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Subtitles downloaded from Podnapisi.NET
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On April 13, 1912,
the painter Egon Schiele was arrested...
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... on suspicion of seducing
13 year old Tatjana von Mossig.
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While the verdict was rendered, one
of his most beautiful paintings was burned.
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EXCESS AND PUNISHMENT
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I had to sit down.
He asked me to take off my dress.
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Sit still... spread my legs.
But keep my stockings on.
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He looked in the
mirror and began to draw.
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I was asked to bend down...
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... but keep my stockings on.
Then he took my arms ...
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... and raised them over my head.
He always stared at me but said nothing.
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In the mirror. He drew me ...
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... looking in the mirror, and then
he said "pull down your stockings. "
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Down my thighs to the knee.
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Then he started to draw,
looking in the mirror.
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He drew me looking in the mirror.
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Then he drew us together.
He asked me to embrace him.
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And he told me to bend down.
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Once he had taken me in
his arms, he drew himself.
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You know, I love to drink
when it's raining outside, Egon.
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It's a good excuse to
get wet on the inside as well.
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And what's up with you?
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Please... may I come in?
I'm very cold.
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I couldn't stand it anymore.
I ran away.
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I don't understand.
Who is she? Do you know her?
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- I don't know her.
- What do you mean "ran away"? From where?
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From home.
It got worse and worse.
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- I just couldn't stand it anymore.
- You couldn't stand what?
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Why don't you sit down.
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They're so strict.
They won't let me go anywhere...
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... except to school.
And they pick me up from there as well.
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It's like being a prisoner.
I can't stand it anymore.
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- You need some dry clothes.
- I don't want to go back!
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- Give her some of your clothes.
- What's your name?
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Tatjana.
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Do they know you're gone?
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I ran away in the middle of the night.
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She can't stay here. It's impossible.
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- What can we do?
- I'll never go back.
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- I want to go to my grandmother.
- We can't make her leave in this weather.
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Where is your grandmother?
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In Vienna.
I want to go there tomorrow.
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Don't you think that her
parents are looking for her?
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- Maybe they've called the police?
- We should at least let her warm up.
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I wasn't at home at all today.
I run away right after school.
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I don't want to get in any trouble.
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What kind of trouble?
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Please... help me.
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- Let her sleep on the sofa.
- No.
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- Please.
- It's too cold.
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But we can't throw her out.
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- She can sleep in my room.
- That means I'll sleep on the sofa.
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Please, it's only for tonight.
I'll go to Vienna tomorrow.
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- First thing in the morning.
- Then I'll sleep on the sofa.
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- Do you know any of these people?
- No, I don't think so.
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Does your grandmother know you're coming?
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No. I don't think so, no.
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Can you stay with her?
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Yes... I think so.
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- Where in Vienna does she live?
- In Mauer, at the Rosenhügel.
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- Will it take very long with Reininghaus?
- Yes, I believe it may.
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- We should plan on staying for the night.
- We won't return today?
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- No. It will take longer than expected.
- I'll wait for you at the hotel.
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- Pardon?
- I'll wait at the hotel!
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- Which hotel?
- At the Park Hotel, as usual.
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Alright, I'll be there later.
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- When will we return?
- Tomorrow morning at 7:30, platform 6.
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Will you go directly to Reininghaus?
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Do you know when you'll get there?
Can you let me know when you'll be back?
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I can't say. It depends on
how long things take at Reininghaus.
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Can you give me some money?
I need some for the hotel ...
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... and for the paint and paper you wanted.
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He asked for 120! It's an outrage.
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- Do you like it?
- Yes, it's very good. Try it.
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- But I warn you...
- It's delicious.
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Dinner went on and on.
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We'd just had dessert, ...
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... when I saw a movement ...
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... in the back of the room.
She was obscured in the dim light.
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"I can't remember if I
moved or made a sound ...
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... while she slowly and dreamily ...
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... moved through the empty room. "
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- What are you daydreaming about?
- Rilke.
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A quote from "Malte Laurids Brigge."
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This...
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All of this...
