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Lessons in Investigative Journalism | Carol Marin | TEDxMidwest

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    Thank you very much!
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    So, I've learned a lot of lessons
    as an investigative reporter,
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    and I thought
    we'd just get right into it.
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    Lesson number one:
    you could get somebody killed.
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    (Laughter)
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    I've reported on organized crime
    for a long time over the years
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    and in 1980 in particular,
    I covered organized crime in Chicago,
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    and a multi-millionaire mob bookmaker
    by the name of William "B .J." Jahoda.
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    He worked for the Cicero crew.
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    We in Chicago know that back in the day,
    that means it was Al Capone's territory.
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    He worked for a mob.
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    What do we say about Rocky Infelice?
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    A really bad guy.
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    It was one of the cruelest,
    toughest, meanest crews
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    and Rocky Infelice was someone
    to be reckoned with.
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    "B" is what we called Jahoda,
    what everybody called Jahoda.
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    He was a formal newspaper guy,
    he was a brilliant word-smith.
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    He was an operator,
    he could do the numbers in his head.
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    And he could keep books, and count odds
    and could figure it out.
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    But it was also, at the heart of it,
    a decent man.
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    Over many profitable years,
    Rocky get very testy,
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    because they were
    renegade bookmakers in Chicago.
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    They were independent guys,
    they weren't kicking over to the Outfit,
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    and that was a bad thing.
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    Rocky ordered Jahoda to go pick
    some of those guys up
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    on some ruse or another
    and then, drop them off.
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    "Drop them off" said Rocky,
    "and don't look back!"
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    Well, one of those bookmakers
    was slaughtered in B.J.'s own kitchen.
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    It was a bloody mess.
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    He couldn't take it anymore and in 1989,
    he agreed to be wired up by the feds
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    to take down Rocky and his crew,
    and believe me, this was a first,
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    this never happened in Chicago.
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    Nobody penetrated the Chicago Outfit
    and the whole street crew,
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    but Bill Jahoda did, and at great peril.
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    The first time he put on
    a wireless microphone,
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    he thought it would be
    some little tiny transistor radio.
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    It was the size of a pack of cigarettes
    and they put it in the small of his back.
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    He said it was like a brick.
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    He said when he went
    into his first undercover meeting,
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    he felt like a San Diego chicken
    in a funeral parlor,
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    he thought everybody knew.
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    After six weeks of unbelievable testimony
    in Federal Court,
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    including that most memorable
    moment I sat through,
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    when even the judge laughed,
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    because B was describing Rose Laws,
    a famous Chicago madam,
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    and how she would provide "her girls"
    to the boys in Rocky's crew.
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    Jahoda called it
    "horizontal refreshment."
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    (Laughter)
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    B.J. Jahoda took down
    the whole street crew.
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    Rocky went to prison, B went into hiding,
    into witness protection.
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    And he decided to give me
    his first TV interview.
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    We were terrified.
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    The Mob wanted to kill him.
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    We had to be careful
    about the meeting place.
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    We decided on a hotel in Wisconsin,
    outside the northern district of Illinois.
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    But you know, we don't travel light.
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    So we had 2 camera crews,
    3 producers, me,
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    and if somebody watched
    the Channel 5 news, they could spot me.
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    We were terrified that we were going
    to get him killed,
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    and I think B was pretty worried
    about it too.
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    We didn't get him killed, thank God!
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    And in the interview,
    I've got to tell you,
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    it was just something!
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    Because people called him a rat,
    we called the story "Diary of a Rat."
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    B. J. Jahoda did his civic duty,
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    and stopped helping people get killed,
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    but it was pretty tough.
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    And when the interview
    was almost over, I said:
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    "Do you still everyday fear
    for your life?"
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    And he said:
    "Let me just put it to you this way."
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    "They'd start the party by scooping out
    my eyeballs with a teaspoon."
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    Lesson two:
    somebody may want to kill you.
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    My next door neighbour called
    one morning frantically and said:
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    "Who are the guys in your backyard
    with the weapons under their arms?"
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    (Laughter)
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    It was a long story, but it begins with
    a guy named Jeff Fort.
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    Fort is in federal prison now,
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    he's been in and out for
    these many years.
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    But even to this day, he remains
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    one of Chicago's most feared
    and most notorious gang leaders.
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    He was a child of the Great Migration.
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    He came up from Aberdeen, Mississippi,
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    in the 50s, to Woodlawn
    on the South Side of Chicago.
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    And it was odd, because he was skinny,
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    semi-literate at best,
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    but he was magical.
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    He was a leader.
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    He led thousands of followers
    in the 60s and 70s,
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    and they called him "Angel."
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    And in the Lyndon Johnson
    War on Poverty's years,
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    Jeff Fort got some of that federal money,
    about a million dollars,
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    that went to community organizations
    and people with natural leadership.
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    And he scammed the government,
    stole the money, went to federal prison.
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    But smart enough to realize
    in federal prison
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    that religious organizations experience
    a level of constitutional protection.
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    So he went: "Aha! I will form
    a religion, not a gang!"
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    It came to be known as the El Rukns,
    a Muslim religious organization.
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    And out of prison Jeff came back
    to the streets of Chicago
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    with his El Rukns.
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    The Rukns were not just deadly,
    they were small, they were secretive.
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    And the government had a hell of time
    penetrating them and tried for many years.
