 52:11 - 52:15
    He's been nice to me. With some
    inducement, he might be nice to YOU.
  • 52:15 - 52:20
    Now, Father. Father's particular
    genius is saying the wrong thing.
  • 52:20 - 52:23
    He thinks it's fun to embarrass me.
  • 52:23 - 52:26
    It is. Try it some time, Carey.
    ALTHERNY CHUCKLES
  • 52:26 - 52:30
    I will, if I get the chance.You shall have it!
  • 52:30 - 52:33
    You're coming to see us
    the first Sunday I am home.
  • 52:33 - 52:37
    Oh, yes. Please do.ALTHERNY CHUCKLES
  • 52:45 - 52:49
    CHILDREN CHATTER AND LAUGH
  • 52:52 - 52:55
    KNIFE SHARPENING
  • 53:00 - 53:03
    What a quaint house!
  • 53:03 - 53:09
    Yes, but it's not very sanitary.Sanitation be hanged! Give me art!
  • 53:09 - 53:13
    I've got nine children
    and they thrive on bad drains.
  • 53:13 - 53:16
    Look at that, now.I am, with great admiration.
  • 53:19 - 53:21
    Shall I bring the ale, Father?
  • 53:21 - 53:25
    Right, m'girl.
    The sooner the better.
  • 53:25 - 53:28
    I hope you didn't have the table
    here on my account.
  • 53:28 - 53:31
    I'd be happy to have dinner
    with the children.
  • 53:31 - 53:35
    Oh, no. I take meals by myself.
    I like these antique customs.
  • 53:35 - 53:40
    I don't think women ought
    to sit down at table with men.
  • 53:40 - 53:43
    CHUCKLING: Why not?It ruins conversation.
  • 53:45 - 53:51
    It's bad for them. Puts ideas
    in their heads! Women are never
    at ease when they have ideas.
  • 53:51 - 53:55
    You sound like the voiceI am, sir.
  • 53:55 - 53:59
    This fine Yorkshire pudding
    gives me strength to carry on.
  • 53:59 - 54:03
    Stop getting up and down
    every time she comes in.
  • 54:03 - 54:06
    She doesn't want you to make a fuss.
  • 54:06 - 54:13
    She won't think it rude if
    you sit still. She don't care a hang
    for chivalry, do you, Sally?
  • 54:13 - 54:14
    No, Father.
  • 54:14 - 54:19
    You speak quietly while eyeing
    the young man so boldly.
  • 54:20 - 54:23
    Yes, Father.
  • 54:23 - 54:26
    You know what I'm talking about?
    How could I, darling?
  • 54:26 - 54:29
    You're so clever.
  • 54:29 - 54:32
    Don't stand behind me
    in order to make eyes at him.
  • 54:32 - 54:35
    Better get Philip some more ale.
  • 54:40 - 54:42
    EXHALES LOUDLY
  • 54:42 - 54:44
    SLURPS, EXHALES
  • 54:45 - 54:49
    My word! Is there anything better
    than English ale?
  • 54:49 - 54:52
    Let us thank God
    for simple pleasures -
  • 54:52 - 54:55
    a good appetite,
    roast beef and beer.
  • 54:55 - 54:58
    I was married to a lady once.
  • 55:00 - 55:05
    Good heavens! Never marry a lady,
    my boy! Oh, really? Why?
  • 55:05 - 55:12
    Because a lady has a point of view,
    a personality and an individuality
    to devil you with.
  • 55:12 - 55:18
    You want a wife who can cook dinner
    and look after your children.
    Don't you think so, Sally?
  • 55:18 - 55:22
    I think you'd talk the hind legIt's clean fun.
  • 55:22 - 55:24
    Now, Sally, I'll wait on you.
  • 55:24 - 55:30
    Take my chair while I fetch you
    and the young man some cheese.
    Thank you, Father.
  • 55:30 - 55:32
    What do you think of us?
  • 55:34 - 55:38
    You don't know what this means to
    me. I practically never had family.
  • 55:38 - 55:43
    This is the only place I've known
    that's had the quality of...home.
  • 55:43 - 55:46
    Don't you think us a little queer?
  • 55:46 - 55:49
    Everyone's queer but me and thee.
  • 55:49 - 55:53
    And sometimes
    thee is a little queer.