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The salon, the silver, ...
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- ... the girl.
- What girl?
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- "The daughter of chancellor Reventlow."
- What do you mean?
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"Who slept for 150 years at Roskilde."
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I don't understand.
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It doesn't matter.
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"Again a strange silence evolved, ...
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... and the glass began to shiver.
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I started to cry out...
of fear and helplessness.
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Suddenly it went cool
and bright above my crying eyes.
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I covered them,
so no one would see, ...
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... the tears in my eyes. "
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As I was saying, you should come
see my house on the Ringstrasse.
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I can imagine three or four
monumental murals in the grand salon.
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I envision compositions with
enormous figures set to an erotic theme.
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Egon... here!
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She didn't want to
stay with her grandmother.
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She thought about it,
and now she wants to go back.
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- We waited for you at the hotel.
- Did you get the paper and paint?
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Oh, I forgot about that.
Can't we buy them in Neulengbach?
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The paint but not the paper.
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Good day, my name
is Egon Schiele. I live here.
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Captain von Mossig.
Excuse me... for my intrusion.
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I was told to expect you.
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Someone told me... I heard...
That is, your neighbors told me...
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- About your daughter Tatjana?
- That's right. I've heard ...
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... that I can find her here.
Is that right?
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Yes, that's right.
It's a bit awkward, but ...
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- ... nothing has happened to her.
- I very much hope so!
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Can she come with me now?
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I mean, you'll get
into trouble otherwise.
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I've already filed a complaint.
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A complaint?
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But nothing has happened to her.
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Except... the seduction of a minor.
That's what I've been told.
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That's absurd!
Please, come see for yourself.
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I'll explain everything.
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I live here with my friend, a model.
She's my girlfriend.
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Vally. She was always with me.
She can attest to that.
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Tatjana slept with her in her bedroom.
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There has been no seduction of a minor.
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We took her with us to Vienna.
She wanted to visit her grandmother.
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Ah... to her grandmother's.
We didn't know that.
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So... that's why she was away for so long.
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Well, this is settled then.
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Tatjana is... very impulsive.
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Call a doctor!
Can't you see? Call the doctor!
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And a midwife.
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Someone has to check her virginity.
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Immediately!
But first call a doctor!
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I went to all shops.
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I got the paper.
But I didn't get the paint.
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My name is
Tatjana Georgette Anna von Mossig.
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I am 15 years old.
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Is it correct that you spent
the nights of the 12th and 13th ...
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... in the house of Egon Schiele?
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- Yes, but you already know that.
- Have you been alone with Mr. Schiele?
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No... there was this woman.
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Please describe what happened that night.
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I was soaked and very cold.
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This woman brought me to her room
and I was allowed to lie down in her bed.
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Mr. Schiele came into the room as well.
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Did Mr. Schiele touch you?
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- Are you asking if he kissed me?
- Did he kiss you?
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Yes.
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We only want to check
what you are really doing here.
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- Is that alright, or do we need an order?
- No. Please come in.
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We've had some complaints.
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- Parents of minors, you understand?
- Little girls, you know...
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- You understand?
- What complaints?
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You made drawings.
Nasty drawings.
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Well, did you leave
these drawings lying around?
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- Did you show them to her?
- Here they are...
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- I think you'd better show us everything.
- I don't understand this.
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- There's even more...
- More?
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- I think we'd better take all of these with us.
- I think you're right.
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- If I had a daughter and she...
- If you like you can...
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You'd better come with us now!
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- Then you can explain all this to the advocate.
- He told us he wants to talk to you anyway.
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District court advocate, Dr. Stovel.
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Do you know him?
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- Please don't disturb me.
- Mr. district court advocate!
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- Where should I say you've gone?
- Home, if you like. Tell them I went home.
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Arrested? Why?
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- Where did he go?
- Well, he left with with two policemen.
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They took him with them.
And many drawings as well.
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Why? What has he done?
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Perhaps madam, he wants to sell ...
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... a few drawings to the district advocate.
- What am I doing standing here?
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Something must be done!
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There's no one here!
