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Egon Schiele - Exzesse [1981] Herbert Vesely

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    Subtitles downloaded from Podnapisi.NET
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    On April 13, 1912,
    the painter Egon Schiele was arrested...
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    ... on suspicion of seducing
    13 year old Tatjana von Mossig.
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    While the verdict was rendered, one
    of his most beautiful paintings was burned.
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    EXCESS AND PUNISHMENT
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    I had to sit down.
    He asked me to take off my dress.
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    Sit still... spread my legs.
    But keep my stockings on.
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    He looked in the
    mirror and began to draw.
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    I was asked to bend down...
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    ... but keep my stockings on.
    Then he took my arms ...
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    ... and raised them over my head.
    He always stared at me but said nothing.
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    In the mirror. He drew me ...
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    ... looking in the mirror, and then
    he said "pull down your stockings. "
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    Down my thighs to the knee.
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    Then he started to draw,
    looking in the mirror.
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    He drew me looking in the mirror.
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    Then he drew us together.
    He asked me to embrace him.
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    And he told me to bend down.
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    Once he had taken me in
    his arms, he drew himself.
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    You know, I love to drink
    when it's raining outside, Egon.
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    It's a good excuse to
    get wet on the inside as well.
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    And what's up with you?
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    Please... may I come in?
    I'm very cold.
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    I couldn't stand it anymore.
    I ran away.
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    I don't understand.
    Who is she? Do you know her?
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    - I don't know her.
    - What do you mean "ran away"? From where?
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    From home.
    It got worse and worse.
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    - I just couldn't stand it anymore.
    - You couldn't stand what?
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    Why don't you sit down.
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    They're so strict.
    They won't let me go anywhere...
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    ... except to school.
    And they pick me up from there as well.
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    It's like being a prisoner.
    I can't stand it anymore.
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    - You need some dry clothes.
    - I don't want to go back!
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    - Give her some of your clothes.
    - What's your name?
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    Tatjana.
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    Do they know you're gone?
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    I ran away in the middle of the night.
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    She can't stay here. It's impossible.
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    - What can we do?
    - I'll never go back.
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    - I want to go to my grandmother.
    - We can't make her leave in this weather.
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    Where is your grandmother?
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    In Vienna.
    I want to go there tomorrow.
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    Don't you think that her
    parents are looking for her?
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    - Maybe they've called the police?
    - We should at least let her warm up.
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    I wasn't at home at all today.
    I run away right after school.
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    I don't want to get in any trouble.
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    What kind of trouble?
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    Please... help me.
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    - Let her sleep on the sofa.
    - No.
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    - Please.
    - It's too cold.
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    But we can't throw her out.
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    - She can sleep in my room.
    - That means I'll sleep on the sofa.
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    Please, it's only for tonight.
    I'll go to Vienna tomorrow.
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    - First thing in the morning.
    - Then I'll sleep on the sofa.
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    - Do you know any of these people?
    - No, I don't think so.
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    Does your grandmother know you're coming?
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    No. I don't think so, no.
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    Can you stay with her?
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    Yes... I think so.
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    - Where in Vienna does she live?
    - In Mauer, at the Rosenhügel.
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    - Will it take very long with Reininghaus?
    - Yes, I believe it may.
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    - We should plan on staying for the night.
    - We won't return today?
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    - No. It will take longer than expected.
    - I'll wait for you at the hotel.
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    - Pardon?
    - I'll wait at the hotel!
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    - Which hotel?
    - At the Park Hotel, as usual.
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    Alright, I'll be there later.
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    - When will we return?
    - Tomorrow morning at 7:30, platform 6.
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    Will you go directly to Reininghaus?
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    Do you know when you'll get there?
    Can you let me know when you'll be back?
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    I can't say. It depends on
    how long things take at Reininghaus.
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    Can you give me some money?
    I need some for the hotel ...
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    ... and for the paint and paper you wanted.
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    He asked for 120! It's an outrage.
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    - Do you like it?
    - Yes, it's very good. Try it.
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    - But I warn you...
    - It's delicious.
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    Dinner went on and on.
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    We'd just had dessert, ...
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    ... when I saw a movement ...
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    ... in the back of the room.
    She was obscured in the dim light.
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    "I can't remember if I
    moved or made a sound ...
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    ... while she slowly and dreamily ...
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    ... moved through the empty room. "
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    - What are you daydreaming about?
    - Rilke.
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    A quote from "Malte Laurids Brigge."
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    This...
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    All of this...
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    The salon, the silver, ...
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    - ... the girl.
    - What girl?
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    - "The daughter of chancellor Reventlow."
    - What do you mean?
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    "Who slept for 150 years at Roskilde."
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    I don't understand.
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    It doesn't matter.
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    "Again a strange silence evolved, ...
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    ... and the glass began to shiver.
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    I started to cry out...
    of fear and helplessness.
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    Suddenly it went cool
    and bright above my crying eyes.
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    I covered them,
    so no one would see, ...
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    ... the tears in my eyes. "
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    As I was saying, you should come
    see my house on the Ringstrasse.
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    I can imagine three or four
    monumental murals in the grand salon.
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    I envision compositions with
    enormous figures set to an erotic theme.
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    Egon... here!
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    She didn't want to
    stay with her grandmother.
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    She thought about it,
    and now she wants to go back.
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    - We waited for you at the hotel.
    - Did you get the paper and paint?
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    Oh, I forgot about that.
    Can't we buy them in Neulengbach?
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    The paint but not the paper.
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    Good day, my name
    is Egon Schiele. I live here.
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    Captain von Mossig.
    Excuse me... for my intrusion.
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    I was told to expect you.
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    Someone told me... I heard...
    That is, your neighbors told me...
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    - About your daughter Tatjana?
    - That's right. I've heard ...
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    ... that I can find her here.
    Is that right?
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    Yes, that's right.
    It's a bit awkward, but ...
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    - ... nothing has happened to her.
    - I very much hope so!
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    Can she come with me now?
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    I mean, you'll get
    into trouble otherwise.