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    Jeff quickly went back to prison
    on a different charge,
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    it was was a drug charge.
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    And besides being a religious leader,
    he was very good on a pay phone.
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    And so, from the pay phone
    in another joint,
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    for 3500 hours of wire taps,
    the feds were listening in,
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    as he instructed his followers
    to make a deal with Muammar Gaddafi.
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    And they go to Libya.
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    Because they are Muslims
    and will get to know Gaddafi.
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    And for 2.5 million dollars,
    Jeff's group promises
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    promises that they will commit
    acts of domestic terrorism
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    and shoot airliners out of the sky.
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    And the feds got him.
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    And he was in terrible trouble
    in that trial.
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    In the meantime,
    I'm doing a documentary on him,
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    it's called "Angel of Fear."
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    And the phone rings at home,
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    and it's an El Rukn hitman
    named Billy Doyle
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    and El Rukn hitmen
    don't call reporters at home,
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    so I knew I was in trouble.
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    I called NBC, I called the feds
    and I called the police.
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    I didn't want to call anybody,
    because as a reporter,
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    you belong to nobody's club.
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    NBC sent in security,
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    the feds and police
    were watching the house.
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    The security system that was installed
    came with a panic button
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    that looks like a garage door opener,
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    and if you punch it with your finger,
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    it creates a class-one emergency
    and cops come to your house.
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    One morning, I am in the tub,
    with my six month old son,
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    and my two-year-old comes
    into the bathroom and goes: "Look, mom!"
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    (Laughter)
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    I knew I had 30 seconds
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    to either take my mascara out
    from under my eyes or put on a robe,
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    because in 30 seconds the cops were
    at the door, the doorbell was ringing.
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    When I opened the door, there were
    two men in firing position,
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    they had run through the wet
    cement next door,
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    where they were relaying sidewalks,
    cement was on their shoes...
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    And I said: "I'm so sorry!
    I'm so sorry! I really am sorry!"
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    Next day, I called Jeff's lawyer,
    and I said:
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    "Tell him he made
    a really bad mistake in doing this."
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    The lawyer said: "Jeff says he's sorry."
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    But I knew I had
    to say sorry to somebody else.
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    Early the next morning,
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    I packed up the kids, baby on my back,
    Josh next to me.
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    We get a cab, we go to Dunkin' Donuts,
    get 12 dozen donuts,
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    put them in the cab,
    drive to the 18th district.
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    A hooker and a drunk hold open the door
    as they've been let out of the tank.
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    We go into the 18th district
    I put Josh up on the desk,
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    and I said: "Josh, tell the sergeant
    that we are sorry."
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    (Laughter)
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    And the cop, who had
    an Irish brogue, of course,
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    goes "Oh ma'am, don't be
    so hard on the boy!"
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    (Laughter)
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    Lesson number three:
    prepare to be unpopular.
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    Over the years, we've done stories
    on the most popular people in our midst.
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    That would include Michael Jordan
    at the pinnacle of his career,
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    Barrack Obama at the beginning of his
    historic ascendancy to the presidency.
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    And we are currently at The Sun-Times
    engaged in yet another story
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    about the nephew of the Daley clan
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    and whether he got special consideration
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    in an altercation resulting in the death
    of a young man in 2004
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    for which he had not been charged.
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    All three of those stories have generated
    great controversy for us.
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    Jordan's charity was designed really
    as a public relations thing for him;
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    giving money to the needy
    was only a tiny percentage of it.
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    Obama had a well-connected fundraiser
    named Tony Rezko
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    whom he didn't want talk about
    during that first campaign,
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    and we did.
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    It took 18 months to persuade him to come
    to our editorial board and explain it.
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    There's been a special prosecutor
    appointed in the case of the Daley nephew
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    and the young man who died,
    David Koschman.
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    There has been push-back
    on all of these stories,
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    from all kinds of people,
    but we did the stories anyway,
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    because it is a privilege
    to be a reporter.
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    In exchange for that privilege,
    I always tell journalism students,
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    that you give up some
    of your normal rights as a citizen.
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    Which means you don't belong
    to a political party,
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    you don't belong
    to a special interest group,
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    and sometimes, you don't get invited
    very many places to dinner,
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    because people don't want talk to you.
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    And you know what?
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    That's OK.
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    Lesson number [four]:
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    prepare to get more credit
    than you deserve.
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    In 1997, I quit my job at NBC
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    and so did my co-anchor, Ron Magers.
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    At that time, NBC was under quite
    a different management, they're gone now.
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    But they had decided
    to jazz up our newscast,
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    and they believed that doing that
    would be best accomplished
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    by hiring Jerry Springer as a commentator
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    whom we would introduce
    on the 10 o'clock news.
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    Ron and I felt it would forever wreck
    the integrity and credibility we'd built.
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    We protested that it would be a mistake.
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    We lost, they won.
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    We quit.
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    Our audience went on revolt,
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    called in so many calls,
    they melted down the switchboard.
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    ten thousand calls came in, and voom.
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    Ron and I got a lot of attention.
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    National new stories were done about us,
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    we're given credit, praise and all that.
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    The fact of the matter
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    is that people quit their jobs
    every day on principle.
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    I got 2000 letters, easily,