Why is no one here?
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It's closed, so no one's here.
Mr. district advocate...
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- ... will be back tomorrow morning.
- I ...
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- I want to withdraw a charge.
- A charge?
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Everything has to be in order here.
Withdraw a charge?
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0nly the district advocate can decide that.
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Are you sure he'll
be back tomorrow morning?
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Yes, tomorrow morning.
Excuse me. Good day.
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- You can't call this soup.
- Knock when you're finished.
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Pornography.
Just plain awful.
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Pure pornography.
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Awful fantastic caricatures.
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Ghostly shapes with spider-like fingers.
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Mutilated, half rotten corpses.
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A danger to our children.
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Perverted... immoral.
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These are all children.
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What were they thinking?
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You call this clean?
It's a pigsty!
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Wipe it up, now!
Clean it, I tell you!
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I'm very sorry, Captain, but it's too late.
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I have to pursue your
charge because of the evidence ...
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... and other material that we found.
It is shocking!
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The public prosecutor must be informed.
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It's our duty as
representatives of society.
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I thought if I withdrew the charge...
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- I want to help this man.
- It's too late, Captain.
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But I admire your courage.
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Not all parents are as forgiving as you.
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I tried everything.
I cannot help you, miss.
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They arrested Egon.
They put him in prison yesterday.
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We have to do something.
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I can't help him.
They won't even let me see him.
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You have to help me, you simply have to!
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He should be ashamed.
Causing such trouble for us.
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- What a mess he's made!
- Stop it, that won't help.
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You always wanted him to be an artist.
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Nothing happened with that girl.
People are lying.
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She just run away
from home and asked us ...
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- ... to stay for the night.
- We need a lawyer.
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He's in prison.
Someone should call a lawyer.
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- Involved with a minor child, of course!
- No, nothing happened with the girl!
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They're all lying. No one can by trusted.
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If Roessler isn't there,
we'll go to Benesch.
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- He'll know someone.
- What if he isn't home?
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Someone will be there.
This can't go on.
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Three women wandering through
Vienna in search of someone ...
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... who can help Egon Schiele.
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Arrested on April 13th, 1912,
and thrown behind the iron bars ...
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... of the district prison at Neulengbach.
Why?
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Why? I don't know.
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I don't get any
answers to my questions.
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No one protests my arrest.
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Nobody knows that I've been arrested.
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I've simply disappeared into prison.
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What if they did know about it?
Would one person, ...
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... a single person take notice?
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- Nothing!
- Knock again!
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They're all gone.
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Would anyone offer to help?
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Gustav Klimt, Arthur Roessler maybe.
Benesch of course.
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What about the others?
My God, they would look away ...
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... and move on.
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It's a mean, dirty, vulgar, ...
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... horrible, disgusting hell,
I've been thrown into.
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Well, what's up?
What did Benesch say?
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He talked with Reininghaus.
Reininghaus will handle it.
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Meaning what?
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Reininghaus will engage
a certain Dr. Weiser, ...
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... as his lawyer. He'll take
care of it within the next few days.
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Not before?
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Egon!
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Egon!
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Egon!
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Vally!
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Vally! I'm here!
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Egon, I have oranges for you!
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I'll throw them, Egon.
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An orange.
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This orange...
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This orange was the only light.
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The case must be
airtight on every point.
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We cannot make any mistakes.
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Did the prisoner resist
during the search of his premises?
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No, to the contrary.
He offered no resistance.
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That's strange.
Maybe he doesn't really understand ...
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... the seriousness of the charge.
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Who is this person who visited him?
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A former model of Klimt's.
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She's exquisite, but perverse.
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She's a good model, but she'll eat
you alive if you don't stand up to her.
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She can make you feel good,
but she can also destroy you.
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Do you want her? You can have her.
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Her name... is Vally.
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She's been with me for two years.
Do you like her?
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You need someone
who'll take care of you.
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Maybe he's asleep.
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Let's check... I have the key.
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Didn't I tell you?
He's not at home.
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Someone must be here.
It can't be empty.
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I've run out of money.