  • 55:54 - 55:56
    Thank you, Father.
  • 56:02 - 56:05
    It's no use mooning over her, Carey.
  • 56:07 - 56:11
    Sally never kisses a gentleman
    until he's been here twice.
  • 56:13 - 56:16
    Well, you must ask me again,
    some time.
  • 56:16 - 56:19
    Do it yourself!
  • 56:19 - 56:22
    Why don't you come next Sunday?
  • 57:10 - 57:13
    May I walk to the station with you?
    No. Why not?
  • 57:13 - 57:17
    It's too late and you're a child.I'm 20.
  • 57:17 - 57:20
    Let's talk it over when you're 30.
  • 57:35 - 57:38
    Did you hear what I said, old man?
  • 57:38 - 57:42
    Yes, I heard. Sorry if I brought
    up a painful subject.
  • 57:42 - 57:49
    I thought you'd be interested to
    hear about Mildred. Sorry she's hadI gave her all I could.
  • 57:49 - 57:54
    But you know me, always stony broke.
    I thought perhaps you'd want to...
  • 57:54 - 57:58
    I can't do anything.Go on.
  • 57:58 - 58:00
    I don't blame you.
  • 58:00 - 58:05
    I wouldn't have told you. She asked
    me to give you her address.
  • 58:05 - 58:11
    Gave me a jolt, seeing her with that
    baby, asking for something to eat.
  • 58:11 - 58:13
    She had the baby with her? Yes.
  • 58:13 - 58:17
    Not difficult to imagine
    her next step.
  • 59:07 - 59:09
    Baby all right?
  • 59:09 - 59:12
    I'm very grateful to you, Philip.
  • 59:13 - 59:19
    If I could afford it, I'd have given
    you a place of your own.
    You're welcome to my room.
  • 59:19 - 59:23
    I don't know what would become
    of me and...baby...
  • 59:23 - 59:26
    if you hadn't taken us in.
  • 59:26 - 59:28
    You'd have got on, I expect.
  • 59:29 - 59:35
    You've always been much nicer
    to me than I deserved. I'm beginning
    to realise how silly I've been.
  • 59:35 - 59:40
    You couldn't help how you felt.
    Let's not talk about it, shall we?
  • 59:40 - 59:43
    I don't feel like that now.
  • 59:43 - 59:47
    Look here, Mildred. Let's have no
    misunderstanding about this.
  • 59:47 - 59:50
    The reason you're here is... I know.
  • 59:50 - 59:54
    Because you once liked me enough
    to want to marry me.
  • 59:57 - 59:58
    Yes.
  • 59:58 - 60:03
    Well, at least I can cook for you
    and keep your flat clean.
  • 60:07 - 60:11
    Maybe some day you'll...
    you'll feel better about me
  • 60:11 - 60:15
    and things will be like
    they used to be.
  • 60:19 - 60:21
    Oh, thanks. I'll smoke it later.
  • 60:25 - 60:29
    Well, er... Good night.
  • 60:31 - 60:33
    Good night.
  • 61:24 - 61:28
    Landlady came upstairs
    a little while ago.
  • 61:28 - 61:32
    She said, "Mrs Carey," she said.
    "How can you stand it?"
  • 61:34 - 61:39
    What's the matter with them? They're
    indecent. Disgusting, I calls it.
  • 61:39 - 61:43
    To have drawings
    of naked people about.
  • 61:43 - 61:47
    If you want to know what I think,
    I've half a mind to take them down.
  • 61:47 - 61:49
    You'll do nothing of the kind.
  • 61:51 - 61:54
    I love those pictures, Mildred.
  • 61:54 - 61:57
    I love them for what
    they were meant to be.
  • 62:07 - 62:10
    JAUNTY TUNE BEGINS
  • 62:20 - 62:22
    What happened to it?
  • 62:22 - 62:24
    Hm? What?
  • 62:24 - 62:27
    The way you used to love me.
  • 62:27 - 62:29
    Oh, I don't know.
  • 62:29 - 62:32
    I was disappointed so often
    and hurt so much.
  • 62:32 - 62:35
    What difference does it make?
  • 62:35 - 62:40
    Nothing. Only, remember how you got
    when I was so cold to you?
  • 62:41 - 62:46
    You're getting me that way
    cos you're so cold to me.
