4 Adventures of Reinette and Mirabelle
-
0:10 - 0:19FOUR ADVENTURES
OF REINETTE AND MIRABELLE -
0:19 - 1:30THE BLUE HOUR
-
1:30 - 1:31Excuse me!
-
1:31 - 1:34Do you know if there's a
bike shop close to here? -
1:34 - 1:38Yes. Ten kilometers.
-
1:38 - 1:40I think I have a flat.
-
1:40 - 1:44Can I see it?
-
1:44 - 1:54Can you hold this?
-
1:54 - 1:56Do you have patches?
-
1:56 - 2:00Yes, but... how do you find
the hole? I don't know... -
2:00 - 2:06You never repaired a tire?
-
2:06 - 2:10I'll fix it for you.
-
2:10 - 2:11Do you have the cap?
-
2:11 - 2:13No, I don't have one.
-
2:13 - 2:28Okay. Let's go...
-
2:28 - 2:41It's this way.
-
2:41 - 2:44See, there are the bubbles.
There is the hole. -
2:44 - 2:48You put your finger on it like this.
-
2:48 - 2:49Can I do it?
-
2:49 - 2:52Yes, come here... There...
-
2:52 - 2:56Let it dry a little. If it's not dry
you can't put the adhesive on... -
2:56 - 3:00Let me do it.
-
3:00 - 3:05Give me the sandpaper...
-
3:05 - 3:08You sand a little.
Can you do it? -
3:08 - 3:13There, like that.
-
3:13 - 3:29You take the adhesive,
the patch... -
3:29 - 3:32- The tube is new.
- Yes. -
3:32 - 3:37It's got metal filings.
This is absurd. -
3:37 - 3:40It needs something
sharp to puncture it. -
3:40 - 3:42Yes, a needle.
-
3:42 - 3:43Wait, I'll bring one.
-
3:43 - 4:03Hold this tight.
-
4:03 - 4:07- Do we need more?
- No, this is enough. -
4:07 - 4:11I'll put a bit on the patch
so that... -
4:11 - 4:22it bonds well.
-
4:22 - 4:23I put it on top...
-
4:23 - 4:24You didn't put enough
-
4:24 - 4:29This is good. Press it tight...
-
4:29 - 4:35so that it won't come loose.
-
4:35 - 4:36Do you remove the paper
afterwards? -
4:36 - 4:57Yes. I'll put it away to dry.
-
4:57 - 4:58What is this?
-
4:58 - 5:03- This, what?
- I mean this. -
5:03 - 5:06This is my place.
-
5:06 - 5:08But where do you live?
-
5:08 - 5:11Right here.
-
5:11 - 5:19This is my kitchen...
all of this... -
5:19 - 5:22and up there is my room.
-
5:22 - 5:25- This is a house?
- What do you think? -
5:25 - 5:28I don't know.
Seems more like a granary. -
5:28 - 5:35It was before. They made a room
out of it. You want to see it? -
5:35 - 5:37Watch out! There are nettles here.
-
5:37 - 5:41I like the way the grass has been
allowed to grow. It's so pretty. -
5:41 - 5:46Yes, I think so too. But the neighbor
comes to cut it for his goats. -
5:46 - 5:49What a marvelous tree!
-
5:49 - 5:53It was my great-grandmother's tree.
It's pretty, isn't it? -
5:53 - 5:55Your great-grandmother's?
-
5:55 - 5:59Yes, they planted it the day she
was born, over a hundred years ago. -
5:59 - 6:02It is a pear tree.
-
6:02 - 6:05Come on, it's this way.
-
6:05 - 6:17It's the green door...
-
6:17 - 6:25Please enter, miss...
Thank you. -
6:25 - 6:28Don't mind the mess,
it's a storage room. -
6:28 - 6:33The stairway is here.
-
6:33 - 6:47Don't worry, it's sturdy.
-
6:47 - 6:48You live here all alone?
-
6:48 - 6:52Yes... My mother has a
grocery shop in Rebais, -
6:52 - 7:07and I like to return here
in the summer. -
7:07 - 7:08Your house is very cute.
-
7:08 - 7:25Thanks.
-
7:25 - 7:27You paint?
-
7:27 - 7:30Yes, I intend to.
-
7:30 - 7:32And you, what do you do?
-
7:32 - 7:33I am a student.
-
7:33 - 7:36- Of what?
- Of ethnology. -
7:36 - 7:39- What is that?
- The study of the actual ethnic groups. -
7:39 - 7:41Of the what?
-
7:41 - 7:44Of the ethnic groups.
Comes from "etnos", -
7:44 - 7:48a Greek word that means people.
-
7:48 - 7:50Oh, I see.
-
7:50 - 7:51What's your name?
-
7:51 - 7:56- Mirabelle.
- And I'm Reinette. -
7:56 - 7:58Can I look at your pictures?
-
7:58 - 8:01Yes, go ahead...
-
8:01 - 8:10This is "The Escapade".
It's called that. -
8:10 - 8:16It's... It's like this.
-
8:16 - 8:20Yes, it's better to look at it
a bit further away. -
8:20 - 8:23This is "The refusal".
-
8:23 - 8:26- Of what?
- Of "The Choice". -
8:26 - 8:28You deny having your eyes
-
8:28 - 8:32open or shut. Choose the face
you want for that body. -
8:32 - 8:33And I put it on top.
-
8:33 - 8:35There you go.
-
8:35 - 8:37And this?
-
8:37 - 8:38This is...
-
8:38 - 8:40Can I put it here?
-
8:40 - 8:43This has to be looked at from afar.
-
8:43 - 8:45In reality... I don't know.
-
8:45 - 8:46I'm lost. There is nothing
to understand. -
8:46 - 8:48It's more comic-like.
-
8:48 - 8:53I don't know. The only comics
I know... -
8:53 - 8:54are... Grim and Perrault.
-
8:54 - 8:57Grim and Perrault did comics?
-
8:57 - 9:00Ok, I don't know.
It's almost the same. -
9:00 - 9:03You want to see my favorite?
Oh! But first... -
9:03 - 9:05Wait... I have this funny one.
I really like it. -
9:05 - 9:08It's called: "Some millimeters more".
-
9:08 - 9:11Is it because of this?
-
9:11 - 9:13Because this one's smaller
than that one. -
9:13 - 9:16This is my favorite ant.
-
9:16 - 9:20- Have you painted many?
- Yes, I like ants. -
9:20 - 9:23I like this painting because
the ant is so well done. -
9:23 - 9:26And all this happens in the moonlight?
-
9:26 - 9:29Yes, you can say that.
-
9:29 - 9:32Would you like to see my sunset?
-
9:32 - 9:40It'll make you mad.
-
9:40 - 9:45Look, there you have
some more millimeters. -
9:45 - 9:49I like it, I think the best part
is that of the woman. -
9:49 - 9:53That's why I placed it right
in the center. I like it. -
9:53 - 9:55It's so perfect, it's beautiful!
-
9:55 - 9:59What you do is very surrealistic,
isn't it? -
9:59 - 10:04Yeah, yeah...certainly...
It's very suru... -
10:04 - 10:15Next year, I will go to Paris
to take classes. -
10:15 - 10:20You are so lucky to live
here. It's so pretty! -
10:20 - 10:24And you, where do you live?
-
10:24 - 10:26In Paris.
-
10:26 - 10:31But you didn't come from Paris today...
No. -
10:31 - 10:33My parents own a little cottage
in La Ferte, -
10:33 - 10:38with a little gravel drive,
and a little lawn, -
10:38 - 10:40little flowers...
You can imagine it, can't you? -
10:40 - 10:47And the house next door
looks exactly the same. -
10:47 - 10:50I don't know... I've never been
in the country like this. -
10:50 - 10:53This is completely wild.
-
10:53 - 10:56Then stay!
-
10:56 - 10:58I don't know about that...
-
10:58 - 11:01Yes, stay. I have
an extra bed. -
11:01 - 11:02I don't want to disturb you.
-
11:02 - 11:06If it was like that, I wouldn't have
asked... I've finished my painting. -
11:06 - 11:08And when I'm not painting,
I like to chat. -
11:08 - 11:11If I talk too much,
you can always leave. -
11:11 - 11:14I can't.
My parents are expecting me. -
11:14 - 11:18You can call them.
-
11:18 - 11:19Do you have a telephone?
-
11:19 - 11:28No, but my neighbors do.
Shall we go there? -
11:28 - 11:34This silence is marvelous.
In Paris you never have silence like this. -
11:34 - 11:37There is always a car passing,
-
11:37 - 11:41or a neighbor's loud music.
There's a continous noisiness. -
11:41 - 11:45There is no silence here either.
-
11:45 - 11:50Listen...
-
11:50 - 11:55There's a lot of noises...
-
11:55 - 12:01For sure, complete silence
in nature doesn't exist. -
12:01 - 12:06Unless it's in the high mountains.
-
12:06 - 12:08Have you ever been to the
mountains? -
12:08 - 12:10No, never.
-
12:10 - 12:13But there is silence here too.
-
12:13 - 12:14In the night perhaps?
-
12:14 - 12:17There are many sounds at night:
the cats prowling, the owls... -
12:17 - 12:25No, I didn't mean at night.
-
12:25 - 12:27Have you heard of the blue hour?
-
12:27 - 12:30The blue hour?