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    I've already filed a complaint.
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    A complaint?
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    But nothing has happened to her.
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    Except... the seduction of a minor.
    That's what I've been told.
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    That's absurd!
    Please, come see for yourself.
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    I'll explain everything.
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    I live here with my friend, a model.
    She's my girlfriend.
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    Vally. She was always with me.
    She can attest to that.
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    Tatjana slept with her in her bedroom.
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    There has been no seduction of a minor.
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    We took her with us to Vienna.
    She wanted to visit her grandmother.
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    Ah... to her grandmother's.
    We didn't know that.
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    So... that's why she was away for so long.
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    Well, this is settled then.
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    Tatjana is... very impulsive.
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    Call a doctor!
    Can't you see? Call the doctor!
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    And a midwife.
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    Someone has to check her virginity.
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    Immediately!
    But first call a doctor!
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    I went to all shops.
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    I got the paper.
    But I didn't get the paint.
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    My name is
    Tatjana Georgette Anna von Mossig.
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    I am 15 years old.
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    Is it correct that you spent
    the nights of the 12th and 13th ...
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    ... in the house of Egon Schiele?
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    - Yes, but you already know that.
    - Have you been alone with Mr. Schiele?
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    No... there was this woman.
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    Please describe what happened that night.
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    I was soaked and very cold.
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    This woman brought me to her room
    and I was allowed to lie down in her bed.
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    Mr. Schiele came into the room as well.
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    Did Mr. Schiele touch you?
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    - Are you asking if he kissed me?
    - Did he kiss you?
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    Yes.
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    We only want to check
    what you are really doing here.
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    - Is that alright, or do we need an order?
    - No. Please come in.
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    We've had some complaints.
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    - Parents of minors, you understand?
    - Little girls, you know...
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    - You understand?
    - What complaints?
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    You made drawings.
    Nasty drawings.
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    Well, did you leave
    these drawings lying around?
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    - Did you show them to her?
    - Here they are...
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    - I think you'd better show us everything.
    - I don't understand this.
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    - There's even more...
    - More?
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    - I think we'd better take all of these with us.
    - I think you're right.
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    - If I had a daughter and she...
    - If you like you can...
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    You'd better come with us now!
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    - Then you can explain all this to the advocate.
    - He told us he wants to talk to you anyway.
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    District court advocate, Dr. Stovel.
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    Do you know him?
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    - Please don't disturb me.
    - Mr. district court advocate!
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    - Where should I say you've gone?
    - Home, if you like. Tell them I went home.
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    Arrested? Why?
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    - Where did he go?
    - Well, he left with with two policemen.
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    They took him with them.
    And many drawings as well.
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    Why? What has he done?
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    Perhaps madam, he wants to sell ...
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    ... a few drawings to the district advocate.
    - What am I doing standing here?
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    Something must be done!
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    There's no one here!
    Why is no one here?
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    It's closed, so no one's here.
    Mr. district advocate...
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    - ... will be back tomorrow morning.
    - I ...
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    - I want to withdraw a charge.
    - A charge?
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    Everything has to be in order here.
    Withdraw a charge?
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    0nly the district advocate can decide that.
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    Are you sure he'll
    be back tomorrow morning?
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    Yes, tomorrow morning.
    Excuse me. Good day.
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    - You can't call this soup.
    - Knock when you're finished.
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    Pornography.
    Just plain awful.
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    Pure pornography.
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    Awful fantastic caricatures.
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    Ghostly shapes with spider-like fingers.
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    Mutilated, half rotten corpses.
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    A danger to our children.
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    Perverted... immoral.
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    These are all children.
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    What were they thinking?
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    You call this clean?
    It's a pigsty!
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    Wipe it up, now!
    Clean it, I tell you!
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    I'm very sorry, Captain, but it's too late.
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    I have to pursue your
    charge because of the evidence ...
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    ... and other material that we found.
    It is shocking!
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    The public prosecutor must be informed.
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    It's our duty as
    representatives of society.
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    I thought if I withdrew the charge...
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    - I want to help this man.
    - It's too late, Captain.
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    But I admire your courage.
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    Not all parents are as forgiving as you.
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    I tried everything.
    I cannot help you, miss.
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    They arrested Egon.
    They put him in prison yesterday.
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    We have to do something.
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    I can't help him.
    They won't even let me see him.
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    You have to help me, you simply have to!
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    He should be ashamed.
    Causing such trouble for us.
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    - What a mess he's made!
    - Stop it, that won't help.
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    You always wanted him to be an artist.
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    Nothing happened with that girl.
    People are lying.
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    She just run away
    from home and asked us ...
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    - ... to stay for the night.
    - We need a lawyer.
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    He's in prison.
    Someone should call a lawyer.
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    - Involved with a minor child, of course!
    - No, nothing happened with the girl!
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    They're all lying. No one can by trusted.
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    If Roessler isn't there,
    we'll go to Benesch.
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    - He'll know someone.
    - What if he isn't home?
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    Someone will be there.
    This can't go on.
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    Three women wandering through
    Vienna in search of someone ...
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    ... who can help Egon Schiele.
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    Arrested on April 13th, 1912,
    and thrown behind the iron bars ...
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    ... of the district prison at Neulengbach.
    Why?
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    Why? I don't know.
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    I don't get any
    answers to my questions.
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    No one protests my arrest.
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    Nobody knows that I've been arrested.
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    I've simply disappeared into prison.
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    What if they did know about it?
    Would one person, ...
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    ... a single person take notice?
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    - Nothing!
    - Knock again!
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    They're all gone.
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    Would anyone offer to help?
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    Gustav Klimt, Arthur Roessler maybe.
    Benesch of course.
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    What about the others?
    My God, they would look away ...
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    ... and move on.
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    It's a mean, dirty, vulgar, ...
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    ... horrible, disgusting hell,
    I've been thrown into.
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    Well, what's up?
    What did Benesch say?
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    He talked with Reininghaus.
    Reininghaus will handle it.
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    Meaning what?