  • 62:46 - 62:48
    No-one else, is there?
  • 63:31 - 63:34
    He's not in love with anybody.
  • 64:15 - 64:17
    Where were you?
  • 64:17 - 64:19
    Altherneys'.
  • 64:19 - 64:21
    What are you doing up?
  • 64:21 - 64:24
    I couldn't sleep.
  • 64:26 - 64:30
    Hadn't you better put on
    something warmer?
  • 64:30 - 64:32
    Oh, I'll be all right.
  • 64:35 - 64:37
    Just let me stay here.
  • 64:41 - 64:43
    Phil...
  • 64:45 - 64:47
    Phil, I love you so.
  • 64:47 - 64:51
    Oh, nonsense. T'isn't.
    I can't live without you.
  • 64:51 - 64:55
    Please get up. You're making a fool
    of yourself and a fool of me.
  • 64:55 - 64:57
    Oh, Phil. Please.
  • 65:11 - 65:13
    I can't go on like this.
  • 65:15 - 65:20
    Nonsense. You haven't anywhere
    to go. Stay as long as you like.
  • 65:20 - 65:23
    But with the definite
    understanding...
  • 65:31 - 65:33
    You disgust me.
  • 65:37 - 65:39
    Me?
  • 65:39 - 65:41
    I disgust YOU?
  • 65:42 - 65:44
    You.
  • 65:44 - 65:45
    You!
  • 65:45 - 65:51
    You're too fine!
    You won't have me but you sit here
    looking at your naked females!
  • 65:51 - 65:53
    Mildred. You cad!
  • 65:53 - 65:55
    You dirty swine!
  • 65:55 - 66:01
    I never cared for you, not once.
    I was always making a fool of you.
    You bored me stiff.
  • 66:01 - 66:06
    It made me sick when I let you kiss
    me. I did it because you begged me.
  • 66:06 - 66:08
    You drove me crazy!
  • 66:08 - 66:14
    And after you kissed me,
    I always use to wipe my mouth!
  • 66:14 - 66:18
    Well, I made up for it.
    For every kiss, we laughed at you.
  • 66:18 - 66:22
    Miller and me, and Griffiths and me.
    We laughed at you.
  • 66:22 - 66:24
    You were such a mug, a mug, a mug!
  • 66:26 - 66:28
    You gippy-legged monster!
  • 66:28 - 66:31
    You're a cripple! A cripple!
  • 66:38 - 66:43
    You love these things.
    You love what they were meant to be.
  • 66:43 - 66:47
    Well, here's what
    they were meant to be!
  • 67:04 - 67:06
    You want to be a doctor!
  • 67:33 - 67:36
    This will take care
    of your medical school.
  • 67:54 - 67:57
    You're leaving? ..Why?
  • 67:57 - 68:00
    My money's gone.What do you intend to do?
  • 68:00 - 68:03
    Oh... Anything.
  • 68:05 - 68:12
    Before you go out into the world,
    don't you think we ought
    to do something about that foot?
  • 68:12 - 68:14
    Think it'll do any good?
  • 68:14 - 68:16
    I'll know better tomorrow.
  • 68:20 - 68:23
    How are you, Philip?I'm all right, Sally.
  • 68:23 - 68:26
    How's your foot? Well...
  • 68:26 - 68:28
    Let's try it, shall we?
  • 68:28 - 68:30
    All right.
  • 68:32 - 68:34
    Careful now.
  • 69:15 - 69:19
    No openings...
    Sorry, nothing today...
  • 69:19 - 69:24
    All situations filled...
    No experience? Can't use you...
  • 69:24 - 69:27
    Nothing today...
    Sorry, no vacancies...
  • 69:27 - 69:30
    No openings...
    Nothing...
  • 69:30 - 69:33
    Nothing... Nothing... Nothing...
  • 69:33 - 69:35
    Nothing... Nothing...
  • 69:42 - 69:45
    TURNS KEY AND PUSHES DOOR
  • 70:24 - 70:28
    Why haven't you been to see us?Oh, I don't know.
  • 70:28 - 70:30
    I've had things to do.
  • 70:31 - 70:35
    You've been putting on weight.I'm sure you haven't!
  • 70:35 - 70:40
    Why do you say that? The wayOh! That's only my look!