Do you still have some?
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No.
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I'm finished.
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I have no more ideas.
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Maybe he went to the Heurigen
in Mödling. He often goes there.
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It's lovely here, Egon.
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The sky, the nature, the light.
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I wish it could be always be like this.
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What's the matter?
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What makes you
think something is wrong?
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Egon...
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We'll stay and wait
until something happens.
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Yes. Something will happen.
You'll see.
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Nothing will happen.
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Get up, do you hear?
You have a visitor!
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I missed you so much.
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I managed it.
I rented the house in Neulengbach.
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A little house on the southside.
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A nice little garden,
three bright rooms...
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... kitchen and foyer.
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On the left, the edge of the Vienna forest.
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Ahead on the hill,
the castle Neulengbach.
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On the right, Haspel forest, and
the beginning of the Tullner fields.
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This place is too small for what it cost.
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How about that!
Mr. Reininghaus payed for everything.
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Don't worry.
By the time we leave, it'll fit you well.
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Finally, we have a home.
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If you want some wine,
I have some outside.
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- Do you want some wine?
- Yes, please.
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My father would kill himself,
if he knew about all of this.
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- Why's that?
- My mother wouldn't.
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Why not?
If he knew about what?
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Everything. All of this.
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My name is Tatjana.
I know who you are.
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Have you seen the catalogue?
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I was at the Artists' House recently.
Do you also exhibit there?
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Not yet.
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I'm not famous enough
to have an exhibition there.
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Look here.
I bought the catalogue.
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Want to have a look at it?
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I've missed you so much.
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Promise me you'll eat well, Egon.
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I'll bring you fresh
vegetables and fruit.
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I bought your painting materials.
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God, how I've been waiting for you, Vally.
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What's going on?
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Why is nobody here?
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They wouldn't let me go.
The judge wasn't there.
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- They wouldn't let me go.
- I wasn't allowed to see you.
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I wasn't allowed. One needs
permission for that. Do you understand?
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The judge was busy the whole time.
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I spent the whole
day waiting in the foyer.
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Then I went to your mother in Vienna.
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Gerti was there too.
We wanted to talk to Roessler.
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He had gone out.
He wasn't home.
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At least Benesch was there.
He telephoned Reininghaus.
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He wants to call a lawyer.
Dr. Weiser is his name.
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- He'll visit you in a few days.
- In a few days?
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Yes. You have to be patient.
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Be patient. I'm with you.
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We're all thinking of you.
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Tell me again.
Say what you just told me again.
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I want to understand it.
Write it down.
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I said today, on April 8th, 1912, ...
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... that I don't love anyone.
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Vally.
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Certainly. I made terrible paintings.
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Do they think I did it for my own
pleasure? Or just to shock them? No.
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But desire has it's ghosts.
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I didn't paint these
ghosts for my own pleasure.
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It had to be done.
Have adults forgotten ...
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... how perverse and sexually excited ...
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... they were as children
themselves? Did they forget ...
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... how the desire
burned, and how painful it was...
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... when they were children.
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I didn't forget...
because I suffered terribly.
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Tell me.
Say what you just told me again.
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I want to understand it!
Write it down.
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Vally, what's going on?
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I study the physical
properties of mountains and water...
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... of trees and flowers.
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One is reminded of similar
properties in the human body; ...
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... similar to impulses
and afllictions in the plants.
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And with heart and soul you can
feel an autumn-like tree in the summer.
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I want to paint this sadness.
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No matter where I look,
I see the past as well.
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I can imagine how
it will look in autumn.
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The landscape will perish
in yellow and orange ...
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... and in a bright brown,
which you can smell everywhere.
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Go! Go away!
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My God... say something Egon.
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Injustice, violence, ...
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... tieing knots in my soul...
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... blazing, burning and moaning.
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Break the violence, the language...
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... your signs, ...
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... your power.
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My God! He's crazy!
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Egon, it's me. Look at me.
Dr. Benesch is here.
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I spoke with Dr. Stovel.
He's the examining magistrate.
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Say something ...
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Dr. Stovel.
