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[Liz Magor: Everyone Should Have A Studio]
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If I'm not here, I want to be here.
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And I want to work.
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It's a quiet space.
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It has really good light.
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The light comes from the East.
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A lot of people don't know I'm here.
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I don't have my name on the door.
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I meet my friends outside of the studio.
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It's my space--totally my space.
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Working might be a placating
or calming situation
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where I have no distractions.
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I was going to say it's like meditating,
but what do I know about meditating?
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[LAUGHS] Not very much!
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It's a way to keep myself on a single focus--
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on a single track--
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and there's something pleasurable about that.
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So I'm here for pleasure, in a way,
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although it's not fun.
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When I cast my material into this
mold of a paper bag,
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then I get a positive.
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That yellow will come to the outside.
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And it's part of my wanting to
make these objects have some
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vitality or vivaciousness.
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The contents are going to be
pushing for your attention.
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The yellow is pushing
to get the bag to be alive.
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I keep the studio in a very
rudimentary state
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in terms of the technology
and the systems that I use.
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I'm not investing in equipment--
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I'm not a factory.
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It's because I want to be able
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to quit whatever thing
I might be interested in
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and move on to a completely different thing.
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I'm thinking, so I need to be mobile.
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This might sound pretentious,
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but it's like a place
for physical philosophy.
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I talk a lot about the "below the radar"
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or the "ever-present-but-unacknowledged" things.
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And to me, these are part of that realm
because they're brilliant.
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This is brilliant!
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And I want my mold making to register them.
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Although that's...
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those are air bubbles.
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--So this is the front and that's the back.
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--And the front has fragile things
sticking out.
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I need a very quiet studio,
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because a work starts with me acknowledging
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those ever-present, not noisy
operations in the world.
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They're always there,
but they're not always acknowledged.
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Those are the things I'm interested in.
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Everyone should have a studio.
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They should be issued by the government
as health-mandated items.
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Because it is a place where you
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kind of line up all those dissonances
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and have a good look.