-
12:30 - 12:34But it's not really an hour,
it's a minute. -
12:34 - 12:39Just before dawn
there is a minute of silence. -
12:39 - 12:43The day birds haven't
risen yet -
12:43 - 12:48and the nocturnal birds have
fallen asleep. And then... -
12:48 - 12:53Then, there is silence.
-
12:53 - 12:56When I was little I asked my
mother to wake me up for that hour. -
12:56 - 12:58Every day?
-
12:58 - 13:01Oh no, not every day
I don't know... -
13:01 - 13:082 or 3 times every year. Always in
summer, when the sky was clear. -
13:08 - 13:13It is hard to explain to someone
who hasn't experienced it. -
13:13 - 13:18But in reality, the silence
of nature is frightening. -
13:18 - 13:22Look, it's a little bit
like in a courtroom -
13:22 - 13:25while the jury deliberates
and you're waiting for the sentence. -
13:25 - 13:27Will it be life,
-
13:27 - 13:30or will it be death?
-
13:30 - 13:36If the world came to an end,
surely it would be in that minute. -
13:36 - 13:40-Do you know why?
-No. -
13:40 - 13:41Because it's the only moment
-
13:41 - 13:46that you get the feeling that
nature stops breathing. -
13:46 - 13:52And that... that is frightening!
-
13:52 - 13:56All the peasants have this hour
on their mind. That's why they say: -
13:56 - 13:59In all regards,
tomorrow will be another day. -
13:59 - 14:02And this is true:
No matter what you do, -
14:02 - 14:05you can't stop the day that
will follow. -
14:05 - 14:11And this is best lesson in humility
you can get. -
14:11 - 14:15We need nature...
not the other way round. -
14:15 - 14:19Okay, if you want, we can go to
sleep now... -
14:19 - 14:22I'll wake you up for the blue hour.
-
14:22 - 14:23Do you want to?
-
14:23 - 14:28We'll never wake up! There's no
way I'll hear the alarm clock. -
14:28 - 14:47Just leave that to me.
-
14:47 - 15:23It is the hour...
-
15:23 - 15:26Listen...
-
15:26 - 15:32The toad,
-
15:32 - 15:39That is a frog.
-
15:39 - 15:51An owl.
-
15:51 - 15:57But what is this?
-
15:57 - 16:04Oh no, it can't be!
-
16:04 - 16:06Come on, hurry up!
-
16:06 - 16:08You don't have to be nervous.
-
16:08 - 16:27But a minute is short, do you
understand? -
16:27 - 16:34See, he's going, he goes...
-
16:34 - 16:39Yes, he's gone.
-
16:39 - 16:43Yes, he's gone...
but everything is screwed up! -
16:43 - 16:44No I'm telling you!
-
16:44 - 16:47Don't do this, it's not so bad.
-
16:47 - 16:50It was very impressing
a while ago.. -
16:50 - 16:54But that isn't the silence!
Damn it! -
16:54 - 16:56But I really understood it quite well.
-
16:56 - 17:00It's not a matter of understanding.
Everyone says "I understood it". -
17:00 - 17:03The fact that a red strawberry is
better than a green one -
17:03 - 17:06can not be understood
until you've tried it. -
17:06 - 17:11What does it matter...
stop crying. -
17:11 - 17:15I've has enough! People always
screw up everything they've got. -
17:15 - 17:18I think you've already heard
this blue hour a thousand times. -
17:18 - 17:27Yes, but I wanted to show it to you.
-
17:27 - 17:30Look, there will be other
chances, right? So... -
17:30 - 17:36So what? Tomorrow you'll be gone
I don't know where to. -
17:36 - 17:42Okay, I'll stay if you like.
-
17:42 - 17:45Really?
-
17:45 - 17:48Are you serious?
-
17:48 - 17:55It's enough to make a phone call.
-
17:55 - 17:59Don't cry anymore.
-
17:59 - 18:04Let's go to sleep then.
-
18:04 - 18:31You're so silly.
-
18:31 - 18:33Look at them.
-
18:33 - 18:36They always give you the impression
that they're talking business. -
18:36 - 18:39Not now.
They're just taking a walk. -
18:39 - 18:43No, they're having a
very serious discussion. -
18:43 - 18:45About what, hens?
-
18:45 - 18:49They don't want to eat!
-
18:49 - 18:52You're scaring them.
-
18:52 - 18:56Around the animals,
you have to move slowly. -
18:56 - 18:59They're not used to you...
they don't know you yet. -
18:59 - 19:04Listen rooster, do you want to eat?
Come on, don't act so haughty. -
19:04 - 19:09Seems like they're not
running to see you! -
19:09 - 19:11What is that down there?
-
19:11 - 19:14Those are baby goats.
It looks like they've seen us. -
19:14 - 19:15Are we going to see them?
-
19:15 - 19:16Hello, goats!
-
19:16 - 19:21-Are we going?
-Yes. -
19:21 - 19:25This stinks, yuck!
-
19:25 - 19:30This is the way it is.
-
19:30 - 19:36They're so cute!
-
19:36 - 19:40The red ones go first
-
19:40 - 19:42because they're most numerous.
-
19:42 - 19:44Is it a matter of color?
-
19:44 - 19:46Yes!
Okay! -
19:46 - 19:49If there had been more white,
then it would have been the white ones. -
19:49 - 19:53I know it's that way with chicks,
but not with goats. -
19:53 - 19:57It's just a matter of breed
and superiority. -
19:57 - 20:00I don't know, at least
these are different. -
20:00 - 20:05The redheared ones are always first.
They always win. Look! -
20:05 - 20:09They cut their horns.
Otherwise, they fight -
20:09 - 20:13and hurt each other.
-
20:13 - 20:21You see, all those that have
their horns cut are fighters. -
20:21 - 20:25There's an old one, there.
Now he cannot move about. -
20:25 - 20:27I'll feed him some...
-
20:27 - 20:32Here, you've got a lot of experience...
-
20:32 - 20:39You're not going to disturb her.
-
20:39 - 20:42I give some to the ones that are behind.
-
20:42 - 20:46But... It's the survival of the fittest!
You don't have to work against that. -
20:46 - 20:51But today I'm here.
-
20:51 - 20:55This one hurt the others so
much we had to put it apart. -
20:55 - 21:00This one's a real bitch!
-
21:00 - 21:02I assure you...
-
21:02 - 21:03That one?
-
21:03 - 21:21Yes. You see how hefty
it is? -
21:21 - 21:25What's her name?
Diane. You can call her... -
21:25 - 21:30She won't budge. She's like a mule.
-
21:30 - 21:32Come on, let's go!
-
21:32 - 21:35In the fall, it blends in
with the trees. -
21:35 - 21:36She's pretty!
-
21:36 - 21:38Are you coming?
-
21:38 - 21:39Nothing, impossible.
-
21:39 - 21:41I'm going to look at it.
-
21:41 - 21:44Aren't you afraid of horses?
Don't worry about that. -
21:44 - 21:47If I were you... In the end
you do what you wish, but... -
21:47 - 21:53They're gentle, but take care...
-
21:53 - 22:03You can scare her off,
so watch out. -
22:03 - 22:09No, it's okay.
Here are the sheep! -
22:09 - 22:11It's okay.
Do you know horses well? -
22:11 - 22:13I like horses.
-
22:13 - 22:20She likes it, right?
-
22:20 - 22:23Come on, I'm going to introduce
you to our neighbors. -
22:23 - 22:28Hello Kitty.
-
22:28 - 22:31Mr. Housseau.
-
22:31 - 22:32Hello.
-
22:32 - 22:33Mirabelle.
-
22:33 - 22:34Pleased to meet you.
-
22:34 - 22:37Mrs. Housseau.
-
22:37 - 22:40She is from Paris and wants to
know the countryside. -
22:40 - 22:43We're the best to show her!
-
22:43 - 22:45What can we teach her?
-
22:45 - 22:46Here they've got strawberries.
-
22:46 - 22:48They're always blooming...
-
22:48 - 22:50They are beautiful!
-
22:50 - 22:53They've been vegetating.
They were late enough in growing. -
22:53 - 22:55Maybe becouse of the frost
this winter, is it? -
22:55 - 23:00I don't know so much about the frost.
But if gets a lot colder... -
23:00 - 23:03Because of the humidity...
-
23:03 - 23:05And this, what is it?
It's a rosebush, right? -
23:05 - 23:08Yes, rosebushes in bloom.
-
23:08 - 23:10The strawberries are wonderful!
-
23:10 - 23:13Are they ready to pick?
-
23:13 - 23:14Can I?
-
23:14 - 23:24Sure, if you want to.
-
23:24 - 23:28They are wonderful!
Take this, Reinette. -
23:28 - 23:31I ate one.
-
23:31 - 23:33They are ripe!
-
23:33 - 23:35"This isn't the Place de Concorde..."
-
23:35 - 23:39This is summer cabbage.
-
23:39 - 23:40Those purple ones?
-
23:40 - 23:44They're inbetween the leeks,
the first leeks we're eating, -
23:44 - 23:46we call them summer leeks.
-
23:46 - 23:48Why summer leeks?
-
23:48 - 23:52Because they're the first that
are planted and eaten at once, -
23:52 - 23:57because in a month and a half
they're already grown. -
23:57 - 24:00And the lettuces are very large.