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    Reininghaus will engage
    a certain Dr. Weiser, ...
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    ... as his lawyer. He'll take
    care of it within the next few days.
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    Not before?
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    Egon!
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    Egon!
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    Egon!
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    Vally!
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    Vally! I'm here!
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    Egon, I have oranges for you!
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    I'll throw them, Egon.
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    An orange.
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    This orange...
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    This orange was the only light.
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    The case must be
    airtight on every point.
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    We cannot make any mistakes.
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    Did the prisoner resist
    during the search of his premises?
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    No, to the contrary.
    He offered no resistance.
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    That's strange.
    Maybe he doesn't really understand ...
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    ... the seriousness of the charge.
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    Who is this person who visited him?
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    A former model of Klimt's.
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    She's exquisite, but perverse.
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    She's a good model, but she'll eat
    you alive if you don't stand up to her.
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    She can make you feel good,
    but she can also destroy you.
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    Do you want her? You can have her.
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    Her name... is Vally.
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    She's been with me for two years.
    Do you like her?
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    You need someone
    who'll take care of you.
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    Maybe he's asleep.
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    Let's check... I have the key.
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    Didn't I tell you?
    He's not at home.
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    Someone must be here.
    It can't be empty.
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    I've run out of money.
    Do you still have some?
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    No.
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    I'm finished.
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    I have no more ideas.
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    Maybe he went to the Heurigen
    in Mödling. He often goes there.
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    It's lovely here, Egon.
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    The sky, the nature, the light.
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    I wish it could be always be like this.
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    What's the matter?
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    What makes you
    think something is wrong?
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    Egon...
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    We'll stay and wait
    until something happens.
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    Yes. Something will happen.
    You'll see.
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    Nothing will happen.
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    Get up, do you hear?
    You have a visitor!
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    I missed you so much.
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    I managed it.
    I rented the house in Neulengbach.
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    A little house on the southside.
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    A nice little garden,
    three bright rooms...
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    ... kitchen and foyer.
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    On the left, the edge of the Vienna forest.
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    Ahead on the hill,
    the castle Neulengbach.
  • 31:18 - 31:21
    On the right, Haspel forest, and
    the beginning of the Tullner fields.
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    This place is too small for what it cost.
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    How about that!
    Mr. Reininghaus payed for everything.
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    Don't worry.
    By the time we leave, it'll fit you well.
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    Finally, we have a home.
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    If you want some wine,
    I have some outside.
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    - Do you want some wine?
    - Yes, please.
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    My father would kill himself,
    if he knew about all of this.
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    - Why's that?
    - My mother wouldn't.
  • 33:01 - 33:02
    Why not?
    If he knew about what?
  • 33:03 - 33:04
    Everything. All of this.
  • 33:24 - 33:28
    My name is Tatjana.
    I know who you are.
  • 33:29 - 33:30
    Have you seen the catalogue?
  • 33:32 - 33:35
    I was at the Artists' House recently.
    Do you also exhibit there?
  • 33:35 - 33:37
    Not yet.
  • 33:37 - 33:40
    I'm not famous enough
    to have an exhibition there.
  • 33:40 - 33:42
    Look here.
    I bought the catalogue.
  • 33:42 - 33:44
    Want to have a look at it?
  • 33:47 - 33:50
    I've missed you so much.
  • 33:54 - 33:57
    Promise me you'll eat well, Egon.
  • 33:57 - 34:00
    I'll bring you fresh
    vegetables and fruit.
  • 34:01 - 34:04
    I bought your painting materials.
  • 34:04 - 34:07
    God, how I've been waiting for you, Vally.
  • 34:09 - 34:11
    What's going on?
  • 34:11 - 34:13
    Why is nobody here?
  • 34:15 - 34:20
    They wouldn't let me go.
    The judge wasn't there.
  • 34:20 - 34:23
    - They wouldn't let me go.
    - I wasn't allowed to see you.
  • 34:23 - 34:27
    I wasn't allowed. One needs
    permission for that. Do you understand?
  • 34:28 - 34:30
    The judge was busy the whole time.
  • 34:30 - 34:33
    I spent the whole
    day waiting in the foyer.
  • 34:33 - 34:36
    Then I went to your mother in Vienna.
  • 34:37 - 34:40
    Gerti was there too.
    We wanted to talk to Roessler.
  • 34:41 - 34:44
    He had gone out.
    He wasn't home.
  • 34:45 - 34:50
    At least Benesch was there.
    He telephoned Reininghaus.
  • 34:50 - 34:53
    He wants to call a lawyer.
    Dr. Weiser is his name.
  • 34:53 - 34:56
    - He'll visit you in a few days.
    - In a few days?
  • 34:58 - 35:00
    Yes. You have to be patient.
  • 35:00 - 35:04
    Be patient. I'm with you.
  • 35:05 - 35:08
    We're all thinking of you.
  • 36:23 - 36:26
    Tell me again.
    Say what you just told me again.
  • 36:26 - 36:29
    I want to understand it.
    Write it down.
  • 36:32 - 36:36
    I said today, on April 8th, 1912, ...
  • 36:38 - 36:41
    ... that I don't love anyone.
  • 36:42 - 36:43
    Vally.
  • 36:46 - 36:48
    Certainly. I made terrible paintings.
  • 36:49 - 36:53
    Do they think I did it for my own
    pleasure? Or just to shock them? No.
  • 36:54 - 36:56
    But desire has it's ghosts.
  • 36:57 - 37:00
    I didn't paint these
    ghosts for my own pleasure.
  • 37:01 - 37:04
    It had to be done.
    Have adults forgotten ...
  • 37:04 - 37:08
    ... how perverse and sexually excited ...
  • 37:08 - 37:12
    ... they were as children
    themselves? Did they forget ...
  • 37:12 - 37:16
    ... how the desire
    burned, and how painful it was...
  • 37:17 - 37:19
    ... when they were children.
  • 37:19 - 37:24
    I didn't forget...
    because I suffered terribly.
  • 37:26 - 37:29
    Tell me.
    Say what you just told me again.