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A doctor.
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What kind of person is this?
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Someone who sees this as an opportunity?
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To humiliate me.
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Someone who enjoys this.
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Please calm down, Egon.
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A doctor.
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An educated person.
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A refined person,
who visits exhibitions and museums.
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In churches! In theaters!
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He can tolerate...
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... that I am locked away!
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Erwin, please.
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There he is, my children.
You'll soon be in the presence of The Great One.
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There's my Beethoven. The Giant Typheus.
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The frescos were painted by Klimt, in honor
of Max Klinger's monumental Beethoven.
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"The Beethoven Frieze".
"The Desire for Happiness".
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"The Suffering of Weak Humanity"...
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... which appeals to those
who are blessed with strength.
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"The Giant Typheus".
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"Unchastity, Lust, Excess".
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The desire for happiness
finds it's expression in his art.
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These desires and wishes
soar above our heads.
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No other exhibition in
Vienna has shown such orgies.
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The most shameless
paintings I've ever seen.
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- What is this?
- What's what?
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- Give them to me!
- Lying with her legs spread.
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- Give them to me!
- It's disgusting!
-
- That's... we need these for the trial!
- It's pure pornopraphy!
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Totally disgusting.
They're perverse.
-
And you brought that into our home.
Why, Erwin?
-
- For your private pleasure?
- It's evidence.
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For the Schiele case.
We... we'll need these in court.
-
Do these paintings excite you, Erwin?
Do you peek at them in private?
-
It's art. You don't understand that.
-
Such an artist
is a tortured soul.
-
Still the question remains
about the morality of these paintings.
-
Without doubt they tend to be pornographic.
-
Accused,
if you insist on your innocence, ...
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... how do you yourself judge your work?
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It is scandalous, unacceptable, ...
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... disreputable, and very stupid.
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It's a cultural disgrace.
A disgrace to my homeland ...
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... that such a thing
can happen to an artist.
-
I don't deny anything.
-
I created erotic
drawings and water colors.
-
But they were always works of art.
-
Experts will tell you this as well.
-
I'm not the only painter
who has created erotic art.
-
But no other artist was imprisoned for that.
-
I can name many
famous artists... even Klimt.
-
I'm not trying to make excuses.
-
I don't deny I did these.
-
But it's not true
that I deliberately showed ...
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... such paintings to children.
-
I did not corrupt any children!
-
How long will this go on?
I haven't worked in days.
-
I don't even have backing paper.
I've got headaches. I'm handcuffed.
-
Can't anyone help me?
-
If I could organize an exhibition!
I'd be free!
-
But no, I can't even draw.
Therefore I have to write.
-
I have to borrow money now,
even though I'm in my best years.
-
What a mess!
-
Should I become a merchant or tradesman?
Who will help me?
-
I can't buy canvas.
I want to paint, but have no paint!
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Why should I keep quiet about all this?
-
All these people
don't know how to behave ...
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... in the presence of an artist.
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- Didn't you model for Klimt?
- Yes, he painted me often.
-
Yes, I recognized you.
-
You know, your image is
on the wall in the room next door.
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A real masterpiece by Klimt.
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I'm very sorry, miss.
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Good bye.
-
Do you really enjoy this work?
-
I mean posing as a model.
-
Is is exciting work?
-
I think you understand me.
Does it excite you?
-
You know,
I'd like to buy a piece.
-
Or possibly two, miss.
-
I'm a passionate
collector of erotic art.
-
Try calling on Dr. Kosinski.
-
He lives upstairs.
-
Just follow the piano playing.
-
That's his wife.
-
Someone has come to see us, my dear.
-
What a nice surprise.
-
Don't worry my child.
My wife won't disturb us.
-
She's paralyzed.
She sits at the piano all day...
-
... in a wheel chair.
-
So, how about it?
-
I have to say,
the original overshadows the copy.
-
I'll take three.
-
- What's the matter?
- Nothing.
-
- Why are you crying?
- I don't know.
-
Tatjana Georgette Anna von Mossig.
-
Do you stand by your
statement of April 13th, 1912?