-
24:00 - 24:01Chicory.
-
24:01 - 24:03Lettuce for cooking.
-
24:03 - 24:06And here, what's this?
All these big stalks... -
24:06 - 24:08with the little white flowers
-
24:08 - 24:12There? Those are potatos.
No, maybe green beans. -
24:12 - 24:15Shall we take a look?
-
24:15 - 24:21At least these are haricots.
-
24:21 - 24:25Aren't the flowers beautiful?
-
24:25 - 24:28What is all this?
Can you tell me? -
24:28 - 24:33Those are radishes, cucumbers,
radishes, and there, endives. -
24:33 - 24:37How does the endive grow?
Do you eat the root? -
24:37 - 24:40Yes, what get's picked is the root
and it's buried underground -
24:40 - 24:43there, for the winter...
-
24:43 - 24:44All through winter?
-
24:44 - 24:48When the endives are eaten,
they're large white bulbs. -
24:48 - 24:50That's the only part called endive.
-
24:50 - 24:52Ah, I understand. And the leaves?
-
24:52 - 24:58The leaves are for the rabbits.
There aren't any leaves -
24:58 - 25:02I'm going to give you flowers, Mr. Housseau.
Yes, yes. -
25:02 - 25:07You put it in the pocket.
One flower in the buttonhole! -
25:07 - 25:12Red and blue, that's good.
-
25:12 - 25:13Where do they have the cows?
-
25:13 - 25:16Lateron , they go down to the
pasture, there. -
25:16 - 25:21Because, like there were a path,
they go directly there, to the forest. -
25:21 - 25:22They go over there?
-
25:22 - 25:23Yes, by that path.
-
25:23 - 25:25And to go and see them?
-
25:25 - 25:30One goes this way, or on the other
side, by the path over there. -
25:30 - 25:33There is a shed
where the take shelter when it rains. -
25:33 - 25:38Today the weather isn't so good.
Do you think it's going to rain? -
25:38 - 25:40No, this is nothing.
-
25:40 - 25:41But I think it is.
-
25:41 - 25:43So what?
-
25:43 - 25:44No?
No. -
25:44 - 25:49I'll go get my impenitrable.
You never know. -
25:49 - 25:52It's better to take precaution.
-
25:52 - 26:17One can always be wrong.
-
26:17 - 26:22How nice, all these poppies!
Can you pick them? -
26:22 - 26:25If you want... But they won't last.
-
26:25 - 26:28Now it's really started to rain.
-
26:28 - 26:29Do you have a hood?
-
26:29 - 26:33No, but I like the rain.
It's good for your hair. -
26:33 - 27:23We'll go on, right?
-
27:23 - 27:24It's sad
-
27:24 - 27:24that the weather's so bad.
-
27:24 - 27:32No, not at all. This way I'll have
seen the field in all types of weather. -
27:32 - 27:37Have you graduated?
Yes, last year. -
27:37 - 27:40And I never went to school.
-
27:40 - 27:42Why not? Can you take courses
via mail? -
27:42 - 27:48Yes. I like it. Every time they
took me to school, it was a ball. -
27:48 - 27:52Really, I think it's ridiculous.
That honor roll! -
27:52 - 27:55Every class, they give you new
stuff. -
27:55 - 27:57I know; I went there!
-
27:57 - 27:59Really, it's ridiculous.
-
27:59 - 28:00And what are you going to do now?
-
28:00 - 28:04Next year, I'll be doing fine art,
because with drawing... -
28:04 - 28:08I know when it's bad,
but I don't know why it's bad. -
28:08 - 28:12So that... I think the tecnique
will be helpful. -
28:12 - 28:16For that it dosn't matter to me
whether I've got validation from a school. -
28:16 - 28:20but, apart from that,
don't talk bout it! -
28:20 - 28:23It's true that one needs
some tecnique. -
28:23 - 28:26And where are you going to live?
-
28:26 - 28:29I've got cousins in Sartrouville.
-
28:29 - 28:31But that's far away, Sartrouville.
-
28:31 - 28:32So what, it's...
-
28:32 - 28:3420 minutes from Paris.
-
28:34 - 28:37But they're late a lot. It will
mean an hour of travel every day. -
28:37 - 28:41Yes, but I like being on a train.
-
28:41 - 28:42The idea is tempting. And...
-
28:42 - 28:47the people are very nice.
-
28:47 - 28:50You know what? I'm renting a
flat with a girl, -
28:50 - 28:53but she's leaving in September.
-
28:53 - 28:57So, if you like,
you could be my roommate. -
28:57 - 29:02That way, you would be in Paris
itself. -
29:02 - 29:07Fine, if it's alright with you...
-
29:07 - 29:11I'm very independent, you know...
-
29:11 - 29:14Anyway, we'll both have a room
to ourselves. -
29:14 - 29:17Can you do everything the way
you like? -
29:17 - 29:22Sure, if we're flatmates.
Half and half! -
29:22 - 29:25Then, it won't be a problem.
-
29:25 - 29:29You can bring anyone you like,
-
29:29 - 29:33do what you like.
-
29:33 - 29:37I've got a friend,
but she doesn't live in my house. -
29:37 - 29:42So when he comes...
-
29:42 - 29:44You've got a boyfriend?
-
29:44 - 29:46That's my own private secret.
-
29:46 - 30:11If it's private, you don't have to
talk about it; if not, it isn't. -
30:11 - 30:13How well you dance!
-
30:13 - 30:15I don't know how to dance.
-
30:15 - 30:18But everyone would say so!
-
30:18 - 30:23I go out by myself to dance.
I haven't learned how to. -
30:23 - 30:26I don't plan to.
I've never been to a discotheque. -
30:26 - 30:46You haven't?
-
30:46 - 30:50You're talking nonsense!
You said you didn't know how to dance! -
30:50 - 30:52I've travelled.
-
30:52 - 30:56I've bee to Mexico.
-
30:56 - 31:03to Tunisia, Greece, and the
Antilles. -
31:03 - 31:08Listen, we shold go to bed because
if not, we'll miss the blue hour. -
31:08 - 31:12You have to live in the present,
that is: become a Parisien. -
31:12 - 31:16A Parisien has to know how to dance.
-
31:16 - 31:18Are we going to miss the blue hour?
-
31:18 - 31:20Do you really want to?
-
31:20 - 31:22I don't know. It was to please you.
-
31:22 - 34:39Do you want to please me?
Let's dance until the middle of the night, ok? -
34:39 - 36:16THE WAITER
-
36:16 - 36:17You're going already?
-
36:17 - 36:20Yes. I'll even be arriving late.
-
36:20 - 36:21At what time will you be leaving?
-
36:21 - 36:23At three o'clock.
-
36:23 - 36:25If you want, we can meet...
-
36:25 - 36:27in Montparnasse?
-
36:27 - 36:30Come to meet me at the exit.
-
36:30 - 36:36It'll be more comfortable in a café.
I know one, "La Égalité", or something... -
36:36 - 36:37What's the address?
-
36:37 - 36:44It's at... near the Tour
Montparnasse, Rue... -
36:44 - 36:46de la Gaité. You know it?
-
36:46 - 36:50No, but I'll find it.
What number? -
36:50 - 36:52Now, I don't know, it a café...
-
36:52 - 36:55Right, there's a square
by a metro station. -
36:55 - 36:56Which metro?
-
36:56 - 37:00I don't know. But you'll be walking.
You don't need to know. -
37:00 - 37:03Go to la Rue de la Grande-Chaumiére,
keep to the right... -
37:03 - 37:09Cross a bouleward, this way.
Here is another bouleward, -
37:09 - 37:13There's an alley between the two,
take that and there is the square, -
37:13 - 37:16where the station is, and it's
opposite that. -
37:16 - 37:19Ok. Rue de la Gaité.
-
37:19 - 37:21Fine... If I can't find it,
I'll ask around. -
37:21 - 38:46Yes, it's very easy... See you later.
-
38:46 - 38:49Excuse me, mister, the Rue de
la Gaité, if you please? -
38:49 - 38:52You're in luck, go this way.
It's there on the left. -
38:52 - 38:55Do you know L'Avenue du Maine?
Du Maine? -
38:55 - 38:59It's a wide avenue with trees,
and this street crosses it -
38:59 - 39:03without trees, it's underground.
But go on, -
39:03 - 39:08to the right, to the left, or is it
two times left and you're there. -
39:08 - 39:09Do you understand?
-
39:09 - 39:09Yes, thank you.
-
39:09 - 39:13Are you looking for something, miss?
Yes, la Rue de la Gaité. -
39:13 - 39:16It's here to the side. Come this way.
It's through here. -
39:16 - 39:17Ah, yes?
-
39:17 - 39:20Yes, you go to the right,
and along the cemetery... -
39:20 - 39:25Listen, I think it's much better
to go left. It's much more direct. -
39:25 - 39:27Sure, if you want to take a detour!
-
39:27 - 39:33What kind of a detour? You'll find
la Rue de la Gaité on the left. -
39:33 - 39:35No, this way is much more direct.
-
39:35 - 39:39The houses of the Rue de la Gaité
are behind the cemetery. -
39:39 - 39:41I've a friend who lives there.
-
39:41 - 39:43On the corner of his friend!