  • 37:30 - 37:33
    I want to understand it!
    Write it down.
  • 37:43 - 37:46
    Vally, what's going on?
  • 38:02 - 38:06
    I study the physical
    properties of mountains and water...
  • 38:06 - 38:08
    ... of trees and flowers.
  • 38:09 - 38:11
    One is reminded of similar
    properties in the human body; ...
  • 38:11 - 38:15
    ... similar to impulses
    and afllictions in the plants.
  • 38:17 - 38:22
    And with heart and soul you can
    feel an autumn-like tree in the summer.
  • 38:23 - 38:25
    I want to paint this sadness.
  • 38:26 - 38:29
    No matter where I look,
    I see the past as well.
  • 38:30 - 38:33
    I can imagine how
    it will look in autumn.
  • 38:34 - 38:37
    The landscape will perish
    in yellow and orange ...
  • 38:37 - 38:41
    ... and in a bright brown,
    which you can smell everywhere.
  • 39:02 - 39:04
    Go! Go away!
  • 39:41 - 39:46
    My God... say something Egon.
  • 39:46 - 39:49
    Injustice, violence, ...
  • 39:50 - 39:53
    ... tieing knots in my soul...
  • 39:55 - 39:59
    ... blazing, burning and moaning.
  • 39:59 - 40:01
    Break the violence, the language...
  • 40:02 - 40:03
    ... your signs, ...
  • 40:06 - 40:07
    ... your power.
  • 40:07 - 40:10
    My God! He's crazy!
  • 40:10 - 40:14
    Egon, it's me. Look at me.
    Dr. Benesch is here.
  • 40:14 - 40:18
    I spoke with Dr. Stovel.
    He's the examining magistrate.
  • 40:18 - 40:19
    Say something ...
  • 40:29 - 40:30
    Dr. Stovel.
  • 40:32 - 40:34
    A doctor.
  • 40:35 - 40:38
    What kind of person is this?
  • 40:39 - 40:42
    Someone who sees this as an opportunity?
  • 40:44 - 40:46
    To humiliate me.
  • 40:50 - 40:53
    Someone who enjoys this.
  • 40:54 - 40:55
    Please calm down, Egon.
  • 40:56 - 40:57
    A doctor.
  • 41:00 - 41:02
    An educated person.
  • 41:03 - 41:08
    A refined person,
    who visits exhibitions and museums.
  • 41:08 - 41:11
    In churches! In theaters!
  • 41:13 - 41:14
    He can tolerate...
  • 41:16 - 41:18
    ... that I am locked away!
  • 42:09 - 42:11
    Erwin, please.
  • 42:16 - 42:21
    There he is, my children.
    You'll soon be in the presence of The Great One.
  • 42:22 - 42:25
    There's my Beethoven. The Giant Typheus.
  • 42:28 - 42:32
    The frescos were painted by Klimt, in honor
    of Max Klinger's monumental Beethoven.
  • 42:32 - 42:36
    "The Beethoven Frieze".
    "The Desire for Happiness".
  • 42:36 - 42:38
    "The Suffering of Weak Humanity"...
  • 42:38 - 42:41
    ... which appeals to those
    who are blessed with strength.
  • 42:41 - 42:44
    "The Giant Typheus".
  • 42:44 - 42:48
    "Unchastity, Lust, Excess".
  • 42:48 - 42:53
    The desire for happiness
    finds it's expression in his art.
  • 42:53 - 42:57
    These desires and wishes
    soar above our heads.
  • 42:58 - 43:02
    No other exhibition in
    Vienna has shown such orgies.
  • 43:05 - 43:09
    The most shameless
    paintings I've ever seen.
  • 43:32 - 43:35
    - What is this?
    - What's what?
  • 43:35 - 43:38
    - Give them to me!
    - Lying with her legs spread.
  • 43:38 - 43:41
    - Give them to me!
    - It's disgusting!
  • 43:41 - 43:44
    - That's... we need these for the trial!
    - It's pure pornopraphy!
  • 43:44 - 43:47
    Totally disgusting.
    They're perverse.
  • 43:47 - 43:51
    And you brought that into our home.
    Why, Erwin?
  • 43:52 - 43:55
    - For your private pleasure?
    - It's evidence.
  • 43:55 - 43:59
    For the Schiele case.
    We... we'll need these in court.
  • 43:59 - 44:03
    Do these paintings excite you, Erwin?
    Do you peek at them in private?
  • 44:03 - 44:06
    It's art. You don't understand that.
  • 44:06 - 44:10
    Such an artist
    is a tortured soul.
  • 44:10 - 44:12
    Still the question remains
    about the morality of these paintings.
  • 44:12 - 44:15
    Without doubt they tend to be pornographic.
  • 44:15 - 44:18
    Accused,
    if you insist on your innocence, ...
  • 44:18 - 44:21
    ... how do you yourself judge your work?
  • 44:21 - 44:25
    It is scandalous, unacceptable, ...
  • 44:25 - 44:28
    ... disreputable, and very stupid.
  • 44:28 - 44:32
    It's a cultural disgrace.
    A disgrace to my homeland ...
  • 44:33 - 44:36
    ... that such a thing
    can happen to an artist.
  • 44:37 - 44:38
    I don't deny anything.
  • 44:39 - 44:41
    I created erotic
    drawings and water colors.
  • 44:41 - 44:44
    But they were always works of art.
  • 44:45 - 44:48
    Experts will tell you this as well.
  • 44:50 - 44:52
    I'm not the only painter
    who has created erotic art.
  • 44:53 - 44:56
    But no other artist was imprisoned for that.
  • 44:56 - 45:00
    I can name many
    famous artists... even Klimt.
  • 45:01 - 45:03
    I'm not trying to make excuses.
  • 45:03 - 45:05
    I don't deny I did these.
  • 45:06 - 45:09
    But it's not true
    that I deliberately showed ...
  • 45:09 - 45:12
    ... such paintings to children.
  • 45:12 - 45:15
    I did not corrupt any children!
  • 45:31 - 45:34
    How long will this go on?