-
No. It was all completely different.
-
I've changed my mind.
-
Do you mean you
contradict your statement?
-
Yes, I contradict my statement.
-
You are sentenced to 3 days in prison.
-
Your pre-trial confinement
of 24 days will cover that.
-
This is the picture
which caused you all the trouble.
-
This should hurt you.
This will set you free.
-
Congratulations. Finally, you
are free again. How does it feel?
-
I'm glad that you've come.
Where is Vally?
-
She's waiting for you at
the station with your mother.
-
You mother didn't want
to be seen here at the prison.
-
- You understand?
- Yes sir.
-
My son in prison!
It was so shameful.
-
- Scandalous!
- It'll be alright.
-
- It'll be alright.
- In prison like a criminal!
-
Does it have to be this way?
You should support me instead...
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... like Melanie or Gertie.
-
Say something, Egon.
Say something.
-
Do you think it was
easy for me, your mother?
-
- For you?
- That's just how you are.
-
He'll travel for a while and
forget about the whole thing.
-
What will he forget?
He should speak for himself.
-
He can speak for himself.
-
If he would only make some money.
Like Klimt!
-
Or other painters.
-
It'll be alright.
-
If nothing else, he'll be back in
Vienna in his new studio at Hietzing.
-
Looking back in the diaries...
-
... wasn't it always in spring...
-
... that the new year
seemed to revive itself?
-
You felt happiness within you, but still, ...
-
... when you went out into the open ...
-
... you felt insecure,
like being on a sailboat ...
-
... and you waited for your
soul to participate.
-
Suddenly you could feel the
weight of your bones again ...
-
... and you developed a taste for
what it felt like, getting ill as ...
-
... the taste became stronger.
-
Then a bird sang, and lonely
as you were, he abandoned you.
-
You might feel like dying.
Maybe...
-
Maybe the new thing is to survive ...
-
... the new year and our love.
-
The flowers and fruits
fall when it is their time.
-
What's the matter?
-
This picture.
-
What about it?
-
It frightens me.
-
What do you call it?
-
"Death and the Girl".
-
I love you.
I have no other words for it.
-
I love you too.
I don't have other words for it either.
-
You don't listen to me.
We have to pay the bills.
-
Here's a bill for art supplies.
-
What do you have in mind?
They all want to get paid.
-
- I want to go see a movie, Vally.
- Can I come with you?
-
No, it's impossible.
I was only able to get one ticket.
-
It was sold out.
-
What a pity.
I'd love to have gone with you.
-
I tell you what.
We'll watch it together tomorrow.
-
I'll watch the movie twice, okay?
Bye.
-
Special edition!
-
Special edition!
-
Austria-Hungary has
declared war on Serbia!
-
Special edition!
-
- Can I still buy a ticket?
- Sure, as many as you like madam.
-
But... someone
told me it's all sold out.
-
- No, no.
- Yes. Please give me one.
-
- Here you are, thanks.
- Thank you.
-
Which one is it?
-
Do we have to talk about it now?
It's getting late.
-
I want to know.
-
Vally, I don't know myself.
It's not like you think.
-
Edith, maybe.
-
I don't know how
to explain it to you.
-
I want us to stay together.
-
I want...
-
It's over.
-
Vally, Vally, you...
-
Let's go on a long voyage.
Just the two of us.
-
Anywhere. Okay?
Just the two of us.
-
I don't want to lose you.
-
Stay with me.
-
I knew the moment you saw her.
And also that painting...
-
What about the painting?
-
It frightens me.
-
I am not in love ...
-
... with anyone.
-
I am only a model.
-
It's my wish to stay
with you, whatever will be.
-
I want to be true
from the beginning.
-
I don't want to tell you what to do.
I love you.
-
I believe in you. You mean
more to me than my whole family.
-
Don't underestimate that.
They are very dear to me.
-
I will do what you want
me to do, until I'm certain, ...
-
... that you won't humiliate me.
-
One might think you were trying
to say something with these hands.
-
- Really? What do you mean?
- This hand could be an "E".