It's not very tasteful -
39:43 - 39:48to have to cross a cemetary
to go to the street of joy. -
39:48 - 39:52All roads lead to Rome
but you don't need that many. -
39:52 - 39:55You don't have to cross it,
but go around it. -
39:55 - 39:58I'm sorry, but I think
it's much more sensible -
39:58 - 40:01than this great detour.
-
40:01 - 40:03I think it's here.
-
40:03 - 40:05Not along it, but across it.
-
40:05 - 40:07That's the same, it's square!
-
40:07 - 40:08Not altogether.
-
40:08 - 40:10Are you from this neighborhood?
-
40:10 - 40:11No, are you?
-
40:11 - 40:12No, but I know it well.
-
40:12 - 40:16And anyway, you're taking up my time.
I'm sorry. -
40:16 - 40:18Me too. Goodbye.
-
40:18 - 40:43It's unbelievable!
-
40:43 - 40:45It's here.
-
40:45 - 40:47Thank you.
-
40:47 - 40:51Would you please pay me?
Yes, sure. How much is it? -
40:51 - 40:55It's in writing. You can read, can't you?
-
40:55 - 40:57Four francs thirty it's this?
-
40:57 - 41:02Yes, that's it.
-
41:02 - 41:05Here.
-
41:05 - 41:09Are you making fun of me?
A 200 franc note for 4,30 francs? -
41:09 - 41:12I'm sorry, I haven't got change.
Me neither. -
41:12 - 41:14What do you think? Nobody has
any money. -
41:14 - 41:16How should I have, then?
-
41:16 - 41:18Search a little.
-
41:18 - 41:20Right, but where?
-
41:20 - 41:24I'm sure you have 4,30 francs there.
-
41:24 - 41:29Let's see... One thirty, forty,
fifty, sixty. -
41:29 - 41:31Only one franc seventy!
-
41:31 - 41:32You don't go down the street with this!
-
41:32 - 41:34I do have 200 francs!
-
41:34 - 41:38Oh yes! If you don't have money,
don't take a seat at a café. -
41:38 - 41:42But this is money!
-
41:42 - 41:45I'm waiting for a friend.
Perhaps she has cash. -
41:45 - 41:46I don't believe that.
-
41:46 - 41:51Because that about the friend...
-
41:51 - 41:55I already know that! You expect me
to turn around and leave. -
41:55 - 41:58I'm alone here.
I've got the terrasse and the inside. -
41:58 - 42:02And if I lose concentration,
people could leave. -
42:02 - 42:06Right... Not that they can,
because I'm on the lookout, keeping track. -
42:06 - 42:08But it doesn't seem easy to me.
-
42:08 - 42:11A girl did that to me the other day.
-
42:11 - 42:13She looked like you.
-
42:13 - 42:15It wasn't me! I've never been here.
-
42:15 - 42:18I didn't say it was you,
but she looked a lot like you. -
42:18 - 42:20And I am a specialist in physinomy.
-
42:20 - 42:24Just like the trick about the friend,
once accepted... See! -
42:24 - 42:25But it wasn't I!
-
42:25 - 42:31I didn't have to believe that. You
can talk. You're her or not. Watch out! -
42:31 - 42:32I'm going.
-
42:32 - 42:39He's crazy!
-
42:39 - 42:50Ninety five.
-
42:50 - 42:56There you are.
-
42:56 - 42:59Now you have change!
-
42:59 - 43:04To be sure, for the clients. For
people like you, it's not worth it! -
43:04 - 43:04Staying
-
43:04 - 43:06two hours over one coffee!
-
43:06 - 43:07It was five minutes!
-
43:07 - 43:10But they stay, that much is certain.
-
43:10 - 43:14They don't leave after I've got
change. And try to delay things. -
43:14 - 43:49And don't try to leave, as far
as I can see. -
43:49 - 43:51But wit, I'm waiting fore someone!
-
43:51 - 43:53I don't need to know that.
-
43:53 - 43:57Don't think about monopolizing two chairs
all day for 4,30 francs. -
43:57 - 43:59But there are a lot of vacant tables!
-
43:59 - 44:01Yes, they are vacant.
Today has been slow. -
44:01 - 44:05And people who only come in for
a coffee... I don't call that worth the work's. -
44:05 - 44:07Is it that you don't believe me?
-
44:07 - 44:11Believe you! If I believed everyone
I'd be desolate. -
44:11 - 44:15But that about the friend, don't
give me that twice. -
44:15 - 44:20I'm on guard...
-
44:20 - 44:21What would the gents like?
-
44:21 - 44:33I would like a large chocolate
with a lot of froth. -
44:33 - 44:38Listen, I won't have this!
Leave the chair where it is. -
44:38 - 44:40I'd like to sit down. There isn't
a chair... -
44:40 - 44:44I took it. It's not allowed to
touch it. -
44:44 - 44:49You're not going to stop me from
sitting down in front of your cafe, are you? -
44:49 - 44:53Or... it's you...
you're the friend. -
44:53 - 44:55Of whom, of her? And who?
-
44:55 - 44:58I don't think she'll arrive.
So I've taken the chair. -
44:58 - 45:00I'm her, so I'll take it.
-
45:00 - 45:05Take it, take it.
-
45:05 - 45:08What would you like?
A coffee. -
45:08 - 45:10Another one!
-
45:10 - 45:11What?
-
45:11 - 45:13Al right, have your coffee.
-
45:13 - 45:18I expect you have some coffee .
-
45:18 - 45:22And if you don't like it, let's go to
another café. There are thousands in Paris. -
45:22 - 45:23Stay!
-
45:23 - 45:25First you have to pay.
-
45:25 - 45:29We haven't had anything!
Not you. She. -
45:29 - 45:31Pay and let's go.
-
45:31 - 45:33Do you have 4.30 francs? I don't
have any change. -
45:33 - 45:36No. I've got a 500 franc note.
Can you change it. -
45:36 - 45:41Do you do it on purpose? One with 200,
the other with 500. Would you believe that? -
45:41 - 45:44We would believe what?
There's a bank next door, isn't there? -
45:44 - 45:46I don't have change, and that's it!
-
45:46 - 45:49We're going. This is your problem.
First you pay! -
45:49 - 45:53What should we pay! If we don't
want anything else! -
45:53 - 45:56The clientel is required to carry
change. -
45:56 - 45:58That's news!
-
45:58 - 46:01I've studied law and I can tell you
-
46:01 - 46:04that you're supposed to have change
-
46:04 - 46:09on buses and on the metro,
but not in shops. -
46:09 - 46:11Look, young girl!
-
46:11 - 46:14To begin with, talk in a different tone.
-
46:14 - 46:18You can leave, but she has to
stay until she has got change. -
46:18 - 46:20As much time as it takes!
-
46:20 - 46:25And by the way, don't try to leave.
If not... -
46:25 - 46:26He's like a goat!
-
46:26 - 46:28What a fool!
-
46:28 - 46:29Come on, let's go, it will be fine!
-
46:29 - 46:33You don't have 4.30 francs?
I'm sorry... -
46:33 - 46:36No, I don't have 4.30 francs.
Now that you don't... -
46:36 - 46:37Wait...
-
46:37 - 46:54Come on, hurry.
-
46:54 - 46:58I was right! I was certain that
she wasn't going to pay. -
46:58 - 47:02And that's becouse I'm on the perch!
-
47:02 - 47:224.30, isn't so much...
No need to be angry. -
47:22 - 47:23See you later.
-
47:23 - 47:26I don't intend to get up for
you return. -
47:26 - 47:29Any way, return before twelve.
-
47:29 - 47:34It's because... I' going to bed early
in order to return the money. -
47:34 - 47:36You're crazy.
-
47:36 - 47:38For 4.50 francs.
-
47:38 - 47:40It's not about that.
-
47:40 - 47:44I feel bad about having one exactly
what he said: left without paying. -
47:44 - 47:47Come here!
-
47:47 - 47:49I'm always in situations like this.
-
47:49 - 47:52I must have the face of a clown.
They don't believe me. -
47:52 - 47:57When they come they think I'm a
rascal who's going to throw some prank. -
47:57 - 48:00The other day: I had a resevation
at the dentist at 11. -
48:00 - 48:03I arrived at excactly eleven,
and went into the waiting room, -
48:03 - 48:06I said hello and no one replied.
-
48:06 - 48:10I waited, five minutes,
ten minutes... -
48:10 - 48:12No one.
-
48:12 - 48:16I went to the secretary and asked her:
"Why haven't you called me" -
48:16 - 48:20She replied: "But miss,
it's not your date" -
48:20 - 48:23I checked my diary and saw:
at 11. -
48:23 - 48:29I told her: "Look, if I've written
it in my diary, it has to be right." -
48:29 - 48:32Everyone laughed. They thought
it was a joke, -
48:32 - 48:38in order to make good for
not having an appointment. -
48:38 - 48:41She said to me: "Anyway,
if you had an appointment. -
48:41 - 48:45you would have a small card
handwritten by the doctor. -
48:45 - 48:47I: "Yes, he gave me one, but...
-
48:47 - 48:52I'm afraid of losing notes and
write all in my diary." -
48:52 - 48:53"No, it's not possible."
-
48:53 - 48:56In rage, I grasped my bag,
which is enormous, -
48:56 - 48:59took everything out of it, and what
did I find? The card. -
48:59 - 49:02I took it and asked her: "And then,
did I write it myself?" -
49:02 - 49:07Every, every one was astonished.