  • 70:40 - 70:46
    It's more than that. I sent you
    a note and when you didn't answer
    I went to your room.
  • 70:46 - 70:51
    Your landlady said
    she had to put you out.
  • 70:52 - 70:55
    Hello, Philip!
  • 71:04 - 71:11
    My dear fellow, by pre-arranged
    signal, my daughter communicated to
    me confirmation of our suspicions.
  • 71:11 - 71:15
    As you know, I've been on the beach
    most of my life.
  • 71:15 - 71:18
    In Tahiti, I was President
    of the Beachcombers' Union!
  • 71:18 - 71:22
    I would like to enquire
    into your amateur standing.
  • 71:22 - 71:25
    Where have you been staying?
  • 71:25 - 71:28
    Oh...anywhere.Why didn't you come here?
  • 71:28 - 71:32
    False modesty, I suppose.
    Now, stop being an Englishman.
  • 71:32 - 71:37
    When a man's on his uppers,
    it's time he came down to Earth.
  • 71:37 - 71:39
    We want you here with us. Well, I...
  • 71:41 - 71:47
    Thanks very much, but... You're
    to stay until you get your bearings.
  • 71:47 - 71:51
    I want no more fine talk about it.
    It's all arranged.
  • 71:52 - 71:54
    Well...
  • 71:55 - 71:59
    Well, here goes my amateur standing.
  • 71:59 - 72:01
    I-I really have no place to go.
  • 72:01 - 72:06
    It's awfully good of you. Nonsense!
    The house is completely unsanitary.
  • 72:06 - 72:10
    You'll wind up with some
    foul disease! Let him alone, Father.
  • 72:10 - 72:14
    I want to talk to him.I suppose youth must be served.
  • 72:14 - 72:18
    But I'm sick and tired
    of serving it. Nine of them!
  • 72:20 - 72:22
    Will that do?
  • 72:22 - 72:25
    Looks as if it might.
  • 72:29 - 72:31
    Wouldn't be a nice night to be out.
  • 72:31 - 72:36
    Not really. No. It's going to be
    jolly having you here.
  • 72:36 - 72:40
    I hope I shan't have to stay
    very long. Why?
  • 72:40 - 72:43
    I can't go on like this, you know.
    I need a job.
  • 72:43 - 72:47
    Father and I discussed that.There isn't much you've overlooked.
  • 72:49 - 72:54
    I'll have to sew that on, too.
    And Father has a job for you.
  • 72:54 - 72:56
    Has he? Where? Where he works.
  • 73:48 - 73:51
    You're walking all right now.
  • 73:52 - 73:54
    I saw you in the window.
  • 73:57 - 74:00
    I never thought you'd come to that.
  • 74:00 - 74:03
    COUGHS SHARPLY
  • 74:03 - 74:06
    You're very hoarse. Throat sore?
  • 74:09 - 74:13
    You haven't forgotten
    your doctoring, have you? No.
  • 74:13 - 74:18
    Because...that's what I want
    to see you about.
  • 74:18 - 74:21
    Why not go to a doctor?
  • 74:24 - 74:29
    There's the Free Hospital.All them students staring at me?
  • 74:29 - 74:32
    COUGHS
  • 74:32 - 74:37
    What seems to be the trouble?Well, I cough all the time.
  • 74:39 - 74:42
    Let's have a look at your throat.
  • 75:08 - 75:10
    Phil.
  • 75:12 - 75:15
    It's not...me lungs, is it?
  • 75:20 - 75:22
    SOBS GENTLY
  • 75:31 - 75:33
    Where's the baby?
  • 75:34 - 75:38
    She died last summer.
  • 75:38 - 75:40
    Oh.
  • 75:40 - 75:44
    You might say you're sorry.I'm not. I'm very glad.
  • 75:49 - 75:52
    I'm afraid I can't help you much.
  • 75:59 - 76:03
    Don't leave me, Philip.
    I know I've treated you shocking.
  • 76:03 - 76:07
    But don't leave me. Not yet, please.
    There's no-one I can go to.
  • 76:07 - 76:11
    You're the only one that treated me
    like I was human.
  • 76:11 - 76:16
    You're a gentleman, Philip.
    The only one I've ever met.
  • 76:18 - 76:20
    COUGHS
  • 76:22 - 76:24
    Some things you'll need.
