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Hysterical Literature: Session One: Stoya

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    I am Stoya
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    and today we'll be reading
    a section from
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    Supervert's Necrophilia Variations.
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    We were at a party, you and I,
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    in celebration of
    a long-forgotten cause for joy.
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    There was raucous drinking.
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    The party pushed on into
    the darkest hours of the night.
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    Somebody brought out a video camera
    to tape the merrymaking.
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    Your boyfriend was seated
    at a table with some other men, drinking.
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    And you were there beside him,
    with your hand on his thigh.
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    The camera came and exhorted you
    all to be witty for posterity.
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    Jokes were made.
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    Funny faces and obscene gestures
    were directed at the camera.
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    I happened to be lying on the table.
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    Your boyfriend picked me up,
    slipped his face into mine,
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    put the cheap rubber band
    around the back of his head.
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    He and I mugged for the camera together.
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    For a moment, he was death personified as a drunk man.
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    Or was I an inebriated reaper of souls?
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    You, my darling, leaned over and
    —performing for the camera—
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    pushed your tongue through
    my plastic mouth and into his.
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    You were tongue-kissing the personification of death.
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    I could feel your breath, share your alcoholic saliva.
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    Your friends all cheered.
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    The kiss ended
    —but then, sweetness,
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    you couldn’t pull your tongue back out through my face.
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    My plastic lips had caught it tight,
    like a Chinese finger trap.
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    You winced,
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    pulled,
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    made a sort of open-mouthed,
    gargling cry.
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    The men at the table laughed and jeered.
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    Finally you managed to extract
    your little muscle of love,
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    but not without cutting it
    on the sharp edge of my lips.
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    Afterward the videotape clearly showed
    sweet blood on your tongue.
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    If you’d been sober,
    you mighthave found it symbolic.
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    You can kiss somebody else’s spouse
    and get away with it.
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    You can kiss a member
    of the same sex with near impunity.
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    You can give an incestuous kiss
    on the sly.
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    You can tongue-kiss a dog
    or exchange raptures with lab rats.
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    But you can’t kiss death
    without death kissing you back.
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    Death is a passionate kisser.
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    I bite your lips, chew your tongue,
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    leave a little taste of blood in your mouth
    as a portent of things to come.
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    If I were to kiss you between the legs,
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    you’d see a little blood there too
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    and think that your period
    had come early.
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    But it wouldn’t be your menses, lover.
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    It would be your ruination,
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    a death’s head
    with your clitoris in its mouth.
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    Death is mad about you.
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    Death loves you.
    Do you love me too?
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    I’m not needy, but I enjoy intimacy
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    —especially with you, darling.
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    Go ahead. Slip your face into mine.
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    I like to feel your warm lips
    in my inert visage.
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    I like to feel your eyelashes
    tickling my empty old sockets.
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    One day I’ll slip my face into yours too,
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    and then we’ll experience
    another sort of intimacy.
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    I’ll be inside you, like a lover.
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    I’ll kiss you from the inside,
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    and it will feel like catching a chill.
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    You’ll get goose bumps up your thighs
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    and shivers down your spine.
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    I’ll whisk you to my wormy bed
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    and we’ll lie there nestled
    in each other’s arms,
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    or at least so long as you have arms.
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    And even then, when you are hideous dust,
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    I will remain true.
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    I am death and when I love you,
    it’s forever.
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    And why shouldn’t you love me back?
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    I know that sometimes
    you fantasize about me.
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    [gasp]
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    You lie in bed at night wondering
    how and when I will come,
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    and what I’ll look like when I do.
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    Am I a knight in shining armor?
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    A fiery dog of hell?
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    [gasp]
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    Do I look like a vampire?
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    A skeleton? A ghost?
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    You imagine me taking you into my arms,
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    embracing you, comforting you.
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    “There, there,” I say, kissing your tears away.
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    “I’ll make those awful things go away.
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    Life won’t be a burden to you anymore.
    I promise.”
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    [gasp]
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    I pull back the curtain to reveal
    a wonderful new world
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    —a party,
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    a riot, a ball.
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    It’s the costume affair, Mardi Gras,
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    the Halloween festival, the Day of the Dead,
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    and it’s enormous fun to prance around
    on the arm of inevitable doom.
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    Life is short!
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    Seize the day! Go ahead, darling.
    Slip me on. Pretend you’re me.
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    See the world through my sockets.
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    Laugh. Live. Love—while you can.
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    Eat, drink, and be merry.
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    What do you think I do?
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    I’m death, and I laugh
    and make merry too.
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    I dance with skeletons and
    make goblets out of skulls
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    —to drink from the cranium,
    you should know, is very fine.
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    [sigh]
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    When your brains are gone,
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    what nobler substitute
    could there be than wine?
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    Oh!
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    I'm Stoya
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    and that was
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    [laughing]
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    and that was Supervert's
    Necrophilia Variations.
Title:
Hysterical Literature: Session One: Stoya
Description:

Stoya visits the studio and reads from "Necrophilia Variations" by Supervert. Directed by Clayton Cubitt.

For further background and context, see: http://claytoncubitt.tumblr.com/post/28527147496
Further information on the series: http://claytoncubitt.tumblr.com/tagged/hystericalliterature/chrono

Support literature, purchase the book: http://amzn.to/M4MkyY

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Video Language:
English
Duration:
06:53
Amaranta Heredia Jaén edited English subtitles for Hysterical Literature: Session One: Stoya
Nuno Miranda Ribeiro edited English subtitles for Hysterical Literature: Session One: Stoya
Nuno Miranda Ribeiro edited English subtitles for Hysterical Literature: Session One: Stoya
Nuno Miranda Ribeiro added a translation

English subtitles

Revisions