But to begin with, no one believed me. -
49:07 - 49:10Afterwards they had to admit that
I hadn't lied. -
49:10 - 49:34And with the waiter, the same: I want
to show him that I had told him the truth. -
49:34 - 49:37Listen, excuse me...
-
49:37 - 49:41I'm looking for the waiter that was
here yesterday. -
49:41 - 49:45They waiter who was here yesterday
was her only one day. Why do you ask? -
49:45 - 49:48I owe him my coffee: 4.30 francs.
-
49:48 - 49:54Can a give it to you?
Yes, of course. -
49:54 - 49:58Thats alright.
-
49:58 - 49:59Here you are.
-
49:59 - 50:06Thank you.
-
50:06 - 50:13Can you see, she returned for this...
-
50:13 - 50:40THE LIER, THE CLEPTOMANIAC,
THE SWINDLER -
50:40 - 50:42Why haven't you given anything?
-
50:42 - 50:45Because he doen't have a
symphathetic face. -
50:45 - 50:47You only give to those with a
symphathetic face? -
50:47 - 50:50Of course. I'm not going to give
everyone! -
50:50 - 50:53He really needs it.
See: "To eat". -
50:53 - 50:57But there are fifteen thousand, everywhere,
in the metro, in the streets. -
50:57 - 51:02The ones who need money to eat.
They're fifteen thousand! -
51:02 - 51:07Shall we go?
-
51:07 - 51:11I don't think its good to leave
people to die from hunger -
51:11 - 51:12while we have a full plate.
-
51:12 - 51:17Look.. go on...
why don't you go to Africa... -
51:17 - 51:20with "doctors without frontiers"?
-
51:20 - 51:25What are you doing here, tell me?
What have you got on the floor? -
51:25 - 51:28One or two francs
looks to me like the minimum... -
51:28 - 51:31Your're giving to everyone?
No. -
51:31 - 51:33I'm not giving those who play music
-
51:33 - 51:37and if I feel it's pure comedy,
like they're showing a film... -
51:37 - 51:41If not, I give a minimum, not much...
compared to what I have... -
51:41 - 51:43To everyone that passes here by?
-
51:43 - 51:48Yes, to all that it seems to me
need it. -
51:48 - 55:31UNIVERSITY OF PARIS 1
Pantheon Sorbonne -
55:31 - 55:33Your bag, if you please.
-
55:33 - 55:35What's up, what do you want?
-
55:35 - 55:38Could we have your bag?
-
55:38 - 55:39And why?
-
55:39 - 55:42There was another bag. Where is
the other one? -
55:42 - 55:44Is there someone else, then?
-
55:44 - 57:19Yes, I am absolutely sure that
she had something. -
57:19 - 57:21You're not eating out tonight?
-
57:21 - 57:24No, where did you get this from?
-
57:24 - 57:28But I haven't bought anything.
-
57:28 - 57:33No matter.
Don't you have anything? -
57:33 - 57:43Not much.
-
57:43 - 57:46Have you bought a bag?
-
57:46 - 57:52I've got lemons, you never know...
-
57:52 - 57:57I don't know what to have them with...
-
57:57 - 58:00Champagne!
-
58:00 - 58:03A bit strange as a mixture...
-
58:03 - 58:08duck paté!
-
58:08 - 58:12and salmon!
-
58:12 - 58:18You knew it was my birthday and
you have remembered! -
58:18 - 58:21Thank you! You know, at home
they never remembered. -
58:21 - 58:23It's a real birthday.
-
58:23 - 58:26I'm going to put these on a plate
and warm this, -
58:26 - 58:31We've got flowers, right?
-
58:31 - 58:33Can I shake your hand?
-
58:33 - 58:36Yes. But it is not I you have
to thank for all this. -
58:36 - 58:38Why?
-
58:38 - 58:42You don't have me to thank for
all this. -
58:42 - 58:45Who, then?
-
58:45 - 58:48To a beautiful dark girl.
-
58:48 - 58:49Do I know her?
-
58:49 - 58:55With big green or blue eyes,
I don't remember, hair very... -
58:55 - 58:58It's not Agathe? No, she's got
dark eyes. -
58:58 - 59:00No, it's not her.
-
59:00 - 59:05Anyway, you don't know her
and neither do I. -
59:05 - 59:07I am going to tell you about it.
-
59:07 - 59:12When I came out of class, I went
to buy cake at the supermarket. -
59:12 - 59:15and was where the cakes are,
when I saw a girl, -
59:15 - 59:17this girl, tall, dark, etc...
-
59:17 - 59:21who was pushing her cart,
at the back. -
59:21 - 59:27And saw a man and a woman, with
a lot of makeup very suspicious -
59:27 - 59:31who were watching her.
And I asked myself who that was. -
59:31 - 59:36So I followed the dark one and saw...
-
59:36 - 59:40she had her cart, and a bag
in the bottom, like this one. -
59:40 - 59:43and I saw her putting smoked
salmon into it. -
59:43 - 59:48Then, I followed her
and the other two as well. -
59:48 - 59:51Then I realized that, for sure,
they were security personell. -
59:51 - 59:55It was very funny, because I was
watching them watching the girl -
59:55 - 59:57who didn't know she was
being watched. -
59:57 - 60:00So, I followed her and saw her take...
-
60:00 - 60:05champagne, paté, etc...
-
60:05 - 60:07And then she went to the till,
-
60:07 - 60:09To pay for something small,
-
60:09 - 60:14and I went to the till beside her.
Her till was there, and mine here. -
60:14 - 60:18And I saw the security people hide
behind a column, there. -
60:18 - 60:21At least, they didn't see me
or she them. -
60:21 - 60:23They were waiting for her to
leave with the bag. -
60:23 - 60:28And she left her blue bag more
or less between the two tills -
60:28 - 60:33and I, then, took the blue bag
and left. -
60:33 - 60:37After that, I don't know what happened,
they must have taken her and not found anything. -
60:37 - 60:42Anyway, I left and hid myself behind
a car, across the street. -
60:42 - 60:47From there, I saw them in discussion.
And, finally, she walked to... -
60:47 - 60:49her car and tried to return
her bag, -
60:49 - 60:52but, unfortunately the traffic
was terrible. -
60:52 - 60:55I couldn't get across and she
left in her car. -
60:55 - 60:57That's why we happen now
-
60:57 - 61:01to have salmon and champagne
for your birthday. -
61:01 - 61:04Not so bad, is it?
-
61:04 - 61:07But why did you take the bag?
-
61:07 - 61:10And why not? I wasn't going
to let them catch her, just like that! -
61:10 - 61:14You should let the secutity
people do their job. -
61:14 - 61:15Do their job?
-
61:15 - 61:17Certainly!
-
61:17 - 61:19But why?
-
61:19 - 61:23Why should I let them to their job,
if I could help her? -
61:23 - 61:26This isn't helping people!
-
61:26 - 61:29Yes, I helped her. If not, she
would have had to pay a lot, -
61:29 - 61:31she would have gone to prison...
-
61:31 - 61:33That's normal.
-
61:33 - 61:35What is it that is normal?
-
61:35 - 61:38She took a chance. She knew they
might catch her. -
61:38 - 61:39And why?
-
61:39 - 61:42I was there and took a chance
by helping her. -
61:42 - 61:44And they could have cought you
as well. -
61:44 - 61:45For nothing. They didn't see me.
-
61:45 - 61:50That's not the issue!
-
61:50 - 61:52You're silly.
-
61:52 - 61:54What a birthday!
-
61:54 - 61:58I don't want your salmon and your
champignon. Anyway, I don't like the bubbles. -
61:58 - 62:02Why don't you want it?
Because I didn't buy them for you? -
62:02 - 62:03That's not it. What you did
-
62:03 - 62:05is very serious. Don't you see?
-
62:05 - 62:08That girl was grown up.
What age was she? -
62:08 - 62:11She was... don't know, twenty-four
or twenty-five years. -
62:11 - 62:14Adults want to be responsible
for their actions. -
62:14 - 62:19And do you know what they call people
like her? Cleptomaniacs. And that is a crime and... -
62:19 - 62:21No, it's an illness.
-
62:21 - 62:25So you helped a sick woman and a criminal.
And you've made yourself a criminal. -
62:25 - 62:33This is very serious. I'm not eating
your salmon, I'm not aiding a criminal. -
62:33 - 62:34Hay, you're acting like a nun!
-
62:34 - 62:38A nun! You don't know what you're saying.
It's a matter of logic. -
62:38 - 62:42The only way to help the sick.
-
62:42 - 62:44or to those that... have problems,
-
62:44 - 62:48is to become a mirror for them, to
confront them with their actions. -
62:48 - 62:51The way to make them see
what they have done -
62:51 - 62:56is to show them that the consequence
could be going to jail. -
62:56 - 62:58I don't agree with you in any sense.
-
62:58 - 63:02This isn't the solution.
You've got to find the source of the sickness. -
63:02 - 63:06And at least do what I did...
that will make her think a bit more. -
63:06 - 63:11You think so? I think that she'll steal
something much bigger and will not just get -
63:11 - 63:12one year but ten instead.
-
63:12 - 63:15A year in jail for some salmon!