  • 77:14 - 77:16
    Our last day.
  • 77:20 - 77:22
    Why, Sally!
  • 77:22 - 77:24
    Darling.
  • 77:24 - 77:28
    I was so determined
    not to let you see.
  • 77:28 - 77:32
    Well, that's sweet of you
    to care because I'm going away.
  • 77:35 - 77:41
    I suppose I'm a fool to care,
    but it doesn't mean you have to do
    anything about it.
  • 77:41 - 77:46
    You can't help it because someone
    loves you and you don't love back.
  • 77:46 - 77:48
    Sally, look at me.
  • 77:50 - 77:55
    Darling, do you think you'll always
    feel like this about me?
  • 77:55 - 77:56
    Yes.
  • 77:58 - 78:02
    I've known it since the first time
    you came to our house.
  • 78:04 - 78:07
    I thought at first that
    I meant something to you, too.
  • 78:07 - 78:09
    Oh, but you did.
  • 78:09 - 78:11
    You do.
  • 78:12 - 78:18
    When I come back, if you feel the
    same, will you marry me, darling?
  • 78:22 - 78:25
    Don't you mean if YOU feel the same?
  • 78:33 - 78:37
    VOICES SHOUT AND ARGUE OUTSIDE
  • 78:45 - 78:48
    This is what you might call
    the irony of fate.
  • 78:48 - 78:52
    Come on now. Be quick.
    Get her out of here.
  • 78:53 - 78:57
    I don't want the likes of her
    on me hands.
  • 79:03 - 79:07
    I understand there's an interestingDon't go in there.
  • 79:07 - 79:09
    Why not?
  • 79:09 - 79:11
    If you please... It's no use.
  • 79:40 - 79:42
    Philip, I'm sorry I'm late.
  • 79:42 - 79:45
    You're not. I'm not going.
  • 79:52 - 79:54
    What's that?
  • 79:56 - 79:59
    My wedding present to my wife.
  • 80:02 - 80:05
    When do you intend to marry me?
  • 80:05 - 80:07
    Right away.
  • 80:07 - 80:09
    Thank you, Philip.
  • 80:09 - 80:11
    Oh, I beg your pardon.
  • 80:11 - 80:13
    You don't seem very pleased.
  • 80:13 - 80:16
    Well, I am and I'm not.
  • 80:16 - 80:20
    Why? I'm afraid
    it's only a noble gesture.
  • 80:20 - 80:24
    That's not enough for marriage.No, Sally. It isn't just that.
  • 80:24 - 80:28
    I like you far too much
    to stand in your way.
  • 80:28 - 80:30
    WHISTLE BLOWS
  • 80:34 - 80:37
    HORNS BLOW
  • 80:37 - 80:41
    CACOPHONY DROWNS OUT CONVERSATION
  • 80:48 - 80:52
    WHISTLE BLOWS, HORNS STOP
  • 80:56 - 81:01
    Philip, you're free. Yes,
    but suddenly there's nowhere to go.
  • 81:01 - 81:03
    Taxi, sir? No, thanks.
  • 81:03 - 81:06
    I had to be free to realise that,
  • 81:06 - 81:13
    free to understand that all those
    years I dreamed of escape was
    because I was limping through life.
  • 81:13 - 81:16
    Taxi, sir? No, thank you!
  • 81:16 - 81:21
    And because I was bound up with
    a person who was incredible to me.
  • 81:21 - 81:23
    That's all over.
  • 81:23 - 81:28
    I'm not limping any more. My life's
    all right. Then why don't you go?
  • 81:31 - 81:35
    Because everything that's beautiful
    to me is right here.
  • 81:35 - 81:37
    Won't you please marry me, Sally?
  • 81:39 - 81:42
    If you like. But don't you want to?
  • 81:44 - 81:47
    Well, there's no-one else I'd marry.
  • 81:50 - 81:52
    < How about a taxi, sir?
  • 81:52 - 81:55
    What? How about a taxi?
  • 81:55 - 81:57
    Yes.
  • 82:14 - 82:17
    Subtitles by Red Bee Media Ltd
Title:
Of Human Bondage (1934) - Bette Davis - full movie
Description:

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Video Language:
English
Team:
Film & TV
Duration:
01:22:38

English subtitles

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