    I haven't worked in days.
  • 45:34 - 45:37
    I don't even have backing paper.
    I've got headaches. I'm handcuffed.
  • 45:37 - 45:39
    Can't anyone help me?
  • 45:39 - 45:41
    If I could organize an exhibition!
    I'd be free!
  • 45:41 - 45:45
    But no, I can't even draw.
    Therefore I have to write.
  • 45:45 - 45:48
    I have to borrow money now,
    even though I'm in my best years.
  • 45:50 - 45:51
    What a mess!
  • 45:52 - 45:56
    Should I become a merchant or tradesman?
    Who will help me?
  • 45:56 - 45:59
    I can't buy canvas.
    I want to paint, but have no paint!
  • 46:00 - 46:01
    Why should I keep quiet about all this?
  • 46:02 - 46:04
    All these people
    don't know how to behave ...
  • 46:04 - 46:06
    ... in the presence of an artist.
  • 46:16 - 46:21
    - Didn't you model for Klimt?
    - Yes, he painted me often.
  • 46:21 - 46:23
    Yes, I recognized you.
  • 46:24 - 46:27
    You know, your image is
    on the wall in the room next door.
  • 46:27 - 46:30
    A real masterpiece by Klimt.
  • 46:40 - 46:42
    I'm very sorry, miss.
  • 46:45 - 46:46
    Good bye.
  • 46:56 - 46:59
    Do you really enjoy this work?
  • 47:01 - 47:03
    I mean posing as a model.
  • 47:04 - 47:06
    Is is exciting work?
  • 47:07 - 47:10
    I think you understand me.
    Does it excite you?
  • 47:12 - 47:15
    You know,
    I'd like to buy a piece.
  • 47:16 - 47:18
    Or possibly two, miss.
  • 47:18 - 47:22
    I'm a passionate
    collector of erotic art.
  • 47:24 - 47:26
    Try calling on Dr. Kosinski.
  • 47:26 - 47:29
    He lives upstairs.
  • 47:29 - 47:32
    Just follow the piano playing.
  • 47:34 - 47:36
    That's his wife.
  • 47:59 - 48:02
    Someone has come to see us, my dear.
  • 48:02 - 48:06
    What a nice surprise.
  • 48:07 - 48:10
    Don't worry my child.
    My wife won't disturb us.
  • 48:11 - 48:15
    She's paralyzed.
    She sits at the piano all day...
  • 48:15 - 48:16
    ... in a wheel chair.
  • 48:20 - 48:21
    So, how about it?
  • 48:56 - 48:59
    I have to say,
    the original overshadows the copy.
  • 49:03 - 49:04
    I'll take three.
  • 49:37 - 49:40
    - What's the matter?
    - Nothing.
  • 49:43 - 49:45
    - Why are you crying?
    - I don't know.
  • 49:56 - 49:59
    Tatjana Georgette Anna von Mossig.
  • 49:59 - 50:02
    Do you stand by your
    statement of April 13th, 1912?
  • 50:03 - 50:06
    No. It was all completely different.
  • 50:08 - 50:09
    I've changed my mind.
  • 50:10 - 50:14
    Do you mean you
    contradict your statement?
  • 50:15 - 50:17
    Yes, I contradict my statement.
  • 50:18 - 50:21
    You are sentenced to 3 days in prison.
  • 50:22 - 50:26
    Your pre-trial confinement
    of 24 days will cover that.
  • 50:26 - 50:29
    This is the picture
    which caused you all the trouble.
  • 50:30 - 50:34
    This should hurt you.
    This will set you free.
  • 50:49 - 50:54
    Congratulations. Finally, you
    are free again. How does it feel?
  • 50:54 - 50:55
    I'm glad that you've come.
    Where is Vally?
  • 50:55 - 50:57
    She's waiting for you at
    the station with your mother.
  • 50:57 - 51:00
    You mother didn't want
    to be seen here at the prison.
  • 51:00 - 51:02
    - You understand?
    - Yes sir.
  • 51:36 - 51:39
    My son in prison!
    It was so shameful.
  • 51:40 - 51:43
    - Scandalous!
    - It'll be alright.
  • 51:43 - 51:46
    - It'll be alright.
    - In prison like a criminal!
  • 51:47 - 51:51
    Does it have to be this way?
    You should support me instead...
  • 51:51 - 51:54
    ... like Melanie or Gertie.
  • 51:54 - 51:57
    Say something, Egon.
    Say something.
  • 51:58 - 52:02
    Do you think it was
    easy for me, your mother?
  • 52:03 - 52:07
    - For you?
    - That's just how you are.
  • 52:09 - 52:12
    He'll travel for a while and
    forget about the whole thing.
  • 52:12 - 52:15
    What will he forget?
    He should speak for himself.
  • 52:15 - 52:18
    He can speak for himself.
  • 52:19 - 52:22
    If he would only make some money.
    Like Klimt!
  • 52:23 - 52:24
    Or other painters.
  • 52:26 - 52:28
    It'll be alright.
  • 52:28 - 52:32
    If nothing else, he'll be back in
    Vienna in his new studio at Hietzing.
  • 52:41 - 52:43
    Looking back in the diaries...
  • 52:44 - 52:47
    ... wasn't it always in spring...
  • 52:47 - 52:50
    ... that the new year
    seemed to revive itself?
  • 52:51 - 52:55
    You felt happiness within you, but still, ...
  • 52:55 - 52:58
    ... when you went out into the open ...
  • 52:58 - 53:02
    ... you felt insecure,
    like being on a sailboat ...
  • 53:02 - 53:06
    ... and you waited for your
    soul to participate.
  • 53:06 - 53:09
    Suddenly you could feel the
    weight of your bones again ...
  • 53:09 - 53:12
    ... and you developed a taste for
    what it felt like, getting ill as ...
  • 53:12 - 53:14
    ... the taste became stronger.
  • 53:15 - 53:20
    Then a bird sang, and lonely
    as you were, he abandoned you.
  • 53:20 - 53:25
    You might feel like dying.