-
63:15 - 63:19At least, with such taste for luxury,
it's sertainly not a necessity. -
63:19 - 63:23No... I don't understand you. I'm sorry,
but I don't understand you. -
63:23 - 63:26The money, what will it change?
This isn't the problem, -
63:26 - 63:29but not knowing why she steals.
-
63:29 - 63:29And you?
-
63:29 - 63:32Me neither. I've been trying to
tell you for an hour. -
63:32 - 63:38You don't accuse anyone when you don't
know... you don't know their reasons. -
63:38 - 63:42What I want to kno is why you helped her,
that's what I find interesting. -
63:42 - 63:46Why I helped her?
Because my little personal problem -
63:46 - 63:49is that in the end
not much happens, -
63:49 - 63:54at least in our small everyday
life..., going out onto the street, -
63:54 - 63:56there's nothing funny happening.
-
63:56 - 63:59So nothing fun happens!
If not, so! -
63:59 - 64:02Everything is fun.
I, to be like being at home, -
64:02 - 64:06when I go out, then... there's sunshine,
there are birds, it's just enough to look... -
64:06 - 64:10I'm refering to an adventure,
to what you read in novels... -
64:10 - 64:15But my role is that I wanted to have
a feeling of a little suspence... -
64:15 - 64:17What a way to get a feeling of suspence...
-
64:17 - 64:22Yes, to feel something... to do something
else than going to class as usual. -
64:22 - 64:26I saw this girl who was bad and
wanted to help her. -
64:26 - 64:29You can feel suspence in many ways.
-
64:29 - 64:32I prefer helping someone who's
worth the effort -
64:32 - 64:36before someone who...
who is sick... -
64:36 - 64:38come on, who isn't worth the effors.
-
64:38 - 64:40You, what you want
is to jail them and that's it. -
64:40 - 64:43I want to cure them
-
64:43 - 64:45After having said
you didn't want to help them. -
64:45 - 64:49Helping and curing isn't the same.
-
64:49 - 64:54What I want is to cure them and
above all prevent them from continuing. -
64:54 - 64:57Last year I went to Scotland
with a friend. -
64:57 - 65:01At the airport we took a taxi
to get to the city centre. -
65:01 - 65:03We started to talk, talk...
-
65:03 - 65:07and unfortunately I noticed that
he hadn't put on the meter. -
65:07 - 65:10I took a better look: he hadn't
started it. -
65:10 - 65:15I pointed it out to him by knocking on the glass,
you know, in english taxis they have a glass. -
65:15 - 65:18Then he made a very strange face,
very strange, -
65:18 - 65:21not like someone
that has forgotten, -
65:21 - 65:24and, at last, grumbling,
he turned on the meter. -
65:24 - 65:28It couldn't do,
I'm certain it's a rotten idea... -
65:28 - 65:33or that he wanted to charge us
what he felt like, just like that. -
65:33 - 65:37Then my friend and I talked about it.
When we arrived in the centre, -
65:37 - 65:41I saw what it said on the meter,
I don't remember how much it was... -
65:41 - 65:44and gave him exactly what it said.
-
65:44 - 65:49The guy looked at me.. He had really
been caught... He understood -
65:49 - 65:51that I had understood his
cheating. -
65:51 - 65:54He took his money
and left in his taxi. -
65:54 - 65:58I'm sure he didn't do it again.
This is what matters. -
65:58 - 66:01Thinking about that what happens
afterwards. -
66:01 - 66:04There I helped someone.
-
66:04 - 66:05Do you think so?
-
66:05 - 66:09I'm sure about it. He wouldn't
try to cheat on others -
66:09 - 66:11because, in the end
-
66:11 - 66:14it turned against him,
the way he wanted to cheat me. -
66:14 - 66:18But, to be a little bit more honest
than you, in your shoes, -
66:18 - 66:23I would have calculated how much I owed
him, the way you described it, -
66:23 - 66:26you really only payed him half.
-
66:26 - 66:30But the important thing is the goal,
and mine was that he wouldn't repeat it. -
66:30 - 66:32wouldn't do the same
-
66:32 - 66:35to others. That's what interests
me. -
66:35 - 66:40Or is it that you want to punish,
to have your little justice, is that it? -
66:40 - 66:44We are all just, you too,
and I... -
66:44 - 66:49Now you haven't understood anything,
a while ago you talked about -
66:49 - 66:51putting people in jail,
-
66:51 - 66:54and critizising the way I was
playing my part. -
66:54 - 66:56And now you're demonstrating
your parts. -
66:56 - 67:01This is a demonstration of everyone
killing among themselves, Middle Age style. -
67:01 - 67:04But... you...
don't do... justice... -
67:04 - 67:07I believe in self-discipline
what I want... -
67:07 - 67:08is that the taxidriver...
-
67:08 - 67:13But still I don't see that the taxidriver
is going to learn self-discipline... -
67:13 - 67:15Yes. He's not going to do that.
-
67:15 - 67:19If you beleive in self-discipline,
you have to have his confidence. -
67:19 - 67:49If not, it doesn't work.
-
67:49 - 67:54Please, I'm sorry to disturb you but
my bag has been stolen, I have nothing, -
67:54 - 67:57and have to go to Versalles,
I want to go home, -
67:57 - 68:00and I don't need much,
I need 6.70 francs. -
68:00 - 68:04Ok, I'll give it to you.
-
68:04 - 68:08I've got it here, there you are.
-
68:08 - 69:30Thanks a lot.
-
69:30 - 69:38Sorry, do you have some?
-
69:38 - 69:55Sorry, do you have some change,
please? -
69:55 - 70:14Hey, give me two francs?
One franc? -
70:14 - 70:17Please, do you have change?
-
70:17 - 70:19I'd like two...
-
70:19 - 70:22I don't speak French, I'm sorry.
-
70:22 - 70:26Beg your pardon, I'm sorry.
-
70:26 - 70:33Sorry, do you have change?
-
70:33 - 70:37They've stolen my bag with all my
things and I need six francs. -
70:37 - 70:40I need to get to Versalles,
I don't need much... -
70:40 - 70:43How much do you want?
6.70 francs. -
70:43 - 70:47I'm going to help you.
You're very nice. -
70:47 - 70:54Go on, I've hear this.
It's still Versailles? 6.70 francs? -
70:54 - 70:55You keep on asking me for it.
-
70:55 - 70:59Or is it your custom to ask for
that? Is it a lie? -
70:59 - 71:00You don't have reason...
-
71:00 - 71:01It's a new proession...
-
71:01 - 71:03I need it...
-
71:03 - 71:04And it gives money, right?
-
71:04 - 71:09Good, I'm going to give you because if
you hadn't arrived, I would have given it. -
71:09 - 71:10Isn't there a better profession?
-
71:10 - 71:14Are you from the police?
No, but all the same... -
71:14 - 71:16You... you occupy yourself with what I do.
-
71:16 - 71:20Ok, I'm preoccupied by my own.
Give me back what I gave you, come on... -
71:20 - 71:25I'm sorry. Here, take this... What's
it to you? You don't need 6.70 francs. -
71:25 - 71:29It's not about money but, in all
the station, how many imbeciles there are. -
71:29 - 71:33It's an abuse of confidence. Give it to me.
I'm not giving it to you. -
71:33 - 71:37Yes, give it back to me now.
I'm not quitting until you gave it to me. -
71:37 - 71:40Why don't you let me alon?
And what are you doing? -
71:40 - 71:46Don't you feel shame doing this?
Have you thought about what you do? -
71:46 - 71:50If you need money, why don't you look
for a job, or do something? But not... -
71:50 - 71:53Look, leave me alone...
-
71:53 - 71:57You don't know my life,
whether I need money... -
71:57 - 72:00What I know is that this isn't honorable.
Go mind your business... -
72:00 - 72:03Give me the money back now.
-
72:03 - 72:07I won't let it pass, I don't know, I could
tell someone at the station... -
72:07 - 72:11And what could you do?
What have you got against me? -
72:11 - 72:13But you have stolen my money!
-
72:13 - 72:17I haven't stolen it. You have...
I asked for 6.70 francs and you gave them to me. -
72:17 - 72:23I did you a favor; you did a number on
me, that's abusing my confidence. -
72:23 - 72:28I'm in a situation but I... need
money... I haven't got a penny... -
72:28 - 72:31I haven't got a flat... no house...
I'm alone... -
72:31 - 72:34I need money and... and...
-
72:34 - 72:35Why don't you say so?
-
72:35 - 72:43I'm saying it now...
So, do you get it? -
72:43 - 72:47I don't know, you might try
to see a social worker... -
72:47 - 72:49Look... You could let it be...
-
72:49 - 72:54Don't cry, I can't stand seeing
someone crying, tears break me up... -
72:54 - 73:03I've got to catch my train,
you keep the money... -
73:03 - 73:04I haven't earned much...
-
73:04 - 73:07I'll take a franc for the telephone.
-
73:07 - 73:15And I don't know... You need to get
a coffee to cheer yourself up a bit, right? -
73:15 - 73:56SELLING A PAINTING
-
73:56 - 74:02Hey, you still haven't payed the rent,
have you? This month I was counting on you. -
74:02 - 74:05I was hoping to have something left
at the end of term. -
74:05 - 74:09What's this, things can't be this way.