-
- For Edith.
- And the other?
-
I see an 'A' for my sister, do I not?
-
I'm completely naked.
-
Why did you take
off the white dress?
-
Why not?
-
Because I can't see you anymore.
-
May I present my best wishes, cheri.
I'm very happy for you, Egon.
-
And this is the lovely Adele.
-
Don't give me that shit.
-
Age 19. Named Vally.
Syphilis. Advanced state.
-
It was diagnosed too late.
And treated too late.
-
Do you believe the nurse's diagnosis?
-
I could be wrong,
but I think it was scarlet fever.
-
How tall are you? 1, 78.
-
Weight: 72 Kilo.
-
Healthy feet: Infantry.
And this one at a desk.
-
Schiele, Egon, Leo, Adolf.
-
- Here.
- Is he here or not?
-
- I can't hear you! Speak up!
- Step forward.
-
- Yes, I'm here.
- Why didn't you say so?
-
- Height: 1, 82.
- 1, 82.
-
Good lungs, bad tonsils.
-
No hemorrhoids.
-
- Slightly damaged liver
- Damaged liver.
-
- Weight: 71 Kilo.
- 71.
-
Lymph nodes are alright. Dismissed.
-
- Alright.
- What do we have here?
-
A bit pale. Good physique.
-
- Good morning. - Good morning.
- Flat feet.
-
- That's really good.
- Unbelievable.
-
Service behind the lines.
Guard or office service.
-
Those were hard days.
-
Now, instead of thinking about
where my paintings would be released, ...
-
... I have to crawl on
the floor and exercise.
-
I'm in a poorly
equipped one-year company.
-
Company, march!
-
- Do you like the hotel?
- Yes, it's a hotel.
-
Do you go out very often?
Do you get to see a lot?
-
Yes.
-
- The Hradschin and the Moldau.
- Yes, I've been there with the lieutenant.
-
- A lieutenant, what lieutenant?
- Lieutenant Wakasch.
-
- He stays at the hotel as well.
- What's your relationship with him?
-
He introduced himself and offered
to accompany me when I'm alone.
-
Did you tell him that you're married?
That you're married to me?
-
Of course, Egon. He asked
very politely and respectfully, ...
-
... if he could accompany me,
if you wouldn't object.
-
Yes, and he also asked me about you.
-
Did you tell him that I'm a
lowly soldier, crawling in the dirt?
-
- Oh, Egon...
- A lieutenant.
-
The Hradschin is beautiful.
-
- What does he look like?
- Which do you mean, ...
-
... the Hradschin or the lieutenant?
-
Edith, you are like
a stranger to me.
-
You must always tell me everything.
-
You are the only person
in the world whom I really trust.
-
Egon... about the lieutenant.
There's really nothing to say about him.
-
He's a little in love, that's all.
-
A little in love.
And there's nothing to say about it?
-
Maybe you're a
little in love with him too.
-
You see, that's how I
felt the whole time with Vally, ...
-
... and you didn't say a thing.
About the paintings or the models.
-
You never said a thing.
But now...
-
No... I couldn't do
anything with the lieutenant.
-
Even if I wanted to.
I'm married to you, Egon.
-
- It's just an infatuation.
- "Even if you wanted to. "
-
Maybe you want to when I'm away.
-
Do you mean you
could with the lieutenant?
-
I don't know. I don't want
to think about it. Perhaps I could.
-
And yet it couldn't be.
-
I don't know.
-
Relocated to Neuhaus.
Sudden departure to Neuhaus. Stop.
-
I'll take a hotel there.
-
I couldn't reach you. Stop.
With love.
-
Expect you urgently in Neuhaus. Stop.
-
Remember our conversation.
-
Please come to Neuhaus immediately.
You are the best, darling.
-
I think of you. Stop.
Expect you urgently.
-
Take the next train, today.
-
Expecting you at the Bahnhof Hotel.
-
Art critic Seligmann writes:
-
"The horrible fantastic
caricatures of Egon Schiele ...
-
"... appear to be ghostly
figures with spider-like fingers.