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    one of them from the wife of a DCFS,
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    Department of Children
    and Family Services worker,
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    a guy who refused to relocate
    battered children in a shelter in Chicago
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    because he believed
    they would be sexually prayed upon there.
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    He was fired.
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    I went to the grocery store one day,
    and the butcher there, his name was Bruno,
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    told me how he, the sole support
    of a wife and kids,
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    refused, at another store he worked at,
    to short-weigh meat,
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    put his thumb on the scale.
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    And he was fired.
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    The social worker and the butcher
    didn't got all that press that we got,
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    didn't get the attention,
    nobody wrote a story about them.
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    And they took risks
    that were far greater than we did,
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    for rewards that were far less
    than Ron and I experienced.
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    The day after I quit NBC,
    there was a letter left for me at home.
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    No post mark, no real return address.
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    It was from B.J. Jahoda,
    who picked it up on the news.
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    He was somewhere in witness protection,
    and the letter read:
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    "Dear Doll, sometimes, we just have
    to walk away. Love, B."
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    Lesson five...
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    be prepared for what
    you cannot prepare for.
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    There's a sense of mission for most of us
    in my business, a sense or purpose.
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    Like an emergency room nurse
    that runs in when something happens,
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    or a firefighter who hears
    the fire call and goes.
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    It's not just because
    you're supposed to do it,
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    because you trained to do it.
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    It's because you want to do it,
    because you believe in doing it.
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    On 9/11, I was in New York,
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    working for "60 Minutes,"
    and "60 Minutes II."
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    Like a classic Midwesterner,
    I'm in there way early,
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    because New Yorkers come in later.
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    And there are monitors, of course,
    everywhere in those places.
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    And there are only of couple of us there,
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    and someone screamed out "Oh my God!"
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    as they saw on TV
    the first plane hit the first tower.
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    I'd been a reporter long enough
    to know when something big happens,
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    you get there, you get there
    as fast as you can,
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    because police lines will close around it
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    and you won't get close enough
    to see as much as you need to see.
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    I headed down to the WTC
    armed with my trusty phone.
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    By that time,
    the second tower had been hit.
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    And I'm on the West Side highway,
    as thousands are streaming this way,
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    I remember one of them said:
    "Stop, turn around!"
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    In this crazy sense of invincibility
    you have when you do the work you do,
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    I said: "CBS news, don't worry!"
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    (Laughter)
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    And I kept going.
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    I assumed my cell phone would work,
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    but thousands of cell phones
    frantically calling jammed every system.
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    I was on the West Side highway
    when I saw the first tower
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    fall to the ground.
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    And I kept going.
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    I got around by West street
    and there is ash on the ground
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    and there are firefighters,
    and I showed them my ID,
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    and one of the firefighters said:
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    "Just walk down the middle of the road,
    because there is falling stuff."
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    And there were stretchers,
    but nobody was on them
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    and paramedics were waiting.
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    And that's when, as I'm walking down,
    I feel the ground rumble.
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    And the firefighter ahead of me
    turns around, screams "Run!"
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    I could see a fireball come out
    of the base of the building,
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    probably the ignition of jet fuel,
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    as the building began to collapse.
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    But you don't have time to look
    at those things.
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    I turned, I fell,
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    he grabbed me by my waist,
    threw me on my feet.
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    And we ran, and he had the foresight
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    to spot another building
    that had a marble overhang,
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    and he slammed me against it,
    and he covered my body with his.
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    I could feel his heart banging
    against my backbone,
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    because it was pounding so hard.
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    The morning light had turned
    completely black in a second.
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    There were particles everywhere.
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    You know, there were particles of people,
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    and desks, and buildings,
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    and pens and things, and we couldn't see.
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    Couldn't see your hand in front
    of your face, because it was so black.
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    I thought to myself,
    this is really how firefighters die.
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    It isn't the flames, it is the smoke,
    because you can't breathe.
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    The firefighter, once we felt
    that the building was down,
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    handed me off
    to a New York City police officer,
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    who literally, held my hand,
    as we put our hands over our faces
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    to try to keep going, try to find
    more and more light, to find our way out.
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    I didn't think to ask
    the firefighter's name.
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    I did not ask the firefighter
    to tell me who he was.
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    And that haunts me to this day.
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    What kind of reporter was I, you know,
    that I didn't think to get his name!
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    I got everybody else's after that.
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    I got the police officer's,
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    I got the people
    who put the oxygen on me.
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    I got some paramedics who got me
    half way down the street.
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    I got the name of the bus driver
  • 16:47 - 16:53
    who let me hijack his bus
    to take me to the CBS broadcast center.
  • 16:54 - 16:57
    Just not the firefighter's name, not his.
  • 16:57 - 16:58
    I don't know if he survived.
  • 16:58 - 17:03
    He turned back, and went back
    to the site of the second fall.
  • 17:03 - 17:06
    I've looked for him,
    I've written letters to authorities,
  • 17:06 - 17:10
    I've told this story like this often
    in hopes that someday, somewhere,
  • 17:10 - 17:11
    someone will know who he is.
  • 17:13 - 17:16
    I got on the set, at CBS,
    sat down next to Dan Rather,
  • 17:16 - 17:21
    covered in dust,
    and I reported what I'd seen.
  • 17:22 - 17:25
    The biggest lesson I have learned of all,
  • 17:25 - 17:29
    every story, every day,
    every year that I do this...
  • 17:30 - 17:34
    Is that it is a privilege
    to be a reporter.
  • 17:35 - 17:36
    To do this work.
  • 17:37 - 17:38
    Thank you very much.
  • 17:38 - 17:39
    (Applause)
Title:
Lessons in Investigative Journalism | Carol Marin | TEDxMidwest
Description:

Carol Marin, a Veteran Investigative Journalist, taps into her audience's deeply rooted interest in bad guys and catastrophic events. She is completely captivating as she recounts thrilling tales of organized crime and political corruption in Chicago as well as the fear and chaos of the day she spent rushing toward the falling Twin Towers in New York City.

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Video Language:
English
Team:
closed TED
Project:
TEDxTalks
Duration:
17:47
  • Multiple edits are necessary (line length/breaking, subtitle length, sentences split up into several subtitles, grammar, spelling, punctuation, missed words and phrases, subtitles not synchronized with what is being said, subtitles overlapping other subtitles).

  • Sending task back to transcriber.

  • I have it in my dashboard, I'd like to work on this one, but for some strange reason the sound of the talk is not working. The running text bar either. At least in my new editor; any suggestions? Should I file a ticket? Thanks

  • Thanks so much for these additional edits! Now, there are no more technical errors!

    However, I'm sending this transcript back again, because there are a lot of misheard words. Please watch the talk again with the subtitles on and carefully check whether each subtitle is correct in terms of content. I made some changes like that here and there, some examples are: there is stretchers --> there were stretchers, fallen --> falling, 1990 --> 1980. Very often, these involve grammar, e.g. the present is used where the speaker used a past verb. Please correct these misheard words and send the transcript back again. Sorry about the additional work!

    While you're at it, you can also fix the punctuation to be consistent with the rules of American English, i.e. periods and commas should be placed before, not after the closing quotation mark (so, ." not ".). This has not been consistently followed in these subtitles. You can learn more at http://translations.ted.org/wiki/English_Style_Guide#Punctuation

    Please do not use any formatting tags (like the asterisk) to introduce rich formatting like italics. These characters will not consistently display across all the players where the subtitles will be used. You can learn more at http://translations.ted.org/wiki/How_to_Tackle_a_Transcript#Avoiding_character_display_errors:_simple_quotes.2C_apostrophes_and_dashes

    Do not use text in parentheses to represent gestures. Text in parentheses is used to represent sound information for the Deaf. Do not represent gestures in your transcripts. To learn more, see http://translations.ted.org/wiki/How_to_use_sound_representation

    I also recommend watching this new tutorial on reviewing https://www.youtube.com/watch?v=kQ2CZonFYgA&index=7&list=PLuvL0OYxuPwxQbdq4W7TCQ7TBnW39cDRC as well as using these browser extensions to highlight subtitles in need of technical improvements (in your future review work): http://archifabrika.hu/tools/

  • Fixed misheard words, synchronization errors (many subtitles began too late; this is OK if needed for a good reading speed, but otherwise, the subtitles should be synchronized with what the speaker is saying). Fixed some reading speed issues. Split and merged subtitles to keep "fuller" parts of sentences together (see http://translations.ted.org/wiki/English_Style_Guide#How_to_make_your_subtitles_a_good_source_for_translations).

English subtitles

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