-
[BRUCE NAUMAN: TEACHERS & ARTISTS]
-
I’d worked with people around here with horses,
-
but they didn’t really understand how to explain things very well.
-
So the first person I worked with
-
that changed my whole understanding of working with horses
-
was a man named Ray Hunt.
-
He is just an old cowboy,
-
and so cowboys trust him.
-
But he can outride them all and do it in such a wonderful way.
-
He taught me to pay attention to the horses
-
and gave me some tools, of course, to do that.
-
He was a teacher that really didn’t tell you how to do much,
-
he just made you pay attention.
-
And when you met him,
-
you knew you couldn’t fool him.
-
[LAUGHS]
-
He knew what you knew.
-
In riding horses, for instance,
-
you can get around bad spots all the time,
-
and the horse will put up with it.
-
And then sometimes they won’t
-
and then you end up in the dirt.
-
But Ray could always go right to the spot
-
that you didn’t even want to have to hear about.
-
And a good teacher can always do that.
-
And if you want to learn it, that’s what you have to do.
-
A good teacher is like a good artist.
-
They go right to the most difficult part of whatever's going on--
-
the painting or the sculpture--
-
and goes right to that spot.
-
["Model" (1998)]
-
I knew how to do that in my work, or hoped I did,
-
and I didn’t know how to do that with horses.
-
I didn’t see the connection.
-
When I was in school, when Thiebaud was teaching and I was his teaching assistant--
-
and that’s what Wayne did,
-
he taught people how to pay attention.
-
That's what I saw in him,
-
was that he showed you how to pay attention to what you were doing--
-
what was out there.
-
And that's...I think it’s a rare, rare thing, you know.