    Maybe...
  • 53:26 - 53:29
    Maybe the new thing is to survive ...
  • 53:29 - 53:31
    ... the new year and our love.
  • 53:33 - 53:36
    The flowers and fruits
    fall when it is their time.
  • 53:40 - 53:42
    What's the matter?
  • 53:44 - 53:45
    This picture.
  • 53:47 - 53:48
    What about it?
  • 53:51 - 53:53
    It frightens me.
  • 53:54 - 53:56
    What do you call it?
  • 53:59 - 54:01
    "Death and the Girl".
  • 55:47 - 55:50
    I love you.
    I have no other words for it.
  • 55:52 - 55:56
    I love you too.
    I don't have other words for it either.
  • 56:43 - 56:47
    You don't listen to me.
    We have to pay the bills.
  • 56:48 - 56:49
    Here's a bill for art supplies.
  • 56:49 - 56:53
    What do you have in mind?
    They all want to get paid.
  • 56:55 - 56:58
    - I want to go see a movie, Vally.
    - Can I come with you?
  • 56:59 - 57:01
    No, it's impossible.
    I was only able to get one ticket.
  • 57:01 - 57:02
    It was sold out.
  • 57:03 - 57:06
    What a pity.
    I'd love to have gone with you.
  • 57:07 - 57:10
    I tell you what.
    We'll watch it together tomorrow.
  • 57:10 - 57:13
    I'll watch the movie twice, okay?
    Bye.
  • 57:35 - 57:36
    Special edition!
  • 57:37 - 57:39
    Special edition!
  • 57:39 - 57:42
    Austria-Hungary has
    declared war on Serbia!
  • 57:43 - 57:46
    Special edition!
  • 57:50 - 57:53
    - Can I still buy a ticket?
    - Sure, as many as you like madam.
  • 57:53 - 57:56
    But... someone
    told me it's all sold out.
  • 57:56 - 57:59
    - No, no.
    - Yes. Please give me one.
  • 57:59 - 58:01
    - Here you are, thanks.
    - Thank you.
  • 58:47 - 58:49
    Which one is it?
  • 58:51 - 58:54
    Do we have to talk about it now?
    It's getting late.
  • 58:55 - 58:57
    I want to know.
  • 58:59 - 59:04
    Vally, I don't know myself.
    It's not like you think.
  • 59:08 - 59:10
    Edith, maybe.
  • 59:10 - 59:14
    I don't know how
    to explain it to you.
  • 59:25 - 59:27
    I want us to stay together.
  • 59:29 - 59:31
    I want...
  • 59:33 - 59:35
    It's over.
  • 59:36 - 59:38
    Vally, Vally, you...
  • 59:42 - 59:44
    Let's go on a long voyage.
    Just the two of us.
  • 59:45 - 59:49
    Anywhere. Okay?
    Just the two of us.
  • 59:54 - 59:56
    I don't want to lose you.
  • 59:58 - 59:59
    Stay with me.
  • 60:06 - 60:11
    I knew the moment you saw her.
    And also that painting...
  • 60:12 - 60:14
    What about the painting?
  • 60:14 - 60:17
    It frightens me.
  • 61:14 - 61:17
    I am not in love ...
  • 61:18 - 61:19
    ... with anyone.
  • 61:20 - 61:22
    I am only a model.
  • 61:48 - 61:51
    It's my wish to stay
    with you, whatever will be.
  • 61:51 - 61:54
    I want to be true
    from the beginning.
  • 61:54 - 61:57
    I don't want to tell you what to do.
    I love you.
  • 61:57 - 62:00
    I believe in you. You mean
    more to me than my whole family.
  • 62:00 - 62:03
    Don't underestimate that.
    They are very dear to me.
  • 62:04 - 62:07
    I will do what you want
    me to do, until I'm certain, ...
  • 62:07 - 62:11
    ... that you won't humiliate me.
  • 62:40 - 62:43
    One might think you were trying
    to say something with these hands.
  • 62:43 - 62:47
    - Really? What do you mean?
    - This hand could be an "E".
  • 62:48 - 62:50
    - For Edith.
    - And the other?
  • 62:53 - 62:56
    I see an 'A' for my sister, do I not?
  • 63:12 - 63:14
    I'm completely naked.
  • 63:17 - 63:19
    Why did you take
    off the white dress?
  • 63:20 - 63:21
    Why not?
  • 63:27 - 63:30
    Because I can't see you anymore.
  • 63:46 - 63:51
    May I present my best wishes, cheri.
    I'm very happy for you, Egon.
  • 63:53 - 63:55
    And this is the lovely Adele.
  • 63:55 - 63:57
    Don't give me that shit.
  • 65:32 - 65:36
    Age 19. Named Vally.
    Syphilis. Advanced state.
  • 65:36 - 65:40
    It was diagnosed too late.
    And treated too late.
  • 65:41 - 65:42
    Do you believe the nurse's diagnosis?
  • 65:42 - 65:45
    I could be wrong,
    but I think it was scarlet fever.
  • 65:49 - 65:51
    How tall are you? 1, 78.
  • 65:52 - 65:55
    Weight: 72 Kilo.
  • 65:56 - 66:01
    Healthy feet: Infantry.
    And this one at a desk.
  • 66:02 - 66:05
    Schiele, Egon, Leo, Adolf.
  • 66:05 - 66:07
    - Here.
    - Is he here or not?
  • 66:07 - 66:10
    - I can't hear you! Speak up!
    - Step forward.
  • 66:10 - 66:13
    - Yes, I'm here.
    - Why didn't you say so?
  • 66:13 - 66:16
    - Height: 1, 82.
    - 1, 82.
  • 66:16 - 66:19
    Good lungs, bad tonsils.
  • 66:20 - 66:21
    No hemorrhoids.
  • 66:24 - 66:27
    - Slightly damaged liver
    - Damaged liver.
  • 66:27 - 66:30
    - Weight: 71 Kilo.
    - 71.
  • 66:30 - 66:32
    Lymph nodes are alright. Dismissed.