There's not a way to get off. -
74:09 - 74:15And they advice you not to pay late,
because there will be consequences. -
74:15 - 74:18I think I have to go back to the
country... -
74:18 - 74:21Why?
-
74:21 - 74:26You can't live in Paris without
money. -
74:26 - 74:30But didn't your grandmother leave
you some cash? -
74:30 - 74:34Yes, but that will take long, come on,
there's still paperwork to do. -
74:34 - 74:36And your mother?
-
74:36 - 74:39She hasn't enough for herself,
how could she then help me? -
74:39 - 74:45No, I'll return home.
-
74:45 - 74:49You're not that bad with money,
you could make some... -
74:49 - 74:54I've thought about getting a job
at a fruit sellers of greengrocers -
74:54 - 74:58But in the end it didn't work out.
-
74:58 - 75:00So that... I'm returning home.
-
75:00 - 75:03You might find something better.
-
75:03 - 75:06Look at me when I tell you,
you might find something better. -
75:06 - 75:08Like how?
-
75:08 - 75:16You might... Ok, you don't speak English
but you speak Spanish. You could teach. -
75:16 - 75:20And teaching French, right?
You could teach French. -
75:20 - 75:22I don't know grammar.
-
75:22 - 75:25Grammar doesn't matter,
it's like with children... -
75:25 - 75:28Some people ask more questions.
-
75:28 - 75:32I've tought Italian to a very
small boy. -
75:32 - 75:35I didn't know a word;
He had a book -
75:35 - 75:40and there were the phonetics and the
translation and it was no problem. -
75:40 - 75:43And now I speak a little Italian.
You could do this. -
75:43 - 75:48Everything I've learned, I've learned
alone. I don't know how to teach others. -
75:48 - 75:53How would you like if I taught
you something? -
75:53 - 75:53You're no help at all!
-
75:53 - 75:59But I have a small hope.
Do you know Gontran? -
75:59 - 76:01The guy who came the other day?
-
76:01 - 76:04Yes, he knows a lot of people
in painting -
76:04 - 76:07and a gallerist who's interested
in young painters. -
76:07 - 76:10And, according to him, this painting
-
76:10 - 76:14might perhaps interest him.
-
76:14 - 76:18Good? More reason to stay and
not run in panic. -
76:18 - 76:38I'm going to call him...
This might work. -
76:38 - 76:45Oh, it's the answering mahine.
-
76:45 - 76:47Hello... It's Reinette,
-
76:47 - 76:52I'm phoning about the gallery.
-
76:52 - 76:59I'll be at home tonight.
Good bye. -
76:59 - 77:04You know, I don't think I could do
anything else than paint. -
77:04 - 77:09When Im not painting, I get the feeling
I'm waisting time. -
77:09 - 77:11I believe I'm born for this,
-
77:11 - 77:14perhaps, on the base of it,
I'm able to do other things... -
77:14 - 77:17manual labor, for example.
-
77:17 - 77:20I think it's wrong to
decepreciate it because -
77:20 - 77:25we need those who work with their hands
like those who live by using words -
77:25 - 77:28like professors, lawyers..
-
77:28 - 77:32What I like in painting is
that it's not necessary to speak. -
77:32 - 77:35I don't like to speak.
-
77:35 - 77:38Still. Without doubt you speak a lot
around your painting. -
77:38 - 77:42You don't stop giving them titles,
to look for explanations for them, -
77:42 - 77:45signification...
You don't stop speaking. -
77:45 - 77:48Not at all, but that is afterwards.
-
77:48 - 77:52Because... when I paint,
I don't rationalize... -
77:52 - 77:55I don't try to explain anything.
-
77:55 - 77:59When I paint, I try to be an
open door for my emotions, -
77:59 - 78:01try talking...
-
78:01 - 78:07to my soul, and the only way
for me to try to talk to my soul -
78:07 - 78:10is... is silence
is... is the only domain -
78:10 - 78:15of what it is... it is possible...
it is possible to be true... -
78:15 - 78:20becaouse the words, always...
cheat, it's... it's a code, -
78:20 - 78:24and if someone likes my painting,
I think he would also like me as well -
78:24 - 78:28because it's from emotion to emotion...
-
78:28 - 78:31It's direct mode, that's what it is,
-
78:31 - 78:33from heart to heart,
-
78:33 - 78:35and when you look at
-
78:35 - 78:37my painting, it's not enough to speak...
-
78:37 - 78:40Because for this type of communication
to happen, -
78:40 - 78:45silence is necessary, Yes, the
silence is necessary. Don't you think? -
78:45 - 78:48Yes, yes, I believe you.
-
78:48 - 78:48You laugh...
-
78:48 - 78:52I'm laughing because, while you speak
about not talking, you talk. -
78:52 - 78:54I have to explain it to you.
-
78:54 - 78:59You don't need to explain it to me,
I understand. -
78:59 - 79:03At least, you keep explaining it
when people have already understood it. -
79:03 - 79:05I'm sorry, but someone you didn't know
-
79:05 - 79:09might think that you thought
people were stupid. -
79:09 - 79:12Really. It's just the opposite.
-
79:12 - 79:16It's out of a desire to respect
truth, out of honesty -
79:16 - 79:19towards the one who looks at me.
-
79:19 - 79:23So that, by force, I walk groping
about trying to find the just expression. -
79:23 - 79:26But take care, because it can be
irritating. -
79:26 - 79:28When I was little I took very seriously
-
79:28 - 79:31the things my parents repeated
to me twenty times at least. -
79:31 - 79:33For sure, if you didn't obey...
-
79:33 - 79:38That had nothing to do with it. Until
I'd noticed a tic of my mother's: -
79:38 - 79:42she systematically repeated the same
sentence twice. For example, -
79:42 - 79:45put on the white shoes,
put on the white shoes, -
79:45 - 79:49It wasn't just a habit of my mother's
but of all adults. -
79:49 - 79:53I, who am a bit more infantile,
can therefore say, I don't have this mania. -
79:53 - 79:58No, I don't have this mania.
-
79:58 - 80:02I may talk a lot but I don't repeat myself,
I want to use just the right word. -
80:02 - 80:05But it's so that I don't repeat myself,
I don't repeat myself. -
80:05 - 80:07You see.
-
80:07 - 80:09I see what? What?
-
80:09 - 80:14You repeat yourself. You finished by
saying two times: I don't repeat myself. -
80:14 - 80:18That doesn't count. You weren't
replying. -
80:18 - 80:21Since I speak too much, I'll leave you.
-
80:21 - 80:25On the other hand you can very well not
speak, not speak at all. -
80:25 - 80:30As a girl, I did that. I wagered
with myself that I wouldn't speak for days. -
80:30 - 80:32Nobody noticed anything.
-
80:32 - 80:36Not even my mother.
-
80:36 - 80:40It's like when I went to Scotland,
I didn't know a single word. -
80:40 - 80:43Then I arranged them for myself
alone. -
80:43 - 80:49One always talks too much,
one always talks... -
80:49 - 80:52Very graceful.
-
80:52 - 80:56I'll bet with you that tomorrow I
won't say a single word all day. -
80:56 - 81:00If you think it's fun, why not?
Anyway, if you speak, I won't hear you. -
81:00 - 81:03I'm not going to be around you
all day. -
81:03 - 81:08Why not? Tomorrow you don't have
classes. -
81:08 - 81:14All right. Anyway, theres not much
at stake. You won't even last an hour. -
81:14 - 81:17Then, not one word,
not a sigh, nothing. -
81:17 - 81:20Agreed!
-
81:20 - 81:30The one that loses is a pig.
-
81:30 - 81:30One moment.
-
81:30 - 81:36It's for you.
-
81:36 - 81:38Hello?
Gontran! -
81:38 - 81:41Great.
-
81:41 - 81:47Tomorrow. Could we delay it until
another day? -
81:47 - 81:50I understand, I understand.
-
81:50 - 81:56No, no. It's fine, it's fine.
-
81:56 - 82:03So we agree upon tomorrow.
Thank you. Good bye. -
82:03 - 82:07Is it about the one at the gallery?
Let's leave the bet for another day. -
82:07 - 82:10No. When I say something, I do it.
-
82:10 - 82:16That's silly, you're going to spoil
everything. At least, let me talk in your place. -
82:16 - 82:20Then, it's meaningless.
No, it's going to bring me luck. -
82:20 - 82:22I don't see how!
-
82:22 - 82:24Leave it up to me.
-
82:24 - 82:47You will come with me but have to
act like you don't know me, all right? -
82:47 - 82:51It will be exactly the opposite,
you will see. -
82:51 - 82:56Do what I tell you, and don't doubt
it and put your trust in me. -
82:56 - 83:02Why? Do you think that it's...?
No, believe me. -
83:02 - 83:05Call me at the end of the week,
at the end of the week. -
83:05 - 83:08I can't tell you more than
I've already told you. -
83:08 - 83:13I'll have to stop, since I'have people here.
I'll call you at the end of the week. -
83:13 - 83:17See you soon, think about it,
see you soon. -
83:17 - 83:19Ah, it's you.
-
83:19 - 83:20Who?
-
83:20 - 83:24You've come to show me your paintings.
No, I've just come to have a look. -
83:24 - 83:28I was expecting a girl,
they say she doesn't speak at all. -
83:28 - 83:28Don't worry.
-
83:28 - 83:44Take your time.