-
"Mutilated, half-rotten corpses. "
The New Free Press:
-
"Unfortunately he uses his talents ...
-
"... to create horribly mutilated ...
-
"... erotic caricatures. "
-
I can't believe it.
All these people.
-
- I can't believe it.
- They are like madmen, ...
-
... escaped from an asylum.
As if they had suddenly materialized.
-
You could have all
this quicker and cheaper...
-
... if you would have
started with your family.
-
Well, they are all bourgeois.
-
This painting has been sold.
The woman with the grey skirt...
-
... from the Austrian National Gallery.
Someone should put a note on it right away!
-
Altogether 15.000 Kronen so far.
It could be easily 20.
-
You might want to invest all that money.
-
What can you buy
now that we're at war?
-
I brought some wine.
-
When you were away
all these people...
-
I hope someone brings some butter.
-
A serious virus is
going around in Vienna.
-
They call it "Spanish Influenza".
One has to be careful.
-
And how about you?
-
I have big plans.
I already have an idea.
-
What do you have here on the easel?
-
It's secret.
-
You know, I like floating.
If you float you are drawn upwards.
-
I want to let my family float... horizontally.
-
What do you mean?
-
Unlike Kokoschka's "Windsbraut, " ...
-
... my couple floats
away from the real misery.
-
- Toward happiness, if you like.
- A nice thought.
-
I know what you're thinking.
Only three months left.
-
You can see the child as it will be.
-
The Dead City, or... ?
It was exhibited.
-
Yes, but I'm still working on it.
Grünwald bought it.
-
The edge of the city
should reach into the dark, ...
-
... like the bow of a ship.
-
Under the clear sky,
I see the dark city.
-
Never changing.
The lazy masses are like always.
-
The poor are poor... always poor.
-
The red autumn leaves smell the same.
-
How nice the autumn seems
in this windy winter landscape.
-
Can you feel it?
-
It kicked my head.
-
Edith...
-
I'll make some hot tea... with rum.
-
And lemon.
-
That will make you feel better.
-
You need to see a doctor.
-
It's the fever.
Every morning there are more corpses.
-
Total bed rest.
-
- Is anyone else sick here?
- No.
-
You have to renew the cold
compress every few hours. Can you do that?
-
Yes.
-
We have to be careful that this doesn't
become pneumonia. She must be kept warm.
-
I'll get some wood for the fire. Okay?
-
You'll be quite warm.
-
Move ahead!
Keep moving!
-
- My God! We had no idea.
- We're just here for a visit.
-
- When did she come down with it?
- Why didn't you call us?
-
- Has she seen a doctor?
- How did she pass the night?
-
- What did he say?
- Does she have the fever? Say something.
-
If I only knew where
I could get some coal.
-
Don't let her die.
-
My God. I live because of her.
-
You have to sleep.
You can't sit here day and night.
-
It's not good for you. Go to bed.
-
October, 27th...
-
1918.
-
I ...
-
I love you.
-
I love you.
-
I love you more and more ...
-
... for eternity.
-
Always,
-
Your Edith.
-
He must be infected as well.
-
Maybe he kissed her.
He's not very careful.
-
It's too late anyway.
-
They're dropping like flies in Vienna.
Everything is dangerous.
-
We shouldn't have come here.
-
Egon, speak to me, please.
Can't you try?
-
Say something, Egon.
-
You have to eat.
You need your strength.
-
You can't change what happened.
-
You need to live, Egon!
-
A first class funeral.
-
You can clothe the body
in her own dress, of course.
-
Here... no wait, here it is.
-
This is the text for her obituary.
-
It is very good.
-
We'll put her in her lace dress.
-
Everyone's gone to the funeral.
They'll return soon.
-
Here they are now.
They're coming straight by the house.
-
Now they're passing just below us.
-
They've gone.
-
The war is over, I have to leave.
-
What was that?
-
I didn't understand.
-
Egon?
-
Egon.
-
Speak to me, Egon.
-
Egon!
-
Stop! Stop!
-
Egon... Egon is dead!
-