  • 66:33 - 66:36
    - Alright.
    - What do we have here?
  • 66:36 - 66:39
    A bit pale. Good physique.
  • 66:39 - 66:42
    - Good morning. - Good morning.
    - Flat feet.
  • 66:42 - 66:45
    - That's really good.
    - Unbelievable.
  • 66:46 - 66:49
    Service behind the lines.
    Guard or office service.
  • 67:03 - 67:05
    Those were hard days.
  • 67:06 - 67:08
    Now, instead of thinking about
    where my paintings would be released, ...
  • 67:08 - 67:11
    ... I have to crawl on
    the floor and exercise.
  • 67:12 - 67:15
    I'm in a poorly
    equipped one-year company.
  • 67:16 - 67:17
    Company, march!
  • 67:20 - 67:24
    - Do you like the hotel?
    - Yes, it's a hotel.
  • 67:25 - 67:27
    Do you go out very often?
    Do you get to see a lot?
  • 67:27 - 67:28
    Yes.
  • 67:28 - 67:33
    - The Hradschin and the Moldau.
    - Yes, I've been there with the lieutenant.
  • 67:34 - 67:37
    - A lieutenant, what lieutenant?
    - Lieutenant Wakasch.
  • 67:37 - 67:41
    - He stays at the hotel as well.
    - What's your relationship with him?
  • 67:42 - 67:46
    He introduced himself and offered
    to accompany me when I'm alone.
  • 67:47 - 67:49
    Did you tell him that you're married?
    That you're married to me?
  • 67:49 - 67:52
    Of course, Egon. He asked
    very politely and respectfully, ...
  • 67:52 - 67:56
    ... if he could accompany me,
    if you wouldn't object.
  • 68:00 - 68:04
    Yes, and he also asked me about you.
  • 68:04 - 68:07
    Did you tell him that I'm a
    lowly soldier, crawling in the dirt?
  • 68:07 - 68:10
    - Oh, Egon...
    - A lieutenant.
  • 68:12 - 68:14
    The Hradschin is beautiful.
  • 68:16 - 68:19
    - What does he look like?
    - Which do you mean, ...
  • 68:20 - 68:22
    ... the Hradschin or the lieutenant?
  • 68:26 - 68:31
    Edith, you are like
    a stranger to me.
  • 68:32 - 68:34
    You must always tell me everything.
  • 68:35 - 68:37
    You are the only person
    in the world whom I really trust.
  • 68:38 - 68:42
    Egon... about the lieutenant.
    There's really nothing to say about him.
  • 68:42 - 68:45
    He's a little in love, that's all.
  • 68:45 - 68:49
    A little in love.
    And there's nothing to say about it?
  • 68:50 - 68:52
    Maybe you're a
    little in love with him too.
  • 68:53 - 68:57
    You see, that's how I
    felt the whole time with Vally, ...
  • 68:57 - 69:00
    ... and you didn't say a thing.
    About the paintings or the models.
  • 69:00 - 69:03
    You never said a thing.
    But now...
  • 69:04 - 69:07
    No... I couldn't do
    anything with the lieutenant.
  • 69:08 - 69:12
    Even if I wanted to.
    I'm married to you, Egon.
  • 69:13 - 69:16
    - It's just an infatuation.
    - "Even if you wanted to. "
  • 69:19 - 69:21
    Maybe you want to when I'm away.
  • 69:22 - 69:24
    Do you mean you
    could with the lieutenant?
  • 69:24 - 69:28
    I don't know. I don't want
    to think about it. Perhaps I could.
  • 69:28 - 69:30
    And yet it couldn't be.
  • 69:33 - 69:34
    I don't know.
  • 69:42 - 69:47
    Relocated to Neuhaus.
    Sudden departure to Neuhaus. Stop.
  • 69:47 - 69:50
    I'll take a hotel there.
  • 69:50 - 69:53
    I couldn't reach you. Stop.
    With love.
  • 69:53 - 69:56
    Expect you urgently in Neuhaus. Stop.
  • 69:56 - 69:58
    Remember our conversation.
  • 70:01 - 70:05
    Please come to Neuhaus immediately.
    You are the best, darling.
  • 70:05 - 70:07
    I think of you. Stop.
    Expect you urgently.
  • 70:07 - 70:10
    Take the next train, today.
  • 70:12 - 70:14
    Expecting you at the Bahnhof Hotel.
  • 72:56 - 72:58
    Art critic Seligmann writes:
  • 72:58 - 73:02
    "The horrible fantastic
    caricatures of Egon Schiele ...
  • 73:02 - 73:05
    "... appear to be ghostly
    figures with spider-like fingers.
  • 73:05 - 73:09
    "Mutilated, half-rotten corpses. "
    The New Free Press:
  • 73:10 - 73:12
    "Unfortunately he uses his talents ...
  • 73:13 - 73:16
    "... to create horribly mutilated ...
  • 73:16 - 73:18
    "... erotic caricatures. "
  • 73:19 - 73:21
    I can't believe it.
    All these people.
  • 73:22 - 73:24
    - I can't believe it.
    - They are like madmen, ...
  • 73:24 - 73:27
    ... escaped from an asylum.
    As if they had suddenly materialized.
  • 73:27 - 73:29
    You could have all
    this quicker and cheaper...
  • 73:29 - 73:31
    ... if you would have
    started with your family.
  • 73:31 - 73:33
    Well, they are all bourgeois.
  • 73:34 - 73:38
    This painting has been sold.
    The woman with the grey skirt...
  • 73:38 - 73:42
    ... from the Austrian National Gallery.
    Someone should put a note on it right away!
  • 73:42 - 73:46
    Altogether 15.000 Kronen so far.
    It could be easily 20.
  • 73:47 - 73:49
    You might want to invest all that money.
  • 73:50 - 73:54
    What can you buy
    now that we're at war?
  • 74:30 - 74:33
    I brought some wine.
  • 74:33 - 74:37
    When you were away
    all these people...
  • 74:40 - 74:43
    I hope someone brings some butter.