-
83:44 - 83:49It's you. Good evening.
You're here because of Gontran. -
83:49 - 83:53It's a painting, I expect,
what you have here. -
83:53 - 83:58I don't want you to show it to me
right a way. I'd prefere to see your portfolio... -
83:58 - 84:02You must have noticed that I said "portfolio"
and not "book". No English words. -
84:02 - 84:04Come over here. "Book" is a thing
-
84:04 - 84:08for "cover-girls". Now, I happened to
say "cover-girls"... -
84:08 - 84:16and not "models". But for sure,
it's deceptive. Let's see now... -
84:16 - 84:21It's interesting.
-
84:21 - 84:24It's not bad at all.
-
84:24 - 84:27It's not that original!
-
84:27 - 84:30But still it's surprising for
a girl of your age. -
84:30 - 84:33By the way, how old are you?
-
84:33 - 84:36You're older than fifteen, aren't you?
-
84:36 - 84:40I expect you're older than
you look. -
84:40 - 84:43You're not twenty years old?
-
84:43 - 84:50Nineteen? Eighteen?
Seventeen? -
84:50 - 84:56Let's say that beforehand they are
phantasies of an mature man. That is, very mature! -
84:56 - 84:59You seem annoyed.
But you don't need to reply. -
84:59 - 85:02You assume his problems,
as one would say. -
85:02 - 85:03But let's stop.
-
85:03 - 85:06critizising the facts so much.
-
85:06 - 85:10Another question, which you neither
need to reply to. -
85:10 - 85:13Have you taken drawing lessons?
They tell me that what merely -
85:13 - 85:14matters is the result.
-
85:14 - 85:18The knowing would be able to notice
that you are self-lerned. -
85:18 - 85:22And what of it? Today, why not?
This is your power... -
85:22 - 85:26Even more, you are neither someone
one would call "naive", between quotation marks -
85:26 - 85:31From a purely formal point of view
one can appreciate influences... -
85:31 - 85:35Can one know? I already know that
this question could be annoying: -
85:35 - 85:38at your age, you don't need to rely
on anyone, and why not? -
85:38 - 85:48Still, though, one would hazard
Magritte, right? -
85:48 - 85:52Dali?
-
85:52 - 85:55Neither! Come on, how unusual.
-
85:55 - 85:59Then, maybe I shouldn't dare to
mention Labisse, and Delvauz... -
85:59 - 86:05At least, you don't know him...
Yes? And he is an influence on you? -
86:05 - 86:11But, do you like Magritte?
-
86:11 - 86:13Dalí?
-
86:13 - 86:17Well then, this I call to speak
clearly. -
86:17 - 86:20Bravo, long live disrespect!
-
86:20 - 86:34Let's see your painting.
-
86:34 - 86:38Let me see.
-
86:38 - 86:39I like it very much.
-
86:39 - 86:43It's extraordinary. The photo
does not reflect the colors. -
86:43 - 86:45I like it very much. Very much.
-
86:45 - 86:48But I can see that there is an
unsteadiness in the composition. -
86:48 - 86:51Wait a moment, I'll explain.
Don't interrumpt me. -
86:51 - 86:53There, there is a vacant space,
-
86:53 - 86:56at the bottom to the right,
can you see? -
86:56 - 86:58It creates a certain unbalance.
-
86:58 - 87:03I know already that you would tell me
that its intentional, to put emphasis -
87:03 - 87:05on the central motive, right?
-
87:05 - 87:07Perfectly centered, thats for sure.
-
87:07 - 87:12You're not going to tell me that all this
isn't devilishly orchestrated. -
87:12 - 87:14Come on, don't protest, I've understood.
-
87:14 - 87:19If I'm not mistaken, it's this painting
that you want to entrust me with, right? -
87:19 - 87:22I'll take it with all the usual
conditions, alright? -
87:22 - 87:25How much do you want? 2000 francs?
That's reasonable, -
87:25 - 87:32taking the fifty percent into account.
-
87:32 - 87:36What is it you don't like?
Aren't you happy with this? -
87:36 - 87:43You can state the price. To raise it
is alright with me, but I don't think it'l sell. -
87:43 - 87:46Ok, do you want the money?
Straight away? -
87:46 - 87:49All right, you're mad.
-
87:49 - 87:56At could give you at least 200 francs,
no more, to get you out of trouble... -
87:56 - 87:592000 francs... I'm much to generous,
-
87:59 - 88:03I'm not even sure if I'll be able
to get 2000 francs for the painting. -
88:03 - 88:07I'm proposing 1700 or 1500, it's much
more in line with your real interests. -
88:07 - 88:12I don't want to be nasty, but alright,
your very anecdotical. -
88:12 - 88:14And it's even a very worn out
anecdote. -
88:14 - 88:18I'm going to tell you this outright.
I'm not saying that you don't have talent -
88:18 - 88:21but I can tell you that this
is almost not painting. -
88:21 - 88:24If it were well painted,
it would be like a photograph. -
88:24 - 88:31With a beautiful model, maybe
it would sell well as an erotic poster. -
88:31 - 88:34Look, now you're crying!
This is terrific. -
88:34 - 88:39Don't cry, miss, don't cry.
My luck, when I'm in a hurry... -
88:39 - 88:42Don't cry, miss.
-
88:42 - 88:47My words exaggerated a bit what I
was thinking. I like your painting. -
88:47 - 88:49It's very nice. The only thing is that
-
88:49 - 88:53I can't pay you cash down.
Let me have it, it will surely sell. -
88:53 - 88:54Don't be afraid, it will sort itself out.
-
88:54 - 88:57What's up with her?
-
88:57 - 89:00Stay on. This one is a bother to me,
it's got nothing to do with you. -
89:00 - 89:05Has he been harming you?
What has he told you? -
89:05 - 89:11Can't you speak? Are you dumb?
-
89:11 - 89:12I know. She's dumb.
-
89:12 - 89:16What?
Dumb! Dumb? That's clear? -
89:16 - 89:20What do you mean, dumb? What is this?
You can't be dumb, it doesn't exist. -
89:20 - 89:24Yes, sure it does. There are three hundred
and fity thousand deaf-dumb in France. -
89:24 - 89:27Deaf-dumb, what are you saying!
Exactly! -
89:27 - 89:31She's not deaf, she's understood
perfectly what I've told her. -
89:31 - 89:32Maybe she read your lips.
-
89:32 - 89:37But if she's deaf and dumb, I believe
she knows how to listen. She's got her language. -
89:37 - 89:41Oh, yes? And you know this language?
No! -
89:41 - 89:45Finally, you see reason. How
do you want her to use it with you? -
89:45 - 89:50But how would I know: that she'd write,
that she was accompanied by someone. -
89:50 - 89:54This isn't a charity institution for
cripples and invalids. -
89:54 - 89:56Watch your words!
-
89:56 - 90:00This way it's like we were talking
in front of an invalid! -
90:00 - 90:01If she can't hear!
-
90:01 - 90:03I've told you that she reads your lips!
-
90:03 - 90:08She's got her back turned. And, dumb or not,
she's started to get on my nerves. -
90:08 - 90:11I know what she wants. She wants
2000 francs. She told me. -
90:11 - 90:13All right, she indicated it to me clearly
-
90:13 - 90:18And I don't want to, that's that! It's
I who's in charge, here. So others listen! -
90:18 - 90:21First you kept her silent for a long
time without a chance to speak. -
90:21 - 90:26You didn't give her a chance to but in.
At least let her explain herself. -
90:26 - 90:28Explain herself! But she can't speak!
-
90:28 - 90:34So the more reason! With this pretext,
you're taking advantage of the situation. -
90:34 - 90:39exploiting her handicap. This is
cowaridice, vileness, disrespect. -
90:39 - 90:42Then let her express herself,
come on, let her speak up! -
90:42 - 90:46If you had been in this situation,
dumb or not, and had known she was dumb, -
90:46 - 90:48you would have done exactly the same!
-
90:48 - 90:49Says who?
-
90:49 - 90:54It's not a case of preventing her to speak.
Because if they don't let me, I don't speak! -
90:54 - 90:57When you meet with someone
who doesn't stop speaking, -
90:57 - 91:02who is pleased with his verbality...
I don't want to speak anymore... -
91:02 - 91:06Will you permit me to tell you...
He makes me sick, I find it repulsive... -
91:06 - 91:09Don't you think there is something repugnant
about the act of speaking? -
91:09 - 91:13Above all talking about painting!
It's something too sacred -
91:13 - 91:15in order to be desecrated with words...
-
91:15 - 91:17Yes, finally... I think...
-
91:17 - 91:22In reality, the only posture possible
in front of a painting is silence... -
91:22 - 91:23But all right, that's the conclusion!
-
91:23 - 93:43It's the silence. Silence.
-
93:43 - 93:45Yes, it's interesting.
-
93:45 - 93:46You'll sell it?
-
93:46 -4000 francs.
- Title:
- 4 Adventures of Reinette and Mirabelle
- Description:
-
The friendship of a moody urban lass and a simple, neurotic country girl frames their instructive interrelations in Eric Rohmer's slight, charming microproduction.
Directed by Eric Rohmer
Starring Joëlle Miquel, Jessica Forde - Duration:
- 01:34:53
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Amara Bot edited English subtitles for 4 Adventures of Reinette and Mirabelle | |
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