  • 74:44 - 74:46
    A serious virus is
    going around in Vienna.
  • 74:47 - 74:51
    They call it "Spanish Influenza".
    One has to be careful.
  • 74:51 - 74:53
    And how about you?
  • 74:55 - 74:58
    I have big plans.
    I already have an idea.
  • 74:59 - 75:01
    What do you have here on the easel?
  • 75:01 - 75:03
    It's secret.
  • 75:04 - 75:08
    You know, I like floating.
    If you float you are drawn upwards.
  • 75:09 - 75:13
    I want to let my family float... horizontally.
  • 75:13 - 75:15
    What do you mean?
  • 75:16 - 75:19
    Unlike Kokoschka's "Windsbraut, " ...
  • 75:19 - 75:22
    ... my couple floats
    away from the real misery.
  • 75:23 - 75:25
    - Toward happiness, if you like.
    - A nice thought.
  • 75:25 - 75:28
    I know what you're thinking.
    Only three months left.
  • 75:28 - 75:31
    You can see the child as it will be.
  • 75:45 - 75:48
    The Dead City, or... ?
    It was exhibited.
  • 75:48 - 75:52
    Yes, but I'm still working on it.
    Grünwald bought it.
  • 75:54 - 75:58
    The edge of the city
    should reach into the dark, ...
  • 75:59 - 76:01
    ... like the bow of a ship.
  • 76:03 - 76:06
    Under the clear sky,
    I see the dark city.
  • 76:06 - 76:11
    Never changing.
    The lazy masses are like always.
  • 76:11 - 76:13
    The poor are poor... always poor.
  • 76:14 - 76:17
    The red autumn leaves smell the same.
  • 76:17 - 76:19
    How nice the autumn seems
    in this windy winter landscape.
  • 76:55 - 76:56
    Can you feel it?
  • 77:03 - 77:05
    It kicked my head.
  • 77:30 - 77:31
    Edith...
  • 77:56 - 77:59
    I'll make some hot tea... with rum.
  • 78:00 - 78:01
    And lemon.
  • 78:02 - 78:04
    That will make you feel better.
  • 78:10 - 78:11
    You need to see a doctor.
  • 78:17 - 78:21
    It's the fever.
    Every morning there are more corpses.
  • 78:23 - 78:25
    Total bed rest.
  • 78:25 - 78:28
    - Is anyone else sick here?
    - No.
  • 78:28 - 78:33
    You have to renew the cold
    compress every few hours. Can you do that?
  • 78:33 - 78:34
    Yes.
  • 78:34 - 78:38
    We have to be careful that this doesn't
    become pneumonia. She must be kept warm.
  • 78:48 - 78:51
    I'll get some wood for the fire. Okay?
  • 78:55 - 78:58
    You'll be quite warm.
  • 79:01 - 79:04
    Move ahead!
    Keep moving!
  • 79:27 - 79:31
    - My God! We had no idea.
    - We're just here for a visit.
  • 79:31 - 79:35
    - When did she come down with it?
    - Why didn't you call us?
  • 79:35 - 79:37
    - Has she seen a doctor?
    - How did she pass the night?
  • 79:38 - 79:41
    - What did he say?
    - Does she have the fever? Say something.
  • 79:41 - 79:45
    If I only knew where
    I could get some coal.
  • 80:02 - 80:04
    Don't let her die.
  • 80:06 - 80:09
    My God. I live because of her.
  • 80:32 - 80:37
    You have to sleep.
    You can't sit here day and night.
  • 80:38 - 80:41
    It's not good for you. Go to bed.
  • 81:49 - 81:51
    October, 27th...
  • 81:53 - 81:55
    1918.
  • 81:56 - 81:57
    I ...
  • 81:58 - 82:00
    I love you.
  • 82:01 - 82:03
    I love you.
  • 82:05 - 82:07
    I love you more and more ...
  • 82:08 - 82:10
    ... for eternity.
  • 82:11 - 82:12
    Always,
  • 82:13 - 82:16
    Your Edith.
  • 83:45 - 83:47
    He must be infected as well.
  • 83:47 - 83:50
    Maybe he kissed her.
    He's not very careful.
  • 83:51 - 83:54
    It's too late anyway.
  • 83:54 - 83:57
    They're dropping like flies in Vienna.
    Everything is dangerous.
  • 83:58 - 84:00
    We shouldn't have come here.
  • 84:01 - 84:05
    Egon, speak to me, please.
    Can't you try?
  • 84:05 - 84:06
    Say something, Egon.
  • 84:08 - 84:11
    You have to eat.
    You need your strength.
  • 84:16 - 84:18
    You can't change what happened.
  • 84:19 - 84:21
    You need to live, Egon!
  • 84:42 - 84:45
    A first class funeral.
  • 84:45 - 84:50
    You can clothe the body
    in her own dress, of course.
  • 84:50 - 84:52
    Here... no wait, here it is.
  • 84:53 - 84:55
    This is the text for her obituary.
  • 84:56 - 84:58
    It is very good.
  • 85:00 - 85:02
    We'll put her in her lace dress.
  • 85:17 - 85:21
    Everyone's gone to the funeral.
    They'll return soon.
  • 85:30 - 85:35
    Here they are now.
    They're coming straight by the house.
  • 85:47 - 85:50
    Now they're passing just below us.
  • 85:57 - 85:59
    They've gone.
  • 86:00 - 86:03
    The war is over, I have to leave.
  • 86:04 - 86:06
    What was that?
  • 86:07 - 86:08
    I didn't understand.
  • 86:14 - 86:16
    Egon?
  • 86:18 - 86:19
    Egon.
  • 86:21 - 86:22
    Speak to me, Egon.
  • 86:24 - 86:25
    Egon!
  • 86:27 - 86:29
    Stop! Stop!
  • 86:30 - 86:33
    Egon... Egon is dead!
  • 86:33 - 86:36
Title:
Egon Schiele - Exzesse [1981] Herbert Vesely
Duration:
01:29:16

English subtitles

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